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These are the user uploaded subtitles that are being translated: 1 00:00:38,867 --> 00:00:40,180 - CHRIS, WE'RE JUST GOING OVER 2 00:00:40,200 --> 00:00:42,913 YOUR FATHER'S ESTATE AND ACCOUNTS. 3 00:00:42,933 --> 00:00:44,547 AND NEAR AS I CAN FIGURE, 4 00:00:44,567 --> 00:00:47,247 WHAT WITH SELLING THE BOAT TO COVER HIS DEBTS, 5 00:00:47,267 --> 00:00:49,513 AND THE TAXES ON THE COTTAGE, 6 00:00:49,533 --> 00:00:52,980 YOU'RE JUST ABOUT $3,000 IN THE HOLE. 7 00:00:53,000 --> 00:00:55,480 OF COURSE, THERE'S THE ACCOUNTING 8 00:00:55,500 --> 00:00:58,733 AND MY LEGAL FEE ON TOP OF THAT. 9 00:01:12,300 --> 00:01:15,113 - SHE WAS ONE OF THOSE GIRLS WHO COME ALONG 10 00:01:15,133 --> 00:01:18,247 ABOUT AS OFTEN AS SNOW IN THE BAYOU. 11 00:01:18,267 --> 00:01:20,947 AND SHE WAS ON THE RUN. 12 00:01:20,967 --> 00:01:22,780 I COULD TELL THAT. 13 00:01:22,800 --> 00:01:29,147 HELL, GIRLS LIKE THAT ARE ALWAYS ON THE RUN ONE WAY OR ANOTHER. 14 00:01:29,167 --> 00:01:32,847 SOME OF 'EM ARE RUNNING FROM SOMETHING. 15 00:01:32,867 --> 00:01:36,080 SOME ARE RUNNING FOR SOMETHING. 16 00:01:36,100 --> 00:01:39,580 SOME ARE RUNNING TO SOMETHING. 17 00:01:39,600 --> 00:01:42,847 SOME OF THEM ARE JUST RUNNING. 18 00:01:42,867 --> 00:01:48,047 AND AROUND HERE, THEY ALL RUN TO NEW ORLEANS. 19 00:01:48,067 --> 00:01:52,133 THEY CALL IT "THE CITY THAT CARE FORGOT." 20 00:02:06,500 --> 00:02:08,833 [wolf whistle] 21 00:02:56,733 --> 00:02:59,213 THE FACES NEVER CHANGE. 22 00:02:59,233 --> 00:03:01,413 THE STORIES NEVER CHANGE. 23 00:03:01,433 --> 00:03:03,147 AND THE FRENCH QUARTER, 24 00:03:03,167 --> 00:03:06,600 HELL, THE FRENCH QUARTER STAYS THE SAME. 25 00:03:14,667 --> 00:03:15,780 KNEW HER? 26 00:03:15,800 --> 00:03:20,180 YEAH, I KNEW HER EVEN BEFORE I SAW HER. 27 00:03:20,200 --> 00:03:22,613 SHE LOOKED AROUND FOR A WHILE, 28 00:03:22,633 --> 00:03:26,180 DID A LOT OF WALKING, 29 00:03:26,200 --> 00:03:28,547 DID A LOT OF SITTING. 30 00:03:28,567 --> 00:03:31,447 THEY ALWAYS DO THAT, 31 00:03:31,467 --> 00:03:36,047 WALK LIKE THAT, SIT LIKE THAT. 32 00:03:36,067 --> 00:03:39,313 LIKE BIRDS WHEN THEIR CRUMBS ARE THINNIN' OUT. 33 00:03:39,333 --> 00:03:44,147 SHE WAS LOOKING FOR HER DREAMS IN THE TIMES-PICAYUNE. 34 00:03:44,167 --> 00:03:48,413 MAN, THERE'S ONE THING I KNOW ABOUT NEW ORLEANS: 35 00:03:48,433 --> 00:03:53,313 ANYBODY THAT WANTS SOMETHING REAL BAD 36 00:03:53,333 --> 00:03:56,833 IS GONNA GET IT REAL BAD. 37 00:04:28,800 --> 00:04:32,847 CHRISTINE DELAPLANE WAS THAT RARE GUMBO, 38 00:04:32,867 --> 00:04:37,213 A MIXTURE OF HALF CHILD, HALF GIRL, 39 00:04:37,233 --> 00:04:40,167 AND ALL WOMAN. 40 00:04:55,267 --> 00:04:58,147 NOTHING REALLY STOPPED HER. 41 00:04:58,167 --> 00:05:00,247 SHE TRIED EVERYTHING. 42 00:05:00,267 --> 00:05:04,080 SHE WAS SO SIMPLE, SO VULNERABLE. 43 00:05:04,100 --> 00:05:06,247 IT MADE HER A SNAP DETAIL. 44 00:05:06,267 --> 00:05:08,213 THAT'S ME, IN CASE YOU'RE INTERESTED, 45 00:05:08,233 --> 00:05:11,580 IN THE STRIPED SWEATER. 46 00:05:11,600 --> 00:05:14,913 SHE HAD THAT LOOK THAT MADE MEN ACHE, 47 00:05:14,933 --> 00:05:18,333 MADE THEM WANT TO DO SOMETHING THEY KNEW THEY SHOULDN'T. 48 00:05:24,133 --> 00:05:27,213 BUT I JUST HELD BACK, 49 00:05:27,233 --> 00:05:31,533 LET MY EYES DO THE WALKING THROUGH THAT YELLOW HAIR. 50 00:05:33,400 --> 00:05:36,447 I KNEW IT WAS COMING. 51 00:05:36,467 --> 00:05:39,047 A GIRL LIKE THAT, 52 00:05:39,067 --> 00:05:40,833 IT HAD TO. 53 00:05:44,067 --> 00:05:45,813 SHE TRIED. 54 00:05:45,833 --> 00:05:49,813 ANKLED HERSELF INTO EVERY RAT HOLE OF THE VIEUX CARREZ-- 55 00:05:49,833 --> 00:05:53,080 THAT'S WHAT THE LOCALS CALL THE FRENCH QUARTER-- 56 00:05:53,100 --> 00:05:55,380 LOOKING FOR THAT JOB, 57 00:05:55,400 --> 00:05:58,080 AND I JUST HUNG ON WATCHIN' 58 00:05:58,100 --> 00:06:01,780 LIKE A GATOR EYEBALLING A SWAMP BIRD, 59 00:06:01,800 --> 00:06:04,480 WAITIN' FOR THAT STRIKE. 60 00:06:04,500 --> 00:06:08,300 SHE HAD GUTS, BUT IT WAS A LOSIN' GAME. 61 00:06:48,600 --> 00:06:50,647 - CAN I GET SOME LUNCH, PLEASE? 62 00:06:50,667 --> 00:06:53,047 - IF YOU CAN DRINK IT. 63 00:06:53,067 --> 00:06:54,313 - UH, I'D LIKE A OYSTER SANDWICH. 64 00:06:54,333 --> 00:06:55,313 - KITCHEN'S CLOSED. 65 00:06:55,333 --> 00:06:57,433 YOU WANT A BEER? 66 00:07:00,200 --> 00:07:01,180 HEY, LISTEN. 67 00:07:01,200 --> 00:07:02,847 YOU ALL RIGHT? 68 00:07:02,867 --> 00:07:04,713 - YEAH. 69 00:07:04,733 --> 00:07:07,080 I JUST HAVEN'T HAD MUCH SLEEP, THAT'S ALL. 70 00:07:07,100 --> 00:07:08,747 - WELL, HOLD YOUR HAUNCH. 71 00:07:08,767 --> 00:07:10,813 I'LL SEE IF I CAN BANG YOU UP A CHEESE SANDWICH. 72 00:07:10,833 --> 00:07:14,080 IS THAT OKAY? 73 00:07:14,100 --> 00:07:16,280 - THAT WOULD BE TERRIFIC. 74 00:07:16,300 --> 00:07:18,480 YOU KNOW, YOUR SIGN OUT FRONT SAYS 75 00:07:18,500 --> 00:07:20,747 THAT YOU'RE LOOKING FOR SOME HELP. 76 00:07:20,767 --> 00:07:22,713 - I AIN'T. 77 00:07:22,733 --> 00:07:24,367 HE IS. 78 00:07:56,367 --> 00:07:59,747 - THOMASON, BURT THOMASON. 79 00:07:59,767 --> 00:08:02,380 IDA SAYS YOU'RE AN OLD FRIEND. 80 00:08:02,400 --> 00:08:06,047 COURSE I DON'T BELIEVE MUCH WHAT IDA SAYS. 81 00:08:06,067 --> 00:08:07,613 - I'M LOOKING FOR WORK. 82 00:08:07,633 --> 00:08:09,647 - YEAH, THAT'S WHAT SHE SAID. 83 00:08:09,667 --> 00:08:11,813 HOW OLD ARE YOU? 84 00:08:11,833 --> 00:08:13,913 - UH, 21. 85 00:08:13,933 --> 00:08:15,813 MY NAME'S CHRIS DELAPLANE. 86 00:08:15,833 --> 00:08:17,380 - PLEASED TO MEET YOU. 87 00:08:17,400 --> 00:08:19,847 - WHAT IS IT EXACTLY YOU DO? 88 00:08:19,867 --> 00:08:23,513 - WHAT IS IT EXACTLY YOU WANT DONE? 89 00:08:23,533 --> 00:08:26,580 - YOU EVER DONE ANY COOKIN'? 90 00:08:26,600 --> 00:08:27,613 - COURSE I HAVE. 91 00:08:27,633 --> 00:08:28,713 - CLEANIN'? 92 00:08:28,733 --> 00:08:29,713 WAITIN' TABLES. 93 00:08:29,733 --> 00:08:31,047 - [laughs] SURE I HAVE. 94 00:08:31,067 --> 00:08:32,880 - NOW, WHAT IS IT YOU'RE RUNNING AWAY FROM? 95 00:08:32,900 --> 00:08:36,247 - I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 96 00:08:36,267 --> 00:08:38,413 - YOU SEE THE LITTLE RED LINES? 97 00:08:38,433 --> 00:08:41,280 NOW, THAT'S FROM HOME CLEANIN'. 98 00:08:41,300 --> 00:08:43,380 AND THE SORES ON IDA'S, 99 00:08:43,400 --> 00:08:45,247 THAT'S FROM BAR CLEANING. 100 00:08:45,267 --> 00:08:47,347 - YOU WATCH YOUR MOUTH, 101 00:08:47,367 --> 00:08:50,713 OR I'LL SHOVE THESE FINGERS WHERE THE MOON DON'T SHINE. 102 00:08:50,733 --> 00:08:52,813 HE'D LOVE IT TOO. 103 00:08:52,833 --> 00:08:55,280 - I NEED A JOB. 104 00:08:55,300 --> 00:08:56,313 - YEAH. 105 00:08:56,333 --> 00:08:58,713 AND I NEED A TOPLESS DANCER. 106 00:08:58,733 --> 00:09:01,867 - OH, WHY DON'T YOU KNOCK IT OFF? 107 00:09:03,933 --> 00:09:08,047 - I SUPPOSE YOU'VE DONE SOME OF THAT TOO. 108 00:09:08,067 --> 00:09:10,513 - I CAN DANCE. 109 00:09:10,533 --> 00:09:14,347 - YOU SURE NEED A JOB BAD ENOUGH TO MAKE ME GUESS 110 00:09:14,367 --> 00:09:17,280 YOU AIN'T GOT SLEEPIN' MONEY FOR THE NIGHT. 111 00:09:17,300 --> 00:09:20,347 MAYBE NOT ENOUGH TO PAY FOR THAT SANDWICH. 112 00:09:20,367 --> 00:09:23,080 - YOU'RE NOT GONNA GIVE ME THAT JOB. 113 00:09:23,100 --> 00:09:25,913 - WELL, I DON'T KNOW. 114 00:09:25,933 --> 00:09:27,947 I THINK I MIGHT LOOK AROUND A WHILE. 115 00:09:27,967 --> 00:09:31,680 I JUST PUT THAT SIGN OUT. 116 00:09:31,700 --> 00:09:32,847 I GOT TO ADMIT, 117 00:09:32,867 --> 00:09:35,513 YOU GOT THE ROUGH QUALIFICATIONS FOR THE JOB. 118 00:09:35,533 --> 00:09:37,080 - CAN I HAVE THAT JOB? 119 00:09:37,100 --> 00:09:38,247 - WELL, I DON'T KNOW. 120 00:09:38,267 --> 00:09:39,847 YOU COME BACK TONIGHT, 121 00:09:39,867 --> 00:09:43,067 AND BRING SOMETHING TO AUDITION IN. 122 00:09:47,533 --> 00:09:49,133 LOAN. 123 00:09:57,233 --> 00:09:59,600 - THANK YOU. 124 00:10:41,800 --> 00:10:44,547 - HEY, YOU'RE ON NEXT. 125 00:10:44,567 --> 00:10:46,113 - HOW DO I LOOK? 126 00:10:46,133 --> 00:10:48,047 - AS SOON AS YOU'RE THROUGH, I WANT TO TALK TO YOU. 127 00:10:48,067 --> 00:10:49,613 I'LL MEET YOU IN HERE. 128 00:10:49,633 --> 00:10:51,380 - AREN'T YOU GONNA WATCH? 129 00:10:51,400 --> 00:10:52,780 - I CAN HEAR HOW GOOD YOU'RE DOIN'. 130 00:10:52,800 --> 00:10:54,880 - CRAZY BUNCH OUT THERE. 131 00:10:54,900 --> 00:10:58,333 - NOW, YOU FOLLOW HER, THE ONE ON YOUR LEFT. 132 00:11:00,133 --> 00:11:01,413 - YOU AUDITIONING? 133 00:11:01,433 --> 00:11:02,680 - YEAH. 134 00:11:02,700 --> 00:11:04,113 - LET'S GO! 135 00:11:04,133 --> 00:11:06,613 - COMING, MOTHER. 136 00:11:06,633 --> 00:11:09,047 - 22 MOTHERFUCKING BUCKS. 137 00:11:09,067 --> 00:11:11,467 IT WAS A GOOD NIGHT. 