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These are the user uploaded subtitles that are being translated: 1 00:00:00,080 --> 00:00:03,990 at 78 David Gilmore the iconic guitarist 2 00:00:03,990 --> 00:00:04,000 at 78 David Gilmore the iconic guitarist 3 00:00:04,000 --> 00:00:06,869 at 78 David Gilmore the iconic guitarist of Pink Floyd has recently opened up 4 00:00:06,869 --> 00:00:06,879 of Pink Floyd has recently opened up 5 00:00:06,879 --> 00:00:08,790 of Pink Floyd has recently opened up about a topic that has puzzled Pink 6 00:00:08,790 --> 00:00:08,800 about a topic that has puzzled Pink 7 00:00:08,800 --> 00:00:12,030 about a topic that has puzzled Pink Floyd fans for decades in a candid 8 00:00:12,030 --> 00:00:12,040 Floyd fans for decades in a candid 9 00:00:12,040 --> 00:00:14,629 Floyd fans for decades in a candid interview Gilmore has finally revealed 10 00:00:14,629 --> 00:00:14,639 interview Gilmore has finally revealed 11 00:00:14,639 --> 00:00:16,430 interview Gilmore has finally revealed the real reason behind the band's 12 00:00:16,430 --> 00:00:16,440 the real reason behind the band's 13 00:00:16,440 --> 00:00:19,510 the real reason behind the band's dramatic breakup in the 1980s shedding 14 00:00:19,510 --> 00:00:19,520 dramatic breakup in the 1980s shedding 15 00:00:19,520 --> 00:00:21,950 dramatic breakup in the 1980s shedding light on the intense power struggles 16 00:00:21,950 --> 00:00:21,960 light on the intense power struggles 17 00:00:21,960 --> 00:00:24,950 light on the intense power struggles underlying grudges and creative clashes 18 00:00:24,950 --> 00:00:24,960 underlying grudges and creative clashes 19 00:00:24,960 --> 00:00:26,910 underlying grudges and creative clashes that led to the separation of one of the 20 00:00:26,910 --> 00:00:26,920 that led to the separation of one of the 21 00:00:26,920 --> 00:00:30,230 that led to the separation of one of the greatest bands in history Gilmore's new 22 00:00:30,230 --> 00:00:30,240 greatest bands in history Gilmore's new 23 00:00:30,240 --> 00:00:33,310 greatest bands in history Gilmore's new insights shed light on why Roger Waters 24 00:00:33,310 --> 00:00:33,320 insights shed light on why Roger Waters 25 00:00:33,320 --> 00:00:35,869 insights shed light on why Roger Waters his former bandmate ultimately brought 26 00:00:35,869 --> 00:00:35,879 his former bandmate ultimately brought 27 00:00:35,879 --> 00:00:37,430 his former bandmate ultimately brought Pink Floyd to its 28 00:00:37,430 --> 00:00:37,440 Pink Floyd to its 29 00:00:37,440 --> 00:00:39,869 Pink Floyd to its knees what sparked this dramatic 30 00:00:39,869 --> 00:00:39,879 knees what sparked this dramatic 31 00:00:39,879 --> 00:00:42,029 knees what sparked this dramatic conflict and what Secrets has David 32 00:00:42,029 --> 00:00:42,039 conflict and what Secrets has David 33 00:00:42,039 --> 00:00:45,549 conflict and what Secrets has David Gilmore Finally Revealed join us as we 34 00:00:45,549 --> 00:00:45,559 Gilmore Finally Revealed join us as we 35 00:00:45,559 --> 00:00:47,630 Gilmore Finally Revealed join us as we unravel the real story behind the 36 00:00:47,630 --> 00:00:47,640 unravel the real story behind the 37 00:00:47,640 --> 00:00:49,830 unravel the real story behind the destruction of Pink Floyd straight from 38 00:00:49,830 --> 00:00:49,840 destruction of Pink Floyd straight from 39 00:00:49,840 --> 00:00:52,110 destruction of Pink Floyd straight from the man who witnessed it all David 40 00:00:52,110 --> 00:00:52,120 the man who witnessed it all David 41 00:00:52,120 --> 00:00:54,389 the man who witnessed it all David Gilmore the legendary guitarist and 42 00:00:54,389 --> 00:00:54,399 Gilmore the legendary guitarist and 43 00:00:54,399 --> 00:00:57,150 Gilmore the legendary guitarist and vocalist of Pink Floyd was born on March 44 00:00:57,150 --> 00:00:57,160 vocalist of Pink Floyd was born on March 45 00:00:57,160 --> 00:01:00,590 vocalist of Pink Floyd was born on March 6th 1946 in Cambridge England 46 00:01:00,590 --> 00:01:00,600 6th 1946 in Cambridge England 47 00:01:00,600 --> 00:01:03,150 6th 1946 in Cambridge England his full name is David John Gilmore and 48 00:01:03,150 --> 00:01:03,160 his full name is David John Gilmore and 49 00:01:03,160 --> 00:01:05,189 his full name is David John Gilmore and he grew up in a well-educated artistic 50 00:01:05,189 --> 00:01:05,199 he grew up in a well-educated artistic 51 00:01:05,199 --> 00:01:07,310 he grew up in a well-educated artistic and musical family which played a 52 00:01:07,310 --> 00:01:07,320 and musical family which played a 53 00:01:07,320 --> 00:01:09,749 and musical family which played a significant role in shaping his future 54 00:01:09,749 --> 00:01:09,759 significant role in shaping his future 55 00:01:09,759 --> 00:01:13,390 significant role in shaping his future career his father Douglas Gilmore was a 56 00:01:13,390 --> 00:01:13,400 career his father Douglas Gilmore was a 57 00:01:13,400 --> 00:01:15,469 career his father Douglas Gilmore was a senior lecturer in Zoology at the 58 00:01:15,469 --> 00:01:15,479 senior lecturer in Zoology at the 59 00:01:15,479 --> 00:01:17,910 senior lecturer in Zoology at the University of Cambridge and his mother 60 00:01:17,910 --> 00:01:17,920 University of Cambridge and his mother 61 00:01:17,920 --> 00:01:20,270 University of Cambridge and his mother Sylvia trained as a teacher and later 62 00:01:20,270 --> 00:01:20,280 Sylvia trained as a teacher and later 63 00:01:20,280 --> 00:01:22,590 Sylvia trained as a teacher and later worked as a film editor for the 64 00:01:22,590 --> 00:01:22,600 worked as a film editor for the 65 00:01:22,600 --> 00:01:25,749 worked as a film editor for the BBC at the time of Gilmore's birth they 66 00:01:25,749 --> 00:01:25,759 BBC at the time of Gilmore's birth they 67 00:01:25,759 --> 00:01:28,550 BBC at the time of Gilmore's birth they lived in trumpington Cambridge Shire in 68 00:01:28,550 --> 00:01:28,560 lived in trumpington Cambridge Shire in 69 00:01:28,560 --> 00:01:30,069 lived in trumpington Cambridge Shire in 1956 70 00:01:30,069 --> 00:01:30,079 1956 71 00:01:30,079 --> 00:01:32,710 1956 after several relocations they moved to 72 00:01:32,710 --> 00:01:32,720 after several relocations they moved to 73 00:01:32,720 --> 00:01:35,630 after several relocations they moved to nearby grantchester Gilmore's parents 74 00:01:35,630 --> 00:01:35,640 nearby grantchester Gilmore's parents 75 00:01:35,640 --> 00:01:37,469 nearby grantchester Gilmore's parents encouraged him to pursue his interest in 76 00:01:37,469 --> 00:01:37,479 encouraged him to pursue his interest in 77 00:01:37,479 --> 00:01:40,550 encouraged him to pursue his interest in music and in 1954 he bought his first 78 00:01:40,550 --> 00:01:40,560 music and in 1954 he bought his first 79 00:01:40,560 --> 00:01:43,389 music and in 1954 he bought his first single Bill Haley's Rock Around the 80 00:01:43,389 --> 00:01:43,399 single Bill Haley's Rock Around the 81 00:01:43,399 --> 00:01:46,109 single Bill Haley's Rock Around the Clock his enthusiasm was stirred the 82 00:01:46,109 --> 00:01:46,119 Clock his enthusiasm was stirred the 83 00:01:46,119 --> 00:01:48,030 Clock his enthusiasm was stirred the following year by Elvis Presley's 84 00:01:48,030 --> 00:01:48,040 following year by Elvis Presley's 85 00:01:48,040 --> 00:01:51,230 following year by Elvis Presley's Heartbreak Hotel and later bye-bye love 86 00:01:51,230 --> 00:01:51,240 Heartbreak Hotel and later bye-bye love 87 00:01:51,240 --> 00:01:53,270 Heartbreak Hotel and later bye-bye love by the Everly Brothers pequ his interest 88 00:01:53,270 --> 00:01:53,280 by the Everly Brothers pequ his interest 89 00:01:53,280 --> 00:01:56,029 by the Everly Brothers pequ his interest in the guitar he borrowed a guitar from 90 00:01:56,029 --> 00:01:56,039 in the guitar he borrowed a guitar from 91 00:01:56,039 --> 00:01:58,749 in the guitar he borrowed a guitar from a neighbor but never gave it back soon 92 00:01:58,749 --> 00:01:58,759 a neighbor but never gave it back soon 93 00:01:58,759 --> 00:02:00,510 a neighbor but never gave it back soon afterward Gilmore started teaching 94 00:02:00,510 --> 00:02:00,520 afterward Gilmore started teaching 95 00:02:00,520 --> 00:02:02,749 afterward Gilmore started teaching himself to play using a book and record 96 00:02:02,749 --> 00:02:02,759 himself to play using a book and record 97 00:02:02,759 --> 00:02:06,149 himself to play using a book and record set by Pete Seager at age 11 Gilmore 98 00:02:06,149 --> 00:02:06,159 set by Pete Seager at age 11 Gilmore 99 00:02:06,159 --> 00:02:08,229 set by Pete Seager at age 11 Gilmore began attending purse school on Hills 100 00:02:08,229 --> 00:02:08,239 began attending purse school on Hills 101 00:02:08,239 --> 00:02:11,670 began attending purse school on Hills Road Cambridge which he did not enjoy 102 00:02:11,670 --> 00:02:11,680 Road Cambridge which he did not enjoy 103 00:02:11,680 --> 00:02:13,589 Road Cambridge which he did not enjoy there he met the future Pink Floyd 104 00:02:13,589 --> 00:02:13,599 there he met the future Pink Floyd 105 00:02:13,599 --> 00:02:16,270 there he met the future Pink Floyd members Sid Barrett and Roger Waters who 106 00:02:16,270 --> 00:02:16,280 members Sid Barrett and Roger Waters who 107 00:02:16,280 --> 00:02:17,949 members Sid Barrett and Roger Waters who attended cambridgshire high school for 108 00:02:17,949 --> 00:02:17,959 attended cambridgshire high school for 109 00:02:17,959 --> 00:02:22,670 attended cambridgshire high school for boys on Hills Road in 1962 Gilmore began 110 00:02:22,670 --> 00:02:22,680 boys on Hills Road in 1962 Gilmore began 111 00:02:22,680 --> 00:02:25,430 boys on Hills Road in 1962 Gilmore began studying a-level modern languages at the 112 00:02:25,430 --> 00:02:25,440 studying a-level modern languages at the 113 00:02:25,440 --> 00:02:27,710 studying a-level modern languages at the cambridgshire College of Arts and 114 00:02:27,710 --> 00:02:27,720 cambridgshire College of Arts and 115 00:02:27,720 --> 00:02:30,070 cambridgshire College of Arts and Technology despite not finishing the 116 00:02:30,070 --> 00:02:30,080 Technology despite not finishing the 117 00:02:30,080 --> 00:02:32,110 Technology despite not finishing the course he eventually learned to speak 118 00:02:32,110 --> 00:02:32,120 course he eventually learned to speak 119 00:02:32,120 --> 00:02:35,070 course he eventually learned to speak fluent French Barrett was also a student 120 00:02:35,070 --> 00:02:35,080 