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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:00:43,956 --> 00:00:47,090 WELL, THANK YOU. THANK YOU A LOT. 4 00:00:47,134 --> 00:00:50,006 THANK YOU, FRIENDS, FOR LISTENING TO THAT. 5 00:00:50,050 --> 00:00:53,792 I GOT ONE HERE NOW I WROTE. IT'S A LITTLE COMPLICATED. 6 00:00:53,836 --> 00:00:56,012 IT'S ABOUT THINGS I REGRET. 7 00:00:56,056 --> 00:00:58,319 THINGS THAT I SHOULDN'T HAVE DONE, BUT... 8 00:00:58,362 --> 00:01:00,930 THINGS I GUESS THAT WE ALL DO. 9 00:01:00,973 --> 00:01:04,107 I HOPE IT MAKES SENSE TO YOU. I HOPE YOU LIKE IT. 10 00:01:04,151 --> 00:01:06,109 WELL, LET'S GO HERE. 11 00:01:06,153 --> 00:01:08,416 ONE, TWO, THREE, AND A-GO. 12 00:01:26,912 --> 00:01:29,611 GOTTA PUT A MERCH TABLE UP FRONT. 13 00:01:31,003 --> 00:01:33,658 I'M STUCK IN THE BACK. 14 00:01:33,702 --> 00:01:37,053 PUT A MERCH TABLE UP FRONT. CAN'T BE STUCK IN THE BACK. 15 00:01:37,097 --> 00:01:39,011 AND I KNEW WHAT THE HELL I WAS MAKING. 16 00:01:39,055 --> 00:01:42,145 SO WE'RE NOT GONNA TAKE 10%. 17 00:01:42,189 --> 00:01:44,234 NO MORE. NO MORE 10%. 18 00:01:44,278 --> 00:01:47,411 WHY'D YOU PULL OFF THE SHOW? I GOTTA DO RADIO, IN-STORES. 19 00:01:47,455 --> 00:01:49,065 WHATEVER. 20 00:01:52,808 --> 00:01:55,724 MERCH. PERCENTAGE. 21 00:01:55,767 --> 00:01:57,856 MERCH. PERCENTAGE. 22 00:02:15,309 --> 00:02:17,311 [apping 23 00:02:25,449 --> 00:02:28,539 YOU CAN'T GIVE ME THE MERCH TABLE I ASKED FOR? NOT MY JOB. 24 00:02:28,583 --> 00:02:31,107 DON'T FUCK ME ON THIS PERCENTAGE, RAY.TOLD YOU. 25 00:02:31,151 --> 00:02:33,240 YOU GONNA CATCH A COME OFF THIS ANYWAY. 26 00:02:33,283 --> 00:02:35,024 YOU ARE ON THAT CORPORATE TEAT NOWADAYS. 27 00:02:35,067 --> 00:02:37,069 THAT'S NOT HOW IT WORKS.[aughs 28 00:02:37,113 --> 00:02:38,569 HOW MUCH IS YOUR LITTLE BOY BAND GET OFF THE DOOR? 29 00:02:38,593 --> 00:02:41,161 HEY, HEY, HEY! SERIOUSLY? 30 00:02:41,204 --> 00:02:44,033 I CANNOT DISCUSS MY CLIENTS' FINANCIAL ARRANGEMENTS, 31 00:02:44,076 --> 00:02:45,861 EVEN WITH FELLOW INTREPID MANAGEMENT. 32 00:02:45,904 --> 00:02:47,784 SAVE IT. YOU KNOW HOW SHIT'S GETTING OVER THERE. 33 00:02:47,819 --> 00:02:50,039 DID CRAIG SET THIS UP FOR YOU, TOO? PLEASE CALM DOWN. 34 00:02:50,082 --> 00:02:52,737 THEY'RE NOT GONNA FIRE THEIR CONVERSATION PIECE. 35 00:02:52,781 --> 00:02:54,280 WHY DON'T YOU MOTHERFUCKERS TAKE THIS OUTSIDE? 36 00:02:54,304 --> 00:02:55,740 WHY DON'T YOU PROMOTE THE SHOW? 37 00:02:55,784 --> 00:02:57,220 MY GUYS WILL DO RADIO, IN-STORE. 38 00:02:57,264 --> 00:02:59,527 WHATEVER. I'M TRYING TO SELL A RECORD. 39 00:02:59,570 --> 00:03:01,920 THE SHOW'S SOLD OUT.YEAH, YOU'RE WELCOME. 40 00:03:04,706 --> 00:03:06,186 THIS MOTHERFUCKER... 41 00:03:07,317 --> 00:03:09,493 EXCUSE ME.HOW IS IT? 42 00:03:09,537 --> 00:03:11,582 IT'S GOOD, IT'S GOOD. 43 00:03:11,626 --> 00:03:13,236 I DON'T HAVE TO BE IN THE GREEN ROOM. 44 00:03:13,280 --> 00:03:15,064 BUT THEY CAN AT LEAST GIVE US A MERCH TABLE. 45 00:03:15,107 --> 00:03:16,500 HOW MANY DRINK TICKETS? 46 00:03:19,286 --> 00:03:21,375 THAT'S WHAT I GET FOR HAVING A WHITE MANAGER. 47 00:03:21,418 --> 00:03:22,637 VERY FUNNY.SERIOUSLY. 48 00:03:22,680 --> 00:03:23,986 YOU'LL GET THE MERCH TABLE. 49 00:03:24,029 --> 00:03:26,075 I GOTTA GO CHECK ON THE GUYS. 50 00:03:26,118 --> 00:03:27,598 I'LL BE BACK. 51 00:03:29,296 --> 00:03:30,775 HERE'S 20. 52 00:03:30,819 --> 00:03:32,255 GO MAKE MONEY. 53 00:03:32,299 --> 00:03:33,952 MAKE SOME FRIENDS.ALL RIGHT. 54 00:03:33,996 --> 00:03:35,606 HEY. 55 00:03:35,650 --> 00:03:37,434 DESMOND ASKED ME TO GIVE YOU THESE. 56 00:03:37,478 --> 00:03:39,282 AND RAY WANTS YOU AND DESMOND AT THE MERCH TABLE. 57 00:03:39,306 --> 00:03:41,438 I LOVE YOU. 58 00:05:15,140 --> 00:05:17,360 HEY, MAN. YOU LIKE THIS BAND? 59 00:05:18,753 --> 00:05:20,624 YEAH. THEY'RE ALL RIGHT. 60 00:05:20,668 --> 00:05:22,365 YOU WANT TO MAKE 20 BUCKS? 61 00:05:22,409 --> 00:05:23,845 FUCK OFF, PERV. 62 00:05:23,888 --> 00:05:25,934 DON'T FLATTER YOURSELF, DICK. 63 00:05:25,977 --> 00:05:27,936 ALL YOU GOTTA DO IS TAKE THIS... 64 00:05:27,979 --> 00:05:31,243 WHEN I POINT AT YOU, HOLD IT UP. 65 00:05:31,287 --> 00:05:32,854 I WANT THE MONEY... 66 00:05:32,897 --> 00:05:35,465 YOU'LL GET THE MONEY, RELAX! PAY ATTENTION! 67 00:05:37,467 --> 00:05:39,817 THANK YOU, GOOD NIGHT. 68 00:05:56,834 --> 00:05:58,793 GIVE ME SOME GOOD NEWS, TREY. 69 00:05:58,836 --> 00:06:01,622 UH, THE KIDS DID ALL RIGHT. 70 00:06:01,665 --> 00:06:04,755 IF THEY SHOWED UP ON TIME, MIGHT'VE BEEN ABLE TO SOUND-CHECK. 71 00:06:04,799 --> 00:06:06,931 WELL, THEY HAVE JOBS, TREY. WE CAN'T ALL SIT AROUND 72 00:06:06,975 --> 00:06:08,672 STEALING FROM TEENAGERS FOR A LIVING. 73 00:06:08,716 --> 00:06:10,761 WELL, IT'S A BAD RECORD. 74 00:06:10,805 --> 00:06:12,502 HERE, YOU GOTTA SIGN FOR IT, 75 00:06:12,546 --> 00:06:14,591 'CAUSE I KNOW YOU'RE GONNA SKIM OFF CRAIG. 76 00:06:14,635 --> 00:06:18,160 HOW IS THAT CORPORATE EXPENSE ACCOUNT, BY THE WAY? 77 00:06:18,203 --> 00:06:20,205 YOU CAN'T BE SERIOUS WITH THIS COUNT. 78 00:06:20,249 --> 00:06:22,382 NO? HAT MATCHES HEAD COUNT EXACTLY. CHECK FOR YOURSELF. 79 00:06:22,425 --> 00:06:24,122 ARE YOU JOKING? HAVE YOU BEEN IN THERE? 80 00:06:24,166 --> 00:06:26,081 NO, I'VE BEEN PLANTED HERE ALL NIGHT. 81 00:06:26,124 --> 00:06:28,649 IT'S VERIFIED.OH, THAT'S INTERESTING. 82 00:06:28,692 --> 00:06:31,260 BECAUSE AN INTERN FROM INTREPID HAS BEEN PLANTED ALL NIGHT, TOO. 83 00:06:31,303 --> 00:06:33,871 WAVE, TREY. 84 00:06:33,915 --> 00:06:36,918 AND HIS NUMBER'S A LITTLE DIFFERENT THAN YOURS, WHICH IS WEIRD. 85 00:06:36,961 --> 00:06:40,095 HEH. FUCK OFF, DUDE. I'M NOT GONNA ARGUE ABOUT THIS. 86 00:06:40,138 --> 00:06:42,378 NO, IT LOOKS LIKE YOU'RE PUTTING YOUR CLUB'S BOOKING RELATIONSHIP AT RISK, 87 00:06:42,402 --> 00:06:44,186 IS WHAT IT LOOKS LIKE YOU'RE DOING. 88 00:06:44,229 --> 00:06:46,580 HEY, MAN. I DON'T WANT TO DRAG OUR BOSSES INTO THIS. 89 00:06:48,712 --> 00:06:51,715 OKAY, LET'S GET BAT OVER HERE. BAT? 90 00:06:51,759 --> 00:06:53,848 BAT? 91 00:06:53,891 --> 00:06:56,633 FINE. FINE. 92 00:06:56,677 --> 00:06:58,809 HOW MUCH? 93 00:06:58,853 --> 00:07:01,072 HAVE SOME CLASS, MAN. IT'S NOT ALWAYS ABOUT MONEY. 94 00:07:01,116 --> 00:07:03,858 I WANT A FRIDAY HEADLINING SHOW FOR MY GUYS NEXT MONTH, THE 17th. 95 00:07:03,901 --> 00:07:05,381 OPENING NIGHT OF THE FESTIVAL. 96 00:07:05,425 --> 00:07:07,078 THAT'S RIGHT. THE RECORD WILL BE DONE, 97 00:07:07,122 --> 00:07:08,993 AND THEY KILLED IT TONIGHT.IT'S NOT UP TO ME. 98 00:07:09,037 --> 00:07:11,692 TREY, DON'T WORRY. I KNOW THAT YOU WILL MAKE IT HAPPEN. 99 00:07:11,735 --> 00:07:13,433 AND INTREPID MANAGEMENT THANKS YOU. 100 00:07:22,398 --> 00:07:24,444 Woman: ON'T MOVE AROUND TOO MUCH. 101 00:07:24,487 --> 00:07:26,968 YEAH, JUST... THIS... 102 00:07:27,011 --> 00:07:28,883 THIS ISN'T STARTING OUT THAT WELL. 103 00:07:28,926 --> 00:07:30,885 ONE, TWO, THREE, CHECK. CHECK. 104 00:07:30,928 --> 00:07:32,539 CHECK, ONE, TWO, THREE. 105 00:07:32,582 --> 00:07:34,366 DON'T LOOK AT THE CAMERA. LOOK AT ME. 106 00:07:34,410 --> 00:07:38,022 LOOK AT ME. JAMES HAND INTERVIEW, NUMBER ONE. 107 00:07:38,066 --> 00:07:40,460 ALL SETTLED? YES, MA'AM. 108 00:07:40,503 --> 00:07:44,507 ALL RIGHT. I WANTED TO START OFF 109 00:07:44,551 --> 00:07:46,117 BY ASKING YOU... 110 00:07:46,161 --> 00:07:49,556 WHAT MAKES A GOOD SONGWRITER? 111 00:07:49,599 --> 00:07:53,560 FAILURE. I HATE TO ADMIT IT, BUT FAILURE. 112 00:07:53,603 --> 00:07:56,519 YOU TAKE A GUY THAT GETS UP IN THE MORNING, 113 00:07:56,563 --> 00:07:58,608 AND THE BIRDS ARE SINGING, THE SUN'S SHINING, 114 00:07:58,652 --> 00:08:01,829 HE KISSES HIS WIFE AND GOES OFF TO WORK... 115 00:08:01,872 --> 00:08:04,919 I JUST DON'T SEE THAT GUY WRITING A SONG 116 00:08:04,962 --> 00:08:08,139 ABOUT MISERY OR FAILURE. 117 00:08:08,183 --> 00:08:11,186 PEOPLE SAY I LIKE MISERY. I DON'T LIKE MISERY. 118 00:08:11,229 --> 00:08:15,364 I JUST... LIKE SOMETHING THAT DON'T LIKE ME BACK. 119 00:09:09,592 --> 00:09:11,768 Narrator: THE PERSONALITY DESIGN STRATEGY 120 00:09:11,812 --> 00:09:13,640 ALLOWS INTREPID MANAGEMENT 121 00:09:13,683 --> 00:09:15,642 THE POWER TO REPRESENT THE BEST IN MUSIC 122 00:09:15,685 --> 00:09:17,252 AND SPORTS ENTERTAINMENT. 123 00:09:17,295 --> 00:09:19,254 LET YOUR DYNAMIC IDEAS 124 00:09:19,297 --> 00:09:20,908 AND UNLIMITED POSSIBILITIES OF THE MARKET 125 00:09:20,951 --> 00:09:23,606 ENGAGE OUR CLIENTS' POTENTIAL. 126 00:09:23,650 --> 00:09:26,043 SIMPLY ENVISION THE CLIENTS' SUCCESS, 127 00:09:26,087 --> 00:09:29,612 AND THEN LET INTREPID'S STRATEGY OF PERSONALITY DESIGN 128 00:09:29,656 --> 00:09:32,441 DETERMINE OUR CLIENTS' ENDGAME. 129 00:09:32,484 --> 00:09:35,183 WOW. 130 00:09:35,226 --> 00:09:37,620 ERIN CORRIGAN, GAVIN MARTINEZ, 131 00:09:37,664 --> 00:09:39,535 GREAT VIDEO, NICE JOB. 132 00:09:42,190 --> 00:09:45,149 ALL RIGHT, GUYS, 133 00:09:45,193 --> 00:09:47,891 WHAT QUESTIONS DO WE HAVE? 134 00:09:47,935 --> 00:09:49,589 JACK? 135 00:09:49,632 --> 00:09:51,808 OH, SORRY. I'M TRYING TO ENVISION 136 00:09:51,852 --> 00:09:53,897 MY ENDGAME FOR THIS MEETING. 137 00:09:56,204 --> 00:09:59,729 THIS IS A FRAMEWORK THAT WE ARE LAUNCHING THROUGHOUT ALL THE OFFICES, 138 00:09:59,773 --> 00:10:03,167 BUT YOU GUYS KNOW THAT I WOULD REALLY LOVE TO KICKSTART IT HERE FIRST. 139 00:10:03,211 --> 00:10:04,995 LET'S HAVE OUR FIRST APPROACH 140 00:10:05,039 --> 00:10:07,258 FOR OUR PERSONALITY DESIGNS FOR YOUR CLIENTS BY E.O.D. 141 00:10:07,302 --> 00:10:08,477 THANKS, GUYS. 142 00:10:20,489 --> 00:10:23,405 JACK, JACK, JACK. 143 00:10:23,448 --> 00:10:28,366 SO... I GOT A POTENTIAL CLIENT FOR YOU. 144 00:10:28,410 --> 00:10:30,804 CAN WE JUST... WHO ARE THEY? 145 00:10:30,847 --> 00:10:32,501 NEW ASSISTANTS. 146 00:10:32,544 --> 00:10:34,242 SO, INTERNS. 147 00:10:34,285 --> 00:10:36,984 I'M ENCOURAGING THEM TO ATTEND ALL MY MEETINGS. 148 00:10:37,027 --> 00:10:38,855 SO... LOOK, I'M TIRED OF YOU IGNORING DESMOND. 149 00:10:38,899 --> 00:10:40,465 WE'VE GOT A RECORD TO SELL, 150 00:10:40,509 --> 00:10:42,685 THIS COMMISSION-ONLY THING IS SHIT. 151 00:10:42,729 --> 00:10:44,837 NO ONE CAN WORK ON COMMISSION ONLY ANYMORE. AM I A REALTOR? 152 00:10:44,861 --> 00:10:46,056 I GUESS WE'RE GONNA TALK ABOUT THIS FIRST... 