138 00:11:16,100 --> 00:11:19,067 OOH, SHIT. 139 00:11:20,600 --> 00:11:21,880 DOUBLE SHIT. 140 00:11:21,900 --> 00:11:24,313 YOU TELL BURT YOU'RE OVER 21? 141 00:11:24,333 --> 00:11:26,880 HE WON'T TAKE ANYBODY WHO AIN'T OVER 21. 142 00:11:26,900 --> 00:11:29,833 - YEAH, I TOLD HIM I WAS OVER 21. 143 00:13:00,067 --> 00:13:03,347 - I CAUGHT HER ACT FIRST TIME OUT OF THE STARTIN' GATE 144 00:13:03,367 --> 00:13:06,180 AT BURT THOMASON'S STORYVILLE BAR. 145 00:13:06,200 --> 00:13:09,367 SHE WAS...DANCING? 146 00:15:42,067 --> 00:15:43,847 - WELL, 147 00:15:43,867 --> 00:15:46,733 I, UH, HOPE Y'ALL LIKED IT. 148 00:15:54,200 --> 00:15:57,747 - ALL RIGHT! HEY! 149 00:15:57,767 --> 00:15:59,147 DYNAMITE! 150 00:15:59,167 --> 00:16:01,347 DYNAMITE! 151 00:16:01,367 --> 00:16:02,633 RIGHT ON! 152 00:16:08,600 --> 00:16:11,913 - 20 MINUTES ON, ONE HOUR OFF. 153 00:16:11,933 --> 00:16:13,213 THAT'S WHEN YOU WAIT ON TABLES. 154 00:16:13,233 --> 00:16:18,647 SIX NIGHTS A WEEK, 12:00 NOON TO 4:00 A.M. 155 00:16:18,667 --> 00:16:21,113 - I THINK I SHOULD GO HOME. 156 00:16:21,133 --> 00:16:23,380 - YOU'RE GONNA BE ALL RIGHT. 157 00:16:23,400 --> 00:16:25,113 TRUST ME. 158 00:16:25,133 --> 00:16:28,347 YOU GOT A JOB, A GOOD JOB. 159 00:16:28,367 --> 00:16:33,413 AND I GOT A FEELING YOU'RE GONNA BE REAL GOOD AT IT. 160 00:16:33,433 --> 00:16:38,813 YOU'RE GONNA BE REAL, REAL GOOD AT IT. 161 00:16:38,833 --> 00:16:40,047 - AT DANCIN'. 162 00:16:40,067 --> 00:16:41,647 I'M GONNA BE REAL GOOD AT DANCIN'. 163 00:16:41,667 --> 00:16:45,047 AND AT DANCIN' ALONE! 164 00:16:45,067 --> 00:16:47,780 - WELL, YOU'LL COME AROUND. 165 00:16:47,800 --> 00:16:49,300 BEATS HUSTLIN'. 166 00:16:54,867 --> 00:16:58,413 - IT WAS ONE OF THOSE RAGIN' CAJUN MORNINGS, 167 00:16:58,433 --> 00:17:02,613 WHEN YOU COULD JUST FEEL THE STORM WAITING BEHIND THE SUN. 168 00:17:02,633 --> 00:17:07,047 AND THERE SHE WAS STOMPIN' DOWN DECATUR STREET, 169 00:17:07,067 --> 00:17:11,867 BIG AS LIFE AND MADDER THAN A MOMMA POSSUM WITH SORE TITS. 170 00:17:14,600 --> 00:17:17,313 - WHAT IS THIS CHECK FOR $25? 171 00:17:17,333 --> 00:17:18,313 I WANT MY MONEY. 172 00:17:18,333 --> 00:17:20,347 YOU OWE ME A WEEK'S PAY! 173 00:17:20,367 --> 00:17:22,047 - THAT'S IT. 174 00:17:22,067 --> 00:17:24,113 THAT IS YOUR MONEY, 175 00:17:24,133 --> 00:17:27,780 PLUS YOUR MEALS, THE ROOM UPSTAIRS, 176 00:17:27,800 --> 00:17:30,847 AND 25% INTEREST FOR THE LOAN OF THE COSTUME. 177 00:17:30,867 --> 00:17:32,580 AND YOU WANT TO WATCH HOW YOU TALK. 178 00:17:32,600 --> 00:17:35,947 - IF THAT'S THE WAY IT IS, THEN I QUIT. 179 00:17:35,967 --> 00:17:37,313 JUST GIVE ME MY BUS FARE HOME. 180 00:17:37,333 --> 00:17:40,880 JUST GIVE ME MY BUS FARE BACK HOME! 181 00:17:40,900 --> 00:17:43,847 - YOU GOT A CHECK FOR $25. 182 00:17:43,867 --> 00:17:46,113 - MR. THOMASON, THIS IS SATURDAY. 183 00:17:46,133 --> 00:17:48,513 THE BANKS ARE NOT OPEN ON SATURDAYS. 184 00:17:48,533 --> 00:17:49,780 - SO HANG AROUND. 185 00:17:49,800 --> 00:17:52,113 BESIDES, WE DON'T CASH CHECKS HERE. 186 00:17:52,133 --> 00:17:53,780 - MR. THOMASON. 187 00:17:53,800 --> 00:17:55,833 MR. THOMASON! 188 00:18:02,333 --> 00:18:03,833 - NO! 189 00:18:12,267 --> 00:18:14,613 - ON DELPHINE STREET, NUMBER 38. 190 00:18:14,633 --> 00:18:17,813 NUMBER 38, THERE'S THIS WOMAN WHO OWES ME. 191 00:18:17,833 --> 00:18:19,747 FLORINDA BEAUDINE. 192 00:18:19,767 --> 00:18:21,180 BEAUDINE. 193 00:18:21,200 --> 00:18:24,480 SHE LIVES ABOVE AN ANTIQUE/APOTHECARY SHOP. 194 00:18:24,500 --> 00:18:26,580 SHE'S SITS RENT-FREE BECAUSE SHE TIDIES UP THE PLACE 195 00:18:26,600 --> 00:18:28,647 FROM TIME TO TIME. 196 00:18:28,667 --> 00:18:29,813 I'LL CALL HER. 197 00:18:29,833 --> 00:18:32,280 SHE'S HELPED A LOT OF GIRLS LIKE YOU. 198 00:18:32,300 --> 00:18:34,313 MAYBE SHE CAN CASH YOUR CHECK. 199 00:18:34,333 --> 00:18:35,547 NO SWEAT. 200 00:18:35,567 --> 00:18:37,147 SO STOP FRETTIN', YOU HEAR? 201 00:18:37,167 --> 00:18:38,513 SHE'S ALSO INTO VOODOO. 202 00:18:38,533 --> 00:18:39,713 AT LEAST SHE WAS. 203 00:18:39,733 --> 00:18:41,433 SHE'S HARMLESS, THOUGH. 204 00:18:51,767 --> 00:18:53,267 - HELLO? 205 00:19:02,833 --> 00:19:05,400 ANYBODY HOME? 206 00:19:11,367 --> 00:19:13,100 HELLO? 207 00:19:15,567 --> 00:19:17,633 ANYBODY HERE? 208 00:19:41,567 --> 00:19:44,200 - SHE'S JUST GOING INTO THE ANTIQUE/APOTHECARY. 209 00:20:19,200 --> 00:20:21,200 - FLORINDA BEAUDINE? 210 00:20:22,900 --> 00:20:23,980 - COME IN. 211 00:20:24,000 --> 00:20:25,380 COME IN. SIT DOWN. 212 00:20:25,400 --> 00:20:27,847 IT'S BEEN A LONG CLIMB UP THOSE STAIRS. 213 00:20:27,867 --> 00:20:29,733 COME ON. SIT DOWN. 214 00:20:32,067 --> 00:20:33,913 I'LL FIX YOU SOME TEA. 215 00:20:33,933 --> 00:20:35,613 IT'S MY SPECIAL BLEND, 216 00:20:35,633 --> 00:20:38,813 AND I MADE IT MYSELF, AND IT'S DELICIOUS. 217 00:20:38,833 --> 00:20:40,313 - IDA SAYS THAT YOU-- 218 00:20:40,333 --> 00:20:44,247 - NOW, YOU JUST SLIP OFF YOUR SHOES, SIP THIS TEA. 219 00:20:44,267 --> 00:20:45,747 RELAX. 220 00:20:45,767 --> 00:20:51,180 MADAME BEAUDINE IS GOING TO SOLVE ALL YOUR PROBLEMS. 221 00:20:51,200 --> 00:20:56,013 - IDA SAYS MAYBE THAT YOU CAN CASH MY CHECK FOR $25. 222 00:20:56,033 --> 00:20:57,480 - NO PROBLEM. 223 00:20:57,500 --> 00:21:00,813 I'LL GET YOU BACK HOME. 224 00:21:00,833 --> 00:21:04,313 NOW, TELL ME SOMETHING ABOUT YOURSELF, HMM? 225 00:21:04,333 --> 00:21:07,047 ANY BOYFRIENDS? 226 00:21:07,067 --> 00:21:08,313 FAMILY? 227 00:21:08,333 --> 00:21:09,313 - NO. 228 00:21:09,333 --> 00:21:10,380 - RELATIVES, HUH? 229 00:21:10,400 --> 00:21:12,413 - NO. 230 00:21:12,433 --> 00:21:16,313 - WOULD YOU TRY SOME OF THIS BREAD? 231 00:21:16,333 --> 00:21:18,647 - THANK YOU. 232 00:21:18,667 --> 00:21:22,380 MY MAMA, SHE DIED WHEN I WAS JUST A KID, YOU KNOW? 233 00:21:22,400 --> 00:21:28,913 MY FATHER DIED A COUPLE OF WEEKS--COUPLE OF WEEKS AGO. 234 00:21:28,933 --> 00:21:31,313 - AND? 235 00:21:31,333 --> 00:21:34,213 - WHAT? 236 00:21:34,233 --> 00:21:36,047 - EVERYTHING'S GONNA BE ALL RIGHT. 237 00:21:36,067 --> 00:21:37,180 YOU'LL SEE. 238 00:21:37,200 --> 00:21:41,047 HOW ABOUT SOME JAM ON IT, HUH? 239 00:21:41,067 --> 00:21:44,213 SOME NICE, FRESH STRAWBERRY JAM. 240 00:21:44,233 --> 00:21:45,867 - EXCUSE ME. 241 00:21:48,267 --> 00:21:51,767 I'M NOT--I'M NOT FEELING VERY WELL. 242 00:21:53,500 --> 00:21:55,367 UM...UH... 243 00:21:57,833 --> 00:21:58,913 MY--MY HEAD. 244 00:21:58,933 --> 00:22:00,380 MY HEAD IS... 245 00:22:00,400 --> 00:22:02,680 THERE SEEMS TO BE A LOT OF FLU GOING AROUND OR SOMETHING. 246 00:22:02,700 --> 00:22:05,813 I HOPE I'M NOT GETTING IT. 247 00:22:05,833 --> 00:22:07,813 I'M VERY DIZZY. 248 00:22:07,833 --> 00:22:10,380 - WOULD YOU LIKE TO GO STRETCH OUT ON THE BED OVER THERE, HUH? 249 00:22:10,400 --> 00:22:11,967 REST A WHILE. 250 00:22:14,800 --> 00:22:15,913 - NO, NO, NO. 251 00:22:15,933 --> 00:22:16,947 I'LL BE OKAY. 252 00:22:16,967 --> 00:22:20,647 I... 253 00:22:20,667 --> 00:22:23,700 UM, MAYBE I BETTER. 254 00:22:25,700 --> 00:22:27,700 - COME ON. I'LL HELP YOU. 255 00:22:30,467 --> 00:22:33,613 THERE WE GO. 256 00:22:33,633 --> 00:22:35,713 - I KNEW WHAT WAS COOKIN', 257 00:22:35,733 --> 00:22:39,347 ONLY THE CAKE WASN'T READY TO COME OUT OF THE OVEN. 258 00:22:39,367 --> 00:22:41,347 SO I WAITED. 259 00:22:41,367 --> 00:22:45,813 THAT'S HOW I MAKE MY MONEY, WAITING. 260 00:22:45,833 --> 00:22:48,813 YOU KNOW, SOMETIMES I GET A FEELING IN MY BONES 261 00:22:48,833 --> 00:22:52,447 I'VE BEEN WAITING 100 YEARS. 262 00:22:52,467 --> 00:22:57,180 BUT THEN, TIME HAS LITTLE MEANING IN THE FRENCH QUARTER. 263 00:22:57,200 --> 00:22:59,667 - IT'S ABOUT TIME. 264 00:23:17,567 --> 00:23:18,713 HELLO? 265 00:23:18,733 --> 00:23:20,280 IT'S ME. 266 00:23:20,300 --> 00:23:23,847 YEAH, THE PACKAGE IS READY FOR DELIVERY. 267 00:23:23,867 --> 00:23:27,847 JUST GIVE ME A FEW DAYS TO HOOK IT UP. 268 00:23:27,867 --> 00:23:31,113 THE BUYER SHOULD BE VERY PLEASED. 269 00:23:31,133 --> 00:23:35,700 IT'S A BEAUTY, AND I DON'T THINK IT'S EVER BEEN USED BEFORE. 270 00:24:07,067 --> 00:24:10,347 - YOU'VE BEEN DREAMIN' THE FUTURE, MS. TRUDY. 271 00:24:10,367 --> 00:24:12,447 YOU'VE BEEN DREAMIN' THE FUTURE. 272 00:24:12,467 --> 00:24:15,213 - HOW YOU FEELING? 273 00:24:15,233 --> 00:24:16,347 - FINE. 274 00:24:16,367 --> 00:24:18,347 I FEEL FINE. 275 00:24:18,367 --> 00:24:20,813 REALLY, I--FINE. 276 00:24:20,833 --> 00:24:23,247 - YOU'VE BEEN DREAMING. 