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1
00:00:00,350 --> 00:00:02,309
What's the set-up?
2
00:00:02,389 --> 00:00:04,109
It's perfect.
House is miles from anywhere.
3
00:00:04,189 --> 00:00:05,630
JOAN: 'It's definitely
a real Stubbs?'
4
00:00:05,710 --> 00:00:07,709
BOISIE:
'Yeah. Worth thousands.'
5
00:00:10,269 --> 00:00:11,148
SHE SCREAMS
Out of my way!
6
00:00:11,228 --> 00:00:12,830
GLASS SMASHES
Move!
7
00:00:12,910 --> 00:00:14,910
Or I'll blow your brains out!
8
00:00:21,789 --> 00:00:23,419
JOAN: 'You've gotta let me in,
Boisie.
9
00:00:23,429 --> 00:00:26,029
'Men have been pushing me
around my whole life.'
10
00:00:26,108 --> 00:00:28,830
I won't have it any more.
11
00:00:28,909 --> 00:00:31,589
I'm still waiting for a visit
from the social worker.
12
00:00:31,669 --> 00:00:33,669
'I'm desperate
to get my little girl back.'
13
00:00:36,989 --> 00:00:38,989
- What do you want, Joan?
- A normal life.
14
00:00:40,709 --> 00:00:42,669
Can you act?
15
00:00:42,750 --> 00:00:44,750
With you on my arm,
anything's possible.
16
00:00:49,547 --> 00:00:52,268
I want an 18-carat four-claw
mount with the fake set in.
17
00:00:52,349 --> 00:00:53,788
BOISIE:
You love all this, don't you?
18
00:00:53,869 --> 00:00:56,349
Dressing up... pretending.
19
00:00:59,470 --> 00:01:01,628
'I can't get that cute
little ring out of my mind.'
20
00:01:01,709 --> 00:01:04,509
MAN:
It's an exceptional piece.
21
00:01:04,589 --> 00:01:06,589
Thought you were a green-eyed
monster for a minute.
22
00:01:12,710 --> 00:01:14,070
JOAN: You like him, though?
23
00:01:14,149 --> 00:01:16,149
Yeah, I do.
I think he's great.
24
00:01:17,990 --> 00:01:20,469
Marry me?
25
00:01:20,550 --> 00:01:23,749
Yeah. YES!
26
00:01:23,830 --> 00:01:26,070
NANCY: Whoo! Yes.
Crack the champers!
27
00:01:35,389 --> 00:01:36,550
I've got something
I need to tell you.
28
00:01:36,629 --> 00:01:39,109
What?
29
00:01:39,189 --> 00:01:41,749
The Ashburys have asked us
if they can adopt Kelly.
30
00:01:41,829 --> 00:01:43,309
It's just a request
at the moment.
31
00:01:43,389 --> 00:01:45,510
You're her mother,
32
00:01:45,589 --> 00:01:48,149
and no-one's doing anything
without due process.
33
00:01:48,229 --> 00:01:50,589
We do always try to keep
children with their mothers.
34
00:01:50,669 --> 00:01:52,949
It's really important
that Kelly
35
00:01:53,028 --> 00:01:56,550
moves back into a settled,
stable environment.
36
00:01:56,629 --> 00:01:58,629
Right now, we're not convinced
you can provide that.
37
00:02:30,309 --> 00:02:32,309
BOISIE: Come on, then,
let's get you that sparkler.
38
00:02:35,910 --> 00:02:37,910
Morning.
39
00:02:41,389 --> 00:02:43,988
MAN: There we are.
Perfect engagement ring.
40
00:02:45,949 --> 00:02:48,628
- Nice.
- It's gorgeous.
41
00:02:55,269 --> 00:02:57,269
I love it.
42
00:02:59,228 --> 00:03:01,228
Do you think
Kelly will like it?
43
00:03:03,029 --> 00:03:06,228
I can't believe she's gonna
be here in a couple of hours.
44
00:03:06,309 --> 00:03:09,108
I can't believe I handed over
good money for it.
45
00:03:09,189 --> 00:03:12,469
I'm not nicking
my own engagement ring, am I?
46
00:03:12,548 --> 00:03:14,548
Forty grand, Joan?
47
00:03:16,189 --> 00:03:19,309
It's bad luck to start
marriage with stolen goods.
48
00:03:19,389 --> 00:03:21,470
But it's all right if the cash
came from the 65 grand we got
49
00:03:21,548 --> 00:03:22,829
from selling a ring
you did half-inch?
50
00:03:22,910 --> 00:03:24,709
- Mm.
- Yeah?
51
00:03:24,790 --> 00:03:26,350
Are you saying
I'm not worth it?
52
00:03:26,428 --> 00:03:29,548
Hm? Cos we both know I am.
53
00:03:34,668 --> 00:03:36,309
Love that.
54
00:03:36,389 --> 00:03:38,389
MAN: All right, Boisie?
55
00:03:53,189 --> 00:03:55,070
What can I do you for?
56
00:03:55,149 --> 00:03:57,189
DS Harris.
57
00:03:57,269 --> 00:04:00,389
You heard anything about
an art theft in Sussex?
58
00:04:00,469 --> 00:04:03,189
Not a word.
59
00:04:03,269 --> 00:04:06,228
A George Stubbs got nicked,
and a gun was involved.
60
00:04:06,309 --> 00:04:08,309
- Oh, yeah?
- Mind if we look inside?
61
00:04:27,590 --> 00:04:29,670
Don't suppose
you've heard any... whispers?
62
00:04:29,749 --> 00:04:32,509
Me? Why would I?
63
00:04:38,550 --> 00:04:40,230
They must know something,
Boisie.
64
00:04:40,309 --> 00:04:42,110
That's just what they do.
65
00:04:42,190 --> 00:04:43,990
They check all
the antique shops in the area.
66
00:04:44,069 --> 00:04:46,430
Yeah, but how long
are they gonna take?
67
00:04:46,509 --> 00:04:49,110
What if Kelly comes back...?
- Stop.
68
00:04:49,190 --> 00:04:51,190
It's going to be fine.
69
00:04:59,710 --> 00:05:01,710
Don't let the door
hit your arse on the way out.
70
00:05:09,309 --> 00:05:11,869
We've gotta get rid
of that painting.
71
00:05:11,949 --> 00:05:14,869
- I'm working on it.
- Never mind "working on it".
72
00:05:14,949 --> 00:05:16,949
We can't sell it now, can we?
Just chuck it in the river.
73
00:05:18,749 --> 00:05:20,220
I can't fight Kelly's adoption
74
00:05:20,230 --> 00:05:22,309
with the police
sniffing around.
75
00:05:22,390 --> 00:05:24,270
- They didn't find anything.
- But if they do,
76
00:05:24,350 --> 00:05:26,510
it's a direct link between us
and the robbery.
77
00:05:26,590 --> 00:05:29,350
Can you calm down? We carry on
as normal, it'll blow over.
78
00:05:29,429 --> 00:05:32,350
- Are you fucking serious?
- What do you suggest, Joan?
79
00:05:32,429 --> 00:05:33,990
We go straight.
80
00:05:34,070 --> 00:05:36,950
What?
81
00:05:37,030 --> 00:05:39,030
We run this place
completely legit from now on.
