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at 78 David Gilmore the iconic guitarist
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at 78 David Gilmore the iconic guitarist
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at 78 David Gilmore the iconic guitarist
of Pink Floyd has recently opened up
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of Pink Floyd has recently opened up
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of Pink Floyd has recently opened up
about a topic that has puzzled Pink
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about a topic that has puzzled Pink
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about a topic that has puzzled Pink
Floyd fans for decades in a candid
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Floyd fans for decades in a candid
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Floyd fans for decades in a candid
interview Gilmore has finally revealed
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interview Gilmore has finally revealed
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interview Gilmore has finally revealed
the real reason behind the band's
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the real reason behind the band's
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the real reason behind the band's
dramatic breakup in the 1980s shedding
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dramatic breakup in the 1980s shedding
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dramatic breakup in the 1980s shedding
light on the intense power struggles
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light on the intense power struggles
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light on the intense power struggles
underlying grudges and creative clashes
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underlying grudges and creative clashes
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underlying grudges and creative clashes
that led to the separation of one of the
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that led to the separation of one of the
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that led to the separation of one of the
greatest bands in history Gilmore's new
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greatest bands in history Gilmore's new
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greatest bands in history Gilmore's new
insights shed light on why Roger Waters
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insights shed light on why Roger Waters
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insights shed light on why Roger Waters
his former bandmate ultimately brought
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his former bandmate ultimately brought
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his former bandmate ultimately brought
Pink Floyd to its
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Pink Floyd to its
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Pink Floyd to its
knees what sparked this dramatic
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knees what sparked this dramatic
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knees what sparked this dramatic
conflict and what Secrets has David
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conflict and what Secrets has David
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conflict and what Secrets has David
Gilmore Finally Revealed join us as we
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Gilmore Finally Revealed join us as we
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Gilmore Finally Revealed join us as we
unravel the real story behind the
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unravel the real story behind the
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unravel the real story behind the
destruction of Pink Floyd straight from
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destruction of Pink Floyd straight from
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destruction of Pink Floyd straight from
the man who witnessed it all David
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the man who witnessed it all David
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the man who witnessed it all David
Gilmore the legendary guitarist and
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Gilmore the legendary guitarist and
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Gilmore the legendary guitarist and
vocalist of Pink Floyd was born on March
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vocalist of Pink Floyd was born on March
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vocalist of Pink Floyd was born on March
6th 1946 in Cambridge England
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6th 1946 in Cambridge England
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6th 1946 in Cambridge England
his full name is David John Gilmore and
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his full name is David John Gilmore and
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his full name is David John Gilmore and
he grew up in a well-educated artistic
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he grew up in a well-educated artistic
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he grew up in a well-educated artistic
and musical family which played a
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and musical family which played a
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and musical family which played a
significant role in shaping his future
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significant role in shaping his future
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significant role in shaping his future
career his father Douglas Gilmore was a
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career his father Douglas Gilmore was a
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career his father Douglas Gilmore was a
senior lecturer in Zoology at the
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senior lecturer in Zoology at the
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senior lecturer in Zoology at the
University of Cambridge and his mother
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University of Cambridge and his mother
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University of Cambridge and his mother
Sylvia trained as a teacher and later
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Sylvia trained as a teacher and later
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Sylvia trained as a teacher and later
worked as a film editor for the
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worked as a film editor for the
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worked as a film editor for the
BBC at the time of Gilmore's birth they
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BBC at the time of Gilmore's birth they
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BBC at the time of Gilmore's birth they
lived in trumpington Cambridge Shire in
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lived in trumpington Cambridge Shire in
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lived in trumpington Cambridge Shire in
1956
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1956
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1956
after several relocations they moved to
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after several relocations they moved to
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after several relocations they moved to
nearby grantchester Gilmore's parents
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nearby grantchester Gilmore's parents
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nearby grantchester Gilmore's parents
encouraged him to pursue his interest in
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encouraged him to pursue his interest in
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encouraged him to pursue his interest in
music and in 1954 he bought his first
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music and in 1954 he bought his first
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music and in 1954 he bought his first
single Bill Haley's Rock Around the
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single Bill Haley's Rock Around the
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single Bill Haley's Rock Around the
Clock his enthusiasm was stirred the
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Clock his enthusiasm was stirred the
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Clock his enthusiasm was stirred the
following year by Elvis Presley's
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following year by Elvis Presley's
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following year by Elvis Presley's
Heartbreak Hotel and later bye-bye love
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Heartbreak Hotel and later bye-bye love
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Heartbreak Hotel and later bye-bye love
by the Everly Brothers pequ his interest
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by the Everly Brothers pequ his interest
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by the Everly Brothers pequ his interest
in the guitar he borrowed a guitar from
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in the guitar he borrowed a guitar from
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in the guitar he borrowed a guitar from
a neighbor but never gave it back soon
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a neighbor but never gave it back soon
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a neighbor but never gave it back soon
afterward Gilmore started teaching
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afterward Gilmore started teaching
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afterward Gilmore started teaching
himself to play using a book and record
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himself to play using a book and record
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himself to play using a book and record
set by Pete Seager at age 11 Gilmore
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set by Pete Seager at age 11 Gilmore
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set by Pete Seager at age 11 Gilmore
began attending purse school on Hills
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began attending purse school on Hills
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began attending purse school on Hills
Road Cambridge which he did not enjoy
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Road Cambridge which he did not enjoy
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Road Cambridge which he did not enjoy
there he met the future Pink Floyd
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there he met the future Pink Floyd
