Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:01:25,295 --> 00:01:27,839
AAH!
2
00:01:54,324 --> 00:01:55,200
OH!
3
00:02:07,087 --> 00:02:07,879
AAH...
4
00:02:08,088 --> 00:02:08,922
UH...
5
00:02:44,999 --> 00:02:45,959
AAH!
6
00:03:11,985 --> 00:03:14,612
AAH!
7
00:03:23,705 --> 00:03:25,498
AAH!
8
00:03:34,465 --> 00:03:35,717
O.K. CUT!
9
00:03:37,260 --> 00:03:37,969
ACHTUNG.
10
00:03:38,178 --> 00:03:39,095
KAPUT!
11
00:03:42,640 --> 00:03:45,226
HEY, SCHUTER,
TELL HIM O.K.,
ALREADY.
12
00:03:54,277 --> 00:03:55,069
HOW WAS IT, MORGAN?
13
00:03:55,945 --> 00:03:56,946
LIKE
A REMBRANDT.
14
00:03:57,155 --> 00:03:57,780
O.K., WRAP IT UP.
15
00:03:57,989 --> 00:03:58,907
LET'S GO BACK
TO THE CASTLE.
16
00:03:59,240 --> 00:04:00,158
HALT, HIMMLER.
17
00:04:00,533 --> 00:04:01,242
I DON'T NEED HIM
ANYMORE, SCHUTER.
18
00:04:03,995 --> 00:04:05,121
HELP HER, MIKE.
19
00:04:05,413 --> 00:04:08,291
HEY, RINALDI, CAN IT
AND AIR MAIL IT TO LEO.
20
00:04:08,499 --> 00:04:09,542
HOW LONG THAT RUN?
21
00:04:09,959 --> 00:04:10,919
FOREVER.
22
00:04:11,628 --> 00:04:13,213
JEALOUSY, JEALOUSY,
LOVER.
23
00:04:13,922 --> 00:04:15,340
DON'T BLAME ME
BECAUSE YOU'RE NO
LONGER AN INGENUE.
24
00:04:15,548 --> 00:04:18,218
THAT'S NOT EXACTLY
WHAT YOU SAID WHEN
YOU MARRIED ME.
25
00:04:18,426 --> 00:04:19,093
I KEEP YOU
ON THE PAYROLL.
26
00:04:19,260 --> 00:04:20,178
YOU'LL HAVE TO
ADMIT I'M LOYAL.
27
00:04:20,345 --> 00:04:21,721
OH, YES, YOU'RE LOYAL--
28
00:04:21,930 --> 00:04:24,766
TO WIVES
NUMBER ONE THROUGH
FOUR, INCLUSIVE.
29
00:04:24,974 --> 00:04:26,935
WOULD YOU CARE
TO TRY YOUR LUCK
FOR FIVE?
30
00:04:28,102 --> 00:04:29,979
IF YOU DON'T SPELL
MY NAME RIGHT
31
00:04:30,188 --> 00:04:31,189
WHEN YOU WIRE OUT
YOUR NEXT STORY,
32
00:04:31,397 --> 00:04:32,899
YOU'RE ON MY HATE LIST.
33
00:04:34,859 --> 00:04:35,777
I DON'T KNOW.
34
00:04:35,944 --> 00:04:38,029
I MAY NOT BE
ABLE TO AFFORD
THE ALIMONY.
35
00:04:38,613 --> 00:04:39,530
I MAY HAVE TO
SLEEP ON IT.
36
00:04:39,739 --> 00:04:42,450
OH, I JUST BET
YOU WILL.
37
00:04:44,619 --> 00:04:45,745
HOW I SUFFER
FOR DOUGLAS ROE,
38
00:04:45,954 --> 00:04:49,082
MADISON AVENUE,
AND ALL THOSE
LOVELY SPONSORS.
39
00:04:49,540 --> 00:04:50,917
SCALPED BY INDIANS
ONE SHOW
40
00:04:51,125 --> 00:04:53,253
TO RECREATE
A COVERED WAGON
MASSACRE,
41
00:04:53,586 --> 00:04:55,338
BOILED AND EATEN
THE SHOW BEFORE
42
00:04:55,546 --> 00:04:57,590
ON THE DONNER PARTY
EXPEDITION,
43
00:04:58,299 --> 00:04:59,300
AND NOW,
NEARLY DROWNED
44
00:04:59,509 --> 00:05:03,346
TO CELEBRATE THE
230th ANNIVERSARY
OF FRANKENSTEIN,
45
00:05:03,596 --> 00:05:05,765
AND FOR THIS
WE'VE GOT TO
TRAVEL 3,000 MILES
46
00:05:05,974 --> 00:05:08,017
TO HIS ANCESTORS'
CASTLE IN GERMANY?
47
00:05:10,103 --> 00:05:11,271
OH, WELL.
48
00:05:11,479 --> 00:05:14,482
ACHTUNG AND
HEIL RESIDUALS.
49
00:05:14,691 --> 00:05:18,194
HOW COULD YOU
INFLICT THESE PEOPLE
ON ME, GODFRIED?
50
00:05:18,611 --> 00:05:21,239
I HAVE NO PRIVACY,
I CANNOT THINK,
I CANNOT WORK.
51
00:05:21,531 --> 00:05:22,573
I'M COMPLETELY
OVERRUN--
52
00:05:22,740 --> 00:05:24,492
MY CASTLE,
MY GROUNDS...
53
00:05:24,701 --> 00:05:25,910
YOU'RE A TRUE
FRANKENSTEIN,
VICTOR--
54
00:05:26,119 --> 00:05:27,412
ALWAYS COMPLAINING,
55
00:05:27,620 --> 00:05:30,540
BUT YOU FORGET
IT'S YOU WHO
FORCED US INTO THIS.
56
00:05:30,748 --> 00:05:32,375
"LET THEM USE
MY CASTLE,"
YOU SAID.
57
00:05:32,542 --> 00:05:34,127
ANYTHING,
JUST SO YOU COULD GET
58
00:05:34,335 --> 00:05:36,421
THIS ATOMIC REACTOR
YOU NEED SO BADLY
59
00:05:36,629 --> 00:05:38,047
AND HAVE NO FUNDS
TO PURCHASE.
60
00:05:38,298 --> 00:05:39,966
AH, WELL, THESE DAYS
IT IS DIFFICULT
61
00:05:40,174 --> 00:05:44,637
TO LIVE ON THE SALE
OF THE ACQUISITIONS
OF ONE'S ANCESTORS.
62
00:05:44,846 --> 00:05:47,015
I'VE BEEN WANTING
TO TALK TO YOU
ABOUT THIS, VICTOR.
63
00:05:47,181 --> 00:05:49,267
YOU HAVE BEEN SPENDING
MONEY AND MONEY.
64
00:05:49,475 --> 00:05:52,186
YOU'RE BUYING EQUIPMENT
AS THOUGH YOU WERE
A GOVERNMENT.
65
00:05:52,395 --> 00:05:54,314
WHERE IT GOES AND
WHAT YOU DO WITH IT--
66
00:05:54,522 --> 00:05:55,898
IS MY BUSINESS.
67
00:05:56,190 --> 00:05:56,899
NO.
68
00:05:57,191 --> 00:05:58,234
IT'S MY BUSINESS,
TOO.
69
00:05:58,443 --> 00:05:59,527
HOW CAN I HANDLE
YOUR AFFAIRS
70
00:05:59,736 --> 00:06:01,529
IF THERE ARE NO
AFFAIRS TO HANDLE,
71
00:06:01,738 --> 00:06:03,072
IF THERE IS MISTRUST?
72
00:06:03,281 --> 00:06:05,616
AS IT IS, I HAVE SOLD
PRACTICALLY EVERY ONE
73
00:06:05,783 --> 00:06:07,160
OF YOUR ART TREASURES.
74
00:06:07,368 --> 00:06:08,661
THERE IS NOTHING LEFT.
75
00:06:11,748 --> 00:06:12,665
SEE...
76
00:06:13,458 --> 00:06:17,253
MY FISH,
THEY ARE HUNGRY
BEASTS TODAY.
77
00:06:17,962 --> 00:06:19,380
THE STRUGGLE
FOR EXISTENCE
78
00:06:19,589 --> 00:06:22,508
IS JUST AS FIERCE
AND RUTHLESS
IN THEIR WORLD
79
00:06:22,717 --> 00:06:24,427
AS IT IS IN OURS.
80
00:06:24,761 --> 00:06:26,179
NOT SO, GODFRIED?
81
00:06:26,804 --> 00:06:30,350
TO THINK THAT MAN
COULD TORTURE FELLOW MEN
82
00:06:30,808 --> 00:06:32,810
AS THEY ONCE
TORTURED YOU.
83
00:06:33,978 --> 00:06:34,979
THEY BELIEVED
IN ONE THING.
84
00:06:35,188 --> 00:06:36,356
I BELIEVED IN
ANOTHER,
85
00:06:36,564 --> 00:06:37,690
BUT THEY WERE
RUNNING THE COUNTRY.
86
00:06:37,899 --> 00:06:39,734
THAT WAS
MY MISFORTUNE.
87
00:06:39,901 --> 00:06:40,777
BUT YOU WON,
88
00:06:40,943 --> 00:06:42,195
AND THEY DIDN'T.
89
00:06:43,237 --> 00:06:44,655
I WON?
90
00:06:46,115 --> 00:06:49,786
YOU'RE
THINKING ONLY OF
MY SURGEON'S HANDS.
91
00:06:50,620 --> 00:06:52,955
THEY WERE
TOO CLEVER TO DO
ANYTHING TO THEM.
92
00:06:53,164 --> 00:06:55,458
THEY NEEDED THEM
FOR THE UNHOLY
OPERATIONS
93
00:06:55,666 --> 00:06:58,336
THEY FORCED ME
TO PERFORM FOR THEM.
94
00:06:58,795 --> 00:07:00,505
WHAT THEY DID
TO THE REST OF ME,
95
00:07:00,713 --> 00:07:01,923
MY BODY...
96
00:07:03,549 --> 00:07:05,927
BUT YOU
DIDN'T GIVE THEM
WHAT THEY WANTED.
97
00:07:06,135 --> 00:07:08,096
YOU DIDN'T GO OVER
TO THEIR SIDE.
98
00:07:08,930 --> 00:07:11,099
THEY COULDN'T TAKE
YOUR MIND, VICTOR.
99
00:07:11,307 --> 00:07:13,851
MY MIND. HA.
100
00:07:14,394 --> 00:07:15,353
WOULD ANYONE
EVER BELIEVE
101
00:07:15,561 --> 00:07:18,606
THAT YOU AND I
ARE THE SAME AGE,
102
00:07:19,482 --> 00:07:23,444
THAT I AM EVEN
STILL A MAN?
103
00:07:24,153 --> 00:07:25,446
VICTOR,
WHY DON'T YOU ACCEPT
104
00:07:25,655 --> 00:07:27,698
THE GOVERNMENT'S OFFER
OF A SCIENTIFIC POST?
105
00:07:27,865 --> 00:07:30,785
AND WAIT
FOR POLITICIANS TO
MAKE UP THEIR MINDS?
106
00:07:30,993 --> 00:07:34,038
I AM THE LAST
OF THE HOUSE
OF FRANKENSTEIN,
107
00:07:34,247 --> 00:07:37,208
BUT HOW MUCH TIME
TO YOU THINK THAT
I HAVE LEFT?
108
00:07:38,084 --> 00:07:40,044
EVERY HOUR IS A DAY
OUT OF MY LIFE,
109
00:07:40,253 --> 00:07:43,256
EVERY DAY, A MONTH,
EVERY MONTH, A YEAR.
110
00:07:43,423 --> 00:07:46,259
A MONTH CAN SEE
THE END OF MY LIFE.
111
00:07:47,260 --> 00:07:49,804
VICTOR, WHY?
112
00:07:52,598 --> 00:07:53,724
WHY WHAT?
113
00:07:54,642 --> 00:07:58,563
WHY THIS STRANGE SECRECY
BEHIND YOUR WANTING
ALL THIS EQUIPMENT?
114
00:07:58,980 --> 00:08:00,773
WHY FOR DAYS AT A TIME
DO YOU DISAPPEAR
115
00:08:00,940 --> 00:08:03,067
WITHOUT ANYBODY KNOWING
WHAT YOU ARE UP TO?
116
00:08:03,776 --> 00:08:07,071
AND NOW
THIS GREAT URGENCY FOR
AN ATOMIC-POWERED UNIT,
117
00:08:07,530 --> 00:08:10,241
EXACTING PROMISES
THAT YOU MUST
HAVE IT AT ONCE.
118
00:08:11,325 --> 00:08:14,287
VICTOR, TELL ME...
119
00:08:15,163 --> 00:08:17,540
TELL ME BEFORE I AM
FORCED TO THINK WHAT--
120
00:08:18,124 --> 00:08:19,584
WHAT I DREAD
TO BE THE TRUTH.
121
00:08:20,001 --> 00:08:21,002
GODFRIED,
122
00:08:21,502 --> 00:08:23,254
REMIND ME TO
TELL YOU SOMETIME
123
00:08:23,421 --> 00:08:27,091
THE STORY
OF THE INQUISITIVE
COMMANDANT WHO--
124
00:08:28,718 --> 00:08:30,094
IT WASN'T GOOD.
