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ONE EVENING, A TRAIN
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The flower of summer
lasts until autumn
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is pruned in the winter
and is reborn in spring.
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Love which blossoms
from summer to autumn
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fades and stiffens
in the white winter frosts.
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Love which blossoms
from summer to autumn
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fades and stiffens
in the white winter frosts.
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...and Mathias, she thought it was so funny...
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when you came every day at 2 o'clock
for your spicecake
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You were only 5 years old
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and you crossed the street all by yourself.
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You never caused us any trouble,
that's true, never,
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except one day, when you refused to
come to the cinema with me.
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You said...
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I won't go to the cinema with her!
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I had my hat on. I took it off.
18
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I never forgot that, Mathias.
19
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You were 10 years old, and you were
ashamed of me.
20
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But no!
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Yes, yes! You didn't like my hat.
22
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But, I forgave you long ago.
23
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You know, I've never done wrong to anyone.
24
00:02:34,840 --> 00:02:40,680
Mathias, have you asked little Louis
to look after the grave during Holy Week.
25
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Yes, I did, don't worry.
26
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And did you choose the two
pots of chrysanthenums?
27
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They are very beautiful.
28
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How much do I owe you?
29
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Nothing.
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Ah! You won't forget? Because I...
Here, this is for Anne.
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Tell her that I'm waiting to see her.
32
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You still have no children!
33
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No.
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I think I showed last week, by way of example,
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how diverse are the meanings of the Symbol
36
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even if we limit its usage
to the purely linguistic sphere.
37
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But, it is now thought, in certain circles,
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that the exact sciences themselves
39
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can be used to establish linguistic axioms
40
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and help make important advances
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in organizing a coherent view
of universal phenomena.
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For my part, I think that this attitude,
43
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is quasi-religious, almost mystical,
44
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and can only prejudice the rational certainties
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obtained through linguistics
- after much labour - by Saussure.
46
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I remark that this evening I have been
invited to a nearby university
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to present a summary of this research
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and to defend the position which I have just mentioned.
49
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Pardon...
50
00:06:18,960 --> 00:06:23,600
I'm very sorry. I'm astonished
to see so few here!
51
00:06:26,200 --> 00:06:29,360
It looks like your Flemish colleagues
are on strike this afternoon.
52
00:06:30,440 --> 00:06:33,920
I understand their reactions against
the ecclesiastical authorities
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in this affair, but I am more concerned
54
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about their position regarding their francophone colleagues.
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Otherwise I support them wholeheartedly.
56
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Well, I am most happy to discuss linguistic matters.
57
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Gentlemen, till next time!
58
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...here's my translation, can you read it?
59
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God says...where art thou, my death,
thou who spares nobody?
60
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Come forth, listen to my orders!
61
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Hmm, it would be better to say first
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GOD orders...and then afterwards
Where are YOU, my death?
63
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Because during the Middle Ages
YOU had the same meaning as it does now.
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I understand.
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And Everyman, each man? All man?
No, Everyman is better.
66
00:07:46,800 --> 00:07:51,640
Then, go and seek out Everyman
and tell him to make that pilgrimage
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00:07:51,640 --> 00:07:55,880
from which no-one ever returns, and that he
should render me his account without delay.
68
00:07:55,880 --> 00:08:00,600
In fact "rekeningen doen", that is, "give a
reckoning", is a lot more immediate to me.
69
00:08:00,600 --> 00:08:04,080
Actually Death doesn't have very much to say,
and he says it with very few words.
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Everyman, you can suddenly lose
what you thought was always yours.
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A pilgrimage from which no-one ever returns.
72
00:08:17,400 --> 00:08:22,400
Bring your account, your writings,
drafted with most careful attention.
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00:08:22,400 --> 00:08:28,200
For which I am, of course, ill-prepared.
Render your account to God. Why?
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Who are you, messenger?
75
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I am Death who spares nobody.
76
00:08:34,040 --> 00:08:36,400
Well, it is not too bad!
77
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Should I keep the archaisms?
78
00:08:40,800 --> 00:08:44,040
No, translate them into 15'th
century French, if possible.
79
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But retain the biblical forms.
80
00:08:46,880 --> 00:08:48,720
We'll talk about it again tomorrow.
81
00:08:48,720 --> 00:08:49,920
Thankyou, Monsieur.
82
00:08:49,920 --> 00:08:50,760
See you then, Ilza.
83
00:08:52,680 --> 00:08:55,240
Now, Bremen, are you going to demonstrate?
84
00:08:55,880 --> 00:08:57,200
Demonstrate? It's not so simple!
85
00:08:57,480 --> 00:09:00,240
In my opinion we ought to show
solidarity with the students.
86
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Is it solidarity, to persecute a minority?
87
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Apartheid, racism, wait,
doesn't that remind you of something?
88
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That's easily said!