82
00:05:40,309 --> 00:05:42,230
There ain't an antiques shop
in the world
83
00:05:42,309 --> 00:05:43,990
that's completely legit.
- Yes, but we need the social
84
00:05:44,070 --> 00:05:45,990
to think
we're a normal couple.
85
00:05:46,070 --> 00:05:48,590
- We're not, though, are we?
- I mean it, Boisie.
86
00:05:48,669 --> 00:05:53,109
So, no more diamonds,
no more furs?
87
00:05:53,190 --> 00:05:55,270
And what will you do all day?
88
00:05:55,350 --> 00:05:57,350
I'll work in the shop.
89
00:06:09,150 --> 00:06:11,150
DOOR BELL RINGS
90
00:06:12,070 --> 00:06:14,429
Put that out.
91
00:06:14,510 --> 00:06:15,989
They'll give her the third
degree when she gets back.
92
00:06:16,070 --> 00:06:18,030
She's a kid.
93
00:06:18,109 --> 00:06:20,109
Well, she ain't stupid,
I'm telling you now.
94
00:06:21,590 --> 00:06:24,309
Hello!
95
00:06:24,390 --> 00:06:27,109
Hi, Kel. Come in, come in.
96
00:06:27,189 --> 00:06:29,309
Hi, sweetheart. How are you?
97
00:06:33,429 --> 00:06:35,230
When did you get that big?
98
00:06:35,309 --> 00:06:37,629
- You must be Boisie.
- Mrs May.
99
00:06:37,710 --> 00:06:39,710
And you must be Kelly.
100
00:06:39,790 --> 00:06:42,309
Kels, this is Boisie.
101
00:06:42,390 --> 00:06:44,150
Boisie, this is
the most beautiful girl
102
00:06:44,230 --> 00:06:46,470
in all the world.
103
00:06:46,549 --> 00:06:49,230
Right, I'll be back later
to get you for your tea.
104
00:06:49,309 --> 00:06:50,549
Oh, don't worry,
I've got loads in for her.
105
00:06:50,629 --> 00:06:53,669
Burgers. Hot dogs.
106
00:06:53,749 --> 00:06:55,508
You still like hot dogs,
don't you?
107
00:06:55,590 --> 00:06:57,309
Course she does.
Who doesn't like hot dogs?
108
00:06:57,390 --> 00:06:59,669
CHUCKLES
Bye-bye, Kelly.
109
00:06:59,749 --> 00:07:01,470
- Bye. Thank you.
- Let me get the door for you.
110
00:07:01,549 --> 00:07:03,590
Thank you. Oops. Ha.
111
00:07:05,390 --> 00:07:07,390
Right.
112
00:07:08,989 --> 00:07:12,150
So, today, we are gonna go
and see Auntie Nancy,
113
00:07:12,230 --> 00:07:16,710
and she has a big treat
for you!
114
00:07:16,790 --> 00:07:19,669
MUSIC: 'Love Action'
by The Human League
115
00:07:19,749 --> 00:07:21,749
♪ When you're in love
You know you're in love ♪
116
00:07:21,830 --> 00:07:24,150
JOAN:
And spin! Whoo! Go, Kelly!
117
00:07:24,230 --> 00:07:26,109
♪ No matter
What you try to do ♪
118
00:07:26,189 --> 00:07:28,629
Whee-hee!
119
00:07:28,710 --> 00:07:31,270
♪ Resign yourself ♪
120
00:07:31,350 --> 00:07:35,190
♪ To what
You're going through ♪
121
00:07:35,270 --> 00:07:38,390
♪ If you're a hard man
Or if you're a child ♪
122
00:07:38,470 --> 00:07:40,470
♪ It still might get to you ♪
123
00:07:43,549 --> 00:07:47,190
Kel. Kelly, say cheese.
124
00:07:47,270 --> 00:07:49,508
- Cheese.
- Yay!
125
00:07:55,869 --> 00:07:58,230
Kelly!
Grab anything you fancy.
126
00:07:58,309 --> 00:08:00,830
Stop fussing.
127
00:08:00,910 --> 00:08:02,910
SIGHS
I need this to go well.
128
00:08:02,989 --> 00:08:04,989
It is going well.
129
00:08:06,109 --> 00:08:07,669
I want her back, Boisie.
130
00:08:07,749 --> 00:08:10,669
We have to go straight.
131
00:08:10,749 --> 00:08:12,710
It's not that simple.
132
00:08:12,790 --> 00:08:14,989
Yes, it is.
I have to do this for her.
133
00:08:15,070 --> 00:08:17,270
You understand that, right?
- Yeah. I get it.
134
00:08:17,350 --> 00:08:19,350
So you'll get rid
of that painting, then, yeah?
135
00:08:22,189 --> 00:08:23,309
KELLY: Got the chocolate one!
136
00:08:23,390 --> 00:08:25,390
Look.
- Aw.
137
00:08:26,710 --> 00:08:28,710
My goodness.
138
00:08:39,548 --> 00:08:41,548
Do you know what this means?
139
00:08:44,149 --> 00:08:45,868
That Mummy likes diamonds?
140
00:08:45,949 --> 00:08:47,949
THEY CHUCKLE
Clever girl.
141
00:08:50,509 --> 00:08:53,709
But it also means I've asked
your mum if she'll marry me.
142
00:09:01,069 --> 00:09:02,668
And then you'll come
and live with us,
143
00:09:02,749 --> 00:09:04,308
and we'll be
a proper family again.
144
00:09:04,389 --> 00:09:06,189
A fresh start.
145
00:09:06,269 --> 00:09:08,749
Am I coming to the wedding?
146
00:09:08,829 --> 00:09:11,389
Of course.
147
00:09:11,468 --> 00:09:13,829
You'll be my chief bridesmaid,
obviously.
148
00:09:13,909 --> 00:09:15,988
You and Auntie Nancy.
149
00:09:16,069 --> 00:09:18,069
You'll have pretty frocks,
flowers.
150
00:09:19,788 --> 00:09:21,509
Will I get flowers in my hair?
151
00:09:21,588 --> 00:09:24,588
Well, I mean,
you can't be a bridesmaid
152
00:09:24,668 --> 00:09:27,588
without bloody flowers
in your hair, can you?
153
00:09:27,668 --> 00:09:29,668
CHUCKLES
154
00:09:34,709 --> 00:09:38,108
Well, look...
155
00:09:38,188 --> 00:09:41,149
I might be able to put a bit
more cash in your direction,
156
00:09:41,228 --> 00:09:42,628
if you're interested?
157
00:09:42,709 --> 00:09:45,108
I need a buyer for something.
158
00:09:45,188 --> 00:09:47,309
Sharpish.
- All right.
159
00:09:47,388 --> 00:09:49,388
What we talking about?
- A Stubbs painting.
160
00:09:50,588 --> 00:09:51,788
You nicked that?
161
00:09:51,868 --> 00:09:53,868
Yeah, me and Joan.
162
00:09:57,909 --> 00:10:01,548
THEY CHUCKLE
163
00:10:01,628 --> 00:10:02,868
Police are asking
a lot of questions about it.
164
00:10:02,949 --> 00:10:06,189
Why I need a buyer.
165
00:10:06,269 --> 00:10:08,588
None of the usual suspects are
gonna touch anything that hot.