IT WAS GREAT.
125
00:08:30,261 --> 00:08:31,095
WHAT DID YOU EXPECT?
126
00:08:31,512 --> 00:08:32,513
OH, HI, BARON.
127
00:08:33,097 --> 00:08:34,599
GOT WORD THEY'RE
SHIPPING OUT THAT
POWER UNIT
128
00:08:34,807 --> 00:08:35,850
OR WHATEVER IT IS
YOU WANTED FROM BERLIN.
129
00:08:36,058 --> 00:08:37,268
SHOULD BE HERE
IN THE NEXT FEW DAYS.
130
00:08:37,685 --> 00:08:39,103
GODFRIED, I WAS
GOING TO CALL YOU.
131
00:08:39,353 --> 00:08:40,271
THESE ARE
THE TV RELEASE FORMS
132
00:08:40,480 --> 00:08:41,481
FOR CONTINENTAL
BROADCASTING
133
00:08:41,689 --> 00:08:42,607
FOR THE BARON
AND YOU TO SIGN OFF.
134
00:08:42,815 --> 00:08:44,108
THE SOONER THE BETTER,
MR. ROE.
135
00:08:44,317 --> 00:08:45,818
THEN I CAN GET ON
WITH MY WORK.
136
00:08:45,985 --> 00:08:46,986
GLAD YOU BROUGHT
THAT UP, BARON.
137
00:08:47,195 --> 00:08:48,196
I'M GOING TO REWRITE
THE WHOLE SCRIPT
138
00:08:48,404 --> 00:08:49,739
AND OPEN UP
THE SHOW WITH YOU.
139
00:08:49,947 --> 00:08:51,491
SCHUTER, FIX ME A DRINK
WHILE YOU'RE AT IT,
WILL YA?
140
00:08:51,699 --> 00:08:52,658
SCOTCH.
141
00:08:54,076 --> 00:08:55,369
THAT'S A NICE BOY
YOU GOT THERE, BARON.
142
00:08:55,578 --> 00:08:56,829
REAL TYPE-CASTING.
143
00:08:57,038 --> 00:08:58,456
I GOT THE WHOLE THING
FIGURED OUT.
144
00:08:58,623 --> 00:09:00,082
COFFINS, EPITAPHS,
145
00:09:00,291 --> 00:09:02,084
LIGHTNING, THUNDER,
146
00:09:02,502 --> 00:09:03,461
AND YOU
DOWN IN THE VAULTS
147
00:09:03,669 --> 00:09:05,963
GIVING US THE LOWDOWN
ON YOUR GREAT-GREAT-
GRANDFATHER,
148
00:09:06,172 --> 00:09:07,548
THE FIRST FRANKENSTEIN,
149
00:09:07,757 --> 00:09:09,425
THE ONE WHO CREATED
THE MONSTER.
150
00:09:09,926 --> 00:09:12,136
IT TIES IN WITH
THE FILM PORTION
OF THE SHOW WE SHOT TODAY,
151
00:09:12,303 --> 00:09:13,971
BUT WE'LL DO THE CLIP
LIVE WITH YOU.
152
00:09:15,056 --> 00:09:17,600
UH, AND DON'T YOU LET
HORRIBLE HERMAN LEAVE TOWN.
153
00:09:17,808 --> 00:09:18,976
I WANT HIM BACK
TO PLAY THE THING.
154
00:09:19,143 --> 00:09:20,478
HOLD IT FOR A SECOND,
WILL YOU, DOUG?
155
00:09:23,481 --> 00:09:25,441
SOON AS I GET FINISHED,
WE'LL GO OVER THE WHOLE
SCRIPT TOGETHER.
156
00:09:25,691 --> 00:09:28,611
WE'LL GIVE IT A DRY RUN
SO YOU'LL GET A GOOD IDEA
OF THE READING OF IT,
157
00:09:28,819 --> 00:09:29,654
THEN WE'LL
START REHEARSALS.
158
00:09:29,820 --> 00:09:32,740
YOU SAY THE UNIT WILL
BE HERE IN A FEW DAYS,
MR. ROE?
159
00:09:32,949 --> 00:09:33,866
O.K., DOUG.
160
00:09:34,075 --> 00:09:35,451
HEY, MORGAN,
CHECK THE VAULTS
161
00:09:35,660 --> 00:09:36,619
FOR LIGHTING
AND CAMERA ANGLES.
162
00:09:36,786 --> 00:09:37,912
YOU MAY NEED
SOME SPECIAL LENSES.
163
00:09:38,120 --> 00:09:39,121
WILL DO.
164
00:09:39,789 --> 00:09:40,623
THAT'S RIGHT, BARON.
165
00:09:40,831 --> 00:09:41,916
IN TWO OR THREE DAYS.
166
00:09:42,124 --> 00:09:43,751
BUT, YOU KNOW, AFTER
YOU FINISH THIS SHOW,
167
00:09:43,960 --> 00:09:45,878
YOU'RE NOT GOING TO WANT
TO BE FOOLING AROUND
WITH ATOMIC GIZMOS.
168
00:09:46,087 --> 00:09:47,547
YOU'RE GOING TO BE
A TELEVISION STAR
169
00:09:47,755 --> 00:09:50,299
WITH 60 MILLION
ECSTATIC FANS
170
00:09:50,466 --> 00:09:51,425
SCREAMING
FOR MORE OF YOU.
171
00:09:51,634 --> 00:09:52,635
GIVE A FEW,
TAKE A FEW,
172
00:09:52,843 --> 00:09:54,595
WHAT WITH
THE COMMERCIALS.
173
00:09:54,804 --> 00:09:57,348
THE BARON MAY EVEN GET
HIS OWN SPONSOR.
174
00:09:58,140 --> 00:10:00,434
WELL, YOU THINK A SERIES
RIGHT HERE FROM THE CASTLE
175
00:10:00,643 --> 00:10:02,353
IS SUCH A BAD IDEA?
176
00:10:07,441 --> 00:10:09,235
THAT COULD BE
MY PLEASURE...
177
00:10:10,778 --> 00:10:13,447
WITH YOU AS
MY LEADING LADY,
MISS HAYES.
178
00:10:16,075 --> 00:10:17,410
MR. ROE,
179
00:10:17,785 --> 00:10:21,205
I'M BECOMING RECONCILED
TO YOUR PRESENCE HERE.
180
00:10:24,500 --> 00:10:29,338
YOUR COMING HERE
MAY BE THE SOLUTION
TO ALL MY PROBLEMS.
181
00:10:29,922 --> 00:10:33,384
HA HA HA HA HA
HA HA HA HA.
182
00:10:33,593 --> 00:10:37,179
AH HA HA HA HA HA!
183
00:10:37,388 --> 00:10:39,348
AH HA HA HA...
184
00:10:40,933 --> 00:10:41,851
WHAT'D I SAY?
185
00:11:23,976 --> 00:11:26,270
"I, FRANKENSTEIN,
186
00:11:26,896 --> 00:11:32,318
"BEGAN MY WORK
IN THE YEAR 1740 A.D.
187
00:11:32,777 --> 00:11:36,530
"WITH ALL GOOD INTENTIONS
AND HUMANE THOUGHTS
188
00:11:36,989 --> 00:11:42,203
"TO THE HIGH PURPOSE
OF PROBING THE SECRETS
OF LIFE ITSELF
189
00:11:42,495 --> 00:11:43,996
"WITH BUT ONE END--
190
00:11:44,664 --> 00:11:47,208
THE BETTERMENT OF MANKIND."
191
00:11:48,668 --> 00:11:49,669
HUH.
192
00:11:49,877 --> 00:11:54,507
SO WROTE
MY CELEBRATED ANCESTOR.
193
00:11:56,092 --> 00:12:01,597
BUT FIRST, HE HAD TO LEARN
HOW FLESH WAS MADE.
194
00:12:02,306 --> 00:12:03,432
HE HAD TO DISCOVER
195
00:12:03,641 --> 00:12:08,270
THE ART OF TRANSPLANTING
VITAL ORGANS
196
00:12:08,479 --> 00:12:12,274
FROM HUMAN BEINGS
INTO HIS CREATURE
197
00:12:12,692 --> 00:12:15,277
AND KNITTING THEM TOGETHER
198
00:12:16,320 --> 00:12:22,576
UNTIL THEY HAD
ALL THE ATTRIBUTES
OF GOD-INSPIRED BIRTH.
199
00:12:24,495 --> 00:12:27,623
OF COURSE,
I MUST ADMIT THAT
200
00:12:28,666 --> 00:12:31,001
PERHAPS HE WAS NOT
TOO SCRUPULOUS
201
00:12:31,210 --> 00:12:37,091
ABOUT WHERE HE GOT
HIS RAW MATERIAL,
202
00:12:37,842 --> 00:12:40,803
BUT AFTER 17 YEARS,
203
00:12:41,220 --> 00:12:44,765
HIS LABORS WERE AT LAST
REWARDING.
204
00:12:45,725 --> 00:12:47,435
HE CREATED...
205
00:12:48,477 --> 00:12:51,105
A LIVING MAN.
206
00:12:53,441 --> 00:12:55,109
BUT, TO HIS HORROR,
207
00:12:55,818 --> 00:12:58,070
WHAT DID HE DISCOVER
208
00:12:58,946 --> 00:13:01,699
BUT THAT HIS CREATION
WAS A MONSTER,
209
00:13:02,116 --> 00:13:03,993
HIDEOUS, FOUL,
210
00:13:04,285 --> 00:13:08,873
ITS EVIL BRAIN WITH BUT ONE
THOUGHT, THAT OF SURVIVAL,
211
00:13:09,081 --> 00:13:11,000
AND IN ORDER TO SURVIVE,
212
00:13:11,375 --> 00:13:14,587
IT KILLED AND KILLED
AND KILLED AGAIN...
213
00:13:15,463 --> 00:13:20,301
UNTIL IT BECAME THE VERY IMAGE
OF THE DEVIL INCARNATE.
214
00:13:24,180 --> 00:13:25,973
THEN HE REALIZED...
215
00:13:27,308 --> 00:13:30,352
WHAT HE HAD CREATED,
HE MUST KILL.
216
00:13:31,020 --> 00:13:33,856
BUT BECAUSE
HE WAS THE CREATOR,
217
00:13:34,023 --> 00:13:40,112
HE COULD NOT BRING HIMSELF
TO DESTROY IT...UTTERLY.
218
00:13:42,573 --> 00:13:46,327
IN THIS STONE SARCOPHAGUS,
219
00:13:47,369 --> 00:13:50,915
DEEP IN THE BOWELS
OF THE EARTH,
220
00:13:51,373 --> 00:13:56,378
HE BURIED HIS CREATURE,
HIS CREATION,
221
00:13:57,046 --> 00:13:59,340
IN A PASSAGE,
222
00:13:59,924 --> 00:14:05,387
IN AN ANCIENT VAULT
OF THE FAMILY BURIAL PLACE.
223
00:14:05,596 --> 00:14:08,390
HE SEALED IT AWAY
FOR ALL TIME
224
00:14:09,141 --> 00:14:12,394
WITHOUT VITAL ORGANS
OR SOUL
225
00:14:12,603 --> 00:14:17,399
SO THAT NEVERMORE COULD IT
BRING TERROR TO MORTAL MAN
226
00:14:17,608 --> 00:14:20,402
OR CHALLENGE GOD,
227
00:14:20,611 --> 00:14:25,908
THE ONLY TRUE CREATOR FOR
WHOSE MERCIFUL FORGIVENESS
228
00:14:26,116 --> 00:14:27,451
HE PRAYS.
229
00:14:29,078 --> 00:14:30,454
AAH!
230
00:14:37,962 --> 00:14:38,879
I...
231
00:14:39,088 --> 00:14:40,464
I'M SORRY. I...
232
00:14:40,673 --> 00:14:41,966
I GUESS
I GOT CARRIED AWAY.
233
00:14:42,174 --> 00:14:43,801
WELL, UNCLE DOUGLAS
WILL JUST HAVE TO
234
00:14:44,134 --> 00:14:45,469
COMFORT YOU TONIGHT, DEAR.
235
00:14:45,678 --> 00:14:47,221
HIS FAVORITE
INDOOR OCCUPATION.
236
00:14:47,429 --> 00:14:48,973
STICK TO THE SCRIPT,
JUDY.
237
00:14:49,181 --> 00:14:51,392
BARON,
YOU WERE GREAT.
JUST TERRIFIC!
238
00:14:51,600 --> 00:14:52,393
WASN'T HE, MIKE?
239
00:14:52,601 --> 00:14:54,812
YEAH. A REAL GASSER.
240
00:14:56,021 --> 00:14:57,189
WHAT'S THE MATTER
WITH HIM?
241
00:14:57,606 --> 00:14:58,816
HE SAYS HE'S FINISHED.
242
00:14:58,983 --> 00:15:00,860
HE DOESN'T WANT
TO COME BACK ANYMORE.
243
00:15:01,068 --> 00:15:03,404
HE SAYS ALL THIS HERE
MAKES HIM SO NERVOUS.
244
00:15:03,612 --> 00:15:05,322
HE CANNOT SLEEP NIGHTS.
245
00:15:05,531 --> 00:15:06,907
HE CAN'T SLEEP NIGHTS?
