Original subtitles

Downloaded from YTS.MX

Official YIFY movies site: YTS.MX

*

* There's been a lot of talk of love. *

* But that don't amount to nothing. *

*

* You can evolve the stars above. *

* But that doesn't make it something. *

* And the only way to last...

* And the only way to live it... *

* Is to hold on when you get lost *

ANNOUNCER: Welcome to the Metro Academy of Fashion's

graduation showcase.

*

KATE: Oh, come on.

ANNOUNCER: ...sporting a fresh new look!

*

KATE: Pins, pins, pins...

*

KATE: Yes!

*

ANNOUNCEMENT: ...20 seconds.

*

Oh my God, Kate!

Total disaster!

She completely mangled the elastic--

MODEL: Not my fault.

You make it so flimsy!

It wasn't flimsy.

You tore it with your stiletto. Who puts shoes on first?

Russians.

Polly, breathe.

...gonna pin it.

ANNOUNCEMENT: 10 seconds, Polly.

KATE: Go, go.

You're a lifesaver.

Not your fault.

ANNOUNCEMENT :Kate Kassell, 1 minute.

Where's the pins you wanted to get? You just had them.

Okay, well, I don't have one

so you're just gonna have to hold it up.

I won't be able to remember that.

It's in 30 seconds.

MODEL: I won't be able to remember.

*

Oooh!

*

(applause)

Hi, um, I just wanted to introduce myself.

I'm Kate Kassell.

I was the last designer of the showcase.

I admire Prada so much.

I was wondering if maybe you had a position--

Kassell?

Of Kassell clothing?

Yeah.

Well, that's my father's business

but I actually wanna work...

You're the daughter of the man whose business is built on

taking our designs and turning out knockoffs

and you'd like a job?

Yeah.

Uh, well that's actually why I went to fashion school.

Dear, you're obviously very talented

but with your pedigree who would hire you?

Nice meeting you, Kate.

(sigh)

(cellphone beeps)

(pop)

(cellphone beeps)

(pop)

(cellphone beeps)

(cellphone beeps)

(airplane passing by)

Ow, ow, ow, ow...

*

*

Shouldn't you be in bed?

It's only 8:30.

I'm allowed to stay up to 10 these days.

Hello, my darling Kate.

(sigh)

You look so thin.

We need to get some soup into you. Richard's here.

Richard!

Did you call your Dad

or is this another secret visit to Montreal?

RICHARD: All hail the conquering heroine.

RICHARD: There she is.

Hup!

You look more like your mother every day.

Doesn't she and she has the talent to match.

My goddaughter can make a ball gown out of a burlap sack.

RICHARD: Oh, such fond memories of burlap.

Not for mixed company though.

Vino, Tinto?

Yes, please.

BELLA: Who's that?

It's Dad.

He's sorry that he missed my showcase

and he's asking if I want to work at Kassell.

We should think about it.

Seriously and work for my stepmom and her two devil spawn.

Forget about them.

You could design. You could learn the trade.

I want to work in a couture fashion house, Bella.

And I want to perform "Priscilla, Queen of the Desert"

on Broadway opposite Channing Tatum.

BELLA: I'd see that.

Honey, anyone would

but sometimes even the best ideas don't work out.

What'd you do if you were in my shoes?

Get new shoes.

Amen.

If I were you, I'd take his offer.

You have nothing to lose and you never know

where this might lead.

But seriously, new shoes.

No one wants to see a dentist with bad teeth.

Okay.

Who's pouring me some of that vino?

*

You're going for a job in fashion

and this is what you're wearing?

Oh, stop fussing.

It's just Dad.

Well, at least let me add some colour.

Humour me.

(whistle)

*

(sigh)

*

(sigh)

*

(bang)

(laughing)

Are you okay?

Ow!

You okay?

I'm sorry.

Just... I'm a little bit nervous and um,

it's my first day. So...

It's gonna be fine.

Just go slowly. (laugh)

All right, I'm going to try this again.

(bang)

(phone ringing)

(talking French)

(phone ringing)

Kassell Clothing.

One moment please.

(phone ringing)

Kassell Clothing.

Hi.

I'll see if he's in.

I'm here...

She's in a meeting.

Excuse me.

Can you just...

With whom?

(phone ringing)

Hello, girl who can't work a door. Hi.

Um, I'm here to see Lee Kassell.

He's in Europe.

You can speak to the Vice-President, Elise Kassell.

Fantastic.

ELISE: Let me be very clear.

The price I will pay is the price I was quoted.

I don't care about the shortage.

I didn't cause the typhoon.

So what you need to do is get me that shipment at that price.

You got it?

Fine, thank you so much.

Yes, okay, thank you, bye-bye.

Katie!

Oh my goodness.

Is that really you?

It's been so long. Look at you.

What a cute hat. That's so brave.

It's good to see you, Elise.

What are you going here?

Well, uh, I was going to see my dad.

Oh, your dad's in London for the week.

Yeah...

It doesn't matter.

Y'know your stepmom is here for anything you need.

Just ask away.

I'd like to take him up on his offer of a job.

Wow.

That's great.

I... you know what I think I'm just surprised

because there was that, you know,

that difficult separation before you went to New York.

Yeah, um, here's my portfolio.

It's just... it's some mock ups and sketches.

I thought you wanted to work in couture?

I'd love to work here.

I grew up here and it's the family business.

The business has changed so much since you were young

and so has the family.

Oh Katie, we are thrilled to have you back.

(sigh)

There's just a long queue.

Everyone wants to design.

Well, I don't want any special treatment.

Really, you would just work your way up

and pay your dues just like everyone else?

Of course.

Yes.

That... that's just such a great attitude.

You know what, I'm going to put you under Tannis and Simone

and just keep it all in the family.

Your daughters are designing?

You'll see them in the meeting.

What meeting?

ELISE: Everyone, this is Katie.

Go take that seat, dear.

Mm hm.

ELISE: Fresh out of design school

and here for some real world experience.

I see everyone has a water and I don't.

I guess I'm not thirsty.

(small scream)

(banging)

You okay?

Yeah.

It's really...

It's okay. It's-it's...

I'll take care of it.

I'm sure no one noticed.

So sorry.

Don't worry.

Nobody here thinks you're awkward or anything.

Oh my God; no one.

We're all just embarrassed for you right now.

Maurice, where's our model.

The twins fired her on Wednesday.

(together) We're not twins.

TANNIS: Stop saying that.

Well, who's going to try on the dress for us?

How about Kate?

Me?

I'm not really a model.

Absolutely it should be you, Kate.

Yeah, we need to support her right now.

Yeah, she just had that humiliating fall.

We all saw it.

ELISE: Excellent idea.

Come on, Katie.

Okay.

*

(clears throat)

*

Um, excuse me.

There's a screen right there.

*

SIMONE: How hard's it to change into something.

TANNIS: How hard?