166
00:10:08,668 --> 00:10:11,548
Can you think
of any unusual suspects?
167
00:10:19,188 --> 00:10:20,668
- Maybe.
- Yeah?
168
00:10:20,749 --> 00:10:22,749
For...
169
00:10:23,628 --> 00:10:26,228
..25%.
- 25?!
170
00:10:26,308 --> 00:10:28,868
- Risky.
- Do me a favor.
171
00:10:28,949 --> 00:10:32,309
Risky, risky, risky this one,
Boise. Very risky.
172
00:10:32,388 --> 00:10:34,309
All right, all right,
save the spiel, mate,
173
00:10:34,388 --> 00:10:36,388
I know you're broke.
Who've you got in mind?
174
00:10:37,628 --> 00:10:38,788
ALBIE CLEARS THROAT
175
00:10:38,868 --> 00:10:40,868
Darling?
176
00:10:45,628 --> 00:10:47,628
The Irish.
177
00:10:48,269 --> 00:10:50,269
IRA?
178
00:10:53,468 --> 00:10:55,108
They've always got money
to spend.
179
00:10:55,188 --> 00:10:57,269
What are a bunch of terrorists
gonna do
180
00:10:57,348 --> 00:10:59,749
with a painting of a fucking
horse? Hang it on their wall?
181
00:10:59,829 --> 00:11:01,269
They always need to buy things
from abroad, right?
182
00:11:01,348 --> 00:11:03,348
Yeah, guns and explosives.
183
00:11:06,108 --> 00:11:09,989
Look, they have trouble
moving money overseas.
184
00:11:10,069 --> 00:11:12,069
But... But art, it's
a different kettle of fish.
185
00:11:14,749 --> 00:11:16,749
You think we can trust people
like that?
186
00:11:21,069 --> 00:11:22,909
I think
that we can trust the fact
187
00:11:22,988 --> 00:11:25,388
that they always need things
to shift.
188
00:11:25,468 --> 00:11:27,468
And a Stubbs is perfect.
189
00:11:34,348 --> 00:11:37,269
So, is it yes, or no?
190
00:11:48,509 --> 00:11:51,868
BABY CRYING
191
00:11:58,949 --> 00:12:01,628
What are you doing?
192
00:12:01,709 --> 00:12:05,308
Needs restoration,
but before that,
193
00:12:05,388 --> 00:12:07,388
there can't be a grain of
dirt, or it'll get trapped.
194
00:12:13,149 --> 00:12:14,909
Why don't you clean
the tea sets?
195
00:12:14,988 --> 00:12:17,029
There are some special cloths.
196
00:12:17,108 --> 00:12:19,188
Yeah.
197
00:12:19,269 --> 00:12:21,029
Working in the shop
was your idea, remember?
198
00:12:21,108 --> 00:12:23,949
Mm-hm.
199
00:12:24,029 --> 00:12:26,029
Yeah, to make sure
I get Kelly back.
200
00:12:33,709 --> 00:12:35,829
You know what we should do?
201
00:12:35,909 --> 00:12:38,909
I'm all ears.
202
00:12:38,988 --> 00:12:40,988
We should turn this place
into a jewellers.
203
00:12:45,189 --> 00:12:47,709
It's not enough
to like sparklers
204
00:12:47,788 --> 00:12:50,308
to run a jewellers, Joan,
you have to know about 'em.
205
00:12:50,389 --> 00:12:52,829
And not just that stuff
you learned to parrot.
206
00:12:52,909 --> 00:12:54,909
Proper deep knowledge.
- Fine, I'll learn.
207
00:12:56,909 --> 00:12:58,909
How you gonna do that, then?
208
00:13:02,909 --> 00:13:04,868
I want to be fully qualified.
209
00:13:04,949 --> 00:13:06,108
Then you'll have to do
the foundation course
210
00:13:06,188 --> 00:13:08,988
which is £2,250.
211
00:13:09,069 --> 00:13:12,188
Do you take cash?
212
00:13:12,269 --> 00:13:14,348
Ready for the big day
tomorrow, Boisie?
213
00:13:14,428 --> 00:13:16,749
Yeah, Joan's got it
all under control.
214
00:13:16,829 --> 00:13:18,069
Nice place you've got here.
215
00:13:18,149 --> 00:13:19,348
Albie's mate's letting us
use it.
216
00:13:19,428 --> 00:13:20,909
Till I get myself sorted.
217
00:13:20,988 --> 00:13:23,388
Won't be long.
- Fingers crossed.
218
00:13:23,468 --> 00:13:25,029
Give us a shout
if you want anything else.
219
00:13:25,108 --> 00:13:27,108
ALBIE: Thanks, Val.
220
00:13:30,588 --> 00:13:32,269
Can't believe you spent
five grand on a wedding ring.
221
00:13:32,348 --> 00:13:34,468
And 40 on an engagement ring.
222
00:13:34,548 --> 00:13:36,029
You're going soft, Boise.
223
00:13:36,108 --> 00:13:38,988
EXHALES HEAVILY
224
00:13:39,069 --> 00:13:41,668
Yeah, I couldn't nick 'em -
Joan wants us to go straight.
225
00:13:41,749 --> 00:13:44,788
What women want and what they
get are two different things.
226
00:13:44,868 --> 00:13:46,308
I've been telling Val
I'm going straight for years.
227
00:13:46,389 --> 00:13:48,348
SCOFFS
228
00:13:48,428 --> 00:13:50,428
Joan's different, though.
229
00:13:51,149 --> 00:13:53,149
Too right.
230
00:13:54,788 --> 00:13:56,029
Well, here's a day
I thought I'd never see -
231
00:13:56,108 --> 00:13:58,269
you getting married.
232
00:13:58,348 --> 00:13:59,868
Yeah, and to someone
you actually like.
233
00:13:59,949 --> 00:14:01,949
CHUCKLES
234
00:14:06,848 --> 00:14:08,407
What?
235
00:14:08,487 --> 00:14:10,487
It's just a bit quick.
236
00:14:10,569 --> 00:14:12,728
Do you know him well enough?
237
00:14:12,809 --> 00:14:14,767
I do, yeah.
238
00:14:14,848 --> 00:14:16,449
We can say anything
to one another.
239
00:14:16,527 --> 00:14:18,527
There's no... secrets.
240
00:14:20,928 --> 00:14:22,928
ALBIE: So, you're gonna sell
the Stubbs to the Irish?
241
00:14:24,569 --> 00:14:26,569
Yeah.
242
00:14:28,728 --> 00:14:31,128
Well, you'll need someone
to say it's not a fake.
243
00:14:31,209 --> 00:14:33,968
And it's gotta be an expert.
They're no mugs.
244
00:14:34,049 --> 00:14:36,209
Mas cervezas?
ALBIE CHUCKLES
245
00:14:36,288 --> 00:14:38,449
Thanks, Val.
246
00:14:38,527 --> 00:14:40,449
- These ones done?
- Yeah. Yeah.
247
00:14:40,527 --> 00:14:42,527
Nice one, babe.
248
00:14:46,809 --> 00:14:49,329
I was thinking Hugo
at Abney's.
249
00:14:49,407 --> 00:14:50,689
He's the one that gave me the
tip-off in the first place.