fluent French Barrett was also a student 121 00:02:35,080 --> 00:02:36,790 fluent French Barrett was also a student at the college and he spent his 122 00:02:36,790 --> 00:02:36,800 at the college and he spent his 123 00:02:36,800 --> 00:02:38,990 at the college and he spent his lunchtimes practicing guitar with 124 00:02:38,990 --> 00:02:39,000 lunchtimes practicing guitar with 125 00:02:39,000 --> 00:02:42,750 lunchtimes practicing guitar with Gilmore in late 1962 Gilmore joined the 126 00:02:42,750 --> 00:02:42,760 Gilmore in late 1962 Gilmore joined the 127 00:02:42,760 --> 00:02:45,670 Gilmore in late 1962 Gilmore joined the blues rock band Joker's Wild they 128 00:02:45,670 --> 00:02:45,680 blues rock band Joker's Wild they 129 00:02:45,680 --> 00:02:47,869 blues rock band Joker's Wild they recorded a one-sided album and a single 130 00:02:47,869 --> 00:02:47,879 recorded a one-sided album and a single 131 00:02:47,879 --> 00:02:50,350 recorded a one-sided album and a single at Regent Sound Studio in Denmark Street 132 00:02:50,350 --> 00:02:50,360 at Regent Sound Studio in Denmark Street 133 00:02:50,360 --> 00:02:53,070 at Regent Sound Studio in Denmark Street West London but only 50 copies of each 134 00:02:53,070 --> 00:02:53,080 West London but only 50 copies of each 135 00:02:53,080 --> 00:02:56,070 West London but only 50 copies of each were made Gilmore traveled to France in 136 00:02:56,070 --> 00:02:56,080 were made Gilmore traveled to France in 137 00:02:56,080 --> 00:02:58,869 were made Gilmore traveled to France in mid 1967 with Rick wills and Willie 138 00:02:58,869 --> 00:02:58,879 mid 1967 with Rick wills and Willie 139 00:02:58,879 --> 00:03:02,509 mid 1967 with Rick wills and Willie Wilson former of Joker's Wild the trio 140 00:03:02,509 --> 00:03:02,519 Wilson former of Joker's Wild the trio 141 00:03:02,519 --> 00:03:04,830 Wilson former of Joker's Wild the trio performed under the name flowers then 142 00:03:04,830 --> 00:03:04,840 performed under the name flowers then 143 00:03:04,840 --> 00:03:07,509 performed under the name flowers then bullet but were not commercially 144 00:03:07,509 --> 00:03:07,519 bullet but were not commercially 145 00:03:07,519 --> 00:03:09,789 bullet but were not commercially successful after hearing their covers of 146 00:03:09,789 --> 00:03:09,799 successful after hearing their covers of 147 00:03:09,799 --> 00:03:12,309 successful after hearing their covers of chart hits club Owners were reluctant to 148 00:03:12,309 --> 00:03:12,319 chart hits club Owners were reluctant to 149 00:03:12,319 --> 00:03:14,869 chart hits club Owners were reluctant to pay them and soon after their arrival in 150 00:03:14,869 --> 00:03:14,879 pay them and soon after their arrival in 151 00:03:14,879 --> 00:03:18,509 pay them and soon after their arrival in Paris thieves stole their equipment in 152 00:03:18,509 --> 00:03:18,519 Paris thieves stole their equipment in 153 00:03:18,519 --> 00:03:21,149 Paris thieves stole their equipment in France Gilmore contributed lead vocals 154 00:03:21,149 --> 00:03:21,159 France Gilmore contributed lead vocals 155 00:03:21,159 --> 00:03:23,229 France Gilmore contributed lead vocals to two songs on the soundtrack of the 156 00:03:23,229 --> 00:03:23,239 to two songs on the soundtrack of the 157 00:03:23,239 --> 00:03:25,949 to two songs on the soundtrack of the film two weeks in September starring 158 00:03:25,949 --> 00:03:25,959 film two weeks in September starring 159 00:03:25,959 --> 00:03:26,910 film two weeks in September starring Bridget 160 00:03:26,910 --> 00:03:26,920 Bridget 161 00:03:26,920 --> 00:03:28,750 Bridget BAU in 162 00:03:28,750 --> 00:03:28,760 BAU in 163 00:03:28,760 --> 00:03:32,070 BAU in 1967 Pink Floyd composed of Gilmore's 164 00:03:32,070 --> 00:03:32,080 1967 Pink Floyd composed of Gilmore's 165 00:03:32,080 --> 00:03:34,190 1967 Pink Floyd composed of Gilmore's Cambridge schoolmates Barrett and Waters 166 00:03:34,190 --> 00:03:34,200 Cambridge schoolmates Barrett and Waters 167 00:03:34,200 --> 00:03:36,350 Cambridge schoolmates Barrett and Waters with Nick Mason and Richard Wright 168 00:03:36,350 --> 00:03:36,360 with Nick Mason and Richard Wright 169 00:03:36,360 --> 00:03:39,149 with Nick Mason and Richard Wright released their debut studio album The 170 00:03:39,149 --> 00:03:39,159 released their debut studio album The 171 00:03:39,159 --> 00:03:40,830 released their debut studio album The Piper at the Gates of 172 00:03:40,830 --> 00:03:40,840 Piper at the Gates of 173 00:03:40,840 --> 00:03:44,149 Piper at the Gates of Dawn that may Gilmore briefly returned 174 00:03:44,149 --> 00:03:44,159 Dawn that may Gilmore briefly returned 175 00:03:44,159 --> 00:03:46,750 Dawn that may Gilmore briefly returned to London in search of new equipment 176 00:03:46,750 --> 00:03:46,760 to London in search of new equipment 177 00:03:46,760 --> 00:03:49,350 to London in search of new equipment during his stay he watched Pink Floyd 178 00:03:49,350 --> 00:03:49,360 during his stay he watched Pink Floyd 179 00:03:49,360 --> 00:03:52,390 during his stay he watched Pink Floyd record c Emily play and was shocked to 180 00:03:52,390 --> 00:03:52,400 record c Emily play and was shocked to 181 00:03:52,400 --> 00:03:54,550 record c Emily play and was shocked to find that Barrett who was beginning to 182 00:03:54,550 --> 00:03:54,560 find that Barrett who was beginning to 183 00:03:54,560 --> 00:03:56,869 find that Barrett who was beginning to suffer from mental health problems did 184 00:03:56,869 --> 00:03:56,879 suffer from mental health problems did 185 00:03:56,879 --> 00:04:00,229 suffer from mental health problems did not seem to recognize him in late 186 00:04:00,229 --> 00:04:00,239 not seem to recognize him in late 187 00:04:00,239 --> 00:04:03,350 not seem to recognize him in late 1967 as Sid Barrett's condition worsened 188 00:04:03,350 --> 00:04:03,360 1967 as Sid Barrett's condition worsened 189 00:04:03,360 --> 00:04:05,030 1967 as Sid Barrett's condition worsened due to his mental health issues and 190 00:04:05,030 --> 00:04:05,040 due to his mental health issues and 191 00:04:05,040 --> 00:04:07,750 due to his mental health issues and heavy drug use the other members of Pink 192 00:04:07,750 --> 00:04:07,760 heavy drug use the other members of Pink 193 00:04:07,760 --> 00:04:11,069 heavy drug use the other members of Pink Floyd Roger Waters Nick Mason and 194 00:04:11,069 --> 00:04:11,079 Floyd Roger Waters Nick Mason and 195 00:04:11,079 --> 00:04:13,630 Floyd Roger Waters Nick Mason and Richard Wright invited Gilmore to join 196 00:04:13,630 --> 00:04:13,640 Richard Wright invited Gilmore to join 197 00:04:13,640 --> 00:04:15,990 Richard Wright invited Gilmore to join the band initially he was brought in to 198 00:04:15,990 --> 00:04:16,000 the band initially he was brought in to 199 00:04:16,000 --> 00:04:18,229 the band initially he was brought in to compliment Barrett but he soon became 200 00:04:18,229 --> 00:04:18,239 compliment Barrett but he soon became 201 00:04:18,239 --> 00:04:20,469 compliment Barrett but he soon became the band's primary guitarist as 202 00:04:20,469 --> 00:04:20,479 the band's primary guitarist as 203 00:04:20,479 --> 00:04:23,030 the band's primary guitarist as Barrett's ability to perform 204 00:04:23,030 --> 00:04:23,040 Barrett's ability to perform 205 00:04:23,040 --> 00:04:25,150 Barrett's ability to perform declined by March 206 00:04:25,150 --> 00:04:25,160 declined by March 207 00:04:25,160 --> 00:04:28,150 declined by March 1968 working with Barrett had become too 208 00:04:28,150 --> 00:04:28,160 1968 working with Barrett had become too 209 00:04:28,160 --> 00:04:30,510 1968 working with Barrett had become too difficult and he agreed to leave the 210 00:04:30,510 --> 00:04:30,520 difficult and he agreed to leave the 211 00:04:30,520 --> 00:04:33,749 difficult and he agreed to leave the band without Barrett striking lyrics the 212 00:04:33,749 --> 00:04:33,759 band without Barrett striking lyrics the 213 00:04:33,759 --> 00:04:35,749 band without Barrett striking lyrics the band moved away from the singles Market 214 00:04:35,749 --> 00:04:35,759 band moved away from the singles Market 215 00:04:35,759 --> 00:04:38,550 band moved away from the singles Market to concentrate on live work continuing 216 00:04:38,550 --> 00:04:38,560 to concentrate on live work continuing 217 00:04:38,560 --> 00:04:40,909 to concentrate on live work continuing its Innovations in Sound and Lighting 218 00:04:40,909 --> 00:04:40,919 its Innovations in Sound and Lighting 219 00:04:40,919 --> 00:04:43,870 its Innovations in Sound and Lighting but with varying degrees of success 220 00:04:43,870 --> 00:04:43,880 but with varying degrees of success 221 00:04:43,880 --> 00:04:45,670 but with varying degrees of success after recording a series of motion 222 00:04:45,670 --> 00:04:45,680 after recording a series of motion 223 00:04:45,680 --> 00:04:48,029 after recording a series of motion picture soundtrack albums they entered 224 00:04:48,029 --> 00:04:48,039 picture soundtrack albums they entered 225 00:04:48,039 --> 00:04:50,150 picture soundtrack albums they entered the American charts with their hit songs 226 00:04:50,150 --> 00:04:50,160 the American charts with their hit songs 227 00:04:50,160 --> 00:04:54,390 the American charts with their hit songs Adam Hart mother in 1970 and metal in 228 00:04:54,390 --> 00:04:54,400 Adam Hart mother in 1970 and metal in 229 00:04:54,400 --> 00:04:57,230 Adam Hart mother in 1970 and metal in 1971 making records that are song based 230 00:04:57,230 --> 00:04:57,240 1971 making records that are song based 231 00:04:57,240 --> 00:04:59,749 1971 making records that are song based but thematic in approach and include 232 00:04:59,749 --> 00:04:59,759 but thematic in approach and include 233 00:04:59,759 --> 00:05:02,310 but thematic in approach and include long instrumental passages the band 234 00:05:02,310 --> 00:05:02,320 long instrumental passages the band 235 00:05:02,320 --> 00:05:04,430 long instrumental passages the band significantly contributed to the rise of 236 00:05:04,430 --> 00:05:04,440 significantly contributed to the rise of 237 00:05:04,440 --> 00:05:07,469 significantly contributed to the rise of the concept album they achieved massive 238 00:05:07,469 --> 00:05:07,479 the concept album they achieved massive 239 00:05:07,479 --> 00:05:09,710 the concept album they achieved massive Commercial Success with the album The 240 00:05:09,710 --> 00:05:09,720 Commercial Success with the album