We have a good variety of fabric.

Where is it written that every piece must come in five colours?

MAURICE: On the requisition orders you signed.

ELISE: No, I only sign those things for the pieces I like.

MAURICE: But you signed them.

Well, I like it better already.

Okay, as instructed by the powers that be,

I stripped down the design.

It looks boring.

That's what happens when you take away the fun.

We're not focusing on fun, Maurice.

Our customers are worker bees who shop

during their lunch hour.

Girls, I'd like you to come up with something better so go back

to the inspiration board and for everyone else,

we're done. Bye-bye.

I want the two of you to supervise Kate.

I thought she was too good for retail.

She is.

I don't think she'll like it here.

Why not?

Why won't she like it?

There's free coffee and donuts...

Tannis, she's saying she wants us to get Kate to quit.

Oh, yeah.

Um...

SIMONE: Kate?

I'm-I'm Daniel by the way; from Shoes.

Hi.

Hi.

Is it always like this?

Oh no, normally it's really tense.

Kate?

MAURICE: Forget him, honey.

He's been single so long I think he's forgotten how.

Kate! Now!

*

I left my stuff back there.

Do you guys think I could change out of this?

Why?

You look so cute.

Way better than what wearing before.

And this room hasn't been sorted in years.

*

Okay.

How do you want it?

Uh...sorted.

(gasp)

(sigh)

*

*

(whispering) Yes.

*

(quietly) That will do.

(chattering)

(phone ringing)

Be nice cause she's nice and you're not.

KATE: Hey.

Um, I have some ideas for this dress.

It's very nice already, Maurice.

Please, I hate it.

Elise noted it to death at sample.

(laugh)

Um, okay,

well, there's-there's two darts at the back.

Um, if you left out a panel the waistline is...

Oh, I love this.

Very Twiggy.

Yes, 60s, right?

And with these buttons I found--

we've got thousands of them.

Kate, if I wanted you to have an idea I'd give it to you.

Yeah, where'd you think I get all of mine?

So, is the accessory room all done yet?

Uh, no, nope.

I should... well, I just, I should get on that.

Yeah.

That was not nice.

Tannis?

What?

Get in here!

Okay.

*

BELLA: Kate, you're seriously wearing those overalls to work?

Is it bring your shame to work day?

I'm sorting buttons and I needed the pockets.

Sorting buttons when you should be designing and they know it.

Right now I'm just paying my dues.

Dad's back today.

I can't give Elise a reason to say I'm not working out.

Just push for what you want.

All I want right now is a cab.

(whistle)

*

KATE: Yes.

Um, Elise needs to speak to you.

And she's the boss of you.

Okay.

ELISE: I understand but I'm gonna show them this.

Hey, Dad.

Kate.

Kate.

Hi.

Hi.

Look at you.

Well.

I'm, um, Elise told me that you accepted my offer.

I'm so pleased.

Uh, well, you've, uh, um, you're taller.

Ah, I'm exactly the same size.

(laughing)

I mean, well you know,

I mean, you've grown up.

Yeah.

Four years, you know.

Has it?

No, it hasn't been that long, has it?

(clears throat)

Okay.

Um, I'm very sorry that I missed your graduation.

No...

No, it was-it was rescheduling the...

Yeah. No, Dad.

I'm sure that you were just really,

really busy here and...

He's a very busy man.

Ah, here I am apologizing again.

No, Dad, I'm sorry.

I...

We need to reconnect.

Dinner, Friday.

You pick it.

My treat.

Okay.

Okay?

Yeah, let's do it.

Great.

Yeah.

*

(sigh)

*

Good talk.

*

*

(walking down the stairs)

*

*

Hello?

*

*

Are they alright?

Oh!

I'm so sorry.

It's okay.

Ow.

Oh.

You gotta start wearing a helmet--

(laughing)

KATE: They're really nice, these shoes.

DANIEL: Thanks.

Wanna try them on?

Oh, no.

It's okay.

I've never seen them with someone.

I have to get back...

This is work.

Okay.

I'll do it.

Safer that way.

(laugh)

*

I'm an odd size.

Yeah, they're a bit big.

KATE: They're nice.

DANIEL: Nice?

Oh, you're a designer.

You can do better than that.

Okay.

Um, the pitch needs work

and the width of the lash is a bit narrow.

I would actually close the peep and lower the vamps,

see more toe cleavage

and then you could just- just get rid of the straps.

(laugh) I don't know.

I was expecting maybe like one adjective but...

...I asked.

I-I asked for it and actually you're right.

Yeah, you're right.

Well, buttons await.

If I can find my way back there.

(laugh)

Do, uh, can I walk you there?

Oh, yeah.

Sure.

Okay.

Um, kids? Married?

I'm quite unattached.

Same for me.

Yeah, Maurice was telling me...

Ah, Maurice.

I like the guy but sometimes...

what did he say?

I'm a broken man hiding in the basement licking my wounds.

Cursing my fate.

That you were single.

*

Oh.

KATE: So terrible, all these people laid off?

DANIEL: Yeah well, back when Mr. Kassell actually gave a damn,

this used to be a great place to work.

Now he's like some mythical beast.

You know there's been sightings but no one knows much about him.

Including me.

Well, you just got here.

You do know that he's my dad, right?

(laugh)

No, really.

What? Oh.

Just going over everything I just said and...

Oh, uh, I'm... I'm sorry.

I thought you knew. I thought everybody would know that.

No don't- don't be sorry.

Um, I'm the one that was bad mouthing him.

I didn't mean to make you feel bad.

Really?

Yeah.

KATE: Whoo!

Ow!

Huh.

Looks like we're neighbours.

Yeah.

I might have taken you the wrong way.

Hmm.

It's a beautiful room.

Very cozy.

That yours?

Yeah.

They... it's-it's really nothing.

They're just really loose, uh, sketches.

*

(laugh) Is that me?

No.

That's me.

No.

It was... I... it was another designer.

(laugh)

The coat is awesome.

It's a nice coat.

Thanks.

It's yours if I ever get to design.

Well, thank you.

(laugh) Um...

Thanks.

There you go.

Have fun.

I'll let you work.

Try not to hurt anyone.

Yup.

Bye.

Bye.

*

(sigh)

Okay...

*

*

*

I don't know why she hasn't quit yet.

TANNIS: I dunno. I think buttons are kinda cool.

Shh!

If she won't quit.

We'll just have to get Lee to fire her.

Yeah.

Hey, I just finished, uh, metals versus plastics.

Follow me.

I was just telling the girls

this is a waste of Katie's talent.

It's time we moved you into design.

Thank you, Elise!

I promise I won't let you down.

I have so many ideas.

Just remember, you're the CEO's daughter.

So always be a team player.

Absolutely.

(sigh)

Everyone, Katie Kassell.

Yes, that Kassell but no special treatment.

That's your place.

Girls?

Well, that was a quick promotion.

