All language subtitles for The Howl Rebirth 1989

(WIND HOWLING)

*

(SPEAKING HUNGARIAN)

(SCREAMING)

(SCREAMING)

(BABY CRYING)

(GRUNTS)

(SPEAKING HUNGARIAN)

(WOLF HOWLING)

(BABY CRYING)

Excuse me!

Do, I know you?

Oh, I'm sorry. I thought
we knew each other.

Hang on, we do know each other.

You're Gail Cameron.
I'm David Gillespie.

I shot some stills for you.For...
Rolling Stone.

Yeah, before my
celebrated breakdown?

Oh, they'll write
anything to sell a paper.

What are you doing now?

Well, I've got some tempting
offers, but...

I don't want the same
pressure again, so,

I'm writing strictly for myself now.

Yeah, I'm going back to freelancing.

I spent too long covering
other people's conflicts.

Ah, thank you.
-Thank you.

Hi.

RECEPTIONIST: Will Mr. Donaldson
come to the reception please?

Is this seat taken?

Excuse me, is this seat taken?

It is now. -I'm Jonathan Lane.

The tennis player.

Ah, it's nice to have a hobby.

I'm Marylou Summers.-No,
that's what l do for work.

Oh, I'm sorry you don't
have a real job.

(LAUGHS) I play tennis.

It's important to have an
interest when you're out of work.

So, now that we're
making such

headway, what do you
do for a living?

I'm an actress.-Yeah?

What restaurant do you work at?

How do you know I worked at a
restaurant? Are you psychic?

As a matter of fact...-But no
one ever takes me seriously

so I'm always cast as a bimbo.

Oh, I'd have thought it took a
lot of talent to play a bimbo.

It does. It's not easy
pretending to be stupid.

Richard, why can't I come
to the castle with you?

Eleanor, it had
nothing to do with me.

I was just one of the
eight people selected

out of everyone that
applied for a visa.

You could have said no, when you
knew I didn't get an invitation.

How often does
anyone get to see a

castle that's been closed
for 500 years?

Besides, I'll be
back at the hotel

tonight. -Excuse me, Mr.
Hamilton...

For you, honey.

What's in it?-Well, open it.

RECEPTIONIST: Will Mr. Donaldson
come to the reception please?

- Mr. Donaldson to reception.
-(DOOR SQUEAKS)

(SPEAKING FOREIGN LANGUAGE)

Ms. Benson, please smile.

Who is that?

I... I think it's that
Scandinavian actress.

Oh, excuse me a
minute, honey.-Sure.

WOMAN: Oh, isn't she lovely?

So, what brings you to Budapest?

I'm attending the
opening of a castle.

You're not going to believe this...
-No!

Yeah, I saw an advert
in a magazine, so...

(TOILET FLUSHING)

Oh! Would you mind, this
is the ladies room!

Ah, that must be one hell of a book
you got there, mate! (LAUGHING)

Vodka martini, very
dry, with a twist.

No, no, no, no, no, no.
Vodka with a twist.

I do not understand.

Vodka. Twist.

Here, she means this mate.

If, I want your help,
I'll ask for it.

Sorry, love. -And,
I'm not your love.

Aye, I wouldn't want
to lower me standards.

It puts you off women.

No, mate, not when you
consider the alternative.

(TALKING INDISTINCTLY)

You never know who you can trust.

Mr. Price, the bus is
waiting for you outside.

Thanks, love. -She is very nice.

Yeah, no worries.
-Be happy.

Ms. Benson.
-Yes?

I'm honored to welcome
you to Budapest.

I'm Count Istvan Bezoli.

You see even here,
you're recognized

as the queen of
European cinema.

You flatter me, Count.

I regret we have only a
bus for transportation.

It's sufficient.

Me again. -JONATHAN: Hi, there!

MARYLOU: Hi.-May I
give you a hand, ma'am?

ANNA: Thank you.

Here why don't you give us
that bag? -That's really nice.

(CAMERA CLICKING)

JONATHAN: I bet you
think I planned this.

MARYLOU: You've certainly
done a good job.

(SPEAKING INDISTINCTLY)

We're gonna have to stop meeting
like this. -Permanently.

Good morning, ladies and gentlemen.

I am your host, Count
Istvan Bezoli.

I see we have one person missing.

Sorry, I'm late.

Take a seat.

*

GAIL: David?-Yeah?

Would you have come to
Hungary even if you

hadn't received an
invitation to the castle?

I never thought about it.

It's funny... I never doubted
that... I would be selected.

It's weird.

The hand of fate, my
dear.-(BOTH CHUCKLE)

This is so exciting,
you being with us.

Oh, so you've seen
some of my films.

Oh, yes, I really love
those old movies!

(CHUCKLING)

COUNT ISTVAN: The
castle was untouched.

Through all the wars, it was never
ransacked and it remains isolated.

The past of the castle is
shrouded in mystery.

You will be the first
people to step

inside the castle
for five centuries.

(THUDDING) -(SCREAMING)

(BRAKES SQUEALING)-Stop!

RICHARD: What the
hell did we hit!

Don't see anything.

COUNT: Nothing, an animal
ran across the road.

This is Peter and Susan,
they'll be looking after you.

Unfortunately, they
speak no English.

Hi, I'm Marylou Summers, I'm
very pleased to meet you.

They don't understand English.

(SLOWLY) I am very
pleased to meet you.

Why don't we go inside for lunch.

We'll try and see the
outside a little later.

Please.

(SPEAKING HUNGARIAN)

(INDISTINCT CONVERSATIONS)

Do you need your bag?

Yeah, I brought a
change, just in case.

- How do we get back to the hotel?
- On the bus.

Shall we join the others?

(MARYLOU GIGGLING)

Ladies and gentlemen,

I see you're being
well looked after.