277 00:24:23,267 --> 00:24:26,847 YOU FAINTED, AND WE BROUGHT YOU IN HERE. 278 00:24:26,867 --> 00:24:29,480 - HOW--HOW LONG HAVE I BEEN HERE? 279 00:24:29,500 --> 00:24:31,947 - GIANT HORSELESS CARRIAGES, 280 00:24:31,967 --> 00:24:34,147 FLYING MACHINES THAT CROSS THE OCEAN, 281 00:24:34,167 --> 00:24:36,313 BOXES WITH MOVING PICTURES, 282 00:24:36,333 --> 00:24:39,613 MEN WHO WALK ON THE MOON. 283 00:24:39,633 --> 00:24:44,280 I DIDN'T UNDERSTAND WHAT YOU WERE MUMBLING ABOUT. 284 00:24:44,300 --> 00:24:48,547 - HEY, WELCOME BACK TO THE WORLD OF THE LIVING. 285 00:24:48,567 --> 00:24:51,680 - THANK YOU. 286 00:24:51,700 --> 00:24:53,047 BUT IT WAS SO REAL. 287 00:24:53,067 --> 00:24:55,080 THERE WAS THIS VOODOO WOMAN THERE. 288 00:24:55,100 --> 00:24:59,880 - WELL, AT LEAST THE FUTURE HASN'T ABANDONED RELIGION. 289 00:24:59,900 --> 00:25:02,267 - NO, BUT THIS VOODOO WOMAN... 290 00:25:05,633 --> 00:25:09,113 WELL, I CAN'T REMEMBER. 291 00:25:09,133 --> 00:25:12,580 SHE GAVE ME THIS HERB TEA. 292 00:25:12,600 --> 00:25:16,547 SHE GAVE ME HERB TEA. 293 00:25:16,567 --> 00:25:19,580 AND THEN... 294 00:25:19,600 --> 00:25:21,333 - AND THEN WHAT? 295 00:25:23,300 --> 00:25:25,380 - I CAN'T REMEMBER. 296 00:25:25,400 --> 00:25:26,447 - GET DRESSED. 297 00:25:26,467 --> 00:25:27,580 YOU'LL FEEL BETTER. 298 00:25:27,600 --> 00:25:29,547 I'D LIKE YOU TO MEET THE GIRLS. 299 00:25:29,567 --> 00:25:32,913 IN THE MEANTIME, I WANT YOU TO SEE A DOCTOR. 300 00:25:32,933 --> 00:25:34,647 - WHAT? 301 00:25:34,667 --> 00:25:37,733 - NOW, YOU'VE GOT TO TAKE THESE THINGS STEP BY STEP. 302 00:25:42,700 --> 00:25:45,413 THERE. 303 00:25:45,433 --> 00:25:48,267 YOU CAN COME IN NOW, DR. MILES. 304 00:25:53,333 --> 00:25:58,233 - WELL, GOOD AFTERNOON, MADAME. 305 00:25:59,467 --> 00:26:01,580 - I'M THE MADAME. 306 00:26:01,600 --> 00:26:03,580 THIS IS GERTRUDE DIX. 307 00:26:03,600 --> 00:26:06,947 DR. MILES HAS INVENTED A SALVE THAT CURES GLEET. 308 00:26:06,967 --> 00:26:08,313 ISN'T THAT RIGHT, DR. MILES? 309 00:26:08,333 --> 00:26:10,847 - KNOCKS THE GLEET RIGHT OFF ITS FEET. 310 00:26:10,867 --> 00:26:12,133 SEE? 311 00:26:15,567 --> 00:26:18,513 - "DR. MILES SPECIFIC FORMULA, 312 00:26:18,533 --> 00:26:23,467 GUARANTEED TO CURE GONORRHEA AND GLEET." 313 00:26:28,633 --> 00:26:31,913 - SEND US A DOZEN CASES. 314 00:26:31,933 --> 00:26:36,347 IF THE FIRST CASE OF FREE SAMPLES IS ANY DAMN GOOD. 315 00:26:36,367 --> 00:26:40,280 WELL, I'LL LEAVE YOU TWO ALONE TO GET ACQUAINTED. 316 00:26:40,300 --> 00:26:43,847 - OH, UH, MY FEE? 317 00:26:43,867 --> 00:26:47,580 - YOUR CHOICE, THURSDAY AFTERNOON AT 3:00. 318 00:26:47,600 --> 00:26:51,947 IN THE MEANTIME, HANDS OFF THE HELP. 319 00:26:51,967 --> 00:26:54,067 SHE'S THE VIRGIN. 320 00:26:56,500 --> 00:26:58,933 - HEY, GIVE ME SOME GRITS. 321 00:27:02,933 --> 00:27:06,947 - TELL ME, WHAT DID THE GOOD DOCTOR SAY, ANYWAY, SILLY? 322 00:27:06,967 --> 00:27:09,333 - SAID HE'D LIKE TO SEE ME IN THE RAW. 323 00:27:12,167 --> 00:27:13,247 - LADIES. 324 00:27:13,267 --> 00:27:14,480 LADIES! 325 00:27:14,500 --> 00:27:15,780 YOUR ATTENTION. 326 00:27:15,800 --> 00:27:17,533 I HAVE A SURPRISE. 327 00:27:25,433 --> 00:27:26,713 - WELL! 328 00:27:26,733 --> 00:27:28,613 - HOT DAMN! 329 00:27:28,633 --> 00:27:30,213 NEW HELP. 330 00:27:30,233 --> 00:27:32,047 I WANT TO THANK YOU, WILLIE. 331 00:27:32,067 --> 00:27:36,333 I WANT TO THANK YOU FROM THE BOTTOM OF MY SORE ASS. 332 00:27:37,733 --> 00:27:39,213 - THAT'S COKE-EYED LAURA. 333 00:27:39,233 --> 00:27:42,067 WE CALL HER THAT BECAUSE SHE SNORTED AWAY HER BRAINS. 334 00:27:43,767 --> 00:27:45,913 THIS IS GERTRUDE DIX. 335 00:27:45,933 --> 00:27:47,280 BUT WE'LL CALL HER TRUDY. 336 00:27:47,300 --> 00:27:49,347 - OH, MY STARS AND GARTERS. 337 00:27:49,367 --> 00:27:50,480 HOW NEW IS SHE? 338 00:27:50,500 --> 00:27:52,047 - BRAND SPANKING NEW. 339 00:27:52,067 --> 00:27:54,047 - WELL, NOW, IF THAT'S YOUR IDEA OF FUN-- 340 00:27:54,067 --> 00:27:55,933 - SHE'S A VIRGIN. 341 00:27:58,533 --> 00:28:00,080 THIS IS BIG-BUTT ANNIE. 342 00:28:00,100 --> 00:28:02,047 YOU SAW HER UPSTAIRS. 343 00:28:02,067 --> 00:28:04,380 - ANNIE WILL DO. 344 00:28:04,400 --> 00:28:06,047 - THAT'S ICE BOX JOSIE. 345 00:28:06,067 --> 00:28:08,047 WE HAVE A STANDING OFFER AROUND HERE. 346 00:28:08,067 --> 00:28:11,247 ANY MAN WHO CAN GET A HEAVY BREATH OUT OF JOSIE 347 00:28:11,267 --> 00:28:12,513 CAN HAVE HER ON THE HOUSE. 348 00:28:12,533 --> 00:28:16,680 NO MAN'S COME CLOSE TO THAWING HER OUT YET. 349 00:28:16,700 --> 00:28:18,780 - YOU MUST BE... 350 00:28:18,800 --> 00:28:20,047 PROUD. 351 00:28:20,067 --> 00:28:22,267 - EVERYBODY'S GOT THEIR BOILING POINT. 352 00:28:25,867 --> 00:28:27,347 - THIS IS BRICKTOP. 353 00:28:27,367 --> 00:28:28,880 A PRINCESS MOST OF THE TIME, 354 00:28:28,900 --> 00:28:33,113 BUT STAY OUT OF HER WAY WHEN SHE'S DRUNK. 355 00:28:33,133 --> 00:28:35,813 - YOU GET A HOLD OF VIRGIN AUCTION? 356 00:28:35,833 --> 00:28:38,847 - WELL, WE'RE GONNA TAKE SOME PICTURES FIRST. 357 00:28:38,867 --> 00:28:40,880 MONSIEUR BELLOCQ WILL BE HERE TOMORROW MORNING. 358 00:28:40,900 --> 00:28:42,947 ARE YOU UP TO IT? 359 00:28:42,967 --> 00:28:44,880 - YEAH, SURE. 360 00:28:44,900 --> 00:28:48,047 - WHY DON'T YOU LET ICE BOX JOSIE DO THE SESSION 361 00:28:48,067 --> 00:28:49,700 WITH TRUDY, HUH? 362 00:28:51,500 --> 00:28:53,800 - AND WHY DON'T YOU ANSWER THE BACK DOOR. 363 00:29:17,567 --> 00:29:19,747 - AT EMMA JOHNSON'S HOUSE, 364 00:29:19,767 --> 00:29:22,467 THEY'D WHIP THE ASS RIGHT OFF THAT GIRL. 365 00:29:25,700 --> 00:29:29,047 - GOOD MORNING, ALL YOU BIG, FINE LADIES. 366 00:29:29,067 --> 00:29:30,047 - HI. 367 00:29:30,067 --> 00:29:31,780 - HMM. 368 00:29:31,800 --> 00:29:35,313 IF YOU AIN'T JUST A-DOUBLE UNHUNG BENDING IN THIS MORNING. 369 00:29:35,333 --> 00:29:38,347 - AND GOOD MORNING TO YOU, MR. JELLY ROLL. 370 00:29:38,367 --> 00:29:40,547 WHAT BRINGS YOU HERE SO EARLY IN THE MORNING? 371 00:29:40,567 --> 00:29:42,513 - I'M ALWAYS UP EARLY. 372 00:29:42,533 --> 00:29:46,747 HELL, EARLY TO BED, EARLY TO RISE, MAKES A MAN HEALTHY 373 00:29:46,767 --> 00:29:51,180 AND WEALTHY AND DOUBLES HIS DINGLE. 374 00:29:51,200 --> 00:29:52,913 I'VE BEEN UP SINCE NOON. 375 00:29:52,933 --> 00:29:54,347 - GOOD. 376 00:29:54,367 --> 00:29:57,600 WE'RE AUDITIONING ANOTHER PIANO PLAYER TODAY. 377 00:30:09,333 --> 00:30:12,113 - THE JOHNS CALLED IT "STORYVILLE". 378 00:30:12,133 --> 00:30:16,247 THE PIMPS CALLED IT "THE DISTRICT." 379 00:30:16,267 --> 00:30:20,147 A 24-HOUR SEWER OF GREED AND GRAB, 380 00:30:20,167 --> 00:30:22,213 AND NOTHING WAS GRABBED AT HARDER 381 00:30:22,233 --> 00:30:26,667 THAN A NEW VIRGIN OR A NEW PIANO PLAYER. 382 00:30:45,400 --> 00:30:46,780 - THAT AIN'T BAD. 383 00:30:46,800 --> 00:30:49,880 - AIN'T MEANT TO BE. 384 00:30:49,900 --> 00:30:50,880 - WHAT'S YOUR NAME? 385 00:30:50,900 --> 00:30:52,280 - SATCHELMOUTH. 386 00:30:52,300 --> 00:30:53,280 - SATCHELMOUTH? 387 00:30:53,300 --> 00:30:54,280 - YES. 388 00:30:54,300 --> 00:30:56,213 - HI, I'M KID ROSS. 389 00:30:56,233 --> 00:31:01,100 SAY, DO YOU KNOW A LADY NAMED COUNTESS WILLIE PIAZZA? 390 00:31:04,400 --> 00:31:06,733 - THEY'RE ALL IN THE BLUE BOOK, MY MAN. 391 00:31:13,200 --> 00:31:14,733 - WHERE'S MY BAG? 392 00:31:23,733 --> 00:31:25,100 WHERE'S MY BAG? 393 00:31:30,833 --> 00:31:33,647 DAMN IT! 394 00:31:33,667 --> 00:31:37,280 WHOEVER STOLE MY BAG, THERE'S ONLY SHEET MUSIC IN IT. 395 00:31:37,300 --> 00:31:40,613 SO I HOPE YOU CAN PLAY THE GODDAMN PIANO! 396 00:31:40,633 --> 00:31:42,213 - ALL SHE GOT IS A BED. 397 00:31:42,233 --> 00:31:44,167 THAT'S HER KIND OF MUSIC. 398 00:31:50,100 --> 00:31:51,633 - SHIT! 399 00:31:54,800 --> 00:31:58,580 - SURROUNDED BY THIS SWIRLING SUMP OF SIN AND SLIME 400 00:31:58,600 --> 00:32:00,913 WAS COUNTESS WILLIE PIAZZA, 401 00:32:00,933 --> 00:32:03,747 WHERE THE SHEETS WERE CHANGED EVERY DAY 402 00:32:03,767 --> 00:32:07,680 AND THE PIANO WAS RELIGIOUSLY TUNED ONCE A WEEK. 403 00:32:07,700 --> 00:32:12,633 A POSH PALACE OF DIGNITY IN THE DUNG HEAP. 404 00:32:14,067 --> 00:32:16,813 - PIANO MAN MORTON, MEET KID ROSS. 405 00:32:16,833 --> 00:32:18,713 - NO SHIT. 406 00:32:18,733 --> 00:32:20,247 - YOU'LL BOTH BE WORKING TONIGHT. 407 00:32:20,267 --> 00:32:24,047 IF THE KID'S AS GOOD AS I HEAR, YOU'LL BE SHARING A PIANO. 408 00:32:24,067 --> 00:32:25,047 - WHAT FOR? 409 00:32:25,067 --> 00:32:26,480 - FOR A WHILE. 410 00:32:26,500 --> 00:32:28,880 - WILLIE HAS THE BEST MUSIC OF ANY HOUSE OF THE DISTRICT. 411 00:32:28,900 --> 00:32:30,047 - THANK YOU, MA'AM. 412 00:32:30,067 --> 00:32:31,847 - BEST FOOD TOO. 413 00:32:31,867 --> 00:32:33,613 - THE GIRLS AREN'T TOO BAD EITHER. 414 00:32:33,633 --> 00:32:37,300 - YOU LEAVE 'EM ALONE IN THE HOUSE. 415 00:32:41,133 --> 00:32:43,367 - HOUSE RULES. 