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These are the user uploaded subtitles that are being translated: 1 00:00:06,950 --> 00:00:11,950 DOWNLOADED FROM WWW.AWAFIM.TV 2 00:00:11,950 --> 00:00:16,950 For latest movies and series with subtitles Visit WWW.AWAFIM.TV Today 3 00:00:16,950 --> 00:00:22,652 [AUDIENCE APPLAUDING] 4 00:00:23,348 --> 00:00:25,263 And the nominees for the Best Yell 5 00:00:25,350 --> 00:00:27,265 in an Action Film are... 6 00:00:27,396 --> 00:00:30,921 Vin Spiegel in Go Forth Gut-wrenched. 7 00:00:31,226 --> 00:00:33,184 [DRAMATIC MUSIC PLAYING] DEEP ROBOTIC VOICE: Ten, nine, 8 00:00:33,271 --> 00:00:36,057 eight, seven, six, 9 00:00:36,405 --> 00:00:39,190 five, four, three...[YELLS] 10 00:00:39,364 --> 00:00:40,670 [MUSIC FADES] 11 00:00:40,800 --> 00:00:44,935 And Professor Piero Pomponi for Bad Informations. 12 00:00:45,805 --> 00:00:47,851 [SONAR DINGS] 13 00:00:48,547 --> 00:00:49,548 [DRAMATIC MUSIC PLAYING] 14 00:00:49,635 --> 00:00:54,379 [MUFFLED YELLING] 15 00:00:55,511 --> 00:00:57,252 [YELLS] 16 00:00:57,600 --> 00:00:58,992 [AUDIENCE APPLAUDING] 17 00:00:59,080 --> 00:01:00,820 And Brick Maxwell for The Big Bang II: 18 00:01:00,951 --> 00:01:04,563 Light the Fuse.[AUDIENCE CHEERING, APPLAUDING] 19 00:01:06,261 --> 00:01:10,221 [INTENSE MUSIC PLAYING] 20 00:01:13,094 --> 00:01:15,835 [SCREAMS][MUSIC FADES] 21 00:01:15,922 --> 00:01:17,663 [AUDIENCE APPLAUDING] 22 00:01:18,055 --> 00:01:21,841 And Nic Cassino for Spike Five: Death Match 3000. 23 00:01:21,972 --> 00:01:24,453 [AUDIENCE CHEERING, APPLAUDING] 24 00:01:27,108 --> 00:01:31,460 [BOTH GRUNT][DRAMATIC MUSIC PLAYING] 25 00:01:31,721 --> 00:01:32,548 [MASKED MAN YELLS] 26 00:01:36,769 --> 00:01:40,686 [GRUNTS, YELLS] 27 00:01:41,731 --> 00:01:43,733 [AUDIENCE APPLAUDING] 28 00:01:45,038 --> 00:01:49,086 And the award goes to...[FANFARE MUSIC PLAYING] 29 00:01:51,306 --> 00:01:53,482 - My God! Brick Maxwell! - Ooh! Brick Maxwell 30 00:01:53,569 --> 00:01:55,701 for The Big Bang II: Light the Fuse! 31 00:01:55,788 --> 00:01:58,182 [AUDIENCE CHEERING, APPLAUDING] 32 00:01:58,269 --> 00:02:00,837 [TRIUMPHANT MUSIC PLAYING] 33 00:02:00,924 --> 00:02:01,794 Whoo! 34 00:02:05,233 --> 00:02:09,367 [AUDIENCE CHEERING, APPLAUDING] 35 00:02:09,454 --> 00:02:11,935 [MUSIC CONTINUES FAINTLY] 36 00:02:12,022 --> 00:02:15,112 [INDISTINCT CHATTER] 37 00:02:20,683 --> 00:02:22,511 How about a Slow Screw Against the Wall? 38 00:02:24,382 --> 00:02:25,601 Can you believe this kid? 39 00:02:27,820 --> 00:02:28,995 Can't even do a pushup 40 00:02:29,082 --> 00:02:30,345 and he's the new face of action films. 41 00:02:30,910 --> 00:02:31,955 Please. 42 00:02:32,042 --> 00:02:33,826 Estrogen is the new testosterone. 43 00:02:34,044 --> 00:02:35,219 The demographic is changing 44 00:02:35,306 --> 00:02:36,568 and they want a new kind of hero. 45 00:02:37,395 --> 00:02:39,484 One who's a little more vulnerable. 46 00:02:40,311 --> 00:02:42,095 Shit, it's all done with computers anyway. 47 00:02:42,270 --> 00:02:44,968 That's what I'm saying, Jack. Award's for action films. 