Yes, well, she's here to help.

Aren't you Katie?

Dad, I found the most amazing restaurant for dinner tonight.

No student dives. This is my treat.

Honey?

We have dinner with the mayor tonight about that tax thing.

Took us forever to get.

Right.

Tomorrow then.

Tomorrow, you're in Laval.

Why don't you let me arrange it?

Let Elise arrange this.

She, uh, arranges things.

Okay, girls.

Daddy Lee, are you ready for our pitch?

So you know how we hate to see clothes go to waste?

No, I didn't know that.

SIMONE: Exactly.

So, um, when Maurice's designs flopped

we wanted to find a frugal solution.

Yes, one that didn't cost a lot of money

and so we came up with this.

Show him.

Buttons.

Buttons.

LEE: Well, well, well.

I like it.

Now a simple design with a bold concept.

Exactly.

In my day, we called that a runner.

Who knew?

(clapping)

Um, guys?

That was... I came up with that.

There's no I in Kassell, Kate.

Except at the end.

What?

After the "e".

SIMONE: Those are "L's".

Duh, but you write them like "I's" Simone. Google it.

It's called grammar.

Anyways.

We pride ourselves on being a holistic creative team.

So why don't you start by just putting our designs

into the computer.

Can I just go get my stuff in Accessories?

Oh, yeah, no. I'll get that for you.

It's kind of like an inputting emergency.

So...

SIMONE: Okay. Bye.

*

TANNIS: Nice buttons...

Oh, we should totally upload dirty pictures to her Instagram.

Gimme that.

Mom told me exactly what to do. Don't mess this up.

I won't mess this up.

Tannis.

Mom told me exactly what to do.

I wrote it down.

TANNIS: Take these to the flagship store.

SIMONE: But before she does that

you need to upload the designs to the company FTP.

Take these to the flagship store.

Before that, upload the designs.

Have you ever done that before?

Get a pen. I'll give you the address.

*

(sigh)

KATE: No, "I" in Kassell.

Are these the new pieces?

Yeah.

Um...

So...

I think what they're going for... you don't like them.

Yeah.

Um, not so much.

Hold on. Just need you to sign something.

Okay.

MOM: What do you think?

GIRL: I don't like it.

MOM: Sweetie, you look beautiful.

It doesn't make me feel special.

Come on.

You look gorgeous.

No, I want that one over there.

MOM: Honey, we talked about it. It's too expensive.

GIRL: Please.

MOM: C'mon.

MOM: We can make this one work, right?

GIRL: I guess.

MOM: You'll look beautiful.

MOM: I promise.

GIRL: Whatever.

You should've seen her face.

She was so disappointed.

(sigh)

It was such an easy construction though

and then she settled for a dress.

A boring, rigid, a least inspired dress.

I don't get it. What happened here?

Well, Elise wanted to focus on bridge,

day-to-night wear.

You know business casual.

Yeah, business boring.

(laugh)

I don't get it.

Why aren't we using the cutting room?

I mean, I could've made that dress

and it could've been affordable.

It would've been so easy for me to transform it.

You know what?

What?

You're going to do great things.

I'm sorry.

ELISE: There you are.

Come with me, Kate.

Now.

Okay.

No problem.

KATE: Hey, Dad.

KATE: Something wrong?

Katie, did you upload the dress designs

to the Kassell FTP server?

Yes.

Did they not go through?

They did.

To a public FTP server that anyone can access.

And 10 minutes later, Frost Apparel

downloaded those designs.

How would they know that they were there?

I don't know.

I mean, what are you saying...?

ELISE: Someone would have to tell them wouldn't they?

KATE: I guess.

Simone gave me the address.

ELISE: Is this your writing?

She dictated it to me, Elise.

Tannis told me that you were upset.

That you felt that you contributed to their collection.

I did and they took my ideas.

I would never do something like this.

May I see your phone?

Oh.

Our samples.

What?

Let's hope they have gone nowhere else.

I didn't take those!

But they're in your phone.

I've been set up.

Clearly, I've been set up by somebody.

Who would set you up?

I cannot have this kind of behaviour in the workplace.

Do you understand me?

LEE: I cannot tolerate this.

I'm sorry.

ELISE: Oh, Katie.

You have to stop hurting your father.

You've gotta be kidding me.

Now obviously this is not going to work out.

Clearly.

You need to clean out your desk

and I will have HR arrange two weeks of severance.

*

Can I have my phone back please?

*

She totally played me and I walked right into it

and now I can't even work at my own family business?

How could Lee be so blind?

KATE: She's driving the company into the ground.

She's stifling the designers like some evil corporate witch.

No offense to witches.

None taken.

I have gotta show him who Elise really is.

We have to do something.

BELLA: That's it.

Let's do something.

That's the spirit.

Let's egg their house.

What are you - twelve?

BELLA: You know, shame on your father.

(sigh)

Why didn't you tell Lee that the girls stole your designs

in the 1st place?

I tried but Elise.

I don't know why I'm so scared of her.

I open my mouth and nothing comes out of it.

I know exactly what you mean, buttercup.

I have the same problem.

BELLA You do not have the same problem.

He just says what he thinks and then regrets it later.

You need some of Richard's chutzpah.

Yeah.

Hmm hmm!

Richard you stand there and people listen to you.

You know, they make space for you.

Come.

Let's have them listen to us.

We'll tell them, "Make your own damn designs."

Make your own damn designs!

(laughing)

KATE: Make your own damn designs!

Or I'll kick your ass!

Your surgically enhanced asses!

RICHARD: Yes!

KATE: All the way back to the tanning salon.

(laughing)

Kate.

Richard.

What-what if Richard applied to Kassell to design?

See this is when Bella's had too much wine.

And the mind. It's the first thing to go.

I don't mean you as you.

I mean you as him.

We could get some clothes from the shop.

Think Twelfth Night in disguise.

Good Madonna, please give me leave to prove you're a fool.

Why?

To do what?

You need to get back into Kassell.

Get close to your dad again.

You can't do that as Kate.

Where's that picture?

There!

The little boy model didn't show up

and your mother used you instead.

Oh, is that you?

That's her.

She said it's all in the attitude.

See, he didn't even recognize you.

Wow.

Oh, no, no, no, no.

I know that look.

No way.

You need to go back to Kassell

as someone that they will listen to and take seriously.

*

RICHARD: I'm a man. Here I am.

Yes!

No. No, no. No, no.

(chattering)

If you walk like this, people are gonna think...

I have my hands here-- look!

See? Look at this. Look.

*

No, I haven't done this since we mounted "Cyrano" at the Centaur.

We also did a play. Can't remember the title.

Just turn your chin.

KATE: Last night, this was really funny

but I just-- I don't...

Don't talk.

You know the sideburns and the eyebrows could be better

but the jaw; that's the real giveaway and that is...

let's go show Bella.