153 00:10:46,080 --> 00:10:47,690 I NEED YOUR CONTACT LIST, 154 00:10:47,734 --> 00:10:49,300 I NEED YOUR COVER LETTERS. 155 00:10:49,344 --> 00:10:50,954 JESUS, HALF THE HELP YOU GIVE GAVIN. 156 00:10:50,998 --> 00:10:52,390 THERE ARE PEOPLE WHO WORK HERE 157 00:10:52,434 --> 00:10:54,088 WHO DO NOT ASK FOR ANY OF MY HELP, 158 00:10:54,131 --> 00:10:55,698 PEOPLE WHO WOULD JUMP AT THE CHANCE 159 00:10:55,742 --> 00:10:58,353 FOR A LITTLE COMPETITION. 160 00:10:58,396 --> 00:11:02,270 WHICH, UM, BRINGS ME TO THIS POTENTIAL NEW CLIENT. 161 00:11:04,402 --> 00:11:05,728 YOUR DAD IS HAVING A REAL RESURGENCE. 162 00:11:05,752 --> 00:11:07,884 FINALLY, HERE IT IS. 163 00:11:07,928 --> 00:11:10,626 YOUR DAD'S HAVING A RESURGENCE IN CERTAIN MARKETS, RIGHT? 164 00:11:10,670 --> 00:11:13,716 FESTIVAL INTEREST IN EUROPE AND JAPAN. 165 00:11:13,760 --> 00:11:15,640 I KNOW HE'S GETTING MEDIA REQUESTS ALL THE TIME. 166 00:11:15,675 --> 00:11:18,068 HELL, HE'S GOT THE HIGHEST-SELLING VINYL IN GERMANY. 167 00:11:18,112 --> 00:11:20,070 I WOULDN'T KNOW. 168 00:11:20,114 --> 00:11:21,961 BUT YOU DO KNOW, BASED ON THOSE OLD RECORD DEALS, 169 00:11:21,985 --> 00:11:23,857 HE'S NOT MAKING ANY MONEY. 170 00:11:23,900 --> 00:11:25,597 WE HAVE A REAL OPPORTUNITY HERE 171 00:11:25,641 --> 00:11:28,339 TO REINTRODUCE YOUR DAD TO A BROAD AUDIENCE 172 00:11:28,383 --> 00:11:30,690 AND REALLY MAKE HIM SOME MONEY. 173 00:11:30,733 --> 00:11:34,258 HE WON'T GO FOR IT. I DON'T TALK TO HIM ANYMORE. 174 00:11:34,302 --> 00:11:36,434 [huckles 175 00:11:36,478 --> 00:11:38,741 I KNOW WHY I HIRED YOU. 176 00:11:38,785 --> 00:11:40,830 BUT, DUDE... 177 00:11:40,874 --> 00:11:43,050 I AM HAVING A HARDER TIME 178 00:11:43,093 --> 00:11:44,878 KEEPING YOU AROUND HERE, 179 00:11:44,921 --> 00:11:47,489 AND I DON'T THINK THAT JACK HAND MUSIC MANAGEMENT 180 00:11:47,532 --> 00:11:49,578 IS REALLY HIRING RIGHT NOW, ARE THEY? 181 00:11:49,621 --> 00:11:53,930 I'M ABOUT TO FINALIZE A HEADLINING FESTIVAL GIG FOR THE BAND, 182 00:11:53,974 --> 00:11:56,213 AND DESMOND'S SINGLE IS PICKING UP TRACTION, WHICH YOU KNOW. 183 00:11:56,237 --> 00:11:58,152 BUT NONE OF THAT MATTERS? 184 00:11:58,195 --> 00:12:01,546 SIGNING YOUR DAD IS YOUR CHANCE TO KEEP YOUR JOB. 185 00:12:03,679 --> 00:12:05,202 NO. 186 00:12:07,204 --> 00:12:09,380 WELL, THEN YOU ARE FIRED. 187 00:12:11,208 --> 00:12:12,819 COOL. 188 00:12:12,862 --> 00:12:14,472 IT FEELS GOOD BEING FIRED. 189 00:12:16,736 --> 00:12:18,476 LET'S START WITH YOU TWO. 190 00:12:18,520 --> 00:12:20,360 THIS WHOLE LOOK YOU GOT GOING... COINCIDENTALLY, 191 00:12:20,391 --> 00:12:22,350 A LOT LIKE CRAIG'S LAST GIRLFRIEND. 192 00:12:22,393 --> 00:12:23,699 LAST COUPLE OF THEM, ACTUALLY. 193 00:12:23,743 --> 00:12:25,135 NOW, WAIT, JUST... 194 00:12:25,179 --> 00:12:27,007 YOU'RE NOT FIRED YET, YOU KNOW THAT. 195 00:12:27,050 --> 00:12:28,748 LOOK, I'LL GIVE YOU TWO WEEKS. 196 00:12:28,791 --> 00:12:30,793 GET HIM TO SIGN THIS. 197 00:12:30,837 --> 00:12:33,274 YOU ACT LIKE YOU DON'T LIKE IT AROUND HERE, 198 00:12:33,317 --> 00:12:35,537 BUT YOU KNOW WHAT THIS PLACE GETS YOU. 199 00:12:44,894 --> 00:12:47,767 HE WAS KIDDING ABOUT THAT GIRLFRIEND STUFF, BY THE WAY. 200 00:12:50,160 --> 00:12:53,120 FUCKING SNOB.LOOK AT THAT. 201 00:12:53,163 --> 00:12:56,384 DON'T GET THAT... YOU'LL BURN THE WIRE. 202 00:12:56,427 --> 00:12:58,603 ALL RIGHT, LET'S HEAR IT. PLUG IT IN.YEAH. 203 00:12:58,647 --> 00:13:00,388 WHAT ARE YOU GONNA DO IF HE DOES FIRE YOU? 204 00:13:00,431 --> 00:13:02,390 I DON'T KNOW. GET SOME OTHER CRAPPY JOB, I GUESS. 205 00:13:02,433 --> 00:13:04,566 OR START YOUR OWN COMPANY? 206 00:13:04,609 --> 00:13:07,482 VERY FUNNY.NO, WHAT'S GONNA HAPPEN TO US? 207 00:13:07,525 --> 00:13:09,677 YOU STILL HAVE A YEAR LEFT ON YOUR CONTRACT, SO I DON'T KNOW... 208 00:13:09,701 --> 00:13:11,573 CRAIG'S GONNA PUT US OUT TO PASTURE. 209 00:13:11,616 --> 00:13:14,706 MAYBE WE GET A DIFFERENT MANAGER? AWESOME. 210 00:13:14,750 --> 00:13:16,883 YOU'RE GONNA TALK TO YOUR DAD, RIGHT? YES. 211 00:13:16,926 --> 00:13:19,886 SHUT UP. I HAVE ACTUAL NEWS. WE'RE HEADLINING THE MOHAWK. 212 00:13:19,929 --> 00:13:22,192 OPENING NIGHT OF THE FESTIVAL.NEXT WEEKEND? 213 00:13:22,236 --> 00:13:24,629 YOUR RECORD RELEASE, WHICH MEANS THE RECORD HAS OT BE DONE. 214 00:13:24,673 --> 00:13:27,154 NO, THERE'S NO WAY. THAT'S RIDICULOUS? 215 00:13:27,197 --> 00:13:29,634 WHAT? NO WAY IT CAN BE DONE IN TIME. 216 00:13:29,678 --> 00:13:31,961 FINISH RECORDING THIS WEEK, THEN MASTER AND DUPLICATE COPIES FOR THE SHOW. 217 00:13:31,985 --> 00:13:33,638 WE NEED SO MUCH MORE GEAR... 218 00:13:33,682 --> 00:13:37,468 MICS, CABLES, TUBES, PEDALS, 219 00:13:37,512 --> 00:13:40,167 DRUMHEADS, SPEAKERS, WEED.FINE, I GOT IT. 220 00:13:40,210 --> 00:13:41,535 YOU'RE GONNA TALK TO YOUR DAD, RIGHT? 221 00:13:41,559 --> 00:13:42,909 YES.COME ON. 222 00:13:42,952 --> 00:13:44,127 JUST FIX THE FUCKING MIC! 223 00:13:46,521 --> 00:13:48,175 FIX THAT THING.SHUT UP. 224 00:14:37,137 --> 00:14:39,922 THIS IS JAMES HAND. LEAVE ME A MESSAGE, AND I'LL CALL BACK. 225 00:14:39,966 --> 00:14:42,882 HEY, UH, JUST WANTED TO MAKE SURE YOU HAD THE ADDRESS. 226 00:14:42,925 --> 00:14:45,232 EVERYTHING IS PRETTY MUCH... HEY... 227 00:14:45,275 --> 00:14:47,190 UNDERWAY OVER HERE, 228 00:14:47,234 --> 00:14:49,366 AND, UM... 229 00:14:49,410 --> 00:14:51,325 YEAH, YOU CAN BE LATE IF YOU WANT. 230 00:14:51,368 --> 00:14:54,067 NOT A BIG DEAL. JUST, UH... 231 00:14:54,110 --> 00:14:55,938 JUST GIVE ME A CALL BACK. 232 00:14:55,982 --> 00:14:57,940 OKAY. THANKS. 233 00:15:31,974 --> 00:15:36,631 THE NUMBER YOU HAVE REACHED HAS BEEN DISCONNECTED. 234 00:15:57,217 --> 00:15:59,088 [histling 235 00:16:08,837 --> 00:16:10,447 WELL, WE'RE NOT HIRING RIGHT NOW, 236 00:16:10,491 --> 00:16:12,972 BUT I WILL KEEP YOUR RESUME ON FILE. 237 00:16:16,366 --> 00:16:18,194 I'VE BEEN MISSING YOU, FRANK. 238 00:16:23,591 --> 00:16:26,159 HAND ME THAT IMPACT GUN, PLEASE. 239 00:16:26,202 --> 00:16:28,770 YOU ARE HIS MANAGER AGAIN, AREN'T YOU? 240 00:16:30,641 --> 00:16:33,818 IT'S THE PRETTY SILVER THING ON THE END OF THE HOSE. 241 00:16:38,693 --> 00:16:40,738 I JUST WANT TO TALK TO HIM, IS ALL, FRANK. 242 00:16:42,305 --> 00:16:43,959 THANK YOU. 243 00:16:46,744 --> 00:16:51,097 I THOUGHT IF YOU... 244 00:16:51,140 --> 00:16:53,540 I THOUGHT IF YOU WERE REPPING HIM, YOU'D KNOW WHERE I COULD... 245 00:16:55,449 --> 00:17:00,019 I ASSUME... 246 00:17:00,062 --> 00:17:02,195 I ASSUME HE'S LIVING WITH YOU. 247 00:17:04,110 --> 00:17:05,910 FRANK, I'M NOT TRYING TO CAUSE TROUBLE. I'M... 248 00:17:13,119 --> 00:17:15,643 I JUST WANT TO KNOW WHERE I CAN FIND HIM, FRANK. 249 00:17:17,471 --> 00:17:20,865 I'M NOT GONNA HELP YOU DO A GODDAMN THING. 250 00:17:23,694 --> 00:17:27,089 AND YOU DO KNOW WHERE TO FIND HIM. 251 00:17:27,133 --> 00:17:29,831 AND YES, I'M HIS MANAGER NOW. 252 00:17:29,874 --> 00:17:32,921 NOT MY FAULT YOU COULDN'T HANDLE HIM. 253 00:17:32,964 --> 00:17:35,619 YOU GOT PAPERS? 254 00:17:35,663 --> 00:17:37,491 I DON'T NEED PAPERS. 255 00:17:40,320 --> 00:17:43,975 AND QUIT GETTIN' PEANUTS ALL OVER MY FLOOR, KID. 256 00:17:47,414 --> 00:17:50,417 ALWAYS GOOD TO SEE YOU, FRANK. 257 00:17:53,855 --> 00:17:56,162 UPLOAD THE SCANS AND THE ARTICLES. 258 00:17:56,205 --> 00:17:58,468 THEN JUST INVOICE ME AT THE SAME ADDRESS. 259 00:17:58,512 --> 00:18:01,123 OKAY. OKAY, THANKS. 260 00:18:01,167 --> 00:18:02,559 WHAT? 261 00:18:02,603 --> 00:18:03,908 DID YOU SEE HIM YET? 262 00:18:03,952 --> 00:18:05,519 IS THAT WHAT YOU WANTED? 263 00:18:05,562 --> 00:18:08,391 "JAMES HAND... ALSO KNOWS AS SLIM HAND... 264 00:18:08,435 --> 00:18:10,480 "IS A FOLK/COUNTRY SINGER 265 00:18:10,524 --> 00:18:12,415 WHO ACHIEVED AN UNDERGROUND CULT FOLLOWING IN THE LATE..." 266 00:18:12,439 --> 00:18:14,049 CUT "UNDERGROUND". 267 00:18:14,093 --> 00:18:16,486 "CULT"EANS "UNDERGROUND".OKAY. 268 00:18:16,530 --> 00:18:18,271 "IN THE LATE 1980s, THANKS IN PART 269 00:18:18,314 --> 00:18:20,316 "TO A SONGWRITING AND PERFORMING STYLE 270 00:18:20,360 --> 00:18:22,144 "THAT HARKENED BACK 271 00:18:22,188 --> 00:18:23,798 "TO SUCH GOLDEN-AGE COUNTRY PERFORMERS 272 00:18:23,841 --> 00:18:26,148 "AS LEFTY FRIZZELL AND HANK WILLIAMS. 273 00:18:26,192 --> 00:18:28,890 "SLIM MARRIED U.T. ENGLISH PROFESSOR VIRGINIA HAMILTON HAND 274 00:18:28,933 --> 00:18:32,285 IN 1977 AND DIVORCED IN 1988." 275 00:18:32,328 --> 00:18:34,156 WHAT IS THIS NOW? 276 00:18:34,200 --> 00:18:36,027 WE'RE CREATING YOUR DAD'S CLIENT BIO PAGE 277 00:18:36,071 --> 00:18:38,682 FOR THE COMPANY'S WEBSITE. WE NEED YOU TO PROOF IT. 278 00:18:38,726 --> 00:18:41,511 CRAIG WANTS ALL YOUR DAD'S PRESS MATERIAL READY TO GO. 279 00:18:41,555 --> 00:18:44,123 JESUS, HE'S PRETTY CONFIDENT I'M GONNA COME THROUGH. 280 00:18:45,863 --> 00:18:47,909 NO, NOT REALLY. 281 00:18:47,952 --> 00:18:49,998 HE ACTUALLY SAYS IT WILL PROBABLY BE EASIER 282 00:18:50,041 --> 00:18:52,653 FOR US TO SIGN YOUR DAD AFTER YOU'RE FIRED. 283 00:18:52,696 --> 00:18:54,829 GO ON. 284 00:18:54,872 --> 00:18:57,223 "IN 1987, ROLLING STONE MAGAZINE 285 00:18:57,266 --> 00:19:00,313 "CALLED JAMES HAND A MAN BORN HALF A CENTURY TOO LATE, 286 00:19:00,356 --> 00:19:02,141 "WHICH THEY DESCRIBED AS A SHAME, 287 00:19:02,184 --> 00:19:04,317 "SINCE HIS CLASSIC STYLE WOULD MOST LIKELY LEAVE HIM 288 00:19:04,360 --> 00:19:06,667 TOILING IN CRITICALLY-ACCLAIMED OBSCURITY." 289 00:19:06,710 --> 00:19:09,235 PROBABLY THE LAST TIME ROLLING STONE WAS RIGHT ABOUT ANYTHING. 290 00:19:09,278 --> 00:19:11,454 RIGHT? RE YOU GOING TO SEE HIM? 291 00:19:11,498 --> 00:19:13,413 AND, UH, CAN WE GO? 292 00:19:13,456 --> 00:19:15,023 WHY? 293 00:19:15,066 --> 00:19:17,634 WHATEVER. WE JUST WANT TO. 294 00:19:19,158 --> 00:19:20,550 NO. 295 00:19:58,806 --> 00:20:01,765 HEY, EXCUSE ME. 296 00:20:01,809 --> 00:20:03,985 CAN I LOOK AT YOUR WRIST? 297 00:20:14,604 --> 00:20:17,041 NICE. 298 00:20:17,085 --> 00:20:18,478 THANK YOU. 299 00:21:09,746 --> 00:21:11,357 [ songnds 300 00:21:11,400 --> 00:21:13,141 ALL RIGHT. 301 00:21:16,666 --> 00:21:18,189 WELL, THANK YOU. 302 00:21:20,322 --> 00:21:22,324 THANK YOU A LOT. 303 00:21:23,978 --> 00:21:26,285 THANK YOU A LOT, FRIENDS. I APPRECIATE IT. 304 00:21:26,328 --> 00:21:29,549 I GOT ONE HERE NOW I'D LIKE TO SING FOR YOU. 305 00:21:29,592 --> 00:21:31,725 IT, UH... 306 00:21:31,768 --> 00:21:33,553 MIGHT BE A LITTLE COMPLICATED. 