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there he met the future Pink Floyd
members Sid Barrett and Roger Waters who
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members Sid Barrett and Roger Waters who
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members Sid Barrett and Roger Waters who
attended cambridgshire high school for
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attended cambridgshire high school for
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attended cambridgshire high school for
boys on Hills Road in 1962 Gilmore began
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boys on Hills Road in 1962 Gilmore began
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boys on Hills Road in 1962 Gilmore began
studying a-level modern languages at the
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studying a-level modern languages at the
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studying a-level modern languages at the
cambridgshire College of Arts and
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cambridgshire College of Arts and
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cambridgshire College of Arts and
Technology despite not finishing the
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Technology despite not finishing the
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Technology despite not finishing the
course he eventually learned to speak
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course he eventually learned to speak
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course he eventually learned to speak
fluent French Barrett was also a student
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fluent French Barrett was also a student
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fluent French Barrett was also a student
at the college and he spent his
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at the college and he spent his
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at the college and he spent his
lunchtimes practicing guitar with
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lunchtimes practicing guitar with
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lunchtimes practicing guitar with
Gilmore in late 1962 Gilmore joined the
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Gilmore in late 1962 Gilmore joined the
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Gilmore in late 1962 Gilmore joined the
blues rock band Joker's Wild they
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blues rock band Joker's Wild they
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blues rock band Joker's Wild they
recorded a one-sided album and a single
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recorded a one-sided album and a single
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recorded a one-sided album and a single
at Regent Sound Studio in Denmark Street
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at Regent Sound Studio in Denmark Street
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at Regent Sound Studio in Denmark Street
West London but only 50 copies of each
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West London but only 50 copies of each
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West London but only 50 copies of each
were made Gilmore traveled to France in
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were made Gilmore traveled to France in
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were made Gilmore traveled to France in
mid 1967 with Rick wills and Willie
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mid 1967 with Rick wills and Willie
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mid 1967 with Rick wills and Willie
Wilson former of Joker's Wild the trio
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Wilson former of Joker's Wild the trio
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Wilson former of Joker's Wild the trio
performed under the name flowers then
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performed under the name flowers then
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performed under the name flowers then
bullet but were not commercially
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bullet but were not commercially
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bullet but were not commercially
successful after hearing their covers of
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successful after hearing their covers of
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successful after hearing their covers of
chart hits club Owners were reluctant to
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chart hits club Owners were reluctant to
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chart hits club Owners were reluctant to
pay them and soon after their arrival in
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pay them and soon after their arrival in
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pay them and soon after their arrival in
Paris thieves stole their equipment in
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Paris thieves stole their equipment in
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Paris thieves stole their equipment in
France Gilmore contributed lead vocals
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France Gilmore contributed lead vocals
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France Gilmore contributed lead vocals
to two songs on the soundtrack of the
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to two songs on the soundtrack of the
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to two songs on the soundtrack of the
film two weeks in September starring
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film two weeks in September starring
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film two weeks in September starring
Bridget
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Bridget
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Bridget
BAU in
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BAU in
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BAU in
1967 Pink Floyd composed of Gilmore's
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1967 Pink Floyd composed of Gilmore's
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1967 Pink Floyd composed of Gilmore's
Cambridge schoolmates Barrett and Waters
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Cambridge schoolmates Barrett and Waters
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Cambridge schoolmates Barrett and Waters
with Nick Mason and Richard Wright
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with Nick Mason and Richard Wright
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with Nick Mason and Richard Wright
released their debut studio album The
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released their debut studio album The
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released their debut studio album The
Piper at the Gates of
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Piper at the Gates of
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Piper at the Gates of
Dawn that may Gilmore briefly returned
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Dawn that may Gilmore briefly returned
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Dawn that may Gilmore briefly returned
to London in search of new equipment
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to London in search of new equipment
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to London in search of new equipment
during his stay he watched Pink Floyd
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during his stay he watched Pink Floyd
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during his stay he watched Pink Floyd
record c Emily play and was shocked to
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record c Emily play and was shocked to
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record c Emily play and was shocked to
find that Barrett who was beginning to
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find that Barrett who was beginning to
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find that Barrett who was beginning to
suffer from mental health problems did
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suffer from mental health problems did
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suffer from mental health problems did
not seem to recognize him in late
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not seem to recognize him in late
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not seem to recognize him in late
1967 as Sid Barrett's condition worsened
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1967 as Sid Barrett's condition worsened
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1967 as Sid Barrett's condition worsened
due to his mental health issues and
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due to his mental health issues and
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due to his mental health issues and
heavy drug use the other members of Pink
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heavy drug use the other members of Pink
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heavy drug use the other members of Pink
Floyd Roger Waters Nick Mason and
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Floyd Roger Waters Nick Mason and
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Floyd Roger Waters Nick Mason and
Richard Wright invited Gilmore to join
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Richard Wright invited Gilmore to join
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Richard Wright invited Gilmore to join
the band initially he was brought in to
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the band initially he was brought in to
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the band initially he was brought in to
compliment Barrett but he soon became
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compliment Barrett but he soon became
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compliment Barrett but he soon became
the band's primary guitarist as
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the band's primary guitarist as
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the band's primary guitarist as
Barrett's ability to perform
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Barrett's ability to perform
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Barrett's ability to perform
declined by March
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declined by March
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declined by March
1968 working with Barrett had become too
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1968 working with Barrett had become too
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1968 working with Barrett had become too
difficult and he agreed to leave the