Lunch will be laid out
in the great hall

which is down the stairs,
at the end of the corridor.

Can we look around first?-Yes,
of course, but please be careful.

Most of the castle is exactly
as it was over 500 years ago.

Excuse me.

To answer your question, I think
this castle does have a past.

And it's a past that's being
deliberately covered up.

What do you mean? -Well, it's
only a theory, of course...

But it's first impressions which
are most lasting.

I think people present an image
that they wish to create.

And if that's not the case, then
they're not true to themselves.

And no, I can't agree.

Now appearances are very deceptive.

Excuse me.

In this country the customs were
determined by superstitious beliefs

that have gone back, over a
thousand years. For example...

Excuse me, thank you.
That wasn't in

Transylvania. It all
began right here.

About a thousand years
ago, in Hungary,

packs of savage wolves
actually terrorized this area.

And legend has it that
Satan was in control.

Taking the guise of man by day and
running with the wolves by night.

The devil was a werewolf!
Wow, that's incredible.

A person was considered evil if
they even talked about evil.

Consequently, evil was a topic
to be avoided at all costs.

Eventually, the wolves were killed
off, but the fear still remains.

Even today the local
peasants consider

any unexplained
disappearance

to be the wok of the werewolf.

People play roles, just
as I do on the screen,

according to whom, they
are trying to influence.

Yes, but...

An intelligent person would be
able to see through the illusion.

Some would say the Christian
church is based on

superstition and fear of evil.

Remember, that to profess
to be a Christian

is to acknowledge the
existence of the devil.

That's not true, fear didn't make
me a Christian. I was born one.

I think what the
professor meant was that

the foundation of the
church was based on fear.

But not an American church.

Well, now that you don't
sing do you still

write songs? -Yeah, I
still write a bit.

I don't understand.
-Well you see,

there are no records
of this castle.

No archives, no nothing.

We know that the castle was
established in the 12th century

and occupied until the 15th,
but after that, nothing.

It's as if it never existed.

So, you're convinced that this
lack of history is deliberate?

Precisely and very directly related
to the course of events

that caused this castle
to be abandoned.

But, that was 500 years ago.

We're not in the
middle ages anymore.

Let me get another drink. I'm
finished with that one.-All right.

Say something did happen here
that was considered evil,

there's no way that, that
would still exist today.

That's taking superstition
to the point of absurdity.

What do you think, Mr. Price?

- What do I think about what?
- Appearances.

Are people as they appear?

For example, you Mr. Price,

you look like a man motivated
by purely primary needs.

Could be right, but it doesn't
necessarily support the theory.

When I first met
you, I thought you

looked like a nice person.
Excuse me.

(CHUCKLING)

That man is incorrigible.

Oh, I don't know. I find
him rather charming.

Oh, thanks man. -I dunno what
bit that Catherine Peake.

Yeah, (CHUCKLES)why don't we
go take a look around outside?

Yeah, I guess so.

Perhaps, but there is a secret...

Who knows we might just discover

why nobody's set foot in
this place in 500 years.

Well, maybe it's something simple,

maybe they lost the key
to the front door.

(CHUCKLING)

He's so intent. -Yeah, but I think
a lot of what he says makes sense.

Sun didn't last too long.
-No.

Hey, listen, you served
an ace with Marylou yet?

No, just double faults.

I tell you the trouble is,

I reckon you're trying too hard.

(DOOR OPENING)
-Could be.

I don't know, you know, sometimes
I just can't believe she's real.

Oh, yeah, I reckon
she's real all right.

Where you going? -Ah, just going
off on a bit of an explore.

- Well, lunch is on soon.
- Oh, I'm not hungry.

I'm most curious to
unravel the mystery.

I wonder what he meant
by that?-I don't know.

But I bet you ten
bucks, we'll have to

send out a search
party to find him.

(BOTH LAUGH)

I'm hungry.

I have a feeling the professor
knows more than he's telling us.

He's a strange one all right. I
don't think there's any mystery.

He's a historian.
He can't a bear the

thought of a place
with no history.

Perhaps.

I think I'll put on
a pair of jeans.

You mean you want to put on your
long thermal underwear? -Exactly!

I think I'll take a look around.

(SHIVERING)

(CHAINS RATTLING)

Why don't you try using
the subtle approach?

Do you know what subtle
means in California? -Uh-uh.

It means asking a
girl if she wants

orange or grapefruit
juice for breakfast.

(LOW GROWLING) -Did you hear that?

What's that? -I dunno, I
heard a strange noise.

It's my stomach, I'm starving.

I'll get some lunch.
I'll catch up

later. -All right,
I'll see ya later.

(FOOTSTEP APPROACHING)

Hello?

Is someone there?

Can't you see, I'm
dressing in here?

This really is very rude!

Did someone come into
this room a moment ago?

RICHARD: No, everyone's
off exploring the castle.

You were in this
room the whole time?

Yeah.

Well, I'll think I'll go and
see how lunch is doing.

All right.

You coming?

No, I'm going to
finish my drink first.

I'll be right down.

(CHAINS RATTLING)

(CLATTERING)

(DOOR SLAMMING)

(SHOUTING) Let me out!

(DISEMBODIED WHISPERING)

(GROWLING)

(GRUNTING)

(CREAKING)

DISEMBODIED VOICE: Over here.

I crossed... But then
someone locked me in.

DISEMBODIED VOICE: Over here.

(LOW GROWL)

(SCREAMING) -(GROWLING)

*

RAY: It was such a great scene.

ANNA: Yes, but you know I
was supposed to die in it.

RAY: Really?

But, I said to our
director, nobody gets

killed on page 68
and wins an Oscar.

I didn't realize you won an
Oscar for that role.

But, I should have and you
are a rock star. -(LAUGHING)

RAY: "Was" is the operative word.