It's Nate Ganymede.

Sergio, you will not regret this.

You haven't seen a designer this good in a very long time.

Trust me.

Okay.

Ciao, bello.

(kiss)

Oh, yes.

Hello, may I help you.

Jaw line's a real giveaway don't you think?

(gasping)

Ah, Kate!

RICHARD: Fooled you!

Oh geez, Richard. Are those contacts?

(chuckling)

Are you ready to go for a test drive?

No way. No way.

No, no.

Just remember... remember do the opposite of what Kate would do.

Just be me.

Be me.

Wait, no...

(clears throat)

(sigh)

Can I help you with something, pal?

I mean, bro?

I mean, fella?

Yeah.

I-I need a tie for a date.

I just can't decide.

Um.

(clears throat)

You know, they both are pretty.

You know, uh, I mean, pretty badass.

RICHARD: That's terrible.

Be me.

Um, you know, on second thought.

Don't be so boring, buttercup.

This- this is absolutely the, um,

tie for you, right here.

Oh, lovely.

Uh, I don't know.

Pink?

Of course, it shows that you're comfortable

with your masculinity.

We like that.

I mean, women like that.

Heterosexual women.

Or so I've heard.

(clapping) Oh, bravo!

(laughing) Bravo!

BELLA: Oh my...

...and you sold the tie twice what I would've asked for.

D'you think he could tell?

Not a chance.

He was utterly convinced you were a man.

A weird awkward man.

Well, I am imitating you, Richard.

Opa!

(laughing)

Go.

Okay, so, um, I called in a favour

with the head of recruitment at Kassell.

What favour?

I told him that I had a lead on a fabulously talented,

new designer named Nate.

Who's Nate?

You are.

It's what your mom would've called you

if you had been a boy.

And sweetheart, you have an interview with Lee in 2 hours.

What?

You can do it.

No. I can't.

Yes, you can.

You just did it.

Don't-don't be scared.

Don't... breathe. Kate is scared.

Nate is not scared.

He is fearless.

Nate is--

Fierce!

Fearless!

Nate is fearless!

You can do it.

You guys know that I'm Nate, right?

Hi, I'm Nate Ganymede.

Oh, wait.

Excuse me.

Oh.

*

You will stop for me.

Hey, cool.

BELLA: Kate?

This is one of Kassell's early designs and the first runner.

Your dad loves this jacket.

This is insane.

Good luck.

*

This will work.

Oh, yes.

Well, I think we should at least consider his offer.

I hate Frost Apparel.

Colin Frost has been stealing my ideas

since we were students together.

Well, that is what competitors do.

What the hell happened here?

I don't know, honey.

Online shopping, yoga pants.

(sigh)

People used to smile at work here.

*

Designers used to stay up all night working together

just to get one piece perfect.

It felt like family.

*

Is this gonna work?

Okay, stop it!

Do what Richard would do.

Do what Richard would do.

*

Kassell Clothing...

one moment, please.

(phone ringing)

Kassell Clothing... please hold.

(phone ringing)

Kassell...

Good afternoon.

Nate Ganymede.

I'm Lee Kassell's two o'clock.

Actually, I believe you're meeting Elise.

I don't think so.

Um...

Lee Kassell, please report to reception.

Your two o'clock is here and looking fabulous.

RECEPTIONIST: Give me that.

What're you...?

I'll be needing a security pass.

Nate Ganymede.

Take off your glasses.

And ruin this ensemble?

Forget it!

Due diligence.

Last I checked the eyes were the windows to the soul.

Darling, we're in fashion.

You don't want me to have a soul.

Hmm.

So you trained at Parsons.

Interned at Dior and two years in house at Zoom.

Why'd you want to work at Kassell?

Because you've lost your way

and I'm the man to help you find it again.

ELISE: Excuse me.

Your customers are bored.

So am I.

ELISE: Ah, Nate this is the CEO of our company,

Lee Kassell.

Pleased to meet you.

Hello, Nathan.

Hello.

Nate is, uh...

I know it.

Autumn Expressions 1993 collection.

(sigh)

Right?

Right?

Yes, the jacket.

Vintage, uh, Kassell.

What they used to call a runner.

Yes.

This is Nate.

The one Serge called us about.

Have we met before, Nate?

Not in this incarnation.

Hmm.

Nate was just telling me that he finds Kassell boring.

It's a bold strategy for a job interview.

Boring?

How so?

Oh, honey, I can handle...

I am bored.

I'd go to Kassell to see something new.

Now I go there and see what I see everywhere else.

I don't think your designers are being challenged

to come up with surprises.

Well, surprises can be disastrous.

Exactly.

NATE: Take this jacket, for example.

It could have been a disaster but it works

and the customers told you that.

Yeah, we sold a million of these coats at least.

Literally a million, uh huh.

And we opened six other stores with this.

Kassell's one of the few companies left with,

uh, in-house manufacturing.

Only for samples.

Why not try limited runs.

Lee, what luck.

Nate is not only a designer but also a businessman.

Yes, but we have discussed limited runs haven't we?

ELISE: But every sample costs us thousands of dollars to make.

I mean, this is all very inspiring but talk is cheap.

You're right.

So Nate, you, uh, you like surprises, do you?

I do. Yes.

Well then, surprise me.

Bring me something unique but simple enough

to build in-house.

Consider it done.

How's Friday?

If I like it, we're going to put your theory to test.

You won't be sorry.

*

LEE: Oh, come on.

Let's have a little fun.

*

Friday.

(big sighs)

Friday.

Friday!

I still can't believe that worked.

What?

You guaranteed me it would.

Well, I'm on medication.

Strong medication.

You should never listen to me.

Congratulations.

You are now a designer.

That's exactly my problem.

I don't have anything to present.

Elise has already seen my portfolio.

There is nothing that they have not seen before.

No.

There must be.

Yes.

Yes!

Dad and Elise missed my school showcase.

They haven't seen this one yet.

You see.

I always say everything happens for a reason.

If you had an attentive father, you wouldn't have been able to

trick him into distributing your designs.

BELLA: Ahh!

Oh Kate, that is absolutely stunning.

*

The hautest of haute couture.

Kassell should be knocking you off.

And that's just what they'll be doing.

*

*

Welcome, everybody.

We are here to reveal our new line:

Touch of Glamour.

SIMONE: So it's a mixture of glamour and touching.

Go ahead, touch it.

We also have a variety of animal prints for a sustainable living

and you can really mix it up with this piece.

Drinks at work.

Work at drinks; your choice.

A couple of accessories in the bathroom and tada.

Is this daywear?

Yes.

Because it looks like eveningwear.

(together) Yes.

All right.

Thank you.

ELISE: Love it.

Practical and affordable.

Boring, predictable.

LEE: Wait!

We have one more pitch from a Mr. Nate Ganymede.

Present.

I don't think you go from day to nightwear

by adding earrings and a pair of sparkly heels.