The 241 00:05:09,720 --> 00:05:12,990 Commercial Success with the album The Dark Side of the Moon released in 242 00:05:12,990 --> 00:05:13,000 Dark Side of the Moon released in 243 00:05:13,000 --> 00:05:15,390 Dark Side of the Moon released in 1973 this album offered a grim 244 00:05:15,390 --> 00:05:15,400 1973 this album offered a grim 245 00:05:15,400 --> 00:05:17,790 1973 this album offered a grim exploration of mortality and emotional 246 00:05:17,790 --> 00:05:17,800 exploration of mortality and emotional 247 00:05:17,800 --> 00:05:20,590 exploration of mortality and emotional collapse highlighted by water's dark 248 00:05:20,590 --> 00:05:20,600 collapse highlighted by water's dark 249 00:05:20,600 --> 00:05:23,390 collapse highlighted by water's dark songwriting it sent Pink Floyd soaring 250 00:05:23,390 --> 00:05:23,400 songwriting it sent Pink Floyd soaring 251 00:05:23,400 --> 00:05:25,710 songwriting it sent Pink Floyd soaring into the Megastar bracket and remained 252 00:05:25,710 --> 00:05:25,720 into the Megastar bracket and remained 253 00:05:25,720 --> 00:05:27,749 into the Megastar bracket and remained in the American pop charts for more than 254 00:05:27,749 --> 00:05:27,759 in the American pop charts for more than 255 00:05:27,759 --> 00:05:31,309 in the American pop charts for more than a decade the f Up album wish you were 256 00:05:31,309 --> 00:05:31,319 a decade the f Up album wish you were 257 00:05:31,319 --> 00:05:33,230 a decade the f Up album wish you were here released in 258 00:05:33,230 --> 00:05:33,240 here released in 259 00:05:33,240 --> 00:05:36,710 here released in 1975 includes Shine On You Crazy Diamond 260 00:05:36,710 --> 00:05:36,720 1975 includes Shine On You Crazy Diamond 261 00:05:36,720 --> 00:05:39,029 1975 includes Shine On You Crazy Diamond a song for Barrett and though it went to 262 00:05:39,029 --> 00:05:39,039 a song for Barrett and though it went to 263 00:05:39,039 --> 00:05:41,029 a song for Barrett and though it went to number one in both the United States and 264 00:05:41,029 --> 00:05:41,039 number one in both the United States and 265 00:05:41,039 --> 00:05:43,590 number one in both the United States and Britain it was considered underwhelming 266 00:05:43,590 --> 00:05:43,600 Britain it was considered underwhelming 267 00:05:43,600 --> 00:05:46,590 Britain it was considered underwhelming and pretentious by many critics by the 268 00:05:46,590 --> 00:05:46,600 and pretentious by many critics by the 269 00:05:46,600 --> 00:05:49,270 and pretentious by many critics by the late 1970s Gilmore had begun to think 270 00:05:49,270 --> 00:05:49,280 late 1970s Gilmore had begun to think 271 00:05:49,280 --> 00:05:51,029 late 1970s Gilmore had begun to think that his musical talents were being 272 00:05:51,029 --> 00:05:51,039 that his musical talents were being 273 00:05:51,039 --> 00:05:54,070 that his musical talents were being underused by Pink Floyd in 274 00:05:54,070 --> 00:05:54,080 underused by Pink Floyd in 275 00:05:54,080 --> 00:05:57,270 underused by Pink Floyd in 1978 he released his first solo album 276 00:05:57,270 --> 00:05:57,280 1978 he released his first solo album 277 00:05:57,280 --> 00:06:00,070 1978 he released his first solo album David Gilmore which showcased his guitar 278 00:06:00,070 --> 00:06:00,080 David Gilmore which showcased his guitar 279 00:06:00,080 --> 00:06:01,110 David Gilmore which showcased his guitar playing and 280 00:06:01,110 --> 00:06:01,120 playing and 281 00:06:01,120 --> 00:06:03,270 playing and songwriting music written during the 282 00:06:03,270 --> 00:06:03,280 songwriting music written during the 283 00:06:03,280 --> 00:06:05,590 songwriting music written during the finishing stages of the album but too 284 00:06:05,590 --> 00:06:05,600 finishing stages of the album but too 285 00:06:05,600 --> 00:06:08,909 finishing stages of the album but too late to be used became comfortably numb 286 00:06:08,909 --> 00:06:08,919 late to be used became comfortably numb 287 00:06:08,919 --> 00:06:11,710 late to be used became comfortably numb on the Pink Floyd album The Wall 288 00:06:11,710 --> 00:06:11,720 on the Pink Floyd album The Wall 289 00:06:11,720 --> 00:06:13,749 on the Pink Floyd album The Wall released in 290 00:06:13,749 --> 00:06:13,759 released in 291 00:06:13,759 --> 00:06:16,390 released in 1979 the relationship between Gilmore 292 00:06:16,390 --> 00:06:16,400 1979 the relationship between Gilmore 293 00:06:16,400 --> 00:06:18,270 1979 the relationship between Gilmore and Waters deteriorated during the 294 00:06:18,270 --> 00:06:18,280 and Waters deteriorated during the 295 00:06:18,280 --> 00:06:20,870 and Waters deteriorated during the making of the wall film and the album 296 00:06:20,870 --> 00:06:20,880 making of the wall film and the album 297 00:06:20,880 --> 00:06:23,710 making of the wall film and the album The Final Cut the negative atmosphere 298 00:06:23,710 --> 00:06:23,720 The Final Cut the negative atmosphere 299 00:06:23,720 --> 00:06:25,950 The Final Cut the negative atmosphere LED Gilmore to produce his second solo 300 00:06:25,950 --> 00:06:25,960 LED Gilmore to produce his second solo 301 00:06:25,960 --> 00:06:30,469 LED Gilmore to produce his second solo studio album about face in 1984 302 00:06:30,469 --> 00:06:30,479 studio album about face in 1984 303 00:06:30,479 --> 00:06:32,550 studio album about face in 1984 he used it to express his feelings about 304 00:06:32,550 --> 00:06:32,560 he used it to express his feelings about 305 00:06:32,560 --> 00:06:35,070 he used it to express his feelings about a range of topics from his relationship 306 00:06:35,070 --> 00:06:35,080 a range of topics from his relationship 307 00:06:35,080 --> 00:06:38,350 a range of topics from his relationship with Waters to the murder of John Lenin 308 00:06:38,350 --> 00:06:38,360 with Waters to the murder of John Lenin 309 00:06:38,360 --> 00:06:40,589 with Waters to the murder of John Lenin Gilmore toured Europe and the US 310 00:06:40,589 --> 00:06:40,599 Gilmore toured Europe and the US 311 00:06:40,599 --> 00:06:42,189 Gilmore toured Europe and the US supported by the television 312 00:06:42,189 --> 00:06:42,199 supported by the television 313 00:06:42,199 --> 00:06:44,309 supported by the television personalities who were dropped after the 314 00:06:44,309 --> 00:06:44,319 personalities who were dropped after the 315 00:06:44,319 --> 00:06:47,029 personalities who were dropped after the singer Dan trcy revealed Barrett's 316 00:06:47,029 --> 00:06:47,039 singer Dan trcy revealed Barrett's 317 00:06:47,039 --> 00:06:50,430 singer Dan trcy revealed Barrett's address on stage Mason also made a guest 318 00:06:50,430 --> 00:06:50,440 address on stage Mason also made a guest 319 00:06:50,440 --> 00:06:53,070 address on stage Mason also made a guest appearance on the UK leg of the tour 320 00:06:53,070 --> 00:06:53,080 appearance on the UK leg of the tour 321 00:06:53,080 --> 00:06:54,990 appearance on the UK leg of the tour which despite some cancellations 322 00:06:54,990 --> 00:06:55,000 which despite some cancellations 323 00:06:55,000 --> 00:06:57,670 which despite some cancellations eventually turned a profit when he 324 00:06:57,670 --> 00:06:57,680 eventually turned a profit when he 325 00:06:57,680 --> 00:06:59,869 eventually turned a profit when he returned from touring Gilmore played 326 00:06:59,869 --> 00:06:59,879 returned from touring Gilmore played 327 00:06:59,879 --> 00:07:01,629 returned from touring Gilmore played guitar with a range of artists and 328 00:07:01,629 --> 00:07:01,639 guitar with a range of artists and 329 00:07:01,639 --> 00:07:04,029 guitar with a range of artists and produced The Dream Academy including 330 00:07:04,029 --> 00:07:04,039 produced The Dream Academy including 331 00:07:04,039 --> 00:07:06,869 produced The Dream Academy including their us top 10 hit Life in a Northern 332 00:07:06,869 --> 00:07:06,879 their us top 10 hit Life in a Northern 333 00:07:06,879 --> 00:07:09,469 their us top 10 hit Life in a Northern Town released in 334 00:07:09,469 --> 00:07:09,479 Town released in 335 00:07:09,479 --> 00:07:13,029 Town released in 986 Gilmore also co-wrote five songs on 336 00:07:13,029 --> 00:07:13,039 986 Gilmore also co-wrote five songs on 337 00:07:13,039 --> 00:07:15,710 986 Gilmore also co-wrote five songs on Roy Harper's album The Unknown Soldier 338 00:07:15,710 --> 00:07:15,720 Roy Harper's album The Unknown Soldier 339 00:07:15,720 --> 00:07:18,950 Roy Harper's album The Unknown Soldier In 1980 including short and sweet which 340 00:07:18,950 --> 00:07:18,960 In 1980 including short and sweet which 341 00:07:18,960 --> 00:07:20,909 In 1980 including short and sweet which was first recorded for Gilmore's first 342 00:07:20,909 --> 00:07:20,919 was first recorded for Gilmore's first 343 00:07:20,919 --> 00:07:25,070 was first recorded for Gilmore's first solo album in April 1984 Harper made a 344 00:07:25,070 --> 00:07:25,080 solo album in April 1984 Harper made a 345 00:07:25,080 --> 00:07:27,070 solo album in April 1984 Harper made a surprise guest appearance at Gilmore's 346 00:07:27,070 --> 00:07:27,080 surprise guest appearance at Gilmore's 347 00:07:27,080 --> 00:07:29,629 surprise guest appearance at Gilmore's Hammersmith odan gig to sing short andwe 348 00:07:29,629 --> 00:07:29,639 Hammersmith odan gig to sing short andwe 349 00:07:29,639 --> 00:07:32,629 Hammersmith odan gig to sing short andwe site this was included in Gilmore's live 350 00:07:32,629 --> 00:07:32,639 site this was included in Gilmore's live 351 00:07:32,639 --> 00:07:36,469 site this was included in Gilmore's live 1984 concert film Harper also provided 352 00:07:36,469 --> 00:07:36,479 1984 concert film Harper also provided 353 00:07:36,479 --> 00:07:38,950 1984 concert film Harper also provided backing vocals on Gilmore's second solo 354 00:07:38,950 --> 00:07:38,960 backing vocals on Gilmore's second solo 355 00:07:38,960 --> 00:07:43,670 backing vocals on Gilmore's second solo studio album about face in 1985 Gilmore 356 00:07:43,670 --> 00:07:43,680 studio album about face in 1985 Gilmore 357 00:07:43,680 --> 00:07:45,869 studio album about face in 1985 Gilmore played on Brian Ferry's sixth solo 358 00:07:45,869 --> 00:07:45,879 played on Brian Ferry's sixth solo 359 00:07:45,879 --> 00:07:49,110 played on Brian Ferry's sixth solo studio album boys and girls as well as 360 00:07:49,110 --> 00:07:49,120 studio album boys and girls as well as 361 00:07:49,120 --> 00:07:51,469 studio album boys and girls as well as