246
00:15:08,534 --> 00:15:09,869
PUT THIS
UNDER YOUR PILLOW,
HIMMLER.
247
00:15:10,077 --> 00:15:11,579
THIS'LL MAKE YOU
SLEEP LIKE A BABY.
248
00:15:11,787 --> 00:15:13,414
MAYBE YOU'LL HAVE A COUPLE
OF REAL NICE DREAMS.
249
00:15:13,581 --> 00:15:15,916
JA WOHL?
AUF WEIDERSEHEN?
250
00:15:21,547 --> 00:15:22,715
WELL,
WRAP IT UP.
251
00:15:22,923 --> 00:15:24,466
TOMORROW'S
ANOTHER DAY.
252
00:15:27,094 --> 00:15:29,930
BARON, YOU PICK UP LINES
PRETTY FAST.
253
00:15:33,559 --> 00:15:35,019
WELL, GOOD NIGHT, BARON.
254
00:15:35,686 --> 00:15:37,521
GOOD NIGHT,
MR. ROE.
255
00:15:38,981 --> 00:15:39,732
AHEM.
256
00:15:39,940 --> 00:15:40,983
COME ON, JUDY.
257
00:15:49,658 --> 00:15:51,327
DOUG, THAT DIALOGUE,
258
00:15:51,535 --> 00:15:53,245
IT WASN'T WHAT YOU WROTE
IN THE SCRIPT.
259
00:15:53,454 --> 00:15:54,496
THAT'S RIGHT, IT WASN'T.
260
00:15:54,663 --> 00:15:56,707
BUT BETWEEN YOU AND ME,
IT WAS GREAT.
261
00:16:31,825 --> 00:16:33,285
YEAH, YEAH.
262
00:16:33,494 --> 00:16:35,496
RIGHT. WE'RE FLYING THEM
IN FROM ALL OVER--
263
00:16:35,663 --> 00:16:36,997
EUROPE,
THE UNITED STATES,
264
00:16:37,206 --> 00:16:39,667
GOT A BIG THING GOING
WITH A NATIONAL MAGAZINE.
265
00:16:39,875 --> 00:16:42,002
YEAH.
THEY'RE GOING TO COVER
THE FRANKENSTEIN PARTY
266
00:16:42,211 --> 00:16:43,671
HERE AT THE CASTLE
RIGHT AFTER THE SHOW.
267
00:16:44,004 --> 00:16:45,297
GOT A WHOLE THING GOING.
268
00:16:45,464 --> 00:16:48,509
GOBLINS ALL OVER THE PLACE,
RUNNING WILD.
269
00:16:48,717 --> 00:16:50,511
YEAH, GOBLINS.
270
00:16:53,973 --> 00:16:55,265
GOBLINS. THAT'S RIGHT.
271
00:16:55,474 --> 00:16:57,726
WE'RE RUNNING A NATIONAL
HORROR CONTEST.
272
00:16:57,935 --> 00:17:00,104
THE MOST BEAUTIFUL GOBLIN
FROM EACH COUNTRY.
273
00:17:01,772 --> 00:17:04,400
YEAH,
YOU'RE NOT JUST WHISTLING
ACTOO LIEBER AUGUSTINE.
274
00:17:04,608 --> 00:17:06,860
WE GOT SOME GOBLINS
THAT'LL KILL YOU, MAN.
275
00:17:08,487 --> 00:17:09,530
ANYTHING ELSE?
276
00:17:10,781 --> 00:17:12,533
O.K. THANKS.
277
00:17:18,622 --> 00:17:19,498
YEAH, FRÄULINE.
278
00:17:19,665 --> 00:17:20,916
THIS HERE ELVIS.
279
00:17:21,125 --> 00:17:24,044
AND NOW WE TRY
THE LONDON TIMES
MAYBE, BABY?
280
00:17:26,672 --> 00:17:28,924
FOUR HOUR DELAY?
CANCEL IT, BRUNHILDE.
281
00:17:29,133 --> 00:17:30,592
I'LL TRY IT AGAIN
TOMORROW.
282
00:17:31,260 --> 00:17:32,052
FRÄULINE?
283
00:17:32,261 --> 00:17:34,263
A LITTLE BIT
MORE COFFEE?
284
00:17:34,471 --> 00:17:35,681
OH, NO, THANK YOU.
285
00:17:36,223 --> 00:17:39,727
OH, SCHUTER,
I WAS IN TOWN TODAY,
286
00:17:39,935 --> 00:17:42,730
AND, WELL, I THOUGHT
YOU MIGHT LIKE THIS.
287
00:17:42,938 --> 00:17:43,772
NO. FRÄULINE...
288
00:17:43,981 --> 00:17:45,691
OH, IT'S NOTHING,
REALLY.
289
00:17:45,899 --> 00:17:48,819
A MAN YOUR AGE
OUT IN ALL THIS
DAMPNESS AND FOG.
290
00:17:50,195 --> 00:17:52,865
MAKE BELIEVE THAT
IT'S YOUR BIRTHDAY.
291
00:17:53,532 --> 00:17:54,450
NO.
292
00:17:54,658 --> 00:17:57,369
IT'LL HELP KEEP YOU WARM
WHEN YOU'RE WORKING
AROUND THE CASTLE.
293
00:17:59,038 --> 00:18:00,873
I DON'T KNOW
WHAT TO SAY TO THAT.
294
00:18:03,459 --> 00:18:04,168
THANK YOU.
295
00:18:11,842 --> 00:18:12,509
SCHUTER!
296
00:18:12,718 --> 00:18:13,844
JA WOHL. JA.
297
00:18:14,136 --> 00:18:15,304
YOU ARE RICHLY ENDOWED
298
00:18:15,512 --> 00:18:18,724
TO HAVE ONE AS LOVELY
AS MISS HAYES BESTOW
GIFTS UPON YOU.
299
00:18:19,058 --> 00:18:20,059
JA WOHL, HERR BARON.
300
00:18:31,028 --> 00:18:31,779
REVISED SCRIPT.
301
00:18:31,987 --> 00:18:32,988
IT CAN WAIT TILL MORNING
TO BE TYPED.
302
00:18:33,197 --> 00:18:34,740
BARON,
IT WON'T BE LONG NOW.
303
00:18:35,699 --> 00:18:36,992
AS YOU SAY, MR. ROE,
304
00:18:37,201 --> 00:18:40,204
IT WON'T BE LONG NOW.
305
00:18:50,047 --> 00:18:53,050
HEY, DOUG, WE'LL HAVE TO
SPARK SOME ARCS OUT THERE
306
00:18:53,258 --> 00:18:55,844
IF YOU EXPECT TO
CUT THROUGH THAT FOG
FOR THE NIGHT STUFF.
307
00:18:56,053 --> 00:18:57,054
LET'S NOT
CUT THROUGH IT.
308
00:18:57,221 --> 00:18:58,972
THE MORE ATMOSPHERE,
THE BETTER.
309
00:18:59,181 --> 00:19:00,724
O.K. IT'S YOUR BABY.
310
00:19:00,933 --> 00:19:03,644
BUT I STILL SAY
IT'S GONNA FOG UP
THE WHOLE NIGHT SCENE.
311
00:19:07,815 --> 00:19:09,858
I'D LIKE TO GO OVER
THAT NEW SCENE WITH YOU,
312
00:19:10,150 --> 00:19:11,235
IF YOU'RE NOT
TOO TIRED.
313
00:19:11,443 --> 00:19:12,444
NO, I'M NOT TIRED.
314
00:19:12,653 --> 00:19:14,613
THINK OF YOUR CAREER,
DARLING.
315
00:19:26,959 --> 00:19:28,919
JUDY, LET'S US
TAKE A WALK, HUH?
316
00:19:29,169 --> 00:19:30,379
I'D LIKE
TO TAKE A WALK--
317
00:19:30,546 --> 00:19:32,047
RIGHT OUT OF HERE.
318
00:19:32,422 --> 00:19:33,549
OH, MIKE, I'M SORRY.
319
00:19:33,757 --> 00:19:35,259
I DIDN'T MEAN TO
TAKE IT OUT ON YOU.
320
00:19:35,801 --> 00:19:38,137
TORCH, SCORCH,
ON THE PORCH.
321
00:19:38,303 --> 00:19:39,680
O.K., JUDY, FORGET IT.
322
00:19:59,324 --> 00:20:01,618
GODFRIED, SOMETHING
IS ON YOUR MIND.
323
00:20:01,827 --> 00:20:02,619
SAY IT.
324
00:20:02,828 --> 00:20:03,996
IT IS DIFFICULT.
325
00:20:04,204 --> 00:20:07,332
IT HAS NEVER BEEN
DIFFICULT FOR YOU
TO SPEAK IN THE PAST.
326
00:20:07,541 --> 00:20:08,625
THIS IS DIFFERENT.
327
00:20:09,376 --> 00:20:10,669
SOMETHING HAS HAPPENED.
328
00:20:11,336 --> 00:20:12,713
SOMETHING
IS CHANGING.
329
00:20:14,339 --> 00:20:15,716
IT IS YOU, VICTOR.
330
00:20:18,260 --> 00:20:21,638
I'VE BEEN VERY CONCERNED
WITH YOU THESE PAST DAYS,
VICTOR.
331
00:20:22,347 --> 00:20:24,224
WHAT KIND OF DEALINGS
DO YOU HAVE
332
00:20:24,433 --> 00:20:26,226
WITH THE DIRECTOR
OF THE MORGUE?
333
00:20:26,435 --> 00:20:28,770
ARE YOU INTERESTED
IN CORPSES?
334
00:20:30,397 --> 00:20:34,276
HEH HEH HEH.
HERR GODFRIED.
335
00:20:35,319 --> 00:20:38,238
I SHALL REALLY HAVE
TO TELL YOU THE STORY
336
00:20:38,447 --> 00:20:40,240
OF THE INQUISITIVE
COMMANDANT.
337
00:20:40,449 --> 00:20:42,701
THE ONE AT BELSOM,
REMEMBER?
338
00:20:42,910 --> 00:20:46,121
VICTOR,
I WATCHED YOU TONIGHT...
339
00:20:46,330 --> 00:20:47,456
AT THE ORGAN.
340
00:20:47,956 --> 00:20:50,459
THAT WAS NO MUSIC
YOU EVER PLAYED BEFORE,
341
00:20:50,709 --> 00:20:52,211
NOT THE WAY
YOU PLAYED IT.
342
00:20:52,878 --> 00:20:55,672
I NEVER FELT IT
THAT WAY BEFORE.
343
00:20:55,881 --> 00:21:00,177
VICTOR, THEY MIGHT BELIEVE
THAT YOU WANT THAT
ATOMIC ELEMENT
344
00:21:00,344 --> 00:21:02,179
TO SUPPLY ELECTRIC POWER,
345
00:21:02,346 --> 00:21:03,722
BUT I...
346
00:21:05,974 --> 00:21:10,729
VICTOR, YOU AND I WILL
ALWAYS SHARE THE TRUTH.
347
00:21:12,356 --> 00:21:15,192
I KNOW THE HISTORY
OF YOUR FAMILY.
348
00:21:15,400 --> 00:21:17,361
I KNOW YOU ARE
THE LAST OF YOUR LINE.
349
00:21:17,569 --> 00:21:19,738
THERE ARE NO OTHERS
TO FOLLOW YOU.
350
00:21:20,906 --> 00:21:23,283
WHAT ARE YOU
TRYING TO SAY?
351
00:21:26,828 --> 00:21:28,288
I DON'T KNOW.
352
00:21:31,833 --> 00:21:32,793
I WISH I KNEW.
353
00:29:15,463 --> 00:29:18,466
TUESDAY, 20:18 O'CLOCK--
354
00:29:18,883 --> 00:29:21,010
RESUMING WORK.
355
00:29:21,219 --> 00:29:24,681
AS A RESULT OF STRIPPING
THE SKIN OFF THE SKULL,
356
00:29:24,889 --> 00:29:28,685
KEEPING CLEAN, AND KEEPING
AT THE REQUIRED TEMPERATURE,
357
00:29:29,227 --> 00:29:31,563
THE BONES HAVE BECOME
CRYSTALLINE.
358
00:29:32,230 --> 00:29:34,899
I MAY NOW BEGIN
RECONSTRUCTION
359
00:29:35,066 --> 00:29:37,026
OF THE PHYSIOGNOMY
360
00:29:37,527 --> 00:29:39,446
WHENEVER I PLEASE.
361
00:30:31,623 --> 00:30:33,082
NOTE ON HANDS--
362
00:30:33,291 --> 00:30:39,380
BOTH REAL
AND SYNTHETIC SKIN
TRANSPLANTATION FUSED.
363
00:30:40,048 --> 00:30:40,715
PORES OPEN
364
00:30:40,924 --> 00:30:42,258
AND NORMAL.
365
00:30:42,467 --> 00:30:45,303
TEXTURE AND TONE
OF TISSUE FIRM.
366
00:30:45,637 --> 00:30:48,765
SHOWING
NO DETERIORATION.
367
00:31:10,745 --> 00:31:13,623
ATTACHMENT OF HAND
TO WRIST STABLE.
368
00:31:13,832 --> 00:31:16,084
CONTEMPLATING FURTHER
PLASTIC SURGERY
369
00:31:16,292 --> 00:31:20,255
TO REMOVE
OLD SCAR TISSUE.