416 00:32:45,767 --> 00:32:47,747 - HI. 417 00:32:47,767 --> 00:32:50,213 - HI. 418 00:32:50,233 --> 00:32:52,647 - YOU'RE FROM, UM... 419 00:32:52,667 --> 00:32:54,947 NEWARK, NEW JERSEY, HUH? 420 00:32:54,967 --> 00:32:58,513 - ASBURY PARK. 421 00:32:58,533 --> 00:33:01,547 - ASBURY PARK, NEW JERSEY. 422 00:33:01,567 --> 00:33:04,313 I NEVER HEARD OF IT. 423 00:33:04,333 --> 00:33:07,513 - WELL, WHERE ARE YOU FROM? 424 00:33:07,533 --> 00:33:09,947 - UM, PITTSBURGH. 425 00:33:09,967 --> 00:33:11,047 - PITTSBURGH. 426 00:33:11,067 --> 00:33:13,047 - MM-HMM. 427 00:33:13,067 --> 00:33:14,180 PITTSBURGH. 428 00:33:14,200 --> 00:33:16,147 I COME FROM AN EMPLOYMENT AGENCY. 429 00:33:16,167 --> 00:33:18,113 - WHAT? 430 00:33:18,133 --> 00:33:19,880 - AN EMPLOYMENT AGENCY. 431 00:33:19,900 --> 00:33:22,813 YOU SEE, MY MAMA TOOK ME TO THIS EMPLOYMENT AGENCY, 432 00:33:22,833 --> 00:33:25,580 AND, WELL, THEY SAID 433 00:33:25,600 --> 00:33:28,213 THAT THEY WERE HIRING A LOT OF LADIES DOWN SOUTH, SO... 434 00:33:28,233 --> 00:33:30,847 ALTHOUGH I'M NOT ENTIRELY SURE, 435 00:33:30,867 --> 00:33:34,347 BUT I DON'T THINK THAT THIS IS WHAT MY MAMA HAD IN MIND 436 00:33:34,367 --> 00:33:36,800 IN THE WAY OF EMPLOYMENT. 437 00:33:38,533 --> 00:33:40,113 - BY THE WAY, ARE YOU ANY RELATION 438 00:33:40,133 --> 00:33:43,380 TO A PIANO PLAYER NAMED JELLY ROLL MORTON? 439 00:33:43,400 --> 00:33:46,147 - I AM JELLY ROLL MORTON. 440 00:33:46,167 --> 00:33:51,613 THEY KNOW ME IN ASSHOLE PARK, NEW JERSEY? 441 00:33:51,633 --> 00:33:53,200 - THEY DO INDEED. 442 00:33:59,767 --> 00:34:01,280 - I WROTE THAT. 443 00:34:01,300 --> 00:34:03,533 - NO SHIT. 444 00:34:11,500 --> 00:34:13,433 - OH-OOH! 445 00:34:30,867 --> 00:34:32,300 - OH! 446 00:34:39,567 --> 00:34:41,067 - OOH! 447 00:34:49,133 --> 00:34:50,167 - WHOO! 448 00:35:02,500 --> 00:35:03,580 - WHOO-HOO! 449 00:35:03,600 --> 00:35:04,667 WHOO! 450 00:35:07,500 --> 00:35:08,480 YEE-HAW! 451 00:35:08,500 --> 00:35:09,700 WHOA! 452 00:35:13,467 --> 00:35:14,800 - OH! 453 00:35:22,600 --> 00:35:23,680 - OKAY! 454 00:35:23,700 --> 00:35:25,167 - YEAH! - THERE YOU GO! 455 00:35:28,100 --> 00:35:29,080 WHOO! 456 00:35:29,100 --> 00:35:30,533 LOOK AT THAT! 457 00:35:38,100 --> 00:35:39,147 - OKAY! 458 00:35:39,167 --> 00:35:42,347 - YEAH! - WHOO-HOO! 459 00:35:42,367 --> 00:35:44,633 - KEEP IT COMING! 460 00:35:57,067 --> 00:36:00,347 - GENTLEMEN, LADIES. 461 00:36:00,367 --> 00:36:04,567 COME JOIN ME FOR A DANCE BY LADY LIL! 462 00:36:18,867 --> 00:36:21,047 - THE RULES OF THE HOUSE, 463 00:36:21,067 --> 00:36:24,547 BLACK MEN DON'T WATCH WHITE WOMEN DANCE. 464 00:36:24,567 --> 00:36:26,447 IT'S A RULE, THAT'S ALL. 465 00:36:26,467 --> 00:36:28,647 HERE'S ANOTHER RULE. 466 00:36:28,667 --> 00:36:32,647 ALWAYS CARRY YOURSELF A BLADE. 467 00:36:32,667 --> 00:36:33,813 YOU WANT ONE? 468 00:36:33,833 --> 00:36:37,080 - NO, THANKS. 469 00:36:37,100 --> 00:36:40,247 HEY, WHO'S LADY LIL? 470 00:36:40,267 --> 00:36:43,547 - SHE'S A FANCY UPTOWN LADY. 471 00:36:43,567 --> 00:36:45,880 SHE COMES IN A FEW DAYS HERE AND THERE. 472 00:36:45,900 --> 00:36:51,500 TAKES ON THE ROUGHEST CUSTOMERS TOO, AND LEAVES SMILING. 473 00:39:59,533 --> 00:40:02,547 - WILLIE SAID FOR ME TO TELL YOU THAT YOU WERE FINE. 474 00:40:02,567 --> 00:40:03,780 - YOU MEAN I GOT THE JOB? 475 00:40:03,800 --> 00:40:06,080 - UH-HUH. 476 00:40:06,100 --> 00:40:08,613 - A DOLLAR A NIGHT, PLUS YOUR TIPS. 477 00:40:08,633 --> 00:40:09,613 - OH. 478 00:40:09,633 --> 00:40:10,647 IS THAT STARTING TONIGHT? 479 00:40:10,667 --> 00:40:12,847 - UH, PLEASURE TO BE YOUR PARTNER. 480 00:40:12,867 --> 00:40:14,180 LOOK, I GOT TO GIT. 481 00:40:14,200 --> 00:40:17,447 BIG DOINGS TONIGHT AT PETE LALAS. 482 00:40:17,467 --> 00:40:19,733 WHY DON'T YOU COME AROUND SOMETIME? 483 00:40:27,933 --> 00:40:30,413 - WILLIE SAYS I'VE GOT TO GET TO BED EARLY TONIGHT. 484 00:40:30,433 --> 00:40:32,580 WE'RE TAKIN' PICTURES TOMORROW MORNING. 485 00:40:32,600 --> 00:40:34,400 IT'S BEEN A PLEASURE. 486 00:40:37,000 --> 00:40:38,367 - GOOD NIGHT. 487 00:42:22,900 --> 00:42:25,047 - LAURA? 488 00:42:25,067 --> 00:42:26,180 LAURA? 489 00:42:26,200 --> 00:42:27,233 - MM. 490 00:42:33,367 --> 00:42:35,833 - I BROUGHT YOUR BREAKFAST. 491 00:42:44,067 --> 00:42:45,913 HOW DO YOU FEEL? 492 00:42:45,933 --> 00:42:48,447 - ALL RIGHT, I SUPPOSE. 493 00:42:48,467 --> 00:42:50,067 CONSIDERING. 494 00:43:28,067 --> 00:43:30,767 - ALL MEN ARE BEASTS. 495 00:43:34,100 --> 00:43:35,333 - YEAH. 496 00:45:10,433 --> 00:45:13,480 - THE COUNTESS DOESN'T WANT EMMA JOHNSON'S CLIENT LIST, 497 00:45:13,500 --> 00:45:15,947 AND SHE DON'T WANT TO KNOW THAT EMMA'S GOT HERS. 498 00:45:15,967 --> 00:45:18,200 IS THAT PERFECTLY CLEAR? 499 00:45:19,933 --> 00:45:22,047 - LAURA. 500 00:45:22,067 --> 00:45:23,347 - SHE GONNA BEAT ME? 501 00:45:23,367 --> 00:45:25,480 - OH, WOULD YOU LIKE HER TOO? 502 00:45:25,500 --> 00:45:27,613 - WELL, GOOD AFTERNOON, LADIES. 503 00:45:27,633 --> 00:45:28,813 - ISN'T IT NOW? 504 00:45:28,833 --> 00:45:31,047 - AND HOW IS THE COUNTESS WILLIE PIAZZA? 505 00:45:31,067 --> 00:45:34,113 - YOU SHOULD KNOW BETTER THAN ME. 506 00:45:34,133 --> 00:45:35,647 SHE SENT US IN FOR THE GLEET CURE. 507 00:45:35,667 --> 00:45:39,067 - AH, WELL, COMING RIGHT UP. 508 00:45:41,967 --> 00:45:44,447 - I HEAR TOM ANDERSON IS HELPING EMMA JOHNSON 509 00:45:44,467 --> 00:45:47,380 GET FRESH STOCK FOR HER CIRCUS. 510 00:45:47,400 --> 00:45:51,880 I HEAR SHE'S LOOKING FOR A VIRGIN TO RIDE HER PONY. 511 00:45:51,900 --> 00:45:54,047 OR THE OTHER WAY AROUND. 512 00:45:54,067 --> 00:45:57,880 DO YOU HAPPEN TO KNOW ANYTHING ABOUT THAT, LAURA? 513 00:45:57,900 --> 00:45:59,713 - WHY DON'T YOU ASK HER? 514 00:45:59,733 --> 00:46:01,280 - WELL, THAT'S NOT THE ONLY THING 515 00:46:01,300 --> 00:46:03,313 THAT COUNTESS WILLIE IS MAD ABOUT. 516 00:46:03,333 --> 00:46:04,913 WHO'S BEEN FILLING IN TRUDY 517 00:46:04,933 --> 00:46:06,647 ABOUT THE BURIED BONES AROUND HERE? 518 00:46:06,667 --> 00:46:08,880 - I REALLY DON'T KNOW WHAT YOU'RE TALKING ABOUT. 519 00:46:08,900 --> 00:46:11,147 - THE VOODOO, LAURA. 520 00:46:11,167 --> 00:46:12,947 - SHE WAS CURIOUS. 521 00:46:12,967 --> 00:46:15,747 - YOU KNOW WHAT CURIOSITY KILLED. 522 00:46:15,767 --> 00:46:19,047 - YEAH. 523 00:46:19,067 --> 00:46:20,533 THE PUSSY. 524 00:46:25,933 --> 00:46:28,180 - GOOD AFTERNOON AGAIN, LADIES. 525 00:46:28,200 --> 00:46:29,280 IT'S A SALVE. 526 00:46:29,300 --> 00:46:30,613 OH, HERE WE ARE. 527 00:46:30,633 --> 00:46:32,213 - I'LL HAVE SOME LAUDANUM. 528 00:46:32,233 --> 00:46:35,413 - TINCTURE OF OPIUM COMING UP RIGHT NOW. 529 00:46:35,433 --> 00:46:36,747 - GODDAMN IT, LAURA. 530 00:46:36,767 --> 00:46:39,047 WILLIE SAID NO. 531 00:46:39,067 --> 00:46:42,647 YOU CAN'T DO DOPE AND STAY WITH THE HOUSE. 532 00:46:42,667 --> 00:46:46,580 - I GOT, UH, CONSTIPATION. 533 00:46:46,600 --> 00:46:51,747 - YOU HAVE GOT A HABIT, AND WILLIE SAID NO. 534 00:46:51,767 --> 00:46:55,700 NO MORE DOPE. 535 00:46:58,367 --> 00:47:00,147 - I WANT IT. 536 00:47:00,167 --> 00:47:02,667 - WELL, THEN YOU COME AND GET IT. 537 00:47:24,333 --> 00:47:29,280 - IF WILLIE PIAZZA DOESN'T GIVE ME WHAT I WANT, 538 00:47:29,300 --> 00:47:31,400 PLENTY OF OTHERS WILL. 539 00:47:43,500 --> 00:47:48,067 - HEY, YOU FORGOT YOUR LEMON PHOSPHATE. 540 00:47:56,100 --> 00:48:01,247 - WILL YOU DO SOMETHING FOR ME, PLEASE, WITH THE FAN? 541 00:48:01,267 --> 00:48:03,447 - WHAT? 542 00:48:03,467 --> 00:48:05,480 - GET RID OF IT. 543 00:48:05,500 --> 00:48:06,967 - WHAT? 544 00:48:09,567 --> 00:48:12,813 - MONSIEUR BELLOCQ ALWAYS TAKES OUR PICTURES. 545 00:48:12,833 --> 00:48:16,213 IT'S, UH, TRADITION, 546 00:48:16,233 --> 00:48:18,647 AND AN ART. 547 00:48:18,667 --> 00:48:21,513 - MERCI. 548 00:48:21,533 --> 00:48:27,080 - SOMEDAY MONSIEUR BELLOCQ WILL BE VERY FAMOUS, 549 00:48:27,100 --> 00:48:30,880 AND WE WILL ALL BE VERY DEAD. 550 00:48:30,900 --> 00:48:34,680 AND BECAUSE OF THE PICTURES OF THE VERY FAMOUS BELLOCQ, 551 00:48:34,700 --> 00:48:38,680 WE DEARLY DEPARTED LADIES OF THE FRENCH QUARTER WILL LIVE AGAIN. 552 00:48:38,700 --> 00:48:41,047 - LADIES, LADIES, REMEMBER, PLEASE, 553 00:48:41,067 --> 00:48:45,213 YOU CANNOT MOVE UNTIL I COUNT TO 20. 554 00:48:45,233 --> 00:48:47,147 - STAND UP, DEAR. 555 00:48:47,167 --> 00:48:48,933 NOW SIT. 556 00:48:52,667 --> 00:48:55,113 THIS ARM OUT. 557 00:48:55,133 --> 00:48:56,833 THERE. 558 00:48:59,333 --> 00:49:00,580 - BON. 559 00:49:00,600 --> 00:49:04,280 I'VE GOT ONE LITTLE ADJUSTMENT. 560 00:49:04,300 --> 00:49:10,180 - DO YOU KNOW ABOUT THIS WOMAN NAMED, UM, PAPA-- 561 00:49:10,200 --> 00:49:13,333 MADAME PAPELUSE, PAPALOOS? 