the song Is Your Love strong enough for 362 00:07:51,469 --> 00:07:51,479 the song Is Your Love strong enough for 363 00:07:51,479 --> 00:07:53,749 the song Is Your Love strong enough for the US release of the Ridley Scott Tom 364 00:07:53,749 --> 00:07:53,759 the US release of the Ridley Scott Tom 365 00:07:53,759 --> 00:07:56,390 the US release of the Ridley Scott Tom Cruz film Legend in 366 00:07:56,390 --> 00:07:56,400 Cruz film Legend in 367 00:07:56,400 --> 00:07:59,110 Cruz film Legend in 1985 the music video for Is Your Love 368 00:07:59,110 --> 00:07:59,120 1985 the music video for Is Your Love 369 00:07:59,120 --> 00:08:01,309 1985 the music video for Is Your Love strong long enough Incorporated Ferry 370 00:08:01,309 --> 00:08:01,319 strong long enough Incorporated Ferry 371 00:08:01,319 --> 00:08:03,869 strong long enough Incorporated Ferry and Gilmore into footage from the film 372 00:08:03,869 --> 00:08:03,879 and Gilmore into footage from the film 373 00:08:03,879 --> 00:08:06,230 and Gilmore into footage from the film in July that year Gilmore played with 374 00:08:06,230 --> 00:08:06,240 in July that year Gilmore played with 375 00:08:06,240 --> 00:08:08,550 in July that year Gilmore played with Ferry at the Live Aid concert at Wembley 376 00:08:08,550 --> 00:08:08,560 Ferry at the Live Aid concert at Wembley 377 00:08:08,560 --> 00:08:11,230 Ferry at the Live Aid concert at Wembley Stadium in London he contributed to Pete 378 00:08:11,230 --> 00:08:11,240 Stadium in London he contributed to Pete 379 00:08:11,240 --> 00:08:14,550 Stadium in London he contributed to Pete towns hen's 1985 album White City a 380 00:08:14,550 --> 00:08:14,560 towns hen's 1985 album White City a 381 00:08:14,560 --> 00:08:17,550 towns hen's 1985 album White City a novel including the single give blood 382 00:08:17,550 --> 00:08:17,560 novel including the single give blood 383 00:08:17,560 --> 00:08:20,909 novel including the single give blood and the 1985 Grace Jones album Slave to 384 00:08:20,909 --> 00:08:20,919 and the 1985 Grace Jones album Slave to 385 00:08:20,919 --> 00:08:23,550 and the 1985 Grace Jones album Slave to the Rhythm David Gilmore has recently 386 00:08:23,550 --> 00:08:23,560 the Rhythm David Gilmore has recently 387 00:08:23,560 --> 00:08:25,189 the Rhythm David Gilmore has recently revealed what many fans have been 388 00:08:25,189 --> 00:08:25,199 revealed what many fans have been 389 00:08:25,199 --> 00:08:27,950 revealed what many fans have been wondering for years what led to the 390 00:08:27,950 --> 00:08:27,960 wondering for years what led to the 391 00:08:27,960 --> 00:08:29,950 wondering for years what led to the eventual separation of one of the most 392 00:08:29,950 --> 00:08:29,960 eventual separation of one of the most 393 00:08:29,960 --> 00:08:32,430 eventual separation of one of the most influential rock bands while a 394 00:08:32,430 --> 00:08:32,440 influential rock bands while a 395 00:08:32,440 --> 00:08:34,190 influential rock bands while a culmination of years of creative 396 00:08:34,190 --> 00:08:34,200 culmination of years of creative 397 00:08:34,200 --> 00:08:36,350 culmination of years of creative differences personal conflicts and 398 00:08:36,350 --> 00:08:36,360 differences personal conflicts and 399 00:08:36,360 --> 00:08:38,949 differences personal conflicts and external pressures had adverse effects 400 00:08:38,949 --> 00:08:38,959 external pressures had adverse effects 401 00:08:38,959 --> 00:08:41,670 external pressures had adverse effects and created tension among the bandmates 402 00:08:41,670 --> 00:08:41,680 and created tension among the bandmates 403 00:08:41,680 --> 00:08:44,190 and created tension among the bandmates Roger Waters was the main driving force 404 00:08:44,190 --> 00:08:44,200 Roger Waters was the main driving force 405 00:08:44,200 --> 00:08:45,590 Roger Waters was the main driving force behind the band 406 00:08:45,590 --> 00:08:45,600 behind the band 407 00:08:45,600 --> 00:08:47,670 behind the band Separation by the late 408 00:08:47,670 --> 00:08:47,680 Separation by the late 409 00:08:47,680 --> 00:08:50,350 Separation by the late 1970s Roger Waters had taken on a 410 00:08:50,350 --> 00:08:50,360 1970s Roger Waters had taken on a 411 00:08:50,360 --> 00:08:52,870 1970s Roger Waters had taken on a dominant role within the band writing 412 00:08:52,870 --> 00:08:52,880 dominant role within the band writing 413 00:08:52,880 --> 00:08:54,870 dominant role within the band writing most of the material and steering the 414 00:08:54,870 --> 00:08:54,880 most of the material and steering the 415 00:08:54,880 --> 00:08:57,670 most of the material and steering the direction of their music this shift 416 00:08:57,670 --> 00:08:57,680 direction of their music this shift 417 00:08:57,680 --> 00:08:59,430 direction of their music this shift began with the Dark Side of the Moon 418 00:08:59,430 --> 00:08:59,440 began with the Dark Side of the Moon 419 00:08:59,440 --> 00:09:01,790 began with the Dark Side of the Moon Moon and continued with subsequent 420 00:09:01,790 --> 00:09:01,800 Moon and continued with subsequent 421 00:09:01,800 --> 00:09:03,750 Moon and continued with subsequent albums like wish you were here and 422 00:09:03,750 --> 00:09:03,760 albums like wish you were here and 423 00:09:03,760 --> 00:09:07,030 albums like wish you were here and animals which was released in 424 00:09:07,030 --> 00:09:07,040 animals which was released in 425 00:09:07,040 --> 00:09:10,150 animals which was released in 1977 by the release of animals it was 426 00:09:10,150 --> 00:09:10,160 1977 by the release of animals it was 427 00:09:10,160 --> 00:09:12,230 1977 by the release of animals it was clear that Waters had become the band's 428 00:09:12,230 --> 00:09:12,240 clear that Waters had become the band's 429 00:09:12,240 --> 00:09:14,350 clear that Waters had become the band's dominant influence and there was 430 00:09:14,350 --> 00:09:14,360 dominant influence and there was 431 00:09:14,360 --> 00:09:17,030 dominant influence and there was increasing internal conflict within Pink 432 00:09:17,030 --> 00:09:17,040 increasing internal conflict within Pink 433 00:09:17,040 --> 00:09:20,150 increasing internal conflict within Pink Floyd Waters favored a highly conceptual 434 00:09:20,150 --> 00:09:20,160 Floyd Waters favored a highly conceptual 435 00:09:20,160 --> 00:09:22,750 Floyd Waters favored a highly conceptual and narrative-driven approach to albums 436 00:09:22,750 --> 00:09:22,760 and narrative-driven approach to albums 437 00:09:22,760 --> 00:09:25,949 and narrative-driven approach to albums which culminated in their 1979 album the 438 00:09:25,949 --> 00:09:25,959 which culminated in their 1979 album the 439 00:09:25,959 --> 00:09:30,470 which culminated in their 1979 album the wall and the Final Cut in 1983 440 00:09:30,470 --> 00:09:30,480 wall and the Final Cut in 1983 441 00:09:30,480 --> 00:09:32,670 wall and the Final Cut in 1983 while these albums were successful 442 00:09:32,670 --> 00:09:32,680 while these albums were successful 443 00:09:32,680 --> 00:09:34,590 while these albums were successful water's increasing control over the 444 00:09:34,590 --> 00:09:34,600 water's increasing control over the 445 00:09:34,600 --> 00:09:36,990 water's increasing control over the band's music led to friction with the 446 00:09:36,990 --> 00:09:37,000 band's music led to friction with the 447 00:09:37,000 --> 00:09:40,310 band's music led to friction with the other members particularly David Gilmore 448 00:09:40,310 --> 00:09:40,320 other members particularly David Gilmore 449 00:09:40,320 --> 00:09:42,230 other members particularly David Gilmore who felt that the band's collaborative 450 00:09:42,230 --> 00:09:42,240 who felt that the band's collaborative 451 00:09:42,240 --> 00:09:44,990 who felt that the band's collaborative Spirit was being stifled during the 452 00:09:44,990 --> 00:09:45,000 Spirit was being stifled during the 453 00:09:45,000 --> 00:09:47,910 Spirit was being stifled during the recording of the wall Waters insisted 454 00:09:47,910 --> 00:09:47,920 recording of the wall Waters insisted 455 00:09:47,920 --> 00:09:49,990 recording of the wall Waters insisted that keyboardist Richard Wright leave 456 00:09:49,990 --> 00:09:50,000 that keyboardist Richard Wright leave 457 00:09:50,000 --> 00:09:52,670 that keyboardist Richard Wright leave the band blaming him for creative and 458 00:09:52,670 --> 00:09:52,680 the band blaming him for creative and 459 00:09:52,680 --> 00:09:55,710 the band blaming him for creative and personal conflicts Wright was fired but 460 00:09:55,710 --> 00:09:55,720 personal conflicts Wright was fired but 461 00:09:55,720 --> 00:09:57,870 personal conflicts Wright was fired but agreed to stay on as a session musician 462 00:09:57,870 --> 00:09:57,880 agreed to stay on as a session musician 463 00:09:57,880 --> 00:09:59,829 agreed to stay on as a session musician for the album tour 464 00:09:59,829 --> 00:09:59,839 for the album tour 465 00:09:59,839 --> 00:10:01,630 for the album tour this incident deepened the divisions 466 00:10:01,630 --> 00:10:01,640 this incident deepened the divisions 467 00:10:01,640 --> 00:10:03,910 this incident deepened the divisions within the band and highlighted water's 468 00:10:03,910 --> 00:10:03,920 within the band and highlighted water's 469 00:10:03,920 --> 00:10:06,590 within the band and highlighted water's growing control the wall was largely a 470 00:10:06,590 --> 00:10:06,600 growing control the wall was largely a 471 00:10:06,600 --> 00:10:09,069 growing control the wall was largely a Roger wat project with Gilmore 472 00:10:09,069 --> 00:10:09,079 Roger wat project with Gilmore 473 00:10:09,079 --> 00:10:11,670 Roger wat project with Gilmore contributing significantly but feeling 474 00:10:11,670 --> 00:10:11,680 contributing significantly but feeling 475 00:10:11,680 --> 00:10:14,350 contributing significantly but feeling sidelined the Final Cut originally 476 00:10:14,350 --> 00:10:14,360 sidelined the Final Cut originally 477 00:10:14,360 --> 00:10:16,310 sidelined the Final Cut originally intended as a sound track for the wall 478 00:10:16,310 --> 00:10:16,320 intended as a sound track for the wall 479 00:10:16,320 --> 00:10:19,389 intended as a sound track for the wall film became a wat solo album in all but 480 00:10:19,389 --> 00:10:19,399 film became a wat solo album in all but 481 00:10:19,399 --> 00:10:22,069 film became a wat solo album in all but name with minimal input from the other 482 00:10:22,069 --> 00:10:22,079 name with minimal input from the other 483 00:10:22,079 --> 00:10:24,430 name with minimal input from the other members this album was seen as the 484 00:10:24,430 --> 00:10:24,440 members this album was seen as the 485 00:10:24,440 --> 00:10:26,710 members this album was seen as the breaking point as it highlighted the 486 00:10:26,710 --> 00:10:26,720 breaking point as it highlighted the 487 00:10:26,720 --> 00:10:30,350 breaking point as it highlighted the growing creative Rift within the band in 488 00:10:30,350 --> 00:10:30,360 growing creative Rift within the band in 489 00:10:30,360 --> 00:10:33,389 growing creative Rift within the band in 1985 Roger Waters officially left Pink 490 00:10:33,389 --> 00:10:33,399 1985 Roger Waters officially left Pink 491 00:10:33,399 --> 00:10:35,910 1985 Roger Waters officially left Pink Floyd believing that the ban could not 492 00:10:35,910 --> 00:10:35,920 Floyd believing that the ban could not 493 00:10:35,920 --> 00:10:38,550 Floyd believing that the ban could not continue without him he assumed that 494 00:10:38,550 --> 00:10:38,560 continue without him he assumed that 495 00:10:38,560 --> 00:10:40,910 continue without him he assumed that Pink Floyd would disband but the 496 00:10:40,910 --> 00:10:40,920 Pink Floyd would disband but the 497 00:10:40,920 --> 00:10:43,509 Pink Floyd would disband but the remaining members David Gilmore Nick 498 00:10:43,509 --> 00:10:43,519 remaining members David Gilmore Nick 499 00:10:43,519 --> 00:10:46,750 remaining members David Gilmore Nick Mason and later Richard wri decided to 500 00:10:46,750 --> 00:10:46,760 Mason and later Richard wri decided to 501 00:10:46,760 --> 00:10:49,710 Mason and later Richard wri decided to continue under the Pink Floyd name 502 00:10:49,710 --> 00:10:49,720 continue under the Pink Floyd name 503 00:10:49,720 --> 00:10:51,430 continue under the Pink Floyd name Waters attempted to prevent the 504 00:10:51,430 --> 00:10:51,440 Waters attempted to prevent the 505 00:10:51,440 --> 00:10:53,030 Waters attempted to prevent the remaining members from using the Pink 506 00:10:53,030 --> 00:10:53,040 remaining members from using the Pink 507 00:10:53,040 --> 00:10:56,629 remaining members from using the Pink Floyd name leading to a legal dispute 508 00:10:56,629 --> 00:10:56,639 Floyd name leading to a legal dispute 509 00:10:56,639 --> 00:10:58,550 Floyd name leading to a legal dispute the legal battle was eventually settled 510 00:10:58,550 --> 00:10:58,560 the legal battle was eventually settled 511 00:10:58,560 --> 00:11:00,949 the legal battle was eventually settled out of court with Gilmore and Mason 512 00:11:00,949 --> 00:11:00,959 out of court with Gilmore and Mason 513 00:11:00,959 --> 00:11:03,150 out of court with Gilmore and Mason retaining the rights to the name while 514 00:11:03,150 --> 00:11:03,160 retaining the rights to the name while 515 00:11:03,160 --> 00:11:05,389 retaining the rights to the name while Waters gained control over specific 516 00:11:05,389 --> 00:11:05,399 Waters gained control over specific 517 00:11:05,399 --> 00:11:09,110 Waters gained control over specific rights including the wall after water's 518 00:11:09,110 --> 00:11:09,120 rights including the wall after water's 519 00:11:09,120 --> 00:11:11,910 rights including the wall after water's departure Gilmore took the lead and Pink 520 00:11:11,910 --> 00:11:11,920 departure Gilmore took the lead and Pink 521 00:11:11,920 --> 00:11:13,949 departure Gilmore took the lead and Pink Floyd released a momentary lapse of 522 00:11:13,949 --> 00:11:13,959 Floyd released a momentary lapse of 523 00:11:13,959 --> 00:11:15,389 Floyd released a momentary lapse of Reason in 524 00:11:15,389 --> 00:11:15,399 Reason in 525 00:11:15,399 --> 00:11:17,750 Reason in 1987 the album was commercially 526 00:11:17,750 --> 00:11:17,760 1987 the album was commercially 527 00:11:17,760 --> 00:11:20,389 1987 the album was commercially successful but received mixed reviews 528 00:11:20,389 --> 00:11:20,399 successful but received mixed reviews 529 00:11:20,399 --> 00:11:22,350 successful but received mixed reviews with some critics and fans viewing it as 530 00:11:22,350 --> 00:11:22,360 with some critics and fans viewing it as 531 00:11:22,360 --> 00:11:25,069 with some critics and fans viewing it as a Gilmore solo project rather than a 532 00:11:25,069 --> 00:11:25,079 a Gilmore solo project rather than a 533 00:11:25,079 --> 00:11:28,069 a Gilmore solo project rather than a true Pink Floyd album the band's final 534 00:11:28,069 --> 00:11:28,079 true Pink Floyd album the band's final 535 00:11:28,079 --> 00:11:30,710 true Pink Floyd album the band's final studio album with the classic lineup The 536 00:11:30,710 --> 00:11:30,720 studio album with the classic lineup The 537 00:11:30,720 --> 00:11:33,310 studio album with the classic lineup The Division Bell focused on themes of 538 00:11:33,310 --> 00:11:33,320 Division Bell focused on themes of 539 00:11:33,320 --> 00:11:35,150 Division Bell focused on themes of communication and 540 00:11:35,150 --> 00:11:35,160 communication and 541 00:11:35,160 --> 00:11:37,069 communication and Reconciliation while it was well 542 00:11:37,069 --> 00:11:37,079 Reconciliation while it was well 543 00:11:37,079 --> 00:11:39,509 Reconciliation while it was well received and commercially successful it 544 00:11:39,509 --> 00:11:39,519 received and commercially successful it 545 00:11:39,519 --> 00:11:41,590 received and commercially successful it also marked the end of Pink Floyd's 546 00:11:41,590 --> 00:11:41,600 also marked the end of Pink Floyd's 547 00:11:41,600 --> 00:11:46,350 also marked the end of Pink Floyd's active recording career in 2001 and 2002 548 00:11:46,350 --> 00:11:46,360 active recording career in 2001 and 2002 549 00:11:46,360 --> 00:11:48,790 active recording career in 2001 and 2002 Gilmore performed six Acoustic solo 550 00:11:48,790 --> 00:11:48,800 Gilmore performed six Acoustic solo 551 00:11:48,800 --> 00:11:51,430 Gilmore performed six Acoustic solo concerts in London and Paris along with 552 00:11:51,430 --> 00:11:51,440 concerts in London and Paris along with 553 00:11:51,440 --> 00:11:53,710 concerts in London and Paris along with a small band and choir which was 554 00:11:53,710 --> 00:11:53,720 a small band and choir which was 555 00:11:53,720 --> 00:11:56,790 a small band and choir which was documented in the in concert release on 556 00:11:56,790 --> 00:11:56,800 documented in the in concert release on 557 00:11:56,800 --> 00:12:00,190 documented in the in concert release on the 24th of September 2004 he performed 558 00:12:00,190 --> 00:12:00,200 the 24th of September 2004 he performed 559 00:12:00,200 --> 00:12:02,269 the 24th of September 2004 he performed a three- song set at the Strat Pack 560 00:12:02,269 --> 00:12:02,279 a three- song set at the Strat Pack 561 00:12:02,279 --> 00:12:04,590 a three- song set at the Strat Pack concert at London's Wembley Arena 562 00:12:04,590 --> 00:12:04,600 concert at London's Wembley Arena 563 00:12:04,600 --> 00:12:06,590 concert at London's Wembley Arena marking the 50th anniversary of the 564 00:12:06,590 --> 00:12:06,600 marking the 50th anniversary of the 565 00:12:06,600 --> 00:12:07,629 marking the 50th anniversary of the Fender 566 00:12:07,629 --> 00:12:07,639 Fender 567 00:12:07,639 --> 00:12:11,269 Fender Stratocaster on the 2nd of July 2005 568 00:12:11,269 --> 00:12:11,279 Stratocaster on the 2nd of July 2005 569 00:12:11,279 --> 00:12:13,509 Stratocaster on the 2nd of July 2005 Pink Floyd reunited with Waters to 570 00:12:13,509 --> 00:12:13,519 Pink Floyd reunited with Waters to 571 00:12:13,519 --> 00:12:16,550 Pink Floyd reunited with Waters to perform at live 8 the performance caused 572 00:12:16,550 --> 00:12:16,560 perform at live 8 the performance caused 573 00:12:16,560 --> 00:12:18,470 perform at live 8 the performance caused a sales increase in Pink Floyd's 574 00:12:18,470 --> 00:12:18,480 a sales increase in Pink Floyd's 575 00:12:18,480 --> 00:12:21,269 a sales increase in Pink Floyd's compilation album Echoes The Best of 576 00:12:21,269 --> 00:12:21,279 compilation album Echoes The Best of 577 00:12:21,279 --> 00:12:24,550 compilation album Echoes The Best of Pink Floyd Gilmore donated his profits 578 00:12:24,550 --> 00:12:24,560 Pink Floyd Gilmore donated his profits 579 00:12:24,560 --> 00:12:26,710 Pink Floyd Gilmore donated his profits to Charities that reflect the goals of 580 00:12:26,710 --> 00:12:26,720 to Charities that reflect the goals of 581 00:12:26,720 --> 00:12:29,189 to Charities that reflect the goals of live 8 saying though the main object 582 00:12:29,189 --> 00:12:29,199 live 8 saying though the main object 583 00:12:29,199 --> 00:12:31,150 live 8 saying though the main object itive has been to raise Consciousness 584 00:12:31,150 --> 00:12:31,160 itive has been to raise Consciousness 585 00:12:31,160 --> 00:12:33,829 itive has been to raise Consciousness and put pressure on the G8 leaders I 586 00:12:33,829 --> 00:12:33,839 and put pressure on the G8 leaders I 587 00:12:33,839 --> 00:12:36,670 and put pressure on the G8 leaders I will not profit from the concert this is 588 00:12:36,670 --> 00:12:36,680 will not profit from the concert this is 589 00:12:36,680 --> 00:12:39,829 will not profit from the concert this is money that should be used to save lives 590 00:12:39,829 --> 00:12:39,839 money that should be used to save lives 591 00:12:39,839 --> 00:12:42,310 money that should be used to save lives he called upon all live8 artists to 592 00:12:42,310 --> 00:12:42,320 he called upon all live8 artists to 593 00:12:42,320 --> 00:12:45,150 he called upon all live8 artists to donate their extra Revenue to live8 594 00:12:45,150 --> 00:12:45,160 donate their extra Revenue to live8 595 00:12:45,160 --> 00:12:48,150 donate their extra Revenue to live8 fundraising after the concert Pink Floyd 596 00:12:48,150 --> 00:12:48,160 fundraising after the concert Pink Floyd 597 00:12:48,160 --> 00:12:50,629 fundraising after the concert Pink Floyd turned down an offer to tour the US for 598 00:12:50,629 --> 00:12:50,639 turned down an offer to tour the US for 599 00:12:50,639 --> 00:12:52,230 turned down an offer to tour the US for 150 600 00:12:52,230 --> 00:12:52,240 150 601 00:12:52,240 --> 00:12:55,470 150 million in 2006 Gilmore said that Pink 602 00:12:55,470 --> 00:12:55,480 million in 2006 Gilmore said that Pink 603 00:12:55,480 --> 00:12:57,790 million in 2006 Gilmore said that Pink Floyd would likely never