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I hate all these parties.
>> Come on, it's fun.
Making small talk with your coworkers, sucking up the givvy.
Seeing all your favorite writers, where else could you do that?
>> Tomorrow would work.
>> You know, you're right.
We're putting in for all the time.
[MUSIC]
>> Mm, not bad.
[MUSIC]
>> Marty, Booby, you got two minutes.
>> I got a new Lillian book for you.
>> That would be, this really isn't a good time.
>> It's called Lillian Has Sex For The Very First Time.
It's about this young girl, Lillian.
>> Who has sex for the first time?
>> Bingo.
>> Listen, why don't I think about it and I'll get back to it.
>> Sometimes.
>> Excuse me.
[MUSIC]
>> [LAUGH] Marty, you can't bugger me till you put me a drink.
[LAUGH]
>> What's funny about that, will you tell me?
>> I'll try to keep that in mind.
Why don't you join us?
We're swapping bedwetting stories.
>> You're not saying?
>> Yeah.
>> My folks sent me to England again.
[MUSIC]
>> Hi.
I've been wanting to talk to you all night.
>> You have?
[MUSIC]
>> You have a blue sock stuck to the back of your jacket.
[MUSIC]
>> Thanks.
I guess a party like this really shows you who your friends are.
>> I'm Alana.
>> Hi.
I'm Martin.
>> When did you find it?
>> About two minutes ago.
>> Damn.
>> Cedar won the pool.
[MUSIC]
>> Would you like to?
>> Get some.
>> Go for a walk?
>> Sure.
>> Mm-hmm.
>> Marty, there you are.
>> Here we go again.
>> Excuse us, Cookie.
Come on, Marty, buy the book.
I got a goddamn wedding to pay for.
My son, Josh, knocked up the waitress from the Waffle Village.
>> I'm sorry about that, you know, but I
-- >> Please, Marty, don't make me beg.
[MUSIC]
>> Ha!
Fabulous!
Marty!
[MUSIC]
>> I've been kissed by a tunnel.
>> Bless you!
Oh, babe.
Oh, I owe you, baby.
>> Let me -- let me know.
I didn't mean to -- >> What are you waiting for?
>> Over here, we have an office.
And over here, we have another office.
Any questions so far?
>> No.
No, I'm with you.
>> And, well, over here -- >> I'm guessing office.
>> Hey, who's the tour guide around here?
[LAUGHTER]
[MUSIC]
So that's where all my brooms went.
>> Next to the parent jungle, this is the best tour I've ever been on.
>> Too bad you never kissed her.
[MUSIC]
>> Would you rather go to mine, please?
Or not.
>> It's coming up!
[MUSIC]
>> I fill up the porcelain pits and give ladies terrible fits.
[MUSIC]
>> Yes, Babble's power-back sons work down into those porcelain pits.
[MUSIC]
>> At home, we use it all the time.
[MUSIC]
>> Babble.
>> Damn.
My skirt's on backwards.
>> Ever me?
>> Okay.
I think I have Ajax in my shoe.
>> Alana, darling, there you are.
Time to go home and play "Barry the Bishop."
>> [LAUGHTER]
>> Hello, Marty.
Look what I've got.
Meet Alana.
Easy on the eyeballs, eh?
She danced in that musical with the roller skates.
>> Hi.
Hiya.
Martin Topper.
>> We met earlier.
>> Right.
>> Well, time's up.
No, didn't you?
>> What are our open development issues?
[MUSIC]
>> Good morning.
>> Shh.
Shh.
Please.
>> What happened to you?
>> I had kind of a rough night last night.
>> Tell me about it.
>> Now, listen.
I'm in my office.
If Gibby calls or comes by, tell him I'm not here.
Tell him I'm out for the day.
You don't know where I am and you don't know when I'll get back.
You got it?
>> No problem.
>> Good morning, Marty.
>> If there's one thing in this world I hate, it's a double-crossing dame.
>> Well, well, well.
Apparently, you had a busy evening last night.
>> What do you mean?
>> I think you know what I mean.
>> I think you know exactly what I mean.
Who the fuck do you think you are going behind my back like that?
>> Don't kill me.
Let me live, please.
Punish me, talk to me, but let me live.
>> I'm sorry.
Gibby, I'm sorry.
You know, we had a few drinks and one thing led to another.
>> I don't give a glass of shit.
You don't pull a stunt like that without asking me first.
>> Asking you?
>> Yes.
I'm the one who buys the bloody books around here, not you.
>> What?
>> The Libby Friedman job.
The book you bought last night, our
agent's been pulling my ferret all morning.
>> Right.
Right, right, right, right, right, right, right, right, right, right.
Right.
Big mistake.
>> No, I should have asked you.
>> Damn right.
>> That was a close call, my friend.
>> So, what did you think of Alanna, huh?
>> I knew things were going too smooth.
>> Don't be thick, Marty.
My lady friend.
Bet you'd like to push that one across the floor a bit, huh?
>> No.
No.
She's not really my type.
I guess you guys are pretty serious, though, huh?
>> No, not really.