307 00:21:33,596 --> 00:21:36,904 SOMETIMES YOU WRITE A SONG FOR SOMEBODY, 308 00:21:36,947 --> 00:21:39,559 AND... IT JUST... 309 00:21:45,304 --> 00:21:46,696 I... 310 00:21:48,350 --> 00:21:49,588 YOU KNOW WHAT, GUYS? LET'S JUST... 311 00:21:49,612 --> 00:21:50,918 LET'S JUST CALL IT A NIGHT. 312 00:21:50,961 --> 00:21:52,659 THANK Y'ALL. I'LL SEE YOU. 313 00:22:04,540 --> 00:22:06,977 LADIES AND GENTLEMEN, A BIG ROUND OF APPLAUSE 314 00:22:07,021 --> 00:22:10,807 FOR OUR SPECIAL GUEST... BILLED AS DOC JENKINS TONIGHT, 315 00:22:10,851 --> 00:22:12,896 BUT I THINK Y'ALL KNOW HIS REAL NAME. 316 00:22:12,940 --> 00:22:15,116 JAMES HAND, EVERYBODY! 317 00:22:18,772 --> 00:22:21,035 WE'VE GOT LOTS OF DRINK SPECIALS TONIGHT. 318 00:22:21,078 --> 00:22:22,819 GOT LOTS MORE LIVE MUSIC. 319 00:22:22,863 --> 00:22:25,344 SO Y'ALL STICK AROUND AND HAVE A GOOD TIME. 320 00:22:37,791 --> 00:22:40,533 HEY. HEY. 321 00:22:40,576 --> 00:22:42,491 YOU'RE NOT EVEN GONNA TALK TO HIM? 322 00:22:42,535 --> 00:22:44,275 WHAT'S WITH THIS "DOC JENKINS" STUFF? 323 00:22:44,319 --> 00:22:46,147 IT WAS HIS IDEA. 324 00:22:46,190 --> 00:22:49,411 KEEP THE CROWDS SMALL.GREAT STRATEGY. 325 00:22:51,457 --> 00:22:53,850 AREN'T WE ALL BUSINESS. 326 00:22:53,894 --> 00:22:57,898 HOW IS EVERYTHING OVER AT INTREPID? 327 00:22:57,941 --> 00:23:00,683 ARE YOU HOT SHIT YET? 328 00:23:03,164 --> 00:23:05,122 GOOD TALK, FRANK. 329 00:23:05,166 --> 00:23:08,082 HE LOOKS GREAT, BY THE WAY. NICE WORK. 330 00:23:16,482 --> 00:23:18,875 I DON'T KNOW. IT WAS WEIRD. 331 00:23:18,919 --> 00:23:22,444 THERE WERE, LIKE, THESE FLYERS EVERYWHERE. 332 00:23:22,488 --> 00:23:25,055 AND IT WAS ON THE SIGN OUT FRONT. 333 00:23:25,099 --> 00:23:28,058 EVERYBODY SEEMED COOL WITH IT. 334 00:23:28,102 --> 00:23:30,757 GOD FORBID HE'D USE HIS REAL NAME, 335 00:23:30,800 --> 00:23:32,454 SO PEOPLE MIGHT ACTUALLY SHOW UP, 336 00:23:32,498 --> 00:23:34,108 HE MIGHT STUMBLE INTO SOME MONEY. 337 00:23:34,151 --> 00:23:35,588 I DON'T KNOW, MAN. 338 00:23:35,631 --> 00:23:37,807 SOUNDS LIKE IT WAS PRETTY PACKED TO ME. 339 00:23:37,851 --> 00:23:39,853 AND THAT'S ACTUALLY KIND OF COOL. 340 00:23:45,902 --> 00:23:47,904 CRAIG GET YOU THAT CONTACT LIST? 341 00:23:49,515 --> 00:23:51,647 HMM? YEAH, YEAH. 342 00:23:53,040 --> 00:23:55,042 WE'RE GOOD. 343 00:23:55,085 --> 00:23:57,000 COOL. 344 00:24:01,527 --> 00:24:04,573 ALL RIGHT. FUCK IT. 345 00:24:04,617 --> 00:24:07,271 RIGHT? FACE TO FACE? 346 00:24:07,315 --> 00:24:09,491 RIGHT? 347 00:24:09,535 --> 00:24:12,189 WELL... 348 00:24:12,233 --> 00:24:14,278 GOOD LUCK. 349 00:24:14,322 --> 00:24:17,804 YEAH. THANKS. 350 00:27:14,807 --> 00:27:16,591 WHAT DO YOU SAY THERE, SWIFTY? 351 00:27:16,635 --> 00:27:18,027 HOWDY. 352 00:27:18,071 --> 00:27:20,203 HEY.WHAT'S UP, DAVE? 353 00:27:20,247 --> 00:27:22,641 FINALLY GETTING DAD TO JOIN THE BAND? 354 00:27:22,684 --> 00:27:24,860 NO, WE'RE JUST MESSIN' AROUND. 355 00:27:24,904 --> 00:27:27,341 ALL RIGHT.NO NEED TO RUN OFF. 356 00:27:27,384 --> 00:27:28,995 THOSE WERE ALL MY DIRTY JOKES ANYWAY. 357 00:27:29,038 --> 00:27:30,736 TAKE CARE, GO-GO.SURE THING. 358 00:27:30,779 --> 00:27:33,652 JACK.GO-GO. 359 00:27:35,523 --> 00:27:37,525 I HEAR YOU COME BY THE SHOW THE OTHER NIGHT. 360 00:27:37,568 --> 00:27:39,222 NO, I DIDN'T HEAR ANYTHING ABOUT A SHOW. 361 00:27:39,266 --> 00:27:42,008 YES, YOU DID. YOU DAMN SURE DID. 362 00:27:43,923 --> 00:27:47,100 WELL, GUESS I JUST WANTED TO SEE IF THE RUMORS WERE TRUE. 363 00:27:47,143 --> 00:27:49,580 YOU KNOW, ABOUT YOUR WORLD TOUR. 364 00:27:49,624 --> 00:27:51,539 STADIUMS AND WHATNOT. 365 00:27:56,500 --> 00:28:00,853 HOW'S YOUR MA? ALL RIGHT, I GUESS. 366 00:28:00,896 --> 00:28:03,377 IT WOULDN'T HURT IF SHE WROTE ME BACK EVERY NOW AND THEN. 367 00:28:03,420 --> 00:28:06,380 YOU STILL WRITE TO HER? EVERY DAY, IF I NEED TO OR NOT. 368 00:28:06,423 --> 00:28:08,164 THAT'S PRETTY WEIRD. 369 00:28:10,427 --> 00:28:12,821 OH. GO-GO LEAVE? 370 00:28:12,865 --> 00:28:14,475 NO, NO. 371 00:28:14,518 --> 00:28:16,956 JAMES, YOU GOTTA TELL ME. 372 00:28:16,999 --> 00:28:20,524 ALLIE, THIS IS MY SON JACK. 373 00:28:20,568 --> 00:28:23,614 YEAH, WE'VE MET. 374 00:28:23,658 --> 00:28:25,225 STAMP GIRL. 375 00:28:25,268 --> 00:28:26,879 HE'S A REAL CHEAP BASTARD, ISN'T HE? 376 00:28:26,922 --> 00:28:28,707 WELL, I SEE Y'ALL HAVE MET. 377 00:28:28,750 --> 00:28:30,926 WHAT'S, UH, ALL THIS STUFF? 378 00:28:30,970 --> 00:28:34,364 ALLIE'S A GRADUATE STUDENT. SHE'S WORKING ON A MOVIE. 379 00:28:34,408 --> 00:28:36,976 SHE'S GONNA BE STAYING OUT HERE WITH ME FOR A LITTLE WHILE. 380 00:28:37,019 --> 00:28:41,458 IT'S LIKE A... CLASS PROJECT OR SOMETHING? 381 00:28:41,502 --> 00:28:44,157 I'M SORRY. I MUST BE INTERRUPTING. 382 00:28:44,200 --> 00:28:47,334 NO, THAT'D BE ME. SORRY. I'LL SEE YOU LATER. 383 00:28:47,377 --> 00:28:50,032 HEY, HOLD UP. YOU NEED SOME MONEY OR ANYTHING? 384 00:28:50,076 --> 00:28:52,600 WHAT? O. 385 00:28:52,643 --> 00:28:55,951 I WOULD LIKE TO SIT DOWN AND TALK TO YOU ABOUT SOMETHING... SOMETIME. 386 00:28:55,995 --> 00:28:57,779 WELL, HELL, COME ON, SIT DOWN, THEN. 387 00:28:57,823 --> 00:28:59,650 NAH. 388 00:28:59,694 --> 00:29:01,914 ARE YOU PLAYING ANOTHER SHOW ANYTIME SOON? 389 00:29:01,957 --> 00:29:04,655 NO. I DON'T THINK SO. 390 00:29:06,832 --> 00:29:08,398 ALL RIGHT, THEN. 391 00:29:10,357 --> 00:29:12,185 SEE YOU LATER, DAD. 392 00:29:17,494 --> 00:29:19,453 OH, YEAH, THE BLACK- AND-WHITE ONE? 393 00:29:19,496 --> 00:29:21,672 I THINK IT LOOKS REALLY GOOD, BUT, LIKE, 394 00:29:21,716 --> 00:29:23,389 MAYBE I'LL IMPORT IT AND CHANGE IT TO A SEPIA TONE. 395 00:29:23,413 --> 00:29:24,980 I LIKE THAT.YEAH. 396 00:29:25,024 --> 00:29:26,590 MAKE IT LOOK A LITTLE DIFFERENT. RUSTIC. 397 00:29:26,634 --> 00:29:27,940 YEAH, BUT NOT TOO RUSTIC. 398 00:29:27,983 --> 00:29:29,419 OLD-TIMEY, BUT NOT... 399 00:29:29,463 --> 00:29:31,160 THIS IS STILL MY OFFICE, RIGHT? 400 00:29:31,204 --> 00:29:33,032 YEAH. 401 00:29:33,075 --> 00:29:35,643 THEN WE'LL JUST PUT IT ON THE TOP OF THE BIO PAGE. 402 00:29:35,686 --> 00:29:37,645 RIGHT NEXT TO THE PERSONALITY DESIGN. 403 00:29:37,688 --> 00:29:39,778 YEAH, DEFINITELY. THAT SAME POSTER, THOUGH. 404 00:29:39,821 --> 00:29:42,519 RIGHT, YEAH. 405 00:29:42,563 --> 00:29:45,000 SO IS HE, LIKE, A MEAN RECLUSE, 406 00:29:45,044 --> 00:29:47,437 OR JUST KIND OF A CRAZY RECLUSE? 407 00:29:47,481 --> 00:29:50,223 JESUS, HE'S NOT A RECLUSE. HE HAD THE DAMN TOWN OUT THERE YESTERDAY. 408 00:29:50,266 --> 00:29:53,443 YOU KNOW, WE COULD ACTUALLY CALL HIM A FOLK SINGER ON THE PROMO PAGE. 409 00:29:53,487 --> 00:29:55,097 YEAH, YEAH, DEFINITELY. 410 00:29:55,141 --> 00:29:57,230 NO, HE'S A COUNTRY SINGER. 411 00:29:57,273 --> 00:29:59,580 EH, COUNTRY REALLY ISN'T THAT COOL RIGHT NOW. 412 00:29:59,623 --> 00:30:01,887 IT DOES HAVE A BAD CONNOTATION. 413 00:30:08,719 --> 00:30:13,507 HEY, WHAT IS THE DEAL WITH THE FUCKIN' VAMPIRE TWINS? 414 00:30:13,550 --> 00:30:16,466 I PUT SISSY AND STEPH IN CHARGE OF RESEARCHING YOUR DAD 415 00:30:16,510 --> 00:30:18,468 AS A POTENTIAL CLIENT. 416 00:30:18,512 --> 00:30:19,992 YOU SHOULD CONSIDER THEM A RESOURCE. 417 00:30:20,035 --> 00:30:21,645 HE SAID NO. 418 00:30:21,689 --> 00:30:23,212 YOU'VE ALREADY ASKED HIM? 419 00:30:23,256 --> 00:30:26,520 I WANT TO KNOW WHAT HAPPENS TO MY GUYS. 420 00:30:26,563 --> 00:30:29,697 WHAT DO YOU MEAN? DESMOND. THE WINTERMEN. 421 00:30:29,740 --> 00:30:32,308 YOU KNOW, THE FEW LEGITIMATE MUSICIANS WE REPRESENT AROUND HERE. 422 00:30:32,352 --> 00:30:34,528 DO NOT LEAN BACK IN YOUR FUCKING CHAIR. 423 00:30:34,571 --> 00:30:36,182 ACTUALLY, DESMOND'S SINGLE... 424 00:30:36,225 --> 00:30:39,272 THE ONE THAT I SUPPOSEDLY DON'T LIKE... 425 00:30:39,315 --> 00:30:41,883 YEAH? THERE IS A CERTAIN CAR COMPANY, 426 00:30:41,927 --> 00:30:43,754 WHICH FOR NOW WILL REMAIN NAMELESS 427 00:30:43,798 --> 00:30:46,453 BECAUSE YOU ARE A MANIPULATIVE PRICK... 428 00:30:46,496 --> 00:30:48,847 THIS CAR COMPANY SHARES YOUR BAD TASTE IN MUSIC, 429 00:30:48,890 --> 00:30:51,414 WHICH IS TO SAY, 430 00:30:51,458 --> 00:30:55,201 THEY ARE INTERESTED IN LICENSING A 30-SECOND SECTION OF THE SONG 431 00:30:55,244 --> 00:30:57,159 FOR A BROADCAST T.V. COMMERCIAL. 432 00:30:57,203 --> 00:30:59,466 SO WHEN WILL WE KNOW? 433 00:30:59,509 --> 00:31:02,251 A WHILE. THEY GOTTA EDIT THE COMMERCIAL, 434 00:31:02,295 --> 00:31:04,863 THE AD AGENCY SCREENS IT, THEY HAVE MEETINGS. 435 00:31:04,906 --> 00:31:06,865 AND? 436 00:31:06,908 --> 00:31:08,910 RELAX, MAN. THEY JUST ASKED FOR A COPY OF THE SONG. 437 00:31:08,954 --> 00:31:10,781 IT'S JUST A POSSIBILITY AT THIS POINT. 438 00:31:10,825 --> 00:31:12,914 BUT... AND I'M SURE YOU'RE GONNA IGNORE THIS... 439 00:31:12,958 --> 00:31:15,003 I DON'T THINK YOU SHOULD TELL DESMOND YET. 440 00:31:16,657 --> 00:31:18,920 DOES THIS POSSIBILITY HAVE A PRICE TAG? 441 00:31:18,964 --> 00:31:21,270 LITTLE EARLY FOR THAT. 442 00:31:21,314 --> 00:31:23,490 BUT YOU WOULD BE ENTITLED TO A CUT 443 00:31:23,533 --> 00:31:26,580 IF YOU STILL WORK HERE WHEN THE DEAL HAPPENS. 444 00:31:26,623 --> 00:31:29,322 DESMOND STILL HAS A WHILE LEFT ON HIS CONTRACT, YOU KNOW? 445 00:31:29,365 --> 00:31:31,585 YEAH, BUT IF MY DAD DOESN'T HAPPEN, 446 00:31:31,628 --> 00:31:33,369 YOU'RE JUST GONNA DROP THE BAND, AREN'T YOU? 447 00:31:33,413 --> 00:31:36,068 JESUS, WHAT IS THE BIG DEAL? 448 00:31:36,111 --> 00:31:39,245 ONCE YOU GET PAST YOUR PETTY PERSONAL ISSUES WITH YOUR DAD, 449 00:31:39,288 --> 00:31:42,074 HE IS A DREAM COME TRUE FOR YOU.HOW'S THAT? 450 00:31:42,117 --> 00:31:44,554 HE'S AN ARTISTICALLY REDEEMABLE CLIENT 451 00:31:44,598 --> 00:31:47,122 WHO WILL GENERATE A LEGITIMATE AMOUNT OF REVENUE, 452 00:31:47,166 --> 00:31:49,298 AND HE IS THE ONLY REASON 453 00:31:49,342 --> 00:31:51,822 THAT I WILL KEEP YOU ON HERE. 454 00:31:58,264 --> 00:32:00,962 UH, THERE'S SOMEONE IN YOUR OFFICE. 455 00:32:02,746 --> 00:32:04,705 OKAY.TO SEE YOU. 456 00:32:04,748 --> 00:32:06,620 THERE'S SOMEONE IN YOUR OFFICE TO SEE YOU. 457 00:32:06,663 --> 00:32:09,928 IT'S A GIRL.AND YOU JUST LET HER WAIT IN THERE? 458 00:32:11,755 --> 00:32:13,888 GREAT. 459 00:32:13,932 --> 00:32:15,759 WHY NOT? 460 00:32:15,803 --> 00:32:18,762 I'M PRETTY SURE HE WORE THAT SHIRT YESTERDAY. 