370
00:31:21,840 --> 00:31:22,841
SUBJECT HAS
MAINTAINED
371
00:31:23,049 --> 00:31:25,260
PERFECT STATE
OF PRESERVATION.
372
00:31:26,010 --> 00:31:28,137
NOW READY FOR FINAL
SURGICAL STEP
373
00:31:28,304 --> 00:31:31,766
OF TRANSPLANTING
LIVING VITAL ORGANS
374
00:31:31,975 --> 00:31:34,686
NOW NEEDED
TO COMPLETE
THE LAST ACT
375
00:31:34,894 --> 00:31:38,398
BEFORE USE OF
ATOMIC REACTOR
376
00:31:38,857 --> 00:31:41,818
TO REPRODUCE
REBIRTH.
377
00:34:29,861 --> 00:34:30,737
SCHUTER!
378
00:34:32,238 --> 00:34:33,656
H-HERR BARON.
379
00:34:34,699 --> 00:34:38,286
AH, MY POOR SCHUTER.
380
00:34:39,829 --> 00:34:42,081
WHY DID IT
HAVE TO BE YOU?
381
00:34:42,498 --> 00:34:46,669
H-HERR BARON,
I--I DO NOT UNDERSTAND
382
00:34:46,878 --> 00:34:48,713
WHAT IS HAPPENING HERE.
383
00:34:50,298 --> 00:34:52,633
A MIRACLE, SCHUTER.
384
00:34:54,469 --> 00:34:55,803
COME HERE.
385
00:34:56,012 --> 00:34:57,472
JA WOHL, HERR BARON.
386
00:35:07,106 --> 00:35:07,899
NO!
387
00:35:08,608 --> 00:35:12,779
HERR BARON,
YOU HAVE OPENED ITS GRAVE.
388
00:35:13,780 --> 00:35:17,366
YOU HAVE...
BROUGHT THE THING BACK.
389
00:35:18,034 --> 00:35:20,453
WILL BRING IT BACK,
SCHUTER.
390
00:35:28,211 --> 00:35:29,378
NO, HERR BARON.
391
00:35:29,921 --> 00:35:30,838
YOU...
392
00:35:33,007 --> 00:35:35,802
NO, YOU CAN'T DO THAT.
YOU--
393
00:35:36,010 --> 00:35:37,011
YOU--
394
00:35:38,137 --> 00:35:39,180
YOU CANNOT KILL ME.
395
00:35:39,388 --> 00:35:41,641
COME CLOSER,
SCHUTER.
396
00:35:42,141 --> 00:35:43,267
COME CLOSER.
397
00:35:43,476 --> 00:35:46,646
BUT, YOU--YOU
CANNOT K-KILL ME.
398
00:35:46,854 --> 00:35:47,647
YOU CAN--
399
00:35:47,855 --> 00:35:49,273
I MUST, SCHUTER.
400
00:35:49,482 --> 00:35:50,274
PLEASE, HERR BARON.
401
00:35:50,483 --> 00:35:52,443
YOU LEAVE ME
NO CHOICE.
402
00:35:52,652 --> 00:35:53,653
HERR BARON--
403
00:35:54,570 --> 00:35:56,989
YOU WILL LIVE
AGAIN, SCHUTER.
404
00:35:57,740 --> 00:35:59,117
YOU WILL LIVE AGAIN.
405
00:35:59,575 --> 00:36:00,201
NO.
406
00:36:00,409 --> 00:36:02,161
YOU WILL HEAR ME
407
00:36:02,537 --> 00:36:04,789
AND YOUR BRAIN
WILL OBEY.
408
00:36:04,997 --> 00:36:06,457
NO, HERR B--
409
00:36:06,624 --> 00:36:07,792
THINK.
410
00:36:09,377 --> 00:36:11,295
THINK, SCHUTER.
411
00:36:12,004 --> 00:36:14,298
WHAT GLORY
IT'LL BRING
TO THE NAME
412
00:36:14,465 --> 00:36:17,510
OF THE HOUSE
OF FRANKENSTEIN.
413
00:36:18,928 --> 00:36:21,139
NO MORE PAIN,
414
00:36:21,347 --> 00:36:23,141
NO MORE
SUFFERING.
415
00:36:23,975 --> 00:36:26,269
I'M DOING YOU
A FAVOR, SCHUTER.
416
00:36:26,477 --> 00:36:27,353
JA--JA WOHL,
417
00:36:27,562 --> 00:36:28,813
HERR BARON.
JA WO--
418
00:36:29,105 --> 00:36:32,525
I'M SAVING YOU
THE PAIN AND MISERY
419
00:36:32,733 --> 00:36:36,946
AND DISCOMFORT...
OF OLD AGE.
420
00:36:37,155 --> 00:36:38,156
JA WOHL.
421
00:36:40,408 --> 00:36:43,661
DO YOU UNDERSTAND
WHAT I'M SAYING?
422
00:36:46,080 --> 00:36:47,999
JA WOHL, HERR B--
HERR B-BARON.
423
00:36:48,374 --> 00:36:50,960
YOU'LL SLEEP,
SCHUTER.
424
00:36:51,460 --> 00:36:52,837
YOU'LL SLEEP.
425
00:36:55,882 --> 00:36:57,300
SLEEP.
426
00:36:58,718 --> 00:37:00,386
SLEEP.
427
00:37:01,846 --> 00:37:05,474
PEACEFUL SLEEP.
428
00:37:07,268 --> 00:37:08,811
SLEEP.
429
00:37:38,925 --> 00:37:42,011
NOW TYING OFF THE AORTA,
430
00:37:42,762 --> 00:37:45,848
AND SUPERIOR AND IMPERIOR
431
00:37:46,432 --> 00:37:48,059
VENA CAVA.
432
00:37:52,772 --> 00:37:55,942
AUTOMATIC TRANSFUSION
SYSTEM
433
00:37:56,317 --> 00:37:59,570
CONTINUING TO SUPPLY
FRESH BLOOD.
434
00:38:05,243 --> 00:38:08,412
BOTH BODIES ARE
RECEIVING OXYGEN,
435
00:38:09,872 --> 00:38:12,083
FRESHLY TRANSPLANTED ORGANS
436
00:38:12,291 --> 00:38:14,627
REMAIN ALIVE AND HEALTHY.
437
00:38:23,386 --> 00:38:27,223
HEART IS FREED.
438
00:38:36,816 --> 00:38:41,529
IT IS RECEIVING
CONSTANT MASSAGE.
439
00:38:43,447 --> 00:38:44,865
I'M NOW PLACING THE HEART
440
00:38:45,074 --> 00:38:50,496
IN THE LEFT SIDE
OF THE CHEST.
441
00:39:00,881 --> 00:39:07,179
SUTURING AORTA
AND TWO CAVAE TO THE HEART.
442
00:39:08,222 --> 00:39:12,977
PROCEEDING WITH
UNINTERRUPTED MASSAGE
443
00:39:13,519 --> 00:39:15,146
DURING SURGERY.
444
00:39:17,815 --> 00:39:20,067
CONTINUING
ARTIFICIAL PULSE
445
00:39:20,276 --> 00:39:25,197
AND CIRCULATION OF BLOOD
AT NORMAL SPEED.
446
00:39:38,294 --> 00:39:39,462
GOOD MORNING.
447
00:39:44,008 --> 00:39:45,426
YOU KNOW, IF YOU'RE
FIXING BREAKFAST
FOR DOUGLAS,
448
00:39:45,634 --> 00:39:46,886
DON'T BOTHER.
449
00:39:47,511 --> 00:39:49,680
ALL HE EVER TAKES
IS ORANGE JUICE.
450
00:39:49,930 --> 00:39:51,515
I WAS FIXING THIS
FOR ALL OF US.
451
00:39:51,724 --> 00:39:53,100
SCHUTER ISN'T AROUND
THIS MORNING.
452
00:39:53,768 --> 00:39:55,144
I PUT THE TOAST
IN THE OVEN.
453
00:39:56,145 --> 00:39:58,606
DIDN'T THAT TAKE
AN AWFUL LOT OF COURAGE,
DARLING?
454
00:39:58,856 --> 00:39:59,648
AFTER ALL,
YOU'LL NEVER KNOW
455
00:39:59,857 --> 00:40:02,234
WHO YOU'LL FIND DEAD
IN AN OVEN.
456
00:40:02,485 --> 00:40:03,444
SCHUTER!
457
00:40:04,862 --> 00:40:06,572
NOW WHERE
DO YOU SUPPOSE HE IS?
458
00:40:07,156 --> 00:40:08,491
MAYBE IT'S
HIS DAY OFF.
459
00:40:08,741 --> 00:40:10,076
SINCE WHEN DOES
THE OLD FAMILY RETAINER
460
00:40:10,284 --> 00:40:12,161
OPERATE ON
A 40 HOUR WEEK?
461
00:40:12,370 --> 00:40:13,537
SCHUTER!
462
00:40:13,788 --> 00:40:16,082
I'M AFRAID HE WON'T
BE ABLE TO HEAR YOU.
463
00:40:16,290 --> 00:40:16,916
WHY NOT?
464
00:40:17,124 --> 00:40:18,376
WELL, IT MAY
SURPRISE YOU,
465
00:40:18,542 --> 00:40:20,878
BUT EVEN SCHUTER
HAS RELATIVES
OF HIS OWN.
466
00:40:21,253 --> 00:40:23,047
HE'S GONE
TO STAY WITH THEM
AT VERTENBURG,
467
00:40:23,297 --> 00:40:25,216
EH, PERHAPS
FOR SOME TIME.
468
00:40:25,383 --> 00:40:26,634
IN THE MEANTIME,
THIS YOUNG MAN
469
00:40:26,842 --> 00:40:28,761
WILL TAKE CARE
OF YOUR NEEDS.
470
00:40:29,261 --> 00:40:30,346
YES, WE'VE MET.
471
00:40:30,930 --> 00:40:32,390
I'M SORRY YOU WERE
INCONVENIENCED,
472
00:40:32,598 --> 00:40:34,725
BUT I DIDN'T EXPECT
YOU UP SO SOON.
473
00:40:34,934 --> 00:40:36,769
OH, IT WASN'T
YOUR FAULT.
474
00:40:36,977 --> 00:40:39,230
THE MEN WITH
YOUR EQUIPMENT
FOR THE LAB WOKE US.
475
00:40:39,480 --> 00:40:40,981
IT'S HERE?
IT ARRIVED?
476
00:40:41,232 --> 00:40:42,149
YES, ABOUT
AN HOUR AGO.
477
00:40:42,358 --> 00:40:44,652
SPLENDID,
SPLENDID.
478
00:41:14,849 --> 00:41:16,600
SCHUTER'S BRAIN RESTORED,
479
00:41:16,809 --> 00:41:19,019
ALL MEMBRANES INTACT.
480
00:41:26,277 --> 00:41:28,654
CONTINUITY BETWEEN
THE MEDULLA
481
00:41:28,821 --> 00:41:31,282
AND SPINAL CORD RESTORED.
482
00:41:31,824 --> 00:41:34,785
CEREBRUM ENCLOSED
WITH TANTALUM PREPARED
483
00:41:34,994 --> 00:41:38,038
IN ACCORDANCE WITH
GLUX STANDARD
484
00:41:38,247 --> 00:41:40,332
TREPHINING TECHNIQUE.
485
00:43:04,208 --> 00:43:07,294
YOU SEEM RATHER DISTURBED,
MY DEAR.
486
00:43:08,212 --> 00:43:09,004
OH, IT--
487
00:43:09,672 --> 00:43:11,298
IT MUST BE
THE ORGAN.
488
00:43:12,550 --> 00:43:15,010
SOMEHOW,
ORGAN MUSIC
489
00:43:15,219 --> 00:43:18,639
ALWAYS MAKES ME
THINK OF DEATH.
490
00:43:23,644 --> 00:43:25,437
WHERE DID
YOU GET THAT?
491
00:43:27,064 --> 00:43:29,233
OH, I FOUND IT
DOWN IN THE VAULTS.
492
00:43:29,942 --> 00:43:32,152
I WAS SAVING IT
FOR SCHUTER
WHEN HE...
493
00:43:32,778 --> 00:43:34,154
COMES BACK.
494
00:43:37,783 --> 00:43:40,077
THAT MAY BE SOME TIME.
495
00:43:42,162 --> 00:43:44,248
I'LL SEND IT TO HIM.
496
00:43:50,296 --> 00:43:51,380
YES.
497
00:44:15,613 --> 00:44:16,822
WHERE IS HE, VICTOR?
498
00:44:17,990 --> 00:44:19,658
WHERE IS SCHUTER?
499
00:44:21,577 --> 00:44:22,911
BEFORE YOU TELL ME
THAT HE'S GONE
500
00:44:23,120 --> 00:44:24,580
TO SEE
HIS RELATIVES,
501
00:44:24,788 --> 00:44:25,748
REMEMBER
THAT I AM AWARE
502
00:44:25,956 --> 00:44:28,334
HE HAS NO RELATIVES
ANYWHERE.
503
00:44:28,500 --> 00:44:30,753
YET THIS MORNING
I LOOKED INTO
SCHUTER'S ROOM.
504
00:44:31,253 --> 00:44:32,963
ALL HIS CLOTHES
ARE STILL THERE.