562 00:49:15,400 --> 00:49:18,313 - SHE'S THIS VOODOO WOMAN, YOU SEE? 563 00:49:18,333 --> 00:49:23,047 AND ALL THE OTHER VOODOO WOMEN ARE SCARED OF HER. 564 00:49:23,067 --> 00:49:25,813 'CAUSE SHE CAN DO ANYTHING TO ANYBODY. 565 00:49:25,833 --> 00:49:27,280 HMM. 566 00:49:27,300 --> 00:49:31,047 SHE'S EVEN GOT THIS MAN ANSON HARRIS, YOU KNOW. 567 00:49:31,067 --> 00:49:35,380 HE KILLED HIS OWN SISTER AND BROTHER-IN-LAW. 568 00:49:35,400 --> 00:49:37,247 - AARON HARRIS. 569 00:49:37,267 --> 00:49:39,533 - YEAH, THAT'S RIGHT. 570 00:49:41,333 --> 00:49:46,113 - AARON HARRIS COMMITTED 11 VERY NASTY MURDERS. 571 00:49:46,133 --> 00:49:48,547 AND WHEN HE WAS ABOUT TO GO ON TRIAL, 572 00:49:48,567 --> 00:49:50,913 MADAME PAPALOOS GOT THE BEEF TONG, 573 00:49:50,933 --> 00:49:52,780 AND SHE DID A DANCE OVER IT. 574 00:49:52,800 --> 00:49:54,947 AND WHEN THE WITNESSES STOOD UP, 575 00:49:54,967 --> 00:49:57,813 THEY COULD NOT SAY ONE WORD. 576 00:49:57,833 --> 00:50:00,147 - IS THAT TRUE? 577 00:50:00,167 --> 00:50:01,780 - LADIES, LADIES. 578 00:50:01,800 --> 00:50:03,613 MAY WE CONTINUE? 579 00:50:03,633 --> 00:50:04,813 BON. 580 00:50:04,833 --> 00:50:06,947 NOW, REMEMBER, YOU CAN'T MOVE. 581 00:50:06,967 --> 00:50:10,013 ONE, TWO, THREE, 582 00:50:10,033 --> 00:50:13,380 FOUR, FIVE, SIX, SEVEN-- 583 00:50:13,400 --> 00:50:14,747 DON'T MOVE. 584 00:50:14,767 --> 00:50:16,747 - I DON'T BELIEVE IN VOODOO. 585 00:50:16,767 --> 00:50:20,113 - DON'T LEAVE NO HAIRS IN YOUR HAIRBRUSH. 586 00:50:20,133 --> 00:50:21,647 - [indistinct] 587 00:50:21,667 --> 00:50:23,400 YOU MOVED! 588 00:50:34,700 --> 00:50:36,080 - DID YOU WANT SUGAR IN YOUR COFFEE? 589 00:50:36,100 --> 00:50:37,280 - ALL RIGHT. 590 00:50:37,300 --> 00:50:38,480 - OH, MY. SORRY. 591 00:50:38,500 --> 00:50:40,367 I FORGOT TO BRING IT OUT. 592 00:50:51,833 --> 00:50:53,947 WOULD YOU LIKE SOME CREAM? 593 00:50:53,967 --> 00:50:56,667 - UM, ALL RIGHT. 594 00:50:58,100 --> 00:51:00,047 THANK YOU. 595 00:51:00,067 --> 00:51:01,467 THAT'S ENOUGH. 596 00:51:16,733 --> 00:51:19,267 DO YOU MIND IF I ASK YOU A QUESTION? 597 00:51:22,533 --> 00:51:25,280 - WHAT'S A NICE GIRL LIKE ME DOIN' IN A PLACE LIKE THIS? 598 00:51:25,300 --> 00:51:27,747 - NO. 599 00:51:27,767 --> 00:51:30,313 - WHAT? 600 00:51:30,333 --> 00:51:34,047 - OH, WELL, I SUPPOSE YOU HAVE YOUR REASONS. 601 00:51:34,067 --> 00:51:35,647 - YEAH, I DO. 602 00:51:35,667 --> 00:51:37,880 MY MAMA, SHE JUST MARRIED A MEXICAN. 603 00:51:37,900 --> 00:51:40,247 AND MY DADDY, I DON'T KNOW, HE DIED. 604 00:51:40,267 --> 00:51:42,147 AND HOW I GOT HERE, I DON'T KNOW. 605 00:51:42,167 --> 00:51:45,100 IT'S ONE BIG FUZZY HAZE. 606 00:51:47,267 --> 00:51:51,213 - WELL, UM, YOU'RE IN A GOOD PLACE. 607 00:51:51,233 --> 00:51:55,580 I MEAN, WILLIE TAKES GOOD CARE OF HER GIRLS. 608 00:51:55,600 --> 00:51:56,780 - YEAH. 609 00:51:56,800 --> 00:51:58,813 - WELL-- - WHAT'S IN THE JOHNSON'S PLACE? 610 00:51:58,833 --> 00:52:01,780 - UM, IT'S A-- IT'S A FRENCH HOUSE. 611 00:52:01,800 --> 00:52:03,180 HILMA BURT RUNS IT. 612 00:52:03,200 --> 00:52:05,913 YOU KNOW, TOM ANDERSON'S GIRLFRIEND. 613 00:52:05,933 --> 00:52:07,480 - WHO'S TOM ANDERSON? 614 00:52:07,500 --> 00:52:09,713 - YOU DON'T KNOW TOM ANDERSON? 615 00:52:09,733 --> 00:52:15,547 HE'S THE POLITICIAN, GAMBLER, LADIES' MAN, 616 00:52:15,567 --> 00:52:18,747 MAYOR OF THE DISTRICT SOMETIMES. 617 00:52:18,767 --> 00:52:22,913 AND HE JUST GOT ELECTED TO THE STATE LEGISLATURE. 618 00:52:22,933 --> 00:52:26,147 - ALL THAT? 619 00:52:26,167 --> 00:52:28,400 WHAT'S A FRENCH HOUSE? 620 00:52:31,467 --> 00:52:33,800 - YOU WANT TO GET SOMETHING TO EAT? 621 00:52:44,067 --> 00:52:45,467 - YEAH, CHARLIE! 622 00:52:57,300 --> 00:52:59,533 GO, CHARLIE! 623 00:53:17,833 --> 00:53:19,067 - YEAH! 624 00:53:24,800 --> 00:53:26,800 - PLAY IT, JELLY ROLL! 625 00:53:47,167 --> 00:53:49,480 - OH, KID, YOU SHOULD OWN A PLACE LIKE THIS. 626 00:53:49,500 --> 00:53:50,547 - WHY? 627 00:53:50,567 --> 00:53:53,280 - SO WE CAN ALL DRINK FOR FREE! 628 00:53:53,300 --> 00:53:55,167 - YOU TELL HIM, SUGAR! 629 00:54:03,300 --> 00:54:05,680 - YOU BLACK SON OF A BITCH, SUCKER! 630 00:54:05,700 --> 00:54:07,247 - CALM YOUR ASS! 631 00:54:07,267 --> 00:54:08,713 - $1 ON THE COLORED GAL! 632 00:54:08,733 --> 00:54:10,047 - YOU'RE COVERED. 633 00:54:10,067 --> 00:54:11,047 - ALL RIGHT, DAMN YOU! 634 00:54:11,067 --> 00:54:13,233 QUIT IT! 635 00:54:20,233 --> 00:54:22,380 DIDN'T I TELL YOU NO MORE FIGHTIN'? 636 00:54:22,400 --> 00:54:23,713 - BUT SHE WAS TALKING ABOUT-- 637 00:54:23,733 --> 00:54:25,447 - I DON'T GIVE A DAMN WHAT SHE WAS SAYIN'! 638 00:54:25,467 --> 00:54:28,747 I TOLD YOU IF YOU WERE GONNA FIGHT, YOU FIGHT ME. 639 00:54:28,767 --> 00:54:30,180 NOW, COME ON. FIGHT ME. 640 00:54:30,200 --> 00:54:31,780 - I GOT A DOLLAR ON AARON HARRIS. 641 00:54:31,800 --> 00:54:32,780 - YOU'RE COVERED. 642 00:54:32,800 --> 00:54:33,813 - SHH. 643 00:54:33,833 --> 00:54:35,633 - NOW, YOU FIGHT ME! 644 00:54:37,433 --> 00:54:38,967 DAMN BITCH! 645 00:54:40,800 --> 00:54:42,047 - IT'S COLORED FOLKS' BUSINESS. 646 00:54:42,067 --> 00:54:43,047 KEEP OUT OF IT! 647 00:54:43,067 --> 00:54:44,047 - NO! 648 00:54:44,067 --> 00:54:45,900 - THAT'S ENOUGH! 649 00:54:50,267 --> 00:54:52,480 - I'M GONNA GIVE YOU A CHRISTMAS PRESENT A LITTLE EARLY 650 00:54:52,500 --> 00:54:54,080 AND FORGET YOU SAID THAT. 651 00:54:54,100 --> 00:54:56,580 - WAS THAT NECESSARY? 652 00:54:56,600 --> 00:54:57,580 HMM? 653 00:54:57,600 --> 00:54:58,780 - HE'S CRAZY. 654 00:54:58,800 --> 00:55:01,080 - WELL, BUST MY ASS. 655 00:55:01,100 --> 00:55:02,647 IF THIS LITTLE PUSSY, 656 00:55:02,667 --> 00:55:05,313 WHO'S ABOUT TO GET HIMSELF A JAZZ FUNERAL, 657 00:55:05,333 --> 00:55:09,313 AIN'T THE NEW PIANO PLAYER FROM ASBURY PARK, NEW JERSEY? 658 00:55:09,333 --> 00:55:10,480 - OH, YOU KNOW ME? 659 00:55:10,500 --> 00:55:12,180 KID ROSS? 660 00:55:12,200 --> 00:55:13,213 HMM? 661 00:55:13,233 --> 00:55:14,713 - SO YOU'RE KID ROSS. 662 00:55:14,733 --> 00:55:16,700 - YEAH. 663 00:55:19,633 --> 00:55:21,667 - HAVE A DRINK, KID. 664 00:55:27,333 --> 00:55:29,900 - IT WAS AN ACCIDENT! 665 00:55:40,767 --> 00:55:42,067 YOU'RE BLEEDING. 666 00:55:44,767 --> 00:55:45,880 - DAMN IT, YOU SAW IT! 667 00:55:45,900 --> 00:55:47,747 HE RABBIT PUNCHED ME! 668 00:55:47,767 --> 00:55:49,547 - NO. 669 00:55:49,567 --> 00:55:51,780 - THE PEOPLE AT ASBURY PARK RABBIT PUNCH? 670 00:55:51,800 --> 00:55:53,080 - YEAH, THE PEOPLE IN ASBURY PARK 671 00:55:53,100 --> 00:55:56,147 EAT PUNKS LIKE YOU FOR BREAKFAST. 672 00:55:56,167 --> 00:56:00,080 - PEOPLE IN STORYVILLE CARVE THEIR MEAT FOR BREAKFAST. 673 00:56:00,100 --> 00:56:01,780 - NOW, WAIT A MINUTE, NOW. 674 00:56:01,800 --> 00:56:03,267 NOW, WAIT. 675 00:56:06,433 --> 00:56:09,213 JUST CALM DOWN NOW! 676 00:56:09,233 --> 00:56:10,233 - HE'S LEAVING! 677 00:56:12,200 --> 00:56:14,067 LOOK, LOOK, LOOK, IT JUST... 678 00:56:19,833 --> 00:56:20,913 WAIT A MINUTE. 679 00:56:20,933 --> 00:56:22,047 WAIT A MINUTE. 680 00:56:22,067 --> 00:56:23,647 OH, NOW, JUST, JUST-- 681 00:56:23,667 --> 00:56:25,233 ALL RIGHT, ALL RIGHT, OKAY! 682 00:56:52,333 --> 00:56:54,580 - YOU'RE DEAD. 683 00:56:54,600 --> 00:56:56,600 YOU'RE BOTH DEAD. 684 00:57:02,300 --> 00:57:04,167 - CAN I BUY YOU A DRINK? 685 00:57:14,833 --> 00:57:16,947 - REMIND ME NOT TO MENTION ASBURY PARK, NEW JERSEY, 686 00:57:16,967 --> 00:57:18,733 ANYTIME SOON. 687 00:57:23,667 --> 00:57:25,347 - I THINK I'M GONNA BE SICK. 688 00:57:25,367 --> 00:57:27,847 - HEY, MS. TRUDY! 689 00:57:27,867 --> 00:57:31,180 IF YOU KICK THE HAM, YOU GET TO TAKE IT HOME WITH YOU. 690 00:57:31,200 --> 00:57:32,180 - NO, THANKS! 691 00:57:32,200 --> 00:57:33,413 I AIN'T HERE FOR KICKS. 692 00:57:33,433 --> 00:57:34,680 - HEY, JELLY! 693 00:57:34,700 --> 00:57:36,447 WATCH OUT FOR YOUR OWN HAM 694 00:57:36,467 --> 00:57:38,567 BEFORE I COME OVER THERE AND KICK IT UP ROUND YOUR FACE. 695 00:58:24,067 --> 00:58:26,100 - YEAH, YEAH! 696 00:58:36,600 --> 00:58:38,200 - WHERE IS COKE-EYED LAURA? 697 00:59:42,833 --> 00:59:48,200 - YOU HAVE TASTED THE DUST OF DARKNESS, THE HAPPY DUSK. 698 01:01:05,067 --> 01:01:07,647 - * AARON HARRIS 699 01:01:07,667 --> 01:01:11,067 * IS A BAD, BAD MAN 700 01:01:15,800 --> 01:01:18,680 * AARON HARRIS 701 01:01:18,700 --> 01:01:22,333 * IS A BAD, BAD MAN 702 01:01:25,433 --> 01:01:29,913 * NOW, HE'S THE BADDEST MAN * 703 01:01:29,933 --> 01:01:33,200 * EVER WAS ON THIS LAND 704 01:01:36,500 --> 01:01:41,080 * HE KILLED HIS SWEET LITTLE SISTER * 705 01:01:41,100 --> 01:01:44,433 * AND HIS BROTHER-IN-LAW 706 01:01:47,800 --> 01:01:52,680 * HE KILLED HIS SWEET LITTLE SISTER * 707 01:01:52,700 --> 01:01:55,067 * AND HIS BROTHER-IN-LAW 708 01:01:59,433 --> 01:02:03,180 * ABOUT A CUP OF COFFEE 709 01:02:03,200 --> 01:02:07,433 * HE KILLED HIS SISTER AND HIS BROTHER-IN-LAW * 710 01:02:10,233 --> 01:02:12,900 - HELLO, TOM. 711 01:02:24,400 --> 01:02:26,313 - IT'S--IT'S VERY NICE. 712 01:02:26,333 --> 01:02:29,547 - IT'S NOT FOR SALE. 713 01:02:29,567 --> 01:02:32,680 - I SUSPECT YOU MEAN THAT RUDELY. 