89
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It's even more easily done!
90
00:09:13,160 --> 00:09:15,600
Hello, are the actors still rehearsing?
91
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No, thanks don't bother.
92
00:09:18,360 --> 00:09:19,160
Goodbye!
93
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Where are you, my death,
94
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who spares no-one?
95
00:09:26,360 --> 00:09:29,880
I follow your orders, Almighty God.
96
00:09:30,200 --> 00:09:33,920
Go say to Everyman
97
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that he must make a pilgrimage
98
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and that he must render his account to me
without delay.
99
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These are my orders.
100
00:09:46,000 --> 00:09:48,840
Everyman, where are you going?.
101
00:09:49,920 --> 00:09:51,680
Have you forgotten God?
102
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Why do you ask me that?
103
00:09:54,760 --> 00:09:56,160
Thank you Franz, thank you Henrik.
104
00:09:56,160 --> 00:09:57,560
You see Anne, it's impossible like that.
105
00:09:57,560 --> 00:09:59,560
Henrik is wrapped in his cloak.
106
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He has no free hand, and he's isolated.
107
00:10:02,160 --> 00:10:03,560
Again!
108
00:10:03,880 --> 00:10:06,480
I shall reign on earth...
109
00:10:14,960 --> 00:10:17,360
That's the traditional representation
of Death during the Middle Ages.
110
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It has an absolute symbolic force.
111
00:10:19,560 --> 00:10:23,680
Although, in Mathias' adaptation, death is one
among 1001 other things which can occur.
112
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It is one event among many others.
113
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It is a force which Everyman can master.
114
00:10:27,720 --> 00:10:29,720
It is like a public figure,
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like virtue, like confession.
116
00:10:30,960 --> 00:10:33,000
Even so, we can't change this Death, Werner.
117
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It is a fiction rooted forever in the past.
118
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It's like Christ.
119
00:10:37,200 --> 00:10:41,560
He is neither Dracula nor Nosferatu,
but a disquieting figure.
120
00:10:41,560 --> 00:10:45,240
Imagine a kind of plastic material
or a sort of silvery material,
121
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a figure shining softly in the darkness.
122
00:10:48,200 --> 00:10:50,160
Are there batteries in his belt?
123
00:10:50,160 --> 00:10:52,360
Oh, you're crazy, I'll never be
able to do that by tomorrow.
124
00:10:52,360 --> 00:10:54,080
The stagehands have aready been working all night.
125
00:10:54,080 --> 00:10:56,800
You're a genius, you'll certainly find a way.
126
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Anne!
126
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Hey!
127
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What are you doing here?
128
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I finished early.
129
00:11:35,240 --> 00:11:37,560
The students were demonstrating
this afternoon.
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Were you there?
131
00:11:38,680 --> 00:11:39,680
No.
132
00:11:41,320 --> 00:11:43,440
I have to work all night,
you won't be there?
133
00:11:44,240 --> 00:11:47,600
My train leaves this evening,
the conference begins at 8.30am
134
00:11:48,280 --> 00:11:49,600
I'll be thinking of you.
135
00:11:49,600 --> 00:11:51,320
I have to invent a new Death.
136
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Will he be thin?
137
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Hard.
138
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Cold.
139
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Little death.
140
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When?
141
00:11:59,280 --> 00:12:00,200
Without delay.
142
00:12:03,880 --> 00:12:06,280
And, say, how is it going with Werner?
143
00:12:16,280 --> 00:12:18,640
Mathias, what are you doing here?
144
00:12:20,560 --> 00:12:22,440
I think we've discovered something.
145
00:12:23,600 --> 00:12:27,680
Look. Everyman doesn't talk to Death,
he talks above Death.
146
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As if he was invisible.
147
00:12:29,240 --> 00:12:32,960
Consequently we have a great monologue
of Everyman with Everyman.
148
00:12:33,960 --> 00:12:37,040
Obviously. The whole play is a monologue.
149
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Everyman knows that he is talking to himself.
150
00:12:40,080 --> 00:12:43,160
Therefore he is stronger than Death,
stronger than God.
151
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Because he agrees to play the game.
152
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But he is alone.
153
00:12:47,720 --> 00:12:52,320
So, his dialogue with Death is that
veil between the self and the not-self.
154
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Do you see?
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Yeah.
156
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The veil between the self and the not-self
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Render account to God? Useless.
158
00:13:19,680 --> 00:13:21,000
Who are you, messenger?
159
00:13:21,340 --> 00:13:23,280
I am Death
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who spares no-one.
161
00:14:14,280 --> 00:14:16,560
You know, I've come to realize
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that a person can be so taken up with another,
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that they can't ever see themselves.
164
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It's like death, the anguish of death.