505
00:44:34,590 --> 00:44:38,594
GODFRIED'S
DEAR OLD FRIEND.
506
00:44:39,345 --> 00:44:41,597
REMEMBER THE STORY
I WAS GOING TO TELL YOU?
507
00:44:41,805 --> 00:44:44,224
THE STORY ABOUT
THE INQUISITIVE
COMMANDANT?
508
00:44:44,433 --> 00:44:46,185
THE ONE WHO
WAS AT BELSOM?
509
00:44:47,603 --> 00:44:51,106
HE, TOO, WAS ALWAYS
ASKING QUESTIONS,
510
00:44:51,315 --> 00:44:54,068
PRYING,
SEEKING TO LEARN
511
00:44:54,276 --> 00:44:57,071
WHAT WENT ON
IN OTHER MEN'S MINDS.
512
00:44:57,738 --> 00:44:59,907
DO YOU KNOW
WHAT IT'S LIKE,
GODFRIED,
513
00:45:00,366 --> 00:45:02,660
TO HEAR THE SAME VOICE
OVER AND OVER?
514
00:45:02,868 --> 00:45:06,038
ALWAYS, ALWAYS
THE SAME WORDS
515
00:45:06,246 --> 00:45:07,831
EATING INTO YOU
EVERY DAY,
516
00:45:08,040 --> 00:45:09,667
DAY AFTER DAY.
517
00:45:11,043 --> 00:45:12,336
NO, OF COURSE
YOU DON'T.
518
00:45:12,503 --> 00:45:13,754
YOU WEREN'T THERE.
519
00:45:14,421 --> 00:45:16,256
BUT I WAS.
520
00:45:16,423 --> 00:45:18,509
I HAD TO LISTEN.
521
00:45:20,219 --> 00:45:25,766
AND THEN ONE BRIGHT,
LOVELY DAY,
522
00:45:26,809 --> 00:45:29,395
THEY FOUND
THE POOR FELLOW.
523
00:45:31,397 --> 00:45:33,399
HE HAD NO TONGUE.
524
00:45:34,233 --> 00:45:37,653
IMAGINE THE IRONY
OF IT, GODFRIED.
525
00:45:37,820 --> 00:45:38,487
OH, I KNOW.
526
00:45:38,696 --> 00:45:41,365
I WAS CALLED IN
TO EXAMINE
THE POOR WRETCH.
527
00:45:42,700 --> 00:45:45,577
A BEAUTIFUL
PIECE OF SURGERY,
528
00:45:45,744 --> 00:45:48,372
IF I DO
SAY SO MYSELF.
529
00:45:50,708 --> 00:45:52,167
BEAUTIFUL.
530
00:47:06,450 --> 00:47:09,161
TIME, 21:37.
531
00:47:10,954 --> 00:47:13,123
TEMPERATURE OF
ATOMIC CAPSULES--
532
00:47:13,332 --> 00:47:14,917
7 DEGREES CENTIGRADE.
533
00:47:15,793 --> 00:47:17,753
RADIATION NIL.
534
00:47:25,803 --> 00:47:27,304
I AM NOW STARTING UP
535
00:47:27,513 --> 00:47:29,681
THE ATOMIC
STEAM GENERATOR.
536
00:48:52,306 --> 00:48:54,474
I'M NOW STARTING
THE TIMER.
537
00:48:59,104 --> 00:49:01,899
TEMPERATURE, 52 DEGREES.
538
00:49:02,858 --> 00:49:05,777
GEIGER-MULLER AT 3.66.
539
00:49:06,445 --> 00:49:09,781
EXPERIMENT PROCEEDING
AS PLANNED.
540
00:49:36,558 --> 00:49:38,977
TIME, 22:03.
541
00:49:40,145 --> 00:49:41,772
ALL RADIATION OFF.
542
00:49:42,981 --> 00:49:45,400
ZERO ON GEIGER-MULLER DIAL.
543
00:50:24,356 --> 00:50:25,565
WHO IS IT?
544
00:50:25,774 --> 00:50:27,442
ME, WHO DO
YOU THINK?
545
00:50:28,026 --> 00:50:29,277
IT'S
RATHER LATE.
546
00:50:29,486 --> 00:50:30,946
I KNOW,
AND I'M STANDING
IN A DRAFT, HONEY.
547
00:50:31,154 --> 00:50:32,280
COME ON, OPEN UP.
548
00:50:33,073 --> 00:50:34,366
YOU BETTER GO.
549
00:50:35,325 --> 00:50:36,660
ARE YOU SURE?
550
00:50:37,035 --> 00:50:38,578
YES, I'M SURE.
551
00:50:39,538 --> 00:50:40,706
CAROLINE.
552
00:50:42,082 --> 00:50:43,333
PLEASE GO.
553
00:51:38,930 --> 00:51:40,140
SCHUTER...
554
00:51:41,516 --> 00:51:42,517
SCHUTER!
555
00:51:44,436 --> 00:51:46,188
SCHUTER,
CAN YOU HEAR ME?
556
00:51:48,732 --> 00:51:49,691
SCHUTER...
557
00:51:50,275 --> 00:51:51,234
SCHUTER...
558
00:51:52,110 --> 00:51:53,945
I'M TALKING TO YOU.
I'M SPEAKING TO YOU.
559
00:51:54,154 --> 00:51:54,946
SCHUTER.
560
00:51:55,155 --> 00:51:56,281
SCHUTER!
561
00:51:57,949 --> 00:51:59,451
CAN YOU HEAR ME?
562
00:52:01,244 --> 00:52:02,537
CAN YOU HEAR ME?
563
00:52:09,211 --> 00:52:10,295
AH.
564
00:52:10,837 --> 00:52:12,297
CAN YOU UNDERSTAND ME?
565
00:52:13,215 --> 00:52:14,508
I SEE YOU DO.
566
00:52:15,342 --> 00:52:19,346
SCHUTER, RAISE
YOUR LEFT ARM.
567
00:52:23,141 --> 00:52:24,059
AH...
568
00:52:26,269 --> 00:52:28,522
NOW YOUR RIGHT ARM,
SCHUTER.
569
00:52:34,861 --> 00:52:37,322
YOU UNDERSTAND ME,
DON'T YOU, SCHUTER?
570
00:52:37,572 --> 00:52:38,406
GOOD.
571
00:52:38,615 --> 00:52:39,699
GOOD.
572
00:52:43,829 --> 00:52:46,915
AH, SCHUTER, YOURS
IS NOT THE BRAIN
573
00:52:47,165 --> 00:52:49,084
THAT I WOULD HAVE
CHOSEN,
574
00:52:49,584 --> 00:52:52,379
BUT AT LEAST
YOU ARE OBEDIENT.
575
00:52:53,380 --> 00:52:54,965
NOW WE MUST
GET EYES FOR YOU,
576
00:52:55,173 --> 00:52:57,050
MUSTN'T WE, SCHUTER?
577
00:52:58,176 --> 00:52:59,469
I HAVE NONE
TO GIVE YOU,
578
00:52:59,678 --> 00:53:01,054
BUT WE WILL
GET YOU SOME.
579
00:53:02,389 --> 00:53:04,266
YOU UNDERSTAND ME,
DO YOU?
580
00:53:06,476 --> 00:53:07,602
GOOD.
581
00:53:14,526 --> 00:53:15,443
WHO'S THERE?
582
00:53:20,365 --> 00:53:22,492
ME. DO I GET
TO COME IN?
583
00:53:23,201 --> 00:53:24,953
ARE YOU ALL ALONE?
584
00:53:25,620 --> 00:53:26,997
NOT QUITE.
585
00:53:30,500 --> 00:53:31,835
WHAT ARE YOU WRITING?
586
00:53:32,043 --> 00:53:33,837
JUST SOME REVISIONS
FOR THE BOSS.
587
00:53:34,462 --> 00:53:36,715
"I PRESS YOUR LIPS
TO MINE,
588
00:53:36,923 --> 00:53:40,302
AND SUDDENLY...
IT'S A SUMMER NIGHT."
589
00:53:40,719 --> 00:53:42,762
AH, WHAT CHANCE
DO I HAVE
590
00:53:42,971 --> 00:53:44,306
WHILE YOU'RE
WORKING FOR HIM?
591
00:53:44,514 --> 00:53:47,058
YOU KNOW, TO ME,
THAT IS STRICTLY
DIALOGUE.
592
00:53:47,517 --> 00:53:49,352
I WISH
I BELIEVED THAT.
593
00:53:50,770 --> 00:53:52,731
I WISH I DID, TOO.
594
00:53:55,192 --> 00:53:56,985
YOU THINK THAT MAYBE
YOU COULD GO FOR ME
595
00:53:57,194 --> 00:53:58,778
IF YOU EVER
DOUSED THAT TORCH
596
00:53:58,987 --> 00:54:00,530
YOU'RE CARRYING
FOR ROE?
597
00:54:01,114 --> 00:54:02,115
I GUESS SO.
598
00:54:02,532 --> 00:54:04,117
SURE. WHY NOT?
599
00:54:11,082 --> 00:54:12,792
I PRESS YOUR LIPS
TO MINE,
600
00:54:13,001 --> 00:54:14,252
AND SUDDENLY...
601
00:54:15,420 --> 00:54:16,796
IT'S TOOTHPASTE.
602
00:54:17,672 --> 00:54:20,091
YOU JUST CAN'T FORGET HIM
FOR A MINUTE, CAN YOU?
603
00:54:35,857 --> 00:54:36,858
OH, I'M CRAZY
ABOUT YOU, JUDY.
604
00:54:37,067 --> 00:54:38,068
LOOK, WE TRIED
ALL THIS BEFORE,
605
00:54:38,276 --> 00:54:39,986
AND IT DIDN'T WORK.
REMEMBER?
606
00:54:40,237 --> 00:54:41,321
IT TAKES PRACTICE.
607
00:54:41,529 --> 00:54:42,280
WELL, IT'S
GETTING LATE,
608
00:54:42,489 --> 00:54:44,074
AND I WOULD LIKE
TO PRACTICE
MY SHUTEYE.
609
00:54:44,282 --> 00:54:45,951
YOU AREN'T GOING
TO KICK ME OUT,
ARE YOU?
610
00:54:46,201 --> 00:54:48,662
I DON'T KICK.
I TRY TO BE A LADY.
611
00:54:48,912 --> 00:54:50,205
IF I EVER GET ROE
OUT OF MY HAIR,
612
00:54:50,413 --> 00:54:51,373
I'LL LET YOU KNOW.
613
00:54:51,581 --> 00:54:52,415
I'LL LET
EVERYBODY KNOW.
614
00:54:52,582 --> 00:54:54,376
AW, LET'S TALK
THIS OVER.
615
00:54:54,626 --> 00:54:55,919
NOT NOW.
ON YOUR WAY.
616
00:54:56,127 --> 00:54:57,420
ONE MORE THING--
617
00:54:57,629 --> 00:54:58,713
SAVE IT.
618
00:54:58,964 --> 00:55:01,049
AW, JUDY,
LET ME STAY.
619
00:55:01,258 --> 00:55:03,093
ACROSS THE HALL--
YOUR ROOM.
620
00:55:05,136 --> 00:55:05,762
JUDY.
621
00:55:05,971 --> 00:55:06,846
NOW WHAT?
622
00:55:07,055 --> 00:55:09,307
DON'T BE LIKE THAT.
623
00:55:09,599 --> 00:55:10,517
SORRY, PAL.
624
00:55:10,725 --> 00:55:11,726
LET ME IN.
PLEASE.
625
00:55:11,935 --> 00:55:12,644
NOW, PLEASE,
626
00:55:12,852 --> 00:55:13,937
BE A GOOD
LITTLE BOY
627
00:55:14,104 --> 00:55:15,855
AND RUN OFF
TO BED.
628
00:55:32,706 --> 00:55:34,291
SHH! DON'T MAKE
SO MUCH NOISE.
629
00:55:34,499 --> 00:55:36,042
YOU WANT TO WAKE
EVERYBODY UP?
630
00:55:36,251 --> 00:55:37,877
DON'T BE MAD AT ME.
631
00:55:38,086 --> 00:55:39,337
WE FORGOT SOMETHING.
632
00:55:39,671 --> 00:55:41,172
YOU KNOW WHAT
WE FORGOT?
633
00:55:41,548 --> 00:55:43,675
YOU FORGOT TO KISS ME
GOOD NIGHT.
634
00:55:44,801 --> 00:55:45,844
GOOD NIGHT, MIKE.
635
00:55:46,052 --> 00:55:48,054
AW, PLEASE, JUDY,
OPEN THE DOOR.
636
00:55:48,221 --> 00:55:49,264
IF YOU DON'T SHUT UP
AND GO TO BED,
637
00:55:49,472 --> 00:55:50,307
I'M GOING TO BE
VERY ANGRY,
638
00:55:50,515 --> 00:55:52,350
AND I'LL NEVER
LET YOU IN MY ROOM.
639
00:55:52,726 --> 00:55:54,602
AW, JUDY.
640
00:56:18,835 --> 00:56:20,086
MIKE, IF--
641
00:56:21,296 --> 00:56:22,630
AAH!
642
00:56:33,350 --> 00:56:34,976
YOU FOOL, SCHUTER.
643
00:56:35,393 --> 00:56:36,978
I SENT YOU FOR ROE.