ANNA: Really, I never heard of...

RAY: It was probably a
bit after your time.

(INDISTINCT CONVERSATIONS)

Because, when they broke into
the castle, they were all dead.

You're trying to tell
us everyone was dead?

Yes, three generations of
family, even servants,

no one was spared.

Some said suicide, some
said murder, nobody knew.

Prince Regent ordered the
castle closed, indefinitely.

And it stayed closed for 500 years.

And no one found out why?

COUNT: It was one of the most
powerful families in Europe.

Some say the Prince
knew the reason.

But, if he did, he took the
secret with him to his grave.

Is there a connection...
-To even

speak of it, was
punishable by death.

Eventually, It was forgotten.

And the castle
slipped into obscurity.

Well, why open it now?

Nothing more than as you Americans
might say, a tourist gimmick.

I find that hard to believe.

Why couldn't they mention it?
-Well, we'll

soon know, the
professor's on the case.

What did you say?

JONATHAN: The professor, he said
he was going to solve the mystery.

You never said that before.

Is it important?

Excuse me.

Well, I'm looking outwith everyone.

Oh, I'm sure he's
just concerned that

the professor might
have gotten lost.

How can he be lost.
All he would have

to do is shout and
we'd find him.

Unfortunately, that's not the case.

These walls are so thick, no
sound could penetrate them.

(WIND WHISTLING)

(WOMAN LAUGHING)

RAY: And he said to him,

"Why don't you try acting,
dear boy?" -(ALL LAUGHING)

I don't know, somehow this
castle seems strangely familiar.

There are very much
alike, castles in Europe.

Great, I've just booked a package
holiday of a European castle.

(ALL LAUGHING)

Ladies and gentlemen.

I have some rather
distressing news.

Professor Dawson has seen
fit to leave the castle

and unfortunately, there's an
unexpected blizzard in full force.

Visibility is zero.

RAY: We better organize a
search party straightaway.

We cannot, we'll be lost the
moment we left the castle.

CATHERINE: I don't think
we should just sit here.

Peter has placed some oil
lamps on the battlements,

but until the blizzard ceases
we're powerless to assist.

Yes, but he could freeze out there.

ISTVAN: I'm sure
he'll find shelter.

It just doesn't
seem like the

professor. -Like it
or not, he's gone.

I very much regret that
this has happened.

I'm sure he'll be safe.

If you'll excuse me.

Well, it looks like we're
not leaving here tonight.

Boy, is your wife going to be upset.

Excuse me.

If we have to stay
the night, I'd

like to check out
the accommodations.

Hey, they have a hot spa, do
you want to try it? -Okay.

Does anyone else want to come to
the spa with Jonathan and me?

RICHARD: No, I'll pass.
-No, thanks.

I have to check
my, eh, cameras.

Excuse me, Ray, will you have
a drink with me upstairs?

Yeah, sure.

RICHARD: Come here.

What if she finds out?

She won't. She has no
idea you're even here.

We're staying at the same hotel.

So, I'll switch hotels as soon
as we get back to Budapest.

You're crazy, Richard.

To follow me herewith your
wife, what were you thinking?

I didn't follow you here.

I had no idea, you were
even going to Hungary.

I thought it was the
other way around.

After what you did
to me, you had the

audacity to think,
I'd follow you?

Look, I'm sorry about
that, Catherine.

All I know, is that
I still want you.

So, what happens now,
you gonna tell her?

I'm trying.

Well, let me help you
make up your mind.

If you haven't made a decision
by the time we leave the castle,

I'll make one for you and there
won't be any second chances.

Ray, sit down.

- The blizzard was forecasted.
- What?

The Count said it was
unexpected but I

say it on Teledex
news at the hotel.

So?-So, there's
something going on here.

Gail, I haven't got the faintest
idea what you're talking about.

We hit something when
we were on the bus.

And later, the driver and
the Count had an argument.

And the bus left. -No,
that's not possible.

That bus is taking us
back to the hotel.

I'm telling you, I heard it.

And there's something else, there's
someone in the castle besides us.

They came into the room
where I was changing.

Gail, you're about six
miles ahead of me

I'm telling you, there's
something wrong here

and the professor knew about it
and that's why he disappeared.

Hey, slow down.
-This is a setup.

Slow down. A fertile
imagination is one thing,

but you're looking for threads
that just don't exist.

Gail, why you laying this on me?

The professor never
left the castle.

His coat is still on the rack.

That's ridiculous.

Ray, I'll prove it to you.

I'll get the professor's coat.

And you look in the
other room and see

if you can find
another entrance.

Gail, now wait!

Gail!

Come on in.

Oh, the water is so good. -MARYLOU:
I'm still not too sure about this.

I thought it was only in Japan
where people bathed naked.

No, no, this is where
bubble baths started.

- Everybody does it. It's a custom.
- Mmm-hmm.

- If, I thought for one minute...
- No, not me!

And no funny business!

Furthest thing from my mind.

Hey, how about that, we have
similar marks on our arms.

Feels like I'm taking a
bath on an X-ray machine.

Just saw your brother the other day.

(SIGHING) Oh, God!

I'm thinking if there's
another entrance

here, I'll be a
monkey's uncle.

It's not here.

And with the last ball, he
bowls us straight to victory!

(CLATTERING)

No wucking forries.

What's this?

(RUMBLING)

(MUTTERING INDISTINCTLY)

Gail?

Gail?

(SCREAMS)

I should have
known...-No, no, no...

Marylou, I didn't... Oh,
I was just trying to...

Oh, my God!

(RUMBLING)

(GROANS)

Ray?

Oh! Hi.

I didn't see you.

I was looking for Ray.

Have you seen him?

(DOOR LATCHES)

Why are you latching the door?