714 01:02:32,700 --> 01:02:34,447 - STATE YOUR BUSINESS. 715 01:02:34,467 --> 01:02:39,047 THIS IS A BUSINESS HOUSE, AND YOU ARE ON BUSINESS HOURS. 716 01:02:39,067 --> 01:02:43,347 - WELL, TO TELL THE TRUTH, 717 01:02:43,367 --> 01:02:47,113 I THOUGHT EMMA JOHNSON MADE YOU A RIGHT HANDSOME OFFER, WILLIE, 718 01:02:47,133 --> 01:02:50,380 FOR THAT VIRGIN, GERTRUDE DIX? 719 01:02:50,400 --> 01:02:52,200 - DAMN YOU, TOM. 720 01:02:58,700 --> 01:03:01,633 NOT FOR ANY AMOUNT OF MONEY. 721 01:03:03,500 --> 01:03:06,480 I COULDN'T SEND TRUDY INTO THAT CESSPOOL. 722 01:03:06,500 --> 01:03:08,080 - IT'S BEAUTIFUL OUT HERE! 723 01:03:08,100 --> 01:03:10,300 ALL THESE COLORS. 724 01:03:19,333 --> 01:03:22,480 OH, I'M SO GLAD COUNTESS WILLIE LET ME TAKE THIS OUT. 725 01:03:22,500 --> 01:03:25,367 ONLY THING IS, SHE DON'T LET ME OUT OF HER SIGHT. 726 01:03:26,933 --> 01:03:29,380 WELL, ANYWAY, SHE THOUGHT I WAS LOOKING A LITTLE BIT PALE, 727 01:03:29,400 --> 01:03:30,447 SO HERE I AM. 728 01:03:30,467 --> 01:03:32,100 - LIGHT ME. 729 01:03:36,567 --> 01:03:38,933 - I'D LOVE TO, WILLIE. 730 01:03:42,067 --> 01:03:44,413 - DON'T BE SMART ON MY TIME. 731 01:03:44,433 --> 01:03:46,667 YOU'RE NOT IN THE JOHNSON HOUSE. 732 01:03:49,567 --> 01:03:51,880 - BUT I'M ON MY TERRITORY. 733 01:03:51,900 --> 01:03:54,347 - YOU'RE OBNOXIOUS. 734 01:03:54,367 --> 01:03:56,613 - I TAKE PRETTY MUCH WHAT I WANT. 735 01:03:56,633 --> 01:03:59,380 THAT'S STILL THE RULE. 736 01:03:59,400 --> 01:04:01,767 - WHAT DO YOU WANT? 737 01:04:11,800 --> 01:04:16,347 I DON'T HAVE TO DO THAT ANYMORE, TOM ANDERSON. 738 01:04:16,367 --> 01:04:18,167 AND FOR A FACT... 739 01:04:20,767 --> 01:04:22,647 I NEVER DID IT WITH THE LIKES OF YOU. 740 01:04:22,667 --> 01:04:24,180 - NOW, DON'T GO LOOKING TO BUY TROUBLE 741 01:04:24,200 --> 01:04:26,400 WHEN THERE'S SO MUCH OF IT AROUND FOR FREE. 742 01:04:32,300 --> 01:04:35,713 - I BORROWED IT FROM TOM ANDERSON. 743 01:04:35,733 --> 01:04:37,913 AIN'T IT A HONEY? 744 01:04:37,933 --> 01:04:39,747 - JUST DON'T BLOW UP IN IT. 745 01:04:39,767 --> 01:04:41,480 - WHY DON'T YOU SIT BACK AND RELAX? 746 01:04:41,500 --> 01:04:43,700 NOW, YOU'RE GETTING A RIDE FOR NOTHING. 747 01:05:05,800 --> 01:05:07,680 TOM ANDERSON TALK TO YOU? 748 01:05:07,700 --> 01:05:09,680 - WHAT DO YOU KNOW ABOUT TOM ANDERSON? 749 01:05:09,700 --> 01:05:11,247 - I KNOW HE TALKED TO THE COUNTESS 750 01:05:11,267 --> 01:05:13,813 ABOUT GETTING YOU OVER TO EMMA JOHNSON'S. 751 01:05:13,833 --> 01:05:17,267 AND COKE-EYED LAURA TOLD ME YOU COULD MAKE A FORTUNE OVER THERE. 752 01:05:20,567 --> 01:05:22,413 YOU GONNA TAKE IT? 753 01:05:22,433 --> 01:05:23,780 - IF I'M GONNA SELL MYSELF, 754 01:05:23,800 --> 01:05:27,213 I MIGHT AS WELL GET THE HIGHEST PRICE I POSSIBLY CAN. 755 01:05:27,233 --> 01:05:29,680 WHAT BUSINESS IS IT OF YOURS ANYWAY? 756 01:05:29,700 --> 01:05:31,047 - PLENTY. 757 01:05:31,067 --> 01:05:32,747 I'M THINKING OF GOING OVER THERE MYSELF. 758 01:05:32,767 --> 01:05:35,413 - BULLSHIT! 759 01:05:35,433 --> 01:05:37,780 - REMEMBER NELLY MOSES? 760 01:05:37,800 --> 01:05:39,347 - THE WHITE SLAVE? 761 01:05:39,367 --> 01:05:40,800 - MM-HMM. 762 01:05:42,867 --> 01:05:45,380 SHE RAN AWAY. 763 01:05:45,400 --> 01:05:47,547 - CAN'T IMAGINE WHY. 764 01:05:47,567 --> 01:05:50,280 - ANYWAY, SHE WAS CAUGHT, 765 01:05:50,300 --> 01:05:52,947 AND SOME DO-GOODING DISTRICT ATTORNEY 766 01:05:52,967 --> 01:05:57,547 TOOK IT UPON HIMSELF TO SEE SHE GOT FREE. 767 01:05:57,567 --> 01:06:00,213 - HURRAY FOR THE FORCES OF SANITY. 768 01:06:00,233 --> 01:06:03,413 - WELL, A LITTLE NOOKIE HERE, 769 01:06:03,433 --> 01:06:05,047 A LITTLE PRESSURE THERE, 770 01:06:05,067 --> 01:06:09,047 TOMORROW THE HONORABLE JUDGE THORNTON 771 01:06:09,067 --> 01:06:11,847 IS GONNA FIND NELLY GUILTY. 772 01:06:11,867 --> 01:06:13,867 - OF WHAT? 773 01:06:15,833 --> 01:06:20,580 - OF THEFT OF HER OWN GODDAMN BODY. 774 01:06:20,600 --> 01:06:22,900 WHICH RIGHTFULLY BELONGS TO US. 775 01:06:24,633 --> 01:06:27,047 I GET WHAT I WANT, 776 01:06:27,067 --> 01:06:31,047 AND I WANT THAT VIRGIN, GERTRUDE DIX, 777 01:06:31,067 --> 01:06:32,947 FOR EMMA, 778 01:06:32,967 --> 01:06:36,113 INTACT, 779 01:06:36,133 --> 01:06:38,600 TWO WEEKS FROM TODAY. 780 01:06:40,800 --> 01:06:42,467 TWO WEEKS. 781 01:06:45,433 --> 01:06:47,333 GOOD DAY... 782 01:06:51,233 --> 01:06:53,100 WHAT'S LEFT OF IT. 783 01:06:56,700 --> 01:06:59,480 - EMMA JOHNSON DON'T CARE A PISS ABOUT MUSIC, 784 01:06:59,500 --> 01:07:00,780 AND YOU KNOW IT. 785 01:07:00,800 --> 01:07:03,047 BESIDES, SHE'S REALLY BAD. 786 01:07:03,067 --> 01:07:05,047 I DON'T THINK YOU'D LIKE IT OVER THERE ANYWAY, KID. 787 01:07:05,067 --> 01:07:06,380 - YOU KNOW I'M OVER 21. 788 01:07:06,400 --> 01:07:09,347 - WELL, I CAN TAKE CARE OF MYSELF JUST AS WELL AS YOU CAN. 789 01:07:09,367 --> 01:07:11,480 - I THINK YOU OUGHT TO TELL EMMA JOHNSON TO GO TO HELL. 790 01:07:11,500 --> 01:07:14,567 - I THINK YOU OUGHT TO GO BACK TO ASBURY PARK, NEW JERSEY. 791 01:08:22,533 --> 01:08:24,647 - VIRGIN FROM PITTSBURGH. 792 01:08:24,667 --> 01:08:25,933 HUH. 793 01:08:29,400 --> 01:08:31,833 - OKAY, I'M SORRY. 794 01:08:34,433 --> 01:08:37,647 I REALLY AM SORRY. 795 01:08:37,667 --> 01:08:39,847 I JUST HAVE A DECISION TO MAKE, THAT'S ALL. 796 01:08:39,867 --> 01:08:42,280 AND IT'S JUST A LITTLE DIFFICULT. 797 01:08:42,300 --> 01:08:44,567 - I CARE ABOUT YOUR DECISION. 798 01:08:47,433 --> 01:08:48,867 - THANK YOU. 799 01:08:51,467 --> 01:08:53,047 WOULD YOU ALSO CARE TO STOP THAT. 800 01:08:53,067 --> 01:08:54,413 - WHAT? 801 01:08:54,433 --> 01:08:56,447 - YOU'VE GOT YOUR HAND ON MY BOTTOM. 802 01:08:56,467 --> 01:08:57,580 - HMM? 803 01:08:57,600 --> 01:08:59,647 - YOUR HAND ON MY BOTTOM. 804 01:08:59,667 --> 01:09:01,467 - OH, YEAH. 805 01:09:07,767 --> 01:09:10,447 - IT'S JUST THAT THIS IS MY FIRST RENDEZVOUS WITH YOU, 806 01:09:10,467 --> 01:09:13,480 AND, WELL... 807 01:09:13,500 --> 01:09:15,447 I'D JUST LIKE YOU TO HAVE A LITTLE RESPECT FOR ME. 808 01:09:15,467 --> 01:09:18,380 THAT'S ALL. 809 01:09:18,400 --> 01:09:22,047 I'M NOT ONE OF THE GIRLS YET, 810 01:09:22,067 --> 01:09:25,067 AND I WON'T BE TILL AFTER THE AUCTION. 811 01:10:40,600 --> 01:10:44,700 - KID, TONIGHT'S THE AUCTION. 812 01:10:46,200 --> 01:10:48,033 I'M FRIGHTENED. 813 01:10:51,500 --> 01:10:55,513 - TRUDY, DR. MILES IS HERE FOR HIS PAYMENT, 814 01:10:55,533 --> 01:10:58,613 AND YOU'RE IT, 815 01:10:58,633 --> 01:11:01,067 IF HE BIDS HIGH ENOUGH. 816 01:11:11,067 --> 01:11:12,933 - ARE WE READY? 817 01:11:17,067 --> 01:11:18,680 WELCOME. 818 01:11:18,700 --> 01:11:20,767 WELCOME, SENATOR. 819 01:11:24,100 --> 01:11:26,047 AH, COME IN. COME IN. 820 01:11:26,067 --> 01:11:27,947 GOOD TO SEE YOU. 821 01:11:27,967 --> 01:11:29,580 COME IN. COME IN. 822 01:11:29,600 --> 01:11:31,447 HELLO, HELLO. 823 01:11:31,467 --> 01:11:32,680 JUST FINE. 824 01:11:32,700 --> 01:11:35,113 PLEASE, SIT DOWN. 825 01:11:35,133 --> 01:11:36,447 COME ON, PACK IT UP. 826 01:11:36,467 --> 01:11:38,300 CHOP, CHOP, CHOP. 827 01:11:44,933 --> 01:11:48,467 GENTLEMEN, GENTLEMEN! 828 01:11:49,667 --> 01:11:52,880 GENTLEMEN AND LADIES. 829 01:11:52,900 --> 01:11:55,047 IN KEEPING WITH OUR TRADITION 830 01:11:55,067 --> 01:11:58,200 OF SERVING THE FINEST OF EVERYTHING... 831 01:12:05,567 --> 01:12:06,933 - OH! 832 01:12:15,767 --> 01:12:19,580 - I PRESENT MS. GERTRUDE DIX, VIRGIN. 833 01:12:19,600 --> 01:12:22,847 GUARANTEED AND CERTIFIED. 834 01:12:22,867 --> 01:12:23,913 RIGHT? 835 01:12:23,933 --> 01:12:25,213 - YES'M. 836 01:12:25,233 --> 01:12:27,100 - DOES SHE SPEAK FRENCH? 837 01:12:29,100 --> 01:12:31,347 - MAIS, OUI. 838 01:12:31,367 --> 01:12:32,580 - LOVE THAT FRENCH. 839 01:12:32,600 --> 01:12:34,947 - WHOO-HOO! 840 01:12:34,967 --> 01:12:39,647 - THE BIDDING, GENTLEMEN, WILL START AT $500. 841 01:12:39,667 --> 01:12:41,047 - $500? 842 01:12:41,067 --> 01:12:42,747 THAT'S PRETTY HIGH. 843 01:12:42,767 --> 01:12:43,947 - A LITTLE STEEP THERE, WILLIE. 844 01:12:43,967 --> 01:12:45,533 - $400? 845 01:12:47,367 --> 01:12:49,847 - I'LL SAY $300. 846 01:12:49,867 --> 01:12:51,233 - $302. 847 01:12:53,767 --> 01:12:56,433 - $350. 848 01:13:08,100 --> 01:13:09,347 - WHAT NOW? 849 01:13:09,367 --> 01:13:11,100 - THE SHOW'S GONNA BEGIN NOW. 850 01:13:14,933 --> 01:13:17,133 - $375. 