644
00:56:39,397 --> 00:56:40,774
NOW YOU
HAVE NO EYES,
645
00:56:40,940 --> 00:56:43,068
THIS POOR GIRL
IS DEAD...
646
00:56:43,568 --> 00:56:45,779
WE'RE BOTH
IN GREAT DANGER.
647
00:57:43,670 --> 00:57:44,504
LOOK,
648
00:57:44,712 --> 00:57:46,256
THIS IS MY ALIMONY CHECK
649
00:57:46,548 --> 00:57:48,299
SENT ON BY HER
NEW YORK ATTORNEYS.
650
00:57:48,633 --> 00:57:49,634
IT'S GOT TO BE
MIGHTY SERIOUS
651
00:57:49,843 --> 00:57:51,219
FOR HER TO GO OFF
AND LEAVE THIS.
652
00:57:51,845 --> 00:57:53,763
ALL RIGHT, I DID GO
TO HER ROOM LAST NIGHT.
653
00:57:53,972 --> 00:57:54,639
I TRIED TO TALK HER OUT
654
00:57:54,848 --> 00:57:56,224
OF CARRYING THAT TORCH
FOR YOU.
655
00:57:56,433 --> 00:57:58,810
I TRIED TO TALK HER INTO
GIVING ME SOME TIME.
656
00:57:59,018 --> 00:58:00,520
OH, MAYBE I TALK
TOO MUCH.
657
00:58:00,728 --> 00:58:02,730
OR MAYBE THAT TORCH
GOT TOO HOT TO HOLD.
658
00:58:02,939 --> 00:58:03,815
OR MAYBE SHE TOOK OFF
659
00:58:03,982 --> 00:58:05,150
TO GET AWAY
FROM BOTH OF US.
660
00:58:05,358 --> 00:58:06,276
HOW DO I KNOW?
661
00:58:06,776 --> 00:58:08,778
EITHER WAY,
I FEEL AWFUL.
662
00:58:10,655 --> 00:58:11,865
YOU FEEL AWFUL?
663
00:58:16,536 --> 00:58:17,662
I'M TRYING TO FIND
MY EX-WIFE, BARON.
664
00:58:17,871 --> 00:58:19,247
DO YOU KNOW ANYTHING
ABOUT HER?
665
00:58:20,206 --> 00:58:21,791
OH, THE FRÄULINE JUDY?
666
00:58:22,083 --> 00:58:22,959
WELL...
667
00:58:23,543 --> 00:58:25,211
I KNOW THAT SHE IS
BEAUTIFUL AND CHARMING.
668
00:58:25,420 --> 00:58:28,339
WHAT ELSE DOES ONE NEED
TO KNOW ABOUT ANY WOMAN?
669
00:58:29,174 --> 00:58:31,843
SERIOUSLY, THOUGH,
I'VE NOT SEEN HER
SINCE LAST NIGHT.
670
00:58:33,344 --> 00:58:34,471
PERHAPS I SHOULD
ASK HANS
671
00:58:34,679 --> 00:58:36,097
IF HE CAN
TELL US ANYTHING.
672
00:58:36,264 --> 00:58:37,098
SKIP IT, BARON.
673
00:58:37,265 --> 00:58:38,141
CHEER UP, MIKE.
674
00:58:38,349 --> 00:58:39,392
TAKE IT FROM
A MAN WHO KNOWS.
675
00:58:39,601 --> 00:58:40,810
AFTER
SHE'S POUTED
LONG ENOUGH,
676
00:58:41,019 --> 00:58:41,936
SHE'LL BE BACK.
677
00:58:42,103 --> 00:58:43,062
THE WORST THING
YOU COULD
POSSIBLY DO
678
00:58:43,271 --> 00:58:44,522
IS GO CHASING
AFTER HER.
679
00:58:44,731 --> 00:58:46,774
MORGAN'S BEEN LINING UP
SHOTS FOR TOMORROW.
680
00:58:46,941 --> 00:58:48,693
HE SAID I'D
PHOTOGRAPH WONDERFULLY
681
00:58:48,860 --> 00:58:51,446
IN THAT OLD APPLE TREE
UP ON THE HILL.
682
00:58:51,696 --> 00:58:53,656
I'M SURE YOU WOULD LOOK
CHARMING ANYWHERE,
MY DEAR.
683
00:58:53,823 --> 00:58:55,909
BUT I FEEL THAT
I SHOULD WARN YOU.
684
00:58:56,117 --> 00:58:58,453
THEY SAY THE TREE
HAS A CURSE ON IT
685
00:58:59,120 --> 00:59:00,205
AND ANYONE WHO
SITS IN IT
686
00:59:00,413 --> 00:59:02,916
WILL HANG FROM IT
BY NIGHTFALL.
687
00:59:03,583 --> 00:59:06,628
OH, I--I DON'T THINK
I'D CARE FOR THAT.
688
00:59:08,087 --> 00:59:09,297
NEVER MIND
THE APPLE TREE.
689
00:59:09,464 --> 00:59:10,423
WHAT I NEED
FOR A BACKGROUND
690
00:59:10,632 --> 00:59:12,383
IS SOMETHING BRIGHT,
SHINY, MODERN.
691
00:59:12,592 --> 00:59:13,760
SOMETHING NEW
FOR A CHANGE.
692
00:59:14,177 --> 00:59:16,179
THAT ATOMIC
REACTOR OF YOURS,
HOW'S IT WORKING?
693
00:59:16,429 --> 00:59:18,306
I SHOULD SAY
AN UNQUALIFIED SUCCESS.
694
00:59:18,515 --> 00:59:19,599
WHERE DO YOU
KEEP IT?
695
00:59:19,807 --> 00:59:21,935
IT IS INSTALLED
IN MY LABORATORY.
696
00:59:22,310 --> 00:59:24,187
THAT'S IT,
A MODERN LABORATORY.
697
00:59:24,395 --> 00:59:25,730
WE'LL DO
THE PROLOGUE THERE,
698
00:59:25,939 --> 00:59:26,564
AND WE'LL GO IN
FOR THE REST
699
00:59:26,773 --> 00:59:28,024
OF THE PICTURE
IN RETROSPECT.
700
00:59:28,233 --> 00:59:29,359
LET'S GO.
I WANT TO SEE IT.
701
00:59:29,901 --> 00:59:32,153
GODFRIED,
IS THE LABORATORY
702
00:59:32,570 --> 00:59:34,739
INCLUDED IN THE CONTRACT
WITH MR. ROE?
703
00:59:35,198 --> 00:59:35,949
IT IS NOT.
704
00:59:36,157 --> 00:59:37,116
THEN YOU
CANNOT USE IT.
705
00:59:37,951 --> 00:59:38,826
WHATEVER THE DIFFERENCE,
BARON.
706
00:59:39,035 --> 00:59:40,036
I'LL BE GLAD TO PAY IT.
707
00:59:40,245 --> 00:59:41,371
YOU DO NOT UNDERSTAND.
708
00:59:42,121 --> 00:59:43,790
MY LABORATORY IS FILLED
WITH THE LATEST
709
00:59:43,998 --> 00:59:46,334
SCIENTIFIC EQUIPMENT
OF MY OWN INVENTION.
710
00:59:46,501 --> 00:59:48,795
I WOULD NOT DREAM
OF EXPOSING IT
TO TELEVISION
711
00:59:49,045 --> 00:59:50,255
UNTIL I HAVE IT
PATENTED.
712
00:59:50,421 --> 00:59:51,756
YOU DON'T NEED
TO WORRY ABOUT THAT.
713
00:59:51,965 --> 00:59:54,259
MORGAN WILL TAKE CARE
OF YOUR LITTLE SECRETS.
WON'T YOU, MORGAN?
714
00:59:54,759 --> 00:59:56,636
YEAH, SURE,
I'LL SHOOT AROUND 'EM.
715
00:59:57,178 --> 00:59:58,471
AGAIN YOU
DO NOT UNDERSTAND.
716
00:59:58,721 --> 01:00:00,390
THE ANSWER WAS NO.
717
01:00:01,307 --> 01:00:03,685
I HAVE NO INTENTION
OF RECONSIDERING.
718
01:00:05,311 --> 01:00:06,104
HMMPH.
719
01:00:07,855 --> 01:00:08,481
YOU AND CAROL,
720
01:00:08,690 --> 01:00:10,066
GO DOWN AND CHECK
THE VAULTS.
721
01:00:12,485 --> 01:00:13,444
MIKE,
722
01:00:13,653 --> 01:00:14,529
COME UPSTAIRS.
723
01:00:14,737 --> 01:00:16,447
I GOT A NEW FICHE
I WANT TO TRY.
724
01:00:28,084 --> 01:00:31,004
I, UH, DOLL, UH--
BRING IT UP A LITTLE, HUH?
725
01:00:31,212 --> 01:00:33,715
MM-HMM,
A LITTLE HIGHER.
726
01:00:34,716 --> 01:00:36,175
YEAH, UH-HUH.
THAT'S O.K.
727
01:00:36,342 --> 01:00:37,135
O.K.?
728
01:00:37,302 --> 01:00:39,470
ACCORDING TO MY
HOOPER RATING,
IT'S PERFECT.
729
01:00:39,971 --> 01:00:41,180
YEAH, SURE.
730
01:00:41,931 --> 01:00:44,559
UH, COME ON, LET'S TRY
ONE MORE SHOT, HUH?
731
01:00:44,767 --> 01:00:46,269
YOU, UH, BACK UP
IN THERE, HUH?
732
01:00:48,146 --> 01:00:50,148
UH, LOOK, UM, UH,
BACK UP THERE, HUH?
733
01:00:50,356 --> 01:00:51,065
I WANT YOU TO GET
BACK THERE.
734
01:00:51,274 --> 01:00:53,234
THAT'S IT.
NOW TURN AROUND.
735
01:00:53,443 --> 01:00:54,694
YEAH. KEEP
BACKING UP.
736
01:00:54,861 --> 01:00:57,322
BACKING UP.
RIGHT, KEEP GOING.
737
01:00:57,530 --> 01:00:59,240
HUP, EASY THERE,
WILL YA?
738
01:00:59,699 --> 01:01:01,200
BACK UP.
GO AHEAD. GOOD.
739
01:01:01,409 --> 01:01:02,201
GO ALL THE WAYS
AROUND NOW.
740
01:01:02,410 --> 01:01:03,119
OUTSIDE. I WANT YOU
741
01:01:03,328 --> 01:01:03,953
TO MAKE
A CLEAN ENTRANCE.
742
01:01:04,162 --> 01:01:05,038
ALL THE WAYS OUT.
743
01:01:07,332 --> 01:01:08,499
IT'S DARK IN HERE.
744
01:01:09,125 --> 01:01:10,376
DOLL, THAT'S THE IDEA.
745
01:01:10,543 --> 01:01:11,419
I WANT YOU TO COME
INTO THE LIGHT
746
01:01:11,586 --> 01:01:12,629
FROM THE DARK.
747
01:01:12,920 --> 01:01:13,838
BACK UP.
748
01:01:14,297 --> 01:01:15,423
GET YOUR HAND
OUT OF IT.
749
01:01:15,632 --> 01:01:17,592
O.K., NOW MAKE
A CLEAN ENTRANCE.
750
01:01:19,093 --> 01:01:20,887
UH-HUH, NOW, UH,
WALK TOWARDS ME.
751
01:01:21,346 --> 01:01:22,597
LIKE THIS?
752
01:01:22,805 --> 01:01:24,557
YEAH, THAT'S
REAL CRAZY.
753
01:01:24,766 --> 01:01:26,392
UH-HUH, FINE.
O.K., STOP THERE.
754
01:01:27,060 --> 01:01:27,769
THAT'S FINE, DOLL.
755
01:01:27,977 --> 01:01:28,978
LET'S TRY IT
ONCE MORE,
756
01:01:29,187 --> 01:01:31,272
AND STAY A LITTLE MORE
TO CAMERA LEFT, HUH?
757
01:01:31,522 --> 01:01:32,690
O.K., BACK UP NOW.
758
01:01:33,399 --> 01:01:34,275
THAT'S IT,
KEEP BACKING--
759
01:01:34,484 --> 01:01:35,526
WATCH OUT
FOR THAT STEP.
760
01:01:35,735 --> 01:01:36,861
THAT'S IT.
NOW--GO ON, DOLL.
761
01:01:37,070 --> 01:01:37,737
YOU KNOW WHERE
YOU ARE.
762
01:01:37,904 --> 01:01:38,780
GO ALL THE WAYS BACK.
763
01:01:39,238 --> 01:01:41,115
ALL RIGHT. NOW
ON THE OTHER SIDE.
764
01:01:42,033 --> 01:01:43,660
GET YOUR SHADOW
UP THERE.
765
01:01:43,826 --> 01:01:45,119
FINE, O.K.,
NOW COME ON IN.
766
01:01:47,205 --> 01:01:49,666
THAT'S--UH-HUH,
COME ON.
767
01:01:49,874 --> 01:01:52,627
NOW SLOW--SLOW.
AH, THAT'S IT.
768
01:01:52,835 --> 01:01:53,795
PERFECT.
769
01:01:54,003 --> 01:01:57,048
OH, THANKS, DOLL.
THAT'LL DO IT.
770
01:01:57,340 --> 01:01:58,216
YOU COMING?