48 00:02:45,142 --> 00:02:46,578 - Not action cartoons. - Hmm. 49 00:02:46,665 --> 00:02:48,276 - NIC: The stuff I do is real. - JACK: Yeah. 50 00:02:48,363 --> 00:02:50,278 Fire, explosions, car chases. 51 00:02:50,365 --> 00:02:53,716 - This scar. Morocco, 2016. - JACK: Yeah. 52 00:02:53,846 --> 00:02:56,327 You won this award - three years running. - Yeah. 53 00:02:56,458 --> 00:02:58,808 And your next film is testing through the roof. 54 00:02:59,287 --> 00:03:00,201 You're still young. 55 00:03:01,245 --> 00:03:02,855 Jack, I'm 53. 56 00:03:03,247 --> 00:03:04,379 Fifty is the new 20. 57 00:03:04,466 --> 00:03:06,685 [SCOFFS] Yeah, right.[JACK CHUCKLES] 58 00:03:06,772 --> 00:03:09,384 Fifty. Still haven't done my Streetcar Named Desire. 59 00:03:09,471 --> 00:03:10,863 The world needs to see... 60 00:03:11,124 --> 00:03:12,343 [MIMICS MARLON BRANDO] ...the Brando. 61 00:03:12,430 --> 00:03:14,084 I'm gonna swallow a bug.[JACK CHUCKLES] 62 00:03:14,171 --> 00:03:15,999 Why don't you come by my office tomorrow, we can talk. 63 00:03:16,478 --> 00:03:19,611 I might have something for you. A Disney project. 64 00:03:20,090 --> 00:03:21,526 - Disney? - JACK: Disney. 65 00:03:21,961 --> 00:03:23,789 - NIC: Family films? - Yeah, why not? 66 00:03:25,878 --> 00:03:27,793 Yeah, could show my range. 67 00:03:28,707 --> 00:03:30,753 Exactly. It's an opportunity for you. 68 00:03:31,580 --> 00:03:32,668 Interesting. 69 00:03:36,759 --> 00:03:38,413 Magilla Gorilla? 70 00:03:39,414 --> 00:03:40,415 What? 71 00:03:40,589 --> 00:03:43,505 It's got heat. They're talking ensemble cast. 72 00:03:43,722 --> 00:03:46,029 Check this out. Danny DeVito as Mr. Peebles. 73 00:03:46,159 --> 00:03:49,075 I'm not playing a gorilla, Jack! That's where I draw the line. 74 00:03:49,598 --> 00:03:51,600 You're not gonna play a gorilla. 75 00:03:51,730 --> 00:03:54,342 Just lend your voice.[GRUNTS] No! 76 00:03:54,733 --> 00:03:56,300 The old man would turn in his grave 77 00:03:56,387 --> 00:03:58,128 if he knew his son was playing an ape. 78 00:03:58,215 --> 00:04:00,086 Nic, it's a payday. 79 00:04:00,478 --> 00:04:02,001 It could be a future franchise. 80 00:04:02,132 --> 00:04:03,655 What's happening with The Horseman? 81 00:04:05,353 --> 00:04:07,442 Listen, I gotta call you back.[CELL PHONE BEEPS] 82 00:04:08,747 --> 00:04:11,794 [SIGHS] They're going with Brick Maxwell. 83 00:04:13,578 --> 00:04:15,058 They wanted someone a little more... 84 00:04:15,450 --> 00:04:16,668 prepubescent. 85 00:04:18,931 --> 00:04:20,498 What? What does that mean? 86 00:04:21,630 --> 00:04:22,631 Younger, Nic. 87 00:04:23,414 --> 00:04:25,721 They wanted someone younger. 88 00:04:26,025 --> 00:04:27,940 Look, kid, it happens fast in this business. 89 00:04:28,637 --> 00:04:30,203 One day, you're on the top of the hill, 90 00:04:30,291 --> 00:04:32,293 the next day you're over it.[FOOTSTEPS APPROACHING] 91 00:04:34,599 --> 00:04:35,600 [JACK SIGHS] 92 00:04:35,818 --> 00:04:37,341 It kills me that you're not getting the parts. 93 00:04:37,428 --> 00:04:38,473 Believe me. 94 00:04:39,082 --> 00:04:42,085 I raised my tent on your pole. Remember? 95 00:04:42,215 --> 00:04:44,696 Spike? Spike II? Spike III? 96 00:04:45,001 --> 00:04:47,264 [SIGHS] But things change. 97 00:04:47,743 --> 00:04:49,745 Yesterday, it was underdog action heroes. 98 00:04:49,875 --> 00:04:52,487 Today, it's... teenage zombies. 99 00:04:55,446 --> 00:04:57,405 Hey, here's something you might like. 100 00:04:58,231 --> 00:05:00,059 No cartoons, Jack. Not now. 101 00:05:00,233 --> 00:05:01,800 - No cartoons. - JACK: No. No, no. 102 00:05:02,105 --> 00:05:05,891 A festival in Italy wants to do a retrospective on your career. 103 00:05:06,588 --> 00:05:09,591 Why don't you take Aurora and have a nice trip? 104 00:05:10,113 --> 00:05:11,593 I haven't seen her since the awards. 105 00:05:11,680 --> 00:05:15,161 - Uh, a retrospective? - Then go yourself. 106 00:05:15,248 --> 00:05:16,772 The Italians have always loved your films. 107 00:05:17,338 --> 00:05:18,426 [SCOFFS] 108 00:05:19,122 --> 00:05:21,777 Sure. Like, where? Where is it? 109 00:05:21,951 --> 00:05:24,562 In Naples. The Giffoni Film Festival. 110 00:05:25,563 --> 00:05:26,521 Hmm. 111 00:05:29,132 --> 00:05:30,481 I could use a bit of love. 112 00:05:31,439 --> 00:05:32,918 I think. [INHALES] 113 00:05:33,310 --> 00:05:35,181 [EXHALES DEEPLY] 114 00:05:39,577 --> 00:05:42,232 Mr. Cassino? We're ready to go. 115 00:05:42,537 --> 00:05:43,581 Great. 116 00:05:43,799 --> 00:05:47,672 ["MOVING ALONG" PLAYING] 117 00:05:55,550 --> 00:05:58,030 [PLANE ENGINE ROARING] 118 00:05:59,423 --> 00:06:02,426 ♪ If I could, you know I would try and tell you ♪ 119 00:06:03,558 --> 00:06:06,474 ♪ How it all went gone to seed 120 00:06:06,909 --> 00:06:09,128 ♪ If I could move When you shoot ♪ 121 00:06:09,215 --> 00:06:11,130 ♪ I'd fire back at you ♪ 122 00:06:11,870 --> 00:06:14,003 ♪ I'm in an awful way 123 00:06:29,627 --> 00:06:32,630 ♪ When I was poor I was a harder man, I tell you ♪ 124 00:06:33,501 --> 00:06:36,591 ♪ Worked 47 hours a week 125 00:06:37,156 --> 00:06:39,463 ♪ But with holes in my shoes ♪ 126 00:06:39,550 --> 00:06:41,639 ♪ I didn't have no blues ♪ 127 00:06:41,987 --> 00:06:44,337 ♪ I'm in an awful place ♪ 128 00:06:44,425 --> 00:06:46,644 ♪ Now, you're cutting me off At the knees ♪ 129 00:06:47,689 --> 00:06:50,518 ♪ And you're cutting me off At the heart ♪ 130 00:06:51,301 --> 00:06:53,825 ♪ I caught some trouble Under my feet ♪ 131 00:06:53,912 --> 00:06:55,305 [CROWD CHEERING] 132 00:06:55,392 --> 00:06:58,134 ♪ But I gotta be moving along ♪ 133 00:07:00,223 --> 00:07:02,921 Whoo! 134 00:07:03,966 --> 00:07:05,184 Whoo![CELL PHONE CLICKS] 135 00:07:06,925 --> 00:07:09,058 Whoo![CAMERA SHUTTERS CLICKING] 136 00:07:09,928 --> 00:07:11,408 [YELLS] 137 00:07:11,495 --> 00:07:13,279 [SONG CONTINUES] 138 00:07:15,673 --> 00:07:17,283 Whoo! 139 00:07:17,632 --> 00:07:19,460 [CAMERA SHUTTERS CLICKING] 140 00:07:19,547 --> 00:07:21,810 Whoo! Whoo! 141 00:07:21,897 --> 00:07:23,768 ♪ I gotta be moving on ♪ 142 00:07:23,899 --> 00:07:28,643 ♪ Moving on ♪ 143 00:07:29,774 --> 00:07:30,906 ♪ Move! 144 00:07:32,429 --> 00:07:36,781 [SCATTERED APPLAUSE][SONG FADES] 145 00:07:37,782 --> 00:07:40,350 [IN ITALIAN] Ladies and gentlemen, kids. 146 00:07:40,568 --> 00:07:43,005 [IN ENGLISH] Stay, stay, stay! Just a moment! Stay! 147 00:07:43,135 --> 00:07:46,182 The director of the film is in attendance 148 00:07:46,399 --> 00:07:49,098 and will be available for a Q&A. 149 00:07:49,228 --> 00:07:51,970 [DOOR CLOSES] Stay! Stay, stay, stay! 150 00:07:52,536 --> 00:07:54,756 Please! Just a moment! 151 00:07:54,886 --> 00:07:55,844 A question? 152 00:07:59,500 --> 00:08:00,849 I have a question. 153 00:08:00,936 --> 00:08:03,460 The American superhero, Nic Cassino? 154 00:08:03,765 --> 00:08:05,070 Where is the conference? 155 00:08:07,029 --> 00:08:09,466 FABRIZIO: Uh, Lore, do you remember Fausto? 156 00:08:09,597 --> 00:08:11,512 We taught filmmaking together 157 00:08:11,599 --> 00:08:12,991 at the Centro Sperimentale.[CHUCKLES] 158 00:08:13,078 --> 00:08:16,038 Ah, yes, of course. The days of hope and glory. 159 00:08:16,168 --> 00:08:18,867 [CHUCKLES] I told Fabrizio, 160 00:08:18,997 --> 00:08:22,131 any service I can provide to help his career. 161 00:08:22,218 --> 00:08:24,176 I am, as we say in Naples... 162 00:08:24,263 --> 00:08:25,526 [IN ITALIAN] I am available. 163 00:08:25,700 --> 00:08:26,918 [IN ENGLISH] Whatever you need. 164 00:08:27,310 --> 00:08:29,007 Do you sell life insurance? 165 00:08:29,617 --> 00:08:30,618 Ah! 166 00:08:30,705 --> 00:08:33,838 [ALL LAUGH] It was a joke. 167 00:08:33,925 --> 00:08:35,666 Fabrizio, you know, it's late. 168 00:08:36,145 --> 00:08:38,582 The hydrofoil for Ischia is leaving in an hour. 169 00:08:38,756 --> 00:08:39,888 And Ombretta? 170 00:08:40,018 --> 00:08:42,368 She's outside trying to get a signal. 171 00:08:42,499 --> 00:08:44,762 Nello is calling to meet us at the port. 172 00:08:44,893 --> 00:08:46,808 - So, very nice to meet you. - Bye. 173 00:08:48,766 --> 00:08:50,159 Our daughter.[CHUCKLES] 174 00:08:50,246 --> 00:08:51,856 She's an actress.[CHUCKLES] 175 00:08:51,943 --> 00:08:53,597 - Can we go now? - Yes, we go. 176 00:08:53,902 --> 00:08:55,599 - Is it Lello? - Nello. 177 00:08:55,730 --> 00:08:57,993 Nello, Lello. What's the difference? 178 00:08:58,123 --> 00:09:00,212 [SPEAKS ITALIAN] 179 00:09:00,561 --> 00:09:02,127 "Marry and buy cattle 180 00:09:02,214 --> 00:09:05,130 from your own town and you won't be let down." 181 00:09:05,261 --> 00:09:06,871 Yes. Of course. 182 00:09:07,785 --> 00:09:11,006 - A lot of good it did me. Hmm. - NIC: Jack! 183 00:09:11,310 --> 00:09:13,530 Yep, safe and sound.[FAINT CHEERING IN BACKGROUND] 184 00:09:13,661 --> 00:09:15,097 Could've warned me about the Amalfi drive. 185 00:09:15,184 --> 00:09:16,533 You know what I'm like with heights. 186 00:09:17,012 --> 00:09:18,491 JACK: [OVER PHONE] Hey, I got some news for you.[CROWD CHEERING] 187 00:09:18,883 --> 00:09:20,885 Mm-hmm? The Horseman came through? 188 00:09:21,712 --> 00:09:22,931 JACK: You sittin' down? 189 00:09:23,235 --> 00:09:26,848 Uh... [GRUNTS] I am now. I'm sitting. 