(SCREAMING)

(ANIMAL GROWLING)

*

(CREAKING)

(SCREAMING)

(GROANING)

(WIND HOWLING)

(THUDS) Oh!

(SCREAMING)

(WIND HOWLING)

(UNLATCHES DOOR)

(WIND HOWLING)

(WIND HOWLING)

(GROWLING)

DAVID: Hey, don't mess around
with that!-Oh, David!

Man, I'm sorry. I was
just taking a look.

(SIGHING)Oh, it's okay.

I don't mean to jump on you.
These cameras are my life.

Yeah, I'm the same way
with my racquets.

Yeah, I tried to do this
once, you know. -Yeah?

Yeah, I bought a
semi-automatic camera

and I enrolled in a class at UCLA.

DAVID: Which
course?-Figure models.

DAVID: Not the...-(CHUCKLES)Yeah,
the nude models.

DAVID: Tell me about it.

Oh, I ran with the new camera
that I never worked with.

And it was the kind that you press
the shutter to take the picture,

and then you press it again to
wind the film on it.

I'm familiar with this.

Yeah, well it was
totally obvious that

I didn't have a clue
what I was doing.

Oh, you should have seen the model.

Anyway, I'm snapping
photos every angle.

Photo, click, photo, click!

And then I, at the end
of the session I hand

the film to the lecturer who
arranges all the processing.

DAVID: And?-Next day,
he throws up the slides

of the class photos.

And up on the screen comes a shoe.

And then another one.

And then another one, I mean, I'm
on the floor laughing my ass off.

Until I recognize the shoe.

DAVID: No? -Yep, 36
photographs of my feet.

(BOTH LAUGHING)

Are you making any
progress with Marylou?

No.

But, on the positive
side, I couldn't

be doing any worse.
-(CHUCKLES)

Hey, you wanna get a drink?

Yeah, sure.

(CLICKING)

I tell you that Ray is
one smooth operator.

What do you mean?

He scored with Gail.

No!
-(CHUCKLING) Yeah!

(CLUNKING)

MARYLOU: But, how do you
know the right one?

I mean, who would you choose
out of Jonathan or David?

They're so different.

Jonathan is a playboy, very
nice, and very handsome.

But... women to him
are like conquests.

Any pretty women would
always turn his head.

And David?

David is different. He's
seen a lot of life.

Perhaps, too much for a young man.

Oh, he'll fall in
love and be faithful.

But he is a wanderer.

You could never keep him home.

No wonder, I could
never make up my mind.

I mean, it's too bad that you can't
take a little bit of one guy,

and a little bit out of the other,
and create the perfect man.

Ah! But then someone
else would come along.

You would have to
change the formula.

(BOTH GIGGLING)

You are so beautiful.

You must had hundreds of
admirers when you were young.

You do have a way with words.

But, yes I suppose I did.

Did you ever meet Mr. Right?

(EXCITEDLY) I mean, someone
you really, really loved!

Once.

You'll tell me about him, please?

He was not what you
would call handsome.

In fact, he was a
little on the short

side and he had
a funny beard.

But he had something.

Go on.

It was at this huge, gala party.

I was surrounded by the most
handsome men in Europe.

And up walks this funny little man.

And he asks me, "Have you ever
slept with a billionaire?"

I couldn't believe
the audacity of

this man. I was
completely offended.

(CHUCKLING)

What did you do?

I slept with him, of course.

(BOTH GIGGLING)

Forgive me, I didn't
mean to intrude.

Have you seen Mr. Price and Ms.
Cameron?

I think, they're having a
drink in the drawing room.

Thank you.

(DOOR CLOSES)

(DOOR RATTLING)

I thought Dr. Peake might
have been with you.

No, she's uh... I think she's
in one of the other rooms.

I was a little concerned.

Well, I'll go find her.

JONATHAN: Yeah. (CHUCKLING)

DAVID: Probably hasn't
noticed who it was.

Ray and Gail are in there.

Are you sure?

JONATHAN: Yeah, positive. I was
here an hour ago. I heard them.

Sounded like they were having a
wild time. -(BOTH CHUCKLING)

(THUMPING)

Mr. Price?

Ms. Cameron?

Gentlemen, would you lend me a hand
to break the door down, please?

Sure.

This is impossible. A
door cannot lock itself.

One of the candles is missing.

I wonder.

Count, what're you looking for?

I don't know.

This is what I'm looking for.

(STONE SLIDING)

(DOOR SLIDING)

JONATHAN: Holy shit!

DAVID: Is this where they've gone?

Possibly. -DAVID:
Where does it lead to?

I think it's an escape
route from the castle.

(CREAKING)

How do you know they
went down here?

It's the only way they
could have left the room.

DAVID: Could there be more
hidden passages like this?

COUNT: Yes, there could.

(LATCH CLANGING)

It's as I suspected,
an escape route.

That door will lead
outside of this, I'd say.

Connects up with the underground
tunnel system beneath the castle.

Well, this door's
locked from the inside.

Hey, what's this?

They must have gone down here.

DAVID: Count, over here.

Hey, this is Ray's. Christ,
David, look at your hand!

They must be hurt. Let's find them!

No!

This could be dangerous.

We'll need the others, come.

Peter has confirmed
there's a labyrinth

of tunnels underneath
the castle.

Some lead to safety,
mostly nowhere.

It was designed as
a maze to confuse

pursuers in
times of siege.

You're saying that if
they enter the maze,

they won't be able to
find their way out?

It's most unlikely.
Especially as we

know, at least one
of them is hurt.

Aren't we also in danger of getting
lost without some kind of map?

Come on, there's nine of us here.

The maze was designed to confuse
at least 20 times that number.

You're proposing we
just leave them down there?

No, I'm saying we
should consider the

risk elements before
making a decision.

Isn't it better to wait until we
can organize a proper rescue team?

Oh, in the meantime, we
just leave them to die.