771
01:01:58,383 --> 01:02:00,259
UH, NAH, I THINK
I'LL STICK
AROUND HERE
772
01:02:00,468 --> 01:02:01,594
AND LINE UP
A FEW OF MY SHOTS.
773
01:02:01,803 --> 01:02:02,428
O.K.
774
01:03:05,199 --> 01:03:06,075
HELP.
775
01:03:25,219 --> 01:03:25,887
PLEASE!
776
01:03:26,095 --> 01:03:26,888
DON'T DO IT!
777
01:03:27,096 --> 01:03:27,764
PLEASE, DON'T!
778
01:03:27,972 --> 01:03:28,890
AAHH!
779
01:03:45,865 --> 01:03:46,824
HMMPH.
780
01:03:50,036 --> 01:03:52,079
ONE OF THOSE
RELATIVELY RARE
781
01:03:52,288 --> 01:03:54,040
PERSONS WITH
A-TYPE BLOOD.
782
01:03:54,540 --> 01:03:56,292
UNDER THE CIRCUMSTANCES,
ANY ATTEMPT
783
01:03:56,501 --> 01:03:58,920
AT TRANSPLANTATION
IS OUT OF THE QUESTION.
784
01:04:16,020 --> 01:04:17,021
AND YOU'RE SAYING,
MR. ROE,
785
01:04:17,230 --> 01:04:18,898
YOUR CAMERAMAN HAS BEEN
MISSING SINCE YESTERDAY
786
01:04:19,106 --> 01:04:20,525
AND YOUR SECRETARY
SINCE THE DAY BEFORE?
787
01:04:20,733 --> 01:04:21,859
YOU WISH THE POLICE
TO FIND THEM.
788
01:04:22,109 --> 01:04:23,069
THAT IS SO, IS IT NOT?
789
01:04:23,277 --> 01:04:23,903
THAT'S RIGHT.
790
01:04:24,111 --> 01:04:25,446
ARE YOU SURE THEY HAD
NO REASON FOR LEAVING?
791
01:04:25,738 --> 01:04:27,323
WELL, THE FRÄULINE
JUDY WAS MARRIED
792
01:04:27,532 --> 01:04:29,200
TO MR. ROE
AT ONE TIME.
793
01:04:29,492 --> 01:04:30,243
ONE MIGHT SAY THAT
794
01:04:30,451 --> 01:04:32,787
SHE WAS EMOTIONALLY
DISTURBED.
795
01:04:33,037 --> 01:04:34,372
YES, OF COURSE,
AND THE CAMERAMAN?
796
01:04:34,580 --> 01:04:36,457
WELL, HE SAID
SOMETHING TO ME
797
01:04:36,624 --> 01:04:37,583
ABOUT GOING
INTO FRANKFURT
798
01:04:37,792 --> 01:04:40,294
FOR A SPECIAL LENS
THAT HE NEEDED.
799
01:04:40,461 --> 01:04:41,671
THANK YOU,
HERR BARON.
800
01:04:41,879 --> 01:04:43,130
NOW YOU SEE
HOW SIMPLE IT IS.
801
01:04:43,339 --> 01:04:45,633
NO, I DON'T SEE
HOW SIMPLE IT IS.
802
01:04:45,842 --> 01:04:46,467
TWO PEOPLE ARE MISSING,
803
01:04:46,676 --> 01:04:48,219
AND I WANT TO KNOW WHY
THEY HAVEN'T COME BACK.
804
01:04:48,845 --> 01:04:50,096
MR. ROE, I IMAGINE,
805
01:04:50,263 --> 01:04:52,723
WOULD HAVE US
SUSPECT FOUL PLAY.
806
01:04:53,015 --> 01:04:55,101
HOW DO YOU KNOW
HE ISN'T RIGHT?
807
01:04:55,309 --> 01:04:57,186
I LEFT MORGAN
DOWNSTAIRS
IN THE VAULTS,
808
01:04:57,478 --> 01:04:59,230
AND I NEVER
SAW HIM COME UP
AGAIN.
809
01:04:59,772 --> 01:05:00,940
PERHAPS THE FRÄULINE
WOULD FEEL BETTER
810
01:05:01,148 --> 01:05:02,066
IF I TOOK A LOOK
DOWN THERE.
811
01:05:02,275 --> 01:05:03,943
THE HERR BARON
PERMITS?
812
01:05:04,151 --> 01:05:06,112
LET ME SHOW YOU
THE WAY.
813
01:05:13,536 --> 01:05:14,996
THERE YOU ARE,
INSPECTOR.
814
01:05:15,788 --> 01:05:18,082
SEARCH TO YOUR
HEART'S CONTENT.
815
01:06:03,794 --> 01:06:04,962
MR. ROE,
I FAIL TO SEE
816
01:06:05,171 --> 01:06:06,380
THE MEANING
OF THIS SEARCH.
817
01:06:06,589 --> 01:06:07,548
IT IS
IRREVERENT
818
01:06:07,757 --> 01:06:09,133
DISTURBING THE SLEEP
OF THE DEAD.
819
01:06:09,634 --> 01:06:10,551
I'M SORRY,
HERR BARON.
820
01:06:10,760 --> 01:06:11,719
MY DEAR
INSPECTOR,
821
01:06:11,928 --> 01:06:13,054
YOU MUST MAKE
ALLOWANCES
822
01:06:13,220 --> 01:06:14,180
FOR THESE
SHOWPEOPLE.
823
01:06:14,388 --> 01:06:15,473
THEY LIVE
IN A WORLD
824
01:06:15,681 --> 01:06:17,141
OF FANCIFUL
DREAMS.
825
01:06:17,350 --> 01:06:18,309
HIDDEN DOORS,
826
01:06:18,517 --> 01:06:19,644
SLIDING PANELS,
827
01:06:19,852 --> 01:06:21,896
EVEN SUDDEN
DISAPPEARANCES--
828
01:06:22,563 --> 01:06:25,149
THE NONSENSE
OF THINGS THAT
DON'T EXIST.
829
01:06:25,358 --> 01:06:26,901
WORLD OF MAKE-BELIEVE.
830
01:06:27,109 --> 01:06:28,778
EXACTLY WHAT I SAID
TO MYSELF, HERR BARON.
831
01:06:28,945 --> 01:06:30,655
THEY WILL STOP
AT NOTHING AT ALL
832
01:06:30,821 --> 01:06:32,281
TO GET THEIR NAMES
IN THE NEWSPAPERS.
833
01:06:32,490 --> 01:06:35,618
THEY MIGHT EVEN GO
SO FAR AS TO DISAPPEAR, EH?
834
01:06:36,035 --> 01:06:37,078
NOW GET THIS
STRAIGHT.
835
01:06:37,286 --> 01:06:38,913
THIS IS NO
PUBLICITY GAG.
836
01:06:39,455 --> 01:06:40,289
I'VE BEEN
READING STORIES
837
01:06:40,498 --> 01:06:42,541
ABOUT BARON FRANKENSTEIN'S
MONSTER COMING TO LIFE
838
01:06:42,750 --> 01:06:43,834
AND CARRYING PEOPLE OFF.
839
01:06:44,377 --> 01:06:45,419
WELL, THEY DIDN'T
GET THEM FROM ME.
840
01:06:45,586 --> 01:06:46,295
DID THEY, MIKE?
841
01:06:46,921 --> 01:06:48,673
NO, CHIEF.
IT CAME FROM ME.
842
01:06:48,881 --> 01:06:51,258
AH, SO IT WAS YOU
AND YOUR PEOPLE
843
01:06:51,467 --> 01:06:52,635
WHO SET
THESE STORIES AFOOT.
844
01:06:52,843 --> 01:06:54,261
GODFRIED,
COME WITH ME.
845
01:06:54,470 --> 01:06:57,306
I WISH TO PROFFER
LEGAL CHARGES
AGAINST THIS MAN.
846
01:06:58,808 --> 01:06:59,809
BARON FRANKENSTEIN
IS NOT ONE
847
01:07:00,017 --> 01:07:02,103
TO FORGIVE
A THING LIKE THAT.
NOR IS THE LAW.
848
01:07:02,311 --> 01:07:03,688
I SHALL MAKE CAREFUL
INQUIRIES, MR. ROE.
849
01:07:03,896 --> 01:07:05,731
IF IT TURNS OUT
YOU HAVE MADE
FALSE STATEMENTS,
850
01:07:05,940 --> 01:07:08,317
YOU WILL FIND
THE PENALTIES
QUITE SEVERE.
851
01:07:10,027 --> 01:07:12,154
IT'S SO NICE TO HAVE
A POLICEMAN ALONG
852
01:07:12,363 --> 01:07:14,073
IN THIS DARK, OLD PLACE.
853
01:07:14,281 --> 01:07:15,700
WELL, PERMIT ME
TO OFFER YOU MY ARM,
FRÄULINE.
854
01:07:15,908 --> 01:07:17,368
OH, THANK YOU.
855
01:07:26,794 --> 01:07:27,962
ANOTHER DISAPPEARANCE,
VICTOR?
856
01:07:29,130 --> 01:07:30,381
TOO BAD.
857
01:07:31,048 --> 01:07:33,968
FIRST SCHUTER,
THEN THE FRÄULINE,
858
01:07:34,218 --> 01:07:36,220
AND NOW THIS CAMERAMAN.
859
01:07:36,429 --> 01:07:38,639
AS YOU SAY,
IT IS TOO BAD.
860
01:07:42,935 --> 01:07:44,979
DEAR OLD FRIEND...
861
01:07:46,188 --> 01:07:47,106
ARE YOU IMPLYING
862
01:07:47,314 --> 01:07:50,317
THAT I HAVE DONE
SOMETHING TO HARM THEM?
863
01:07:50,818 --> 01:07:53,195
THAT'S THE TROUBLE
WITH AN OLD FRIEND.
864
01:07:53,654 --> 01:07:55,656
HE CAN ALWAYS TELL
WHEN YOU ARE LYING.
865
01:07:58,159 --> 01:08:01,579
WHAT A WONDERFUL COMMANDANT
YOU WOULD HAVE MADE.
866
01:08:01,871 --> 01:08:03,998
ALWAYS SUSPECTING PEOPLE,
867
01:08:04,290 --> 01:08:07,001
PRYING, ASKING QUESTIONS.
868
01:08:09,170 --> 01:08:12,006
YOU REALLY WANT TO KNOW
WHAT BECAME OF SCHUTER?
869
01:08:12,214 --> 01:08:13,424
AND THE OTHER TWO.
870
01:08:14,341 --> 01:08:15,718
WHAT CAN I DO?
871
01:08:16,635 --> 01:08:19,388
YOU FORCED ME
TO SATISFY THIS...
872
01:08:19,597 --> 01:08:22,141
INORDINATE CURIOSITY
OF YOURS.
873
01:08:22,349 --> 01:08:24,477
IT WOULD BE
A WELCOME CHANGE.
874
01:08:31,776 --> 01:08:33,527
YOU REALLY WISH
TO KNOW...
875
01:08:34,070 --> 01:08:38,032
WHERE MY SCIENTIFIC
ASPIRATIONS HAVE LED ME?
876
01:08:38,699 --> 01:08:39,325
YES.
877
01:08:39,533 --> 01:08:41,035
I HAVE A GREATEST
IMPATIENCE.
878
01:08:41,327 --> 01:08:42,536
GODFRIED...
879
01:08:44,080 --> 01:08:46,499
I WILL SATISFY
YOUR DESIRES.
880
01:08:47,500 --> 01:08:49,418
SOMEONE TO CONFIDE IN.
881
01:08:50,377 --> 01:08:53,172
I WILL SHARE
MY SECRET WITH YOU.
882
01:08:56,967 --> 01:09:00,763
IT MAY TAKE GREAT COURAGE
TO FACE IT, MY FRIEND.
883
01:09:01,138 --> 01:09:02,890
I HAVE A STOUT HEART.
884
01:09:05,768 --> 01:09:07,103
YOU WILL NEED IT.
885
01:09:31,627 --> 01:09:32,670
VICTOR...
886
01:09:33,420 --> 01:09:34,755
I'M PUZZLED.
887
01:09:35,631 --> 01:09:38,342
CAN I TRUST YOU,
I WONDER.
888
01:09:38,551 --> 01:09:40,594
YOU'VE TRUSTED ME
THIS FAR.
889
01:09:40,803 --> 01:09:42,304
SO I HAVE.
890
01:09:43,097 --> 01:09:44,098
ALL RIGHT.
891
01:09:48,769 --> 01:09:50,187
STAY WHERE YOU ARE.
892
01:10:58,881 --> 01:11:00,132
GODFRIED.
893
01:11:01,926 --> 01:11:03,093
GODFRIED.
894
01:11:29,036 --> 01:11:31,038
THERE'S GOT TO BE
SOMETHING DOWN HERE.
895
01:12:10,661 --> 01:12:11,912
I TOLD YOU WE'D
FIND SOMETHING
896
01:12:12,121 --> 01:12:13,914
IF WE LOOKED LONG ENOUGH.
COME ON.
897
01:12:14,123 --> 01:12:15,249
I'M GOING TO TAKE THIS
TO INSPECTOR ED.
898
01:12:15,457 --> 01:12:16,959
YOU STICK AROUND
AND TAKE CARE OF CAROL.