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difficult and he agreed to leave the
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difficult and he agreed to leave the
band without Barrett striking lyrics the
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band without Barrett striking lyrics the
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band without Barrett striking lyrics the
band moved away from the singles Market
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band moved away from the singles Market
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band moved away from the singles Market
to concentrate on live work continuing
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to concentrate on live work continuing
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to concentrate on live work continuing
its Innovations in Sound and Lighting
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its Innovations in Sound and Lighting
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its Innovations in Sound and Lighting
but with varying degrees of success
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but with varying degrees of success
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but with varying degrees of success
after recording a series of motion
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after recording a series of motion
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after recording a series of motion
picture soundtrack albums they entered
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picture soundtrack albums they entered
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picture soundtrack albums they entered
the American charts with their hit songs
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the American charts with their hit songs
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the American charts with their hit songs
Adam Hart mother in 1970 and metal in
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Adam Hart mother in 1970 and metal in
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Adam Hart mother in 1970 and metal in
1971 making records that are song based
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1971 making records that are song based
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1971 making records that are song based
but thematic in approach and include
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but thematic in approach and include
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but thematic in approach and include
long instrumental passages the band
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long instrumental passages the band
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long instrumental passages the band
significantly contributed to the rise of
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significantly contributed to the rise of
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significantly contributed to the rise of
the concept album they achieved massive
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the concept album they achieved massive
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the concept album they achieved massive
Commercial Success with the album The
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Commercial Success with the album The
241
00:05:09,720 --> 00:05:12,990
Commercial Success with the album The
Dark Side of the Moon released in
242
00:05:12,990 --> 00:05:13,000
Dark Side of the Moon released in
243
00:05:13,000 --> 00:05:15,390
Dark Side of the Moon released in
1973 this album offered a grim
244
00:05:15,390 --> 00:05:15,400
1973 this album offered a grim
245
00:05:15,400 --> 00:05:17,790
1973 this album offered a grim
exploration of mortality and emotional
246
00:05:17,790 --> 00:05:17,800
exploration of mortality and emotional
247
00:05:17,800 --> 00:05:20,590
exploration of mortality and emotional
collapse highlighted by water's dark
248
00:05:20,590 --> 00:05:20,600
collapse highlighted by water's dark
249
00:05:20,600 --> 00:05:23,390
collapse highlighted by water's dark
songwriting it sent Pink Floyd soaring
250
00:05:23,390 --> 00:05:23,400
songwriting it sent Pink Floyd soaring
251
00:05:23,400 --> 00:05:25,710
songwriting it sent Pink Floyd soaring
into the Megastar bracket and remained
252
00:05:25,710 --> 00:05:25,720
into the Megastar bracket and remained
253
00:05:25,720 --> 00:05:27,749
into the Megastar bracket and remained
in the American pop charts for more than
254
00:05:27,749 --> 00:05:27,759
in the American pop charts for more than
255
00:05:27,759 --> 00:05:31,309
in the American pop charts for more than
a decade the f Up album wish you were
256
00:05:31,309 --> 00:05:31,319
a decade the f Up album wish you were
257
00:05:31,319 --> 00:05:33,230
a decade the f Up album wish you were
here released in
258
00:05:33,230 --> 00:05:33,240
here released in
259
00:05:33,240 --> 00:05:36,710
here released in
1975 includes Shine On You Crazy Diamond
260
00:05:36,710 --> 00:05:36,720
1975 includes Shine On You Crazy Diamond
261
00:05:36,720 --> 00:05:39,029
1975 includes Shine On You Crazy Diamond
a song for Barrett and though it went to
262
00:05:39,029 --> 00:05:39,039
a song for Barrett and though it went to
263
00:05:39,039 --> 00:05:41,029
a song for Barrett and though it went to
number one in both the United States and
264
00:05:41,029 --> 00:05:41,039
number one in both the United States and
265
00:05:41,039 --> 00:05:43,590
number one in both the United States and
Britain it was considered underwhelming
266
00:05:43,590 --> 00:05:43,600
Britain it was considered underwhelming
267
00:05:43,600 --> 00:05:46,590
Britain it was considered underwhelming
and pretentious by many critics by the
268
00:05:46,590 --> 00:05:46,600
and pretentious by many critics by the
269
00:05:46,600 --> 00:05:49,270
and pretentious by many critics by the
late 1970s Gilmore had begun to think
270
00:05:49,270 --> 00:05:49,280
late 1970s Gilmore had begun to think
271
00:05:49,280 --> 00:05:51,029
late 1970s Gilmore had begun to think
that his musical talents were being
272
00:05:51,029 --> 00:05:51,039
that his musical talents were being
273
00:05:51,039 --> 00:05:54,070
that his musical talents were being
underused by Pink Floyd in
274
00:05:54,070 --> 00:05:54,080
underused by Pink Floyd in
275
00:05:54,080 --> 00:05:57,270
underused by Pink Floyd in
1978 he released his first solo album
276
00:05:57,270 --> 00:05:57,280
1978 he released his first solo album
277
00:05:57,280 --> 00:06:00,070
1978 he released his first solo album
David Gilmore which showcased his guitar
278
00:06:00,070 --> 00:06:00,080
David Gilmore which showcased his guitar
279
00:06:00,080 --> 00:06:01,110
David Gilmore which showcased his guitar
playing and
280
00:06:01,110 --> 00:06:01,120
playing and
281
00:06:01,120 --> 00:06:03,270
playing and
songwriting music written during the
282
00:06:03,270 --> 00:06:03,280
songwriting music written during the
283
00:06:03,280 --> 00:06:05,590
songwriting music written during the
finishing stages of the album but too
284
00:06:05,590 --> 00:06:05,600
finishing stages of the album but too
285
00:06:05,600 --> 00:06:08,909
finishing stages of the album but too
late to be used became comfortably numb
286
00:06:08,909 --> 00:06:08,919
late to be used became comfortably numb
287
00:06:08,919 --> 00:06:11,710
late to be used became comfortably numb
on the Pink Floyd album The Wall
288
00:06:11,710 --> 00:06:11,720
on the Pink Floyd album The Wall
289
00:06:11,720 --> 00:06:13,749
on the Pink Floyd album The Wall
released in
290
00:06:13,749 --> 00:06:13,759
released in
291
00:06:13,759 --> 00:06:16,390
released in
1979 the relationship between Gilmore
292
00:06:16,390 --> 00:06:16,400
1979 the relationship between Gilmore
293
00:06:16,400 --> 00:06:18,270
1979 the relationship between Gilmore
and Waters deteriorated during the
294
00:06:18,270 --> 00:06:18,280
and Waters deteriorated during the
295
00:06:18,280 --> 00:06:20,870
and Waters deteriorated during the
making of the wall film and the album
296
00:06:20,870 --> 00:06:20,880
making of the wall film and the album
297
00:06:20,880 --> 00:06:23,710
making of the wall film and the album
The Final Cut the negative atmosphere
298
00:06:23,710 --> 00:06:23,720
The Final Cut the negative atmosphere
299
00:06:23,720 --> 00:06:25,950
The Final Cut the negative atmosphere
LED Gilmore to produce his second solo
300
00:06:25,950 --> 00:06:25,960
LED Gilmore to produce his second solo
301
00:06:25,960 --> 00:06:30,469
LED Gilmore to produce his second solo
studio album about face in 1984
302
00:06:30,469 --> 00:06:30,479
studio album about face in 1984
303
00:06:30,479 --> 00:06:32,550
studio album about face in 1984
he used it to express his feelings about
304
00:06:32,550 --> 00:06:32,560
he used it to express his feelings about
305
00:06:32,560 --> 00:06:35,070
he used it to express his feelings about
a range of topics from his relationship
306
00:06:35,070 --> 00:06:35,080
a range of topics from his relationship
307
00:06:35,080 --> 00:06:38,350
a range of topics from his relationship
with Waters to the murder of John Lenin
308
00:06:38,350 --> 00:06:38,360
with Waters to the murder of John Lenin
309
00:06:38,360 --> 00:06:40,589
with Waters to the murder of John Lenin
Gilmore toured Europe and the US
310
00:06:40,589 --> 00:06:40,599
Gilmore toured Europe and the US
311
00:06:40,599 --> 00:06:42,189
Gilmore toured Europe and the US
supported by the television
312
00:06:42,189 --> 00:06:42,199
supported by the television
313
00:06:42,199 --> 00:06:44,309
supported by the television
personalities who were dropped after the
314
00:06:44,309 --> 00:06:44,319
personalities who were dropped after the
315
00:06:44,319 --> 00:06:47,029
personalities who were dropped after the
singer Dan trcy revealed Barrett's
316
00:06:47,029 --> 00:06:47,039
singer Dan trcy revealed Barrett's
317
00:06:47,039 --> 00:06:50,430
singer Dan trcy revealed Barrett's
address on stage Mason also made a guest
318
00:06:50,430 --> 00:06:50,440
address on stage Mason also made a guest
319
00:06:50,440 --> 00:06:53,070
address on stage Mason also made a guest
appearance on the UK leg of the tour
320
00:06:53,070 --> 00:06:53,080
appearance on the UK leg of the tour
321
00:06:53,080 --> 00:06:54,990
appearance on the UK leg of the tour
which despite some cancellations
322
00:06:54,990 --> 00:06:55,000
which despite some cancellations
323
00:06:55,000 --> 00:06:57,670
which despite some cancellations
eventually turned a profit when he
324
00:06:57,670 --> 00:06:57,680
eventually turned a profit when he
325
00:06:57,680 --> 00:06:59,869
eventually turned a profit when he
returned from touring Gilmore played
326
00:06:59,869 --> 00:06:59,879
returned from touring Gilmore played
327
00:06:59,879 --> 00:07:01,629
returned from touring Gilmore played
guitar with a range of artists and
328
00:07:01,629 --> 00:07:01,639
guitar with a range of artists and
329
00:07:01,639 --> 00:07:04,029
guitar with a range of artists and
produced The Dream Academy including
330
00:07:04,029 --> 00:07:04,039