461 00:32:25,813 --> 00:32:27,989 THIS PLACE IS KIND OF A DUMP. 462 00:32:28,033 --> 00:32:29,860 YEAH. SURE. 463 00:32:29,904 --> 00:32:31,732 MAKE YOURSELF AT HOME. 464 00:32:35,736 --> 00:32:37,129 YOU'RE HOARDING QUITE A COLLECTION. 465 00:32:37,172 --> 00:32:39,131 YOU WANT A SNORT? 466 00:32:44,397 --> 00:32:46,442 SO... YOU'VE COME TO TELL ME 467 00:32:46,486 --> 00:32:48,923 EXACTLY WHAT IT IS YOU DO FOR MY DAD. 468 00:32:48,967 --> 00:32:52,013 YEAH. I DON'T WORK FOR YOUR DAD. 469 00:32:53,449 --> 00:32:55,103 BUT YOU ARE LIVING WITH HIM. 470 00:32:59,194 --> 00:33:01,327 SO YOU'VE GOT IT ALL FIGURED OUT, THEN? 471 00:33:01,370 --> 00:33:03,764 JUST ASKING A QUESTION. 472 00:33:03,807 --> 00:33:06,158 YEAH. WELL... 473 00:33:06,201 --> 00:33:07,898 I DON'T THINK IT'S REALLY A GOOD IDEA 474 00:33:07,942 --> 00:33:10,162 FOR YOU TO BE HANGING AROUND YOUR DAD RIGHT NOW. 475 00:33:10,205 --> 00:33:12,120 I'M SORRY? 476 00:33:12,164 --> 00:33:14,296 I DON'T THINK NOW IS A GOOD TIME 477 00:33:14,340 --> 00:33:16,255 TO RECONNECT WITH YOUR DAD. 478 00:33:16,298 --> 00:33:18,779 PLEASE STOP CLEANING MY OFFICE AND GET OUT OF IT. 479 00:33:18,822 --> 00:33:22,826 ANYWAY, I THINK HE'S DONE WITH PERFORMING. 480 00:33:22,870 --> 00:33:25,873 IN SHITTY LOCAL DIVES? I DON'T BLAME HIM. 481 00:33:27,614 --> 00:33:29,572 I KNOW I CAN'T STOP YOU FROM COMING AROUND, 482 00:33:29,616 --> 00:33:31,618 BUT I JUST WANTED TO COME AND TELL YOU 483 00:33:31,661 --> 00:33:33,837 THAT I CARE A GREAT DEAL ABOUT HIM, 484 00:33:33,881 --> 00:33:36,144 AND I'M TRYING TO DO WHAT'S BEST. 485 00:33:41,280 --> 00:33:43,369 SORRY I BOTHERED YOU. 486 00:33:43,412 --> 00:33:47,155 NO, NOT AT ALL. THE PLACE LOOKS GREAT. 487 00:34:01,082 --> 00:34:02,953 WHAT'D YOU SAY TO HER? 488 00:34:02,997 --> 00:34:05,217 WHAT? OTHING. DON'T WORRY ABOUT IT. 489 00:34:07,132 --> 00:34:09,786 ALLISON SILVERSTEIN IS FRIENDS 490 00:34:09,830 --> 00:34:11,962 WITH OUR FUTURE CLIENT. 491 00:34:12,006 --> 00:34:13,897 TIME TO START EARNING THE MONEY WE'RE NOT PAYING YOU. 492 00:34:13,921 --> 00:34:15,531 FIND OUT ABOUT HER. 493 00:34:17,968 --> 00:34:19,666 Allison: WHY DO YOU WRITE? 494 00:34:21,711 --> 00:34:24,671 I THINK A MAN FEELS SOMETHING SPECIAL 495 00:34:24,714 --> 00:34:26,673 FOR EVERY SONG HE WRITES. 496 00:34:28,762 --> 00:34:32,983 BECAUSE BEFORE THE CONTRACTS, 497 00:34:33,027 --> 00:34:35,551 BEFORE THE AMPLIFIERS, 498 00:34:35,595 --> 00:34:38,337 BEFORE THE LAWYERS' FEES, BEFORE THE LIGHTS, 499 00:34:38,380 --> 00:34:42,036 BEFORE SOMEBODY HOLLERS, "YOU MUST GO ON," 500 00:34:42,080 --> 00:34:44,734 SOMEBODY SOMEWHERE SAT DOWN IN THE DARK 501 00:34:44,778 --> 00:34:46,582 WITH A LITTLE PIECE OF PAPER AND A LITTLE PENCIL 502 00:34:46,606 --> 00:34:49,435 AND WROTE SOMETHING DOWN. 503 00:34:49,478 --> 00:34:52,220 AND THAT LITTLE THING THEY WROTE DOWN 504 00:34:52,264 --> 00:34:55,571 WAS SOME KIND OF AN ESCAPE. 505 00:34:55,615 --> 00:34:57,660 LIKE I SAY, IT WAS A POET'S WAY IN 506 00:34:57,704 --> 00:35:00,576 AND A COWARD'S WAY OUT. 507 00:35:00,620 --> 00:35:02,970 AND WHEN THEY FOUND THAT LITTLE BIT OF ESCAPE, 508 00:35:03,013 --> 00:35:05,886 THEY KEPT USING IT AND USING IT AND USING IT. 509 00:35:05,929 --> 00:35:07,801 AND ESPECIALLY WHEN YOU START 510 00:35:07,844 --> 00:35:10,543 AT 10, 12, 13 YEARS OLD, LIKE I DID, 511 00:35:10,586 --> 00:35:12,893 YOU USE IT TILL IT USES YOU UP 512 00:35:12,936 --> 00:35:15,809 OR YOU USE IT UP. 513 00:35:15,852 --> 00:35:19,682 I RECKON WE ALL HOPE WE WOULD BE DOING BETTER. 514 00:35:19,726 --> 00:35:22,424 I WONDER... I DON'T WONDER SO MUCH ABOUT THAT 515 00:35:22,468 --> 00:35:25,645 AS I WONDER WHY I DIDN'T GET A REAL JOB 516 00:35:25,688 --> 00:35:29,475 LIKE, YOU KNOW... LIKE EVERYBODY ELSE DID. BUT... 517 00:35:31,303 --> 00:35:33,740 NEXT THING YOU KNOW, YOU'RE... 518 00:35:33,783 --> 00:35:36,395 TOO OLD TO DO MUCH OF ANYTHING ELSE. 519 00:35:45,491 --> 00:35:47,145 HEY, JEFF.HEY, MAN. 520 00:35:47,188 --> 00:35:49,277 IS TREY HERE? YEAH, HE'S INSIDE. 521 00:35:50,626 --> 00:35:52,324 TREY. 522 00:35:52,367 --> 00:35:54,717 YOU DON'T KNOW HOW LUCKY YOU ARE TO HAVE ME. 523 00:35:54,761 --> 00:35:56,110 BOOM. 524 00:35:56,154 --> 00:36:00,158 COLLECTIBLE POSTER ART. 525 00:36:00,201 --> 00:36:02,986 AS OPPOSED TO PHOTOCOPIES OF PEOPLE'S ASSES 526 00:36:03,030 --> 00:36:05,032 OR WHATEVER ELSE PASSES FOR GIG POSTERS AROUND HERE. 527 00:36:05,075 --> 00:36:07,295 IT'S A GOOD PLAY. BUT YOU DON'T HAVE A SHOW. 528 00:36:07,339 --> 00:36:09,950 NOT THAT DAY.NO, I THINK THAT'S THE DAY. 529 00:36:09,993 --> 00:36:11,778 NO, WE HAD IT BOOKED FOR MONTHS. 530 00:36:11,821 --> 00:36:14,128 SO YOU BUMP SOMEBODY EARLIER AND WE HEADLINE IT. 531 00:36:14,172 --> 00:36:17,218 WHY WOULD I DO THAT? SO I KEEP QUIET ABOUT YOUR LITTLE STUNT. 532 00:36:17,262 --> 00:36:20,917 NAH. I DON'T THINK YOU'RE GONNA GO TO CRAIG WITH THAT. 533 00:36:20,961 --> 00:36:25,226 BESIDES, I HEAR THAT YOU'RE DONE OVER THERE ANYWAY. 534 00:36:25,270 --> 00:36:28,186 WELL, TELL ME, GENIUS, WHY WOULDN'T I BRING YOU DOWN WITH ME? 535 00:36:30,840 --> 00:36:33,016 25% OF THE BAND'S CUT AT THE DOOR. 536 00:36:33,060 --> 00:36:34,801 50. 537 00:36:34,844 --> 00:36:37,020 YOU DOUBLE OUR BAR ALLOWANCE AND OUR GUEST LIST. 538 00:36:37,064 --> 00:36:38,326 DEAL. 539 00:36:38,370 --> 00:36:42,200 THAT'S THE 17th. ONE-SEVEN. 540 00:36:44,202 --> 00:36:46,421 AND HANG UP THE POSTERS. 541 00:36:49,685 --> 00:36:53,298 HEY, JEFF. TREY SAID IT WAS COOL IF I TAKE THIS CRATE OF DYNAMICS. 542 00:36:53,341 --> 00:36:54,560 OKAY. 543 00:36:54,603 --> 00:36:56,866 YOU KNOW WHAT? 544 00:36:56,910 --> 00:36:58,390 I'M JUST GONNA TAKE THESE CORDS, TOO. 545 00:36:58,433 --> 00:37:01,219 BUT DON'T TELL TREY, ALL RIGHT? OKAY. 546 00:37:04,961 --> 00:37:06,354 THANKS, JEFF. 547 00:37:06,398 --> 00:37:08,226 LATER, MAN. 548 00:37:09,314 --> 00:37:10,619 COME ON. 549 00:37:12,317 --> 00:37:14,623 LET'S GO. GO, GO, GO. 550 00:37:21,630 --> 00:37:23,328 [nginetarts 551 00:38:02,671 --> 00:38:04,586 FIRST EDITION. 552 00:38:04,630 --> 00:38:06,284 I KNOW. 553 00:38:16,294 --> 00:38:20,950 SO... I WONDER WHAT THEIR ARRANGEMENT IS EXACTLY. 554 00:38:20,994 --> 00:38:23,562 WELL, SHE IS AN ACADEMIC WHO, FOR SOME REASON, 555 00:38:23,605 --> 00:38:25,564 IS ENAMORED WITH DAD, SO... 556 00:38:25,607 --> 00:38:27,435 DON'T BE CLEVER, DEAR. IT DOESN'T SUIT YOU. 557 00:38:27,479 --> 00:38:29,132 NO, THANK YOU. 558 00:38:31,744 --> 00:38:34,007 WELL, I DON'T EXACTLY UNDERSTAND. 559 00:38:34,050 --> 00:38:35,704 I'M JUST TRYING TO BE THOROUGH 560 00:38:35,748 --> 00:38:37,116 BEFORE I GO OUT AND MAKE A PITCH TO HIM. 561 00:38:37,140 --> 00:38:39,752 THOROUGH. 562 00:38:39,795 --> 00:38:41,841 WHY'D HE STOP PLAYING? 563 00:38:43,712 --> 00:38:46,280 HE'S BROKE AS HELL. HE COULD MAKE A LIVING DOING THIS. 564 00:38:46,324 --> 00:38:48,151 HONEY, I DON'T KNOW. 565 00:38:50,763 --> 00:38:52,982 WHY DON'T YOU JUST LEAVE IT ALONE? 566 00:38:54,810 --> 00:38:57,160 I GUESS I FIGURED HE JUST MIGHT SAY... 567 00:38:57,204 --> 00:39:01,339 IN ALL THOSE LETTERS HE STILL WRITES TO YOU. 568 00:39:02,775 --> 00:39:05,038 THOUGHT HE MIGHT SAY WHAT? 569 00:39:07,388 --> 00:39:11,349 I DON'T KNOW. HOW YOU... 570 00:39:11,392 --> 00:39:13,742 LEFT HIM DEVASTATED, BROKE HIS HEART, 571 00:39:13,786 --> 00:39:15,178 TOOK HIS WILL TO LIVE, 572 00:39:15,222 --> 00:39:16,876 HOW HE'S STILL OBSESSED WITH YOU. 573 00:39:16,919 --> 00:39:20,096 HMM. BEING THOROUGH, IS IT? 574 00:39:23,099 --> 00:39:24,579 WOULD YOU DO ME A FAVOR? 575 00:39:24,623 --> 00:39:25,928 WHAT'S THAT? 576 00:39:27,495 --> 00:39:29,802 I THOUGHT YOU MIGHT COME OUT THERE WITH ME. 577 00:39:29,845 --> 00:39:33,414 JUST SAY HELLO, LET HIM KNOW YOU'RE ON BOARD WITH THIS. 578 00:39:33,458 --> 00:39:36,243 DID YOU? 579 00:39:38,201 --> 00:39:39,942 I DON'T KNOW. I GUESS I WAS WRONG. 580 00:39:39,986 --> 00:39:44,033 OH, DON'T BE SO MEALY-MOUTHED ABOUT THE WHOLE THING. 581 00:39:44,077 --> 00:39:46,427 GET OVER IT. YOU KNOW I DON'T APPROVE 582 00:39:46,471 --> 00:39:48,647 OF THIS HUCKSTER PROFESSION YOU'VE CHOSEN FOR YOURSELF, 583 00:39:48,690 --> 00:39:51,084 BUT I WON'T HAVE YOU DO IT POORLY. 584 00:39:51,127 --> 00:39:52,825 WHO CARES IF HE DOESN'T WANT TO DO IT? 585 00:39:52,868 --> 00:39:54,609 CONVINCE HIM. 586 00:39:54,653 --> 00:39:56,655 IT'S YOUR JOB, DEAR. 587 00:39:56,698 --> 00:39:59,179 IT'S SUPPOSEDLY WHAT YOU DO WELL. 588 00:41:03,373 --> 00:41:05,133 WHAT DO YOU THINK YOU'RE DOING TO THAT HORSE? 589 00:41:06,899 --> 00:41:09,031 I AIN'T READIN' HIS FORTUNE, THAT'S FOR SURE. 590 00:41:13,253 --> 00:41:15,690 IS THIS WHAT YOU'RE DOING FOR MONEY NOW? 591 00:41:15,734 --> 00:41:18,040 WELL, IT KEEPS THE LIGHTS ON. 592 00:41:24,394 --> 00:41:26,571 I'LL GET YOU BACK IN THE STUDIO 593 00:41:26,614 --> 00:41:29,530 WITH LEGIT PERCENTAGES ON YOUR RECORDS, REAL PROMOTION. 594 00:41:29,574 --> 00:41:32,446 THEY THINK IT ADDS UP TO A LOT OF OPPORTUNITY FOR YOU. 595 00:41:32,490 --> 00:41:35,057 THEY DO, HUH? 596 00:41:36,624 --> 00:41:38,278 YEAH. 597 00:41:38,321 --> 00:41:40,106 WE DO. I DO. 598 00:41:43,239 --> 00:41:45,067 YOU KNOW, THEY'VE BEEN HERE BEFORE. 599 00:41:45,111 --> 00:41:46,199 WHO? 600 00:41:46,242 --> 00:41:48,462 SOME HAIRDOS. 601 00:41:48,506 --> 00:41:51,204 I DON'T KNOW. YOUR BOSS, I GUESS. 602 00:41:51,247 --> 00:41:53,554 WELL, I'D BE TAKING CARE OF YOU. 603 00:41:53,598 --> 00:41:55,556 YOU'D BE WORKING WITH ME. 604 00:42:01,519 --> 00:42:03,782 IT'S NOT LIKE I LET YOU DOWN BEFORE. 605 00:42:05,218 --> 00:42:07,220 NO, NO. 606 00:42:09,918 --> 00:42:11,790 DAD, I KNOW ABOUT FRANK. 607 00:42:11,833 --> 00:42:14,749 I KNOW HE'S YOUR WHATEVER. 608 00:42:14,793 --> 00:42:16,925 HE'S YOUR MANAGER. 609 00:42:16,969 --> 00:42:18,579 YOU DON'T NEED TO WORRY ABOUT IT. 610 00:42:18,623 --> 00:42:20,538 REALLY? 611 00:42:20,581 --> 00:42:22,583 YOU DON'T HAVE A CONTRACT WITH HIM. 612 00:42:22,627 --> 00:42:24,507 HE'LL BE GLAD TO SEE YOU FINALLY MAKE SOME MONEY. 613 00:42:27,109 --> 00:42:29,198 YOU DON'T LIKE THE WAY I DO BUSINESS? 614 00:42:29,242 --> 00:42:31,046 IT'S FINE. I DON'T GIVE A SHIT. WE'LL DO IT YOUR WAY, 615 00:42:31,070 --> 00:42:32,941 HOWEVER YOU WANT TO DO IT. 616 00:42:36,945 --> 00:42:39,121 YOU KNOW, SON, I JUST... 617 00:42:39,165 --> 00:42:40,906 IT GOT TO WHERE I DON'T KNOW. 618 00:42:40,949 --> 00:42:43,517 I JUST... I DON'T KNOW ANYMORE. 