ANNA: Well, what are we gonna do?

If we mark our way
with chalk, we

should be able to
find our way back.

Your attitude doesn't
exactly inspire confidence.

For God's sake, we
are talking about

people's lives, not
playing a word game.

The longer we delay, the less
chance we have of finding them.

I'm afraid, Dr. Peake is right.

Don't misunderstand me.

I want to find them
as much as anyone.

But we should consider
the alternatives.

There are no alternatives.

I'm saying we cannot leave them.

The decision must be yours.

One of them is badly hurt. They'll
be waiting for us to find them.

Marylou is right. We
gotta take the chance.

Richard, you made your point. No
one seems to share your pessimism.

What's your plan?

We know there's three main tunnels.
Entrances to the labyrinth.

And the water
channel that we

discovered at the
bottom of the stairs.

I suggest we split into groups
and explore each of them.

Is everyone in agreement?

(ALL AGREEING)

Good. Dr. Peake should go with
Peter. -I'll go with them.

Very well, you take
the water channel,

we'll proceed to the labyrinth.

Do we have a first aid kit?

I have one.

Habit.

A fortunate one, Dr. Peake.

Before you go, when you
mark the walls with chalk.

Indicate the direction in
which you're going.

The tunnel's crisscrossed,
we must avoid confusion.

Right, let's go.

*

Are there anymore entrances
to the labyrinth?

I don't know of any. That's
not to say they don't exist.

Well, are we setting ourselves
on an impossible task then?

I sincerely hope not.

(LATCH CLANGING)

"Once more unto the
breach, dear friends."

That's my favorite author.

Who?
-Arnold Steinberg.

(LAUGHING)-(DOOR CLOSES)

(WIND HOWLING)

COUNT: When we reach the bottom, I
suggest Ms. Benson comes with me.

Susan goes with David.

And that leaves Marylou and
Jonathan to take the third tunnel.

CATHERINE: Just leave
them, Richard.

How could you even
think such a thing?

RICHARD: Well, I'm sorry l
didn't say anything.

I just feel like
we're a bunch blind

mice being led around
by the Pied Piper.

No information, no plans, yet
we blithely follow the leader.

He's risking his life, too!

Really, let me tell you something,

you only have his word on that.

(SPEAKING IN FOREIGN LANGUAGE)

Let's go.

What's that supposed to mean?

How do we know, he doesn't
know the tunnel system?

Because that's what he said.

Oh, and that's good enough for you?

CATHERINE: Yes, I'm not
a doubting Thomas.

So, I'm not Judas Iscariot.

(FOOTSTEPS APPROACHING)

Yeah, that ought to do it.

Anna, told me about men like you.

Yeah, well she'd know. We've
been going out for years.

She didn't say that!

No, I wasn't serious.

That's what she said.

What?-That you're never serious.
That's what she knows.

(CHUCKLES) Gee, Marylou, I never
know what you're talking about.

You would if you paid attention.

Wait.

Do you know where we're going?

Sure, I've been down here
thousand times. -How?

I was only joking.

I think, we've been
down this way before.

Marylou, I know where I'm going.

Jonathan.

I can hear footsteps.

(FOOTSTEP APPROACHING)

JONATHAN: Is anyone there?

Gail?

Ray?

It's probably just
an echo, come on.

Jonathan, there is someone
behind us. -No way.

Who would be following us?

What if someone was following us,

and rubbing off the chalk marks,
so we couldn't find our way back.

No, that's crazy. Anyway,
I would've seen it.

No, they came back the other way,
they'd be on the other side.

Okay, okay.

There's nothing here.

Oh shit! It is rubbed off.

Oh, God! You're right, come on!

Jonathan, wait for me.

MARYLOU: Jonathan.

That's Marylou.

MARYLOU: Jonathan.

Where's it coming from?

From the crevice in the wall.

MARYLOU: Jonathan.

(GASPS)-What?

(SPEAKING HUNGARIAN)

I don't hear anything.

(SPEAKING HUNGARIAN)

I'm sorry, I don't understand.

(SPEAKING HUNGARIAN) -Where?

Where're you going?

(MUTTERING INDISTINCTLY)

Wait here. And don't move.

Leave your gun.

In your coat, I saw it.

Yes, of course, I forgot.

How did you know about the crevice?

Just hurry up and find them.

Marylou?

(GROWLING) -Oh, my God!

(PANTING)

(SHOUTING)

-(JONATHAN SCREAMS)
-(CREATURE GROWLS)

(MARYLOU SCREAMING)

(SPEAKING HUNGARIAN)

Richard, come on!-What!

We should follow him! -We don't
know what's down there, Catherine!

We could be walking
straight into danger!

Someone is hurt, can't you
even recognize a cry of pain?

Can't you recognize when
someone's afraid for their life?

(LOW GROWLING)-Count?

(GROWLING)-Count?

Who is it? Who's there?

Count?

Who is it? This isn't
funny anymore!

Don't come any closer!

Stop!

(THUDDING)

(SCREAMS) -It's me, it's David!
It's okay!

I shot it, I shot it! -Look,
calm down. What did you shoot?

It was huge and it
was coming for me!

I better have a look.

No, maybe it's still alive,
I don't think I killed it!

Let's go before it comes!

Hurry!

RICHARD: I don't know where
your head is at, Catherine!

Those were gunshots! -I know
what the hell they were!

Will you listen to me!
We're going back!

Dammit, I am needed! -For God
sakes use some common sense!

We're of use to no one
unless we're alive!

Richard!

(MUMBLING INDISTINCTLY)-Take
my hand. It can't hurt you now.

This huge thing! -Come on. Okay.

I heard Marylou. The
Count, went to find her!

It's there! -Be
silent, I'll get it.

Kill it, David!
-I'll get it!