165
00:14:34,080 --> 00:14:37,560
Well, in the meantime I need
to re-think the play,
166
00:14:37,760 --> 00:14:40,400
look for material in the archives,
167
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and get it all ready at the theatre before 10.00am
168
00:14:46,640 --> 00:14:48,980
Oh! Who's been playing with this?
169
00:14:54,200 --> 00:14:57,840
And you know, we'll never be finished
before the afternoon. I'm sure of that.
170
00:15:04,720 --> 00:15:09,080
Yes. I want to follow up this again.
171
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What?
172
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I said, I want to follow up this idea.
173
00:15:36,480 --> 00:15:39,120
Bernard thought the interview
with Freddy was very good.
174
00:15:40,400 --> 00:15:42,680
Do you know that Freddy taped it
for at least 2 hours?
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Anyway, half of it can be thrown out.
176
00:16:00,800 --> 00:16:03,560
Can you give me a suggestion for the
costumes at the end, Mathias?
177
00:16:03,560 --> 00:16:05,040
I can't imagine it clearly.
178
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Of course, my dear.
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One for the self...one for the not-self...
180
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You want napkins?
181
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Yes.
182
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We don't have to have white ones!
183
00:16:29,760 --> 00:16:31,400
You know Werner, he'll make a fuss!
184
00:16:54,160 --> 00:16:55,840
It's too bright here, don't you think?
185
00:17:04,200 --> 00:17:07,160
Try it. You'll see.
186
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Montrachet '61.
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To the angel!
188
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The angel spreads its wings and says
189
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I pluck the soul out from the body.
190
00:19:15,400 --> 00:19:18,720
Its substance is pure and light
191
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I bear it skyward into the blue,
192
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there where we will all be reunited.
193
00:19:30,240 --> 00:19:32,360
You don't believe it?
194
00:19:49,440 --> 00:19:52,000
They are the most beautiful lines
in the whole play.
195
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I find them admirable.
196
00:19:54,280 --> 00:19:57,160
What don't you like about them?
197
00:19:57,160 --> 00:19:59,400
Angels have no sex.
198
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And no clothes either!
199
00:20:10,600 --> 00:20:12,720
I spent the whole night thinking about it.
200
00:20:12,720 --> 00:20:15,760
And to clothe Death who hides his anguish
201
00:20:15,760 --> 00:20:18,200
I thought of the angel also.
202
00:20:19,960 --> 00:20:20,880
Do you remember?
203
00:20:21,960 --> 00:20:25,640
If God suddenly tipped us all into hell
204
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then all the rain in heaven,
and all the earthly oceans,
205
00:20:29,360 --> 00:20:32,520
would make less noise than
a single drop of blood
206
00:20:32,520 --> 00:20:34,840
dancing on a hot plate.
207
00:20:34,840 --> 00:20:36,600
And it's the angel who says that!
208
00:20:38,160 --> 00:20:40,040
Not now, Mathias.
209
00:20:42,040 --> 00:20:43,760
Not now.
210
00:21:00,280 --> 00:21:02,560
Good. My train leaves in 2 hours.
211
00:21:02,560 --> 00:21:04,240
Shall we get some fresh air?
212
00:21:04,280 --> 00:21:06,120
As you wish.
213
00:21:06,240 --> 00:21:11,320
I don't wish, I only suggest,
that we get some fresh air, my dear.
214
00:21:14,280 --> 00:21:17,720
Good. Let's get some fresh air!
215
00:21:36,680 --> 00:21:38,480
Where are we going?
216
00:21:39,840 --> 00:21:41,920
To the oast house, if you wish.
217
00:21:50,840 --> 00:21:53,600
Would you rather I didn't come this evening?
218
00:21:54,680 --> 00:21:56,600
You know how they react down there.
219
00:21:56,600 --> 00:21:59,440
Old school nationalists, closed minds.
220
00:21:59,440 --> 00:22:01,960
I can't even introduce you.
221
00:22:12,560 --> 00:22:15,320
If I spoke English it would
be easier, obviously!
222
00:22:21,920 --> 00:22:24,480
Would you like me to wait
in a cafe near the station,
223
00:22:24,480 --> 00:22:26,600
that way you could come back alone?
224
00:22:30,880 --> 00:22:32,400
FLEMISH LOVAIN!
225
00:22:34,160 --> 00:22:36,120
WALLOONS FIRST!
226
00:22:44,200 --> 00:22:46,240
Shall we go on foot?
227
00:23:04,680 --> 00:23:09,320
REVOLUTION
228
00:23:49,480 --> 00:23:52,080
Perhaps we shouldn't get married, Mathias.
229
00:23:52,080 --> 00:23:54,240
It would be to the detriment of your career
230
00:23:54,240 --> 00:23:56,360
for us to be too closely linked.
231
00:23:58,480 --> 00:24:03,200
I can't be your French wife,
because it's immoral not to be Flemish.