produced The Dream Academy including
331
00:07:04,039 --> 00:07:06,869
produced The Dream Academy including
their us top 10 hit Life in a Northern
332
00:07:06,869 --> 00:07:06,879
their us top 10 hit Life in a Northern
333
00:07:06,879 --> 00:07:09,469
their us top 10 hit Life in a Northern
Town released in
334
00:07:09,469 --> 00:07:09,479
Town released in
335
00:07:09,479 --> 00:07:13,029
Town released in
986 Gilmore also co-wrote five songs on
336
00:07:13,029 --> 00:07:13,039
986 Gilmore also co-wrote five songs on
337
00:07:13,039 --> 00:07:15,710
986 Gilmore also co-wrote five songs on
Roy Harper's album The Unknown Soldier
338
00:07:15,710 --> 00:07:15,720
Roy Harper's album The Unknown Soldier
339
00:07:15,720 --> 00:07:18,950
Roy Harper's album The Unknown Soldier
In 1980 including short and sweet which
340
00:07:18,950 --> 00:07:18,960
In 1980 including short and sweet which
341
00:07:18,960 --> 00:07:20,909
In 1980 including short and sweet which
was first recorded for Gilmore's first
342
00:07:20,909 --> 00:07:20,919
was first recorded for Gilmore's first
343
00:07:20,919 --> 00:07:25,070
was first recorded for Gilmore's first
solo album in April 1984 Harper made a
344
00:07:25,070 --> 00:07:25,080
solo album in April 1984 Harper made a
345
00:07:25,080 --> 00:07:27,070
solo album in April 1984 Harper made a
surprise guest appearance at Gilmore's
346
00:07:27,070 --> 00:07:27,080
surprise guest appearance at Gilmore's
347
00:07:27,080 --> 00:07:29,629
surprise guest appearance at Gilmore's
Hammersmith odan gig to sing short andwe
348
00:07:29,629 --> 00:07:29,639
Hammersmith odan gig to sing short andwe
349
00:07:29,639 --> 00:07:32,629
Hammersmith odan gig to sing short andwe
site this was included in Gilmore's live
350
00:07:32,629 --> 00:07:32,639
site this was included in Gilmore's live
351
00:07:32,639 --> 00:07:36,469
site this was included in Gilmore's live
1984 concert film Harper also provided
352
00:07:36,469 --> 00:07:36,479
1984 concert film Harper also provided
353
00:07:36,479 --> 00:07:38,950
1984 concert film Harper also provided
backing vocals on Gilmore's second solo
354
00:07:38,950 --> 00:07:38,960
backing vocals on Gilmore's second solo
355
00:07:38,960 --> 00:07:43,670
backing vocals on Gilmore's second solo
studio album about face in 1985 Gilmore
356
00:07:43,670 --> 00:07:43,680
studio album about face in 1985 Gilmore
357
00:07:43,680 --> 00:07:45,869
studio album about face in 1985 Gilmore
played on Brian Ferry's sixth solo
358
00:07:45,869 --> 00:07:45,879
played on Brian Ferry's sixth solo
359
00:07:45,879 --> 00:07:49,110
played on Brian Ferry's sixth solo
studio album boys and girls as well as
360
00:07:49,110 --> 00:07:49,120
studio album boys and girls as well as
361
00:07:49,120 --> 00:07:51,469
studio album boys and girls as well as
the song Is Your Love strong enough for
362
00:07:51,469 --> 00:07:51,479
the song Is Your Love strong enough for
363
00:07:51,479 --> 00:07:53,749
the song Is Your Love strong enough for
the US release of the Ridley Scott Tom
364
00:07:53,749 --> 00:07:53,759
the US release of the Ridley Scott Tom
365
00:07:53,759 --> 00:07:56,390
the US release of the Ridley Scott Tom
Cruz film Legend in
366
00:07:56,390 --> 00:07:56,400
Cruz film Legend in
367
00:07:56,400 --> 00:07:59,110
Cruz film Legend in
1985 the music video for Is Your Love
368
00:07:59,110 --> 00:07:59,120
1985 the music video for Is Your Love
369
00:07:59,120 --> 00:08:01,309
1985 the music video for Is Your Love
strong long enough Incorporated Ferry
370
00:08:01,309 --> 00:08:01,319
strong long enough Incorporated Ferry
371
00:08:01,319 --> 00:08:03,869
strong long enough Incorporated Ferry
and Gilmore into footage from the film
372
00:08:03,869 --> 00:08:03,879
and Gilmore into footage from the film
373
00:08:03,879 --> 00:08:06,230
and Gilmore into footage from the film
in July that year Gilmore played with
374
00:08:06,230 --> 00:08:06,240
in July that year Gilmore played with
375
00:08:06,240 --> 00:08:08,550
in July that year Gilmore played with
Ferry at the Live Aid concert at Wembley
376
00:08:08,550 --> 00:08:08,560
Ferry at the Live Aid concert at Wembley
377
00:08:08,560 --> 00:08:11,230
Ferry at the Live Aid concert at Wembley
Stadium in London he contributed to Pete
378
00:08:11,230 --> 00:08:11,240
Stadium in London he contributed to Pete
379
00:08:11,240 --> 00:08:14,550
Stadium in London he contributed to Pete
towns hen's 1985 album White City a
380
00:08:14,550 --> 00:08:14,560
towns hen's 1985 album White City a
381
00:08:14,560 --> 00:08:17,550
towns hen's 1985 album White City a
novel including the single give blood
382
00:08:17,550 --> 00:08:17,560
novel including the single give blood
383
00:08:17,560 --> 00:08:20,909
novel including the single give blood
and the 1985 Grace Jones album Slave to
384
00:08:20,909 --> 00:08:20,919
and the 1985 Grace Jones album Slave to
385
00:08:20,919 --> 00:08:23,550
and the 1985 Grace Jones album Slave to
the Rhythm David Gilmore has recently
386
00:08:23,550 --> 00:08:23,560
the Rhythm David Gilmore has recently
387
00:08:23,560 --> 00:08:25,189
the Rhythm David Gilmore has recently
revealed what many fans have been
388
00:08:25,189 --> 00:08:25,199
revealed what many fans have been
389
00:08:25,199 --> 00:08:27,950
revealed what many fans have been
wondering for years what led to the
390
00:08:27,950 --> 00:08:27,960
wondering for years what led to the
391
00:08:27,960 --> 00:08:29,950
wondering for years what led to the
eventual separation of one of the most
392
00:08:29,950 --> 00:08:29,960
eventual separation of one of the most
393
00:08:29,960 --> 00:08:32,430
eventual separation of one of the most
influential rock bands while a
394
00:08:32,430 --> 00:08:32,440
influential rock bands while a
395
00:08:32,440 --> 00:08:34,190
influential rock bands while a
culmination of years of creative
396
00:08:34,190 --> 00:08:34,200
culmination of years of creative
397
00:08:34,200 --> 00:08:36,350
culmination of years of creative
differences personal conflicts and
398
00:08:36,350 --> 00:08:36,360
differences personal conflicts and
399
00:08:36,360 --> 00:08:38,949
differences personal conflicts and
external pressures had adverse effects
400
00:08:38,949 --> 00:08:38,959
external pressures had adverse effects
401
00:08:38,959 --> 00:08:41,670
external pressures had adverse effects
and created tension among the bandmates
402
00:08:41,670 --> 00:08:41,680
and created tension among the bandmates
403
00:08:41,680 --> 00:08:44,190
and created tension among the bandmates
Roger Waters was the main driving force
404
00:08:44,190 --> 00:08:44,200
Roger Waters was the main driving force
405
00:08:44,200 --> 00:08:45,590
Roger Waters was the main driving force
behind the band
406
00:08:45,590 --> 00:08:45,600
behind the band
407
00:08:45,600 --> 00:08:47,670
behind the band
Separation by the late
408
00:08:47,670 --> 00:08:47,680
Separation by the late
409
00:08:47,680 --> 00:08:50,350
Separation by the late
1970s Roger Waters had taken on a
410
00:08:50,350 --> 00:08:50,360
1970s Roger Waters had taken on a
411
00:08:50,360 --> 00:08:52,870
1970s Roger Waters had taken on a
dominant role within the band writing
412
00:08:52,870 --> 00:08:52,880
dominant role within the band writing
413
00:08:52,880 --> 00:08:54,870
dominant role within the band writing
most of the material and steering the
414
00:08:54,870 --> 00:08:54,880
most of the material and steering the
415
00:08:54,880 --> 00:08:57,670
most of the material and steering the
direction of their music this shift
416
00:08:57,670 --> 00:08:57,680
direction of their music this shift
417
00:08:57,680 --> 00:08:59,430
direction of their music this shift
began with the Dark Side of the Moon
418
00:08:59,430 --> 00:08:59,440
began with the Dark Side of the Moon
419
00:08:59,440 --> 00:09:01,790
began with the Dark Side of the Moon
Moon and continued with subsequent
420
00:09:01,790 --> 00:09:01,800
Moon and continued with subsequent
421
00:09:01,800 --> 00:09:03,750
Moon and continued with subsequent
albums like wish you were here and
422
00:09:03,750 --> 00:09:03,760
albums like wish you were here and
423
00:09:03,760 --> 00:09:07,030
albums like wish you were here and
animals which was released in
424
00:09:07,030 --> 00:09:07,040
animals which was released in
425
00:09:07,040 --> 00:09:10,150
animals which was released in
1977 by the release of animals it was
426
00:09:10,150 --> 00:09:10,160
1977 by the release of animals it was
427
00:09:10,160 --> 00:09:12,230
1977 by the release of animals it was
clear that Waters had become the band's
428
00:09:12,230 --> 00:09:12,240
clear that Waters had become the band's
429
00:09:12,240 --> 00:09:14,350
clear that Waters had become the band's
dominant influence and there was
430
00:09:14,350 --> 00:09:14,360
dominant influence and there was
431
00:09:14,360 --> 00:09:17,030
dominant influence and there was
increasing internal conflict within Pink
432
00:09:17,030 --> 00:09:17,040
increasing internal conflict within Pink
433
00:09:17,040 --> 00:09:20,150
increasing internal conflict within Pink
Floyd Waters favored a highly conceptual
434
00:09:20,150 --> 00:09:20,160
Floyd Waters favored a highly conceptual
435
00:09:20,160 --> 00:09:22,750
Floyd Waters favored a highly conceptual
and narrative-driven approach to albums
436
00:09:22,750 --> 00:09:22,760
and narrative-driven approach to albums
437
00:09:22,760 --> 00:09:25,949
and narrative-driven approach to albums
which culminated in their 1979 album the
438
00:09:25,949 --> 00:09:25,959
which culminated in their 1979 album the
439
00:09:25,959 --> 00:09:30,470
which culminated in their 1979 album the
wall and the Final Cut in 1983
440
00:09:30,470 --> 00:09:30,480
wall and the Final Cut in 1983
441
00:09:30,480 --> 00:09:32,670
wall and the Final Cut in 1983
while these albums were successful
442
00:09:32,670 --> 00:09:32,680
while these albums were successful
443
00:09:32,680 --> 00:09:34,590
while these albums were successful
water's increasing control over the
444
00:09:34,590 --> 00:09:34,600
water's increasing control over the
445
00:09:34,600 --> 00:09:36,990
water's increasing control over the
band's music led to friction with the
446
00:09:36,990 --> 00:09:37,000
band's music led to friction with the
447
00:09:37,000 --> 00:09:40,310
band's music led to friction with the
other members particularly David Gilmore
448
00:09:40,310 --> 00:09:40,320
other members particularly David Gilmore
449
00:09:40,320 --> 00:09:42,230
other members particularly David Gilmore
who felt that the band's collaborative
450
00:09:42,230 --> 00:09:42,240
who felt that the band's collaborative
451
00:09:42,240 --> 00:09:44,990
who felt that the band's collaborative
Spirit was being stifled during the
452
00:09:44,990 --> 00:09:45,000
Spirit was being stifled during the
453
00:09:45,000 --> 00:09:47,910
Spirit was being stifled during the
recording of the wall Waters insisted
454
00:09:47,910 --> 00:09:47,920
recording of the wall Waters insisted
455
00:09:47,920 --> 00:09:49,990
recording of the wall Waters insisted
that keyboardist Richard Wright leave
456
00:09:49,990 --> 00:09:50,000