Now that's just me.

All right.

This is Everyday Princess.

Trust me to transform.

Women don't want a Touch of Glamour.

They wanna be the belle of the ball.

You know what women want?

I wanna be the belle of the ball.

I thought we agreed you weren't gonna speak.

Just because you work a 9 to 5

doesn't mean you don't dream of becoming someone else.

Here we are.

Who wouldn't want to take this lovely lady for a spin?

You made that sample in two days?

NATE: Yeah.

It's just something I whipped up.

Forget about 6:30 cocktails.

Let's start thinking about that midnight kiss.

(chuckle)

Special occasions are not our forte.

Lee?

Yes, well unfortunately that is true.

LEE: But, um, I think we should take a shot at this.

You're hired.

Lee, are you reverting to impulse decisions?

We worked on that.

Everyone, that's it.

Let's get back to work.

(chattering)

Nate, do you know there's something about your work

that reminds me of the way Kassell used to be.

Hmm.

It's quite wonderful.

So let's get you a station so you can get to work.

This is Nate's resume.

Look into him.

Dig up dirt.

If we're lucky we'll find some leverage

that can pry him out of Lee's favour.

(together) What?

Don't talk in unison.

It's creepy.

(together) Sorry, Mom.

Hey!

Nothing.

We weren't planning anything.

Cool.

Do you know where I might find some buttons?

NATE: Well, this is just...

this is just spectacular.

What an exquisitely ordered room.

Whoever did this should really get a promotion.

Well, she doesn't work at the company anymore.

Well, what happened to her?

Same thing that's gonna happen to you.

All right.

Look, sugar tits. I know that your mom runs the company

and all but I don't take crap from anyone,

especially two mediocre talents who are in way over their heads.

Now if you want war. I'll give you war.

But trust me, you don't want war.

All right.

That was weird.

You are my hero.

No one talks to those two like that.

I just say what I feel and regret it later.

Please, don't regret, sugar tits.

We should do something to celebrate.

To welcome you to Kassell.

Oh no. That's just... it's really.

Just leave it with me; drinking, dancing.

We'll blow the night away.

Oh, Daniel.

You should come with us for drinks?

Welcome me to Kassell. Maurice is organizing.

Oh, Daniel doesn't like to go out.

I'm in.

Just don't let him choose the place.

(sigh)

Oh, it's a shame he's straight, isn't it?

If you're into that kind of thing.

French, gorgeous.

Trust issues.

About five years ago, he caught his fiancée letting someone else

dip his fork into her fondue.

And by fondue I mean...

Yeah, I get the idea.

He hasn't dated since.

He hasn't even put the train...

Yup, yup, yup.

I, uh, I figured it out.

See you tonight?

*

Isn't this great!

Told you not to let him pick the place.

To the bar!

*

What?

Vodka!

DANIEL: All right.

To the font of all inspiration.

Cheers!

Cheers!

*

(coughing)

Another round!

Yeah!

Cheers!

Cheers!

*

*

*

It's cool, mate. It's alright...

*

BELLA: Ah!

You're home early.

Uh oh, what's wrong?

(scream)

I've installed some spyware so,

if somebody steals your design, you'll know.

And I've hidden your folder on the network.

Wonder what's in this...

Don't open those.

It's a decoy design as a precaution.

Just please, don't look at it.

Hey, hey, hey!

What is it?

(sigh)

My latest idea for my own ears at Kassell.

Alien chic.

No!

Ohh.

What happened?

What is that?

That- that was the 2000's.

Everything was shiny.

Okay, I have no decence.

Hey.

Um, nope... I... bye.

DANIEL: You ignoring me?

Nope.

You're totally ignoring me.

Nope.

Just really gotta...

Come on.

Gotta skedaddle.

DANIEL: You're not the first guy to think I'm gay.

NATE: I wasn't ignoring you.

I'm usually very good at telling.

Well, you've put yourself out there.

It takes balls and I could learn a thing or two from you.

Hmm.

Does Mr. Bergeron carry a little torch for someone?

Nope.

Really.

No one?

No.

Nobody?

Aw, come on.

You can tell me.

She's a designer. Kate.

She was working here before you arrived

and she's talented but humble.

She has no idea how beautiful she is.

She's the opposite of everyone here.

And, um, I don't know.

I just can't stop thinking about her.

It sounds too good to be true.

Yup.

Y'know, I've been burned before.

She doesn't really look interested anyway.

She is... I wager.

You simply must find out.

I'm dying of curiosity.

Yeah, you're right.

*

What, um, are you calling her right at this moment?

Yeah.

You're right.

I'll-I'll give it one more try.

You know, I-I just... I left something...

I'm just gonna give you privacy.

Okay?

(phone ringing)

KATE: Daniel?

Hi.

Hey, I was just, um, thinking about you.

Yeah.

I've been, I've-I've been working at this vintage shop

called After The Ball and we just got this A stilettos in,

and I was like, they're not Cs.

You should, um, you should come by.

Yeah, sure.

(through phone) Seriously, drop by any time.

Okay.

(through phone) Okay.

Okay, bye.

(sigh)

Yes, I...you know...

(mumbling)

*

Yes!

(dancing and singing)

Why is he so happy?

So how did it go?

Thanks, I mean, you-you were right.

She-she invited me to stop by her work.

So, um, I'm knocking off early.

Whoa, whoa, whoa, whoa!

No, no, no.

You're-you're going right now?

Yeah.

Wait, oh you can't.

Why?

Um, oh gosh, look at, look at the roads.

There's traffic just...

Wish me luck, buddy.

*

*

(trying to whistle)

Halt.

A man is just about to come out and get in this cab.

It is very important that, um,

you don't take him on expressways.

He has a real, uh, dizziness problem on expressways.

*

DANIEL: Oh, man.

Sounds like you want me to delay him, uh?

Uh?

Ohh.

60 bucks.

Yeah.

*

Vintage clothes?

Like old clothes worn by other people.

Ew, I need a shower.

*

(singing)

Why are you singing that?

Oh, because-because we're spies-- we're spying.

*

SIMONE: Is that Daniel?

Daniel drives a cab.

No, getting out of the cab.

Yeah.

Getting out.

SIMONE: ...the same place.

Maybe they're working together.

Or maybe they're having an affair.

*

(knocking)

*

(sighing)

Okay.

(knocking)

Hey.

You came?

Wow!

You look great.

You've got something...

Oh, yeah.

It's, uh, a cheek cleanser.

Um, come in.

SIMONE: Kate lives here too.

TANNIS: Of course.

Daniel and Kate are the spies

leaking Kassell designs, Simone.

Phew.

Solved.

I just solved it.

It's us, dummy.

Us.

We're leaking the designs.

Mm hmm.

Do you remember...?

Mm hmm.

Yeah, no I just... that... you make a good point.

*

KATE: I'm quite impressed.