232
00:24:03,200 --> 00:24:04,840
How picturesque!
233
00:24:05,880 --> 00:24:07,520
You're still blaming me...
234
00:24:07,520 --> 00:24:10,200
On the contrary, you've changed my outlook.
235
00:24:13,400 --> 00:24:15,320
Werner treats you well, doesn't he?
236
00:24:15,320 --> 00:24:19,240
Remarkably. He is happy to please you
by hiring me.
237
00:24:21,600 --> 00:24:23,480
You're still free, my dear.
238
00:24:23,480 --> 00:24:24,760
Free?
239
00:24:27,160 --> 00:24:29,640
We are all free, Mathias.
240
00:24:29,640 --> 00:24:31,640
And intelligent, and lucid.
241
00:24:31,640 --> 00:24:33,200
You pity me!
242
00:25:44,080 --> 00:25:46,240
That's your problem, Mathias, not mine.
243
00:25:46,240 --> 00:25:49,120
I am not an object.
I'm not your object.
244
00:25:49,120 --> 00:25:51,400
I think we should split up, so that
you can advance your career
245
00:25:51,400 --> 00:25:54,960
You think you know everything,
and you care about nobody, except...
246
00:25:55,080 --> 00:25:56,080
It's not true.
247
00:25:56,160 --> 00:25:57,560
The old story! It's not true!
248
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Over and over again!
249
00:25:58,760 --> 00:25:59,760
You have no doubts.
250
00:25:59,760 --> 00:26:02,480
Do you think I should spend my life
waiting for you to turn up?
251
00:26:02,480 --> 00:26:04,480
I can't go on. It's too hard.
252
00:26:04,480 --> 00:26:06,600
I feel so desperately lonely in your land
253
00:26:06,600 --> 00:26:07,960
I know nothing and nobody,
254
00:26:07,960 --> 00:26:09,800
no friends, no child.
255
00:26:09,800 --> 00:26:11,960
One day, you'll disappear.
And then what will remain for me?
256
00:26:11,960 --> 00:26:12,560
Nothing!
257
00:26:12,760 --> 00:26:13,960
Now listen, darling!
258
00:26:14,160 --> 00:26:15,760
No, no, Mathias, no sweet talk!
259
00:27:11,360 --> 00:27:13,360
How much is that one?
260
00:27:13,680 --> 00:27:15,080
40, Monsieur.
261
00:27:15,600 --> 00:27:17,680
They arrived this morning.
262
00:27:18,320 --> 00:27:20,160
Tell me, where does Louis live?
263
00:27:22,040 --> 00:27:26,560
Louis Broekhaert.
He looks after the graveyard.
264
00:32:12,200 --> 00:32:13,600
Do you have "Le Monde"?
265
00:33:24,160 --> 00:33:25,600
266
00:33:25,760 --> 00:33:27,760
267
00:33:39,440 --> 00:33:41,840
My father was a schoolteacher
268
00:33:42,680 --> 00:33:45,560
Six children in my family.
269
00:34:05,160 --> 00:34:10,080
270
00:34:22,920 --> 00:34:26,800
271
00:35:12,960 --> 00:35:15,160
We shouldn't have parted like that.
272
00:35:15,200 --> 00:35:18,380
I'm so sorry. I was under a strain.
273
00:35:24,440 --> 00:35:28,400
You know, probably it's going
to last forever this evening.
274
00:35:28,400 --> 00:35:30,760
You shouldn't wait for me at the station.
275
00:35:39,120 --> 00:35:41,280
I'll take the first train back.
276
00:36:51,480 --> 00:36:55,760
277
00:36:55,960 --> 00:36:58,840
278
00:37:37,440 --> 00:37:41,480
279
00:37:43,680 --> 00:37:45,720
280
00:42:21,000 --> 00:42:23,960
Can you give me a light please?
281
00:42:26,640 --> 00:42:28,240
Thankyou.
282
00:42:29,440 --> 00:42:31,880
You haven't seen a young woman
go by, brown hair?
283
00:42:31,980 --> 00:42:35,160
No. What time is it?
284
00:42:35,240 --> 00:42:41,180
My watch has stopped. I nodded off,
and now I have no idea where she is.
285
00:42:41,280 --> 00:42:47,180
I saw no-one going by.
They're all sleeping in my compartment.
286
00:42:47,380 --> 00:42:50,160
She's probably down the other end
of the train.
287
00:42:50,160 --> 00:42:51,440
Thankyou.
288
00:42:51,440 --> 00:42:54,240
Hernhutter. Gotfried Hernhutter.
289
00:42:54,240 --> 00:42:58,840
Bremen. Mathias Bremen.
But... I know you.
290
00:42:58,840 --> 00:43:03,160
Didn't you teach the history
of religion at Tubingen?
291
00:43:03,160 --> 00:43:10,360
Yes, but I've been living here for several years.