851 01:13:21,567 --> 01:13:24,567 - OH! 852 01:13:27,633 --> 01:13:29,667 - $500. 853 01:13:34,300 --> 01:13:36,800 - $520. 854 01:13:40,333 --> 01:13:41,413 - FIVE. 855 01:13:41,433 --> 01:13:43,267 - SHE SURE LOOKS PRETTY. 856 01:13:46,467 --> 01:13:49,900 - $525, GENTLEMEN? 857 01:13:50,967 --> 01:13:53,767 PRIME VIRGIN TERRITORY. 858 01:14:00,867 --> 01:14:03,067 - $550. 859 01:14:11,733 --> 01:14:13,667 - TAKE IT OFF. TAKE IT OFF. 860 01:14:15,900 --> 01:14:18,067 HIDE YOUR EYES. 861 01:14:20,233 --> 01:14:22,513 - $575. 862 01:14:22,533 --> 01:14:24,467 All: OOH. 863 01:14:33,700 --> 01:14:35,047 - LET'S SEE YOU SOME MORE. 864 01:14:35,067 --> 01:14:36,480 TURN AROUND, BABY! 865 01:14:36,500 --> 01:14:39,247 TURN AROUND. 866 01:14:39,267 --> 01:14:40,547 - $600. 867 01:14:40,567 --> 01:14:43,280 - TAKE ME TO THE BANK. 868 01:14:43,300 --> 01:14:46,500 - $650, BUT I'LL FINISH TAKING OFF THE BLOOMERS. 869 01:14:58,300 --> 01:14:59,833 - $800. 870 01:15:12,533 --> 01:15:15,947 - $800 IN CASH? 871 01:15:15,967 --> 01:15:17,447 DO YOU KNOW WHAT YOU'RE DOING? 872 01:15:17,467 --> 01:15:19,433 - MY MONEY IS AS GOOD AS ANYBODY'S. 873 01:15:27,400 --> 01:15:30,900 - GOING ONCE, GOING TWICE... 874 01:15:32,267 --> 01:15:33,900 SOLD. 875 01:16:54,767 --> 01:16:58,200 - KID, ARE YOU AWAKE? 876 01:17:01,400 --> 01:17:03,247 - YEAH. 877 01:17:03,267 --> 01:17:04,347 - I'M SORRY. 878 01:17:04,367 --> 01:17:06,480 I'M REALLY SORRY. 879 01:17:06,500 --> 01:17:09,300 - WHY ARE YOU ALWAYS SORRY ABOUT EVERYTHING? 880 01:17:11,467 --> 01:17:13,547 I WAS THINKING ABOUT YOUR PROBLEM. 881 01:17:13,567 --> 01:17:15,047 - TOM ANDERSON? 882 01:17:15,067 --> 01:17:16,333 - YEAH. 883 01:17:19,600 --> 01:17:23,947 - KID, IT'S NOT JUST MY PROBLEM. 884 01:17:23,967 --> 01:17:27,247 IT'S YOUR PROBLEM TOO. 885 01:17:27,267 --> 01:17:28,713 HE'S NOT GONNA BE TOO PLEASED AT ALL 886 01:17:28,733 --> 01:17:30,500 WHEN HE FINDS OUT ABOUT THIS. 887 01:17:35,500 --> 01:17:39,380 - I GOT A FRIEND IN CHICAGO. 888 01:17:39,400 --> 01:17:42,467 - OH, EVERYBODY'S GOT A FRIEND IN CHICAGO. 889 01:17:44,900 --> 01:17:46,547 SO THAT'S WHAT YOU'VE BEEN SITTING THERE 890 01:17:46,567 --> 01:17:48,413 THINKING ABOUT ALL NIGHT? 891 01:17:48,433 --> 01:17:51,347 - I WAS THINKING ABOUT HOW I LOVE YOU. 892 01:17:51,367 --> 01:17:53,267 - I LOVE YOU TOO. 893 01:18:06,333 --> 01:18:07,567 - WILL YOU MARRY ME? 894 01:18:10,567 --> 01:18:12,500 - OF COURSE I WILL. 895 01:18:14,767 --> 01:18:16,267 - FOR BETTER OR WORSE? 896 01:18:18,900 --> 01:18:21,333 - HOW MUCH WORSE DOES IT GET? 897 01:18:23,533 --> 01:18:27,913 - WELL, MY FRIEND IN CHICAGO WANTS TO GO IN HALVES 898 01:18:27,933 --> 01:18:32,380 ON A CABARET CLUB, 899 01:18:32,400 --> 01:18:35,680 AND THAT WAS MY HALF. 900 01:18:35,700 --> 01:18:37,413 I'M BROKE. 901 01:18:37,433 --> 01:18:40,147 - WHAT? 902 01:18:40,167 --> 01:18:43,247 WHY DIDN'T YOU TELL ME? 903 01:18:43,267 --> 01:18:45,513 - DOES IT MATTER? 904 01:18:45,533 --> 01:18:47,067 - I LOVE YOU. 905 01:18:52,333 --> 01:18:54,413 WE'VE HAD THE WORST. 906 01:18:54,433 --> 01:18:56,767 NOW I'M READY FOR THE BETTER. 907 01:20:35,267 --> 01:20:39,547 - GOOD NIGHT, SWEET PRINCE. 908 01:20:39,567 --> 01:20:40,713 - WE ARE NOT TO BE. 909 01:20:40,733 --> 01:20:43,447 DAMN IT, LAURA. 910 01:20:43,467 --> 01:20:48,347 I HAVE NEVER MET ANYONE LIKE YOU. 911 01:20:48,367 --> 01:20:51,147 EVERY TIME I THINK I'VE DONE IT ALL, 912 01:20:51,167 --> 01:20:52,613 YOU COME UP WITH SOMETHING 913 01:20:52,633 --> 01:20:54,647 I WOULDN'T HAVE THOUGHT OF IN A MILLION YEARS. 914 01:20:54,667 --> 01:20:57,047 - MM-HMM. 915 01:20:57,067 --> 01:21:00,200 - DAMN, WOMAN, YOU TURN ME EVERY WAY BUT LOOSE. 916 01:21:05,100 --> 01:21:09,647 BETWEEN YOUR SEXUAL QUIRKS AND YOUR DOPE DREAMS, 917 01:21:09,667 --> 01:21:12,247 THAT MIND OF YOURS MUST BE SPLIT TO PIECES. 918 01:21:12,267 --> 01:21:15,147 - MM-HMM. 919 01:21:15,167 --> 01:21:18,067 - YOU'RE PROBABLY IN LEAGUE WITH APHRODITE. 920 01:21:21,733 --> 01:21:23,867 OR THE DEVIL HIMSELF. 921 01:21:27,700 --> 01:21:33,313 - JUST CALL IT THAT OLD BLACK MAGIC. 922 01:21:33,333 --> 01:21:36,180 OR MAYBE VOODOO. 923 01:21:36,200 --> 01:21:38,047 - I MEAN TO TELL YOU, 924 01:21:38,067 --> 01:21:41,847 THAT WILLIE PIAZZA DOESN'T KNOW WHAT SHE'S GOT IN YOU. 925 01:21:41,867 --> 01:21:45,313 IF SHE'D ONLY GIVE YOU YOUR HEAD. 926 01:21:45,333 --> 01:21:47,680 THAT VIRGIN IS PENNY ANTE STUFF. 927 01:21:47,700 --> 01:21:49,247 - VIRGIN? 928 01:21:49,267 --> 01:21:50,247 WHAT VIRGIN? 929 01:21:50,267 --> 01:21:52,480 TRUDY? 930 01:21:52,500 --> 01:21:54,113 DON'T MAKE ME LAUGH. 931 01:21:54,133 --> 01:21:56,380 SHE'S JUST RARIN' TO GO 932 01:21:56,400 --> 01:22:00,713 EVER SINCE SHE MET THAT PIANO PLAYER, KID ROSS. 933 01:22:00,733 --> 01:22:02,847 - RUN THAT BY ME ONE MORE AGAIN. 934 01:22:02,867 --> 01:22:04,447 WHAT'S THAT YOU SAY? 935 01:22:04,467 --> 01:22:08,180 - KID ROSS JUST PICKED THE FRUIT RIGHT OFF THE TREE 936 01:22:08,200 --> 01:22:11,113 RIGHT UNDER YOUR VERY NOSE. 937 01:22:11,133 --> 01:22:13,413 - AH, COME ON. 938 01:22:13,433 --> 01:22:16,780 - EMMA JONES HAS LOST HER VIRGIN. 939 01:22:16,800 --> 01:22:19,967 EMMA JONES HAS LOST HER VIRGIN. 940 01:22:23,667 --> 01:22:26,547 - WELL, I'LL BE DAMNED. 941 01:22:26,567 --> 01:22:29,347 THAT WHOREHOUSE PIANO-PLAYING KID. 942 01:22:29,367 --> 01:22:31,913 WELL, NOW, NOBODY-- 943 01:22:31,933 --> 01:22:34,113 NOBODY PICKS THEIR FRUIT OFF OF TOM ANDERSON'S ORCHARD 944 01:22:34,133 --> 01:22:36,580 WITHOUT PAYING THE PRICE! 945 01:22:36,600 --> 01:22:39,747 THEY CAN'T GET AWAY WITH IT. 946 01:22:39,767 --> 01:22:42,947 TAKE CARE OF 'EM BOTH, LAURA. 947 01:22:42,967 --> 01:22:44,247 GET ALL THE HELP YOU NEED 948 01:22:44,267 --> 01:22:46,413 FROM YOUR LITTLE SEWING CIRCLE OF FRIENDS. 949 01:22:46,433 --> 01:22:50,080 AARON HARRIS, MADAME PAPALOOS, 950 01:22:50,100 --> 01:22:52,513 ANYBODY! 951 01:22:52,533 --> 01:22:56,247 OR ANYTHING THAT DEVIOUS LITTLE MIND OF YOURS CAN CONJURE UP. 952 01:22:56,267 --> 01:22:59,113 - AND WHAT'S IN IT FOR ME? 953 01:22:59,133 --> 01:23:02,967 - WELL, YOU DO A GOOD JOB... 954 01:23:05,800 --> 01:23:07,280 AND I'LL KEEP YOU IN LOTUS LAND 955 01:23:07,300 --> 01:23:09,633 AS LONG AS THERE'S OPIUM IN CHINATOWN. 956 01:23:13,900 --> 01:23:15,747 JUST MAKE SURE IT'S LIGHTS OUT 957 01:23:15,767 --> 01:23:19,680 FOR THE BOTH OF THEM... 958 01:23:19,700 --> 01:23:21,500 PERMANENTLY. 959 01:23:29,100 --> 01:23:30,713 - WHERE ARE WE? 960 01:23:30,733 --> 01:23:31,713 - PITTSBURGH. 961 01:23:31,733 --> 01:23:32,847 WHERE DO YOU THINK WE ARE? 962 01:23:32,867 --> 01:23:34,847 WE'RE IN STORYVILLE CEMETERY. 963 01:23:34,867 --> 01:23:37,547 - MS. HATTIE C. HAMILTON, 964 01:23:37,567 --> 01:23:39,247 QUEEN OF WHORES. 965 01:23:39,267 --> 01:23:41,647 DIED 1885. 966 01:23:41,667 --> 01:23:44,780 YOU KNOW SENATOR JAMES BEERS? 967 01:23:44,800 --> 01:23:46,413 HE WAS HER MAN. 968 01:23:46,433 --> 01:23:48,747 - NO, I'VE NEVER HEARD OF HIM. 969 01:23:48,767 --> 01:23:51,433 - SHE SHOT HIM DEAD. 970 01:24:01,733 --> 01:24:03,547 JOSIE ARLINGTON. 971 01:24:03,567 --> 01:24:06,833 NO VIRGIN EVER LOST HER VIRTUE IN HER HOUSE. 972 01:24:34,167 --> 01:24:38,413 - I'M GONNA HAVE TO GO TO CHICAGO FOR A WHILE. 973 01:24:38,433 --> 01:24:40,947 I GOT TO TALK MY FRIEND INTO OPENING THE JAZZ CLUB 974 01:24:40,967 --> 01:24:44,847 WITHOUT ME PUTTING UP ANY FRONT MONEY. 975 01:24:44,867 --> 01:24:46,333 - WHY SHOULD HE DO THAT? 976 01:24:51,167 --> 01:24:54,680 - WELL, FOR ONE THING, 977 01:24:54,700 --> 01:24:59,713 HE'D HAVE THE BEST PIANO PLAYER IN THE MIDWEST, ME. 978 01:24:59,733 --> 01:25:02,813 AND, WELL... 979 01:25:02,833 --> 01:25:05,747 JAZZ MUSIC IS MOVING NORTH, 980 01:25:05,767 --> 01:25:08,047 AND... 981 01:25:08,067 --> 01:25:11,680 PEOPLE UP THERE PAY A LOT OF MONEY FOR OUR KIND OF MUSIC. 982 01:25:11,700 --> 01:25:13,913 AND JELLY ROLL'S STAKIN' ME. 983 01:25:13,933 --> 01:25:16,513 HE'S THINKING OF MAKING THE MOVE TOO. 984 01:25:16,533 --> 01:25:19,433 - WELL, WITH YOU GONE... 985 01:25:21,300 --> 01:25:24,367 - LISTEN, IT'S JUST GONNA BE FOR A WEEK. 986 01:25:37,333 --> 01:25:39,480 - GENTLEMEN AND LADIES, 987 01:25:39,500 --> 01:25:43,413 IN HONOR OF HER THIRD YEAR AT NUMBER 317, 988 01:25:43,433 --> 01:25:46,047 AND IN CONSIDERATION OF OTHER THINGS, 989 01:25:46,067 --> 01:25:49,113 LIKE JUST PLAIN HAVING A GOOD TIME-- 990 01:25:49,133 --> 01:25:52,047 WHOO! 991 01:25:52,067 --> 01:25:55,680 THE COUNTESS WILLIE PIAZZA IS PROUD TO PRESENT-- 992 01:25:55,700 --> 01:25:58,067 AND WE'LL HAVE MORE IF YOU LIKE IT... 993 01:26:02,067 --> 01:26:05,667 THE COUNTESS WILLIE PIAZZA COSTUME BALL! 994 01:26:38,567 --> 01:26:39,967 - WHOO! 995 01:27:17,733 --> 01:27:19,947 - I DON'T BELIEVE IN VOODOO. 