that keyboardist Richard Wright leave
457
00:09:50,000 --> 00:09:52,670
that keyboardist Richard Wright leave
the band blaming him for creative and
458
00:09:52,670 --> 00:09:52,680
the band blaming him for creative and
459
00:09:52,680 --> 00:09:55,710
the band blaming him for creative and
personal conflicts Wright was fired but
460
00:09:55,710 --> 00:09:55,720
personal conflicts Wright was fired but
461
00:09:55,720 --> 00:09:57,870
personal conflicts Wright was fired but
agreed to stay on as a session musician
462
00:09:57,870 --> 00:09:57,880
agreed to stay on as a session musician
463
00:09:57,880 --> 00:09:59,829
agreed to stay on as a session musician
for the album tour
464
00:09:59,829 --> 00:09:59,839
for the album tour
465
00:09:59,839 --> 00:10:01,630
for the album tour
this incident deepened the divisions
466
00:10:01,630 --> 00:10:01,640
this incident deepened the divisions
467
00:10:01,640 --> 00:10:03,910
this incident deepened the divisions
within the band and highlighted water's
468
00:10:03,910 --> 00:10:03,920
within the band and highlighted water's
469
00:10:03,920 --> 00:10:06,590
within the band and highlighted water's
growing control the wall was largely a
470
00:10:06,590 --> 00:10:06,600
growing control the wall was largely a
471
00:10:06,600 --> 00:10:09,069
growing control the wall was largely a
Roger wat project with Gilmore
472
00:10:09,069 --> 00:10:09,079
Roger wat project with Gilmore
473
00:10:09,079 --> 00:10:11,670
Roger wat project with Gilmore
contributing significantly but feeling
474
00:10:11,670 --> 00:10:11,680
contributing significantly but feeling
475
00:10:11,680 --> 00:10:14,350
contributing significantly but feeling
sidelined the Final Cut originally
476
00:10:14,350 --> 00:10:14,360
sidelined the Final Cut originally
477
00:10:14,360 --> 00:10:16,310
sidelined the Final Cut originally
intended as a sound track for the wall
478
00:10:16,310 --> 00:10:16,320
intended as a sound track for the wall
479
00:10:16,320 --> 00:10:19,389
intended as a sound track for the wall
film became a wat solo album in all but
480
00:10:19,389 --> 00:10:19,399
film became a wat solo album in all but
481
00:10:19,399 --> 00:10:22,069
film became a wat solo album in all but
name with minimal input from the other
482
00:10:22,069 --> 00:10:22,079
name with minimal input from the other
483
00:10:22,079 --> 00:10:24,430
name with minimal input from the other
members this album was seen as the
484
00:10:24,430 --> 00:10:24,440
members this album was seen as the
485
00:10:24,440 --> 00:10:26,710
members this album was seen as the
breaking point as it highlighted the
486
00:10:26,710 --> 00:10:26,720
breaking point as it highlighted the
487
00:10:26,720 --> 00:10:30,350
breaking point as it highlighted the
growing creative Rift within the band in
488
00:10:30,350 --> 00:10:30,360
growing creative Rift within the band in
489
00:10:30,360 --> 00:10:33,389
growing creative Rift within the band in
1985 Roger Waters officially left Pink
490
00:10:33,389 --> 00:10:33,399
1985 Roger Waters officially left Pink
491
00:10:33,399 --> 00:10:35,910
1985 Roger Waters officially left Pink
Floyd believing that the ban could not
492
00:10:35,910 --> 00:10:35,920
Floyd believing that the ban could not
493
00:10:35,920 --> 00:10:38,550
Floyd believing that the ban could not
continue without him he assumed that
494
00:10:38,550 --> 00:10:38,560
continue without him he assumed that
495
00:10:38,560 --> 00:10:40,910
continue without him he assumed that
Pink Floyd would disband but the
496
00:10:40,910 --> 00:10:40,920
Pink Floyd would disband but the
497
00:10:40,920 --> 00:10:43,509
Pink Floyd would disband but the
remaining members David Gilmore Nick
498
00:10:43,509 --> 00:10:43,519
remaining members David Gilmore Nick
499
00:10:43,519 --> 00:10:46,750
remaining members David Gilmore Nick
Mason and later Richard wri decided to
500
00:10:46,750 --> 00:10:46,760
Mason and later Richard wri decided to
501
00:10:46,760 --> 00:10:49,710
Mason and later Richard wri decided to
continue under the Pink Floyd name
502
00:10:49,710 --> 00:10:49,720
continue under the Pink Floyd name
503
00:10:49,720 --> 00:10:51,430
continue under the Pink Floyd name
Waters attempted to prevent the
504
00:10:51,430 --> 00:10:51,440
Waters attempted to prevent the
505
00:10:51,440 --> 00:10:53,030
Waters attempted to prevent the
remaining members from using the Pink
506
00:10:53,030 --> 00:10:53,040
remaining members from using the Pink
507
00:10:53,040 --> 00:10:56,629
remaining members from using the Pink
Floyd name leading to a legal dispute
508
00:10:56,629 --> 00:10:56,639
Floyd name leading to a legal dispute
509
00:10:56,639 --> 00:10:58,550
Floyd name leading to a legal dispute
the legal battle was eventually settled
510
00:10:58,550 --> 00:10:58,560
the legal battle was eventually settled
511
00:10:58,560 --> 00:11:00,949
the legal battle was eventually settled
out of court with Gilmore and Mason
512
00:11:00,949 --> 00:11:00,959
out of court with Gilmore and Mason
513
00:11:00,959 --> 00:11:03,150
out of court with Gilmore and Mason
retaining the rights to the name while
514
00:11:03,150 --> 00:11:03,160
retaining the rights to the name while
515
00:11:03,160 --> 00:11:05,389
retaining the rights to the name while
Waters gained control over specific
516
00:11:05,389 --> 00:11:05,399
Waters gained control over specific
517
00:11:05,399 --> 00:11:09,110
Waters gained control over specific
rights including the wall after water's
518
00:11:09,110 --> 00:11:09,120
rights including the wall after water's
519
00:11:09,120 --> 00:11:11,910
rights including the wall after water's
departure Gilmore took the lead and Pink
520
00:11:11,910 --> 00:11:11,920
departure Gilmore took the lead and Pink
521
00:11:11,920 --> 00:11:13,949
departure Gilmore took the lead and Pink
Floyd released a momentary lapse of
522
00:11:13,949 --> 00:11:13,959
Floyd released a momentary lapse of
523
00:11:13,959 --> 00:11:15,389
Floyd released a momentary lapse of
Reason in
524
00:11:15,389 --> 00:11:15,399
Reason in
525
00:11:15,399 --> 00:11:17,750
Reason in
1987 the album was commercially
526
00:11:17,750 --> 00:11:17,760
1987 the album was commercially
527
00:11:17,760 --> 00:11:20,389
1987 the album was commercially
successful but received mixed reviews
528
00:11:20,389 --> 00:11:20,399
successful but received mixed reviews
529
00:11:20,399 --> 00:11:22,350
successful but received mixed reviews
with some critics and fans viewing it as
530
00:11:22,350 --> 00:11:22,360
with some critics and fans viewing it as
531
00:11:22,360 --> 00:11:25,069
with some critics and fans viewing it as
a Gilmore solo project rather than a
532
00:11:25,069 --> 00:11:25,079
a Gilmore solo project rather than a
533
00:11:25,079 --> 00:11:28,069
a Gilmore solo project rather than a
true Pink Floyd album the band's final
534
00:11:28,069 --> 00:11:28,079
true Pink Floyd album the band's final
535
00:11:28,079 --> 00:11:30,710
true Pink Floyd album the band's final
studio album with the classic lineup The
536
00:11:30,710 --> 00:11:30,720
studio album with the classic lineup The
537
00:11:30,720 --> 00:11:33,310
studio album with the classic lineup The
Division Bell focused on themes of
538
00:11:33,310 --> 00:11:33,320
Division Bell focused on themes of
539
00:11:33,320 --> 00:11:35,150
Division Bell focused on themes of
communication and
540
00:11:35,150 --> 00:11:35,160
communication and
541
00:11:35,160 --> 00:11:37,069
communication and
Reconciliation while it was well
542
00:11:37,069 --> 00:11:37,079
Reconciliation while it was well
543
00:11:37,079 --> 00:11:39,509
Reconciliation while it was well
received and commercially successful it
544
00:11:39,509 --> 00:11:39,519
received and commercially successful it
545
00:11:39,519 --> 00:11:41,590
received and commercially successful it
also marked the end of Pink Floyd's
546
00:11:41,590 --> 00:11:41,600
also marked the end of Pink Floyd's
547
00:11:41,600 --> 00:11:46,350
also marked the end of Pink Floyd's
active recording career in 2001 and 2002
548
00:11:46,350 --> 00:11:46,360
active recording career in 2001 and 2002
549
00:11:46,360 --> 00:11:48,790
active recording career in 2001 and 2002
Gilmore performed six Acoustic solo
550
00:11:48,790 --> 00:11:48,800
Gilmore performed six Acoustic solo
551
00:11:48,800 --> 00:11:51,430
Gilmore performed six Acoustic solo
concerts in London and Paris along with
552
00:11:51,430 --> 00:11:51,440
concerts in London and Paris along with
553
00:11:51,440 --> 00:11:53,710
concerts in London and Paris along with
a small band and choir which was
554
00:11:53,710 --> 00:11:53,720
a small band and choir which was
555
00:11:53,720 --> 00:11:56,790
a small band and choir which was
documented in the in concert release on
556
00:11:56,790 --> 00:11:56,800
documented in the in concert release on
557
00:11:56,800 --> 00:12:00,190
documented in the in concert release on
the 24th of September 2004 he performed
558
00:12:00,190 --> 00:12:00,200
the 24th of September 2004 he performed
559
00:12:00,200 --> 00:12:02,269
the 24th of September 2004 he performed
a three- song set at the Strat Pack
560
00:12:02,269 --> 00:12:02,279
a three- song set at the Strat Pack
561
00:12:02,279 --> 00:12:04,590
a three- song set at the Strat Pack
concert at London's Wembley Arena
562
00:12:04,590 --> 00:12:04,600
concert at London's Wembley Arena
563
00:12:04,600 --> 00:12:06,590
concert at London's Wembley Arena
marking the 50th anniversary of the
564
00:12:06,590 --> 00:12:06,600
marking the 50th anniversary of the
565
00:12:06,600 --> 00:12:07,629
marking the 50th anniversary of the
Fender
566
00:12:07,629 --> 00:12:07,639
Fender
567
00:12:07,639 --> 00:12:11,269
Fender
Stratocaster on the 2nd of July 2005
568
00:12:11,269 --> 00:12:11,279
Stratocaster on the 2nd of July 2005
569
00:12:11,279 --> 00:12:13,509
Stratocaster on the 2nd of July 2005
Pink Floyd reunited with Waters to
570
00:12:13,509 --> 00:12:13,519
Pink Floyd reunited with Waters to
571
00:12:13,519 --> 00:12:16,550
Pink Floyd reunited with Waters to
perform at live 8 the performance caused
572
00:12:16,550 --> 00:12:16,560
perform at live 8 the performance caused
573
00:12:16,560 --> 00:12:18,470
perform at live 8 the performance caused
a sales increase in Pink Floyd's
574
00:12:18,470 --> 00:12:18,480
a sales increase in Pink Floyd's
575
00:12:18,480 --> 00:12:21,269
a sales increase in Pink Floyd's
compilation album Echoes The Best of
576
00:12:21,269 --> 00:12:21,279
compilation album Echoes The Best of
577
00:12:21,279 --> 00:12:24,550
compilation album Echoes The Best of
Pink Floyd Gilmore donated his profits
578
00:12:24,550 --> 00:12:24,560
Pink Floyd Gilmore donated his profits
579
00:12:24,560 --> 00:12:26,710
Pink Floyd Gilmore donated his profits
to Charities that reflect the goals of
580
00:12:26,710 --> 00:12:26,720
to Charities that reflect the goals of
581
00:12:26,720 --> 00:12:29,189
to Charities that reflect the goals of
live 8 saying though the main object
582
00:12:29,189 --> 00:12:29,199
live 8 saying though the main object
583
00:12:29,199 --> 00:12:31,150
live 8 saying though the main object
itive has been to raise Consciousness
584