619 00:42:56,661 --> 00:42:59,446 I WROTE A SONG JUST THEN. 620 00:42:59,489 --> 00:43:02,275 JUST A LITTLE MELODY. 621 00:43:02,318 --> 00:43:04,973 I BET YOU THINK IT'S STRANGE, DON'T YOU? 622 00:43:14,722 --> 00:43:16,768 WHAT THE FUCK IS GOING ON WITH HIM? 623 00:43:18,813 --> 00:43:20,510 YEAH. 624 00:43:20,554 --> 00:43:21,816 COME ON IN. 625 00:43:21,860 --> 00:43:23,601 HE'S A MESS. 626 00:43:23,644 --> 00:43:25,274 AND WHAT, HE'S SHOEING HORSES FOR MONEY NOW? 627 00:43:25,298 --> 00:43:27,866 HOW WOULD YOU KNOW IF HE'S A MESS? 628 00:43:29,258 --> 00:43:30,912 YOU WANT TO GET A DRINK? 629 00:43:30,956 --> 00:43:33,523 I'M WORKING. 630 00:43:33,567 --> 00:43:35,438 LATER? 631 00:43:36,918 --> 00:43:38,616 TOMORROW NIGHT? 632 00:43:42,097 --> 00:43:44,404 Man: ET'S TRY TO GET A GOOD ONE HERE, GUYS. 633 00:43:44,447 --> 00:43:46,798 GET YOUR HAT UP A LITTLE.STOP, STOP. 634 00:43:46,841 --> 00:43:49,017 [aughter 635 00:43:49,061 --> 00:43:51,193 OKAY, OKAY, RIGHT THERE. 636 00:43:51,237 --> 00:43:55,241 ONE, TWO, THREE. 637 00:43:55,284 --> 00:43:56,851 CAN YOU DO IT AGAIN? 638 00:43:56,895 --> 00:43:58,418 [hucklingUH, YEAH. 639 00:43:58,461 --> 00:44:00,028 [ighs OKAY, HA HA. 640 00:44:00,072 --> 00:44:01,987 EVERYBODY THINKS YOU'RE SO HILARIOUS, GUYS. 641 00:44:02,030 --> 00:44:04,380 PLEASE TAKE ONE GOOD PICTURE. 642 00:44:04,424 --> 00:44:06,556 ALSO, JACK, I ACTUALLY DO NEED 643 00:44:06,600 --> 00:44:08,297 TO GET GOING PRETTY SOON. 644 00:44:08,341 --> 00:44:10,038 YEAH, YEAH, I KNOW. 645 00:44:10,082 --> 00:44:12,475 UM... HE SHOULD BE HERE ANY MINUTE. 646 00:44:12,519 --> 00:44:13,912 SO... 647 00:44:15,740 --> 00:44:19,265 COME ON, HERE WE GO. STOP. PUT THE GRAPES DOWN. 648 00:44:19,308 --> 00:44:20,962 I LIKE THAT. 649 00:44:27,621 --> 00:44:29,405 [ighs 650 00:44:42,505 --> 00:44:45,334 THAT'S THE POINT. HE DOESN'T WANT TO. 651 00:44:45,378 --> 00:44:47,772 I'M NOT GONNA CONVINCE HIM. 652 00:44:47,815 --> 00:44:50,426 AND THEN YOU ASKED YOUR DAD'S GIRLFRIEND ON A DATE INSTEAD? 653 00:44:52,385 --> 00:44:54,039 WHAT HAVE YOU GOT? 654 00:44:54,082 --> 00:44:55,605 WE DID SOME RESEARCH. 655 00:44:55,649 --> 00:44:57,390 ALL COMPLETELY LAWFUL. 656 00:44:57,433 --> 00:44:59,522 AND WE FOUND SOME PRETTY INTERESTING FACTS 657 00:44:59,566 --> 00:45:01,873 ABOUT YOUR DATE. 658 00:45:01,916 --> 00:45:03,962 ALLISON AYALA SILVERSTEIN. 659 00:45:04,005 --> 00:45:06,616 WELL, SHE IS A COLLEGE STUDENT, SO SHE WASN'T LYING ABOUT THAT. 660 00:45:06,660 --> 00:45:08,836 A GRAD STUDENT. AREAS OF STUDY 661 00:45:08,880 --> 00:45:11,360 INCLUDE ANTHROPOLOGY AND FILM STUDIES. 662 00:45:11,404 --> 00:45:13,841 LONG ISLAND. RICH FAMILY. 663 00:45:13,885 --> 00:45:16,104 AND THIS IS NO CLASS PROJECT FOR HER. 664 00:45:16,148 --> 00:45:17,932 SHE'S ALREADY SOLD ONE DOCUMENTARY 665 00:45:17,976 --> 00:45:20,369 TO SOME NATIONAL PUBLIC TELEVISION SPOTLIGHT THING. 666 00:45:20,413 --> 00:45:23,155 WE WATCHED IT. IT'S TEDIOUS OBSERVATIONAL STUFF. 667 00:45:23,198 --> 00:45:25,113 BUT... BUT SHE'S GOOD. 668 00:45:25,157 --> 00:45:27,420 AND SHE'S GOT PLANS FOR YOUR DAD. 669 00:45:27,463 --> 00:45:29,509 SHE ALREADY HAS ANOTHER T.V. AGREEMENT SET UP 670 00:45:29,552 --> 00:45:32,512 WITH SOMETHING CALLED THE UNDERGROUND ARTISTS SERIES. 671 00:45:32,555 --> 00:45:34,601 I'LL JUST ASK HER TO SHOW IT TO ME. 672 00:45:36,255 --> 00:45:38,910 AND YOU'RE GONNA CONVINCE HER TO HELP US? 673 00:45:38,953 --> 00:45:42,087 AT LEAST MAKE HER CALL MY BLUFF. 674 00:46:10,680 --> 00:46:12,117 [ongnds 675 00:46:14,554 --> 00:46:16,121 GOD! 676 00:46:16,164 --> 00:46:17,992 GOD DAMN IT! SHUT UP. 677 00:46:18,036 --> 00:46:19,448 COULD'VE BEEN BETTER ANYWAY. LISTEN TO ME. 678 00:46:19,472 --> 00:46:21,300 THIS INTERVIEW'S AT 7 P.M. 679 00:46:21,343 --> 00:46:22,843 YOU NEED TO ALL BE THERE AND BE INTERESTING AS HELL. 680 00:46:22,867 --> 00:46:24,564 WHO STILL LISTENS TO THE RADIO? 681 00:46:24,607 --> 00:46:26,392 A LOT OF PEOPLE. THE RADIO IS IMPORTANT. 682 00:46:26,435 --> 00:46:27,872 WE HAVE TO PUSH THE SHOW. 683 00:46:27,915 --> 00:46:29,438 WE ALL HAVE TO BE THERE? YES. 684 00:46:29,482 --> 00:46:30,851 PEOPLE WANT TO HEAR THE WHOLE BAND TALK. 685 00:46:30,875 --> 00:46:32,572 IT'S EMOTIONALLY ENGAGING. 686 00:46:32,615 --> 00:46:34,835 [aughterEMOTIONALLY ENGAGING. 687 00:46:34,879 --> 00:46:36,837 HOW MUCH ARE WE GETTING PAID FOR THIS THING? 688 00:46:36,881 --> 00:46:38,752 YEAH, WHAT IS THE GUARANTEE? 689 00:46:38,796 --> 00:46:42,060 LET ME WORRY ABOUT THAT. YOU GUYS FINISH YOUR RECORD. 690 00:46:42,103 --> 00:46:43,863 SO YOU'RE SAYING YOU CAN'T GET US A GUARANTEE. 691 00:46:45,150 --> 00:46:46,716 YOU'RE LUCKY WE'RE NOT PAYING THEM. 692 00:46:46,760 --> 00:46:48,806 JUST BE AT THE INTERVIEW. AND BE ON TIME. 693 00:46:53,332 --> 00:46:54,812 HELLO? 694 00:46:54,855 --> 00:46:57,336 HOLD ON, I CAN'T HEAR YOU. 695 00:46:57,379 --> 00:46:59,338 HELLO? MR. HAND? 696 00:46:59,381 --> 00:47:02,471 WHO IS THIS? IT'S YOUR RENTAL HOUSE. 697 00:47:02,515 --> 00:47:04,996 WE'RE WONDERING WHEN WE COULD GET BACK OUR EQUIPMENT. 698 00:47:05,039 --> 00:47:08,216 OH, WELL, WE'RE NOT QUITE DONE USING IT YET, 699 00:47:08,260 --> 00:47:11,045 BUT WE'LL GET IT BACK TO YOU JUST AS SOON AS WE CAN. 700 00:47:13,352 --> 00:47:15,267 OH, THAT SHOULDN'T BE A PROBLEM. 701 00:47:15,310 --> 00:47:19,749 YOUR INTERN ONLY KNEW THE STREET NAME. 702 00:47:19,793 --> 00:47:22,013 SO NICE TO SEE YOU, TREY. 703 00:47:22,056 --> 00:47:25,364 SO... HOW DO YOU WANT TO DO THIS? 704 00:47:29,629 --> 00:47:31,283 I DON'T WANT TO GO BACK THERE. 705 00:47:34,677 --> 00:47:37,071 YOU DIDN'T EVEN MISS IT. 706 00:47:37,115 --> 00:47:40,118 YOU'RE ALREADY GETTING 50% AT THE DOOR. 707 00:47:42,381 --> 00:47:44,949 ALL RIGHT, 100%. THAT'S WHAT YOU CAME FOR. 708 00:47:44,992 --> 00:47:47,865 FINE.GET BACK IN THE CAR, YOU FUCKING LEECH. 709 00:47:53,131 --> 00:47:55,133 [huckles 710 00:47:55,176 --> 00:47:57,135 WHAT? 711 00:47:57,178 --> 00:47:59,877 NOW YOU THINK YOU'RE BETTER THAN ME? 712 00:48:05,273 --> 00:48:07,101 GOOD LUCK ON YOUR RECORDING. 713 00:48:24,989 --> 00:48:26,947 JACK HAND. 714 00:48:52,190 --> 00:48:53,974 I'M LATE.OH, IT'S ALL RIGHT. 715 00:48:54,018 --> 00:48:56,194 YOU HAVE ABOUT THIS LONG LEFT, 716 00:48:56,237 --> 00:48:58,674 SO MAKE IT COUNT. 717 00:48:58,718 --> 00:49:02,678 I WANT TO TALK TO YOU ABOUT YOUR PROJECT, YOUR FILM. 718 00:49:02,722 --> 00:49:05,072 OH. WHY, ARE YOU LOOKING TO INVEST? 719 00:49:05,116 --> 00:49:07,770 HILARIOUS, NO.YOU MAY NOT BE AS DUMB AS I THOUGHT. 720 00:49:07,814 --> 00:49:10,948 CAN WE TONE IT DOWN A LITTLE BIT? 721 00:49:10,991 --> 00:49:13,602 I THOUGHT WE WERE GONNA TALK ABOUT YOUR DAD. 722 00:49:13,646 --> 00:49:16,954 MY COMPANY WANTS TO KILL YOUR FILM. 723 00:49:16,997 --> 00:49:19,521 [huckles 724 00:49:19,565 --> 00:49:21,393 YOU DON'T THINK THEY COULD KILL IT? 725 00:49:23,090 --> 00:49:25,005 I DON'T THINK IT'S UP TO ANYBODY BUT YOUR DAD. 726 00:49:25,049 --> 00:49:27,355 YOU DON'T THINK I COULD TELL MY DAD TO SHUT YOU DOWN? 727 00:49:27,399 --> 00:49:30,532 NO ONE TELLS YOUR DAD TO DO ANYTHING. 728 00:49:33,927 --> 00:49:36,060 WOULD YOU AT LEAST LET ME WATCH IT? 729 00:49:43,676 --> 00:49:45,895 YOU'RE A LOT LIKE HIM, ACTUALLY. 730 00:49:47,245 --> 00:49:49,682 GEE, THANKS.NO, REALLY. 731 00:49:49,725 --> 00:49:51,989 IT'S NOT A BAD THING. 732 00:49:54,034 --> 00:49:57,429 THEN WHY ARE YOU TRYING TO SHUT ME OUT? 733 00:49:57,472 --> 00:50:00,432 LOOK, YOUR DAD TOLD ME 734 00:50:00,475 --> 00:50:02,086 WHY YOU GUYS DON'T REALLY TALK ANYMORE. 735 00:50:02,129 --> 00:50:04,349 MM-HMM. FOR YOUR FILM? 736 00:50:04,392 --> 00:50:07,395 A FEW YEARS BACK, YOU STARTED YOUR OWN COMPANY. 737 00:50:07,439 --> 00:50:10,485 JACK HAND MUSIC. STILL HAVE THE SIGN IF YOU WANT TO SEE IT. 738 00:50:10,529 --> 00:50:12,748 SO YOU SET UP A PARTNERSHIP, 739 00:50:12,792 --> 00:50:14,794 AND THEN HE JUST DISAPPEARED. 740 00:50:14,837 --> 00:50:17,884 YEAH. THAT WAS OUR BRILLIANT PLAN. 741 00:50:17,927 --> 00:50:19,668 I WAS GONNA BE HIS MANAGER. 742 00:50:19,712 --> 00:50:21,888 AND HE BACKED OUT.MM-HMM. 743 00:50:21,931 --> 00:50:23,237 DO YOU KNOW WHY? 744 00:50:25,370 --> 00:50:28,416 [ sighs GREAT. I THOUGHT YOU WERE GONNA TELL ME. 745 00:50:28,460 --> 00:50:31,289 I COULDN'T GET THAT OUT OF HIM. 746 00:50:34,379 --> 00:50:36,598 I DO KNOW HE'S SORRY ABOUT IT. 747 00:50:38,905 --> 00:50:41,690 WELL, THANK GOODNESS FOR THAT. 748 00:50:46,521 --> 00:50:49,524 AM I GONNA BE ABLE TO TELL MY COMPANY YOU'RE READY TO PLAY BALL? 749 00:50:52,136 --> 00:50:54,094 YEAH. 750 00:50:54,138 --> 00:50:56,792 YEAH, I'LL PLAY BALL. 751 00:50:56,836 --> 00:50:59,186 IF YOU AGREE TO BE IN THE DOCUMENTARY. 752 00:51:04,409 --> 00:51:06,933 Allison: DID YOU HOPE THAT YOU'D BE DOING BETTER 753 00:51:06,976 --> 00:51:09,066 AT THIS POINT IN YOUR LIFE? 754 00:51:10,937 --> 00:51:12,547 YOU KNOW, IN THE GRAND SCHEME OF THINGS, 755 00:51:12,591 --> 00:51:14,984 I'M PRETTY MUCH ON THE LEVEL. 756 00:51:15,028 --> 00:51:16,551 AND I MIGHT'VE SHOULD'VE GOT A JOB 757 00:51:16,595 --> 00:51:18,249 LIKE EVERYBODY ELSE GOT. 758 00:51:18,292 --> 00:51:20,729 BUT, LIKE I SAY, I'M... 759 00:51:20,773 --> 00:51:24,037 I'M NOT DISAPPOINTED AT IT. 760 00:51:24,081 --> 00:51:26,126 I... 761 00:51:26,170 --> 00:51:30,043 I NEED TO BE MORE GRATEFUL FOR IT. 762 00:51:30,087 --> 00:51:32,306 THINGS COULD'VE BEEN DIFFERENT. 763 00:51:32,350 --> 00:51:33,699 BUT... 764 00:51:33,742 --> 00:51:36,136 ANY REGRETS? 765 00:51:36,180 --> 00:51:39,444 WE ALL HAVE REGRETS. 766 00:51:39,487 --> 00:51:41,185 I REGRET... 767 00:51:42,969 --> 00:51:44,797 NOT BEING MORE... 768 00:51:46,233 --> 00:51:47,887 SOCIABLE, I GUESS. 769 00:51:47,930 --> 00:51:50,150 NOT BEING MORE OPEN. 770 00:51:52,413 --> 00:51:53,980 AND... 771 00:51:55,851 --> 00:51:57,723 NOT LEARNING HOW TO DANCE THROUGH LIFE. 772 00:51:57,766 --> 00:51:59,855 SO I'VE STEPPED ON A LOT OF TOES. 773 00:52:05,209 --> 00:52:07,167 GOOD TO GO. HERE WE GO. 774 00:52:07,211 --> 00:52:10,910 BRASS TACKS. I DARE YOU TO LOOK AT THAT FACE 775 00:52:10,953 --> 00:52:13,565 AND TELL ME YOU DON'T HAVE FIVE AMERICAN DOLLARS TO SPEND. 776 00:52:13,608 --> 00:52:15,044 IT'S HALF-PRICE WITH YOUR DRINK... 777 00:52:15,088 --> 00:52:16,742 AND THAT GOES FOR YOU, TOO, GUY. 778 00:52:16,785 --> 00:52:18,787 I'M TRYING TO HELP YOU HELP YOURSELF. 