996 01:27:19,967 --> 01:27:23,100 - DON'T LEAVE NO HAIRS IN YOUR HAIRBRUSH. 997 01:28:04,467 --> 01:28:06,713 - WHOO! 998 01:28:06,733 --> 01:28:07,880 WELL, I SURE DECLARE, 999 01:28:07,900 --> 01:28:10,100 YOU ARE A GOOD SKATE. 1000 01:29:03,800 --> 01:29:05,913 - [speaking Creole] 1001 01:29:05,933 --> 01:29:08,147 GREAT SERPENT GOD, 1002 01:29:08,167 --> 01:29:11,313 BRING HER TO ME AS STRAIGHT AS A ROD. 1003 01:29:11,333 --> 01:29:15,047 A SLAVE OF DAMBALLA AND MY GREAT SNAKE, 1004 01:29:15,067 --> 01:29:19,367 BEWARE OF THE EVIL SPELL I MAKE. 1005 01:30:51,200 --> 01:30:56,280 - LAURA LAFAYETTE HAS BOUGHT ENTRANCE TO THE RELIGION. 1006 01:30:56,300 --> 01:30:57,680 - COKE-EYED LAURA? 1007 01:30:57,700 --> 01:31:00,047 - SHE HAS BOUGHT ENTRANCE, 1008 01:31:00,067 --> 01:31:03,847 JUST AS SOMEDAY YOU WILL BUY ENTRANCE BY BRINGING ME ANOTHER. 1009 01:31:03,867 --> 01:31:05,347 - I DON'T BELIEVE YOU! 1010 01:31:05,367 --> 01:31:08,747 - THEN WHY ARE YOU HERE? 1011 01:31:08,767 --> 01:31:10,447 - I DON'T KNOW! 1012 01:31:10,467 --> 01:31:11,913 I DON'T KNOW! 1013 01:31:11,933 --> 01:31:13,547 I DON'T KNOW! 1014 01:31:13,567 --> 01:31:14,947 IT'S ALL SO FUZZY! 1015 01:31:14,967 --> 01:31:17,633 - THE POWER HAS BROUGHT YOU TO ME. 1016 01:31:20,867 --> 01:31:21,833 - AAH! 1017 01:31:30,833 --> 01:31:32,047 - HI, HONEY. 1018 01:31:32,067 --> 01:31:34,380 COULD YOU STAND A GOOD TIME? 1019 01:31:34,400 --> 01:31:36,313 - HOW ABOUT A CUP OF COFFEE? 1020 01:31:36,333 --> 01:31:37,780 - HEY, BABY! 1021 01:31:37,800 --> 01:31:39,647 HOW 'BOUT A CUP OF COFFEE 1022 01:31:39,667 --> 01:31:44,467 AND SOME SWEET, SWEET SUGAR. 1023 01:32:10,167 --> 01:32:13,147 - HEY, SATCHELMOUTH, MY MAN. 1024 01:32:13,167 --> 01:32:14,847 HEY, DO YOU KNOW ANY MENDELSSOHN? 1025 01:32:14,867 --> 01:32:16,513 'CAUSE YOU'RE INVITED TO A WEDDING. 1026 01:32:16,533 --> 01:32:17,547 MINE. 1027 01:32:17,567 --> 01:32:19,047 - AMEN. 1028 01:32:19,067 --> 01:32:20,880 NO WONDER YOU DON'T WANT NO SUGAR. 1029 01:32:20,900 --> 01:32:22,180 WHO YOU MARRYIN'? 1030 01:32:22,200 --> 01:32:24,113 - OH, YOU KNOW MY GIRL? 1031 01:32:24,133 --> 01:32:25,347 MS. TRUDY DIX? 1032 01:32:25,367 --> 01:32:26,447 - MS. TRUDY? 1033 01:32:26,467 --> 01:32:27,747 - YEAH. 1034 01:32:27,767 --> 01:32:29,447 - YOU BETTER CALL OFF YOUR PREACHER, 1035 01:32:29,467 --> 01:32:32,413 'CAUSE THE VOODOO QUEEN HAS CALLED MS. TRUDY TO HER ALTAR. 1036 01:32:32,433 --> 01:32:33,513 - WHAT? 1037 01:32:33,533 --> 01:32:34,580 WHAT ARE YOU TALKIN' ABOUT? 1038 01:32:34,600 --> 01:32:36,347 - IT'S TRUE. I SAW HER. 1039 01:32:36,367 --> 01:32:38,447 THE MARK OF DAMBALLA WAS ON HER. 1040 01:32:38,467 --> 01:32:40,313 SHE'S FOR MADAME PAPALOOS. 1041 01:32:40,333 --> 01:32:41,747 - WHERE IS SHE? CAN YOU TAKE ME TO HER? 1042 01:32:41,767 --> 01:32:42,780 - CAN'T. 1043 01:32:42,800 --> 01:32:44,480 I GOT TO GO CART COAL ON BASIN STREET. 1044 01:32:44,500 --> 01:32:46,513 JUST FOLLOW THE DRUMS. FOLLOW THE DRUMS. 1045 01:32:46,533 --> 01:32:47,613 THAT'S WHERE SHE IS. 1046 01:32:47,633 --> 01:32:49,747 - WELL, HELL. WATCH THIS FOR ME. 1047 01:32:49,767 --> 01:32:51,100 YOU'RE STILL INVITED. 1048 01:32:56,233 --> 01:32:58,147 - I HOPE YOU'RE RIGHT. 1049 01:32:58,167 --> 01:33:00,847 I WONDER IF MENDEL WHAT'S-HIS-NAME 1050 01:33:00,867 --> 01:33:04,633 EVER FOUND A GRIS-GRIS SPELL ON HIS DOORSTEP. 1051 01:33:11,833 --> 01:33:14,213 - WHY? WHY ARE YOU DOING THIS? 1052 01:33:14,233 --> 01:33:15,833 WHY? 1053 01:33:18,333 --> 01:33:20,680 - BECAUSE OF KID ROSS. 1054 01:33:20,700 --> 01:33:23,500 THE SNAKE GOD... 1055 01:33:24,933 --> 01:33:26,847 - WHY? 1056 01:33:26,867 --> 01:33:28,580 WHAT DID HE EVER DO TO YOU? 1057 01:33:28,600 --> 01:33:30,347 - HE AIN'T DONE NOTHING TO ME. 1058 01:33:30,367 --> 01:33:32,680 HE HURT MY MAN. 1059 01:33:32,700 --> 01:33:33,713 - LET HIM GO! 1060 01:33:33,733 --> 01:33:37,447 - AN EYE FOR AN EYE. 1061 01:33:37,467 --> 01:33:38,580 - LET HIM GO! 1062 01:33:38,600 --> 01:33:40,280 - HE LIVES SO FAR. 1063 01:33:40,300 --> 01:33:42,047 - LET HIM GO! 1064 01:33:42,067 --> 01:33:44,147 - IT'S YOU WHO IS CAUGHT. 1065 01:33:44,167 --> 01:33:46,433 HIS WOMAN FOR MY MAN. 1066 01:33:53,400 --> 01:33:55,600 - SHE'S YOURS, HOUNGAN PRIEST. 1067 01:33:58,933 --> 01:34:00,700 AARON HARRIS! 1068 01:34:40,767 --> 01:34:43,847 - AHH! 1069 01:34:43,867 --> 01:34:45,100 NO! 1070 01:35:47,067 --> 01:35:48,500 - DON'T DIRTY THE RUG. 1071 01:36:06,900 --> 01:36:08,680 YOU NEED NOT MAKE ANY STATEMENT. 1072 01:36:08,700 --> 01:36:10,613 THAT IS, YOU HAVE THE RIGHT TO REMAIN SILENT. 1073 01:36:10,633 --> 01:36:12,113 - EVERYTHING WAS GOING PERFECTLY. 1074 01:36:12,133 --> 01:36:13,847 HOW DID YOU FIND ME? 1075 01:36:13,867 --> 01:36:17,247 - ANYTHING YOU SAY MAY BE USED AGAINST YOU IN TRIAL. 1076 01:36:17,267 --> 01:36:19,647 YOU HAVE THE RIGHT TO CONSULT WITH AND OBTAIN THE ADVICE 1077 01:36:19,667 --> 01:36:20,780 OF AN ATTORNEY OR... 1078 01:36:20,800 --> 01:36:21,780 - WHAT'S GOING ON? 1079 01:36:21,800 --> 01:36:24,547 WHAT'S HAPPENING? 1080 01:36:24,567 --> 01:36:27,100 - YOU JUST RELAX. JUST RELAX. 1081 01:36:28,200 --> 01:36:30,280 YOU'RE A LUCKY LADY. 1082 01:36:30,300 --> 01:36:31,713 A LOT LUCKIER THAN THE OTHERS. 1083 01:36:31,733 --> 01:36:34,313 - SHE WAS WORTH 5 GRAND, EASY. 1084 01:36:34,333 --> 01:36:35,747 - MY HEAD IS POUNDING SO MUCH. 1085 01:36:35,767 --> 01:36:38,380 - JUST LIE BACK AND RELAX. 1086 01:36:38,400 --> 01:36:40,647 YOU'VE HAD A VERY NEAR MISS. 1087 01:36:40,667 --> 01:36:42,913 YOU WERE ALMOST THE VICTIM OF A RING 1088 01:36:42,933 --> 01:36:47,147 THAT SELLS HOMELESS GIRLS TO THE RICH OF FOREIGN COUNTRIES. 1089 01:36:47,167 --> 01:36:48,480 - HOW DID YOU FIND ME? 1090 01:36:48,500 --> 01:36:50,313 THROUGH IDA OR BURT? 1091 01:36:50,333 --> 01:36:51,513 - NO. 1092 01:36:51,533 --> 01:36:54,647 THEY WERE PART OF THE RING. 1093 01:36:54,667 --> 01:36:57,347 UNDERCOVER DETECTIVE SORDIK HAS HAD YOU UNDER SURVEILLANCE 1094 01:36:57,367 --> 01:36:59,047 EVER SINCE YOU GOT TO TOWN. 1095 01:36:59,067 --> 01:37:03,613 HE WONDERED WHY YOU NEVER LEFT THE BODINE APARTMENT FOR DAYS. 1096 01:37:03,633 --> 01:37:05,947 YOU SHOULD PROBABLY BE ON A BOAT NOW. 1097 01:37:05,967 --> 01:37:08,880 - WOULD YOU PLEASE THANK HIM FOR ME? 1098 01:37:08,900 --> 01:37:10,880 - WHY DON'T YOU THANK HIM YOURSELF? 1099 01:37:10,900 --> 01:37:12,347 DETECTIVE SORDIK? 1100 01:37:12,367 --> 01:37:16,133 THIS YOUNG LADY WOULD LIKE TO THANK YOU FOR DOING YOUR JOB. 1101 01:37:30,200 --> 01:37:32,647 - YEAH, I KNEW HER, 1102 01:37:32,667 --> 01:37:34,180 AND I SURE AS HELL WAS GOING 1103 01:37:34,200 --> 01:37:36,747 TO GET TO KNOW HER A HELL OF A LOT BETTER. 1104 01:37:36,767 --> 01:37:38,180 AS FOR THE REST OF YOU, 1105 01:37:38,200 --> 01:37:40,447 WELL, MOST OF WHAT YOU'VE SEEN IS TRUE. 1106 01:37:40,467 --> 01:37:43,047 SOME OF IT IS WILD CONJECTURE, 1107 01:37:43,067 --> 01:37:45,813 BUT ALL OF IT IS SUCH A COMPLICATED COMBINATION 1108 01:37:45,833 --> 01:37:49,913 OF THE TWO, THAT NO TWO STORIES CONCERNING THE FRENCH QUARTER 1109 01:37:49,933 --> 01:37:52,213 ARE EVER NEARLY THE SAME. 1110 01:37:52,233 --> 01:37:53,947 THIS MUCH IS KNOWN. 1111 01:37:53,967 --> 01:37:57,613 COUNTESS WILLIE PIAZZA BECAME A BONA FIDE MEMBER OF THE NOBILITY 1112 01:37:57,633 --> 01:38:01,113 THROUGH THE HUSBAND SHE ACQUIRED ON THE FRENCH RIVIERA. 1113 01:38:01,133 --> 01:38:02,780 SATCHELMOUTH GREW UP TO BECOME ONE 1114 01:38:02,800 --> 01:38:06,380 OF THE JAZZ TRUMPET GREATS OF ALL TIME. 1115 01:38:06,400 --> 01:38:08,847 JELLY ROLL MORTON DIDN'T DO BAD EITHER. 1116 01:38:08,867 --> 01:38:12,847 DR. MILES PEDDLED HIS DUBIOUS SOCIAL DISEASE CURE 1117 01:38:12,867 --> 01:38:15,280 AND LATER INVENTED A HEADACHE REMEDY 1118 01:38:15,300 --> 01:38:17,647 THAT BECAME FAMOUS FOR ITS FIZZ. 1119 01:38:17,667 --> 01:38:20,347 TOM ANDERSON, AT THE AGE OF 71, 1120 01:38:20,367 --> 01:38:24,647 GOT RELIGION, AND JOINED GERTRUDE DIX IN HOLY WEDLOCK. 1121 01:38:24,667 --> 01:38:28,713 ICE BOX JOSIE GOT DEFROSTED, YEAH, FINALLY. 1122 01:38:28,733 --> 01:38:31,947 HE WAS A BIG FISHING TYCOON FROM CANADA. 1123 01:38:31,967 --> 01:38:33,647 HE HAD A SON, A DAUGHTER, 1124 01:38:33,667 --> 01:38:35,580 AND THREE GRANDCHILDREN HE NEVER SAW, 1125 01:38:35,600 --> 01:38:39,347 THE OLDEST OF WHICH IS THE TELLER OF THIS UNLIKELY 1126 01:38:39,367 --> 01:38:41,913 AND MOST OUTRAGEOUS TALE. 1127 01:38:41,933 --> 01:38:43,747 THAT'S ABOUT IT. 1128 01:38:43,767 --> 01:38:48,067 NOW, Y'ALL DRIVE HOME CAREFULLY, YOU HEAR? 75435

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