(GUN FIRES)

(GROANING)

My God! I'm sorry.

You nearly killed me.

What happened?

Idiots.

Marylou, where's Jonathan?

I was being chased and
it hurt Jonathan.

And it left me and went after him.

COUNT: What went after him?

It was an animal or something.
It was

huge, I thought I was
gonna be killed.

Enough! Out of here.

Come.

What was it? It was in the cave.

What about Jonathan? -Don't worry.
We will, I promise you, find him.

We will find him soon.

Wait, will you... -Just
shut up, Catherine.

(SCREAMING)

What the hell!

Richard, he's hurt.

-(SPEAKING HUNGARIAN)
- What is he saying?

Something about that rock.

He needs stitches.
-Jesus, Catherine,

rocks don't
fall on people.

(GROANING) -Somebody's
trying to kill him.

That's crazy.-(YELLING)Then
you figure it out!

We've heard gunshots and screams,
and now he's been attacked.

There's no one else here.
If he was waiting

for anyone, it would've
been one of us.

It must have been a wild animal
that somehow got into the castle.

It was too big for an animal.

The light can play tricks. It
probably distorted the size.

I know what I saw!
It wasn't the light.

It was huge like a monster.

Please, it must have
been an animal.

There's no other
explanation.

And fortunately, now it's dead.

What sort of animal would
do such a thing?

There have been stories
of some wolves.

Children disappeared. Farm animals
found with their throats...

Jesus Christ! Give me a break.

Old stories are invented to
do away with the unknown.

We happen to be
intelligent people here.

These stories, Mr. Hamilton,
are not all fictitious.

MARYLOU: Could it have been a
werewolf? -Werewolves don't exist!

MARYLOU: An animal
wouldn't rub off chalk marks.

Somebody rubbed Jonathan's
chalk marks off the wall.

No, I saw them when
we we're coming back.

It's not possible.
I heard footsteps.

COUNT: Echoes.

These tunnels' crisscrossed.
You probably heard one of us.

Then who was Peter protecting
when he jumped us?

He was confused.

The bang on the head, the
gunshots, the screams!

Something coming after him
and he didn't know what.

There's no reason to
be so suspicious.

Oh, of course not. The professor
disappears into a blizzard.

Gail and Ray are missing. We
organize a mindless search party.

And that Jonathan's gone.

ANNA: Well, it's okay. I shot it.

If I killed it, surely
the danger's over.

I'm sorry, I don't doubt
that you shot something.

But, this is all a little
too neat to dismiss

it as some satisfactory
explanation.

So, what's your theory? -I haven't
had time to create a theory!

Well, I have.

That animal is trapped
and starving.

That's why it was tracking
Marylou and Jonathan.

I believe Gail and Ray are hiding
down there, waiting for us.

They'd realize that
we found the door.

What with one of them being
hurt, and that wild animal,

they have enough common sense,
not to wander around in circles.

RICHARD: Surely to God, you're not
advocating to go back down there?

(MOANING) -Marylou?

CATHERINE: Bring her
over here.-I felt dizzy.

Put your head down
between your knees.

Give me a glass of water.

CATHERINE: I'm gonna give you
something to make you sleep.

MARYLOU: I feel sick.

Shh! It's all right.
It's all right.

Anna, how're you feeling?

I'm okay.

CATHERINE: You should rest, just
in case the shock gets you.

- CATHERINE: How's your ankle?
- It's very sore.

- The beds all right?
- COUNT: Yes, they're fine.

I don't wanna be alone, I'm scared.
-Shh! It's okay.

Richard, I wanna look
at the Count's ankle.

Would you take Marylou
and Anna upstairs?

I'm sorry about Richard.

That's okay, he has a
right to be angry.

He's wrong. We must
go back and find

them. Let me look
at your ankle.

Thank you. It's just a sprain.

I'm going back down.

I'm coming with you. -No, you're
not going anywhere. I'll go.

How will you find your way?

DAVID: The chalk marks.

You know, I, uh, think
you're incredible.

I mean, the way you handled
everything tonight.

Thank God, I had a gun.

(CHUCKLING)

How did you know he
was carrying one?

I don't know, I must have
seen it in his coat.

You don't like the Count
very much, do you?

It's not that, it's just that
too much has gone on here

for me to dismiss everything as
some coincidence or accident.

Well, the Count couldn't
have anticipated

what was going to
happen, could he?

It's just what he would
like for us to think.

CATHERINE: You don't think
it's alive, do you?

Not with five slugs in it.

I guess some of my earlier
bravado is wearing off.

So, we'll never get used to
living with danger.

Never. Being scared is
what keeps you alive.

If that's the case,
I'll live forever.

David, something's wrong here.

Pardon?

Richard can be the most
insufferable pain.

But, he's generally right about
most things, especially people.

We're talking about
the Count, right?

- Let me just send out my thoughts.
- Tell me.

You found Ray's watch
at the entrance

to the water
channel, right?

Close to it.

That's not Ray's button,
it's of the Count's coat.

What?

No, I found it next to the watch.

The Count wasn't wearing his coat.

When I went to pick up my bag
underneath the coat rack,

his coat fell off and
there was a button missing.

It's the Count's button.

(MOANING)

She's so naive.

I feel for her though,
she needs love.

Her parents died
when she was a baby.

And she has no other family.

So, tell me about it.

Excuse me?

I grew up the same way.

No parents, no nothing.

Well, so did I.

So did Catherine.

That's how we met, when we were
tracing our natural parents.

No, that couldn't be.

What's wrong with you?

I feel a bit strange. That's odd.

This is a coincidence, right?

No, I just think my paranoia
is finally catching.

I know the Count.

I can't explain how.
It's like a feeling.

He's an honest man, you
must believe that.

Well, I wish I could.

But, what you just said
confirms my earlier suspicion.