250
00:14:50,767 --> 00:14:53,689
Hm. Trust him?
251
00:14:53,767 --> 00:14:55,767
Enough.
252
00:14:57,289 --> 00:14:59,289
JOAN:
'I've got something for you.'
253
00:15:02,767 --> 00:15:04,767
Hmm.
254
00:15:14,128 --> 00:15:16,407
- Are they real?
- Course they're bloody real.
255
00:15:16,487 --> 00:15:18,487
Got Kelly a necklace, as well.
256
00:15:23,407 --> 00:15:25,527
I wish she was here.
257
00:15:25,608 --> 00:15:27,449
You'd think the social would
let her stay the night.
258
00:15:27,527 --> 00:15:29,887
It's not allowed,
259
00:15:29,968 --> 00:15:32,728
while they're still talking
about... bloody adoption.
260
00:15:37,049 --> 00:15:38,128
Can you imagine
what Mum and Dad would say?
261
00:15:38,209 --> 00:15:40,329
Oh, don't start.
262
00:15:40,407 --> 00:15:42,209
I just wish
you'd invited them,
263
00:15:42,288 --> 00:15:44,407
so they could see how well
you're doing, and Kelly.
264
00:15:44,488 --> 00:15:46,449
No, that man is not coming
within a mile of my daughter.
265
00:15:46,527 --> 00:15:47,568
He's too ill to hurt a fly
these days.
266
00:15:47,649 --> 00:15:49,649
It's never gonna happen.
267
00:15:56,409 --> 00:15:58,409
CHINKS GLASS
268
00:16:01,688 --> 00:16:07,728
May I present my beautiful,
talented wife.
269
00:16:07,809 --> 00:16:09,569
Let's hear it
for Mrs Hannington.
270
00:16:09,649 --> 00:16:11,968
APPLAUSE,
WHOOPING
271
00:16:12,048 --> 00:16:14,048
You're not so bad yourself.
272
00:16:17,209 --> 00:16:19,409
Just don't expect me
to honor and obey, OK?
273
00:16:19,487 --> 00:16:21,209
LAUGHTER
274
00:16:21,288 --> 00:16:23,327
Er, speech, Boise, speech!
275
00:16:23,409 --> 00:16:25,848
ALL CLAMOR
276
00:16:25,928 --> 00:16:28,048
Come on.
277
00:16:28,128 --> 00:16:30,327
You know,
I'm a man of few words.
278
00:16:30,409 --> 00:16:31,526
RONALD: Only when it comes
to the Old Bill, Boisie.
279
00:16:31,608 --> 00:16:34,288
LAUGHTER
280
00:16:34,368 --> 00:16:36,727
Only words he knows down the
nick are "no" and "comment".
281
00:16:36,809 --> 00:16:38,569
- So I'll keep it brief.
- Thank God for that.
282
00:16:38,649 --> 00:16:41,009
If you'll let me
get a word in...
283
00:16:41,088 --> 00:16:44,009
All I want to say is...
284
00:16:44,088 --> 00:16:46,209
I'm very grateful to you all
for coming
285
00:16:46,288 --> 00:16:48,288
and helping us celebrate
today.
286
00:16:50,328 --> 00:16:52,487
I can honestly say
I have never been happier.
287
00:16:54,728 --> 00:16:56,728
So, here's to you.
288
00:16:59,769 --> 00:17:02,048
ALBIE: To Boisie and Joan.
289
00:17:02,128 --> 00:17:03,409
ALL: Boisie and Joan.
290
00:17:03,487 --> 00:17:06,609
APPLAUSE
291
00:17:06,688 --> 00:17:08,809
- I love you.
- I love you.
292
00:17:12,528 --> 00:17:14,528
MUSIC: 'I'm So Excited'
by The Pointer Sisters
293
00:17:19,369 --> 00:17:21,448
LAUGHTER
294
00:17:32,048 --> 00:17:34,409
♪ Tonight's the night
We're gonna make it happen ♪
295
00:17:37,488 --> 00:17:40,048
♪ Tonight, we'll put
All other things aside ♪
296
00:17:43,009 --> 00:17:45,009
♪ Give in this time
And show me some affection ♪
297
00:17:48,088 --> 00:17:50,129
♪ We're goin' for those
Pleasures in the night ♪
298
00:17:52,448 --> 00:17:55,048
♪ I want to love you
Feel you ♪
299
00:17:55,129 --> 00:17:57,609
♪ Wrap myself around you
300
00:17:57,688 --> 00:18:00,569
♪ I want to squeeze you
Please you ♪
301
00:18:00,649 --> 00:18:02,209
♪ I just can't get enough ♪
302
00:18:02,288 --> 00:18:03,969
♪ And if you move ♪
303
00:18:04,048 --> 00:18:06,048
Are you all right?
304
00:18:08,248 --> 00:18:09,649
Lots of noise
and people you don't know, eh?
305
00:18:09,728 --> 00:18:12,848
Joan!
306
00:18:12,928 --> 00:18:15,048
Come on!
- Come and dance with us.
307
00:18:15,129 --> 00:18:17,129
SOFTLY: Not gonna leave her
on her own, am I?
308
00:18:20,969 --> 00:18:23,248
Which one's your favourite?
- He hasn't got the hump
309
00:18:23,327 --> 00:18:24,488
cos you've gotta look after
your own daughter?
310
00:18:24,569 --> 00:18:25,527
Oh, mind your own.
311
00:18:25,609 --> 00:18:27,409
Keep your hair on.
312
00:18:27,488 --> 00:18:29,649
How about you
keep your nose out?
313
00:18:29,726 --> 00:18:31,129
First, you're telling me I
don't know him well enough...
314
00:18:31,209 --> 00:18:33,848
And do you?
315
00:18:33,928 --> 00:18:36,048
What was all that crap about
the police and "no comment"?
316
00:18:39,327 --> 00:18:41,288
If you're not banging on
about Boisie,
317
00:18:41,369 --> 00:18:42,848
you are on one about Dad.
318
00:18:42,928 --> 00:18:45,649
- He'd be proud of you now.
- Proud?
319
00:18:45,727 --> 00:18:47,488
You know as well as I do
that if he were here,
320
00:18:47,569 --> 00:18:49,248
he'd be finding fault
in everything,
321
00:18:49,328 --> 00:18:50,809
just like he's done
since the day I was born.
322
00:18:50,889 --> 00:18:52,369
You were the apple of his eye.
323
00:18:52,448 --> 00:18:54,369
Yeah, till I turned 12.
324
00:18:54,448 --> 00:18:55,889
You were a tearaway,
he was old-fashioned.
325
00:18:55,969 --> 00:18:57,369
He didn't know
how to handle you.
326
00:18:57,448 --> 00:18:58,928
I wasn't a tearaway,
I was a runaway,
327
00:18:59,009 --> 00:19:01,009
and you know why.
328
00:19:03,048 --> 00:19:05,048
Why do you pretend like you
don't know what he did to me?
329
00:19:05,129 --> 00:19:07,569
I've still got the scars.
- Not in front of Kelly.
330
00:19:07,649 --> 00:19:09,809
Oh, no, she's gonna grow up
understanding
331
00:19:09,889 --> 00:19:12,288
that it's not all right for
a man to behave like he did.