tour or write 604 00:12:57,790 --> 00:12:57,800 Floyd would likely never tour or write 605 00:12:57,800 --> 00:13:01,110 Floyd would likely never tour or write material again I think enough is enough 606 00:13:01,110 --> 00:13:01,120 material again I think enough is enough 607 00:13:01,120 --> 00:13:03,670 material again I think enough is enough I am 60 years old I don't have the will 608 00:13:03,670 --> 00:13:03,680 I am 60 years old I don't have the will 609 00:13:03,680 --> 00:13:06,550 I am 60 years old I don't have the will to work as much anymore Pink Floyd was 610 00:13:06,550 --> 00:13:06,560 to work as much anymore Pink Floyd was 611 00:13:06,560 --> 00:13:08,710 to work as much anymore Pink Floyd was an important part of my life I have had 612 00:13:08,710 --> 00:13:08,720 an important part of my life I have had 613 00:13:08,720 --> 00:13:11,269 an important part of my life I have had a wonderful time but it's over for me 614 00:13:11,269 --> 00:13:11,279 a wonderful time but it's over for me 615 00:13:11,279 --> 00:13:14,269 a wonderful time but it's over for me it's much less complicated to work alone 616 00:13:14,269 --> 00:13:14,279 it's much less complicated to work alone 617 00:13:14,279 --> 00:13:16,550 it's much less complicated to work alone on Gilmore's 60th birthday he released 618 00:13:16,550 --> 00:13:16,560 on Gilmore's 60th birthday he released 619 00:13:16,560 --> 00:13:19,710 on Gilmore's 60th birthday he released his third solo album on an island it 620 00:13:19,710 --> 00:13:19,720 his third solo album on an island it 621 00:13:19,720 --> 00:13:22,310 his third solo album on an island it featured guest musicians including wri 622 00:13:22,310 --> 00:13:22,320 featured guest musicians including wri 623 00:13:22,320 --> 00:13:24,949 featured guest musicians including wri and lyrics by Gilmore's wife the writer 624 00:13:24,949 --> 00:13:24,959 and lyrics by Gilmore's wife the writer 625 00:13:24,959 --> 00:13:25,870 and lyrics by Gilmore's wife the writer Polly 626 00:13:25,870 --> 00:13:25,880 Polly 627 00:13:25,880 --> 00:13:28,509 Polly Samson it debuted at number one on the 628 00:13:28,509 --> 00:13:28,519 Samson it debuted at number one on the 629 00:13:28,519 --> 00:13:31,430 Samson it debuted at number one on the UK albums chart and became Gilmore's 630 00:13:31,430 --> 00:13:31,440 UK albums chart and became Gilmore's 631 00:13:31,440 --> 00:13:33,750 UK albums chart and became Gilmore's first solo album to enter the top 10 in 632 00:13:33,750 --> 00:13:33,760 first solo album to enter the top 10 in 633 00:13:33,760 --> 00:13:36,150 first solo album to enter the top 10 in the US reaching number six on the 634 00:13:36,150 --> 00:13:36,160 the US reaching number six on the 635 00:13:36,160 --> 00:13:40,030 the US reaching number six on the billboard 200 on the 21st of September 636 00:13:40,030 --> 00:13:40,040 billboard 200 on the 21st of September 637 00:13:40,040 --> 00:13:43,230 billboard 200 on the 21st of September 2011 on an island was certified gold in 638 00:13:43,230 --> 00:13:43,240 2011 on an island was certified gold in 639 00:13:43,240 --> 00:13:46,389 2011 on an island was certified gold in Canada with sales of more than 50,000 640 00:13:46,389 --> 00:13:46,399 Canada with sales of more than 50,000 641 00:13:46,399 --> 00:13:49,509 Canada with sales of more than 50,000 copies Gilmore toured Europe the US and 642 00:13:49,509 --> 00:13:49,519 copies Gilmore toured Europe the US and 643 00:13:49,519 --> 00:13:52,870 copies Gilmore toured Europe the US and Canada in May 2006 with a band including 644 00:13:52,870 --> 00:13:52,880 Canada in May 2006 with a band including 645 00:13:52,880 --> 00:13:54,990 Canada in May 2006 with a band including right and the Pink Floyd collaborators 646 00:13:54,990 --> 00:13:55,000 right and the Pink Floyd collaborators 647 00:13:55,000 --> 00:13:58,710 right and the Pink Floyd collaborators dick Perry guy Pratt and John Karen a 648 00:13:58,710 --> 00:13:58,720 dick Perry guy Pratt and John Karen a 649 00:13:58,720 --> 00:14:01,310 dick Perry guy Pratt and John Karen a Dev D remember that Night Live at the 650 00:14:01,310 --> 00:14:01,320 Dev D remember that Night Live at the 651 00:14:01,320 --> 00:14:03,870 Dev D remember that Night Live at the Royal Albert Hall was released on the 652 00:14:03,870 --> 00:14:03,880 Royal Albert Hall was released on the 653 00:14:03,880 --> 00:14:06,110 Royal Albert Hall was released on the 17th of September 654 00:14:06,110 --> 00:14:06,120 17th of September 655 00:14:06,120 --> 00:14:09,069 17th of September 2007 for the final show Gilmore 656 00:14:09,069 --> 00:14:09,079 2007 for the final show Gilmore 657 00:14:09,079 --> 00:14:10,990 2007 for the final show Gilmore performed with the 38-piece string 658 00:14:10,990 --> 00:14:11,000 performed with the 38-piece string 659 00:14:11,000 --> 00:14:12,590 performed with the 38-piece string section of the Polish Baltic 660 00:14:12,590 --> 00:14:12,600 section of the Polish Baltic 661 00:14:12,600 --> 00:14:15,430 section of the Polish Baltic Philharmonic Orchestra it was released 662 00:14:15,430 --> 00:14:15,440 Philharmonic Orchestra it was released 663 00:14:15,440 --> 00:14:19,550 Philharmonic Orchestra it was released as live in Gdansk in 2008 in December 664 00:14:19,550 --> 00:14:19,560 as live in Gdansk in 2008 in December 665 00:14:19,560 --> 00:14:22,150 as live in Gdansk in 2008 in December 2006 Gilmore released a tribute to 666 00:14:22,150 --> 00:14:22,160 2006 Gilmore released a tribute to 667 00:14:22,160 --> 00:14:24,790 2006 Gilmore released a tribute to Barrett who died that year in the form 668 00:14:24,790 --> 00:14:24,800 Barrett who died that year in the form 669 00:14:24,800 --> 00:14:26,870 Barrett who died that year in the form of his own version of Pink Floyd's first 670 00:14:26,870 --> 00:14:26,880 of his own version of Pink Floyd's first 671 00:14:26,880 --> 00:14:30,030 of his own version of Pink Floyd's first single Arnold Lane recorded live at 672 00:14:30,030 --> 00:14:30,040 single Arnold Lane recorded live at 673 00:14:30,040 --> 00:14:32,470 single Arnold Lane recorded live at London's Royal albertt Hall it featured 674 00:14:32,470 --> 00:14:32,480 London's Royal albertt Hall it featured 675 00:14:32,480 --> 00:14:34,670 London's Royal albertt Hall it featured versions of the song performed by Wright 676 00:14:34,670 --> 00:14:34,680 versions of the song performed by Wright 677 00:14:34,680 --> 00:14:37,550 versions of the song performed by Wright and David Bowie it reached number 19 on 678 00:14:37,550 --> 00:14:37,560 and David Bowie it reached number 19 on 679 00:14:37,560 --> 00:14:41,670 and David Bowie it reached number 19 on the UK singles chart in early 2007 680 00:14:41,670 --> 00:14:41,680 the UK singles chart in early 2007 681 00:14:41,680 --> 00:14:43,949 the UK singles chart in early 2007 Gilmore reconvened his touring band and 682 00:14:43,949 --> 00:14:43,959 Gilmore reconvened his touring band and 683 00:14:43,959 --> 00:14:46,110 Gilmore reconvened his touring band and spent a week recording in a barn on his 684 00:14:46,110 --> 00:14:46,120 spent a week recording in a barn on his 685 00:14:46,120 --> 00:14:48,269 spent a week recording in a barn on his farm some of the recordings were 686 00:14:48,269 --> 00:14:48,279 farm some of the recordings were 687 00:14:48,279 --> 00:14:51,269 farm some of the recordings were released on his later solo albums on the 688 00:14:51,269 --> 00:14:51,279 released on his later solo albums on the 689 00:14:51,279 --> 00:14:55,189 released on his later solo albums on the 25th of May 2009 Gilmore participated in 690 00:14:55,189 --> 00:14:55,199 25th of May 2009 Gilmore participated in 691 00:14:55,199 --> 00:14:57,189 25th of May 2009 Gilmore participated in a concert at the Union Chapel in 692 00:14:57,189 --> 00:14:57,199 a concert at the Union Chapel in 693 00:14:57,199 --> 00:14:59,550 a concert at the Union Chapel in Islington London with the the Alan 694 00:14:59,550 --> 00:14:59,560 Islington London with the the Alan 695 00:14:59,560 --> 00:15:02,949 Islington London with the the Alan musicians amadu and Mariam the concert 696 00:15:02,949 --> 00:15:02,959 musicians amadu and Mariam the concert 697 00:15:02,959 --> 00:15:05,110 musicians amadu and Mariam the concert was part of the Hidden gigs campaign 698 00:15:05,110 --> 00:15:05,120 was part of the Hidden gigs campaign 699 00:15:05,120 --> 00:15:07,870 was part of the Hidden gigs campaign against hidden homelessness organized by 700 00:15:07,870 --> 00:15:07,880 against hidden homelessness organized by 701 00:15:07,880 --> 00:15:11,509 against hidden homelessness organized by the charity crisis on the 4th of July 702 00:15:11,509 --> 00:15:11,519 the charity crisis on the 4th of July 703 00:15:11,519 --> 00:15:13,749 the charity crisis on the 4th of July Gilmore joined his friend Jeff Beck on 704 00:15:13,749 --> 00:15:13,759 Gilmore joined his friend Jeff Beck on 705 00:15:13,759 --> 00:15:16,829 Gilmore joined his friend Jeff Beck on stage at the Royal Albert Hall in London 706 00:15:16,829 --> 00:15:16,839 stage at the Royal Albert Hall in London 707 00:15:16,839 --> 00:15:18,949 stage at the Royal Albert Hall in London Gilmore and Beck traded solos on 708 00:15:18,949 --> 00:15:18,959 Gilmore and Beck traded solos on 709 00:15:18,959 --> 00:15:21,389 Gilmore and Beck traded solos on Jerusalem and closed the show with high 710 00:15:21,389 --> 00:15:21,399 Jerusalem and closed the show with high 711 00:15:21,399 --> 00:15:25,910 Jerusalem and closed the show with high ho silver lining in August 2009 Gilmore 712 00:15:25,910 --> 00:15:25,920 ho silver lining in August 2009 Gilmore 713 00:15:25,920 --> 00:15:28,389 ho silver lining in August 2009 Gilmore released an online single Chicago 714 00:15:28,389 --> 00:15:28,399 released an online single Chicago 715 00:15:28,399 --> 00:15:30,829 released an online single Chicago changed the world to promote awareness 716 00:15:30,829 --> 00:15:30,839 changed the world to promote awareness 717 00:15:30,839 --> 00:15:33,230 changed the world to promote awareness for Gary McKinnon who was accused of 718 00:15:33,230 --> 00:15:33,240 for Gary McKinnon who was accused of 719 00:15:33,240 --> 00:15:36,389 for Gary McKinnon who was accused of computer hacking a retitled cover of the 720 00:15:36,389 --> 00:15:36,399 computer hacking a retitled cover of the 721 00:15:36,399 --> 00:15:39,150 computer hacking a retitled cover of the Graham Nash song Chicago it featured 722 00:15:39,150 --> 00:15:39,160 Graham Nash