How is it that you know me?
292
00:43:26,080 --> 00:43:30,360
Say something to me!
They're all asleep back there.
293
00:43:31,640 --> 00:43:33,560
Do you know where we are?
294
00:43:33,560 --> 00:43:35,640
Do you know where we are?
295
00:43:35,640 --> 00:43:38,680
I'll go and see what's up with the locomotive.
296
00:43:38,680 --> 00:43:41,880
Perhaps she's at the other end of the train.
297
00:43:50,280 --> 00:43:52,160
Come back!
298
00:43:56,040 --> 00:43:58,400
Wait!
299
00:43:58,400 --> 00:44:00,600
But wait!
300
00:44:10,840 --> 00:44:14,280
The idiots! Anne is on the train
with all my papers.
301
00:44:15,520 --> 00:44:17,400
What will they think?
302
00:44:19,960 --> 00:44:22,160
What on earth will they think?
303
00:44:27,880 --> 00:44:30,640
I didn't manage to reach the locomotive.
304
00:44:36,400 --> 00:44:38,240
I took your course two years ago, Monsieur.
305
00:44:39,360 --> 00:44:41,120
Val, don't you remember me?
306
00:44:43,480 --> 00:44:46,320
Well, Val, now I'm really in a mess.
307
00:44:46,360 --> 00:44:50,080
I think there is a village over the other side.
308
00:45:01,520 --> 00:45:03,320
Good, we should be able to telephone from there.
309
00:45:03,360 --> 00:45:05,160
I'll take a look, if you like.
310
00:45:05,200 --> 00:45:07,300
But no, you're crazy.
311
00:45:07,360 --> 00:45:10,260
Look, beyond that branch
there's nothing but water.
312
00:45:10,320 --> 00:45:12,920
No, we should rather go that way.
313
00:45:12,960 --> 00:45:15,960
Would you prefer to wait here, Hernhutter?
314
00:45:16,000 --> 00:45:19,080
No, not at all. I'll come with you.
315
00:46:10,200 --> 00:46:12,400
You don't think that we should
make a detour here?
316
00:46:12,400 --> 00:46:14,080
It hasn't snowed here.
317
00:46:15,720 --> 00:46:18,320
Yes, it has snowed, but now it has thawed.
318
00:46:18,320 --> 00:46:20,560
But now it looks much further off.
319
00:46:20,560 --> 00:46:22,480
If we don't get off this plain...
320
00:46:22,480 --> 00:46:26,600
we'll end up in Russia,
321
00:46:26,600 --> 00:46:28,400
gateway to Asia.
322
00:46:28,400 --> 00:46:29,560
No, it's impossible.
323
00:46:29,560 --> 00:46:32,400
We should already be at the station.
Anne would have called me.
324
00:46:40,080 --> 00:46:42,600
I'll go and have a look that way.
325
00:46:45,920 --> 00:46:46,720
Hey!
326
00:47:16,040 --> 00:47:17,880
Over there!
327
00:47:45,560 --> 00:47:47,000
Look!
328
00:48:28,880 --> 00:48:33,280
I'll sit down for a bit.
I don't feel very well.
329
00:48:33,280 --> 00:48:34,960
Wait, professor.
330
00:48:57,840 --> 00:49:00,760
If the flames were bigger
people would see us.
331
00:49:00,760 --> 00:49:04,840
Yes, but that wood is wet.
Cold and wet.
332
00:49:13,640 --> 00:49:15,120
It smokes, eh!
333
00:49:20,600 --> 00:49:22,440
It's good like that!
334
00:49:22,440 --> 00:49:24,080
We should be able to warm up.
335
00:49:32,840 --> 00:49:35,160
I think we're going to have to spend the night here.
336
00:49:44,040 --> 00:49:45,880
Got any ideas, you two?
337
00:49:46,800 --> 00:49:48,580
I'm dying of hunger.
338
00:49:53,920 --> 00:49:55,960
In fact, we can eat.
339
00:50:20,800 --> 00:50:22,680
What worries me is what they are
thinking at home?
340
00:50:23,520 --> 00:50:26,600
They'll be ringing the alarm bells.
For a change.
341
00:50:27,360 --> 00:50:30,400
Don't worry. Hernhutter and I
will fix that.
342
00:50:32,480 --> 00:50:35,840
One always think one can arrange everything.
343
00:50:37,120 --> 00:50:40,240
You don't know my father.
He's a teacher.
344
00:50:42,680 --> 00:50:46,600
My father also was a teacher.
With him it was a passion.
345
00:50:48,320 --> 00:50:53,440
I teach, we teach, they all teach.
He's been dead 10 years.
346
00:50:56,040 --> 00:50:58,440
You don't have a son?
347
00:50:58,440 --> 00:51:03,840
I have no children. No wife,
no children, no parents.