779 00:52:18,831 --> 00:52:20,354 STOP. JUST STOP. 780 00:52:20,398 --> 00:52:23,009 THANK YOU. I APPRECIATE IT, I REALLY DO. 781 00:52:23,052 --> 00:52:24,837 YOU KNOW WHAT? THAT'S FINE. 782 00:52:24,880 --> 00:52:27,666 SO YOU'RE TRYING TO BANG YOUR DAD'S GIRLFRIEND? 783 00:52:27,709 --> 00:52:31,322 WHAT? O.Man: AN I GET ANOTHER? 784 00:52:31,365 --> 00:52:33,280 WAIT, YOU DON'T THINK THEY'RE REALLY... 785 00:52:33,324 --> 00:52:35,282 NATE, WE'RE TALKING. WE'RE DOING... 786 00:52:35,326 --> 00:52:37,937 I GOT YOU. JUST CHILL OUT. 787 00:52:37,980 --> 00:52:40,505 YOU KNOW, YOUR BOSS CAME BY TONIGHT. 788 00:52:40,548 --> 00:52:43,290 CRAIG WAS HERE? WHAT DID HE WANT? 789 00:52:43,334 --> 00:52:46,728 HE WANTED TO TALK TO ME ABOUT RENEWING MY CONTRACT. 790 00:52:46,772 --> 00:52:48,426 WHAT'D YOU TELL HIM? 791 00:52:48,469 --> 00:52:50,428 I TOLD HIM I'D THINK ABOUT IT. 792 00:52:50,471 --> 00:52:52,517 WHAT ELSE DID HE WANT? 793 00:52:53,866 --> 00:52:55,694 HE DIDN'T MENTION YOU. 794 00:52:55,737 --> 00:52:57,261 WHY? 795 00:52:57,304 --> 00:52:58,958 [umbles I DON'T KNOW. 796 00:53:01,003 --> 00:53:02,918 IT'S NOTHING... IF YOU'RE GONNA LEAVE, 797 00:53:02,962 --> 00:53:04,964 YOU HAVE TO LET ME KNOW. 798 00:53:05,007 --> 00:53:07,140 OKAY. 799 00:53:07,184 --> 00:53:08,924 OKAY. DAMN. 800 00:53:08,968 --> 00:53:10,883 Man: TILL EMPTY OVER HERE. 801 00:53:10,926 --> 00:53:12,101 HEY. 802 00:53:14,060 --> 00:53:16,105 I TOLD YOU YOU'D HAVE TO WAIT. 803 00:53:19,718 --> 00:53:22,460 YOU GOING HOME? UH, YEAH. 804 00:53:45,744 --> 00:53:47,398 SEE YOU TONIGHT. 805 00:54:12,379 --> 00:54:15,382 SO? OW ARE YOU ENJOYING THE BOOKS? 806 00:54:15,426 --> 00:54:18,603 OH, JUST COME OUT WITH IT. 807 00:54:18,646 --> 00:54:20,474 WHAT DO YOU MEAN? 808 00:54:20,518 --> 00:54:22,520 YOU WANT TO SCREAM AND GAG 809 00:54:22,563 --> 00:54:26,045 AND THROW A HISSY FIT ON THE FLOOR, SO GO AHEAD. 810 00:54:26,088 --> 00:54:28,830 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 811 00:54:28,874 --> 00:54:32,094 OH, I RAN INTO DAD. 812 00:54:32,138 --> 00:54:34,358 HE ASKED ME TO GIVE YOU THIS LETTER. 813 00:54:35,924 --> 00:54:38,013 I WAS PRETTY TEMPTED TO OPEN IT. 814 00:54:38,057 --> 00:54:41,626 BUT I KNEW WHAT A BETRAYAL THAT WOULD BE. 815 00:54:41,669 --> 00:54:46,152 OKAY, LET ME VENTURE AN EXTRAVAGANT GUESS. 816 00:54:46,195 --> 00:54:47,936 YOU BLACKMAIL YOUR OWN MOTHER 817 00:54:47,980 --> 00:54:49,938 INTO SPILLING HER SORDID BEANS. 818 00:54:49,982 --> 00:54:54,334 WHAT? O YOU WON'T GO TELL ON HER? 819 00:54:54,378 --> 00:54:56,380 ARE YOU STILL SEEING DAD? 820 00:54:56,423 --> 00:54:58,077 [aughs WHAT?! 821 00:54:58,120 --> 00:55:00,645 NO! 822 00:55:00,688 --> 00:55:03,300 WELL, HOW LONG HAS THIS BEEN GOING ON? 823 00:55:05,737 --> 00:55:09,393 OH... TELL HIM WHATEVER YOU WANT. WHY SHOULD I CARE? 824 00:55:09,436 --> 00:55:13,310 YEAH. IT'S JUST HIS BEST FRIEND, SO... 825 00:55:13,353 --> 00:55:16,661 REAL SOPHISTICATED, MOM. 826 00:55:16,704 --> 00:55:19,359 YOU KNOW, I'M ACTUALLY PROUD OF YOU, IN A WAY. 827 00:55:19,403 --> 00:55:23,232 BUT YOU DON'T HAVE IT ALL FIGURED OUT YET. 828 00:55:23,276 --> 00:55:25,452 NO SHIT. 829 00:55:27,672 --> 00:55:30,631 YOUR FATHER IS A BIG, RAW NERVE. 830 00:55:30,675 --> 00:55:33,373 HE WANTS THINGS TO BE ALIVE ALL THE TIME. 831 00:55:33,417 --> 00:55:35,157 AND WHEN THEY FALL FLAT, 832 00:55:35,201 --> 00:55:38,465 THERE'S NOTHING THAT CAN BE DONE. 833 00:55:38,509 --> 00:55:41,207 YOU NEED TO BE CAREFUL WITH HIM. 834 00:55:44,079 --> 00:55:45,733 YEAH. 835 00:55:45,777 --> 00:55:47,866 SOMEBODY SHOULD. 836 00:56:07,189 --> 00:56:09,757 I GOT IT ALL DOWN. UH-HUH. 837 00:56:11,455 --> 00:56:13,326 UNDERSTOOD. 838 00:56:13,370 --> 00:56:15,284 UH-HUH. 839 00:56:15,328 --> 00:56:17,069 OKAY. 840 00:56:19,506 --> 00:56:21,987 OKAY, I'LL CALL YOU BACK. 841 00:56:22,030 --> 00:56:23,902 THANK YOU. 842 00:56:23,945 --> 00:56:26,513 THAT DOESN'T WORK WHEN THEY CALL YOU, IDIOT. 843 00:56:28,254 --> 00:56:29,821 LET'S TAKE A RIDE. 844 00:56:29,864 --> 00:56:33,172 WHERE TO? SEE YOUR DAD? 845 00:56:33,215 --> 00:56:34,478 SURE. 846 00:56:34,521 --> 00:56:36,305 AND TELL HIM WHAT? 847 00:56:36,349 --> 00:56:38,220 HOW MUCH I BELIEVE IN YOU? 848 00:56:38,264 --> 00:56:40,135 YEAH. TELL HIM YOU'RE GONNA HAND OVER 849 00:56:40,179 --> 00:56:43,443 YOUR RESPONSIBILITIES TO ME. I GOT THE CONTRACT RIGHT HERE. 850 00:56:43,487 --> 00:56:46,533 HOW ABOUT IF I TELL YOU TO GO TO HELL? 851 00:56:46,577 --> 00:56:49,406 I GOT NEWS FOR HIM EITHER WAY. 852 00:56:52,017 --> 00:56:53,671 [ighs 853 00:56:53,714 --> 00:56:55,847 IS THIS FUN FOR YOU? 854 00:56:55,890 --> 00:56:59,067 THE PRIVATE LIVES OF THREE OLD PEOPLE? 855 00:57:00,939 --> 00:57:02,897 NOT REALLY. 856 00:57:06,161 --> 00:57:09,426 WELL, THEN I GUESS I'LL JUST TELL YOU TO GO TO HELL. 857 00:57:21,960 --> 00:57:23,527 HELLO? 858 00:57:41,240 --> 00:57:42,459 DAD? 859 00:58:16,710 --> 00:58:18,886 THANK YOU A LOT, FRIENDS. 860 00:58:18,930 --> 00:58:22,673 I GOT ONE HERE NOW I'D LIKE TO SING FOR YOU. 861 00:58:22,716 --> 00:58:24,718 IT, UH... 862 00:58:24,762 --> 00:58:26,938 MIGHT BE A LITTLE COMPLICATED. 863 00:58:26,981 --> 00:58:30,028 SOMETIMES YOU WRITE A SONG FOR SOMEBODY, 864 00:58:30,071 --> 00:58:33,335 AND... IT JUST... 865 00:58:33,379 --> 00:58:35,294 I... 866 00:58:37,035 --> 00:58:40,778 YOU KNOW WHAT, GUYS? LET'S JUST... 867 00:58:40,821 --> 00:58:43,141 LET'S JUST CALL IT A NIGHT. THANK Y'ALL. I'LL SEE YOU LATER. 868 00:58:46,174 --> 00:58:48,829 Allison: DON'T MOVE AROUND TOO MUCH. 869 00:58:48,873 --> 00:58:50,788 YEAH, JUST... 870 00:58:50,831 --> 00:58:53,225 THIS... THIS ISN'T STARTING OUT THAT WELL. 871 00:58:53,268 --> 00:58:55,401 [othaughing 872 00:58:59,013 --> 00:59:01,494 BUT STILL, IN ALL, THE ONLY TIME 873 00:59:01,538 --> 00:59:05,890 THAT I'M REALLY HAPPY INSIDE OF MYSELF 874 00:59:05,933 --> 00:59:08,457 IS WHEN I'M WRITING A SONG. 875 00:59:08,501 --> 00:59:10,024 WHEN I'M WRITING A SONG 876 00:59:10,068 --> 00:59:11,678 AND I FEEL LIKE IT'S A GOOD SONG, 877 00:59:11,722 --> 00:59:14,115 I GET GOOSEBUMPS. 878 00:59:14,159 --> 00:59:17,249 YOU UNDERSTAND? THAT'S THE ONLY TIME. 879 00:59:17,292 --> 00:59:20,078 WELL, IT SEEMS LIKE YOUR SONGS 880 00:59:20,121 --> 00:59:22,515 ARE FAIRLY AUTOBIOGRAPHICAL. 881 00:59:24,865 --> 00:59:27,085 THAT'S TRUE, THAT'S TRUE. 882 00:59:27,128 --> 00:59:30,567 I DON'T SEE HOW A MAN CAN... 883 00:59:30,610 --> 00:59:32,177 HE CAN'T WRITE ABOUT SOMETHING 884 00:59:32,220 --> 00:59:34,092 HE DON'T KNOW NOTHIN' ABOUT, CAN HE? 885 00:59:34,135 --> 00:59:36,137 AND HE SURE CAN'T STAND UP THERE AND SING 886 00:59:36,181 --> 00:59:38,226 ABOUT SOMETHING HE DON'T KNOW NOTHIN' ABOUT. 887 00:59:38,270 --> 00:59:40,794 SOME FOLKS CAN, BUT I KNOW I CAN'T. 888 00:59:44,624 --> 00:59:47,496 [ast-forwarding 889 00:59:47,540 --> 00:59:51,849 I NOTICE THAT YOU SPEND A LOT OF TIME OUTSIDE. 890 00:59:51,892 --> 00:59:55,026 WHAT DO YOU THINK ABOUT OUT THERE? 891 00:59:57,115 --> 00:59:59,030 MY FAMILY. 892 01:00:02,947 --> 01:00:05,123 IF I'VE BEEN A FAILURE. 893 01:00:05,166 --> 01:00:07,865 IF I'VE BEEN GOOD ENOUGH OR... 894 01:00:07,908 --> 01:00:10,650 BAD ENOUGH OR... 895 01:00:10,694 --> 01:00:13,697 IF I'VE DONE THE RIGHT THING OR... 896 01:00:16,221 --> 01:00:18,179 IF I'VE BEEN A GOOD ENOUGH DADDY OR... 897 01:00:20,051 --> 01:00:23,707 IF I WAS THERE WHEN THEY NEEDED ME. 898 01:00:27,667 --> 01:00:29,495 IF I FOLLOWED A DREAM TO HERE, 899 01:00:29,538 --> 01:00:32,803 OR I CHASED ONE OFF A CLIFF... 900 01:00:34,587 --> 01:00:36,633 [lasshatters, thud 901 01:00:44,945 --> 01:00:47,382 Jack: H, FUCK. 902 01:00:49,384 --> 01:00:50,690 [roans 903 01:00:50,734 --> 01:00:52,561 WHAT THE HELL IS WRONG WITH YOU? 904 01:00:52,605 --> 01:00:54,172 SIT. 905 01:00:59,830 --> 01:01:01,701 WHERE'S DAD? 906 01:01:01,745 --> 01:01:03,442 WELL, YOU KNOW, HE'S NOT ALWAYS... 907 01:01:03,485 --> 01:01:05,270 TECHNICALLY HERE ALL THE TIME. 908 01:01:08,012 --> 01:01:10,710 IS THIS YOUR ROOM? 909 01:01:10,754 --> 01:01:12,146 YEAH. 910 01:01:13,974 --> 01:01:16,281 I DIDN'T BREAK IN, BY THE WAY. 911 01:01:16,324 --> 01:01:18,587 YOU TWO IDIOTS LEAVE THE DOORS UNLOCKED. 912 01:01:18,631 --> 01:01:21,199 JESUS! OH, SHUT UP. 913 01:01:23,462 --> 01:01:25,551 WELL... 914 01:01:25,594 --> 01:01:28,641 DID YOU SEE WHAT YOU CAME HERE TO SEE? 915 01:01:28,685 --> 01:01:31,383 I CAME TO TALK TO MY DAD. 916 01:01:31,426 --> 01:01:33,602 IS THAT WHY YOU'RE IN HERE? 917 01:01:37,911 --> 01:01:40,827 I'M A LITTLE CURIOUS ABOUT YOUR ANGLE. 918 01:01:40,871 --> 01:01:43,395 MY ANGLE? MM-HMM. 919 01:01:43,438 --> 01:01:45,745 FOR THE FILM. 920 01:01:48,792 --> 01:01:51,925 YOU KNOW, WE'RE NOT ALL PLAYING SOME KIND OF ANGLE. 921 01:01:55,755 --> 01:01:58,715 THAT'S ACTUALLY WHAT THE FILM IS ABOUT. 922 01:01:58,758 --> 01:02:00,934 A LOT OF TIMES, YOU JUST KIND OF LET THE STORY... 923 01:02:00,978 --> 01:02:02,849 BRING ITSELF TO YOU. 924 01:02:02,893 --> 01:02:04,721 DON'T GIVE ME THAT MISTY BULLSHIT. 925 01:02:04,764 --> 01:02:06,113 YOU KNOW HOW YOU WANT TO SPIN IT. 926 01:02:06,157 --> 01:02:07,419 AND IF I DID... 927 01:02:07,462 --> 01:02:09,421 WHAT WOULD YOU DO ABOUT IT? 928 01:02:13,860 --> 01:02:15,819 LET ME GUESS. 929 01:02:15,862 --> 01:02:17,777 THE TRAGIC, RECLUSIVE, 930 01:02:17,821 --> 01:02:20,388 UNDERAPPRECIATED ARTIST THAT YOU'VE REDISCOVERED... 931 01:02:20,432 --> 01:02:21,781 SAVE IT. 932 01:02:27,308 --> 01:02:29,180 YOU'RE LYING TO HIM. 933 01:02:29,223 --> 01:02:32,400 HE THINKS THIS IS SOME CLASS PROJECT. 934 01:02:38,450 --> 01:02:41,453 I'M JUST TALKING ABOUT POOLING OUR RESOURCES. 935 01:02:43,150 --> 01:02:45,109 WE BOTH WANT WHAT'S BEST FOR HIM. I THINK. 936 01:02:45,152 --> 01:02:47,067 OH, REALLY? 937 01:02:49,678 --> 01:02:51,550 LISTEN, I'VE ABOUT GOT MY DAD WRAPPED UP. 938 01:02:51,593 --> 01:02:53,770 I JUST MIGHT LIKE YOUR HELP, OKAY? 939 01:02:58,035 --> 01:03:01,168 HE CARES ABOUT YOU. I CAN TELL. IF WE BOTH... 940 01:03:01,212 --> 01:03:03,780 WHY WOULD I HELP YOU? 941 01:03:03,823 --> 01:03:06,304 YOU DON'T HELP ANYBODY WITHOUT A CUT. 942 01:03:09,873 --> 01:03:11,613 DO YOU WANT A CUT? 943 01:03:11,657 --> 01:03:13,659 IS THAT IT? 944 01:03:15,182 --> 01:03:16,923 YOU'RE PATHETIC. 945 01:03:16,967 --> 01:03:19,883 AT LEAST I'M HONEST. 946 01:03:22,668 --> 01:03:24,452 ALL RIGHT. 