But you can't poke the pillow every night.
Now, can you?
Am I right?
Bye, Marty.
>> Chivalry is not only dead, it's decomposed.
>> Wait.
You slept with Gibby's girlfriend?
Are you out of your mind?
>> Come on.
It's not like I slept with Gibby.
>> What?
Were those the two choices?
>> Fuck, I-- >> I know it's fucked, you know, but I really like her.
And nothing, man.
Forget about her and don't see her again.
>> I'm a little late for that now.
>> Aw, shit.
>> She showed up at my door last night.
Does Gibby know you're here?
>> No.
>> I'm not.
>> I'm not.
>> I'm not.
>> You know you're here?
>> No.
>> You set her away.
Tell me you set her away.
>> I did.
>> Do you really have to go?
>> Oh, yeah.
I'm late for rehearsal.
>> Oh, yeah?
>> I am.
>> Oh, man, you are hopeless.
Have you ever heard the expression, "Don't shit what you eat"?
Come on, you slept with people you work with?
>> No, no.
I slept with people who work for me.
>> That's harassment.
What about your producer?
>> Also different.
I was using her.
>> What about that network executive's daughter?
What about her?
>> Okay, so I'm not a good example.
Look, the thing about these situations is they always find out,
and it always ends bad.
>> I'm not going to leave alone.
I won't.
I won't.
>> Hello?
>> Alana, hi.
Look, we need to talk.
>> God, your voice is so sexy.
>> I think you turned on just listening to you.
>> Well, don't.
Don't.
>> Well, if you keep talking, I'm going to have to touch myself.
>> Is it supposed to do that?
>> I don't know, but it's doing it.
>> I just don't think this is going to work.
>> Keep talking.
Reaching under my dress.
>> You want to?
>> Mm.
I'm slipping off my panties.
>> Well, what do we do?
>> Oh.
>> Oh.
>> Martin.
>> Oh, Martin.
>> Alana, we going to dinner, or aren't we?
>> He's there.
>> Hold on.
I'm coming.
>> Your hand is still wet, Alana.
>> Alana, I can't keep doing this, okay?
I mean, as long as you're still seeing Gibby, I can't.
We can't.
I'm sorry.
>> I understand.
I better go.
>> What are you doing?
Put your panties on.
We're late.
>> You can let go now, Abigail.
[music]
>> And as young Lillian sat atop the washing machine,
waiting for her band uniform to finish, the Maytag began to vibrate,
a strange sensation stirred in her loins.
[sniffing]
>> Um, go on, Marty.
>> Wow, she thought.
I feel tingly.
>> Just then.
Is everything all right?
>> She left me, Marty.
Alana left me.
>> Hit me.
I think I'm dreaming.
>> I'm sorry to hear that.
Well, you probably want to be alone.
>> Will you drink with me, Marty?
Drink with me.
>> Uh, since I'd love to, you know,
but I think we're having some birthday cake for Zita.
[sniffing]
>> Don't you forget that he's also a human being.
>> Do you have any sour mix?
[music]
>> I know why she left me, Marty.
I know the real reason.
>> You do?
>> I confess my sin.
I ask your forgiveness.
I'm in the dust at your feet.
>> It's...the testicle.
[sniffing]
Excuse me?
I've only got one.
>> Really?
[screaming]
>> And that's why she left you?
I mean, she told you that?
>> Oh, no, she didn't say it.
No, she told me some crap about how
she didn't love me, and they all say that.
But I know.
I know.
It makes the meal, you see.
The thought of a man with only one plum in his lunch is heck.
>> Come on, Gibby.
It just doesn't seem like it would be, you know, that big a deal.
>> Well, of course it doesn't to you.
You've got a full set.
You've never had to endure the schoolboy taunts, the locker room jeers.
Oh, look, here comes Johnny One-Nut.
>> Kids can be cruel.
>> You know, it'd be one thing if I'd lost it to a shark or something.
Then I'd have a story.
But no.
My little fella just never dropped in to say hello.
I'm sorry.
Look, Marty, I want you to see the root of all my suffering.
>> No, no.
Thank you.
>> Why?
Is my deformity too ghastly for you to contemplate?
>> No, no, no.
I just don't think I really need to see it.
>> Yes, turn away.
Avert your eyes from the abomination between my legs.
>> Okay, fine, fine.
If it means that much to you, then I'll look at it.
>> So you can gawk like I'm some sort of sideshow freak.
>> Sure.
Put me up there between the bearded lady and the man with the kangaroo head.
>> Oh, is that so?
>> I don't know what I was thinking.
>> You've got to help me, Marty.
>> Maybe a doctor would be a better person.
>> No, no, no.
I mean with Elana.
Now, she won't listen to me, but maybe she'll listen to you.
She took a shine to you at the party the other night.
Please, Marty, tell her to come back.
>> I really, really don't think I'm the right-- >> Please, Marty.
Please, help me.
I'm a man with one bowl.
[screaming]
I'll see what I can do.
>> Bless you.
[music]
>> I didn't sleep all night.
I was haunted, not by ghosts, but by a horrible guilt
that somehow all that's happened is my fault.