348
00:51:05,160 --> 00:51:10,080
Anne is independent. Liberty, you know.
349
00:51:12,280 --> 00:51:16,400
Will they be worried at home
for you, Hernhutter?
350
00:51:16,400 --> 00:51:18,960
There's nobody at my home any more.
351
00:51:28,240 --> 00:51:34,480
Jeronimus Bremen, Auguste Bremen, Mathias Bremen.
352
00:51:34,480 --> 00:51:38,200
This afternoon I couldn't even find the grave.
353
00:51:39,280 --> 00:51:42,160
And I couldn't even say to Anne,
all that I should have said.
354
00:51:44,160 --> 00:51:46,960
That's why she was on the train, you see.
355
00:51:49,440 --> 00:51:52,320
But if she doesn't see me
at the station, then it's all over.
356
00:51:53,920 --> 00:51:56,160
She'll wait for a bit.
357
00:51:57,160 --> 00:52:00,080
She won't have telephoned the university.
358
00:52:01,240 --> 00:52:04,000
She has to do some research.
359
00:52:04,960 --> 00:52:08,560
She can't spend the entire night
in the waiting room.
360
00:52:11,760 --> 00:52:13,880
What sort of person she, your Anne?
361
00:52:13,880 --> 00:52:17,240
She is beautiful, very beautiful.
362
00:52:20,280 --> 00:52:22,960
But she's not the sort of woman one
can fix in words, you know?
363
00:52:25,360 --> 00:52:28,000
You see her, and you never forget her.
364
00:52:31,000 --> 00:52:34,040
She's a real woman, you understand?
365
00:52:40,200 --> 00:52:42,040
Have you known her for long?
366
00:52:44,640 --> 00:52:47,080
With her, time has little importance.
367
00:52:48,720 --> 00:52:53,440
Several years. And they were my best years.
368
00:52:57,200 --> 00:52:59,720
Recently I've begun to think
369
00:53:01,000 --> 00:53:03,160
that if I should suddenly disappear
370
00:53:04,320 --> 00:53:07,400
even so I would have tasted
the real essence of life.
371
00:53:09,640 --> 00:53:13,720
It was in the country, close to the
Spanish border, near Christmas.
372
00:53:14,160 --> 00:53:16,640
A friend had invited me for the festivities.
373
00:53:16,640 --> 00:53:19,160
We were a group of amateur actors.
374
00:53:19,160 --> 00:53:22,160
And his sister was quite good-looking.
375
00:53:22,920 --> 00:53:26,280
When you're hear me groan,
don't worry, I'm composing.
376
00:53:26,280 --> 00:53:27,920
He chased after me. He said...
377
00:53:27,920 --> 00:53:29,720
once a week...
378
00:55:38,200 --> 00:55:40,680
You see Mathias, that was how it started!
379
00:55:40,680 --> 00:55:44,280
She left her family. You understand,
to become a performer
380
00:55:44,280 --> 00:55:46,440
in one's own small home town,
that's a real struggle.
381
00:55:46,440 --> 00:55:47,960
I could never do it.
382
00:55:47,960 --> 00:55:51,640
She needed that break. She couldn't stand
living in the provinces.
383
00:55:51,640 --> 00:55:53,760
She wanted to live her own life.
So she gave up everything.
384
00:55:53,760 --> 00:55:55,600
No prospects, no money, all alone!
385
00:55:56,200 --> 00:55:56,920
Did you forget something?
386
00:55:56,920 --> 00:55:58,760
I'll be back.
387
00:56:03,000 --> 00:56:04,920
Leave it, Mathias!
388
00:56:30,720 --> 00:56:32,440
You'll catch cold.
389
00:56:34,360 --> 00:56:35,480
Think so?
390
00:57:55,240 --> 00:57:57,000
You don't like me this way?
391
00:58:03,080 --> 00:58:06,640
Not like you? Oh, God.
392
00:58:45,040 --> 00:58:47,400
Why was she on the train?
393
00:58:48,800 --> 00:58:50,480
She was accompanying me.
394
00:58:50,480 --> 00:58:55,000
I had to give a lecture on
contemporary linguistics
395
00:58:55,000 --> 00:58:57,240
to a group of Flemish students.
396
00:58:57,240 --> 00:59:02,000
Anne is French. It wasn't fair on her.
397
00:59:03,880 --> 00:59:06,440
It's a misunderstanding, once again.
398
00:59:07,920 --> 00:59:11,160
What were you thinking about
when you woke up?
399
00:59:12,240 --> 00:59:13,800
About love.
400
00:59:17,800 --> 00:59:21,400
An 18'th century libertine called
love "the little death".
401
00:59:28,560 --> 00:59:31,760
I have written an adaptation of Everyman
402
00:59:34,560 --> 00:59:36,960
and I never agreed with Anne.
403
00:59:37,760 --> 00:59:42,960
She thought that it was not enough to be
conscious and lucid when confronted by Death.
404
00:59:43,360 --> 00:59:45,760
I understood her point-of-view,
and I understood my own,
405
00:59:45,760 --> 00:59:47,920
we talked things over for 2 months.
406
01:00:00,720 --> 01:00:02,920
Nobody comes by here.
407
01:00:05,680 --> 01:00:07,640
They probably can't see us.
408
01:00:11,200 --> 01:00:14,280
How about I try and find a farm
or village over there?
409
01:00:14,280 --> 01:00:17,440
No, that's not a good idea.
It's best we stay together, Val
410
01:00:17,440 --> 01:00:20,360
But I can walk now, if you like.
411
01:00:20,360 --> 01:00:23,480
I won't go astray.
The fire will guide me.
412
01:00:23,480 --> 01:00:26,040
Don't go too far to the side.
I don't want you to run risks.
413
01:00:26,040 --> 01:00:28,720
Everything that happens is fore-ordained.
414
01:00:28,720 --> 01:00:30,560
There is no risk.
415
01:00:47,160 --> 01:00:50,480
And you, Hernhutter. Where were
you going on this train?
416
01:00:52,120 --> 01:00:58,560
My ancestors, the Hernhutter,
were protestants from Bohemia,
417
01:00:58,560 --> 01:01:02,560
very attached to the doctrines of Jean Hus.
418
01:01:03,480 --> 01:01:06,240
They never mourned
419
01:01:06,240 --> 01:01:10,360
because for them death was
the occasion for great hope.
420
01:01:10,360 --> 01:01:14,520
The Hernhutter clan have a grand mausoleum
421
01:01:14,520 --> 01:01:17,600
in the commune garden.
422
01:01:19,880 --> 01:01:22,720
I have never done wrong to anyone,
423
01:01:22,720 --> 01:01:25,960
and when I visit that garden
424
01:01:25,960 --> 01:01:28,760
I feel less alone.
425
01:01:32,960 --> 01:01:37,920
Hernhutter, why did the train stop here?
426
01:01:39,400 --> 01:01:43,320
I don't know Mathias.
427
01:02:31,560 --> 01:02:33,400
I found a village.
428
01:02:35,760 --> 01:02:39,040
A village! Well done!
Let's go there then!
429
01:02:39,040 --> 01:02:41,240
Ah, Mathias?
430
01:02:41,240 --> 01:02:42,160
Oh, pardon.
431
01:02:42,960 --> 01:02:47,380
You let my potatoes burn.
432
01:03:30,640 --> 01:03:32,280
Quick!
433
01:03:37,920 --> 01:03:39,440
Not so fast!
434
01:03:51,040 --> 01:03:52,600
It's alright!
435
01:07:30,840 --> 01:07:32,680
Where is the inn around here?
436
01:07:38,240 --> 01:07:40,320
Can you tell me the name of
this village? This village?
437
01:07:46,520 --> 01:07:49,560
Could you please tell me where we
can find an hotel?
438
01:07:50,760 --> 01:07:52,320
Hotel!
439
01:07:53,000 --> 01:07:54,120
Ah, hotel!
440
01:09:32,000 --> 01:09:34,680
Eat first, telephone later.
I'm as hungry as a wolf!
441
01:10:10,440 --> 01:10:12,120
We are right out of luck.
442
01:10:14,620 --> 01:10:17,000
I can't understand a word
of their gibberish...
443
01:10:17,160 --> 01:10:19,180
Did you ask where is the telephone?
444
01:10:21,680 --> 01:10:24,040
If you don't mind, we would like to telephone?
445
01:10:25,840 --> 01:10:27,520
Te-le-phone!
446
01:10:38,440 --> 01:10:40,320
It's not possible!
447
01:10:42,080 --> 01:10:43,920
Where are we, here?
448
01:11:55,080 --> 01:11:56,720
Your health!
449
01:12:14,240 --> 01:12:19,160
Romanet 28...29!
450
01:12:28,720 --> 01:12:31,000
Perhaps 34!
451
01:12:36,880 --> 01:12:39,200
Is it Bordeaux, or Bourgogne?
452
01:12:40,160 --> 01:12:41,640
Bourgogne.
453
01:12:45,360 --> 01:12:49,800
Hernhutter, what do you think about all this?
454
01:12:52,200 --> 01:12:55,000
There are no firm indications...
455
01:12:55,000 --> 01:12:57,520
at this time...
456
01:13:38,800 --> 01:13:41,800
We'd been shut in for 3-4 years, understand?
457
01:13:41,800 --> 01:13:46,800
So, when Antwerp was liberated, it didn't last.
458
01:13:46,800 --> 01:13:50,080
I had a rifle with a sling,
459
01:13:50,080 --> 01:13:53,680
and with an hour's practice in the wasteland
I knew how to shoot!
460
01:13:56,040 --> 01:13:59,440
My section was instructed to
pick up the collaborators.
461
01:13:59,440 --> 01:14:01,520
We took 3 women
462
01:14:01,520 --> 01:14:06,240
And, because the prison was closed (true!)...
463
01:14:06,240 --> 01:14:09,400
we put them all in the lion's
cage at the zoo
464
01:14:09,400 --> 01:14:11,800
which had been empty for 3 years.
465
01:14:12,680 --> 01:14:16,560
Men and women together, behind the bars.
466
01:14:16,560 --> 01:14:19,840
Suddenly, I became sick of it all,
467
01:14:19,840 --> 01:14:23,440
and I returned my gun,
and gracefully resigned my post
468
01:14:23,940 --> 01:14:26,380
You lost faith?
469
01:14:30,880 --> 01:14:33,200
Anne, she too, is impulsive.
470
01:14:33,200 --> 01:14:36,760
It seems attractive when you first meet her.
471
01:14:38,600 --> 01:14:41,520
You'll meet her tomorrow, you'll see!
472
01:14:43,040 --> 01:14:45,480
She believes in God.
473
01:14:45,480 --> 01:14:47,280
And do you know why?
474
01:14:47,280 --> 01:14:50,240
She was going to school, a youngster.
475
01:14:50,240 --> 01:14:55,200
She was 9 years old, and she
hated it more than you can imagine.
476
01:14:55,200 --> 01:14:56,760
A childish hate.
477
01:14:58,840 --> 01:15:04,120
One day, in 1944, she was
in detention as a punishment,
478
01:15:04,120 --> 01:15:08,040
and just then, a plane released
3 bombs over the city, an error.
479
01:15:08,040 --> 01:15:12,080
Ploughed directly into the school cafeteria!
480
01:15:12,080 --> 01:15:15,080
Not a single person survived.
481
01:15:15,960 --> 01:15:20,080.
And Anne was convinced from that day
that God existed.
482
01:15:20,080 --> 01:15:23,840
Try and disprove it!
483
01:15:38,440 --> 01:15:40,800
Let's leave, Mathias!
484
01:15:40,800 --> 01:15:44,040
Where should we go?
485
01:15:44,040 --> 01:15:46,640
Quick, I implore you!
486
01:15:49,000 --> 01:15:51,840
Val, get up!
487
01:15:55,800 --> 01:15:58,080
But I know that song!
488
01:16:00,480 --> 01:16:05,640
Love which blossoms
from summer to autumn
489
01:16:10,920 --> 01:16:16,280
fades and stiffens
in the white winter frosts.
490
01:16:30,220 --> 01:16:31,280
- My name is Val!
- Val!
491
01:16:38,000 --> 01:16:41,560
She's nice! What do you bet?
492
01:17:07,240 --> 01:17:08,520
For heaven's sake, Val!
493
01:17:39,380 --> 01:17:40,220
Come back!
494
01:18:39,120 --> 01:18:42,600
He's not himself!
Come back! You must stop!
495
01:18:49,360 --> 01:18:52,560
Let go! You don't know who she is!
496
01:19:06,760 --> 01:19:09,400
Come back, Val, you don't understand!
497
01:19:10,040 --> 01:19:11,440
You don't know what game she's playing!
498
01:19:11,440 --> 01:19:13,160
Her name is Moira.
499
01:19:13,760 --> 01:19:15,800
And I understand her language.
500
01:19:15,880 --> 01:19:17,480
It's a miracle!
501
01:19:17,520 --> 01:19:21,840
You don't know why the train stopped!
502
01:19:52,960 --> 01:19:54,600
Who are you?
503
01:19:55,520 --> 01:19:56,440
Speak! Who are you?
504
01:20:08,560 --> 01:20:10,160
It's nothing.
505
01:20:16,960 --> 01:20:20,160
It's nothing, you have nothing.
506
01:20:21,360 --> 01:20:24,800
There was an accident.
Because of the other train.
507
01:20:27,480 --> 01:20:29,960
Do you want to telegraph home?
508
01:22:44,920 --> 01:22:46,680
No! Oh, no!
509
01:23:27,440 --> 01:23:35,400
One evening in autumn
there was a crack in the mirror
510
01:23:36,440 --> 01:23:44,300
and you sank down so deep
into the black vault of time.
511
01:23:45,320 --> 01:23:53,200
One evening in autumn
your picture flies away
512
01:23:54,200 --> 01:24:03,760
flies away, and sinks
into the black vault of time
513
01:24:04,760 --> 01:24:12,160
and alights so softly
on its own eternity...
514
01:25:23,760 --> 01:25:28,560
515
01:25:28,960 --> 01:25:34,360
38543
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