899
01:12:23,340 --> 01:12:24,383
GOOD EVENING.
900
01:12:25,217 --> 01:12:26,719
GOOD EVENING,
FRÄULINE.
901
01:12:27,303 --> 01:12:28,554
GOOD EVENING,
BARON.
902
01:12:29,638 --> 01:12:30,889
EXCUSE ME,
I WAS...
903
01:12:31,390 --> 01:12:32,975
JUST ON MY WAY
UP TO BED.
904
01:12:39,231 --> 01:12:41,025
WHERE IS MR. ROE?
905
01:12:41,233 --> 01:12:41,900
UH, UPSTAIRS.
906
01:12:42,109 --> 01:12:43,527
UH, HE--HE'S WORKING.
907
01:12:43,736 --> 01:12:45,404
UH, HE'LL WORK HIMSELF
TO DEATH ONE OF THESE DAYS.
908
01:12:45,612 --> 01:12:46,613
AH.
909
01:12:46,780 --> 01:12:48,449
UH, HE HATES
BEING BOTHERED, BARON.
910
01:12:48,657 --> 01:12:50,534
OH, THEN
I WON'T DISTURB...
911
01:12:51,452 --> 01:12:53,954
OH, I SEE
YOU'RE INTERESTED
912
01:12:54,163 --> 01:12:55,539
IN RARE, OLD BOOKS.
913
01:12:56,248 --> 01:12:58,459
LET ME SHOW YOU
A REAL GEM.
914
01:13:02,713 --> 01:13:04,298
A VERY OLD EDITION.
915
01:13:04,465 --> 01:13:05,674
THE SUBJECT IS ANATOMY.
916
01:13:05,883 --> 01:13:07,426
LOOK AT THAT BINDING.
917
01:13:07,634 --> 01:13:08,719
IT MUST BE WORTH
A FORTUNE.
918
01:13:08,969 --> 01:13:10,596
YOU REALIZE THAT.
919
01:13:10,804 --> 01:13:12,890
THEN YOU'RE JUST THE MAN
TO APPRECIATE
920
01:13:13,098 --> 01:13:14,975
MY COLLECTION
OF RARE OLD COINS.
921
01:13:15,142 --> 01:13:16,143
LET ME SHOW YOU.
922
01:13:20,439 --> 01:13:21,940
AH, YES, THERE.
923
01:13:23,150 --> 01:13:24,360
SEE THAT COIN?
924
01:13:25,069 --> 01:13:29,031
IT IS INSURED FOR $10,000.
925
01:13:29,239 --> 01:13:30,449
SEE HOW IT...
926
01:13:31,033 --> 01:13:33,035
IT SEEMS TO GATHER
THE LIGHT AND...
927
01:13:33,369 --> 01:13:34,912
DRAW THE EYE.
928
01:13:35,120 --> 01:13:36,163
YEAH.
929
01:13:38,207 --> 01:13:41,835
I GET GREAT REPOSE
FROM THESE...
930
01:13:42,044 --> 01:13:45,839
THINGS OF AGE AND BEAUTY.
931
01:13:46,340 --> 01:13:47,841
THEY SOOTHE ONE.
932
01:13:48,967 --> 01:13:51,136
SEEM TO INDUCE SLEEP.
933
01:13:51,929 --> 01:13:53,305
SLEEP.
934
01:13:54,932 --> 01:13:58,060
CLOSE YOUR EYES,
MY FRIEND.
935
01:13:58,852 --> 01:14:00,270
SLEEP.
936
01:14:01,939 --> 01:14:03,190
SLEEP.
937
01:14:05,275 --> 01:14:06,777
SLEEP.
938
01:14:16,370 --> 01:14:17,579
WHERE IS ROE?
939
01:14:18,497 --> 01:14:19,706
HE WENT TO THE POLICE.
940
01:14:21,959 --> 01:14:23,669
NOW LISTEN CAREFULLY.
941
01:14:24,920 --> 01:14:27,214
WHEN THE CLOCK
STRIKES THE QUARTER,
942
01:14:27,756 --> 01:14:30,259
YOU WILL KNOCK
ON THE FRÄULINE CAROLINE'S DOOR
943
01:14:30,467 --> 01:14:31,969
AND TELL HER
THAT ROE HAS RETURNED
944
01:14:32,177 --> 01:14:35,222
AND IS WAITING
FOR HER DOWNSTAIRS HERE.
945
01:14:35,848 --> 01:14:37,224
YOU UNDERSTAND?
946
01:14:37,766 --> 01:14:39,476
HE'S WAITING HERE.
947
01:14:40,185 --> 01:14:41,353
GOOD.
948
01:14:42,271 --> 01:14:44,398
NOW I WILL COUNT THREE.
949
01:14:44,982 --> 01:14:48,360
AT THE COUNT OF THREE,
YOU WILL WAKE UP AND...
950
01:14:48,944 --> 01:14:50,571
REMEMBER NOTHING.
951
01:14:51,738 --> 01:14:52,823
1,
952
01:14:53,031 --> 01:14:54,283
2,
953
01:14:54,491 --> 01:14:55,701
3.
954
01:14:57,161 --> 01:14:59,621
$10,000?
WHAT DO YOU KNOW.
955
01:14:59,830 --> 01:15:01,957
YES, BEAUTIFUL,
ISN'T IT?
956
01:15:02,416 --> 01:15:05,669
AH, THIS CASTLE IS FILLED
WITH RARE OLD TREASURES--
957
01:15:05,878 --> 01:15:08,297
FEEL FREE TO BROWSE,
MY FRIEND.
958
01:15:08,505 --> 01:15:09,465
THANK YOU VERY MUCH.
959
01:15:09,673 --> 01:15:11,467
PLEASANT GOOD EVENING
TO YOU.
960
01:15:12,468 --> 01:15:13,635
GOOD NIGHT.
961
01:15:19,057 --> 01:15:21,101
I TELL YOU, INSPECTOR,
THIS IS NOT ALL.
962
01:15:21,310 --> 01:15:23,604
YOU, HORST, TELL THE INSPECTOR
WHAT YOU TOLD ME.
963
01:15:23,812 --> 01:15:26,190
YOU GOT THE ONLY TAXICAB
IN TOWN, IS THAT RIGHT?
964
01:15:26,398 --> 01:15:27,232
JA.
965
01:15:27,441 --> 01:15:28,233
DID YOU EVER
TAKE THIS LADY
966
01:15:28,442 --> 01:15:29,860
FROM THE CASTLE
TO THE STATION?
967
01:15:30,736 --> 01:15:31,904
NO, MEIN HERR.
968
01:15:32,112 --> 01:15:33,489
HOW ABOUT THIS MAN?
969
01:15:34,865 --> 01:15:35,741
NO, MEIN HERR.
970
01:15:35,949 --> 01:15:37,784
AND YOU, YOU HANG AROUND
THE STATION ALL THE TIME.
971
01:15:38,118 --> 01:15:39,870
YOU SEE EVERYBODY
THAT COMES TO AND FROM TOWN.
972
01:15:40,078 --> 01:15:40,829
IS THAT RIGHT?
973
01:15:41,038 --> 01:15:42,623
DID YOU EVER SEE
THOSE TWO PEOPLE BEFORE?
974
01:15:43,207 --> 01:15:44,750
ONLY WHEN THEY
FIRST CAME HERE.
975
01:15:46,293 --> 01:15:47,628
IF THEY HAVEN'T
LEFT TOWN,
976
01:15:47,836 --> 01:15:50,214
IT STANDS TO REASON
THEY'RE STILL IN THE CASTLE.
DOESN'T IT?
977
01:15:50,380 --> 01:15:51,924
YES, THAT'S
A LOGICAL ASSUMPTION.
978
01:15:52,132 --> 01:15:54,134
WELL, FRANKENSTEIN
SAYS THEY'RE NOT.
979
01:15:54,760 --> 01:15:56,970
I'LL ASK THE BARON
FOR AN EXPLANATION
TOMORROW.
980
01:15:57,179 --> 01:15:58,722
INSPECTOR,
DO ME A FAVOR.
981
01:15:58,931 --> 01:16:00,557
ASK HIM TONIGHT.
WILL YOU, PLEASE?
982
01:16:43,475 --> 01:16:44,351
WHO IS IT?
983
01:16:44,560 --> 01:16:45,394
MIKE.
984
01:16:46,770 --> 01:16:48,397
ISN'T ROE BACK YET?
985
01:16:48,772 --> 01:16:50,274
HE'S DOWNSTAIRS.
986
01:16:51,733 --> 01:16:53,443
I'M SO GLAD.
987
01:16:53,902 --> 01:16:55,404
HE'S WAITING
FOR YOU.
988
01:17:01,034 --> 01:17:01,952
ROE?
989
01:17:04,496 --> 01:17:05,539
ROE?
990
01:17:11,336 --> 01:17:12,379
AAHH!
991
01:17:39,823 --> 01:17:41,116
ALL RIGHT, SCHUTER,
992
01:17:41,700 --> 01:17:42,993
BRING HER DOWN HERE.
993
01:18:15,901 --> 01:18:17,194
BARON!
994
01:18:19,696 --> 01:18:20,572
BARON!
995
01:18:21,907 --> 01:18:22,991
BARON!
996
01:18:25,744 --> 01:18:27,954
SCHUTER, SCHUTER,
DOWN HERE.
997
01:18:35,170 --> 01:18:36,380
AAHH!
998
01:18:37,714 --> 01:18:38,882
BARON FRANKENSTEIN.
999
01:18:39,383 --> 01:18:40,509
NO!
1000
01:18:42,010 --> 01:18:43,095
CAROL.
1001
01:18:43,261 --> 01:18:45,013
SCHUTER, DO AS
I TELL YOU.
1002
01:18:45,180 --> 01:18:46,431
BRING HER DOWN HERE.
1003
01:18:46,640 --> 01:18:47,432
SCHUTER.
1004
01:18:47,891 --> 01:18:49,559
UPSTAIRS,
SCHUTER.
1005
01:18:49,768 --> 01:18:50,686
SCHUTER.
1006
01:18:50,894 --> 01:18:52,270
DOWN HERE, SCHUTER,
BRING HER DOWN HERE.
1007
01:18:52,479 --> 01:18:53,647
UPSTAIRS,
SCHUTER.
1008
01:18:53,980 --> 01:18:54,898
CAROLINE!
1009
01:18:55,607 --> 01:18:56,733
UP HERE. COME ON.
1010
01:19:03,198 --> 01:19:03,824
CAROLINE!
1011
01:19:04,116 --> 01:19:06,618
DOWN HERE, SCHUTER.
BRING HER DOWN HERE.
1012
01:19:06,785 --> 01:19:07,452
CAROLINE!
1013
01:19:07,661 --> 01:19:09,287
SCHUTER, NO.
1014
01:19:11,123 --> 01:19:12,165
NO.
1015
01:19:12,374 --> 01:19:14,084
SCHUTER, UPSTAIRS.
1016
01:19:14,292 --> 01:19:15,919
UPSTAIRS, SCHUTER.
1017
01:19:16,128 --> 01:19:17,421
UPSTAIRS, SCHUTER.
1018
01:19:17,671 --> 01:19:19,172
UPSTAIRS.
1019
01:19:20,257 --> 01:19:21,133
CAROLINE!
1020
01:19:21,925 --> 01:19:23,093
UPSTAIRS.
1021
01:19:24,678 --> 01:19:25,595
CAROL!
1022
01:19:25,804 --> 01:19:29,057
ROE, ROE, DOWN HERE
IN THE VAULTS!
1023
01:19:29,599 --> 01:19:32,060
ROE, ROE,
DOWN HERE!
1024
01:19:32,269 --> 01:19:33,729
DOWN HERE
IN THE VAULTS!
1025
01:19:34,271 --> 01:19:35,272
ROE!
1026
01:20:06,762 --> 01:20:09,055
SCHUTER, SCHUTER,
GO BACK.
1027
01:20:09,222 --> 01:20:10,098
GO BACK, I TELL YOU,
1028
01:20:10,265 --> 01:20:11,349
OR YOU'LL BE DESTROYED.
1029
01:20:11,558 --> 01:20:12,184
SCHUTER.
1030
01:20:15,228 --> 01:20:16,938
THE RADIATION
WILL KILL YOU.
1031
01:20:17,105 --> 01:20:18,732
GO BACK, I SAY, BACK.
1032
01:20:23,278 --> 01:20:24,946
SCHUTER, NO.
1033
01:20:25,197 --> 01:20:26,531
NO, NO.
1034
01:20:26,740 --> 01:20:29,576
BACK, NO.
1035
01:20:33,747 --> 01:20:34,623
GO BACK.
1036
01:20:50,847 --> 01:20:53,725
UH, UH, OHH.
1037
01:20:54,976 --> 01:20:55,602
OHH.
1038
01:21:17,874 --> 01:21:20,252
IT'S ALL RIGHT
TO ENTER, MEIN HERR.
1039
01:22:23,732 --> 01:22:25,692
I MADE YOU IN MY IMAGE
1040
01:22:25,901 --> 01:22:28,695
SO THE NAME OF FRANKENSTEIN
COULD SURVIVE.
1041
01:22:28,862 --> 01:22:31,907
I GAVE YOU EYES, EARS,
A HEART, A BRAIN...
70449
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof