Original subtitles

Mr. Seerup is from America.

- You want to build in America? - Yes, I do!

The Danes ask, if I want to continue.

How is Uwe doing? Can I visit him?

How did you know I was here? And Frida?

I have something for you. It's from her.

No, no, no, no! I'm not in a relationship with a married man.

- Then you can take over the show. - Kitty Hansen is coming over here.

- Then I say yes to that letterbox. - Your husband drove to the Rebildfest.

Really, really cold. It was.

- Who's touching my piano? - Amanda's daughter?

With greasy little fingers?

Is it you?

I thought I'd forgotten it.

You have not come to play the piano.

It's good to be back. Mr. Larsen is a nice man.

- And married. And over 70. - I'm just saying he's nice.

I was just reading about you, Mrs. Weyse. You're going to be the letterbox editor.

- Here you go, Mrs. Weyse. There's a nice picture too. - My goodness.

- Your wife must get a lot of letters. - Otherwise I don't get any.

Why don't you unpack, Ms. Hansen?

- Yes, ma'am. I'm staying at number 12. - Go up to number 12 with your luggage.

- I assume you've brought the play. - The play?

- The play we're going to rehearse. - Uh, yeah, yeah, yeah. One for you, too.

I don't know where you heard that she is healthy. She seems soft in the head.

She seems nice. I can see why.., you were weak with her.

I wasn't at all. Why do you keep going on with this nonsense?

Whatever. I'm asking, if there's a letter from the boys.

- They called two days ago. - They promised to send a postcard.

Yeah, yeah, yeah, yeah.

- No letter, no postcard. - I told you. What is it? What is it?

From Woman's World.

Oh, my God. Oh, my God. It must be for the mailbox.

- This is completely insane. - Do they have to be where we have to work?

- You're not going to work on the bed, are you? - Uh, no, we're not.

- Does it have to be now? - I'm asking for a place to sit.

Thank you, ma'am.

The woman says her husband doesn't understand her.

- No, Frida. That's the last of it. - It's okay. It's okay. Just take one.

- What is it? What is it? - That wasn't very educational.

- We thought you weren't coming today. - The chairman of the parish council is dead.

Valter had to drive, so I had to stay with Ole until my mom came.

He was fine last night. The parish council chairman.

- He just woke up and was dead. - Why did Valter have to drive?

He's on the parish council. He was elected in the spring.

- I already told you that. - What is a parish council chairman?

Now it's time to elect a new one. If there there's no one else, Valter can do it.

- Valter? - I guess it could be him.

- I want to see it before I believe it. - Isn't he a master blacksmith?

From there to parish council president is a long way.

He didn't wake up, so now it's time to elect a new one.

- It might be Valter. - Valter?

I never thought he'd become chairman of the parish council.

Oh, God...

I'll be the one.., to open the annual bazaar.

That's the parish council chairman's wife.

Everyone will be there with their embroidery and baked goods.

But it doesn't start until after I say welcome.

I don't like standing there talking, but...

- Sorry, Edith. - I have to get up and change too.

Andersens Badehotel. Yes, that's me.

Hold on a sec.

Has something happened to Uwe?

Oh, thank God. Thank God.

Well, I would like that. Yes, I'd love to.

- I heard the phone. Was it Dad? - No, it wasn't.

He's been gone for three days.

They must have been done long ago down in Rebild.

- I'm going for a swim. - It was from the refugee camp.

A police officer is sick. If I hurry down there, I can talk to Uwe.

- Amanda, is that wise? - I don't want to discuss it.

In case the guests ask, I'm at the doctor in Aalborg.

- What about Frida? - I'll take her with me.

You can't be serious, Amanda. He's... may be sick, but there may be others.

I'm not kidding, they're running around with guns.

- I'll be careful. - Amanda...

It's time Uwe met his daughter.

I beg your pardon? Do you know why the radio room is closed?

It says reserved. I was supposed to should have heard a program about Nuremberg.

That must be Mrs. Weyse.

She asked Mrs. Berggren where she could sit with her letterbox nonsense.

Then we won't disturb her.

It's ridiculous. Are the rest of us the rest of us forbidden to use the radio room?

- You'll never get there, Olga. - I'm talking principles here, Lydia.

Ma'am? We're back from the beach.

We were expecting you, They had changed the bedding.

We would have done that, too, but we haven't gotten it yet.

Mrs. Thøgersen is late.

- Who is Mrs. Thøgersen? - The washer and dryer lady.

Is the laundry being washed outside now?

- It was too much for the girls. - We'll come when we've got linen.

Well, then we'll have to wait for that.

Why do we have to clean this place when no one lives here?

A good friend of Mrs. Berggren's used to live here. Count Ditmar.

She wants it to be nice, if he comes.

But I don't think he will.

He lost his son last year in Germany. Very sad.

- How so? - I don't know how.

Here's the playbook, Edward.

Come on in for a second.

Close the door, please.

Just so you understand, Ms. Hansen, there's no Edward here.

- It's Mr. Weyse. - Yes, it is. But not when we're working, right?

- Uh, yes. - I can't do that, Edward.

I'll remember, when we're with other people.

Oh, my God. Oh, my God. Bed's still the same. Did you tell your wife about us?

Why would I tell her? When we briefly...

... knew each other, I wasn't married.

But you had a child with her, so I guess she should know.

- I like clean lines. - What are clean lines?

Everything is clean and beautiful and forgotten. Go to your room.

- You can read the play. - You...

I'll be sorry if you don't say you when we're alone.

I can't wait to hear your ideas. It can only be good.

I'll read it now. Have you read it?

- I know it by heart! - I know it by heart. Of course you did.

- The doctor again? - Uh, yeah, yeah, yeah.

- I'll take Frida with me. - You don't have to do that.

It's a lot of hours in the car, so it's nice to have some company.

- Frida? - Frida? What?

- Do you want to go for a ride with mom? - When do you want to go?

- What are we doing? - Just a little ride.

- Me and Otilia have to find rocks. - We'll do that tomorrow.

- No, I want to do it today! - You can't do that.

- Come on, let's go. - No, no, no, no, no, no, no, no, no, no, no, no!

- Frida, you're going with mom. - No, no, no, no, no, no, no, no, no, no, no, no.

Yes, I am. And then you'll go to the beach with Otilia tomorrow. Let's go. Let's go.

- How are you, Mrs. Weyse? - I guess I wasn't thinking.

- It's a bigger job. - What do people write?

It's all women. It's housewives who feel overlooked.

- I think that's familiar. - What would you say to them?

I have no idea. Why don't you come in?

I suppose I should come up with something encouraging...

- but I don't know. What do you say to this one?

She has a connection to a married man, but I think it's a lost cause.

He promises to leave his wife...

Throw him out. She's not gonna put up to be used as a floor mat.

- You want me to write that? - Maybe in slightly different words.

Don't you agree, Mrs. Frigh?

Yes, I do, ma'am. That relationship seems rather hopeless.

- Well, there's a real meeting. - What is it, Edward?

I'm sorry. Uh... I should probably...

What did you want?

Please don't let yourself interrupt your important work.

- How's Kitty Hansen? - She's reading. She's reading this.

- Is that the play? - Yeah, that's the play now.

Suddenly it's a different play than the one I agreed to direct.

- What play did you say yes to? - The usual Ibsen.

- So, "A Doll's House"? - Yeah. Uh-huh.

I tried to get ahold of Director Konradsen.

His secretary had the audacity to claim

- that it has always has been that all along.

- You can't have misunderstood... - No, I didn't.

"As we dead wake." How's that?

I've never seen it. Well, maybe once in Oslo.

But up there you don't understand understand a single word they say.

I had so many ideas for

- how Nora was going to slam that door.

I get imposed on Kitty Hansen and another piece.

- You know what this is about? - Yes, that the theater has cheated me.

So you have no regrets and you're looking for an excuse...

Can I be free? I can't wait to set the scene.

Shouldn't you read the play? It might be good.

Excuse me, ma'am? There's a phone.

- I want to know if you're here? - I'm standing right here.

I have to ask the guests if they are here before I tell them on the phone.

Who said that? That only applies to Mr. Weyse.

- Who is Mr. Weyse? - A gentleman.

- He said his name was Leslie. - That's my son.

- Hello, Leslie. - Leslie, it's me. How you doing, Leslie?

I don't want you to impersonate my son, you impersonating my son.

I don't want you to call me. I already told you that.

- Shall we go for a walk in the dunes? - No, we're not.

It was so nice. You can come up to my place too.

- What's the perspective, Bent? - Perspective?

You're not one notch better than those who promise to leave their wives.

- I never promised that. - You can't even figure that out.

Goodbye, Bent.

No, no, no, no, no, no, no, no, no, no, no, no.

Yes? Uh...

I have a question about the play. It's very short.

Really well chosen, Edward. I want to ask you about Irene and Rubæk.

Uh, who?

Irene, the woman I play, and Professor Rubæk, who you play.

When they meet each other after many years, is she dead?

Dead?

Yeah. Uh-huh. Because the Irene I play says here...

"With you it's a different matter, because you're still alive."

Is it because I'm dead? It's unclear.

But maybe it'll make sense, once I read it all.

- You'd rather wait? - Yeah, I'd rather wait. That would be great.

I had no idea Mrs. Frigh was here.

I was late for lunch and I saw her come out.

She didn't see me. If I had known she was here, I wouldn't have come.

- After everything with her husband. - Her husband is dead and gone.

- I know he is. But it was my fault. - No, Kitty. It was the heart.

The heart? Oh, thank God. Oh, thank God.

- 14, 15, 16. - Are you sure they're there?

I'm the one who gets in trouble if they aren't there when control comes.

I wonder if the parish council chairman gets extra grease marks?

Fine people come to dinner. The mayor comes once a year.

Then I'll have to make more dresses. I can't... can't run around in the same one.

- We have to choose him first. - I'm well aware of that.

Well, that was life. Room 1, is it available?

No one's lived there since Mr. Seerup left.

- Welcome, ma'am. - Thank you, ma'am.

- We are hungry. Can we have sandwiches? - Yes, ma'am. Yes, ma'am. I'll let you know in the kitchen.

I thought that was you.

And Mr. Seerup. I thought you had left?

- I've extended my stay. - Did it go well in Rebild?

It was a powerful experience to stand together with... How many of us were there?

- 35.000. - Wow, wow, wow. That many?

It shows the strong ties between Denmark and America.

I haven't been home in Denmark since... 33 years.

It was a personal experience.

One memory after another popped up.

Then I understand why you have to stay.

I'm surprised. My life is run by business. I feel like I'm...

What was that word we used? What we did in school.

- Spanking. - Yeah, yeah, yeah. It can't be any different.

That's why I was so pleased for your husband's suggestion.

- Suggestions? - The sandwich is ready.

- Oh, that's nice. Let's go in and eat. - Georg! What kind of suggestion?

I've offered to find him a vacation property.

Are you going to spend your vacation on that?

I'm this close to closing a deal. A development in Milwaukee.

In America they have malls.

It's shops and a skyscraper. And I can come along.

Go get Amanda and tell her tell her to say hello to Mr. Seerup.

- She's gone. - Where did she go?

- Mrs. Berggren can be here at 15:00. - Does she know you spoke to me?

She's not supposed to. I know nothing about it.

- Søegaard? Where are they meeting? - In the plantation.

The abandoned shed down in the divide is better. There they can talk in peace.

- Enevoldsen. - Am I disturbing you, Morten?

No, you're not. Not at all.

We got a good downpour last night, but not a drop came through the roof.

- You've done a good job. - I'm glad you did.

But have the roofer take a look at it.

Yes, I'll do that. Well, it's about the last day in camp.

- It'll be here for a while yet. - No, I mean for you.

- Don't the English stop now? - Yes, it's on Wednesday.

Then you can finally come home.

- They've offered me to continue. - You said no to that, right?

- I promised them answers tomorrow. - You've given them more than enough.

When I think of all the things you've done...

As if I alone have won the war.

Well, you've certainly done enough.

Will you promise me that you'll say no and go home to your family?

- Sure, sure. If they can find someone else. - Well, they certainly can.

Hang on a second. There's someone at the door. Yes, come on in.

- I brought eggs, Mrs. Andersen. - It's fine. It's fine.

That was Edith. She's just gone to get eggs.

I'll talk to you later. Say hello.

- That was Morten. He sends his regards. - Thanks, Morten. The parish council chairman died last night.

Yes, the post office said so. That's a shame.

Yes, but now a new one has to be elected. Valter has said he's ready.

Oh, is he? Yes, I'd say so.

Then I stood over by the chickens and I got to thinking about the royal family.

Once they were on their way to Klitgården and stopped in Aalbæk.

The parish council chairman's wife gave the bouquet.

Well, that would be you, Edith, if Valter becomes the new chairman.

Have you ventured all the way down here, Mr. Aurland?

The weather looked promising when I left home.

- Will we get rain? - I don't think so.

- You've given up the sad book? - No, I have it with me now.

I just wanted to write a greeting to Count Ditmar. Amanda told you...

...what happened to his son.

- Have you heard how it happened? - No, I haven't.

Vilhelm was in the Hitler Youth and and was assigned to fight in the last days.

- He was only 12 years old. - Not...

Yeah. Uh...

How can you write something comforting to a father after that?

No, I, uh... I think I'm gonna.., I'm gonna hold off on that letter for a while.

- What have you done with Frida? - She's out driving with her mom.

I thought I'd go for a walk.

- Perhaps you'd like to come along? - Well, why not.

Why don't we go north so we don't have to the sight of those awful bunkers?

The Danish-American is back.

Mr. Seerup. I thought he was going home.

He's gotten so excited about Denmark that he's staying a little longer.

You can't blame him for that.

Have you found a new housekeeper?

Uh, no, I haven't. Not yet. Uh... No, I think I'll wait until after the holidays.

It could also be, They'll get married again someday.

- I wonder. - Never say never.

Suddenly someone comes along and grabs you.

Oh, my goodness.

- Hello, ma'am. - You don't recognize me.

Kitty Hansen.

Oh, Ms. Hansen. I didn't realize you were here.

I came today. I'm here to rehearse a play with Mr. Weyse.

I'm sorry about what happened back then. With me and your husband.

It was many years ago, and Otto is no longer here.

So I've heard. I had a difficult time. I wasn't well.

I'm glad you're feeling better.

I've been thinking a lot what it must have been like for you.

There's something about older men meeting young women.

When they're suddenly lying there with a girl with young breasts.

I'm sorry, I'm sorry. That sounds all wrong. I wanted to apologize for that.

- I feel much better now. - Thank you, Mrs. Frigh.

- You're wrinkling my dress. - No, I'm sorry. I'm sorry.

- So you don't hold a grudge? - Why would I do that?

- The roll wife asks for sugar. - She doesn't get it.

- Then there's cream. - And sugar?

- I only have for the guests. - They're important too.

- Hello, Tulle. Is Thøger at sea? - No, he came in this morning.

He must have heard about it in the parish council?

Yes, he has. Of course he has. It was us they called first.

It's only natural, when Thøger is to be the new chairman.

- Why should he be? - He's vice chairman, Edith.

So it's his turn.

Well, I don't have time to chat.

Thanks for the tear. I'm going to bake a cake, Thøger can bring to the meeting.

- Trine, come here. Mrs. Fjeldsøs cards. - What's wrong with them?

I opened the window...

- and then they flew out. Trine! You have to help me.

- They're down in the gutter. - Nice to have Seerup back.

I'm not going to make a fool of myself embarrass myself again with a sing-along.

She'll never notice.

- Did you tell her you came down here? - Only to my mom.

I am grateful for your help, Mr. Søegaard.

- Where are we going, Mom? - We're just going in here.

Hello, Frida.

I'm Uwe. I'm so happy to meet you.

Thank you for the nice stone.

- Uwe got the stone you found. - I wanted my dad to have it.

Uwe is your father.

My mother was also called Frida. You look like her. Did you know that?

I can't blame her, it must be weird for her.

What's he saying, Mom?

I'm saying you're the sweetest girl I've ever met.

Oh, Mr. Seerup. I found the local paper.

There are a couple of properties that might be of interest to you.

- Is that so? Why don't you come in? - Yeah. Uh...

We could look at the properties tomorrow.

I am so grateful for your initiative.

- My wife is traveling over here. - Well, well, well. Well, what do you know?

We managed to to get a phone connection.

When I wanted to find a property, she had to come.

Real estate and interior design is Ellinor's passion. She has chosen our houses.

- So her father's doing better? - He's been dying for ten years.

It's not easy, when you have iron health.

That was indiscreet. Well, let's see what you've found.

Let me show you.

Do you mind if I.., if I open a window?

Have you read the play, Edward?

- Have you? - It's an insult.

- An insult? To who? - At me.

- I doubt Ibsen had you in mind. - But Director Konradsen did.

This is his way of getting revenge...

- after my controversy with Bonderose. Do you know what the play is about?

A burned-out artist on vacation with his boring wife.

He runs into his former model...

- he had a relationship with, and they go to their deaths together.

That's how he looks at me! Like a burnt-out artist who's stalled.

- It's all in your head. - The play is set in a seaside hotel.

A seaside hotel! The former model, where do you think she comes from?

From the loony bin. That's why I've been been outfitted with Kitty Hansen.

One thing is not true. You don't have a boring wife.

That's an insult. I've only got the one piece...

- so the audience can say: "That's so funny. He's playing himself."

I don't have to stage or act in that piece of shit.

- Now you think about it for a moment. - I've made my decision.

- You're thinking of buying property over here? - That is correct.

At Mr. Madsen's suggestion. He has been kind enough to offer his help.

Are you moving back to Denmark?

This is only intended as a vacation property.

I read about the appalling crimes against humanity...

- uncovered at Nuremberg.

It was good, we stopped the Germans' madness.

How would you characterize the two atomic bombs America dropped on Japan?

Should we not let Mr. Seerup enjoy his coffee...

- without him having to be held accountable for the world situation?

Ladies and Gentlemen, allow me to pay tribute...

- to the performing arts, where you are never let down.

Wait a minute, Olga.

There's no business like show business

like no business I know.

Everything about it is appealing

everything that traffic will allow.

Nowhere could you get that happy feeling

when you are stealing that extra bow.

There's no people like show people

they smile when they are low.

Yesterday they told you, you would not go far

that night you open and there you are.

Next day on your dressing room they've hung a star.

Let's go on with the show!

The costumes, the scenery, the makeup, the props

the audience that lifts you when you're down.

The headaches, the heartaches, the backaches, the flops

the sheriff who'll escort you out of town.

The opening when your heart beats like a drum.

The closing when the customers don't come.

There's no business like show business

like no business I know.

But still you wouldn't change it for a sack of gold.

Let's go on with the show.

Let's go on with the show!

- Show! - Aah!

Ms. Hansen, you're packing your suitcase.

There will be no show.

- Then perhaps you'll let me, Lydia? - Yes, yes, Olga.

- Was it because I sang? - It wasn't that, Miss Hansen.

I just think Edward has regretted directing the play.

- Wait, wait, wait, wait, wait, wait, wait, wait, wait. What on earth? - You might have given the wrong one, Olga?

No, not at all. There are two cards missing.

Wait a minute, wait a minute. When we came back after coffee, everything was wide open.

Was that you.., who changed the linen today?

Uh, no, sir. I did that.

So it was you, who opened the window and left the door open?

I may have come to that, yes.

It's thoughtless when there's a deck of playing cards on the windowsill.

- I'm sorry, sorry, sorry. - I have an old deck.

Uh, no, no, no. No, thank you. I don't play with greasy cards.

Mrs. Frigh, you might have a fresh deck of cards?

Uh, no, I didn't. Actually, I'm tired. I think I'm going to turn in.

Oh, dear.

It's just so embarrassing. Now they can't play.

They can play. There are three of them. Then they don't need they don't need so many cards.

You're amazing. Thanks for your help.

- It was a pleasant surprise. - I have a question for you.

Are my breasts too old?

Your breasts?

It's a simple question. Are my breasts too old?

Your breasts, Alice... they're absolutely marvelous.

If you didn't always hang up the phone when I call, I'd touch them.

Then do it.

- Edward? Edward? Can I say something? - Uh, no, you may not.

Why don't you do what you do in the song? The show must go on.

Show that you can put on an amazing performance.

You sound like something out of a letterbox. Good night, ma'am.

Good night. Good night. Good night.

Good morning, ma'am. Your father is going to look at properties with Mr. Seerup.

- Does Frida want to go to the beach with grandma? - She's gone down there with Otilia.

- You came home late. - Yeah, it's a long drive, Mom.

Why don't you come inside?

It was a nice ride.

It was so touching to see Uwe and Frida together.

Yes, you would have thought they had known each other forever.

It just felt... It felt so right.

Mr. Søegaard let us be together for an hour.

- I'm glad he did. - I know who to write to.

Johannes Kærbøl is the leader of all the refugee camps.

Mr. Søegaard thinks many things speak for Uwe to stay in Denmark.

You don't believe that, I see.

Uwe is learning Danish. He is spokesman in the camp and has a child here.

He has never been a Nazi. He was part of the fight against Hitler.

- It's worth a try. - Yeah, it's worth a try. That's what I'm going to do.

What if it works? What will the guests say? And the girls?

- They don't know he's Frida's father. - They'll find out.

One thing at a time.

And you can rest easy. Frida won't say anything.

- Are you leaving? - I'm going to see if there's breakfast.

- You can get it here too. - Uh, no, thanks.

It was incredibly nice last night.

I'll see you again, right? You can't just just come and go like that.

So let's just say I'll see you after you talk to your wife.

Yeah? Uh-huh.

- I'm ready to go. - Can I come in for a minute?

We have to postpone our excursion. I'm, uh... will meet my wife in Copenhagen.

I thought she was going on the steamer.

She's flying to London and Copenhagen. I can't wait for you to meet her.

Also in connection our collaboration.

The company was started by her father.

- I didn't realize that. - I thought you guys were gone.

Mr. Seerup is going to Copenhagen to pick up his wife.

We're looking at properties, when you get back.

I couldn't get you to to go a little ahead?

You know what we're looking for.

Did you have a chance to take the first tour around and sort out the worst of it?

Yes, we did. Of course I did. But it was just missing.

My wife gets tired so quickly. It would be a great help.

- Yeah, yeah, yeah, yeah. - So, the trucker.

- Goodbye, Mrs. Madsen, and see you again. - Goodbye, goodbye.

Well, that's nice. You'll be his errand boy.

Shut your mouth, Therese.

Ditmar.

- Hello, Ditmar. - Nice of you to come.

- Is Philip with you? - Uh, no, he's not. I felt like going for a drive.

- How's it going here? - Yeah, it's going fine.

- How about you guys? - Uh, yeah, yeah. We're, uh... We're good.

Come on in.

- I'll get you some coffee. - You don't have to, Amanda.

- Have you heard from Philip? - No, I haven't. He's not at Frijsenholm?

- He left a week ago. - Where did he go?

I don't know where. He just drove.

- Did something happen, Ditmar? - No, I hope not.

He just can't stand me.

We're not the most cheerful company, me and my mom.

- I thought he might have come out here. - I haven't talked to him in a while.

- I'm just gonna leave. - No, you're not.

You just got here. That room is ready.

- It is? - Yes, that's it.

You're not leaving now. You're staying here tonight.

- What did Valter say? - Valter?

- You haven't talked to him? - How could I?

- He asked for you. - I was out on the terrace.

Some people stepped aside. I don't I don't have to tell the ladies.

It's just walking down the beach and see the dirty bunkers.

They were the ones we called good compatriots who went and built there.

It's too slow to hold them to account.

Oh, here comes your wife. It is nice to meet your husband.

And we had no idea he's on the parish council.

We won't disturb you anymore. Yes, we have to go for a walk too.

I see. Then I wish you a good trip.

- Thank you very much, ma'am. - Thank you, ma'am.

- Thank you, ma'am. - Come, Olga.

Thank you, Olga.

You've made quite an impression. How did the meeting go?

Was Thøger happy to become chairman? Had Tulle baked a cake?

We had both coffee and cake. But Thøger hung his head a little.

Several people reminded him of the fish he had sold to the Germans.

- So they didn't want him. - So who did?

Well, you can take a guess, Edith.

Hey, hey, hey, hey. There, there, girl.

Edith will probably quit when her husband is chairman of the parish council.

You can't say that.

Then we'll just have those two kids throwing our stuff out the window.

- What are you doing? - I didn't touch it.

- What are you doing here? - Waiting for the Larsen trucker.

- Why would you do that? - You said last night, Edward...

I'm sorry, Mr. Weyse. ...it didn't work out.

There must be a misunderstanding.

Take your suitcase, go upstairs to your room and take off your clothes.

- I'll be right there. - You want me to take my clothes off?

Your outerwear. We need to get to work, right?

Mr. Weyse, there's a phone call for you. Director Konradsen from the theater.

- Shall I tell him you're not here? - No, no, no, no, no. Just put it up.

Good morning, ma'am. What can I do for you, ma'am?

Well, you've been leaving messages for me to call you back.

- Well, that was yesterday. - So it's not relevant?

I just wanted to congratulate you. That's a great great idea, but I'll take the gauntlet.

- They speak in mists. - Those mists have lifted in my head.

I'm doing the most enchanting performance

- that will make the dead to wake up.

If there was nothing, I would wish you a delightful summer.

Little Miss Hansen is waiting. We have work to do. Bye, bye.

- You're going to fix it? - Yeah, I'm gonna make it.

I woke up and thought: "I'm going to make the most amazing show."

- It just came to you? - That's the thing about being an artist.

That's what it is to be an artist.

- Otilia, look. A stone with a hole in it. - Oh, it's beautiful.

I want my father to have it, when I see him again.

- Your dad? - Yeah. Uh-huh.

- When have you seen him? - I'm not at liberty to say.

Texts: Karla Engelbrecht Danish Video Text