song Chicago it featured 723 00:15:39,160 --> 00:15:43,110 Graham Nash song Chicago it featured mckinin Chrissy Hind and Bob gelof it 724 00:15:43,110 --> 00:15:43,120 mckinin Chrissy Hind and Bob gelof it 725 00:15:43,120 --> 00:15:45,350 mckinin Chrissy Hind and Bob gelof it was produced by the longtime Pink Floyd 726 00:15:45,350 --> 00:15:45,360 was produced by the longtime Pink Floyd 727 00:15:45,360 --> 00:15:48,550 was produced by the longtime Pink Floyd collaborator Chris Thomas on the 11th of 728 00:15:48,550 --> 00:15:48,560 collaborator Chris Thomas on the 11th of 729 00:15:48,560 --> 00:15:51,389 collaborator Chris Thomas on the 11th of July 2010 Gilmore performed for the 730 00:15:51,389 --> 00:15:51,399 July 2010 Gilmore performed for the 731 00:15:51,399 --> 00:15:53,670 July 2010 Gilmore performed for the charity hoping foundation with Waters in 732 00:15:53,670 --> 00:15:53,680 charity hoping foundation with Waters in 733 00:15:53,680 --> 00:15:56,110 charity hoping foundation with Waters in Oxfordshire England according to 734 00:15:56,110 --> 00:15:56,120 Oxfordshire England according to 735 00:15:56,120 --> 00:15:58,309 Oxfordshire England according to onlookers it seemed that Gilmore and 736 00:15:58,309 --> 00:15:58,319 onlookers it seemed that Gilmore and 737 00:15:58,319 --> 00:16:01,030 onlookers it seemed that Gilmore and Waters had ended their Feud laughing and 738 00:16:01,030 --> 00:16:01,040 Waters had ended their Feud laughing and 739 00:16:01,040 --> 00:16:03,710 Waters had ended their Feud laughing and joking with their Partners Gilmore 740 00:16:03,710 --> 00:16:03,720 joking with their Partners Gilmore 741 00:16:03,720 --> 00:16:05,870 joking with their Partners Gilmore performed Comfortably Numb with waters 742 00:16:05,870 --> 00:16:05,880 performed Comfortably Numb with waters 743 00:16:05,880 --> 00:16:09,430 performed Comfortably Numb with waters on the 12th of May 2011 at the O2 London 744 00:16:09,430 --> 00:16:09,440 on the 12th of May 2011 at the O2 London 745 00:16:09,440 --> 00:16:11,710 on the 12th of May 2011 at the O2 London and with Nick Mason played with the rest 746 00:16:11,710 --> 00:16:11,720 and with Nick Mason played with the rest 747 00:16:11,720 --> 00:16:14,389 and with Nick Mason played with the rest of the band on outside the wall at the 748 00:16:14,389 --> 00:16:14,399 of the band on outside the wall at the 749 00:16:14,399 --> 00:16:17,150 of the band on outside the wall at the conclusion of the show in October 750 00:16:17,150 --> 00:16:17,160 conclusion of the show in October 751 00:16:17,160 --> 00:16:18,870 conclusion of the show in October Gilmore released an album with the 752 00:16:18,870 --> 00:16:18,880 Gilmore released an album with the 753 00:16:18,880 --> 00:16:23,110 Gilmore released an album with the electronic Duo the orb titled metallic 754 00:16:23,110 --> 00:16:23,120 electronic Duo the orb titled metallic 755 00:16:23,120 --> 00:16:27,030 electronic Duo the orb titled metallic spheres on the 7th of November 2014 Pink 756 00:16:27,030 --> 00:16:27,040 spheres on the 7th of November 2014 Pink 757 00:16:27,040 --> 00:16:30,430 spheres on the 7th of November 2014 Pink Floyd released the endless River Gilmore 758 00:16:30,430 --> 00:16:30,440 Floyd released the endless River Gilmore 759 00:16:30,440 --> 00:16:32,150 Floyd released the endless River Gilmore said it would be Pink Floyd's last 760 00:16:32,150 --> 00:16:32,160 said it would be Pink Floyd's last 761 00:16:32,160 --> 00:16:34,829 said it would be Pink Floyd's last studio album saying I think we have 762 00:16:34,829 --> 00:16:34,839 studio album saying I think we have 763 00:16:34,839 --> 00:16:36,670 studio album saying I think we have successfully commandeered the best of 764 00:16:36,670 --> 00:16:36,680 successfully commandeered the best of 765 00:16:36,680 --> 00:16:38,990 successfully commandeered the best of what there is it's a shame but this is 766 00:16:38,990 --> 00:16:39,000 what there is it's a shame but this is 767 00:16:39,000 --> 00:16:41,790 what there is it's a shame but this is the end there was no supporting tour as 768 00:16:41,790 --> 00:16:41,800 the end there was no supporting tour as 769 00:16:41,800 --> 00:16:43,949 the end there was no supporting tour as Gilmore felt it was impossible without 770 00:16:43,949 --> 00:16:43,959 Gilmore felt it was impossible without 771 00:16:43,959 --> 00:16:47,829 Gilmore felt it was impossible without right in August 2015 Gilmore emphasized 772 00:16:47,829 --> 00:16:47,839 right in August 2015 Gilmore emphasized 773 00:16:47,839 --> 00:16:50,309 right in August 2015 Gilmore emphasized again that Pink Floyd was done and that 774 00:16:50,309 --> 00:16:50,319 again that Pink Floyd was done and that 775 00:16:50,319 --> 00:16:53,309 again that Pink Floyd was done and that to reunite without right would be wrong 776 00:16:53,309 --> 00:16:53,319 to reunite without right would be wrong 777 00:16:53,319 --> 00:16:55,550 to reunite without right would be wrong in September he released his fourth solo 778 00:16:55,550 --> 00:16:55,560 in September he released his fourth solo 779 00:16:55,560 --> 00:16:58,309 in September he released his fourth solo studio album rattle that lock on the 780 00:16:58,309 --> 00:16:58,319 studio album rattle that lock on the 781 00:16:58,319 --> 00:17:00,749 studio album rattle that lock on the 14th of November Gilmore was the subject 782 00:17:00,749 --> 00:17:00,759 14th of November Gilmore was the subject 783 00:17:00,759 --> 00:17:04,029 14th of November Gilmore was the subject of a BBC 2 documentary David Gilmore 784 00:17:04,029 --> 00:17:04,039 of a BBC 2 documentary David Gilmore 785 00:17:04,039 --> 00:17:05,110 of a BBC 2 documentary David Gilmore wider 786 00:17:05,110 --> 00:17:05,120 wider 787 00:17:05,120 --> 00:17:08,829 wider Horizons on the 13th of September 2017 788 00:17:08,829 --> 00:17:08,839 Horizons on the 13th of September 2017 789 00:17:08,839 --> 00:17:11,390 Horizons on the 13th of September 2017 Gilmore's live album and film live at 790 00:17:11,390 --> 00:17:11,400 Gilmore's live album and film live at 791 00:17:11,400 --> 00:17:14,029 Gilmore's live album and film live at Pompei which documents the two shows he 792 00:17:14,029 --> 00:17:14,039 Pompei which documents the two shows he 793 00:17:14,039 --> 00:17:17,309 Pompei which documents the two shows he performed on 7 and the 8th of July 2016 794 00:17:17,309 --> 00:17:17,319 performed on 7 and the 8th of July 2016 795 00:17:17,319 --> 00:17:19,789 performed on 7 and the 8th of July 2016 at the amphitheater of Pompei were shown 796 00:17:19,789 --> 00:17:19,799 at the amphitheater of Pompei were shown 797 00:17:19,799 --> 00:17:22,510 at the amphitheater of Pompei were shown at selected Cinemas the album was 798 00:17:22,510 --> 00:17:22,520 at selected Cinemas the album was 799 00:17:22,520 --> 00:17:25,829 at selected Cinemas the album was released on the 29th of September 2017 800 00:17:25,829 --> 00:17:25,839 released on the 29th of September 2017 801 00:17:25,839 --> 00:17:27,870 released on the 29th of September 2017 and reached number three on the UK 802 00:17:27,870 --> 00:17:27,880 and reached number three on the UK 803 00:17:27,880 --> 00:17:30,669 and reached number three on the UK albums chart to celebrate the event 804 00:17:30,669 --> 00:17:30,679 albums chart to celebrate the event 805 00:17:30,679 --> 00:17:33,510 albums chart to celebrate the event mayor Ferdinando ulano made Gilmore an 806 00:17:33,510 --> 00:17:33,520 mayor Ferdinando ulano made Gilmore an 807 00:17:33,520 --> 00:17:36,950 mayor Ferdinando ulano made Gilmore an honorary citizen of Pompei Waters and 808 00:17:36,950 --> 00:17:36,960 honorary citizen of Pompei Waters and 809 00:17:36,960 --> 00:17:39,590 honorary citizen of Pompei Waters and Gilmore continued to quarrel arguing 810 00:17:39,590 --> 00:17:39,600 Gilmore continued to quarrel arguing 811 00:17:39,600 --> 00:17:42,430 Gilmore continued to quarrel arguing over subjects including album reissues 812 00:17:42,430 --> 00:17:42,440 over subjects including album reissues 813 00:17:42,440 --> 00:17:44,549 over subjects including album reissues and the use of the Pink Floyd website 814 00:17:44,549 --> 00:17:44,559 and the use of the Pink Floyd website 815 00:17:44,559 --> 00:17:47,789 and the use of the Pink Floyd website and social media channels Mason who 816 00:17:47,789 --> 00:17:47,799 and social media channels Mason who 817 00:17:47,799 --> 00:17:50,710 and social media channels Mason who remains close to both said in 2018 that 818 00:17:50,710 --> 00:17:50,720 remains close to both said in 2018 that 819 00:17:50,720 --> 00:17:53,630 remains close to both said in 2018 that Waters did not respect Gilmore as Waters 820 00:17:53,630 --> 00:17:53,640 Waters did not respect Gilmore as Waters 821 00:17:53,640 --> 00:17:56,070 Waters did not respect Gilmore as Waters feels that writing is everything and 822 00:17:56,070 --> 00:17:56,080 feels that writing is everything and 823 00:17:56,080 --> 00:17:57,909 feels that writing is everything and that guitar playing and the singing are 824 00:17:57,909 --> 00:17:57,919 that guitar playing and the singing are 825 00:17:57,919 --> 00:18:00,110 that guitar playing and the singing are something that he won't say anyone can 826 00:18:00,110 --> 00:18:00,120 something that he won't say anyone can 827 00:18:00,120 --> 00:18:02,549 something that he won't say anyone can do but that everything should be judged 828 00:18:02,549 --> 00:18:02,559 do but that everything should be judged 829 00:18:02,559 --> 00:18:05,470 do but that everything should be judged on the writing rather than the playing 830 00:18:05,470 --> 00:18:05,480 on the writing rather than the playing 831 00:18:05,480 --> 00:18:08,470 on the writing rather than the playing from April 2020 Gilmore appeared in a 832 00:18:08,470 --> 00:18:08,480 from April 2020 Gilmore appeared in a 833 00:18:08,480 --> 00:18:11,029 from April 2020 Gilmore appeared in a series of live streams with his family 834 00:18:11,029 --> 00:18:11,039 series of live streams with his family 835 00:18:11,039 --> 00:18:13,350 series of live streams with his family performing songs by Barrett and Leonard 836 00:18:13,350 --> 00:18:13,360 performing songs by Barrett and Leonard 837 00:18:13,360 --> 00:18:16,830 performing songs by Barrett and Leonard Cohen in July 2020 he released yes I 838 00:18:16,830 --> 00:18:16,840 Cohen in July 2020 he released yes I 839 00:18:16,840 --> 00:18:19,669 Cohen in July 2020 he released yes I have ghosts his first