947 01:03:35,507 --> 01:03:36,943 I'M LATE. 948 01:03:36,987 --> 01:03:38,858 DON'T LOOK AT ME, DUDE. 949 01:03:41,513 --> 01:03:43,907 WELL? CRAIG JUST TOLD ME TO COME BY, 950 01:03:43,950 --> 01:03:45,517 HELP YOU GUYS OUT. 951 01:03:45,560 --> 01:03:48,128 MM-HMM. YOU'RE JUST FOLLOWING ORDERS, HUH? 952 01:03:48,172 --> 01:03:50,803 HE JUST SAID AND COME AND MAKE SURE YOU GUYS HAVE EVERYTHING YOU NEED. 953 01:03:50,827 --> 01:03:53,699 OKAY. WELL... 954 01:03:53,742 --> 01:03:55,832 THANKS SO MUCH. 955 01:04:00,880 --> 01:04:03,230 WHY DIDN'T YOU TELL ME WE HAD A COMMERCIAL? 956 01:04:03,274 --> 01:04:04,884 THERE IS NO COMMERCIAL. 957 01:04:04,928 --> 01:04:06,755 YOU KNOW WHAT I MEAN, THOUGH, RIGHT? 958 01:04:06,799 --> 01:04:08,322 WHEN THERE'S SOMETHING REAL, 959 01:04:08,366 --> 01:04:09,802 YOU'LL KNOW ABOUT IT FROM ME. 960 01:04:09,846 --> 01:04:11,586 HE SAYS IT SOUNDS PRETTY GOOD. 961 01:04:11,630 --> 01:04:13,675 IT DOESN'T MATTER WHAT IT SOUNDS LIKE. 962 01:04:13,719 --> 01:04:15,982 THESE GUYS ARE PROFESSIONAL BULLSHIT ARTISTS. 963 01:04:16,026 --> 01:04:17,810 THEY'RE SCAMMING US. 964 01:04:17,854 --> 01:04:19,309 AS FAR AS I KNOW, THIS COMMERCIAL DOESN'T EXIST. 965 01:04:19,333 --> 01:04:21,858 BUT YOU COULDN'T LET ME KNOW THAT, HUH? 966 01:04:24,948 --> 01:04:28,255 YOU'RE THE SAME AS THEM. 967 01:04:30,518 --> 01:04:32,999 I AM NOT GONNA BE LEFT OUT OF THIS, BRO. 968 01:04:41,268 --> 01:04:43,967 HEY, I'M ANDY.GOOD TO MEET YOU. 969 01:04:44,010 --> 01:04:46,273 GLAD YOU COULD JOIN US.JUST GOT A FEW SECONDS. 970 01:04:46,317 --> 01:04:48,058 NO FUCKING CURSING. IT'S AN F.C.C. VIOLATION. 971 01:04:48,101 --> 01:04:49,774 I HAVE A DELAY BUTTON, BUT I'M NOT GONNA USE IT. 972 01:04:49,798 --> 01:04:51,409 NO PROBLEM, ANDY. 973 01:04:54,803 --> 01:04:58,372 ANDY LANGER HERE, BACK WITH WINTERMEN. 974 01:04:58,416 --> 01:05:00,418 SORRY, THAT'S THE WINTERMEN. 975 01:05:00,461 --> 01:05:01,941 THAT'S FINE, ANDY. 976 01:05:01,985 --> 01:05:03,377 LUKE EVANS, LEAD SINGER. 977 01:05:03,421 --> 01:05:04,944 SO YOU'RE SAYING... 978 01:05:04,988 --> 01:05:06,182 I JUST WANTED TO ADD THE "THE". 979 01:05:06,206 --> 01:05:08,600 THE WINTERMEN. 980 01:05:08,643 --> 01:05:10,036 EITHER WAY IS GOOD, ANDY. 981 01:05:10,080 --> 01:05:12,560 THIS IS JACK, AND YOU PLAY... 982 01:05:12,604 --> 01:05:15,041 NO, I'M JUST THE MANAGER. SORRY, I JUST... 983 01:05:17,000 --> 01:05:19,263 WINTERMEN, THE WINTERMEN... EITHER WAY IS GOOD. 984 01:05:19,306 --> 01:05:23,049 YEAH, BUT I WAS JUST GONNA ADD THE DEFINITE ARTICLE "THE". 985 01:05:23,093 --> 01:05:25,356 IT'S YOUR BAND NAME. PEOPLE SHOULD KNOW. 986 01:05:25,399 --> 01:05:27,271 THANKS, ANDY. 987 01:05:27,314 --> 01:05:30,752 SO YOU'VE GOT A NEW RECORD, AND THAT NEW RECORD... 988 01:05:30,796 --> 01:05:33,973 OH, ALMOST. WE ARE ALMOST THERE. 989 01:05:34,017 --> 01:05:36,106 ALMOST FINISHED. YOU'RE COMING FROM WHERE? 990 01:05:36,149 --> 01:05:40,675 SO, INFLUENCE-WISE, THE WINTERMEN ARE ABOUND... 991 01:05:40,719 --> 01:05:42,634 YEAH, UM... 992 01:05:42,677 --> 01:05:44,505 UH... 993 01:05:44,549 --> 01:05:46,768 I MEAN, I CAN ONLY SPEAK FOR MYSELF, 994 01:05:46,812 --> 01:05:48,596 BUT I WOULD SAY, YOU KNOW, 995 01:05:48,640 --> 01:05:52,731 WE HAVE A RANGE OF INFLUENCE BETWEEN US. 996 01:05:52,774 --> 01:05:55,734 SO, UH... I DON'T KNOW THAT WE CAN ALL SAY 997 01:05:55,777 --> 01:05:57,997 WE'RE ALL COMING FROM THE SAME PLACE. 998 01:05:58,041 --> 01:06:01,000 YEAH, WE LISTEN TO A LOT OF DIFFERENT STUFF, SO.. 999 01:06:01,044 --> 01:06:03,176 THERE'S A LOT OF THINGS THAT INFORM... 1000 01:06:03,220 --> 01:06:06,701 THERE ARE MANY FURS IN OUR MUSICAL WARDROBE. 1001 01:06:06,745 --> 01:06:11,271 MAYBE WE COULD TAKE A LOOK AT ONE OF THOSE... 1002 01:06:11,315 --> 01:06:13,926 AND... NAME ONE OR TWO. 1003 01:06:13,970 --> 01:06:17,451 WE COULD, BUT I'M JUST SAYING WE ALL HAVE DIFFERENT TASTE IN MUSIC. 1004 01:06:17,495 --> 01:06:19,845 SO OUR INFLUENCES ARE DIFFERENT. 1005 01:06:19,888 --> 01:06:22,152 YEAH, CLEARLY. I JUST WAS THINKING 1006 01:06:22,195 --> 01:06:23,892 ABOUT THAT CONVERSATION WE HAD THIS MORNING 1007 01:06:23,936 --> 01:06:26,634 WHERE WE TALKED ABOUT, I THINK, 1008 01:06:26,678 --> 01:06:29,159 A FEW THAT WE ALL DID AGREE ON. 1009 01:06:29,202 --> 01:06:33,772 YES, BUT WE DON'T ALL AGREE ON THE SAME THREE INFLUENCES, SO... 1010 01:06:33,815 --> 01:06:36,557 YOU KNOW WHAT? I'M NOT SURPRISED, 1011 01:06:36,601 --> 01:06:38,864 BECAUSE YOU GUYS ALWAYS PULL THIS SHIT... 1012 01:06:38,907 --> 01:06:40,735 WHOA, WHOA. F.C.C. 1013 01:06:40,779 --> 01:06:44,087 THIS IS... REALLY THE WORST. 1014 01:06:44,130 --> 01:06:46,654 I'M SORRY. I'M SORRY, ANDY. 1015 01:06:46,698 --> 01:06:49,831 BUT THE SHY, COMPLICATED ARTIST THING 1016 01:06:49,875 --> 01:06:52,095 IS PLAYED OUT, OKAY? 1017 01:06:52,138 --> 01:06:54,445 WE'RE BACK.SORRY, ANDY. 1018 01:06:54,488 --> 01:06:56,534 GO AHEAD. 1019 01:06:58,623 --> 01:07:00,451 ROXY, BOWIE, ORBISON. 1020 01:07:00,494 --> 01:07:02,279 THAT IS WHAT WE ALL... 1021 01:07:02,322 --> 01:07:04,150 DEFINITELY TALKED ABOUT THIS MORNING, 1022 01:07:04,194 --> 01:07:06,457 IF MEMORY SERVES... TOGETHER IN THE CAR. 1023 01:07:06,500 --> 01:07:09,503 BUT YOU GUYS DON'T WANT TO STICK TO THE PLAN, SO... 1024 01:07:09,547 --> 01:07:12,158 [aughs THAT'S FUCKIN' LAME.WHOA... 1025 01:07:12,202 --> 01:07:14,508 I WOULDN'T CARE IF YOU WANTED TO CHANGE IT EVERY TIME. 1026 01:07:14,552 --> 01:07:17,946 BUT WHEN WE ALL AGREE ON A SPECIFIC DIRECT EXAMPLE, 1027 01:07:17,990 --> 01:07:19,818 THEN I THINK WE SHOULD USE IT. 1028 01:07:19,861 --> 01:07:21,428 NO, YOU AGREED THAT WE WOULD HAVE 1029 01:07:21,472 --> 01:07:23,517 A SPECIFIC RESPONSE TO THE QUESTION. 1030 01:07:23,561 --> 01:07:25,345 THIS EXHAUSTING, PRECIOUS, 1031 01:07:25,389 --> 01:07:27,869 INDIE-ROCK BULLSHIT IS PATHETIC. 1032 01:07:27,913 --> 01:07:30,437 NO ONE BUYS IT.[aughter 1033 01:07:30,481 --> 01:07:32,657 YOU KNOW WHAT I'M TALKING ABOUT. 1034 01:07:32,700 --> 01:07:34,504 THIS IS WHY PEOPLE TUNE YOU OUT WHEN YOU START PROMOTING. 1035 01:07:34,528 --> 01:07:36,356 YOU MEAN WHEN WE START DOING YOUR JOB? 1036 01:07:36,400 --> 01:07:38,030 BECAUSE YOU SOUND LIKE EVERY OTHER FUCKING VAIN, 1037 01:07:38,054 --> 01:07:39,794 SPOILED LITTLE HIPSTER BRAT ARTIST 1038 01:07:39,838 --> 01:07:41,970 THAT'S AFRAID TO ACTUALLY IDENTIFY WITH ANYTHING. 1039 01:07:42,014 --> 01:07:43,450 WHAT ARE YOU TALKING ABOUT? 1040 01:07:43,494 --> 01:07:46,149 YEAH, MAYBE WE SHOULD HIRE A HYPE MAN. 1041 01:07:46,192 --> 01:07:48,455 YOU SHOULD. THEN PEOPLE MIGHT ACTUALLY KNOW WHO YOU ARE. 1042 01:07:48,499 --> 01:07:50,805 AND WE MIGHT ALL GET PAID FOR ONCE. 1043 01:07:50,849 --> 01:07:52,981 LET'S JUST CALM DOWN.THAT WOULD BE COOL. 1044 01:07:53,025 --> 01:07:55,332 MORE AWKWARD, TERRIBLE RADIO WITH THE WINTERMEN. 1045 01:07:55,375 --> 01:07:57,856 IT'S A SPIRITED DISCUSSION. A REMINDER... 1046 01:07:57,899 --> 01:08:01,860 I GUESS I FORGOT THAT MAKING MONEY ISN'T COOL ANYMORE. 1047 01:08:01,903 --> 01:08:04,080 LET'S JUST DROP IT. 1048 01:08:04,123 --> 01:08:05,666 PRETTY EASY WHEN YOU HAVE A LITTLE TRUST FUND, ISN'T IT? 1049 01:08:05,690 --> 01:08:07,561 YOU NEVER HAVE TO ACTUALLY... 1050 01:08:07,605 --> 01:08:09,322 GET OUT THERE AND WORK. JUST STAY ABOVE IT ALL. 1051 01:08:09,346 --> 01:08:11,043 OKAY. RIGHT, DAD. 1052 01:08:11,087 --> 01:08:12,436 IT IS RIGHT. 'CAUSE YOU CAN'T FORM 1053 01:08:12,479 --> 01:08:14,002 A SINGLE FUCKING OPINION. 1054 01:08:14,046 --> 01:08:16,527 THIS IS STUPID. 1055 01:08:16,570 --> 01:08:18,572 DOESN'T EVEN MATTER. I'M JUST GONNA TELL HIM. 1056 01:08:18,616 --> 01:08:20,444 FUCK IT.DON'T TELL HIM. 1057 01:08:20,487 --> 01:08:22,576 HEY, ANDY, GUESS WHAT? HERE'S THE BIG NEWS. 1058 01:08:22,620 --> 01:08:26,406 WE'RE BREAKING UP. AND YOU HEARD IT HERE FIRST. 1059 01:08:26,450 --> 01:08:28,147 THAT'S REALLY DRAMATIC. 1060 01:08:28,191 --> 01:08:29,757 CAN WE WRAP THIS UP? IS HE SERIOUS? 1061 01:08:29,801 --> 01:08:31,672 CRAIG SAID THAT WE'RE BEING DROPPED, 1062 01:08:31,716 --> 01:08:33,587 AND IAN'S GOING TO GRAD SCHOOL, 1063 01:08:33,631 --> 01:08:35,067 AND THAT'S WHY HE'S NOT HERE... 1064 01:08:35,111 --> 01:08:36,547 YOU CAN'T EVEN GET US ANY GIGS, 1065 01:08:36,590 --> 01:08:37,983 AND YOU'RE GETTING FIRED. 1066 01:08:38,026 --> 01:08:39,550 SO WE'RE FIRING YOU FIRST. 1067 01:08:39,593 --> 01:08:40,913 WE JUST DON'T THINK WE SHOULD PLAY 1068 01:08:40,942 --> 01:08:42,466 AFTER THE RECORD'S DONE. 1069 01:08:42,509 --> 01:08:44,772 IAN'S GOING TO GRAD SCHOOL ANYWAY. 1070 01:08:44,816 --> 01:08:45,991 SO, I MEAN, WHO CARES? 1071 01:08:46,034 --> 01:08:47,775 YEAH, I MEAN, WHO CARES? 1072 01:08:47,819 --> 01:08:49,777 RIGHT? HO CARES? 1073 01:08:49,821 --> 01:08:51,475 YOU'RE FIRED.THAT'S PERFECT. 1074 01:08:51,518 --> 01:08:53,607 THANKS FOR HAVING US, ANDY. 1075 01:08:53,651 --> 01:08:56,175 THERE YOU GO, ANDY. 1076 01:08:56,219 --> 01:08:58,395 BIG SCOOP. BIG DAY. 1077 01:08:58,438 --> 01:09:00,745 Andy: OW ABOUT WE PLAY A SONG 1078 01:09:00,788 --> 01:09:04,749 FROM THE NOW-DEFUNCT WINTERMEN? 1079 01:09:06,620 --> 01:09:08,405 THANK YOU. 1080 01:10:07,159 --> 01:10:11,511 THIS IS JAMES HAND. LEAVE ME A MESSAGE, AND I'LL CALL BACK. 1081 01:10:11,555 --> 01:10:16,168 HEY. JUST WONDERING... 1082 01:10:16,212 --> 01:10:18,214 WHERE YOU'RE AT. 1083 01:10:18,257 --> 01:10:19,911 UM... 1084 01:10:19,954 --> 01:10:22,043 GIVE ME A CALL. 1085 01:10:22,087 --> 01:10:23,828 OR... 1086 01:10:23,871 --> 01:10:27,440 YOU KNOW, JUST... BE HERE. 1087 01:10:43,108 --> 01:10:45,197 I WROTE ONE THE OTHER DAY ABOUT BEING LONELY, 1088 01:10:45,241 --> 01:10:47,765 BUT I'VE ALREADY GOT ABOUT 100 OF THOSE, 1089 01:10:47,808 --> 01:10:49,941 SO I SAT DOWN AND I WROTE 1090 01:10:49,984 --> 01:10:51,725 A LITTLE SILLY SONG ABOUT A PARAKEET. 1091 01:10:51,769 --> 01:10:53,249 BUT COME TO THINK OF IT, 1092 01:10:53,292 --> 01:10:55,207 THAT'S ABOUT BEING LONELY, TOO. 1093 01:11:02,127 --> 01:11:05,261 BUT I KNOW WHY YOU'RE HERE, SON. 1094 01:11:05,304 --> 01:11:07,567 NO, I DON'T THINK YOU DO. 1095 01:11:10,614 --> 01:11:13,269 MOM AND FRANK ARE TOGETHER, DAD. 1096 01:11:17,316 --> 01:11:20,145 AND, HONESTLY, I THINK IT'S FOR THE BEST. 1097 01:11:21,712 --> 01:11:23,583 [aughs 1098 01:11:23,627 --> 01:11:26,020 FORGET THAT. 1099 01:11:26,064 --> 01:11:27,935 NO MORE STUPID LETTERS, 1100 01:11:27,979 --> 01:11:30,111 NO MORE CRAPPY MANAGER WITH NO MONEY COMING IN. 1101 01:11:30,155 --> 01:11:32,853 I ACTUALLY THINK IT'S KIND OF A GREAT THING. 