I didn't take you for a chocolate connoisseur.

There's a world of things you don't know about me.

(laughing)

A world of manly things you don't know.

Hmm.

I tried to call you a couple times since you left.

I tried.

I didn't succeed.

Why not?

Um, I don't know.

I'm a little bit out of practice and an idiot.

Hmm.

Well, don't let that stop you.

Hah.

It's not easy for me asking out the boss's daughter.

Well, we're out right now, aren't we?

It's not the same.

I didn't ask and you know.

Okay, well ask me.

Where do you wanna go? Anywhere.

I promise I'll say yes.

No matter where?

Mm hmm.

You name it.

*

(awkward laugh)

Do you want to go to the Fashion Week Ball with me?

Oh my God.

I... yes, yes.

Of course, I'll go with you.

It took a long time.

You're sure.

Yes, yes. I would love to.

Okay, good.

Okay?

Okay.

TANNIS: Hello.

I'm calling about Nate Ganymede.

We have just hired him here at Kassell Designs

and I was just wondering, did he work well with others?

Really.

Team player.

Employee of the month.

What month?

(sigh)

(phone ringing)

*

Versace.

Sergio, (yelling in Italian).

I'm sorry I do not speak foreign.

Bonjourno.

Gucci.

Come va?

Bonjour.

Chanel.

Dolce Gabbanna.

(sigh)

I'm telling you this for nothing.

If he had worked here another month

he would have discovered the cure for cancer.

Everybody loves Nate.

I think I might be starting to love Nate.

We are so screwed, Simone.

Don't worry.

We'll figure it out.

*

This is it.

Are you nervous?

Oh, I may faint.

NATE: This is good, right.

I mean, it looks good.

Elise, let's uh, set Nate up with press for the trades.

Is it worth it for a dress?

No, but they want to talk to the designer of the new fall line.

This early fall?

LEE: Mm hmm.

Oh geez.

ELISE: What about Tannis and Simone's line,

Touch of Glam?

No, no, no, we're not going to do that.

NATE: I'll need somewhere private to work.

LEE: Don't worry about that.

LEE: Well, it's a little late to turn back the orders from China.

Well, why not do it in-house?

Put those dusty machines to use.

Excellent idea.

That's a big risk.

Ah, Colin, I hope you washed your hands?

You know I don't carry germs unless I can accessorize.

(laughing)

Well, Lee, it looks like you have a hit.

We'll see how the numbers add up, Colin.

COLIN: Please keep my offer in mind.

Kassel Frost has a nice ring to it.

Like breaking glass.

By way this is my new designer, Nate.

Nate, Colin.

Oh, well you've always had an eye for talent.

Oh, look at the time.

I have an 11 o'clock with the Pope.

His new hat.

(laugh)

He is funny. I'll give him that.

I wonder what the hell he's doing here.

Who cares?

I have the perfect place for you to work.

*

A runner?

How could you let this happen?

This is a serious setback.

Just play your part.

Let me worry about bringing Kassell down.

Who was that... Nate?

I don't know him.

I know everyone.

ELISE: Relax.

Nate has convinced Lee to produce his line in-house.

It is so risky that even one slip up

and we are back on the shopping block cheaper than ever.

That is the moment to close the deal once and for all.

Woo.

COLIN: Wait, wait, wait.

This Nate has his own line.

Don't worry.

It will be useless if you have it first.

I love the way you say useless.

The moment's over.

So here we are.

Every piece we ever made.

We have one copy here including the first

and I was the only one with the key.

Ah!

Amanda and I did something right at Kassell.

Once upon a time.

But then she passed

and I haven't been able to find it since.

But maybe you can.

Here I want to show you something.

It was 1989 in London.

I was at a party.

A really rather dull party

and then I saw her standing in the doorway.

She was wearing this skirt

and cherry red Doc Marten boots.

So tough but pretty at the same time.

I'd never seen anything like it.

So I knocked off the skirt and I,

and I married the woman.

(sigh)

Even now, there's not a day that goes by

that I don't think about her.

Do you know that my daughter is just like her?

Almost exact and lives, breathes fashion.

Of course, I was hoping

that she'd take over the business.

Really?

Yeah but she hates me.

Deep down I think it's probably my fault.

Are you close with your father?

Yes.

Yes, I am.

The fact is every time I saw Kate,

I saw her mother and I couldn't stand it,

so I pushed her away,

But I wish I could make it right.

Maybe you can.

It's complicated.

Anyway, let's talk of other things.

Yes.

(sniff)

Are you all right?

Yeah, it's just, uh; it's a very moving story.

Oh, well.

But it's all yours.

Perfect.

I'm expecting great things from you Nate.

*

*

NATE: Right, right.

Nate!

What a great sight.

Ha!

Making our own clothes again.

Monday trades are going to read

"Kassell brings production back home."

NATE: Just lovely, isn't it.

It swells the heart.

Yes, it does.

It certainly does.

Of course, it also swells our expenses.

Let's hope your idea pays off.

Of course it will.

LEE: Bravo, gentlemen.

(clapping)

Of course it will.

Can you see anything?

No.

Can you?

No.

LEE: What're you doing?

Nate is totally hogging the archive.

Can you speak to him please?

(knocking)

(clears throat)

Nate

Yes?

Well, may I come in?

Yes, please.

Oh.

Shoo, shoo, shoo.

These are very preliminary

but I think that you get the sense of it.

Oh.

What do you call it?

"Girls Will Be Boys."

Fantastic.

I have an idea.

We're gonna create some buzz.

We'll drop the name at the Fashion Ball tonight.

Oh, you're just going to have such a great time doing that.

It will be when you introduce it to the press.

Oh, um, no.

I'm not going.

Did you say you're not going?

Yeah, I can't, I can't make it.

You realize you have an interview

with Women's Wear Weekly.

The girls told you that, did they not?

Yes.

Well, no.

They... I didn't really hear that.

Hear them saying that.

Well then let me explain something to you.

That interview sets up the whole year for Kassell.

It is a tradition and it is key.

Let me repeat.

Key for our marketing.

Lee, listen.

I would, oh, I would really love to but I just...

y'know I'm just in over my head here.

I...

Nate, you're the new designer for Kassell.

It's not a negotiation.

You're going.

Oh!

LEE: Go.

TANNIS: What? It's not like...

*

Nothing.

Nate takes his sketchbooks

home with him at night.

Whoa.

Forget sketches.

My Colin is going to need design files

if we're going to get a jump on production.

ELISE: Oh, there it is.

The Early Fall Line.

This is even better than how we got Kate.

Way better.

Oh, this is our ticket to better, girls.

Oh.

To bigger and better things.

Well, I have a lot more if none of these work for you.

Please stop, Bella.

You don't understand.

Eventually, one will speak to you.

Wait.

He wants me to do press and pictures as Nate.

*

We have a winner.

Okay.

That's pretty amazing.

You'll look gorgeous. I have just the thing. Hang on.

No.

Bella, I can't.

RICHARD: Can't?

Can't.

Buttercup, have you learned nothing.

If you think you can't do it, then you can't do it.

But what if you believe you can,

and you arrive as Nate and you do your best version of me

and you answer wild and witty questions.

Oh yeah, and then-then you-you-you whisk off

and you are Kate and then it's,

"I'm just a girl standing in front of a boy,"

and you steal his heart and you dance.

(humming)

Honey, I used to do five changes a show.

RICHARD: You can do one.

Sounds easy when he says it.

He always does.

Ohhh.

RICHARD: Wait... this is mine.

It's gorgeous, Bella but I'm arriving as Nate.

I won't need a coat.

What about the ride home?

Hmm, hmm, hmm.

Look.

(humming)

*

*

Nate.

Well, how about that?

Oh, it's marvellous.

Isn't it.

Come with me.

Now, listen.

There's gonna be lots of people you know

and those you don't know I'm going to introduce you.

By the way, Ron is here.

Who?

Ron Sakamoto.

From Zoom.

You apprenticed with him.

Ohhh.

Ron.

Yes, yes, of course.

The Ronster.

I'm just gonna run to the loo.

Uh, I've got to freshen up.

All right, hurry up and comb your hair.

I want this interview over so I can zip outta here.

Mmm.

I think you have to wait to be called.

Why so glum, chum?

DANIEL: Nothing.

I've been stood up, I think.

No, no, no.

I'm sure you haven't.

I'm certain of it. You know...

She's probably just running behind schedule.

Yeah.

I'm sure he's...

I'm sure you're right.

(phone buzzes)

Um, you know, excuse me.

I gotta...I gotta take this. I'll be back.

Come on, Kate.

Pick up.

You haven't lost your prized show dog already have you, Lee?

You should keep him on a short leash.

Colin, you annoy me. Go away.

(laughing)

I was afraid you changed your mind.

No, just got dressed about 50 billion times.

COLIN: Nate!

Gotta go.

Ganymede.

NATE: Oh, Mr. Frost.

COLIN: Colin, please.

I am a big fan of your work.

Wish I could say the same.

(laughing)

Look who's getting cozy with the enemy.

Aren't you a glass of sass?

Ho, ho, ho.

RON: Are you worried your prize designer will jump ship?

Don't worry, Ron.

I won't make the same mistake you did

by letting talent slip through my fingers.

I've never heard of him before your runner.

Nate didn't work at Zoom?

Did he say that he did?

I'll call HR.

Why don't you come work for me?

You're young.

You should be with a winner.

I prefer to work somewhere with a little bit of legacy.

Nothing lasts forever.

(laughing)

Glare away.

Okay.

Ha, ha, huh.

*

*

Ugh.

*

*

*

Hi.

Wow.

I'm sorry that I was late.

It's okay.

Um, I want to dance with you.

Okay.

KATE: So formal.

DANIEL: (laugh) Trying.

*

*

Look at you.

*

DANIEL: Barely recognize you.

You're all coordinated.

Shut up.

KATE: You're not so bad.

Mm hmm.

Mm hmm.

LEE: Excuse me.

Kate?

Dad?

What... I didn't expect to see you here.

I'm with Daniel.

Oh.

Yes. Hello, Daniel.

Ah well, uh, Daniel have you seen Nate?

Uh, yeah.

He's around somewhere.

Uh, he's got a very important press interview.

I can't seem to find him.

Anyway... well, enjoy yourselves.

Uh, will you excuse me for a second?

You okay?

Yeah, yeah. I'm fine.

I'll be back in one minute.

*

Hello.

Oh, you're going to mess up my lipstick.

Are you always this pushy?

Only when I want something this badly.

How would you like Nate's entire fall line?

COLIN: Oh, you wicked, wicked girl.

ELISE: I think it's time to finalize deal points.

You'll have papers ready for Kassell.

Mm hmm.

And for me as...

Full partner in every sense.

And my daughters?

COLIN: Huh, fine.

Bring Nate with you.

ELISE: Mm.

Well, I can't promise that he'll come.

Where else is he gonna go?

(laughing)

(clunk)

COLIN: What was that?

Hello?

*

Hmm.

Something must have tipped.

Let's go.

All right.

You go first.

Go on.

(heavy breathing)

I knew it.

*

Lee!

Lee, come here.

Get down here.

I think you are right to worry about Nate.

Just got off the phone with Angela at Dior.

Never heard of him.

What?

ELISE: Yes and then Stan called me back.

He's not registered with us.

There's no personal information.

We're not even paying him.

How can this be?

ELISE: I told you no to...

I've been thinking.

This Nate Ganymede is a real find.

Where did he come from?

I don't know.

Well, his new fall line up is absolutely stunning.

How do you know about the fall line-up?

Oops.

(laughing)

Oh, honey.

I'm so sorry.

That little bastard.

Nate!

Lee. I have to tell you something.

Too late. I know everything.

I need to speak with you in private.

I know that you lied about your training.

I know that you lied about your experience.

There is no Nate Ganymede.

None of that matters anymore.

It doesn't matter?

How dare you?

You've been working for Colin Frost all along.

This is all Elise.

She's the one conspiring with Colin.

That is your defense?

Stop.

Stop.

Both of you stop.

We're taking Colin's offer. Enough.

You cannot sell Kassell.

He has our full line.

Kassell's finished.

You, you're quite the actor.

You had me believing that Kassell could be great again.

ELISE: Oh, honey... I am so sorry.

*

(grunting and sobbing)

(crying)

(crying)

*

TANNIS: Oh no you don't, boyfriend.

DANIEL: Sorry.

*

*

(heavy breathing and sobbing)

KATE: Ah!

*

Ow.

Kate!

*

DANIEL: Kate?

*

Kate!

*

*

BELLA: Hey.

What's wrong, sweetheart?

(sniffling)

KATE: They're showing my line.

The one you saw Elise give to Colin

last night in the storage room.

Damn.

Bloody, thieving spies.

*

Oh my God.

Spies.

Spyware.

Yes, there's spies.

*

Kassell Clothing.

For not much longer. Maurice speaking.

Yes.

Hello, Maurice.

It's Nate.

*

I need your help with something.

Security is just insane around here today.

Right.

After The Ball.

Okay.

I'm on my way.

Where's the computer?

It's just in the back.

Oh, hi Daniel.

Um, I didn't see you leave last night.

Oh, uh, yeah.

I love the grand entrances but I prefer to slip out unnoticed.

Um, I need your help with something.

Y'know, Daniel. I'm kinda in the middle of something.

It won't take a moment.

DANIEL: Please sit.

Maybe I...

Sit down.

I'm experimenting with the feeling of a shoe.

So don't look, okay?

All right.

All right.

I won't look.

I don't want you influenced by

how you think it's going to feel.