00:12:31,150 --> 00:12:31,160
itive has been to raise Consciousness
585
00:12:31,160 --> 00:12:33,829
itive has been to raise Consciousness
and put pressure on the G8 leaders I
586
00:12:33,829 --> 00:12:33,839
and put pressure on the G8 leaders I
587
00:12:33,839 --> 00:12:36,670
and put pressure on the G8 leaders I
will not profit from the concert this is
588
00:12:36,670 --> 00:12:36,680
will not profit from the concert this is
589
00:12:36,680 --> 00:12:39,829
will not profit from the concert this is
money that should be used to save lives
590
00:12:39,829 --> 00:12:39,839
money that should be used to save lives
591
00:12:39,839 --> 00:12:42,310
money that should be used to save lives
he called upon all live8 artists to
592
00:12:42,310 --> 00:12:42,320
he called upon all live8 artists to
593
00:12:42,320 --> 00:12:45,150
he called upon all live8 artists to
donate their extra Revenue to live8
594
00:12:45,150 --> 00:12:45,160
donate their extra Revenue to live8
595
00:12:45,160 --> 00:12:48,150
donate their extra Revenue to live8
fundraising after the concert Pink Floyd
596
00:12:48,150 --> 00:12:48,160
fundraising after the concert Pink Floyd
597
00:12:48,160 --> 00:12:50,629
fundraising after the concert Pink Floyd
turned down an offer to tour the US for
598
00:12:50,629 --> 00:12:50,639
turned down an offer to tour the US for
599
00:12:50,639 --> 00:12:52,230
turned down an offer to tour the US for
150
600
00:12:52,230 --> 00:12:52,240
150
601
00:12:52,240 --> 00:12:55,470
150
million in 2006 Gilmore said that Pink
602
00:12:55,470 --> 00:12:55,480
million in 2006 Gilmore said that Pink
603
00:12:55,480 --> 00:12:57,790
million in 2006 Gilmore said that Pink
Floyd would likely never tour or write
604
00:12:57,790 --> 00:12:57,800
Floyd would likely never tour or write
605
00:12:57,800 --> 00:13:01,110
Floyd would likely never tour or write
material again I think enough is enough
606
00:13:01,110 --> 00:13:01,120
material again I think enough is enough
607
00:13:01,120 --> 00:13:03,670
material again I think enough is enough
I am 60 years old I don't have the will
608
00:13:03,670 --> 00:13:03,680
I am 60 years old I don't have the will
609
00:13:03,680 --> 00:13:06,550
I am 60 years old I don't have the will
to work as much anymore Pink Floyd was
610
00:13:06,550 --> 00:13:06,560
to work as much anymore Pink Floyd was
611
00:13:06,560 --> 00:13:08,710
to work as much anymore Pink Floyd was
an important part of my life I have had
612
00:13:08,710 --> 00:13:08,720
an important part of my life I have had
613
00:13:08,720 --> 00:13:11,269
an important part of my life I have had
a wonderful time but it's over for me
614
00:13:11,269 --> 00:13:11,279
a wonderful time but it's over for me
615
00:13:11,279 --> 00:13:14,269
a wonderful time but it's over for me
it's much less complicated to work alone
616
00:13:14,269 --> 00:13:14,279
it's much less complicated to work alone
617
00:13:14,279 --> 00:13:16,550
it's much less complicated to work alone
on Gilmore's 60th birthday he released
618
00:13:16,550 --> 00:13:16,560
on Gilmore's 60th birthday he released
619
00:13:16,560 --> 00:13:19,710
on Gilmore's 60th birthday he released
his third solo album on an island it
620
00:13:19,710 --> 00:13:19,720
his third solo album on an island it
621
00:13:19,720 --> 00:13:22,310
his third solo album on an island it
featured guest musicians including wri
622
00:13:22,310 --> 00:13:22,320
featured guest musicians including wri
623
00:13:22,320 --> 00:13:24,949
featured guest musicians including wri
and lyrics by Gilmore's wife the writer
624
00:13:24,949 --> 00:13:24,959
and lyrics by Gilmore's wife the writer
625
00:13:24,959 --> 00:13:25,870
and lyrics by Gilmore's wife the writer
Polly
626
00:13:25,870 --> 00:13:25,880
Polly
627
00:13:25,880 --> 00:13:28,509
Polly
Samson it debuted at number one on the
628
00:13:28,509 --> 00:13:28,519
Samson it debuted at number one on the
629
00:13:28,519 --> 00:13:31,430
Samson it debuted at number one on the
UK albums chart and became Gilmore's
630
00:13:31,430 --> 00:13:31,440
UK albums chart and became Gilmore's
631
00:13:31,440 --> 00:13:33,750
UK albums chart and became Gilmore's
first solo album to enter the top 10 in
632
00:13:33,750 --> 00:13:33,760
first solo album to enter the top 10 in
633
00:13:33,760 --> 00:13:36,150
first solo album to enter the top 10 in
the US reaching number six on the
634
00:13:36,150 --> 00:13:36,160
the US reaching number six on the
635
00:13:36,160 --> 00:13:40,030
the US reaching number six on the
billboard 200 on the 21st of September
636
00:13:40,030 --> 00:13:40,040
billboard 200 on the 21st of September
637
00:13:40,040 --> 00:13:43,230
billboard 200 on the 21st of September
2011 on an island was certified gold in
638
00:13:43,230 --> 00:13:43,240
2011 on an island was certified gold in
639
00:13:43,240 --> 00:13:46,389
2011 on an island was certified gold in
Canada with sales of more than 50,000
640
00:13:46,389 --> 00:13:46,399
Canada with sales of more than 50,000
641
00:13:46,399 --> 00:13:49,509
Canada with sales of more than 50,000
copies Gilmore toured Europe the US and
642
00:13:49,509 --> 00:13:49,519
copies Gilmore toured Europe the US and
643
00:13:49,519 --> 00:13:52,870
copies Gilmore toured Europe the US and
Canada in May 2006 with a band including
644
00:13:52,870 --> 00:13:52,880
Canada in May 2006 with a band including
645
00:13:52,880 --> 00:13:54,990
Canada in May 2006 with a band including
right and the Pink Floyd collaborators
646
00:13:54,990 --> 00:13:55,000
right and the Pink Floyd collaborators
647
00:13:55,000 --> 00:13:58,710
right and the Pink Floyd collaborators
dick Perry guy Pratt and John Karen a
648
00:13:58,710 --> 00:13:58,720
dick Perry guy Pratt and John Karen a
649
00:13:58,720 --> 00:14:01,310
dick Perry guy Pratt and John Karen a
Dev D remember that Night Live at the
650
00:14:01,310 --> 00:14:01,320
Dev D remember that Night Live at the
651
00:14:01,320 --> 00:14:03,870
Dev D remember that Night Live at the
Royal Albert Hall was released on the
652
00:14:03,870 --> 00:14:03,880
Royal Albert Hall was released on the
653
00:14:03,880 --> 00:14:06,110
Royal Albert Hall was released on the
17th of September
654
00:14:06,110 --> 00:14:06,120
17th of September
655
00:14:06,120 --> 00:14:09,069
17th of September
2007 for the final show Gilmore
656
00:14:09,069 --> 00:14:09,079
2007 for the final show Gilmore
657
00:14:09,079 --> 00:14:10,990
2007 for the final show Gilmore
performed with the 38-piece string
658
00:14:10,990 --> 00:14:11,000
performed with the 38-piece string
659
00:14:11,000 --> 00:14:12,590
performed with the 38-piece string
section of the Polish Baltic
660
00:14:12,590 --> 00:14:12,600
section of the Polish Baltic
661
00:14:12,600 --> 00:14:15,430
section of the Polish Baltic
Philharmonic Orchestra it was released
662
00:14:15,430 --> 00:14:15,440
Philharmonic Orchestra it was released
663
00:14:15,440 --> 00:14:19,550
Philharmonic Orchestra it was released
as live in Gdansk in 2008 in December
664
00:14:19,550 --> 00:14:19,560
as live in Gdansk in 2008 in December
665
00:14:19,560 --> 00:14:22,150
as live in Gdansk in 2008 in December
2006 Gilmore released a tribute to
666
00:14:22,150 --> 00:14:22,160
2006 Gilmore released a tribute to
667
00:14:22,160 --> 00:14:24,790
2006 Gilmore released a tribute to
Barrett who died that year in the form
668
00:14:24,790 --> 00:14:24,800
Barrett who died that year in the form
669
00:14:24,800 --> 00:14:26,870
Barrett who died that year in the form
of his own version of Pink Floyd's first
670
00:14:26,870 --> 00:14:26,880
of his own version of Pink Floyd's first
671
00:14:26,880 --> 00:14:30,030
of his own version of Pink Floyd's first
single Arnold Lane recorded live at
672
00:14:30,030 --> 00:14:30,040
single Arnold Lane recorded live at
673
00:14:30,040 --> 00:14:32,470
single Arnold Lane recorded live at
London's Royal albertt Hall it featured
674
00:14:32,470 --> 00:14:32,480
London's Royal albertt Hall it featured
675
00:14:32,480 --> 00:14:34,670
London's Royal albertt Hall it featured
versions of the song performed by Wright
676
00:14:34,670 --> 00:14:34,680
versions of the song performed by Wright
677
00:14:34,680 --> 00:14:37,550
versions of the song performed by Wright
and David Bowie it reached number 19 on
678
00:14:37,550 --> 00:14:37,560
and David Bowie it reached number 19 on
679
00:14:37,560 --> 00:14:41,670
and David Bowie it reached number 19 on
the UK singles chart in early 2007
680
00:14:41,670 --> 00:14:41,680
the UK singles chart in early 2007
681
00:14:41,680 --> 00:14:43,949
the UK singles chart in early 2007
Gilmore reconvened his touring band and
682
00:14:43,949 --> 00:14:43,959
Gilmore reconvened his touring band and
683
00:14:43,959 --> 00:14:46,110
Gilmore reconvened his touring band and
spent a week recording in a barn on his
684
00:14:46,110 --> 00:14:46,120
spent a week recording in a barn on his
685
00:14:46,120 --> 00:14:48,269
spent a week recording in a barn on his
farm some of the recordings were
686
00:14:48,269 --> 00:14:48,279
farm some of the recordings were
687
00:14:48,279 --> 00:14:51,269
farm some of the recordings were
released on his later solo albums on the
688
00:14:51,269 --> 00:14:51,279
released on his later solo albums on the
689
00:14:51,279 --> 00:14:55,189
released on his later solo albums on the
25th of May 2009 Gilmore participated in
690
00:14:55,189 --> 00:14:55,199
25th of May 2009 Gilmore participated in
691
00:14:55,199 --> 00:14:57,189
25th of May 2009 Gilmore participated in
a concert at the Union Chapel in
692
00:14:57,189 --> 00:14:57,199
a concert at the Union Chapel in
693
00:14:57,199 --> 00:14:59,550
a concert at the Union Chapel in
Islington London with the the Alan
694
00:14:59,550 --> 00:14:59,560
Islington London with the the Alan
695
00:14:59,560 --> 00:15:02,949
Islington London with the the Alan
musicians amadu and Mariam the concert
696
00:15:02,949 --> 00:15:02,959
musicians amadu and Mariam the concert
697
00:15:02,959 --> 00:15:05,110
musicians amadu and Mariam the concert
was part of the Hidden gigs campaign
698
00:15:05,110 --> 00:15:05,120
was part of the Hidden gigs campaign
699
00:15:05,120 --> 00:15:07,870
was part of the Hidden gigs campaign
against hidden homelessness organized by
700
00:15:07,870 --> 00:15:07,880
against hidden homelessness organized by
701
00:15:07,880 --> 00:15:11,509
against hidden homelessness organized by
the charity crisis on the 4th of July
702
00:15:11,509 --> 00:15:11,519
the charity crisis on the 4th of July
703
00:15:11,519 --> 00:15:13,749
the charity crisis on the 4th of July
Gilmore joined his friend Jeff Beck on
704
00:15:13,749 --> 00:15:13,759
Gilmore joined his friend Jeff Beck on
705
00:15:13,759 --> 00:15:16,829
Gilmore joined his friend Jeff Beck on
stage at the Royal Albert Hall in London
706
00:15:16,829 --> 00:15:16,839
stage at the Royal Albert Hall in London
707
00:15:16,839 --> 00:15:18,949
stage at the Royal Albert Hall in London
Gilmore and Beck traded solos on
708
00:15:18,949 --> 00:15:18,959
Gilmore and Beck traded solos on
709
00:15:18,959 --> 00:15:21,389
Gilmore and Beck traded solos on
Jerusalem and closed the show with high
710