single since 840 00:18:19,669 --> 00:18:19,679 have ghosts his first single since 841 00:18:19,679 --> 00:18:22,430 have ghosts his first single since 2015 its lyrics were written by Samson 842 00:18:22,430 --> 00:18:22,440 2015 its lyrics were written by Samson 843 00:18:22,440 --> 00:18:24,430 2015 its lyrics were written by Samson and features his daughter Romany making 844 00:18:24,430 --> 00:18:24,440 and features his daughter Romany making 845 00:18:24,440 --> 00:18:26,710 and features his daughter Romany making her recording debut on backing vocals 846 00:18:26,710 --> 00:18:26,720 her recording debut on backing vocals 847 00:18:26,720 --> 00:18:30,350 her recording debut on backing vocals and harp in 2021 Rolling Stone noted 848 00:18:30,350 --> 00:18:30,360 and harp in 2021 Rolling Stone noted 849 00:18:30,360 --> 00:18:32,230 and harp in 2021 Rolling Stone noted that Gilmore and Waters had hit yet 850 00:18:32,230 --> 00:18:32,240 that Gilmore and Waters had hit yet 851 00:18:32,240 --> 00:18:34,750 that Gilmore and Waters had hit yet another low point in their relationship 852 00:18:34,750 --> 00:18:34,760 another low point in their relationship 853 00:18:34,760 --> 00:18:35,750 another low point in their relationship in early 854 00:18:35,750 --> 00:18:35,760 in early 855 00:18:35,760 --> 00:18:38,909 in early 2023 Gilmore's wife paully Samson wrote 856 00:18:38,909 --> 00:18:38,919 2023 Gilmore's wife paully Samson wrote 857 00:18:38,919 --> 00:18:41,029 2023 Gilmore's wife paully Samson wrote on Twitter that Waters was anti-semitic 858 00:18:41,029 --> 00:18:41,039 on Twitter that Waters was anti-semitic 859 00:18:41,039 --> 00:18:43,510 on Twitter that Waters was anti-semitic and a lying thieving hypocritical tax 860 00:18:43,510 --> 00:18:43,520 and a lying thieving hypocritical tax 861 00:18:43,520 --> 00:18:45,950 and a lying thieving hypocritical tax avoiding lip-syncing misogynistic sick 862 00:18:45,950 --> 00:18:45,960 avoiding lip-syncing misogynistic sick 863 00:18:45,960 --> 00:18:46,990 avoiding lip-syncing misogynistic sick with Envy 864 00:18:46,990 --> 00:18:47,000 with Envy 865 00:18:47,000 --> 00:18:49,270 with Envy megalomaniac Gilmore responded to the 866 00:18:49,270 --> 00:18:49,280 megalomaniac Gilmore responded to the 867 00:18:49,280 --> 00:18:51,990 megalomaniac Gilmore responded to the tweet on Twitter every word demonstrably 868 00:18:51,990 --> 00:18:52,000 tweet on Twitter every word demonstrably 869 00:18:52,000 --> 00:18:55,470 tweet on Twitter every word demonstrably true in April 2022 Gilmore and Mason 870 00:18:55,470 --> 00:18:55,480 true in April 2022 Gilmore and Mason 871 00:18:55,480 --> 00:18:58,110 true in April 2022 Gilmore and Mason reformed Pink Floyd to release the song 872 00:18:58,110 --> 00:18:58,120 reformed Pink Floyd to release the song 873 00:18:58,120 --> 00:19:00,909 reformed Pink Floyd to release the song hey hey up in protest of the Russian 874 00:19:00,909 --> 00:19:00,919 hey hey up in protest of the Russian 875 00:19:00,919 --> 00:19:03,630 hey hey up in protest of the Russian invasion of Ukraine Gilmore said the 876 00:19:03,630 --> 00:19:03,640 invasion of Ukraine Gilmore said the 877 00:19:03,640 --> 00:19:06,270 invasion of Ukraine Gilmore said the song was a one-off for Pink Floyd 878 00:19:06,270 --> 00:19:06,280 song was a one-off for Pink Floyd 879 00:19:06,280 --> 00:19:09,029 song was a one-off for Pink Floyd according to music radar Gilmore is a 880 00:19:09,029 --> 00:19:09,039 according to music radar Gilmore is a 881 00:19:09,039 --> 00:19:11,149 according to music radar Gilmore is a household name among the classic rock 882 00:19:11,149 --> 00:19:11,159 household name among the classic rock 883 00:19:11,159 --> 00:19:13,549 household name among the classic rock crowd and for a lot of younger guitar 884 00:19:13,549 --> 00:19:13,559 crowd and for a lot of younger guitar 885 00:19:13,559 --> 00:19:16,830 crowd and for a lot of younger guitar fans he's the only 1970s guitarist that 886 00:19:16,830 --> 00:19:16,840 fans he's the only 1970s guitarist that 887 00:19:16,840 --> 00:19:19,510 fans he's the only 1970s guitarist that matters for many he's the missing link 888 00:19:19,510 --> 00:19:19,520 matters for many he's the missing link 889 00:19:19,520 --> 00:19:21,430 matters for many he's the missing link between Jimmy Hendrick and Eddie Van 890 00:19:21,430 --> 00:19:21,440 between Jimmy Hendrick and Eddie Van 891 00:19:21,440 --> 00:19:24,350 between Jimmy Hendrick and Eddie Van Halen the music radar writer Billy SE 892 00:19:24,350 --> 00:19:24,360 Halen the music radar writer Billy SE 893 00:19:24,360 --> 00:19:27,070 Halen the music radar writer Billy SE Fong wrote that Gilmore isn't as flashy 894 00:19:27,070 --> 00:19:27,080 Fong wrote that Gilmore isn't as flashy 895 00:19:27,080 --> 00:19:29,270 Fong wrote that Gilmore isn't as flashy as Jimmy Hendrick or Jimmy P age on the 896 00:19:29,270 --> 00:19:29,280 as Jimmy Hendrick or Jimmy P age on the 897 00:19:29,280 --> 00:19:32,190 as Jimmy Hendrick or Jimmy P age on the stage but his guitar work outshines most 898 00:19:32,190 --> 00:19:32,200 stage but his guitar work outshines most 899 00:19:32,200 --> 00:19:36,510 stage but his guitar work outshines most for emotion in 1996 Gilmore was inducted 900 00:19:36,510 --> 00:19:36,520 for emotion in 1996 Gilmore was inducted 901 00:19:36,520 --> 00:19:38,590 for emotion in 1996 Gilmore was inducted into the Rock and Roll Hall of Fame as a 902 00:19:38,590 --> 00:19:38,600 into the Rock and Roll Hall of Fame as a 903 00:19:38,600 --> 00:19:40,830 into the Rock and Roll Hall of Fame as a member of Pink Floyd he has been ranked 904 00:19:40,830 --> 00:19:40,840 member of Pink Floyd he has been ranked 905 00:19:40,840 --> 00:19:42,549 member of Pink Floyd he has been ranked one of the greatest guitarists of all 906 00:19:42,549 --> 00:19:42,559 one of the greatest guitarists of all 907 00:19:42,559 --> 00:19:44,750 one of the greatest guitarists of all time by Publications including Rolling 908 00:19:44,750 --> 00:19:44,760 time by Publications including Rolling 909 00:19:44,760 --> 00:19:48,190 time by Publications including Rolling Stone in the Daily Telegraph in January 910 00:19:48,190 --> 00:19:48,200 Stone in the Daily Telegraph in January 911 00:19:48,200 --> 00:19:50,390 Stone in the Daily Telegraph in January 2007 Guitar World readers voted 912 00:19:50,390 --> 00:19:50,400 2007 Guitar World readers voted 913 00:19:50,400 --> 00:19:53,070 2007 Guitar World readers voted Gilmore's solos for Comfortably Numb 914 00:19:53,070 --> 00:19:53,080 Gilmore's solos for Comfortably Numb 915 00:19:53,080 --> 00:19:55,630 Gilmore's solos for Comfortably Numb time and money among the top 100 916 00:19:55,630 --> 00:19:55,640 time and money among the top 100 917 00:19:55,640 --> 00:19:59,110 time and money among the top 100 greatest guitar solos in 2011 Rolling 918 00:19:59,110 --> 00:19:59,120 greatest guitar solos in 2011 Rolling 919 00:19:59,120 --> 00:20:02,149 greatest guitar solos in 2011 Rolling Stone named Gilmore the 14 the greatest 920 00:20:02,149 --> 00:20:02,159 Stone named Gilmore the 14 the greatest 921 00:20:02,159 --> 00:20:05,350 Stone named Gilmore the 14 the greatest guitarist of all time Gilmore was cited 922 00:20:05,350 --> 00:20:05,360 guitarist of all time Gilmore was cited 923 00:20:05,360 --> 00:20:07,950 guitarist of all time Gilmore was cited by the merilan guitarist Steve rothery 924 00:20:07,950 --> 00:20:07,960 by the merilan guitarist Steve rothery 925 00:20:07,960 --> 00:20:10,950 by the merilan guitarist Steve rothery as one of his three main influences John 926 00:20:10,950 --> 00:20:10,960 as one of his three main influences John 927 00:20:10,960 --> 00:20:12,990 as one of his three main influences John Mitchell the guitarist of bands 928 00:20:12,990 --> 00:20:13,000 Mitchell the guitarist of bands 929 00:20:13,000 --> 00:20:15,990 Mitchell the guitarist of bands including it bites and Arena also cited 930 00:20:15,990 --> 00:20:16,000 including it bites and Arena also cited 931 00:20:16,000 --> 00:20:20,070 including it bites and Arena also cited Gilmore as an influence in 2013 Gary 932 00:20:20,070 --> 00:20:20,080 Gilmore as an influence in 2013 Gary 933 00:20:20,080 --> 00:20:22,350 Gilmore as an influence in 2013 Gary Kemp the guitarist and songwriter of 934 00:20:22,350 --> 00:20:22,360 Kemp the guitarist and songwriter of 935 00:20:22,360 --> 00:20:24,630 Kemp the guitarist and songwriter of spanda ballet and a member of Nick 936 00:20:24,630 --> 00:20:24,640 spanda ballet and a member of Nick 937 00:20:24,640 --> 00:20:27,350 spanda ballet and a member of Nick Mason's saucer full of secrets argued 938 00:20:27,350 --> 00:20:27,360 Mason's saucer full of secrets argued 939 00:20:27,360 --> 00:20:29,310 Mason's saucer full of secrets argued that Gilmore's work on the Dark Side of 940 00:20:29,310 --> 00:20:29,320 that Gilmore's work on the Dark Side of 941 00:20:29,320 --> 00:20:31,870 that Gilmore's work on the Dark Side of the Moon must make him the best guitar 942 00:20:31,870 --> 00:20:31,880 the Moon must make him the best guitar 943 00:20:31,880 --> 00:20:34,990 the Moon must make him the best guitar player in recent history David Gilmore's 944 00:20:34,990 --> 00:20:35,000 player in recent history David Gilmore's 945 00:20:35,000 --> 00:20:37,270 player in recent history David Gilmore's Legacy as a musician songwriter and 946 00:20:37,270 --> 00:20:37,280 Legacy as a musician songwriter and 947 00:20:37,280 --> 00:20:39,630 Legacy as a musician songwriter and producer is profound and far-reaching 948 00:20:39,630 --> 00:20:39,640 producer is profound and far-reaching 949 00:20:39,640 --> 00:20:42,070 producer is profound and far-reaching cementing his place as one of the most 950 00:20:42,070 --> 00:20:42,080 cementing his place as one of the most 951 00:20:42,080 --> 00:20:45,110 cementing his place as one of the most influential figures in rock music his 952 00:20:45,110 --> 00:20:45,120 influential figures in rock music his 953 00:20:45,120 --> 00:20:47,310 influential figures in rock music his contributions to Pink Floyd and his solo 954 00:20:47,310 --> 00:20:47,320 contributions to Pink Floyd and his solo 955 00:20:47,320 --> 00:20:49,230 contributions to Pink Floyd and his solo work have left an indelible mark on 956 00:20:49,230 --> 00:20:49,240 work have left an indelible mark on 957 00:20:49,240 --> 00:20:52,640 work have left an indelible mark on music history 88004

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