332
00:19:12,369 --> 00:19:13,809
And it's not all right
for other people
333
00:19:13,889 --> 00:19:16,169
to make out
like it didn't happen.
334
00:19:16,248 --> 00:19:18,248
You and Mum are as bad
as each other, you know that?
335
00:19:20,288 --> 00:19:22,369
So, you'll dance with Albie
but not your husband?
336
00:19:22,448 --> 00:19:24,527
Kelly needs her.
You can see that.
337
00:19:24,609 --> 00:19:25,969
How about you take Kelly
back to the Ashburys', eh?
338
00:19:26,048 --> 00:19:27,649
They're staying nearby.
339
00:19:27,726 --> 00:19:29,448
You don't wanna go yet,
do you?
340
00:19:29,527 --> 00:19:31,527
I'm tired.
341
00:19:33,569 --> 00:19:34,848
'Ere you are,
ten minutes in a taxi.
342
00:19:34,928 --> 00:19:37,129
No, I want Kel here.
343
00:19:37,209 --> 00:19:39,129
Yeah, but she doesn't
wanna be here, does she?
344
00:19:39,209 --> 00:19:41,209
Nancy?
345
00:19:46,209 --> 00:19:48,209
Give your mum a kiss, Kel.
346
00:19:51,969 --> 00:19:53,048
You all right?
347
00:19:53,129 --> 00:19:55,129
Yeah? Good girl.
348
00:19:57,688 --> 00:19:59,688
Come with Auntie Nancy.
349
00:20:00,728 --> 00:20:02,728
She'll be all right. Come on.
350
00:20:06,609 --> 00:20:08,848
CHEERING
351
00:20:21,088 --> 00:20:23,768
LECTURER: Judging the value
of a gem stone is complex,
352
00:20:23,848 --> 00:20:26,888
of course, and much depends
on the type of stone,
353
00:20:26,968 --> 00:20:31,088
but the number one factor
will always be durability.
354
00:20:31,168 --> 00:20:33,487
No matter
how beautiful a stone looks,
355
00:20:33,569 --> 00:20:35,487
the most important
characteristic
356
00:20:35,569 --> 00:20:37,569
is how long it will endure.
357
00:20:37,648 --> 00:20:39,648
And do we know which stones
are the most durable?
358
00:20:40,648 --> 00:20:42,809
- Diamonds.
- Actually, no.
359
00:20:42,888 --> 00:20:44,888
Anyone else?
360
00:20:47,328 --> 00:20:49,328
At the back.
361
00:20:50,528 --> 00:20:51,569
Jade?
362
00:20:51,648 --> 00:20:53,369
Correct.
363
00:20:53,447 --> 00:20:56,008
Could you tell us why?
364
00:20:56,088 --> 00:20:58,328
Well, diamonds
are the hardest stones,
365
00:20:58,408 --> 00:21:00,048
but they have
perfect cleavage,
366
00:21:00,126 --> 00:21:03,447
so they can split in two
more easily than jade.
367
00:21:03,528 --> 00:21:05,208
You'd say, then,
that we should look
368
00:21:05,288 --> 00:21:07,768
to avoid cleavage
in a diamond?
369
00:21:07,848 --> 00:21:10,208
I wouldn't go that far.
LAUGHTER
370
00:21:10,288 --> 00:21:13,288
So, if we're prepared
371
00:21:13,369 --> 00:21:15,247
to excuse cleavage
in our diamonds,
372
00:21:15,327 --> 00:21:17,848
how do we value them?
373
00:21:17,927 --> 00:21:20,127
The first question
we must always ask ourselves
374
00:21:20,208 --> 00:21:22,208
is are these diamonds real?
375
00:21:24,809 --> 00:21:26,968
And if we're talking about
uncut stones,
376
00:21:27,048 --> 00:21:29,487
we're going to answer that
by checking for
377
00:21:29,569 --> 00:21:33,369
any tiny inclusions,
or, in layman's terms, flaws.
378
00:21:33,447 --> 00:21:36,369
Because a flawless
uncut diamond is a fake.
379
00:21:43,208 --> 00:21:44,687
BOISIE: All you've got to do
is tell them
380
00:21:44,768 --> 00:21:45,569
the painting's genuine,
which it is.
381
00:21:45,648 --> 00:21:47,727
I can't.
382
00:21:47,809 --> 00:21:49,408
You've done it loads of times
before for me.
383
00:21:49,487 --> 00:21:51,487
Not this one.
384
00:21:53,408 --> 00:21:55,687
You'll get your usual fee,
plus 10%.
385
00:21:55,768 --> 00:21:58,888
I value my kneecaps more,
Boisie.
386
00:21:58,968 --> 00:22:00,968
So, you don't want that grand
for the initial tip-off, then?
387
00:22:03,208 --> 00:22:04,569
You're getting nothing
if I can't sell it.
388
00:22:04,648 --> 00:22:06,369
I know you need that cash.
389
00:22:06,447 --> 00:22:08,447
Just find someone else,
Boisie, for God's sake.
390
00:22:10,369 --> 00:22:13,048
For one thing, I'd never
pull it off. Look at me.
391
00:22:13,126 --> 00:22:15,208
Hm?
HUGO INHALES
392
00:22:15,288 --> 00:22:17,369
I'll screw it up.
393
00:22:17,447 --> 00:22:18,648
They'll see I'm a wreck,
and they won't believe me.
394
00:22:18,727 --> 00:22:20,727
OK.
395
00:22:23,088 --> 00:22:25,487
If I find someone else,
396
00:22:25,569 --> 00:22:27,369
then you need to get them
plotted in here.
397
00:22:27,447 --> 00:22:29,168
The Irish will want to know
they're kosher.
398
00:22:29,247 --> 00:22:30,648
And what will I tell my boss?
399
00:22:30,727 --> 00:22:34,247
Say... I dunno,
they're here to train.
400
00:22:34,328 --> 00:22:37,648
Hugo, you can say anything
you like, I don't care.
401
00:22:37,727 --> 00:22:39,727
If you want that grand,
this is what's happening.
402
00:22:44,848 --> 00:22:46,328
And I need you to tell 'em
everything there is to know
403
00:22:46,408 --> 00:22:48,447
about George fucking Stubbs.
404
00:22:48,528 --> 00:22:50,888
Well, they'll need to be
word-bloody-perfect. Listen...
405
00:22:50,968 --> 00:22:52,968
there is no way
this is coming back on me.
406
00:22:57,008 --> 00:22:59,008
JOAN: 'This is the one
I'm not sure is genuine.'
407
00:23:00,569 --> 00:23:03,447
I think I can see
the smallest flaw, but...
408
00:23:03,528 --> 00:23:07,126
Some inclusions are
extremely hard to detect
409
00:23:07,208 --> 00:23:10,008
with magnification alone,
410
00:23:10,088 --> 00:23:13,168
so checking for fluorescents
with a UV torch
411
00:23:13,247 --> 00:23:15,247
can be very helpful.
412
00:23:17,208 --> 00:23:19,208
Hm?
- Hm.
413
00:23:22,927 --> 00:23:24,927
Have another look.
414
00:23:32,569 --> 00:23:34,369
Do you see an inclusion?
415
00:23:34,447 --> 00:23:36,048
I can, yeah.