1102 01:11:32,897 --> 01:11:35,334 I KNOW THEY'RE TOGETHER. I'VE KNOWN FOR A LONG TIME. 1103 01:11:35,378 --> 01:11:37,336 WHAT? 1104 01:11:37,380 --> 01:11:39,425 HOW? 1105 01:11:39,469 --> 01:11:42,254 THEY TOLD ME, I GUESS, IS HOW. 1106 01:11:42,298 --> 01:11:45,866 SON, LOOKS LIKE THEY MIGHT'VE TOOK YOU FOR A RIDE. 1107 01:11:49,479 --> 01:11:51,350 JESUS. 1108 01:11:51,394 --> 01:11:54,135 AH, YOU'LL BE ALL RIGHT. 1109 01:11:56,529 --> 01:11:58,836 YOU KNOW, I... 1110 01:11:58,879 --> 01:12:01,360 I'M SORRY IT DIDN'T WORK OUT THE WAY YOU WANTED IT TO. 1111 01:12:01,404 --> 01:12:04,015 THANKS A LOT. 1112 01:12:04,058 --> 01:12:08,236 BUT HELL, IT WAS NEVER GOING TO ANYWAY. 1113 01:12:09,716 --> 01:12:11,675 WHY NOT? 1114 01:12:11,718 --> 01:12:13,590 BECAUSE OF FRANK? 1115 01:12:13,633 --> 01:12:16,854 FUCK HIM. WHO CARES? HE DOESN'T CARE. 1116 01:12:21,424 --> 01:12:23,034 DON'T YOU TRUST ME? 1117 01:12:23,077 --> 01:12:25,079 IT'S NOT THAT. IT'S NOT THAT. 1118 01:12:28,648 --> 01:12:30,737 WELL, CAN YOU TELL ME WHAT IT IS? 1119 01:12:32,478 --> 01:12:34,872 I'M JUST TERRIFIED. 1120 01:12:36,134 --> 01:12:38,223 OF WHAT? 1121 01:12:38,266 --> 01:12:42,227 NO ONE WANTS TO HEAR THAT THEIR OLD MAN'S A COWARD. 1122 01:12:42,270 --> 01:12:43,968 BUT EVERY TIME I GET ON STAGE, 1123 01:12:44,011 --> 01:12:45,796 IT'S LIKE HELL WITH THE FIRES PUT OUT, 1124 01:12:45,839 --> 01:12:47,624 AND IT DON'T NEVER CHANGE. 1125 01:12:50,235 --> 01:12:52,324 WHAT, LIKE STAGE FRIGHT? 1126 01:12:52,368 --> 01:12:55,153 NO, NO. I'VE HAD STAGE FRIGHT BEFORE. 1127 01:12:55,196 --> 01:12:57,721 WHEN I WAS ABOUT 11 YEARS OLD, IT JUST STARTED OUT. 1128 01:12:57,764 --> 01:13:01,551 BUT, YOU KNOW STAGE FRIGHT GOES AWAY WHEN YOU START SINGING. 1129 01:13:03,770 --> 01:13:05,119 SO WHAT IS IT, THEN? 1130 01:13:07,121 --> 01:13:09,254 YOU KNOW, SON, YOU CAN ONLY PUT YOURSELF UP 1131 01:13:09,297 --> 01:13:11,909 IN FRONT OF THE PUBLIC SO MANY TIMES 1132 01:13:11,952 --> 01:13:14,520 AND GIVE SO MUCH OF YOURSELF UP 1133 01:13:14,564 --> 01:13:16,696 EVERY TIME YOU SING A SONG THAT YOU WROTE 1134 01:13:16,740 --> 01:13:19,395 AND ASK PEOPLE TO DECIDE ON IT. 1135 01:13:19,438 --> 01:13:21,614 AND THE BACK-AND-FORTH IS JUST KILLING ME. 1136 01:13:21,658 --> 01:13:23,660 IT'S KILLING ME. 1137 01:13:27,141 --> 01:13:30,667 BUT THERE ARE PEOPLE WHO WANT TO HEAR YOU, DAD. 1138 01:13:32,843 --> 01:13:35,019 JUST 'CAUSE THEY WANT TO SEE YOU 1139 01:13:35,062 --> 01:13:37,369 DON'T MEAN THEY DECIDED ANYTHING ABOUT IT. 1140 01:13:39,893 --> 01:13:41,982 YOU DON'T SHOW IT, THOUGH. 1141 01:13:42,026 --> 01:13:43,767 SO WHO CARES? 1142 01:13:45,899 --> 01:13:47,684 PEOPLE TELL ME ALL THE TIME, 1143 01:13:47,727 --> 01:13:49,903 "JUST GO OUT THERE AND DO IT, DON'T WORRY ABOUT IT." 1144 01:13:49,947 --> 01:13:51,775 BUT, YOU KNOW, I DON'T... 1145 01:13:51,818 --> 01:13:53,951 I DON'T HAVE THAT PART OF MY BRAIN 1146 01:13:53,994 --> 01:13:56,170 THAT ALLOWS ME NOT TO WORRY ABOUT IT. 1147 01:13:57,737 --> 01:14:00,784 I MEAN, HOW DO YOU NOT WORRY? 1148 01:14:03,047 --> 01:14:05,092 YOU KNOW, IT'S KIND OF SILLY. 1149 01:14:05,136 --> 01:14:07,355 SORT OF LIKE SOME DAMN KID ON HIS FIRST DATE, 1150 01:14:07,399 --> 01:14:09,357 WORRYING ABOUT IF THE GIRL'S GONNA LIKE 1151 01:14:09,401 --> 01:14:12,056 THE WAY HE WEARS HIS PANTS OR NOT. 1152 01:14:12,099 --> 01:14:14,972 ISN'T THAT STRANGE? 1153 01:14:15,015 --> 01:14:17,540 A BUSTED-UP OLD MAN UP THERE, FEELING SCARED? 1154 01:14:19,237 --> 01:14:20,934 YOU KNOW, THAT'S... 1155 01:14:20,978 --> 01:14:23,023 THAT'S WHY I BACK OUT. 1156 01:14:23,067 --> 01:14:25,591 THAT'S WHY I'VE ALWAYS BACKED OUT. 1157 01:14:35,558 --> 01:14:38,735 I DIDN'T KNOW IT WAS LIKE THAT. 1158 01:14:38,778 --> 01:14:40,911 WELL, HOW COULD YOU? 1159 01:14:51,661 --> 01:14:53,837 I HAVE TO GO TO WORK, DAD. 1160 01:16:13,786 --> 01:16:15,788 Craig: N THIS LATEST ROUND OF RESEARCH, 1161 01:16:15,832 --> 01:16:17,244 GAVIN BROUGHT UP SOMETHING REALLY IMPORTANT. 1162 01:16:17,268 --> 01:16:19,705 YOU'VE GOTTA KNOW... HEY. 1163 01:16:19,749 --> 01:16:21,968 HEY. 1164 01:16:22,012 --> 01:16:23,448 HEH. 1165 01:16:24,710 --> 01:16:26,407 SORRY. 1166 01:16:26,451 --> 01:16:28,932 DO YOU REALLY WANT TO DO THIS RIGHT NOW? 1167 01:16:28,975 --> 01:16:32,413 IT'S ALREADY DONE. YOU JUST NEED THE KEY, RIGHT? 1168 01:16:32,457 --> 01:16:36,548 YOU'RE BETTER THAN THIS, MAN. COME ON. 1169 01:16:36,592 --> 01:16:40,247 WELL, YOU DROPPED THE BAND WITHOUT LISTENING TO THE NEW RECORD... 1170 01:16:40,291 --> 01:16:44,164 AND SABOTAGED MY RELATIONSHIP WITH DESMOND. 1171 01:16:44,208 --> 01:16:46,297 ANYTHING ELSE? 1172 01:16:48,560 --> 01:16:50,388 NO? KAY. 1173 01:16:50,431 --> 01:16:52,303 UH, SO I QUIT. OR I'M FIRED. 1174 01:16:52,346 --> 01:16:54,348 HOWEVER YOU WANT TO PLAY THAT. 1175 01:16:57,003 --> 01:16:58,657 GOOD LUCK, EVERYBODY. 1176 01:17:04,707 --> 01:17:07,361 IS THIS EVEN? YEAH, LOOKS EVEN. 1177 01:17:07,405 --> 01:17:08,928 IS THAT FRAME BIRCH? 1178 01:17:08,972 --> 01:17:10,626 YEAH, THE CATALOG SAID BIRCH. 1179 01:17:10,669 --> 01:17:13,193 I LIKE IT, IT'S NICE.YEAH, IT'S NICE. 1180 01:17:13,237 --> 01:17:16,370 I KNEW YOU TWO BLOODSUCKERS COULDN'T WAIT TO GET IN HERE. 1181 01:17:21,506 --> 01:17:23,856 UH, MY DAD'S AN ACCOUNTANT. 1182 01:17:23,900 --> 01:17:26,467 HE HATES WHAT I'M DOING WITH MY LIFE. 1183 01:17:36,173 --> 01:17:37,914 WELL, UM... 1184 01:17:37,957 --> 01:17:41,134 YOU... YOU KNOW... 1185 01:17:41,178 --> 01:17:43,615 DROPPED SOMETHING. 1186 01:18:13,776 --> 01:18:16,866 James: ELL, NO WONDER THEY NEVER PUT ME ON THE T.V. 1187 01:18:21,522 --> 01:18:23,133 THOSE ARE FROM SOME FRIENDS OF MINE. 1188 01:18:23,176 --> 01:18:25,178 THEY WANTED YOU TO HAVE THEM. 1189 01:18:28,007 --> 01:18:29,792 YEAH. 1190 01:18:29,835 --> 01:18:32,098 THANKS. 1191 01:18:32,142 --> 01:18:33,839 YOU KNOW, SON, I... 1192 01:18:35,536 --> 01:18:37,538 I WANTED TO APOLOGIZE TO YOU... 1193 01:18:39,062 --> 01:18:43,501 FOR LAST NIGHT, AND FOR... 1194 01:18:43,544 --> 01:18:45,546 HELL, A LOT OF THINGS. 1195 01:18:49,202 --> 01:18:51,248 DON'T WORRY ABOUT IT, DAD. 1196 01:18:53,990 --> 01:18:57,210 HEY, UH... CRAIG... PEOPLE LIKE CRAIG... 1197 01:18:57,254 --> 01:18:59,952 THEY HAVEN'T LEFT YOU ALONE YET. 1198 01:18:59,996 --> 01:19:03,390 THESE MANAGEMENT GUYS AND INTERVIEW REQUESTS... 1199 01:19:03,434 --> 01:19:06,393 THAT STUFF WON'T GO AWAY ANYTIME SOON, SO... 1200 01:19:06,437 --> 01:19:12,051 YOU KNOW, IF YOU EVER NEED SOMEBODY TO RUN 'EM OFF OR... 1201 01:19:12,095 --> 01:19:14,837 YOU WANT... WHATEVER... ADVICE... 1202 01:19:17,274 --> 01:19:19,232 WELL, THANKS. 1203 01:19:19,276 --> 01:19:21,017 BUT... 1204 01:19:21,060 --> 01:19:23,019 TO HELL WITH 'EM, YOU KNOW? 1205 01:19:26,283 --> 01:19:28,372 LISTEN, IF YOU AIN'T GOTTA RUN OFF, 1206 01:19:28,415 --> 01:19:30,461 I'M GONNA COOK SOME HAMBURGERS HERE IN A FEW MINUTES. 1207 01:19:32,028 --> 01:19:33,943 OKAY. THAT'S COOL. 1208 01:19:33,986 --> 01:19:35,596 OF COURSE... 1209 01:19:35,640 --> 01:19:38,686 SOMEBODY IS GONNA HAVE TO GO TO TOWN 1210 01:19:38,730 --> 01:19:40,601 AND GET SOME COLD BEER. 1211 01:19:42,995 --> 01:19:44,823 RIGHT. 1212 01:19:50,437 --> 01:19:51,787 KEEP BACK! 1213 01:21:16,045 --> 01:21:18,351 THANK YOU, THANK YOU FOR THAT. 1214 01:21:18,395 --> 01:21:21,659 [ndistinct chatter 1215 01:21:21,702 --> 01:21:23,922 IS IT THREE OR FOUR YEARS? THREE YEARS. 1216 01:21:23,966 --> 01:21:26,664 HEY. STAGE MANAGER SAID THEY NEVER GOT THE NEW DIAGRAM. 1217 01:21:26,707 --> 01:21:29,014 SO IT'S THE OLD SETUP. IS THAT TRUE? WHAT? 1218 01:21:29,058 --> 01:21:30,557 WE'RE ONLY SUPPOSED TO PLAY FOR 40 MINUTES, 1219 01:21:30,581 --> 01:21:32,148 BUT SEEING AS HOW WE'RE THE LAST BAND, 1220 01:21:32,191 --> 01:21:33,560 WE'LL PLAY TILL WE'RE FUCKING DONE PLAYING. 1221 01:21:33,584 --> 01:21:34,933 WHAT ARE YOU TALKING ABOUT? 1222 01:21:34,977 --> 01:21:36,935 YOU'LL PLAY TILL THEY CUT YOU OFF. 1223 01:21:36,979 --> 01:21:38,937 THEY SAY, "LAST SONG," YOU PLAY ONE MORE. 1224 01:21:38,981 --> 01:21:40,861 IT'S AWESOME, IT'LL MAKE THEM LOOK LIKE ASSHOLES. 1225 01:21:40,896 --> 01:21:42,549 NO, WHAT ARE YOU DOING HERE? 1226 01:21:42,593 --> 01:21:44,464 I KNOW, I'M FIRED OR WHATEVER. 1227 01:21:44,508 --> 01:21:46,989 LISTEN, WE ALREADY TALKED TO TREY, SO... 1228 01:21:47,032 --> 01:21:48,872 YOU TALKED TO TREY? BUT YOU DON'T TALK TO TREY, 1229 01:21:48,904 --> 01:21:50,993 BECAUSE TREY DOESN'T KNOW SHIT ABOUT WHAT'S GOING ON. 1230 01:21:51,036 --> 01:21:54,344 ALL RIGHT.NO, IT'S NOT ALL RIGHT. 1231 01:21:54,387 --> 01:21:56,346 I KNOW YOU'RE ALL FALLING APART, 1232 01:21:56,389 --> 01:21:58,150 AND YOUR LITTLE HEARTS ARE BROKEN BECAUSE YOUR DRUMMER QUIT, 1233 01:21:58,174 --> 01:22:01,133 BUT GUESS WHAT? DRUMMERS QUIT. EVERY DAY. 1234 01:22:01,177 --> 01:22:02,961 AND THEY ARE... ESPECIALLY IN THIS TOWN... 1235 01:22:03,005 --> 01:22:06,269 RELATIVELY EASY TO REPLACE. NO OFFENSE, IAN. 1236 01:22:06,312 --> 01:22:08,706 GOOD LUCK IN SCHOOL, BY THE WAY.THANKS, MAN. 1237 01:22:08,749 --> 01:22:11,317 ALL RIGHT, YOU GOT FIVE MINUTES. AND DON'T FUCK UP. 1238 01:22:11,361 --> 01:22:13,319 'CAUSE I'M GOING JAMES BROWN TONIGHT. 1239 01:22:13,363 --> 01:22:15,384 EVERY MAN PAYS TEN BUCKS TO THE TAKE FOR EACH MISTAKE. 1240 01:22:15,408 --> 01:22:17,889 I'M NOT KIDDING. 1241 01:22:17,933 --> 01:22:20,761 HAVE A GOOD SHOW. 1242 01:22:20,805 --> 01:22:23,764 WELL, AT LEAST GET US SOME BEER! 1243 01:22:23,808 --> 01:22:25,288 ASSHOLE. 1244 01:22:26,419 --> 01:22:27,855 HI, TREY. 1245 01:22:27,899 --> 01:22:29,814 HOW'S THE COUNT TONIGHT? 1246 01:22:29,857 --> 01:22:32,034 WHERE'S MY EQUIPMENT? OH, THAT. 1247 01:22:32,077 --> 01:22:34,037 I FORGOT TO TELL YOU. TREY HAS BEEN SHAKING US DOWN 1248 01:22:34,079 --> 01:22:35,994 FOR OUR CUT AT THE DOOR. 1249 01:22:36,038 --> 01:22:38,344 HE'S ALSO BEEN COOKING THE COUNT, WHICH I'M FINE WITH. 1250 01:22:38,388 --> 01:22:40,999 JUST WANTED TO MAKE SURE YOU WERE GETTING A CUT. 1251 01:22:46,439 --> 01:22:48,528 GOOD CROWD TONIGHT. 1252 01:23:00,105 --> 01:23:02,455 Man: GOOD EVENING, AND THANKS FOR COMING OUT. 1253 01:25:47,490 --> 01:25:49,579 GOD! 1254 01:25:49,622 --> 01:25:50,884 GOD DAMN IT! SHUT UP. 1255 01:25:50,928 --> 01:25:54,928 COULD'VE BEEN BETTER ANYWAY. 84952