We're not here by chance.
This is a set-up.

Richard, I don't like where
this is heading either.

I need to relax to think.

A bath will make me feel better.

Will you wait with
her, while I clean up?

Sure.

Anna ran out of here.

(NERVOUSLY)David?

Sure, wait there.

I can see something.-CATHERINE:
What is it?

David?

David?

Catherine, come here.

What's wrong?

Oh, my God!

DAVID: She must have thought
Jonathan was the animal.

Poor Anna, she killed him.

DAVID: (SIGHING) Yeah, but
the animal got to him first.

Must have been trying to escape.

Marylou said it was chasing him.

Maybe, there's more than one.

We better get out of here now.

Oh, my God.

(FOOTSTEPS APPROACHING)

(GROWLING)

(FOOTSTEPS APPROACHING)

DAVID: That's the wrong way.

CATHERINE: How do we get back?

We're lost.

There are no chalk marks.

I wish we knew what
we're up against.

All right, which way?

Your guess is as good as mine.

But, at least there's
nothing following us.

DAVID: Yeah, we could
be thankful for that.

Wait!

This way.

CATHERINE: Thank God,
this is the way back.

There's something wrong about all
this. Something doesn't fit.

What do you mean? -The Count
said it was an animal.

That's right. It's the
only explanation.

But, it couldn't be.

I know why.

No animal kills for pleasure.

Nothing on Jonathan's body
was touched but his throat.

An animal would've
ripped him apart.

Tell me, what else could it be?

I don't know. But whatever it
is, it has human intelligence.

GAIL: (WEAKLY) Help.

GAIL: Help.
-That's Gail!

- It's okay, Gail. We're coming.
- No, David. Don't go.

Wait here. I'll be okay.

GAIL: Help.

Gail! Where are you?

David?

(GASPING)

CATHERINE: David, you all right?

David?

David?

David, what is it?

David?

Oh, no! The professor.

(SCREAMING)

(SCREAMING) David!

(GROANING)

DAVID: Gail, as well.

Professor's dead. Same
thing, throat ripped out.

CATHERINE: I see some sort
of bizarre ritual killing.

(GAIL MOANING)

(MOANING)-CATHERINE: Who, Gail?

Gail, we're here.

(GROANING) It's a werewolf.

It's...

(GROANING)

Werewolf?

She said, "Werewolf"?-There's
no such thing.

She wouldn't just say it,
those were her last words.

A name. A name!

She must have known who it was.

DAVID: It could only be the Count.

CATHERINE: He's behind
the whole thing.

David? -Yes, I'm
listening, Catherine.

Damn it! I should
have realized before.

But I couldn't accept he
wasn't being straight.

But, you're there with me, don't
you? -With the werewolf stuff, no.

But the Count is setting
us up to be murdered.

I'm with you all the way.

It is them, isn't it?
-Yeah.

We've been fed one
lie after another.

We've been manipulated ever
since we arrived in Budapest.

We're puppets.

And the Count is
pulling the strings.

What about the bodies?

Worry about that later.
It's the Count we're after.

(DOOR CLOSES)

You get Richard, Anna and Marylou.

I'll keep the others
in the great hall.

- Just be careful.
- Here, take the gun.

You're the one that's gonna
need it. I'll be all right.

(FOOTSTEPS APPROACHING)

(FOOTSTEPS APPROACHING)

Richard, you there?

Anna?

(SCREAMING)

Oh, Christ!

CATHERINE: (SOBBING) Oh, my God.
Richard!

I killed him.

No, you didn't kill him.

His throat.

COUNT: Werewolf. The
prophecy has fulfilled.

CATHERINE: Gail said "werewolf".

You found Gail, she
saw the werewolf?

She said "werewolf"
before she died.

(SPEAKING HUNGARIAN)

Suppose you tell us, what
the hell is going on here?

You were not invited to
this castle by chance.

You were carefully screened.

And each of you were selected.

Because you have this
mark on your arm.

CATHERINE: What does it mean?

It's a hereditary birthmark.

That relates you directly...
to the events

that occurred in this
castle 500 years ago.

Come on, Count. You can think
of a better story than that.

COUNT: Everyone who died here
that night had the mark.

And they courageously
took their own lives

so it might never be seen again.

I don't understand.

There was a survivor.

A baby was smuggled
from the castle.

COUNT: The baby whose
bloodline continued

throughout succeeding
generations.

And what does this mark
mean for each of us.

It means that one of
you is a werewolf.

What's going on, Count?

That's exactly what l'm
trying to find out.

But all I've heard so far, is a
lot of rubbish about werewolves.

ANNA: David, it's not rubbish. The
Count told me about the werewolves.

So, you've been influenced by
him as well, have you, Anna?

It's not a werewolf. It's you
who is doing the killings.

Nothing could be further
from the truth.

Have you never heard of an
ancient religious order

that means in English,
"The Martyrs".

- They don't still
exist.-COUNT: They do exist.

It is the organization that
brought you here.

ANNA: Why?

To find which of you is the
werewolf and to kill it.

But, if each of us has the mark...

Then anyone of us could
be the werewolf.

There is only one werewolf.

And it can only be destroyed
by one of its own.

Someone who has the mark.

You have the mark as well.

Yes.

My order has searched for
someone to kill the werewolf,

since the 16th century.

By the will of God, it found me.

We must kill it,
before it kills us.

And what about this castle?

This it's lair.

We knew if we opened
it, it would return.

We just had to create a
rouse to bring you here.

CATHERINE: You used us as bait.

Yes, but together some
of you may survive.

Individually, it would
have tracked you

down and you'd most
certainly have died.

Why did you tell us the
professor left the castle,

when David found him
in the water channel?

Why don't you ask David?

He is the werewolf.

What?

No!