*

Perfect fit.

Stand up.

How does it feel?

Yeah, it's okay.

Uh, a little tight in the toe perhaps.

Mmm.

Good for a night out but not a hike in the woods.

Precisely.

Daniel!

I... I, you know I haven't shaved and...

I thought you were into girls...one particular...

Kate.

Hi.

MAURICE: What the...?

Daniel?

Hmm.

That's ridiculous.

No, Maurice.

It's Kate.

It's Kate.

Kate?

You know,

you're the first woman I've been attracted to

since Hilary Swank.

I'm sorry I lied to you.

Hey.

Oh.

Here we are.

Last night.

Elise!

*

Ow.

I don't see anyone. Do you?

Yeah.

The two of us.

This changes everything.

Lee has to see this before he signs the merger papers today.

In half an hour.

Show him right now.

KATE: Wait.

He won't talk to Nate.

Yeah but this is important.

What would I say? I mean, he doesn't believe me.

Either one of me.

Just because you assumed a fake identity

and have been living a double life?

Put the video online and call him.

How will we know that he's actually seen it?

No, we need to physically show it to him.

He needs to know that Elise is why

my designs were leaked and it wasn't Nate.

I mean me.

Except those weren't your designs.

Maurice, I saw Elise hand over a drive.

Frost Apparel is doing the preview at the press conference.

No one's touched your work.

They have the decoy; Alien Chic.

(laughing)

(phone ringing)

I know.

(phone ringing)

Yes, hi.

It's Nate Ganymede speaking.

(through phone) Nate, this is Tannis.

I am calling to tell you that Lee is selling the company.

I doubt that's why you're actually calling me

and I'm kind of in the middle of something, girls.

*

Hello, Nate.

Hello, Kate.

Huh, I have to admit I never imagined you two

would figure this out.

Well, we did and you aren't.

Right.

Well, good for you.

I'm actually....

Don't you want to know what we want?

Want?

SIMONE: To stop us revealing to Lee

that his daughter is actually a boy.

Uh, okay, yeah sure.

What do you want?

Well, Nate has to ensure that we become head designers at Frost.

How could I do that?

By turning down the job when Colin offers it to you.

Publicly.

At the press conference.

Yeah and recommending us and saying that we're awesome.

Yeah, cause we are.

TANNIS: Cause we are.

Nate can't get into the press conference.

(laugh)

Don't worry.

We can get you in.

*

Did you make samples of Alien Chic?

Yes.

It keeps me up at night.

*

SIMONE: Where's he going?

To get the fall line designs for the press conference.

Let's go.

*

*

SIMONE: You gonna change into Nate?

Or do you need a phonebook?

It's a phone- phone booth.

I need Maurice.

*

KATE: Finally.

All right. I'll be quick.

I'm getting pretty good at this.

Wait. What are those?

It's Nate's fall line designs.

There are samples?

Just two.

I've gotta be quick to make the announcement.

No, no, no.

You're not gonna wear them.

We should wear them.

We'll wear them.

We're gonna wear those.

Why would you wear those?

But I...

Don't try and take all the credit, Kate.

We're smarter than that.

Give those to me.

Excuse me.

We will wear them.

Okay.

(laughing)

Shh.

Help me. Help me.

Okay, here.

The fourth largest apparel concern in North America.

(applause)

I'd now like to invite Lee Kassell to say a few words.

Mmm.

(applause)

Yeah. How many? 'Kay, coming.

I built Kassell to last.

When my first wife, Amanda died...

Stop.

ELISE: How'd you get in here?

I need you to know, Colin, before you sign

that I have no intention of joining you at Frost.

What the hell...?

Furthermore, I recommend Kassell's power duo,

Tannis and Simone are far better

to head the Frost design department.

They are awesome.

*

(laughing)

Don't laugh, peasants.

This is the new fall line.

That is not the new fall line.

I dunno what the hell is going on here

but that is not the new fall line.

It isn't?

NATE: No.

It isn't but Elise thought it was.

Security!

Please escort this man out.

Maurice, the video.

Get out of my way!

*

Don't!

Don't!

Don't touch me!

My Colin is gonna have to have design files

if we're gonna get a jump on production.

Oh, there it is.

The early fall line.

This is even better than how we got Kate.

You should really consider bangs.

It would be really cute.

This is our ticket to better, girls.

You would turn me against my own daughter?

Lee, no.

Lee, you misunderstand.

Just stop.

You've hurt my dad long enough, Elise.

ELISE: Oh my God.

Is that you, Katie?

Only my mother called me Katie.

The name is Kate.

Ohhh!

Kate?

ELISE: Oh.

We figured that out already.

Like a long time ago.

ELISE: It all makes sense.

You see, Katie the traitor came back as Nate the traitor.

That's-that's what happened.

I would stop talking unless

you want us to play the next video?

A little number I like to call "Storage Room with Colin."

What?

ELISE: I-I...

It was me that you heard in there.

Remember.

You wicked, wicked girl.

No, it's not true.

It's not true.

Maurice, the video.

Wait!

Stop.

Elise.

I think it's time for these two gentlemen to escort you out.

Goodbye.

You'll regret it.

*

COLIN: My God.

I've ordered 10,000 units of that monstrosity.

Ladies and gentlemen, Frost's new fall line.

(laughing)

No.

COLIN: Go you half-wit, moronic baboons.

Go!

Move, you bobbleheads from hell!

Just move!

Kate.

I'm so sorry.

Can you ever forgive me?

I wish Mom were here.

I think she is.

I know she is.

(clears throat)

Ladies and gentlemen.

I present to you Kassell's fall line.

KATE: "Girls Will Be Boys."

*

(applause)

Bravo!

*

*

Maurice, this is Jennifer.

She's thinking of joining us here at Kassel.

Hi.

Hi.

Thank you.

Mm hmm.

If he ever asks you out dancing, make sure you pick the club.

Oh my God.

Is that Daniel Bergeron?

His shoes are to die for.

Not just his shoes.

Hi.

Hey.

*

LEE: Kate!

Come see.

(chuckling)

Hey, dad.

Here's the creator of our new runner.

(applause)

Not a runner yet.

Let's wait until it's in stores.

No.

So what do you think?

Oh, I couldn't say.

I just say what I think and regret it later.

I think it's beautiful.

And...

Um, I would maybe add a trim.

Why not?

Yeah.

Yeah, good idea.

What'd you think?

Why not?

Embellish the lace line?

Yeah.

LEE: We could embellish...

*

* I can't stand the heat when you're next to me. *

*

* No one said that this is how it would feel. *

*

*

*

*

*

*

*

*

*

*

*

ELISE: Colin, I want you to know that we will be happy

to do whatever it takes to help Frost recover.

Oh, I think I found the perfect job for you.

COLIN: This room hasn't been sorted in years.

Enjoy.

TANIS: Buttons!