00:15:21,389 --> 00:15:21,399
Jerusalem and closed the show with high
711
00:15:21,399 --> 00:15:25,910
Jerusalem and closed the show with high
ho silver lining in August 2009 Gilmore
712
00:15:25,910 --> 00:15:25,920
ho silver lining in August 2009 Gilmore
713
00:15:25,920 --> 00:15:28,389
ho silver lining in August 2009 Gilmore
released an online single Chicago
714
00:15:28,389 --> 00:15:28,399
released an online single Chicago
715
00:15:28,399 --> 00:15:30,829
released an online single Chicago
changed the world to promote awareness
716
00:15:30,829 --> 00:15:30,839
changed the world to promote awareness
717
00:15:30,839 --> 00:15:33,230
changed the world to promote awareness
for Gary McKinnon who was accused of
718
00:15:33,230 --> 00:15:33,240
for Gary McKinnon who was accused of
719
00:15:33,240 --> 00:15:36,389
for Gary McKinnon who was accused of
computer hacking a retitled cover of the
720
00:15:36,389 --> 00:15:36,399
computer hacking a retitled cover of the
721
00:15:36,399 --> 00:15:39,150
computer hacking a retitled cover of the
Graham Nash song Chicago it featured
722
00:15:39,150 --> 00:15:39,160
Graham Nash song Chicago it featured
723
00:15:39,160 --> 00:15:43,110
Graham Nash song Chicago it featured
mckinin Chrissy Hind and Bob gelof it
724
00:15:43,110 --> 00:15:43,120
mckinin Chrissy Hind and Bob gelof it
725
00:15:43,120 --> 00:15:45,350
mckinin Chrissy Hind and Bob gelof it
was produced by the longtime Pink Floyd
726
00:15:45,350 --> 00:15:45,360
was produced by the longtime Pink Floyd
727
00:15:45,360 --> 00:15:48,550
was produced by the longtime Pink Floyd
collaborator Chris Thomas on the 11th of
728
00:15:48,550 --> 00:15:48,560
collaborator Chris Thomas on the 11th of
729
00:15:48,560 --> 00:15:51,389
collaborator Chris Thomas on the 11th of
July 2010 Gilmore performed for the
730
00:15:51,389 --> 00:15:51,399
July 2010 Gilmore performed for the
731
00:15:51,399 --> 00:15:53,670
July 2010 Gilmore performed for the
charity hoping foundation with Waters in
732
00:15:53,670 --> 00:15:53,680
charity hoping foundation with Waters in
733
00:15:53,680 --> 00:15:56,110
charity hoping foundation with Waters in
Oxfordshire England according to
734
00:15:56,110 --> 00:15:56,120
Oxfordshire England according to
735
00:15:56,120 --> 00:15:58,309
Oxfordshire England according to
onlookers it seemed that Gilmore and
736
00:15:58,309 --> 00:15:58,319
onlookers it seemed that Gilmore and
737
00:15:58,319 --> 00:16:01,030
onlookers it seemed that Gilmore and
Waters had ended their Feud laughing and
738
00:16:01,030 --> 00:16:01,040
Waters had ended their Feud laughing and
739
00:16:01,040 --> 00:16:03,710
Waters had ended their Feud laughing and
joking with their Partners Gilmore
740
00:16:03,710 --> 00:16:03,720
joking with their Partners Gilmore
741
00:16:03,720 --> 00:16:05,870
joking with their Partners Gilmore
performed Comfortably Numb with waters
742
00:16:05,870 --> 00:16:05,880
performed Comfortably Numb with waters
743
00:16:05,880 --> 00:16:09,430
performed Comfortably Numb with waters
on the 12th of May 2011 at the O2 London
744
00:16:09,430 --> 00:16:09,440
on the 12th of May 2011 at the O2 London
745
00:16:09,440 --> 00:16:11,710
on the 12th of May 2011 at the O2 London
and with Nick Mason played with the rest
746
00:16:11,710 --> 00:16:11,720
and with Nick Mason played with the rest
747
00:16:11,720 --> 00:16:14,389
and with Nick Mason played with the rest
of the band on outside the wall at the
748
00:16:14,389 --> 00:16:14,399
of the band on outside the wall at the
749
00:16:14,399 --> 00:16:17,150
of the band on outside the wall at the
conclusion of the show in October
750
00:16:17,150 --> 00:16:17,160
conclusion of the show in October
751
00:16:17,160 --> 00:16:18,870
conclusion of the show in October
Gilmore released an album with the
752
00:16:18,870 --> 00:16:18,880
Gilmore released an album with the
753
00:16:18,880 --> 00:16:23,110
Gilmore released an album with the
electronic Duo the orb titled metallic
754
00:16:23,110 --> 00:16:23,120
electronic Duo the orb titled metallic
755
00:16:23,120 --> 00:16:27,030
electronic Duo the orb titled metallic
spheres on the 7th of November 2014 Pink
756
00:16:27,030 --> 00:16:27,040
spheres on the 7th of November 2014 Pink
757
00:16:27,040 --> 00:16:30,430
spheres on the 7th of November 2014 Pink
Floyd released the endless River Gilmore
758
00:16:30,430 --> 00:16:30,440
Floyd released the endless River Gilmore
759
00:16:30,440 --> 00:16:32,150
Floyd released the endless River Gilmore
said it would be Pink Floyd's last
760
00:16:32,150 --> 00:16:32,160
said it would be Pink Floyd's last
761
00:16:32,160 --> 00:16:34,829
said it would be Pink Floyd's last
studio album saying I think we have
762
00:16:34,829 --> 00:16:34,839
studio album saying I think we have
763
00:16:34,839 --> 00:16:36,670
studio album saying I think we have
successfully commandeered the best of
764
00:16:36,670 --> 00:16:36,680
successfully commandeered the best of
765
00:16:36,680 --> 00:16:38,990
successfully commandeered the best of
what there is it's a shame but this is
766
00:16:38,990 --> 00:16:39,000
what there is it's a shame but this is
767
00:16:39,000 --> 00:16:41,790
what there is it's a shame but this is
the end there was no supporting tour as
768
00:16:41,790 --> 00:16:41,800
the end there was no supporting tour as
769
00:16:41,800 --> 00:16:43,949
the end there was no supporting tour as
Gilmore felt it was impossible without
770
00:16:43,949 --> 00:16:43,959
Gilmore felt it was impossible without
771
00:16:43,959 --> 00:16:47,829
Gilmore felt it was impossible without
right in August 2015 Gilmore emphasized
772
00:16:47,829 --> 00:16:47,839
right in August 2015 Gilmore emphasized
773
00:16:47,839 --> 00:16:50,309
right in August 2015 Gilmore emphasized
again that Pink Floyd was done and that
774
00:16:50,309 --> 00:16:50,319
again that Pink Floyd was done and that
775
00:16:50,319 --> 00:16:53,309
again that Pink Floyd was done and that
to reunite without right would be wrong
776
00:16:53,309 --> 00:16:53,319
to reunite without right would be wrong
777
00:16:53,319 --> 00:16:55,550
to reunite without right would be wrong
in September he released his fourth solo
778
00:16:55,550 --> 00:16:55,560
in September he released his fourth solo
779
00:16:55,560 --> 00:16:58,309
in September he released his fourth solo
studio album rattle that lock on the
780
00:16:58,309 --> 00:16:58,319
studio album rattle that lock on the
781
00:16:58,319 --> 00:17:00,749
studio album rattle that lock on the
14th of November Gilmore was the subject
782
00:17:00,749 --> 00:17:00,759
14th of November Gilmore was the subject
783
00:17:00,759 --> 00:17:04,029
14th of November Gilmore was the subject
of a BBC 2 documentary David Gilmore
784
00:17:04,029 --> 00:17:04,039
of a BBC 2 documentary David Gilmore
785
00:17:04,039 --> 00:17:05,110
of a BBC 2 documentary David Gilmore
wider
786
00:17:05,110 --> 00:17:05,120
wider
787
00:17:05,120 --> 00:17:08,829
wider
Horizons on the 13th of September 2017
788
00:17:08,829 --> 00:17:08,839
Horizons on the 13th of September 2017
789
00:17:08,839 --> 00:17:11,390
Horizons on the 13th of September 2017
Gilmore's live album and film live at
790
00:17:11,390 --> 00:17:11,400
Gilmore's live album and film live at
791
00:17:11,400 --> 00:17:14,029
Gilmore's live album and film live at
Pompei which documents the two shows he
792
00:17:14,029 --> 00:17:14,039
Pompei which documents the two shows he
793
00:17:14,039 --> 00:17:17,309
Pompei which documents the two shows he
performed on 7 and the 8th of July 2016
794
00:17:17,309 --> 00:17:17,319
performed on 7 and the 8th of July 2016
795
00:17:17,319 --> 00:17:19,789
performed on 7 and the 8th of July 2016
at the amphitheater of Pompei were shown
796
00:17:19,789 --> 00:17:19,799
at the amphitheater of Pompei were shown
797
00:17:19,799 --> 00:17:22,510
at the amphitheater of Pompei were shown
at selected Cinemas the album was
798
00:17:22,510 --> 00:17:22,520
at selected Cinemas the album was
799
00:17:22,520 --> 00:17:25,829
at selected Cinemas the album was
released on the 29th of September 2017
800
00:17:25,829 --> 00:17:25,839
released on the 29th of September 2017
801
00:17:25,839 --> 00:17:27,870
released on the 29th of September 2017
and reached number three on the UK
802
00:17:27,870 --> 00:17:27,880
and reached number three on the UK
803
00:17:27,880 --> 00:17:30,669
and reached number three on the UK
albums chart to celebrate the event
804
00:17:30,669 --> 00:17:30,679
albums chart to celebrate the event
805
00:17:30,679 --> 00:17:33,510
albums chart to celebrate the event
mayor Ferdinando ulano made Gilmore an
806
00:17:33,510 --> 00:17:33,520
mayor Ferdinando ulano made Gilmore an
807
00:17:33,520 --> 00:17:36,950
mayor Ferdinando ulano made Gilmore an
honorary citizen of Pompei Waters and
808
00:17:36,950 --> 00:17:36,960
honorary citizen of Pompei Waters and
809
00:17:36,960 --> 00:17:39,590
honorary citizen of Pompei Waters and
Gilmore continued to quarrel arguing
810
00:17:39,590 --> 00:17:39,600
Gilmore continued to quarrel arguing
811
00:17:39,600 --> 00:17:42,430
Gilmore continued to quarrel arguing
over subjects including album reissues
812
00:17:42,430 --> 00:17:42,440
over subjects including album reissues
813
00:17:42,440 --> 00:17:44,549
over subjects including album reissues
and the use of the Pink Floyd website
814
00:17:44,549 --> 00:17:44,559
and the use of the Pink Floyd website
815
00:17:44,559 --> 00:17:47,789
and the use of the Pink Floyd website
and social media channels Mason who
816
00:17:47,789 --> 00:17:47,799
and social media channels Mason who
817
00:17:47,799 --> 00:17:50,710
and social media channels Mason who
remains close to both said in 2018 that
818
00:17:50,710 --> 00:17:50,720
remains close to both said in 2018 that
819
00:17:50,720 --> 00:17:53,630
remains close to both said in 2018 that
Waters did not respect Gilmore as Waters
820
00:17:53,630 --> 00:17:53,640
Waters did not respect Gilmore as Waters
821
00:17:53,640 --> 00:17:56,070
Waters did not respect Gilmore as Waters
feels that writing is everything and
822
00:17:56,070 --> 00:17:56,080
feels that writing is everything and
823
00:17:56,080 --> 00:17:57,909
feels that writing is everything and
that guitar playing and the singing are
824
00:17:57,909 --> 00:17:57,919
that guitar playing and the singing are
825
00:17:57,919 --> 00:18:00,110
that guitar playing and the singing are
something that he won't say anyone can
826
00:18:00,110 --> 00:18:00,120
something that he won't say anyone can
827
00:18:00,120 --> 00:18:02,549
something that he won't say anyone can
do but that everything should be judged
828
00:18:02,549 --> 00:18:02,559
do but that everything should be judged
829
00:18:02,559 --> 00:18:05,470
do but that everything should be judged
on the writing rather than the playing
830
00:18:05,470 --> 00:18:05,480
on the writing rather than the playing
831
00:18:05,480 --> 00:18:08,470
on the writing rather than the playing
from April 2020 Gilmore appeared in a
832
00:18:08,470 --> 00:18:08,480
from April 2020 Gilmore appeared in a
833
00:18:08,480 --> 00:18:11,029
from April 2020 Gilmore appeared in a