COUNT: There's an ancient
Hungarian proverb

that says, "Check the one who
looks the most innocent".

You are the werewolf.

I don't believe a word you said.
It's all a pack of lies!

I regret, it was
necessary to deceive you

at first. But you
must believe me now!

I did, we all did except Richard.
Now five of us are dead!

If it lives...

You'll be damned forever.

You never stop trying,
do you, Count?

But it's finished.

You must be stopped.
Whatever the consequences.

What do we do now?

Lock them in the cells.

Please, listen to me!

He will deceive you.

He will manipulate you
and he will destroy you.

It won't work, Count.

(SHOUTS) Move!

(WIND HOWLING)

(LOCK CLICKING)

CATHERINE: Tell me, what drives a
man to rip out another's throat?

This is madness.

CATHERINE: Yes, I think
that's exactly right.

You'll make the decisions he wants!

How can you be so sure?

Stop being so naive.
Of course, it's him!

But he could've killed
us at any moment.

It wasn't part of his plan.

Don't look for rational behavior.
There is none.

What about his ankle?

One moment, he can't even
walk on it and the next.

The water channel where
he'd never been.

I found the button from his coat.

You were with Richard,
what did he say?

Okay, okay! So, you're right.

What do we do now?

There's only one solution.

Of course, we inform
the authorities.

They'll never believe us!

You must be joking.

It's our words against theirs.

Only if they testify.

(SCOFFS)

No, don't even think it.

You want to see him set free?

No, but you can't
be judge and jury!

Then who killed
everyone, Anna, you?

No.
-CATHERINE: Marylou?

No, she's been
asleep the whole time.

You think it was David or me?

Oh! But it still
doesn't make it right.

We don't have a choice, Anna.
They have to be gotten rid of.

Okay.

Then let Marylou have a say.

It's unfair that she
should bear the

responsibility for
your actions,

without any of her input.

Right?

All right. I'll get Marylou.
We'll put it to a vote.

Fine with me.

While you get her, I want
to check the battlements.

I want to find out what's up.

Coming with me?

No, I still feel a little faint.

I think I'll stay here, thank you.

Anna, we're all in this together.

There's no other way.

(LATCH RATTLING)

(DOOR OPENING)

(DOOR CLOSING)

They were going to kill you.

(CELL DOOR UNLOCKING)

Marylou?

Marylou?

Oh, God. No.

You've done the right thing.

You've saved your own
life as well as ours.

What're you gonna do now?

Anna, everything I've told you is
true. You must understand that.

David is the werewolf.
He has to be stopped.

What are you saying?

I have to destroy him
before he kills all of us.

And what about the others?

It's wrong!

- Mercifully, they'll be saved.
- No, I won't let you!

(LOCKING CELL DOOR) It's for your
own good. You'll be safer here.

(PETER SPEAKING HUNGARIAN)

Let me out of here!

I'll leave you the key.

If you leave this cell
you'll probably die.

Wait two hours.

If I haven't returned...

May God protect you.

(WIND HOWLING)

CATHERINE: Marylou?

Anna?

(DOOR CREAKING)

Damn it, Anna, what have you done?

(FOOTSTEPS APPROACHING)

(GASPING)-(KEY CLANGING)

(GROANING)

Oh, thank God.

Oh, I was so scared.

I didn't want anyone to die.

(GROWLING)

(COUNT SPEAKING HUNGARIAN)

(SPEAKING HUNGARIAN)

DAVID: Ray.

Anna?

Anna.

(GASPING)

Oh, God!

(CREATURE GROWLING)

No!

(GROWLING)

DAVID: Catherine.

(DOOR UNLOCKING)

(SCREAMING) -(SCREAMING)

DAVID: What the hell were you doing?

Come on, tell me. Where
is Catherine and Anna?

Tell me, where are they?

(MOANING)
-MARYLOU: David!

(PETER GROANING)

I had to. He was gonna kill you!

(GROANING)

(GASPING)

What's happened? Where is everyone?

Catherine and Anna,
have you seen them? -No.

He's killed them.

What are you talking about?

Marylou!

Everybody is dead, except us!

The Count has murdered them.

No, this is unreal. Please,
say it's not real!

The Count will not rest until we
are both dead. I must kill him!

No, this can't be happening!

Marylou, take cover in
one of the bedrooms.

Stay until I return.

MARYLOU: David, wait!

David?

Where are you?

David?

David?

David?

(YELLING)David?

MARYLOU: David?

(SQUEALING)-He can hear you.
Don't struggle.

I'm not going to hurt you.

I'm going to take my hand
away from your mouth.

Please don't scream.

Where are Peter and Susan?

Dead.

They were trying to kill David.

Marylou, David is the werewolf.

No, there's no such thing.

Have you ever heard of
satanic possession?

Where the devil inhabits
the soul of a human being?

Yes, but... -He is possessed.

In a moment.

When the moon breaks through
the clouds, you'll see.

He will transform. He cannot
help himself.-Watch out!

Die!
-No!

(GROANING)

Stop it! Stop or I'll shoot.

DAVID: Put the gun down.

COUNT: Kill him, Marylou.

DAVID: Marylou, put the gun down.

- Shoot the gun, Marylou!
- Toss it to me, Marylou.

Kill him.
-Put it down!

Marylou, don't shoot!

Kill the werewolf!
-Don't shoot.

Kill the beast!

DAVID: Put the gun down! Trust me!

Put it down!
-Pull it!

Shoot!
-Don't shoot!

(GUN FIRES)

(LOUD THUD)

(GASPING)

Everything's all right.

It's all right now.

The werewolf? -I
wasn't a werewolf.

MARYLOU: Really?
-DAVID: Yes.

MARYLOU: You positive?

DAVID: There was no prophecy.

It's only a myth.

People don't turn into werewolves.

(WOLF HOWLING)

*