I'm going to go Xerox Libby's contracts.
Try not to steal anything from my desk while I'm gone.
>> I'll see if I can restrain myself.
Nick?
>> Hi.
>> Elana, Elana, what are you doing here?
>> I broke up with Gibby.
>> I know, I know.
>> So, how do you want to celebrate?
>> Elana, look, I really think-- >> Nadia.
>> Elana.
>> Oh.
>> There, there.
Everything's going to be all right.
>> Marty, may I speak to you for a moment?
>> Martin, do you have a tissue?
>> In my office.
>> Well, how's it going?
Is she going to take me back, do you think?
>> I don't know, Gibby.
She seems a little-- emotional right now.
>> Did she mention the nut?
>> No, no, that hasn't come up yet.
>> You keep at it, Marty.
I'm counting on you.
>> What happened?
>> Well, he kind of hugged me.
>> So he doesn't know?
>> Oh, no, thank God.
Elana, he's not taking this break up too well.
>> I know.
We were up all last night.
I feel so bad for him.
I do.
But when you think about it, don't you think he's sort of a pig?
>> Baby, that's the understatement of the year.
>> I wouldn't say that.
>> I mean, he wasn't always like that.
I mean, when we first met, he was this charming Australian guy
with terrific suits and funny little songs.
>> You sang your songs?
>> Yeah.
But then after a while, I found out how
insensitive and obnoxious he could be, and...
Can we not talk about this now?
>> Wait, wait, wait, wait.
Elana, maybe we should hold off until Gibby-- >> Guys!
>> --cools down a little.
>> You're right.
You're right.
How long do you think?
>> I don't know.
Like, two weeks?
>> Mm.
Mwah!
>> Two weeks starting tomorrow.
>> Yeah.
>> Marty!
>> Yes?
>> It's Gibby.
>> Why did you answer him?
>> I mean, too.
There's a reflex.
Hide, hide, hide, hide, hide.
Go, go, go, go, go, go, go.
>> Oh!
>> Ow!
>> Sorry.
Hold on.
I just have to rinse the spaghetti.
>> Come on, Marty.
I haven't gone all night.
>> Now.
>> Gibby.
Gibby, jeez.
What a surprise.
Where's the spaghetti?
>> I ate it.
What's up?
>> How did it go with Alana?
>> Um... basically well.
>> Any good news?
>> I'm afraid not.
You know, Gibby, maybe-- maybe it's just time to accept it.
[doorbell rings]
[door opens]
[door opens]
>> It's over.
>> Nothing that I could, Marty.
Whenever I go, I think of her.
I see her face.
I smell her perfume.
In fact, I can smell it right now.
Oh, Marty.
Oh, Marty.
It's amazing the tricks of the mind will play on you.
What are you doing?
>> Nothing.
>> Marty?
>> I had no idea you were funny that way.
[laughter]
>> Yeah.
Sure, sir, you're a brass panties garter belt.
It works.
>> That's strange the things you learn about a person when you're busy.
You bastard.
This is Alana's.
Yes.
Yes, it is.
I asked her to lend me a little something
to go with this blue slip that I have.
Bullshit.
Where the hell is she?
Gibby, I have absolutely no idea.
>> Come right here, Gibby.
Alana, what are you doing here?
>> Oh, Martin.
Let's just tell him.
>> Gibby, I'm sorry.
>> It too, Marty.
>> It's fucking too, Marty.
>> Give me, give me.
Give me, give me, wait, wait, wait.
>> I'm sorry.
You will rue the day you cross, Johnny.
What?
>> The one I did was wrong, okay?
But I really like Alana.
You know what?
I think she likes me.
>> Of course she does.
But only because you've got two Joeys in your pouch.
>> No, Gibby, no, it's not the testicles.
This has nothing to do with testicles.
She left you because you're a creep.
>> What?
>> You're a rude and sensitive, obnoxious pig.
She thinks.
>> She said all that.
>> Yes.
Gibby, yes.
I'm sorry.
>> Oh, my God.
Oh, my fucking God.
Do you understand what this means?
This means it's not the nut.
>> Of course it's not the nut.
>> So I've suffered needlessly all these years thinking it was the nut.
And it's really not the nut?
>> No, no, it's not.
>> So she hates me for me, for who I am inside.
>> Pretty much.
>> Motherfucker, fuck them all.
I'm free.
>> Thank you, Marty.
Short of a second testicle, this is the
greatest gift you could have given me.
Hasta banyana.
[MUSIC]
>> Oh, thank God that's over.
>> Thank you.
>> Oh, no, no, not that.
That was wonderful.
I mean, that whole thing with Gibby.
Oh, what was I thinking?
You got me.
>> You know what the worst part about it was?
>> What?
>> He had only one testicle.
>> God bless the odd balls of this world.
Each and every odd one.
Good night.
>> Randal and Hopkirk deceased is next, followed by Timecop.
Then it's a look ahead to the Paris final at the Stade de France
where Barcelona take on Arsenal for the right to be Europe's finest
in Champions League Weekly.
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