series of live streams with his family
834
00:18:11,029 --> 00:18:11,039
series of live streams with his family
835
00:18:11,039 --> 00:18:13,350
series of live streams with his family
performing songs by Barrett and Leonard
836
00:18:13,350 --> 00:18:13,360
performing songs by Barrett and Leonard
837
00:18:13,360 --> 00:18:16,830
performing songs by Barrett and Leonard
Cohen in July 2020 he released yes I
838
00:18:16,830 --> 00:18:16,840
Cohen in July 2020 he released yes I
839
00:18:16,840 --> 00:18:19,669
Cohen in July 2020 he released yes I
have ghosts his first single since
840
00:18:19,669 --> 00:18:19,679
have ghosts his first single since
841
00:18:19,679 --> 00:18:22,430
have ghosts his first single since
2015 its lyrics were written by Samson
842
00:18:22,430 --> 00:18:22,440
2015 its lyrics were written by Samson
843
00:18:22,440 --> 00:18:24,430
2015 its lyrics were written by Samson
and features his daughter Romany making
844
00:18:24,430 --> 00:18:24,440
and features his daughter Romany making
845
00:18:24,440 --> 00:18:26,710
and features his daughter Romany making
her recording debut on backing vocals
846
00:18:26,710 --> 00:18:26,720
her recording debut on backing vocals
847
00:18:26,720 --> 00:18:30,350
her recording debut on backing vocals
and harp in 2021 Rolling Stone noted
848
00:18:30,350 --> 00:18:30,360
and harp in 2021 Rolling Stone noted
849
00:18:30,360 --> 00:18:32,230
and harp in 2021 Rolling Stone noted
that Gilmore and Waters had hit yet
850
00:18:32,230 --> 00:18:32,240
that Gilmore and Waters had hit yet
851
00:18:32,240 --> 00:18:34,750
that Gilmore and Waters had hit yet
another low point in their relationship
852
00:18:34,750 --> 00:18:34,760
another low point in their relationship
853
00:18:34,760 --> 00:18:35,750
another low point in their relationship
in early
854
00:18:35,750 --> 00:18:35,760
in early
855
00:18:35,760 --> 00:18:38,909
in early
2023 Gilmore's wife paully Samson wrote
856
00:18:38,909 --> 00:18:38,919
2023 Gilmore's wife paully Samson wrote
857
00:18:38,919 --> 00:18:41,029
2023 Gilmore's wife paully Samson wrote
on Twitter that Waters was anti-semitic
858
00:18:41,029 --> 00:18:41,039
on Twitter that Waters was anti-semitic
859
00:18:41,039 --> 00:18:43,510
on Twitter that Waters was anti-semitic
and a lying thieving hypocritical tax
860
00:18:43,510 --> 00:18:43,520
and a lying thieving hypocritical tax
861
00:18:43,520 --> 00:18:45,950
and a lying thieving hypocritical tax
avoiding lip-syncing misogynistic sick
862
00:18:45,950 --> 00:18:45,960
avoiding lip-syncing misogynistic sick
863
00:18:45,960 --> 00:18:46,990
avoiding lip-syncing misogynistic sick
with Envy
864
00:18:46,990 --> 00:18:47,000
with Envy
865
00:18:47,000 --> 00:18:49,270
with Envy
megalomaniac Gilmore responded to the
866
00:18:49,270 --> 00:18:49,280
megalomaniac Gilmore responded to the
867
00:18:49,280 --> 00:18:51,990
megalomaniac Gilmore responded to the
tweet on Twitter every word demonstrably
868
00:18:51,990 --> 00:18:52,000
tweet on Twitter every word demonstrably
869
00:18:52,000 --> 00:18:55,470
tweet on Twitter every word demonstrably
true in April 2022 Gilmore and Mason
870
00:18:55,470 --> 00:18:55,480
true in April 2022 Gilmore and Mason
871
00:18:55,480 --> 00:18:58,110
true in April 2022 Gilmore and Mason
reformed Pink Floyd to release the song
872
00:18:58,110 --> 00:18:58,120
reformed Pink Floyd to release the song
873
00:18:58,120 --> 00:19:00,909
reformed Pink Floyd to release the song
hey hey up in protest of the Russian
874
00:19:00,909 --> 00:19:00,919
hey hey up in protest of the Russian
875
00:19:00,919 --> 00:19:03,630
hey hey up in protest of the Russian
invasion of Ukraine Gilmore said the
876
00:19:03,630 --> 00:19:03,640
invasion of Ukraine Gilmore said the
877
00:19:03,640 --> 00:19:06,270
invasion of Ukraine Gilmore said the
song was a one-off for Pink Floyd
878
00:19:06,270 --> 00:19:06,280
song was a one-off for Pink Floyd
879
00:19:06,280 --> 00:19:09,029
song was a one-off for Pink Floyd
according to music radar Gilmore is a
880
00:19:09,029 --> 00:19:09,039
according to music radar Gilmore is a
881
00:19:09,039 --> 00:19:11,149
according to music radar Gilmore is a
household name among the classic rock
882
00:19:11,149 --> 00:19:11,159
household name among the classic rock
883
00:19:11,159 --> 00:19:13,549
household name among the classic rock
crowd and for a lot of younger guitar
884
00:19:13,549 --> 00:19:13,559
crowd and for a lot of younger guitar
885
00:19:13,559 --> 00:19:16,830
crowd and for a lot of younger guitar
fans he's the only 1970s guitarist that
886
00:19:16,830 --> 00:19:16,840
fans he's the only 1970s guitarist that
887
00:19:16,840 --> 00:19:19,510
fans he's the only 1970s guitarist that
matters for many he's the missing link
888
00:19:19,510 --> 00:19:19,520
matters for many he's the missing link
889
00:19:19,520 --> 00:19:21,430
matters for many he's the missing link
between Jimmy Hendrick and Eddie Van
890
00:19:21,430 --> 00:19:21,440
between Jimmy Hendrick and Eddie Van
891
00:19:21,440 --> 00:19:24,350
between Jimmy Hendrick and Eddie Van
Halen the music radar writer Billy SE
892
00:19:24,350 --> 00:19:24,360
Halen the music radar writer Billy SE
893
00:19:24,360 --> 00:19:27,070
Halen the music radar writer Billy SE
Fong wrote that Gilmore isn't as flashy
894
00:19:27,070 --> 00:19:27,080
Fong wrote that Gilmore isn't as flashy
895
00:19:27,080 --> 00:19:29,270
Fong wrote that Gilmore isn't as flashy
as Jimmy Hendrick or Jimmy P age on the
896
00:19:29,270 --> 00:19:29,280
as Jimmy Hendrick or Jimmy P age on the
897
00:19:29,280 --> 00:19:32,190
as Jimmy Hendrick or Jimmy P age on the
stage but his guitar work outshines most
898
00:19:32,190 --> 00:19:32,200
stage but his guitar work outshines most
899
00:19:32,200 --> 00:19:36,510
stage but his guitar work outshines most
for emotion in 1996 Gilmore was inducted
900
00:19:36,510 --> 00:19:36,520
for emotion in 1996 Gilmore was inducted
901
00:19:36,520 --> 00:19:38,590
for emotion in 1996 Gilmore was inducted
into the Rock and Roll Hall of Fame as a
902
00:19:38,590 --> 00:19:38,600
into the Rock and Roll Hall of Fame as a
903
00:19:38,600 --> 00:19:40,830
into the Rock and Roll Hall of Fame as a
member of Pink Floyd he has been ranked
904
00:19:40,830 --> 00:19:40,840
member of Pink Floyd he has been ranked
905
00:19:40,840 --> 00:19:42,549
member of Pink Floyd he has been ranked
one of the greatest guitarists of all
906
00:19:42,549 --> 00:19:42,559
one of the greatest guitarists of all
907
00:19:42,559 --> 00:19:44,750
one of the greatest guitarists of all
time by Publications including Rolling
908
00:19:44,750 --> 00:19:44,760
time by Publications including Rolling
909
00:19:44,760 --> 00:19:48,190
time by Publications including Rolling
Stone in the Daily Telegraph in January
910
00:19:48,190 --> 00:19:48,200
Stone in the Daily Telegraph in January
911
00:19:48,200 --> 00:19:50,390
Stone in the Daily Telegraph in January
2007 Guitar World readers voted
912
00:19:50,390 --> 00:19:50,400
2007 Guitar World readers voted
913
00:19:50,400 --> 00:19:53,070
2007 Guitar World readers voted
Gilmore's solos for Comfortably Numb
914
00:19:53,070 --> 00:19:53,080
Gilmore's solos for Comfortably Numb
915
00:19:53,080 --> 00:19:55,630
Gilmore's solos for Comfortably Numb
time and money among the top 100
916
00:19:55,630 --> 00:19:55,640
time and money among the top 100
917
00:19:55,640 --> 00:19:59,110
time and money among the top 100
greatest guitar solos in 2011 Rolling
918
00:19:59,110 --> 00:19:59,120
greatest guitar solos in 2011 Rolling
919
00:19:59,120 --> 00:20:02,149
greatest guitar solos in 2011 Rolling
Stone named Gilmore the 14 the greatest
920
00:20:02,149 --> 00:20:02,159
Stone named Gilmore the 14 the greatest
921
00:20:02,159 --> 00:20:05,350
Stone named Gilmore the 14 the greatest
guitarist of all time Gilmore was cited
922
00:20:05,350 --> 00:20:05,360
guitarist of all time Gilmore was cited
923
00:20:05,360 --> 00:20:07,950
guitarist of all time Gilmore was cited
by the merilan guitarist Steve rothery
924
00:20:07,950 --> 00:20:07,960
by the merilan guitarist Steve rothery
925
00:20:07,960 --> 00:20:10,950
by the merilan guitarist Steve rothery
as one of his three main influences John
926
00:20:10,950 --> 00:20:10,960
as one of his three main influences John
927
00:20:10,960 --> 00:20:12,990
as one of his three main influences John
Mitchell the guitarist of bands
928
00:20:12,990 --> 00:20:13,000
Mitchell the guitarist of bands
929
00:20:13,000 --> 00:20:15,990
Mitchell the guitarist of bands
including it bites and Arena also cited
930
00:20:15,990 --> 00:20:16,000
including it bites and Arena also cited
931
00:20:16,000 --> 00:20:20,070
including it bites and Arena also cited
Gilmore as an influence in 2013 Gary
932
00:20:20,070 --> 00:20:20,080
Gilmore as an influence in 2013 Gary
933
00:20:20,080 --> 00:20:22,350
Gilmore as an influence in 2013 Gary
Kemp the guitarist and songwriter of
934
00:20:22,350 --> 00:20:22,360
Kemp the guitarist and songwriter of
935
00:20:22,360 --> 00:20:24,630
Kemp the guitarist and songwriter of
spanda ballet and a member of Nick
936
00:20:24,630 --> 00:20:24,640
spanda ballet and a member of Nick
937
00:20:24,640 --> 00:20:27,350
spanda ballet and a member of Nick
Mason's saucer full of secrets argued
938
00:20:27,350 --> 00:20:27,360
Mason's saucer full of secrets argued
939
00:20:27,360 --> 00:20:29,310
Mason's saucer full of secrets argued
that Gilmore's work on the Dark Side of
940
00:20:29,310 --> 00:20:29,320
that Gilmore's work on the Dark Side of
941
00:20:29,320 --> 00:20:31,870
that Gilmore's work on the Dark Side of
the Moon must make him the best guitar
942
00:20:31,870 --> 00:20:31,880
the Moon must make him the best guitar
943
00:20:31,880 --> 00:20:34,990
the Moon must make him the best guitar
player in recent history David Gilmore's
944
00:20:34,990 --> 00:20:35,000
player in recent history David Gilmore's
945
00:20:35,000 --> 00:20:37,270
player in recent history David Gilmore's
Legacy as a musician songwriter and
946
00:20:37,270 --> 00:20:37,280
Legacy as a musician songwriter and
947
00:20:37,280 --> 00:20:39,630
Legacy as a musician songwriter and
producer is profound and far-reaching
948
00:20:39,630 --> 00:20:39,640
producer is profound and far-reaching
949
00:20:39,640 --> 00:20:42,070
producer is profound and far-reaching
cementing his place as one of the most
950
00:20:42,070 --> 00:20:42,080
cementing his place as one of the most
951
00:20:42,080 --> 00:20:45,110
cementing his place as one of the most
influential figures in rock music his
952
00:20:45,110 --> 00:20:45,120
influential figures in rock music his
953
00:20:45,120 --> 00:20:47,310
influential figures in rock music his
contributions to Pink Floyd and his solo
954
00:20:47,310 --> 00:20:47,320
contributions to Pink Floyd and his solo
955
00:20:47,320 --> 00:20:49,230
contributions to Pink Floyd and his solo
work have left an indelible mark on
956
00:20:49,230 --> 00:20:49,240
work have left an indelible mark on
957
00:20:49,240 --> 00:20:52,640
work have left an indelible mark on
music history
88004
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