All language subtitles for Live Nude Comedy S01E06 Episode 6 1080p Amazon WEB-DL DD+ 2.0 x264-TrollHD_track4_[eng]

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,417 --> 00:00:02,250 GUYS DON'T CALL WOMEN WHO SLEEP AROUND SLUTS. 2 00:00:02,250 --> 00:00:05,875 UNH-UNH. WE JUST CALL THEM. YOU KNOW WHAT I'M SAYING? 3 00:00:06,333 --> 00:00:08,750 THIS IS THE COOLEST SHOW I'VE EVER BEEN ON. 4 00:00:08,750 --> 00:00:09,875 THIS IS MY FANTASY. 5 00:00:09,875 --> 00:00:11,083 LIKE, IF I HAD A DREAM ABOUT 6 00:00:11,083 --> 00:00:12,333 DOING COMEDY, THIS IS IT. 7 00:00:12,333 --> 00:00:14,000 I HAVE TO DO STAND-UP COMEDY, 8 00:00:14,000 --> 00:00:15,875 AND I'M JUST NOT SURE HOW IT'S 9 00:00:15,875 --> 00:00:16,834 GONNA TURN OUT. 10 00:00:16,834 --> 00:00:18,667 IF I MEET A WOMAN AND SHE HAS 11 00:00:18,667 --> 00:00:20,375 A NICE ASS, SHE HAS A BOYFRIEND. 12 00:00:20,375 --> 00:00:22,250 I FEEL LIBERATED WHEN I GET NAKED, 13 00:00:22,250 --> 00:00:24,500 SO IT'S BEEN A GREAT EXPERIENCE. 14 00:00:24,500 --> 00:00:27,750 BUT IF I MEET A WOMAN AND SHE HAS AGREATASS, 15 00:00:27,750 --> 00:00:29,208 SHE IS IN HIGH SCHOOL. 16 00:00:29,208 --> 00:00:30,250 AS YOU CAN CLEARLY SEE, 17 00:00:30,250 --> 00:00:32,208 IF I WASN'T WEARING THESE, I WOULD BE NAKED. 18 00:00:32,208 --> 00:00:34,333 I HAVE NEVER WORKED WITH SHANNON ELIZABETH BEFORE. 19 00:00:34,333 --> 00:00:37,583 [ Elizabeth ] I'M YOUR HOST, SHANNON ELIZABETH. 20 00:00:37,583 --> 00:00:39,792 [ CHEERS AND APPLAUSE ] 21 00:00:39,792 --> 00:00:42,417 WELCOME TO "LIVE NUDE COMEDY"! 22 00:00:42,417 --> 00:00:45,041 JITTERS ARE GONE. EXCITEMENT'S KICKING IN. 23 00:00:45,041 --> 00:00:46,667 ENERGY, YOU CAN FEEL IT. 24 00:00:46,667 --> 00:00:48,542 WHAT ARE YOU DOING? 25 00:00:48,542 --> 00:00:51,083 I'M TAKING A NAP. 26 00:00:55,750 --> 00:00:57,834 IT'S FUN TO GET NAKED. 27 00:00:57,834 --> 00:00:58,959 [ LAUGHS ] 28 00:00:58,959 --> 00:01:02,834 LADIES AND GENTLEMEN, SHANNON ELIZABETH. 29 00:01:06,250 --> 00:01:09,959 [ UP-TEMPO MUSIC PLAYING ] 30 00:01:25,250 --> 00:01:28,083 - [ Elizabeth ] UH, GUYS! - [ MUSIC STOPS ] 31 00:01:28,083 --> 00:01:30,625 WHAT THE HELL? WHERE'S THE WATER? 32 00:01:30,625 --> 00:01:34,125 UH, YEAH. SHANNON, WE COULDN'T AFFORD TO 33 00:01:34,125 --> 00:01:35,667 HOOK UP THE WATER GAG. 34 00:01:35,667 --> 00:01:37,500 [ LAUGHTER ] 35 00:01:37,500 --> 00:01:40,375 [ Elizabeth ] YOU KNOW, YOU COULD HAVE TOLD ME THIS! 36 00:01:40,375 --> 00:01:42,125 THAT'S THE WHOLE POINT OF THIS DANCE. 37 00:01:42,125 --> 00:01:44,000 I MEAN, YOU CAN'T JUST SPRING THAT ON ME. 38 00:01:44,000 --> 00:01:46,875 UM... HANG ON. I GOT AN IDEA. 39 00:01:46,875 --> 00:01:48,500 STAY RIGHT THERE. 40 00:01:48,500 --> 00:01:50,959 [ Elizabeth ] [ SIGHS ] 41 00:02:00,542 --> 00:02:04,291 [ CHEERS AND APPLAUSE ] 42 00:02:07,333 --> 00:02:12,125 WELCOME TO "LIVE NUDE COMEDY"! 43 00:02:12,125 --> 00:02:13,625 I'M SHANNON ELIZABETH. 44 00:02:13,625 --> 00:02:16,792 TONIGHT, YOU'RE GONNA SEE COMEDIANS, BURLESQUE PERFORMERS, 45 00:02:16,792 --> 00:02:21,417 AND APPARENTLY TWO VERY COLD BOTTLES OF WATER. 46 00:02:21,417 --> 00:02:23,417 THIS NEXT DANCER'S GONNA DAZZLE 47 00:02:23,417 --> 00:02:25,625 YOU WITH THE ART OF BELLY DANCE. 48 00:02:25,625 --> 00:02:27,875 PLEASE WELCOME AMELIE. 49 00:02:27,875 --> 00:02:31,041 [ CHEERS AND APPLAUSE ] 50 00:02:34,667 --> 00:02:38,709 HOLD ME CLOSELY 51 00:02:38,709 --> 00:02:40,875 TOUCH MY BODY 52 00:02:40,875 --> 00:02:43,333 COME ON WITH ME 53 00:02:43,333 --> 00:02:44,583 LET'S GET FREAKY 54 00:02:44,583 --> 00:02:47,041 SHAKE IT DOWN, DOWN, DOWN, DOWN, DOWN, DOWN 55 00:02:47,041 --> 00:02:49,625 IF YOU WANT TO BE WITH ME TONIGHT 56 00:02:49,625 --> 00:02:52,875 YOU LOOK THE BEST, BUT DO YOU HAVE THE REST 57 00:02:52,875 --> 00:02:54,583 TO KEEP ME BY YOUR SIDE? 58 00:02:54,583 --> 00:02:56,792 SHAKE IT DOWN, DOWN, DOWN, DOWN, DOWN, DOWN 59 00:02:56,792 --> 00:02:59,458 IF YOU WANT TO BE MY MAN TONIGHT 60 00:02:59,458 --> 00:03:02,041 LET LOOSE THE FIRE BUT YOU WON'T BE MINE 61 00:03:02,041 --> 00:03:06,917 TILL YOU KEEP ME SATISFIED 62 00:03:06,917 --> 00:03:07,625 OW! 63 00:03:07,625 --> 00:03:11,542 I SEE YOUR EYES ALL OVER ME 64 00:03:11,542 --> 00:03:15,917 TELL ME, ARE YOU READY FOR WHAT YOU SEE? 65 00:03:15,917 --> 00:03:21,583 IT LOOKS TO ME YOU'RE A BROTHER WHO'S GOT IT MADE 66 00:03:21,583 --> 00:03:23,000 YOU'VE HELD US HERE 67 00:03:23,000 --> 00:03:25,250 AND YOU SHOW ME, BABY, WHAT IT TAKES 68 00:03:25,250 --> 00:03:28,291 SHAKE IT DOWN, DOWN, DOWN, DOWN, DOWN, DOWN 69 00:03:28,291 --> 00:03:30,291 IF YOU WANT TO BE WITH ME TONIGHT 70 00:03:30,291 --> 00:03:33,500 YOU LOOK THE BEST, BUT DO YOU HAVE THE REST 71 00:03:33,500 --> 00:03:34,917 TO KEEP ME BY YOUR SIDE? 72 00:03:34,917 --> 00:03:37,458 SHAKE IT DOWN, DOWN, DOWN, DOWN, DOWN, DOWN 73 00:03:37,458 --> 00:03:40,083 IF YOU WANT TO BE MY MAN TONIGHT 74 00:03:40,083 --> 00:03:42,959 LET LOOSE THE FIRE BUT YOU WON'T BE MINE 75 00:03:42,959 --> 00:03:46,000 TILL YOU KEEP ME SATISFIED 76 00:03:46,000 --> 00:03:48,417 OH 77 00:03:48,417 --> 00:03:50,083 OH 78 00:03:50,083 --> 00:03:52,500 OH, OH, OH 79 00:03:52,500 --> 00:03:55,667 OH, OH, OH 80 00:03:55,667 --> 00:03:58,083 OH 81 00:03:58,083 --> 00:03:59,750 OH 82 00:03:59,750 --> 00:04:02,166 OH, OH, OH 83 00:04:02,166 --> 00:04:04,375 OH, OH, OH 84 00:04:04,375 --> 00:04:09,834 TOUCH THERE, MY HIPS AND EVERYWHERE 85 00:04:09,834 --> 00:04:11,750 EYES STARE 86 00:04:11,750 --> 00:04:13,834 THE REST, WELL, I DON'T CARE 87 00:04:13,834 --> 00:04:18,542 LOST CONTROL, SO CAUGHT UP IN THIS FEELING, OH 88 00:04:18,542 --> 00:04:24,208 WE BOTH KNOW IT'S ALL NIGHT, BABY, LET'S GO 89 00:04:24,208 --> 00:04:26,750 SHAKE, SHAKE 90 00:04:26,750 --> 00:04:29,834 OH 91 00:04:29,834 --> 00:04:31,583 SHAKE, SHAKE 92 00:04:31,583 --> 00:04:34,875 OH 93 00:04:34,875 --> 00:04:37,542 SHAKE, SHAKE 94 00:04:37,542 --> 00:04:39,500 OH 95 00:04:39,500 --> 00:04:41,041 SHAKE, SHAKE 96 00:04:41,041 --> 00:04:43,166 OH 97 00:04:43,166 --> 00:04:45,709 HOLD ME CLOSELY 98 00:04:45,709 --> 00:04:47,959 TOUCH MY BODY 99 00:04:47,959 --> 00:04:50,583 COME ON WITH ME 100 00:04:50,583 --> 00:04:51,834 LET'S GET FREAKY 101 00:04:51,834 --> 00:04:54,083 SHAKE IT DOWN, DOWN, DOWN, DOWN, DOWN, DOWN 102 00:04:54,083 --> 00:04:56,834 IF YOU WANT TO BE WITH ME TONIGHT 103 00:04:56,834 --> 00:04:59,709 YOU LOOK THE BEST, BUT DO YOU HAVE THE REST 104 00:04:59,709 --> 00:05:01,250 TO KEEP ME BY YOUR SIDE? 105 00:05:01,250 --> 00:05:03,792 SHAKE IT DOWN, DOWN, DOWN, DOWN, DOWN, DOWN 106 00:05:03,792 --> 00:05:06,625 IF YOU WANT TO BE MY MAN TONIGHT 107 00:05:06,625 --> 00:05:09,208 LET LOOSE THE FIRE BUT YOU WON'T BE MINE 108 00:05:09,208 --> 00:05:11,083 TILL YOU KEEP ME SATISFIED 109 00:05:11,083 --> 00:05:13,375 SHAKE IT DOWN, DOWN, DOWN, DOWN, DOWN, DOWN 110 00:05:13,375 --> 00:05:15,959 IF YOU WANT TO BE WITH ME TONIGHT 111 00:05:15,959 --> 00:05:18,792 YOU LOOK THE BEST, BUT DO YOU HAVE THE REST 112 00:05:18,792 --> 00:05:20,208 TO KEEP ME BY YOUR SIDE? 113 00:05:20,208 --> 00:05:23,000 SHAKE IT DOWN, DOWN, DOWN, DOWN, DOWN, DOWN 114 00:05:23,000 --> 00:05:25,667 IF YOU WANT TO BE WITH ME TONIGHT 115 00:05:25,667 --> 00:05:26,875 LET LOOSE THE FIRE 116 00:05:26,875 --> 00:05:28,250 BUT YOU WON'T BE MINE 117 00:05:28,250 --> 00:05:32,333 TILL YOU KEEP ME SATISFIED 118 00:05:32,333 --> 00:05:37,250 [ CHEERS AND APPLAUSE ] 119 00:05:40,750 --> 00:05:42,875 SO YOU'VE MOVED AROUND YOUR WHOLE LIFE. 120 00:05:42,875 --> 00:05:44,750 YES, MY DAD WAS IN THE MILITARY. 121 00:05:44,750 --> 00:05:46,542 YEAH? HOW WAS THAT? 122 00:05:46,542 --> 00:05:47,625 IT WAS AWESOME. 123 00:05:47,625 --> 00:05:49,917 I MOVED, I THINK, AT LEAST EIGHT 124 00:05:49,917 --> 00:05:51,709 TIMES BY THE TIME I WAS 8. 125 00:05:51,709 --> 00:05:53,667 AND I GOT TO SEE THE WORLD AND 126 00:05:53,667 --> 00:05:56,625 TOUCH HISTORY AND CASTLES AND STUFF. 127 00:05:56,625 --> 00:06:00,041 THAT'S WHY I'M LIKE THIS RIGHT NOW. 128 00:06:00,041 --> 00:06:01,125 [ LAUGHS ] 129 00:06:01,125 --> 00:06:02,959 [ CHEERS AND APPLAUSE ] 130 00:06:02,959 --> 00:06:05,500 [ Elizabeth ] ALL RIGHT! 131 00:06:07,458 --> 00:06:11,041 NOW, THIS NEXT PERFORMER IS FROM BOSTON, MASSACHUSETTS, 132 00:06:11,041 --> 00:06:14,834 AND HE IS A BIG RED SOX FAN, AND I KNOW THIS FIRSTHAND 133 00:06:14,834 --> 00:06:19,250 BECAUSE BACKSTAGE HE TRIED TO SHOW ME HIS GREEN MONSTER. 134 00:06:19,250 --> 00:06:20,083 YEAH. 135 00:06:20,083 --> 00:06:23,542 OKAY, GIVE IT UP FOR MIKE FAVERMAN! 136 00:06:23,542 --> 00:06:26,917 [ CHEERS AND APPLAUSE ] 137 00:06:31,000 --> 00:06:31,959 GOOD-LOOKING -- 138 00:06:31,959 --> 00:06:34,875 GOOD-LOOKING CROWD. HOW YOU GUYS FEELING? 139 00:06:34,875 --> 00:06:36,083 YOU DOING ALL RIGHT? 140 00:06:36,083 --> 00:06:37,750 [ CHEERS AND APPLAUSE ] 141 00:06:37,750 --> 00:06:41,208 I WAS GONNA PUT MY HAIR IN CORNROWS THIS MORNING. 142 00:06:41,208 --> 00:06:43,500 I FOUND A CROP CIRCLE. 143 00:06:43,500 --> 00:06:44,458 [ LAUGHTER ] 144 00:06:44,458 --> 00:06:49,709 LOOKS LIKE I WAS WEARING A BURNING YARMULKE, DOESN'T IT? 145 00:06:49,709 --> 00:06:51,792 ASSHOLES. 146 00:06:51,792 --> 00:06:54,291 GAVE A HOMELESS GUY A BAG OF MY OLD CLOTHES TODAY. 147 00:06:54,291 --> 00:06:58,583 HE LOOKS THROUGH THEM AND GOES, "NAH, I'M GOOD." 148 00:06:58,583 --> 00:06:59,875 [ LAUGHTER ] 149 00:06:59,875 --> 00:07:02,083 WHAT A DICK, HUH? 150 00:07:02,083 --> 00:07:05,500 THIS GUY'S WEARING A FedEx BOX. 151 00:07:06,542 --> 00:07:08,333 I DON'T FEEL BAD FOR ALL THE HOMELESS. 152 00:07:08,333 --> 00:07:11,250 I SAW AN 18-YEAR-OLD HOMELESS KID TODAY -- 18, YEAH. 153 00:07:11,250 --> 00:07:14,250 GAVE UP A LITTLE BIT EARLY, HUH, FUCK FACE? 154 00:07:14,250 --> 00:07:15,291 [ LAUGHTER ] 155 00:07:15,291 --> 00:07:19,333 WHAT? YOU GET A "C" IN ENGLISH? "IT'S OVER! 156 00:07:19,333 --> 00:07:21,709 THAT SHIT'S HARD!" 157 00:07:21,709 --> 00:07:25,917 SAW A HOMELESS GUY WITH A GIRLFRIEND TODAY. 158 00:07:25,917 --> 00:07:29,709 DUDE, YOU GOT TO BE A SMOOTH MOTHERFUCKER 159 00:07:29,709 --> 00:07:32,291 TO BE PULLING ASS WITH NO HOME. 160 00:07:32,291 --> 00:07:33,959 [ LAUGHTER ] 161 00:07:33,959 --> 00:07:35,166 WHAT'S THE PICKUP LINE? 162 00:07:35,166 --> 00:07:37,750 "HEY, COME BACK TO THE DUMPSTER, HUH? 163 00:07:37,750 --> 00:07:41,291 I'VE GOT LEFTOVER LEFTOVERS." 164 00:07:42,709 --> 00:07:44,875 WENT UP TO A WOMAN TODAY TO CONGRATULATE HER ON HER 165 00:07:44,875 --> 00:07:47,959 PREGNANCY, AND SHE WASN'T PREGNANT. 166 00:07:47,959 --> 00:07:50,750 MAN, I DIDN'T KNOW WHAT TO DO. I PANICKED AND JUST SMACKED HER 167 00:07:50,750 --> 00:07:54,166 AND SCREAMED, "RACIST!" AND JUST TOOK OFF. 168 00:07:54,166 --> 00:07:57,792 THAT'S THE ONLY SHIT YOU CAN DO AT THAT POINT, RIGHT? 169 00:07:57,792 --> 00:08:00,250 THAT'SHERPROBLEM. 170 00:08:00,875 --> 00:08:02,500 I SAW A LADY BEATING HER KID TODAY. 171 00:08:02,500 --> 00:08:05,125 THAT'S SOME DISTURBING SHIT, TOO, RIGHT? 172 00:08:05,125 --> 00:08:06,709 YOU EVER SEE A LADY BEATING HER KID? 173 00:08:06,709 --> 00:08:08,834 THIS IS WHAT YOU DO, SNEAK UP RIGHT NEXT TO THEM, AND YOU 174 00:08:08,834 --> 00:08:12,291 START BEATING THE FUCK OUT OF THE KID, TOO. 175 00:08:12,291 --> 00:08:14,291 THEY'LL BE LIKE, "WHAT ARE YOU DOING?" 176 00:08:14,291 --> 00:08:15,959 "MOVE OVER, BITCH, I'M HELPING! 177 00:08:15,959 --> 00:08:20,417 YOU MUST EMBARRASS HIM FOR HIM TO LEARN!" 178 00:08:20,417 --> 00:08:21,750 SHE STARTS LOVING THE KID AGAIN. 179 00:08:21,750 --> 00:08:23,834 IT'S LIKE REVERSE PSYCHOLOGY, RIGHT? 180 00:08:23,834 --> 00:08:27,542 THIS IS MY MOM'S FAVORITE JOKE. I WAS ON A DATE THE OTHER DAY, 181 00:08:27,542 --> 00:08:28,667 WENT BACK TO HER HOUSE. 182 00:08:28,667 --> 00:08:30,583 SHE WAS LIKE, "WOULD YOU LIKE TO COME INSIDE?" 183 00:08:30,583 --> 00:08:31,959 I WAS LIKE, "SURE, IF YOU'RE ON 184 00:08:31,959 --> 00:08:35,125 THE PILL, BUT I PREFER THE FACE AND THE TITS." 185 00:08:35,125 --> 00:08:37,125 [ LAUGHTER ] 186 00:08:37,125 --> 00:08:39,291 OH, MOM. 187 00:08:39,291 --> 00:08:43,208 WHEN GAY MEN MASTURBATE, DO THEY EVER GET THE URGE TO SHOOT IT IN 188 00:08:43,208 --> 00:08:47,375 THEIR OWN FACE OUT OF INSTINCTS? 189 00:08:47,375 --> 00:08:51,250 SIR, I'M ASKING YOU. 190 00:08:51,250 --> 00:08:54,542 DUDE, IF I WAS GAY, EVERY MORNING -- BOOM! 191 00:08:54,542 --> 00:08:56,208 GOOD MORNING! 192 00:08:56,208 --> 00:08:57,875 PROTEIN SHAKE, GOOD FOR THE SKIN. 193 00:08:57,875 --> 00:09:01,834 JUST RUB THAT SHIT IN. YOU KNOW WHAT I'M SAYING? 194 00:09:01,834 --> 00:09:04,166 WENT TO KENTUCKY FRIED CHICKEN TODAY. 195 00:09:04,166 --> 00:09:05,625 THAT'S SOME GARBAGE, HUH? 196 00:09:05,625 --> 00:09:07,667 THEIR MOTTO IS, "WE DO CHICKEN RIGHT." 197 00:09:07,667 --> 00:09:10,000 I THINK THEY SHOULD KEEP THAT, BUT SAY IT DIFFERENTLY. 198 00:09:10,000 --> 00:09:11,709 THEY SHOULD SAY IT LIKE THIS, 199 00:09:11,709 --> 00:09:13,917 "WE DO CHICKEN... 200 00:09:13,917 --> 00:09:14,834 RIGHT?" 201 00:09:14,834 --> 00:09:21,625 [ LAUGHTER ] 202 00:09:21,625 --> 00:09:24,375 OH, THANK YOU. 203 00:09:24,375 --> 00:09:26,250 USED TO WORK FOR A HOTEL. 204 00:09:26,250 --> 00:09:28,959 LADY COMES UP TO ME AND GOES, "CAN I HAVE A WAKE-UP CALL?" 205 00:09:28,959 --> 00:09:33,083 I SAID, "YOU'RE FAT, AND YOU'RE LUCKY TO EVER GET MARRIED." 206 00:09:33,083 --> 00:09:34,041 [ LAUGHTER ] 207 00:09:34,041 --> 00:09:35,709 SHE WAS. SHE WAS DISGUSTING. 208 00:09:35,709 --> 00:09:37,583 I STILL FUCKED HER, THOUGH. 209 00:09:37,583 --> 00:09:41,375 WE ALL HAVE AN UGLY FRIEND. AM I RIGHT? YEAH. 210 00:09:41,375 --> 00:09:43,917 IF YOU DON'T, IT'S PROBABLY YOU. 211 00:09:43,917 --> 00:09:45,333 [ LAUGHTER ] 212 00:09:45,333 --> 00:09:47,250 DUDE, MY UGLY BUDDY CALLED ME UP THE OTHER DAY. 213 00:09:47,250 --> 00:09:49,834 HE TOLD ME HE HAD SEX WITH TWO WOMEN AT THE SAME TIME, 214 00:09:49,834 --> 00:09:52,750 BOTH OF THEM OVER 400 POUNDS. 215 00:09:52,750 --> 00:09:54,041 DUDE, HOW SWEET IS THAT? 216 00:09:54,041 --> 00:09:57,500 IT'S LIKE BEING IN ONE OF THOSE MOONWALKS WHERE YOU'RE LIKE... 217 00:09:57,500 --> 00:09:59,500 PFFT! 218 00:09:59,500 --> 00:10:01,500 PFFT! 219 00:10:01,500 --> 00:10:03,166 PFFT! 220 00:10:03,166 --> 00:10:03,959 PT! 221 00:10:03,959 --> 00:10:07,083 HERE'S WHERE IT GETS DISGUSTING. 222 00:10:07,083 --> 00:10:09,583 HE SAID, AS SOON AS HE GOT THEM IN THE ROOM, 223 00:10:09,583 --> 00:10:13,458 THEY IMMEDIATELY WENT DOWN ON EACH OTHER. 224 00:10:13,458 --> 00:10:15,500 YEAH. THAT'S NOT A 69. 225 00:10:15,500 --> 00:10:19,333 THAT'S A 6,996. 226 00:10:19,333 --> 00:10:20,625 [ LAUGHTER ] 227 00:10:20,625 --> 00:10:23,166 SEESAW STYLE, TOO. 228 00:10:23,166 --> 00:10:25,291 LIKE... 229 00:10:26,375 --> 00:10:29,792 [ LAUGHTER ] 230 00:10:30,458 --> 00:10:33,875 CAN YOU IMAGINE THE SMELL IN THAT ROOM? 231 00:10:33,875 --> 00:10:37,625 SMELL LIKE A BAG OF SALT-AND-VINEGAR POTATO CHIPS 232 00:10:37,625 --> 00:10:39,125 BLEW UP. 233 00:10:39,125 --> 00:10:40,792 HOW TO DESCRIBE THAT EVENING -- 234 00:10:40,792 --> 00:10:44,875 GOOD FOOD, GOOD LAUGHS, GOOD GOD. 235 00:10:45,667 --> 00:10:48,667 SINGLE NOW. IT'S GOOD. I WENT TO THE BAR THE OTHER DAY. 236 00:10:48,667 --> 00:10:49,959 BARTENDER WAS HITTING ON ME 237 00:10:49,959 --> 00:10:51,542 'CAUSE SHE WANTED THE TIP, RIGHT. 238 00:10:51,542 --> 00:10:52,750 LITTLE DID SHE KNOW I WAS GONNA 239 00:10:52,750 --> 00:10:55,291 GIVE HER THE WHOLE THING. 240 00:10:55,291 --> 00:10:56,333 - YEAH! - YEAH! 241 00:10:56,333 --> 00:10:58,959 THIS IS WHAT HAPPENED. I WAS AT THE BAR, A GIRL COMES 242 00:10:58,959 --> 00:11:01,542 UP TO ME AND GOES, "MY FRIEND THINKS YOU'RE CUTE." 243 00:11:01,542 --> 00:11:06,125 I WAS LIKE, "WELL, TELL HER SHE'S RIGHT." 244 00:11:06,125 --> 00:11:08,333 I LOOK OVER. NOT TOO GOOD-LOOKING. 245 00:11:08,333 --> 00:11:12,959 BODY, FIRST CLASS. FACE, COACH. 246 00:11:12,959 --> 00:11:16,083 COACH CARTER. 247 00:11:16,083 --> 00:11:17,458 MUSTACHE, WHISTLE. 248 00:11:17,458 --> 00:11:19,291 SHE WAS ALL FUCKED UP, ALL RIGHT? 249 00:11:19,291 --> 00:11:24,208 GOD MADE HER WHEN HE WAS DOING JAGER BOMBS IN TIJUANA. 250 00:11:25,875 --> 00:11:27,417 TRUE STORIES ARE ALWAYS THE BEST, RIGHT? 251 00:11:27,417 --> 00:11:29,959 I WENT TO VISIT SOME FRIENDS THE OTHER DAY -- YOUNG COUPLE. 252 00:11:29,959 --> 00:11:31,458 MY BUDDY ANSWERED THE DOOR LIMPING, 253 00:11:31,458 --> 00:11:33,041 AND HIS GIRLFRIEND HAD A NECK BRACE ON. 254 00:11:33,041 --> 00:11:34,333 I ASKED THEM WHAT HAPPENED. 255 00:11:34,333 --> 00:11:35,625 THEY SAID, "CAR ACCIDENT," WHICH 256 00:11:35,625 --> 00:11:37,458 IS BULLSHIT 'CAUSE THEY TAKE THE BUS. 257 00:11:37,458 --> 00:11:39,125 HERE'S WHAT REALLY HAPPENED. 258 00:11:39,125 --> 00:11:40,417 THEY WERE HAVING SEX DOGGIE 259 00:11:40,417 --> 00:11:42,500 STYLE, AND THE CAT WAS IN THE ROOM. 260 00:11:42,500 --> 00:11:45,709 THE CAT ATTACKED THE GUY'S BALLS DURING SEX. 261 00:11:45,709 --> 00:11:47,750 HE FREAKS OUT, PUSHES HER, 262 00:11:47,750 --> 00:11:51,083 AND SHE SNAPS HER NECK ON THE HEADBOARD. 263 00:11:51,083 --> 00:11:53,625 DUDE, HOW AWESOME IS THAT? 264 00:11:53,625 --> 00:11:56,333 THOSE ARE MY FRIENDS WE'RE TALKING ABOUT! 265 00:11:56,333 --> 00:11:59,542 I WOULD HAVE LOVED TO HAVE SEEN THAT SHIT LIVE! 266 00:11:59,542 --> 00:12:03,083 YOU CAN SEE THE CAT LOOKING UP, LIKE... 267 00:12:04,166 --> 00:12:08,166 LOOKING UP AT THE UGLIEST BALL OF YARN. 268 00:12:08,917 --> 00:12:13,250 LOOKS LIKE A FAT MOUSE WITH LEUKEMIA, RIGHT? 269 00:12:13,250 --> 00:12:15,000 AND HE'S JUST PARRING THAT SHIT! 270 00:12:15,000 --> 00:12:17,417 IT'S LIKE TETHERBALL FOR HIM, RIGHT? 271 00:12:17,417 --> 00:12:18,750 GUY'S UP THERE HAVING A BLAST. 272 00:12:18,750 --> 00:12:20,667 FINALLY, THE CAT WAS LIKE, "FUCK IT!" 273 00:12:20,667 --> 00:12:22,208 [ SCREECHES ] 274 00:12:22,208 --> 00:12:23,250 AND HELD ON TO IT! 275 00:12:23,250 --> 00:12:24,875 HE WAS LIKE, "HOLY SHIT!" 276 00:12:24,875 --> 00:12:29,834 GIVES A WHOLE NEW MEANING TO LETTING THE CAT OUT OF THE BAG. 277 00:12:29,834 --> 00:12:31,417 MY BUDDY HAD TO GO TO THE HOSPITAL 278 00:12:31,417 --> 00:12:32,875 TO GET STITCHES ON HIS SHIT. 279 00:12:32,875 --> 00:12:35,834 IF I WAS A DOCTOR, I WOULD HAVE HAD A FIELD DAY WITH THAT. 280 00:12:35,834 --> 00:12:40,083 "CAN YOU TELL MEONEMORE TIME HOW THIS HAPPENED?" 281 00:12:40,083 --> 00:12:41,583 YOU KNOW, THE CAT RULED THE HOUSE. 282 00:12:41,583 --> 00:12:45,709 HE'D WALK IN THE ROOM LIKE, "WHAT'S UP, BITCHES?" 283 00:12:46,542 --> 00:12:48,750 GOT A LOT OF TIME ON MY HANDS AS A COMEDIAN. 284 00:12:48,750 --> 00:12:51,083 YOU EVER HAVE TIME, GO TO A COFFEE SHOP, 285 00:12:51,083 --> 00:12:52,625 SIT NEXT TO A STRANGER. SAY, "HEY, MAN. 286 00:12:52,625 --> 00:12:55,375 CAN YOU WATCH MY STUFF?" THEN YOU GO OVER TO YOUR BUDDIES 287 00:12:55,375 --> 00:12:58,667 AND SAY, "HEY, CAN YOU GO OVER THERE AND GRAB MY STUFF?" 288 00:12:58,667 --> 00:13:02,959 AND YOU WATCH THEM BEAT THE FUCK OUT OF EACH OTHER. 289 00:13:02,959 --> 00:13:05,834 OR YOU WANT TO MESS WITH A REALLY BEAUTIFUL WOMAN, 290 00:13:05,834 --> 00:13:08,500 WALK UP TO A BEAUTIFUL WOMAN, TAP HER ON THE SHOULDER. 291 00:13:08,500 --> 00:13:09,583 SAY, "EXCUSE ME." 292 00:13:09,583 --> 00:13:12,125 WHEN SHE TURNS AROUND, GO, "UGH, FORGET IT." 293 00:13:12,125 --> 00:13:14,709 [ LAUGHTER ] 294 00:13:20,333 --> 00:13:22,458 USED TO WORK IN THE RESTAURANT BUSINESS. 295 00:13:22,458 --> 00:13:23,959 I DIDN'T WORK FOR A TGI FRIDAY'S. 296 00:13:23,959 --> 00:13:28,291 I WORKED FOR THEIR COMPETITOR, OH, FUCK, IT'S MONDAY. 297 00:13:28,291 --> 00:13:30,417 [ LAUGHTER ] 298 00:13:30,417 --> 00:13:33,834 WORKED IN THE KITCHEN WITH 10 MEXICAN BROTHERS. 299 00:13:33,834 --> 00:13:36,250 THEY USED TO CALL ME THE WHITEBACK. 300 00:13:36,250 --> 00:13:39,542 I LOVE MEXICAN MEN 'CAUSE THEY LOVE WOMEN WITH BIG ASSES, 301 00:13:39,542 --> 00:13:40,917 AND THEY'RE LITTLE GUYS. 302 00:13:40,917 --> 00:13:43,625 YOU JUST PICTURE THEM MAKING LOVE LIKE... 303 00:13:43,625 --> 00:13:45,917 YEAH! 304 00:13:45,917 --> 00:13:49,166 "OH, ME GUSTA!" 305 00:13:49,166 --> 00:13:53,875 LOOK LIKE A KOALA BEAR HUGGING A REDWOOD, YOU KNOW? 306 00:13:56,542 --> 00:13:57,792 I HAD A GAY BOSS, TOO. 307 00:13:57,792 --> 00:14:01,583 HE TOLD ME HE WAS HAUNTED BY A GAY GHOST IN HIS HOUSE. 308 00:14:01,583 --> 00:14:03,458 DUDE, HOW GAY IS THAT? 309 00:14:03,458 --> 00:14:07,667 WHAT, HE HAUNTS YOU FROM THE CLOSET AT FIRST? 310 00:14:07,667 --> 00:14:14,000 CAME OUT LATE AT NIGHT, WAS LIKE, "BOO! 311 00:14:14,000 --> 00:14:15,125 BOO!" 312 00:14:15,125 --> 00:14:18,959 YOU WOKE UP. YOUR ROOM'S ALL REDECORATED. 313 00:14:18,959 --> 00:14:22,667 HE HAD GUCCI SHEETS AND GUMMY BRACELETS ON. 314 00:14:22,667 --> 00:14:25,417 I GOT FIRED FROM THAT JOB. I THOUGHT IT WAS A GOOD REASON. 315 00:14:25,417 --> 00:14:27,875 YOUNG COUPLE MAKING OUT AT THE TABLE, DISGUSTING. 316 00:14:27,875 --> 00:14:30,834 I DON'T WANT TO SEE THAT SHIT. YOU EVER SEE TWO PEOPLE MAKING 317 00:14:30,834 --> 00:14:32,166 OUT IN PUBLIC, MAKES YOU FEEL 318 00:14:32,166 --> 00:14:33,875 UNCOMFORTABLE, AND YOU WANT THEM TO STOP? 319 00:14:33,875 --> 00:14:37,125 JUST WALK RIGHT UP TO THEM AND GO LIKE THIS. 320 00:14:37,125 --> 00:14:41,291 [ LAUGHTER ] 321 00:14:41,291 --> 00:14:44,834 MMM-MMM! 322 00:14:44,834 --> 00:14:48,333 YOU GUYS ARE HOT! 323 00:14:48,333 --> 00:14:50,333 SMACK HER ASS! SMACK HER ASS! 324 00:14:50,333 --> 00:14:53,291 ALL RIGHT. THANK YOU VERY MUCH. MY NAME'S MIKE FAVERMAN. 325 00:14:53,291 --> 00:14:57,041 [ CHEERS AND APPLAUSE ] 326 00:15:02,291 --> 00:15:03,959 [ Elizabeth ] SO... 327 00:15:03,959 --> 00:15:05,875 SO, I DON'T UNDERSTAND WHY GIRLS 328 00:15:05,875 --> 00:15:07,709 WEAR CLOTHES WITH WORDS ON THEM 329 00:15:07,709 --> 00:15:09,500 BECAUSE WHEN A GIRL HAS A SHIRT 330 00:15:09,500 --> 00:15:11,500 ON THAT SAYS "PORN-STAR SLUT," 331 00:15:11,500 --> 00:15:13,166 IT'S USUALLY NOT IRONIC. 332 00:15:13,166 --> 00:15:14,417 IT'S REDUNDANT. 333 00:15:14,417 --> 00:15:16,792 [ CHEERS AND APPLAUSE ] 334 00:15:16,792 --> 00:15:20,083 GIVE IT UP FOR THERESA AND KAVITA. 335 00:15:20,083 --> 00:15:21,375 [ CHEERS AND APPLAUSE ] 336 00:15:21,375 --> 00:15:24,709 [ INDUSTRIAL MUSIC PLAYS ] 337 00:15:26,709 --> 00:15:28,500 I'M 338 00:15:28,500 --> 00:15:32,542 MOVING ON 339 00:15:32,542 --> 00:15:34,542 I'M 340 00:15:34,542 --> 00:15:37,542 MOVING ON 341 00:15:37,542 --> 00:15:39,792 MOVING ON 342 00:15:39,792 --> 00:15:40,875 SO LONG 343 00:15:40,875 --> 00:15:44,750 I CAN'T TAKE IT NO MORE 344 00:15:54,291 --> 00:15:55,750 LOS ANGELES 345 00:15:55,750 --> 00:15:58,917 A LONELY TOWN OF BROKEN HEARTS 346 00:15:58,917 --> 00:16:00,417 AND BROKEN DREAMS 347 00:16:00,417 --> 00:16:02,834 NOTHING'S AS IT SEEMS UNLESS 348 00:16:02,834 --> 00:16:07,875 YOU'RE LOOKING IN THE MIRROR 349 00:16:15,750 --> 00:16:18,750 AND EVEN THEN YOU CANNOT WIN 350 00:16:18,750 --> 00:16:21,625 WHEN DREAMS HAVE FADED AND 351 00:16:21,625 --> 00:16:24,458 YOU'VE GOTTEN JADED 352 00:16:24,458 --> 00:16:26,834 DON'T EVEN RECOGNIZE 353 00:16:26,834 --> 00:16:30,417 YOURSELF 354 00:16:30,417 --> 00:16:32,834 I'M 355 00:16:32,834 --> 00:16:34,875 MOVING ON 356 00:16:34,875 --> 00:16:36,375 SO LONG 357 00:16:36,375 --> 00:16:40,834 I CAN'T TAKE IT NO MORE 358 00:16:48,667 --> 00:16:51,250 IF YOU'VE GOT THE MONEY 359 00:16:51,250 --> 00:16:53,208 HONEY, ROLL THE DICE 360 00:16:53,208 --> 00:16:54,917 YOU'RE SURE TO WIN 361 00:16:54,917 --> 00:16:57,083 WHERE THE SUN IS ALWAYS 362 00:16:57,083 --> 00:16:58,458 SHINING 363 00:16:58,458 --> 00:17:00,542 EMPTY SOUL 364 00:17:00,542 --> 00:17:05,208 EMPTY BED OR EMPTY POCKETS 365 00:17:05,208 --> 00:17:09,500 FILLED WITH GIANT HEARTACHE 366 00:17:09,500 --> 00:17:11,917 LIKE MINE 367 00:17:11,917 --> 00:17:13,709 I'M 368 00:17:13,709 --> 00:17:17,667 MOVING ON 369 00:17:40,625 --> 00:17:45,083 [ CHEERS AND APPLAUSE ] 370 00:17:51,083 --> 00:17:53,875 YEAH, THEY THOUGHT WE LOOKED ALIKE, 371 00:17:53,875 --> 00:17:55,125 BECAUSE WE'RE BOTH DARKER. 372 00:17:55,125 --> 00:18:02,792 SO WE GET THE WHOLE LESBIAN, SISTER-ISH KIND OF TWIST. 373 00:18:04,709 --> 00:18:09,000 [ Elizabeth ] NOW, I ACTUALLY HAVE NO IDEA WHAT THIS NEXT 374 00:18:09,000 --> 00:18:10,333 PERFORMER'S GONNA BE DOING. 375 00:18:10,333 --> 00:18:14,542 IT'S A COMPLETE MYSTERY, AS IS HIS SEXUALITY. 376 00:18:14,542 --> 00:18:16,917 LET'S HEAR IT FOR ANDY DICK! 377 00:18:16,917 --> 00:18:20,166 [ CHEERS AND APPLAUSE ] 378 00:18:22,959 --> 00:18:25,208 THANK YOU SO MUCH. 379 00:18:25,208 --> 00:18:27,166 GOD BLESS YOU. I LOVE YOU. 380 00:18:27,166 --> 00:18:28,750 YOU'RE NICE. YOU'RE SO NICE. 381 00:18:28,750 --> 00:18:31,083 I WANT TO TELL YOU ABOUT MY PREDICAMENT. 382 00:18:31,083 --> 00:18:33,083 WE WROTE A SONG LITERALLY YESTERDAY. 383 00:18:33,083 --> 00:18:35,834 I'M GONNA HAVE A CHEAT SHEET, PLEASE. 384 00:18:35,834 --> 00:18:37,917 [ GUITAR MUSIC PLAYS ] 385 00:18:37,917 --> 00:18:42,041 LONG STORY SHORT, I TOLD THE OFFICER... 386 00:18:42,041 --> 00:18:49,208 WELL, I ASKED HIM, "TRULY, IS IT ILLEGAL TO BE DRUNK IN PUBLIC? 387 00:18:49,208 --> 00:18:57,000 WELL, HIS HARD BOOT HEEL ON MY NECK TOLD ME YES, 388 00:18:57,000 --> 00:18:59,542 AND NOW... 389 00:19:01,792 --> 00:19:08,417 I CAN'T DRINK IN THE CITY OF RIVERSIDE 390 00:19:08,417 --> 00:19:13,041 IN FACT, COME TO THINK OF IT, I CAN'T DRINK LEGALLY ANYWHERE. 391 00:19:13,041 --> 00:19:17,291 BUT LORD KNOWS I'VE TRIED 392 00:19:17,291 --> 00:19:20,583 THEY'RE KEEPING A BROTHER DOWN 393 00:19:20,583 --> 00:19:27,500 FIBER-OPTICALLY TETHERED TO THE GROUND 394 00:19:27,500 --> 00:19:30,625 [ LAUGHTER ] 395 00:19:37,583 --> 00:19:41,875 IT'S THE FIRST TIME I'M BRINGING HER OUT. 396 00:19:41,875 --> 00:19:48,166 TALKING ABOUT MY NEW FANDANGO GIZMO GADGET HERE. 397 00:19:48,166 --> 00:19:50,041 ELECTRONICAL. 398 00:19:50,041 --> 00:19:53,500 STRAPPED AROUND MY ANKLE HERE BETTER THAN A... 399 00:19:53,500 --> 00:19:55,542 BETTER THAN AN iPod. 400 00:19:55,542 --> 00:19:59,709 BETTER THAN AN iPhone. I CALL IT THE "I FUCKED UP." 401 00:19:59,709 --> 00:20:01,792 [ LAUGHTER ] 402 00:20:01,792 --> 00:20:04,125 I KNOW. I KNOW. IT LOOKS LIKE... 403 00:20:04,125 --> 00:20:08,500 IT LOOKS LIKE ONE OF THOSE PAGERS AT BENNIGAN'S. 404 00:20:10,625 --> 00:20:17,667 ALSO KNOWN AS THE "SECURE CONTINUOUS REMOTE ALCOHOL 405 00:20:17,667 --> 00:20:19,625 MONITORING ANKLE BRACELET." 406 00:20:19,625 --> 00:20:20,834 [ LAUGHTER ] 407 00:20:20,834 --> 00:20:22,917 THAT'S REAL STUFF. REAL STUFF. 408 00:20:22,917 --> 00:20:25,959 S.C.R.A.M. ANKLET, FOR SHORT. 409 00:20:25,959 --> 00:20:29,959 S.C.R.A.M. ANKLET 410 00:20:29,959 --> 00:20:32,333 IT'S DAMN SHAMEFUL 411 00:20:32,333 --> 00:20:38,291 I GOT MY HOLIDAY GIFT A LITTLE EARLY FROM UNCLE SAM 412 00:20:38,291 --> 00:20:43,458 YOU KNOW THAT LITTLE RED, WHITE, AND BLUE CRACKER 413 00:20:43,458 --> 00:20:46,792 HE DON'T GIVE A DAMN 414 00:20:48,291 --> 00:20:51,542 HE SLAPPED IT 'ROUND MY SHIN 415 00:20:51,542 --> 00:20:59,625 IT'S NOT LIKE IT IS CONSTRAINING OR ANYTHING 416 00:21:00,250 --> 00:21:05,542 IT IS CUTTING OFF THE PERCOLATIONS TO MY FEET. 417 00:21:07,500 --> 00:21:08,709 IF THEY HAD ANY SMARTS, 418 00:21:08,709 --> 00:21:10,875 THEY WOULD HAVE WRAPPED ONE AROUND MY NECK. 419 00:21:10,875 --> 00:21:12,250 FA-FA-FA-FA-FA 420 00:21:12,250 --> 00:21:15,083 I AM PERMANENTLY WI-FI'ed, 421 00:21:15,083 --> 00:21:18,417 ANKLED ONLINE TO THE MAN, 422 00:21:18,417 --> 00:21:21,667 OFFICER NOT-SO-FRIENDLY, 423 00:21:21,667 --> 00:21:24,083 MONITORING MY BLOOD-ALCOHOL 424 00:21:24,083 --> 00:21:27,083 LEVEL FROM A REMOTE LOCATION IN 425 00:21:27,083 --> 00:21:30,959 WHO GIVES A GOOD GODDAMNSVILLE. 426 00:21:30,959 --> 00:21:34,625 FA-FA-FA-FA 427 00:21:34,625 --> 00:21:40,500 IT'S GPS MONITORING AT ITS FINEST. 428 00:21:40,500 --> 00:21:45,542 GLOBAL POSITIONING IS SUCKING! 429 00:21:45,542 --> 00:21:47,083 AND MY GLOBAL POSITION IS DOGGIE 430 00:21:47,083 --> 00:21:50,166 STYLE 'CAUSE I'M THE ONE GETTING SCREWED! 431 00:21:50,166 --> 00:21:52,458 FA-FA-FA-FA-FA-FA-FA-FA 432 00:21:52,458 --> 00:21:55,083 BUZZING MY SORRY ASS EVERY HALF-HOUR. 433 00:21:55,083 --> 00:21:57,750 I AIN'T KIDDING. EVERY HALF-HOUR. 434 00:21:57,750 --> 00:21:59,041 BZZT! 435 00:21:59,041 --> 00:22:00,250 "WE'RE WATCHING YOU." 436 00:22:00,250 --> 00:22:02,875 BZZT! "YOU CAN'T DRINK." 437 00:22:02,875 --> 00:22:07,458 BZZT! "THAT ONE WAS JUST FOR FUN." 438 00:22:07,458 --> 00:22:09,625 MOTHERFUCKERS! 439 00:22:09,625 --> 00:22:11,792 FA-FA-FA-FA 440 00:22:11,792 --> 00:22:13,583 FA-FA-FA 441 00:22:13,583 --> 00:22:16,917 KEEP THE HORN SECTION DOWN! 442 00:22:16,917 --> 00:22:19,041 FA-FA-FA-FA-FA-FA-FA! 443 00:22:19,041 --> 00:22:21,500 WHOA-WHOA-WHOA-WHOA! 444 00:22:21,500 --> 00:22:25,709 WHOA-WHOA-WHOA-WHOA-WHOA 445 00:22:25,709 --> 00:22:28,959 THEY'RE KEEPING A BROTHER DOWN 446 00:22:28,959 --> 00:22:32,208 FIBER-OPTICALLY TETHERED TO THE GROUND 447 00:22:32,208 --> 00:22:36,458 I GOT THE SECURE CONTINUOUS REMOTE CONTROL ALCOHOL MONITOR 448 00:22:36,458 --> 00:22:37,917 ANKLE BRACELET BLUES 449 00:22:37,917 --> 00:22:40,583 THAT'S A MOUTHFUL. LET'S TRY THAT ONE AGAIN. 450 00:22:40,583 --> 00:22:42,250 I GOT THE SECURE CONTINUOUS 451 00:22:42,250 --> 00:22:44,000 REMOTE ALCOHOL MONITOR ANKLE 452 00:22:44,000 --> 00:22:45,542 BRACELET BLUES 453 00:22:45,542 --> 00:22:46,875 YES, I DO 454 00:22:46,875 --> 00:22:48,000 NICE AND SLOW. LET'S DO IT. 455 00:22:48,000 --> 00:22:51,291 I GOT THE SECURE CONTINUOUS REMOTE 456 00:22:51,291 --> 00:22:58,625 ALCOHOL MONITORING ANKLE BRACELET 457 00:22:58,625 --> 00:23:04,500 BLU-U-U-U-U-U-U-U-U-ES 458 00:23:04,500 --> 00:23:09,083 [ CHEERS AND APPLAUSE ] 459 00:23:11,500 --> 00:23:13,083 [ Elizabeth ] [ LAUGHS ] 460 00:23:13,083 --> 00:23:14,834 - HOW ARE YOU? - GOOD! 461 00:23:14,834 --> 00:23:16,417 - THAT WAS AWESOME. - THANK YOU. 462 00:23:16,417 --> 00:23:19,667 [ Elizabeth ] WELL, LADIES AND GENTLEMEN, THAT WAS OUR SHOW. 463 00:23:19,667 --> 00:23:21,834 THANK YOU SO MUCH FOR JOINING US. 464 00:23:21,834 --> 00:23:23,208 I'M SHANNON ELIZABETH. 465 00:23:23,208 --> 00:23:24,667 GOOD NIGHT! 466 00:23:24,667 --> 00:23:28,166 [ CHEERS AND APPLAUSE ] 32652

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