416
00:23:36,128 --> 00:23:38,128
That means?
417
00:23:41,048 --> 00:23:43,048
It's real.
418
00:23:57,888 --> 00:23:59,888
HE EXHALES
419
00:24:16,369 --> 00:24:18,487
You gonna tell me what's up?
420
00:24:23,288 --> 00:24:25,288
I've found a buyer
for the Stubbs.
421
00:24:27,247 --> 00:24:28,927
We agreed that
you'd chuck it in the river.
422
00:24:29,008 --> 00:24:31,168
- No, we didn't.
- Yes, we did.
423
00:24:31,247 --> 00:24:33,127
Cos I'm trying
to get my daughter back,
424
00:24:33,208 --> 00:24:34,687
and you stood there,
and you told me
425
00:24:34,768 --> 00:24:35,888
that you understood that.
426
00:24:35,968 --> 00:24:38,048
I do understand.
427
00:24:38,128 --> 00:24:39,128
Yeah, provided you can do
whatever you want,
428
00:24:39,208 --> 00:24:41,128
when you want.
429
00:24:41,208 --> 00:24:43,208
A work of art
is not going in the river.
430
00:24:45,328 --> 00:24:47,288
I just need someone to say
they're from Abney's
431
00:24:47,369 --> 00:24:49,369
and sign it off as legit.
I'd ask you to do it, but...
432
00:24:53,288 --> 00:24:55,288
You don't care, do you?
433
00:24:57,369 --> 00:24:59,369
You don't care
if I get her back or not.
434
00:25:32,809 --> 00:25:34,809
Well, married life
is suiting you.
435
00:25:35,927 --> 00:25:37,888
How do you know I'm married?
436
00:25:37,968 --> 00:25:39,968
It's my job to know
what you're up to...
437
00:25:40,048 --> 00:25:42,048
what you're thinking.
- Hm.
438
00:25:43,408 --> 00:25:45,408
Well, go on, then,
clever clogs.
439
00:25:46,609 --> 00:25:48,809
You hungry?
440
00:25:48,888 --> 00:25:50,168
Hungry for what?
441
00:25:50,247 --> 00:25:52,609
Change.
442
00:25:52,687 --> 00:25:54,687
Excitement.
443
00:25:55,968 --> 00:25:57,968
TOM: 'I know
what you really want, Joan.'
444
00:25:59,247 --> 00:26:01,927
To have Kelly back with you.
445
00:26:02,008 --> 00:26:04,168
And I would love for that
to happen.
446
00:26:04,247 --> 00:26:06,247
The thing is,
I don't think it can.
447
00:26:08,528 --> 00:26:10,528
Not now.
448
00:26:11,726 --> 00:26:13,726
What's this?
449
00:26:19,369 --> 00:26:21,369
That robbery in Sussex.
450
00:26:23,008 --> 00:26:24,569
- Dunno what you're on about.
- Yes, you do.
451
00:26:24,648 --> 00:26:26,648
Harris and his boys
searched the shop.
452
00:26:27,327 --> 00:26:29,327
That's the woman involved.
453
00:26:29,968 --> 00:26:32,369
Harris has met you.
454
00:26:32,447 --> 00:26:34,408
If he sees this, he's gonna
know straightaway it's you,
455
00:26:34,487 --> 00:26:36,487
and he'll nick you
for aggravated burglary.
456
00:26:38,809 --> 00:26:40,447
You're looking at years
for that, not months.
457
00:26:40,528 --> 00:26:42,528
JOAN: It doesn't look anything
like me.
458
00:26:46,208 --> 00:26:48,208
The thing is, I can make sure
that doesn't happen.
459
00:26:50,447 --> 00:26:52,288
Why would you do that?
460
00:26:52,369 --> 00:26:53,809
I mean,
you don't wear a uniform,
461
00:26:53,888 --> 00:26:56,088
but you've still got a badge.
462
00:26:56,168 --> 00:26:58,687
All you've got to do
is work for me.
463
00:26:58,768 --> 00:27:01,687
You be my eyes and ears,
464
00:27:01,768 --> 00:27:03,609
and I'll do a deal,
get the other thing gone.
465
00:27:03,687 --> 00:27:06,848
Think about it, Joan.
466
00:27:06,927 --> 00:27:09,327
You could have
a completely different life.
467
00:27:09,408 --> 00:27:11,848
You're safe, with Kelly.
468
00:27:11,927 --> 00:27:14,288
I'm not a grass, Tom.
469
00:27:14,369 --> 00:27:16,369
Anyway,
I've got nothing to tell you.
470
00:27:20,569 --> 00:27:22,848
CAR APPROACHES
471
00:27:28,487 --> 00:27:30,487
Thanks, I'll keep it.
472
00:27:35,687 --> 00:27:37,687
Here you go, mate.
473
00:27:51,726 --> 00:27:54,888
What's with the Old Bill?
474
00:27:54,968 --> 00:27:56,968
Don't know
what you're on about.
475
00:27:58,447 --> 00:28:00,369
That bloke
I've just seen you with.
476
00:28:00,447 --> 00:28:02,848
Well, who says he's Old Bill?
477
00:28:02,927 --> 00:28:04,927
We both know bacon
when we smell it.
478
00:28:06,487 --> 00:28:09,088
If you must know...
479
00:28:09,168 --> 00:28:11,126
he wanted to show me this.
480
00:28:11,208 --> 00:28:13,247
Apparently, she was involved
481
00:28:13,327 --> 00:28:15,968
in nicking a painting
by George Stubbs.
482
00:28:16,048 --> 00:28:18,888
A burglary, Boise.
483
00:28:18,968 --> 00:28:20,927
A burglary where a bloke
got clocked with a gun.
484
00:28:21,008 --> 00:28:23,048
According to who?
485
00:28:23,127 --> 00:28:24,968
The woman who owns the house
and the painting.
486
00:28:25,048 --> 00:28:26,809
What about the fella?
He say anything?
487
00:28:26,888 --> 00:28:28,888
Oh, no, don't worry,
all he can remember
488
00:28:28,968 --> 00:28:30,168
is that whoever hit him
was wearing a mask,
489
00:28:30,247 --> 00:28:32,408
so you are in the clear.
490
00:28:32,487 --> 00:28:34,369
It's just me facing time.
491
00:28:34,447 --> 00:28:37,088
With one witness,
who drinks like George Best?
492
00:28:37,168 --> 00:28:38,569
That'll never stick.
493
00:28:38,648 --> 00:28:40,648
It will
if they find the painting.
494
00:28:51,208 --> 00:28:53,208
SHE SIGHS
495
00:29:07,168 --> 00:29:09,168
SHE COUGHS LIGHTLY
496
00:29:18,609 --> 00:29:20,609
DOOR CLOSES
497
00:29:32,968 --> 00:29:34,968
TIRES SCREECH
498
00:30:00,247 --> 00:30:02,648
Oi! Don't.
499
00:30:02,726 --> 00:30:04,088
I'm not going down
and losing my girl
500
00:30:04,168 --> 00:30:06,168
over a few quid, Boisie.
501
00:30:10,327 --> 00:30:12,327
It's not about the money.
502
00:30:13,569 --> 00:30:15,569
It's about who the buyer is.
503
00:30:17,727 --> 00:30:19,727
I'm selling it to the Irish.
504
00:30:23,247 --> 00:30:25,809
You've organised a sale
with the IR-fucking-A,
505
00:30:25,888 --> 00:30:28,088
and you didn't tell me?
506
00:30:28,168 --> 00:30:30,127
I know, I know. It was
the only fucking option, so...
507
00:30:30,208 --> 00:30:32,127
- I just want Kelly back.
- This won't affect that.
508
00:30:32,208 --> 00:30:34,687
Are you mad?
509
00:30:34,768 --> 00:30:36,208
Tell them it can't be done,
tell them the deal's off.
510
00:30:36,288 --> 00:30:37,609
I can't do that with the IRA.
511
00:30:37,687 --> 00:30:39,687
Are you trying
to get me killed?
512
00:30:52,288 --> 00:30:54,288
We said
we were going straight.
513
00:31:03,247 --> 00:31:05,247
That life's not for
the likes of us, Joan.
514
00:31:19,369 --> 00:31:21,369
I need you, Joan.
515
00:31:25,727 --> 00:31:27,727
I have since the second
I laid eyes on you.
516
00:31:35,809 --> 00:31:37,888
IF I do this...
517
00:31:40,569 --> 00:31:42,569
..it's because we have
no fucking choice.
518
00:32:18,029 --> 00:32:19,789
RECEPTIONIST: Can I help you?
519
00:32:19,867 --> 00:32:21,509
Jessica Cunningham
to see Hugo Saxton.
520
00:32:21,587 --> 00:32:23,587
- Of course.
- Thank you.
521
00:32:30,549 --> 00:32:32,827
Right, tell me about this.
522
00:32:32,908 --> 00:32:35,508
One of a set
of three paintings
523
00:32:35,586 --> 00:32:38,827
commissioned in 1759 by
the second Duke of Richmond...
524
00:32:38,908 --> 00:32:41,508
The THIRD Duke of Richmond.
Jesus!
525
00:32:41,586 --> 00:32:43,868
We've only
just been through this.
526
00:32:43,948 --> 00:32:45,827
You do realise how dangerous
these people are?
527
00:32:45,908 --> 00:32:47,508
Of course, I know.
528
00:32:47,586 --> 00:32:49,586
You cannot mess up.
529
00:32:53,827 --> 00:32:56,269
One of a set
of three paintings
530
00:32:56,348 --> 00:32:59,270
commissioned in 1759
by the third Duke of Richmond,
531
00:32:59,348 --> 00:33:01,107
who was so pleased
with the results
532
00:33:01,187 --> 00:33:03,107
that he encouraged
his fellow dukes and lords
533
00:33:03,187 --> 00:33:05,187
to follow his lead.
TELEPHONE RINGS
534
00:33:10,069 --> 00:33:12,668
Hugo Saxton.
535
00:33:12,749 --> 00:33:14,909
MAN: 'Can I speak to
Jessica Cunningham, please?'
536
00:33:14,989 --> 00:33:16,989
Yes, she's here with me now.
One moment, please.
537
00:33:22,348 --> 00:33:24,348
Jessica Cunningham speaking.
How can I help you?
538
00:33:25,868 --> 00:33:27,949
CLICK,
DISCONNECT TONE
539
00:33:34,230 --> 00:33:36,230
Right.
HE CLEARS THROAT
540
00:33:38,427 --> 00:33:42,909
You'll need to inspect
every inch very carefully.
541
00:33:42,989 --> 00:33:44,668
And you'll need
to check the signature
542
00:33:44,749 --> 00:33:46,749
against photographs
of other examples.
543
00:33:47,709 --> 00:33:50,270
'As for the brush strokes,
544
00:33:50,348 --> 00:33:52,587
'you're assuring yourself
that these are in keeping
545
00:33:52,668 --> 00:33:55,468
'with the artist's
entire body of work.
546
00:33:55,548 --> 00:33:58,749
'Be confident, self-assured.
547
00:33:58,828 --> 00:34:00,828
'Most of all,
do not hesitate.'
548
00:34:06,029 --> 00:34:08,029
Good afternoon, everyone.
549
00:34:16,587 --> 00:34:18,587
Jessica Cunningham.
550
00:34:19,627 --> 00:34:21,627
Sean. This is Michael.
551
00:34:23,069 --> 00:34:25,468
You work at Abney's?
552
00:34:25,548 --> 00:34:27,548
I'm sure you've checked,
or I wouldn't be here.
553
00:34:29,230 --> 00:34:31,230
So, how are we gonna do this?
554
00:34:32,107 --> 00:34:34,147
It's not my business,
555
00:34:34,230 --> 00:34:35,548
but I do need a quiet space
to assess the piece.
556
00:34:35,627 --> 00:34:37,428
Right, well...
557
00:34:37,508 --> 00:34:39,428
CLEARS THROAT
..I've got an hotel room.
558
00:34:39,508 --> 00:34:41,107
Not a fucking chance
we're all in the same room
559
00:34:41,187 --> 00:34:43,187
with both the painting
and the money.
560
00:34:43,789 --> 00:34:45,789
Because?
561
00:34:47,508 --> 00:34:49,508
Plausible deniability,
sweetheart.
562
00:34:54,069 --> 00:34:56,749
Right, you come to the hotel
with me and do your thing.
563
00:34:56,828 --> 00:34:59,308
You, stay here with Michael.
- Hang on.
564
00:34:59,388 --> 00:35:01,107
When, er...
Sorry, what's your name again?
565
00:35:01,187 --> 00:35:03,187
Jessica.
566
00:35:05,230 --> 00:35:06,949
When Jessica confirms she's
happy with what she sees,
567
00:35:07,029 --> 00:35:09,029
I call Michael,
he'll give you the cash.
568
00:35:10,989 --> 00:35:12,909
I'm not just gonna hand over
the painting...
569
00:35:12,989 --> 00:35:14,989
We do things our way
or not at all.
570
00:35:19,868 --> 00:35:21,868
I'm sure Albie'll be around
to keep an eye out.
571
00:35:27,308 --> 00:35:29,308
It's all right.
Let's just do what he says.
572
00:35:36,107 --> 00:35:38,107
LIFT BELL DINGS
573
00:36:21,989 --> 00:36:23,989
Drink?
574
00:36:24,909 --> 00:36:26,909
No, thank you.
575
00:36:28,468 --> 00:36:30,468
You're tense.
576
00:36:30,909 --> 00:36:32,909
You're armed.
577
00:36:35,187 --> 00:36:37,187
Right, then,
shall we take a look?
578
00:37:02,709 --> 00:37:04,868
There's a lot of copies
around.
579
00:37:04,949 --> 00:37:06,949
It's a very popular artist.
580
00:37:08,388 --> 00:37:10,147
Big exhibition at the Tate
last year.
581
00:37:10,230 --> 00:37:12,909
I wonder how many of them
were fake.
582
00:37:12,989 --> 00:37:14,989
Each painting
will have been authenticated.
583
00:37:16,388 --> 00:37:19,789
- By someone like you?
- Yes.
584
00:37:19,868 --> 00:37:21,230
You're not exactly honest,
Miss Cunningham,
585
00:37:21,308 --> 00:37:23,308
or you wouldn't be here.
586
00:37:27,749 --> 00:37:30,270
My reputation relies
on my opinions being honest.
587
00:37:30,348 --> 00:37:32,348
If they could be bought,
588
00:37:32,428 --> 00:37:34,428
they wouldn't be worth much,
would they?
589
00:37:38,348 --> 00:37:40,348
What's your opinion on this?
590
00:37:41,709 --> 00:37:43,709
Patience, please.
591
00:37:48,989 --> 00:37:50,989
Interesting.
592
00:37:56,989 --> 00:37:58,989
It hasn't been relined.
593
00:37:59,949 --> 00:38:02,069
And?
594
00:38:02,147 --> 00:38:05,147
And it's highly unusual.
595
00:38:05,230 --> 00:38:07,308
To find a piece in
its original condition,
596
00:38:07,388 --> 00:38:09,627
like this, is... rare.
597
00:38:15,029 --> 00:38:17,029
Let's see.
598
00:38:19,709 --> 00:38:22,069
Ah. Candle wax.
599
00:38:24,828 --> 00:38:28,428
The thing about fakes,
good fakes,
600
00:38:28,508 --> 00:38:31,187
is that they're
completely perfect.
601
00:38:31,270 --> 00:38:33,270
Every stroke utterly perfect.
602
00:38:35,147 --> 00:38:37,147
But what about the flaws,
Sean?
603
00:38:43,548 --> 00:38:46,270
TELEPHONE RINGING
604
00:38:53,428 --> 00:38:55,428
Michael, phone.
605
00:39:34,828 --> 00:39:36,828
Thanks very much
for the Stubbs.
606
00:39:38,270 --> 00:39:40,270
Now be on your way.
607
00:39:43,749 --> 00:39:44,627
I think you need to get going.
608
00:39:44,709 --> 00:39:46,709
I want my money.
609
00:39:47,789 --> 00:39:49,789
And I want a free Ireland.
610
00:39:52,668 --> 00:39:53,989
We had a deal.
611
00:39:54,069 --> 00:39:56,069
SCOFFS
Your deal's fucked.
612
00:39:58,868 --> 00:40:01,230
Now, leave.
613
00:40:01,308 --> 00:40:03,308
While you still can.
614
00:40:46,548 --> 00:40:49,868
You do know what we do with
these paintings, don't you?
615
00:40:49,949 --> 00:40:51,949
I stay out of these things,
Sean.
616
00:40:54,230 --> 00:40:56,230
We use them as collateral
to buy arms for the struggle.
617
00:40:58,388 --> 00:41:00,749
As I say,
I stay out of these things.
618
00:41:04,308 --> 00:41:06,308
Well, you're a hard bitch,
right enough.
619
00:41:08,627 --> 00:41:10,627
I'll think you'll find
I'm not hard, just practical.
620
00:41:14,989 --> 00:41:16,909
Do you fancy that drink now?
621
00:41:16,989 --> 00:41:18,989
I'm afraid I have
another engagement.
622
00:41:20,789 --> 00:41:22,749
I really do...
623
00:41:22,828 --> 00:41:23,949
GRUNTS
Police! Stay down!
624
00:41:24,029 --> 00:41:26,029
SHE GRUNTS
625
00:41:38,548 --> 00:41:40,548
- All right.
- Get in.
626
00:41:48,709 --> 00:41:50,949
Good look, Joan.
627
00:41:51,029 --> 00:41:54,069
You been following me
the whole time?
628
00:41:54,147 --> 00:41:56,147
I'm sorry. I tried
to offer you a way out.
629
00:41:58,187 --> 00:42:01,147
Pigs.
630
00:42:01,230 --> 00:42:03,029
You're all the same.
631
00:42:03,107 --> 00:42:05,107
HE SIGHS
Joan...
632
00:42:12,147 --> 00:42:14,107
MAN: 'Joan Hannington,
you are remanded in custody,
633
00:42:14,187 --> 00:42:16,069
'and we are
not granting you bail
634
00:42:16,147 --> 00:42:18,270
'because there are
substantial grounds to believe
635
00:42:18,348 --> 00:42:19,949
'that you will not come back
to court,
636
00:42:20,029 --> 00:42:22,107
'or you will commit
another offence.
637
00:42:22,187 --> 00:42:24,468
'We believe this because
of the nature and seriousness
638
00:42:24,548 --> 00:42:26,749
'of the offence and how you
might be dealt with for it,
639
00:42:26,828 --> 00:42:28,428
'and because of
your criminal record,
640
00:42:28,508 --> 00:42:30,868
'personal background
and character.
641
00:42:30,949 --> 00:42:32,668
'You may apply to the Crown
Court for bail in due course.'
642
00:42:32,749 --> 00:42:34,627
WOMAN:
Don't you fucking hang up!
643
00:42:34,709 --> 00:42:36,709
- No, no, no, no, no, no, no!
WOMAN 2: We're waiting!
644
00:42:36,789 --> 00:42:39,468
I've just arrived.
I need to make some calls.
645
00:42:39,548 --> 00:42:41,548
I need to call my little girl.
- I need to call MY daughter.
646
00:42:42,789 --> 00:42:44,789
Go on, we're waiting!
647
00:42:51,468 --> 00:42:54,069
RINGING TONE
648
00:42:54,147 --> 00:42:56,508
- 'Hello, 0-8-2-9?'
- Mrs Ashbury? It's me, Joan.
649
00:42:56,587 --> 00:42:58,069
Can I speak to Kelly, please?
650
00:42:58,147 --> 00:42:59,909
SHOUTING
651
00:42:59,989 --> 00:43:01,868
'Joan?
652
00:43:01,949 --> 00:43:04,388
'Joan?
653
00:43:04,468 --> 00:43:06,508
'Joan.'
- I said can you please...
654
00:43:06,587 --> 00:43:08,187
'I'm truly sorry,
but I think it's better
655
00:43:08,270 --> 00:43:10,029
'if you don't speak to Kelly
656
00:43:10,107 --> 00:43:12,107
'while you're
in your current environment.'
657
00:43:13,668 --> 00:43:16,989
- No, no, you can't do that...
- 'As I say, I am sorry.
658
00:43:17,069 --> 00:43:19,069
'It's better for Kelly.
You can see that, I'm sure.'
659
00:43:22,187 --> 00:43:25,388
DISCONNECT TONE
660
00:43:25,468 --> 00:43:27,187
GUARD:
Calm down! What is going on?
661
00:43:27,270 --> 00:43:29,270
SHOUTING CONTINUES
Calm down!
662
00:43:41,548 --> 00:43:44,709
♪ Darling, don't you cry ♪
663
00:43:44,789 --> 00:43:47,388
♪ It's just for a while ♪
664
00:43:47,468 --> 00:43:51,668
♪ Cos you'll never be the girl
If you let them rule ♪
665
00:43:51,749 --> 00:43:54,749
♪ Oh, no
You'll never be the girl ♪
666
00:43:54,828 --> 00:43:57,868
♪ Till you kick those blues ♪
667
00:43:57,949 --> 00:44:00,989
♪ Go
Go, glitter girl ♪
668
00:44:01,069 --> 00:44:05,069
♪ Get your glamor on
Don't let the mirror fall ♪
669
00:44:05,147 --> 00:44:07,147
♪ Don't let them
Near your soul ♪
48210
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