190 00:09:26,978 --> 00:09:28,284 What's the news? 191 00:09:28,763 --> 00:09:30,025 JACK: Not that kind of news. 192 00:09:30,112 --> 00:09:32,157 - NIC: Uh-huh? - JACK: Aurora came by. 193 00:09:32,331 --> 00:09:35,030 - NIC: Right? - JACK: She's filing for divorce. 194 00:09:35,944 --> 00:09:39,991 Hmm. Interesting. That's... That's terrific. 195 00:09:40,731 --> 00:09:42,864 Yeah! I love you, too.[CROWD CHEERING] 196 00:09:42,951 --> 00:09:44,866 My wife's filing for divorce. 197 00:09:45,301 --> 00:09:48,434 [CHUCKLES] Yeah, she's off with Brick... Brick Maxwell. 198 00:09:48,565 --> 00:09:50,480 Noodle arms. Spaghetti arms. 199 00:09:50,872 --> 00:09:52,874 The guy who pretends he's an action hero. 200 00:09:52,961 --> 00:09:55,485 Really not. I love you, too. 201 00:09:56,225 --> 00:09:58,053 Jack, you need to get me out of this. 202 00:09:58,140 --> 00:09:59,968 JACK: [OVER PHONE] You wanna use the food allergy routine? 203 00:10:00,882 --> 00:10:02,797 Yeah. Whatever, yeah. 204 00:10:03,754 --> 00:10:05,277 JACK: I'll try to hold the jet for you. 205 00:10:06,235 --> 00:10:09,455 Right. Uh, wait. Uh, Jack. Um... 206 00:10:09,586 --> 00:10:11,936 I need some time. Is there... 207 00:10:12,894 --> 00:10:15,548 any place out here where I can stay low for a few days? 208 00:10:16,245 --> 00:10:17,550 JACK: Well, George Clooney's villa 209 00:10:17,638 --> 00:10:19,117 is up for sale.[SIGHS] 210 00:10:19,204 --> 00:10:20,641 JACK: But it's way up north. 211 00:10:22,817 --> 00:10:24,209 What about Sofia's? 212 00:10:24,645 --> 00:10:26,081 JACK: Vin Spiegel's staying there. 213 00:10:26,168 --> 00:10:28,518 [INHALES] They're prepping Sergeant Stone. 214 00:10:28,997 --> 00:10:31,347 Right, well-- God. 215 00:10:31,521 --> 00:10:33,915 Anywhere where no one knows who I am. 216 00:10:35,307 --> 00:10:36,787 - All right. - JACK: Wait a second. 217 00:10:37,179 --> 00:10:39,877 There's an Italian actress who's got a villa nearby. 218 00:10:40,312 --> 00:10:42,314 Place called Ischia. 219 00:10:42,445 --> 00:10:45,230 Yeah. Ischia. Sounds great. All right. 220 00:10:45,361 --> 00:10:47,102 [SHIP HORN BLARING] 221 00:10:48,581 --> 00:10:50,975 [INDISTINCT CHATTER] 222 00:10:55,458 --> 00:10:59,462 [CHUCKLES] Nello, I introduce my mother, Lorella. 223 00:10:59,549 --> 00:11:02,813 - Nice to meet you. - And my father, Fabrizio. 224 00:11:02,944 --> 00:11:05,555 It's a pleasure and an honor to meet you. 225 00:11:05,773 --> 00:11:07,731 I've heard so much of your films. 226 00:11:08,471 --> 00:11:10,429 - Have you seen any of them? - NELLO: No. 227 00:11:11,866 --> 00:11:13,389 But I feel as I have. 228 00:11:13,868 --> 00:11:16,566 Ombretta has spoken of them so often. 229 00:11:17,045 --> 00:11:19,743 Such courage to make a three-hour film 230 00:11:19,830 --> 00:11:21,223 in this day and age. 231 00:11:22,224 --> 00:11:25,096 Courage? Interesting point of view. 232 00:11:26,010 --> 00:11:27,490 - Listen, Lello. - Nello. 233 00:11:28,317 --> 00:11:32,060 Sorry. Nello. We are very tired. 234 00:11:32,364 --> 00:11:35,803 Six hours on the train, three hours at the festival. 235 00:11:36,107 --> 00:11:38,370 Can we just go to the hydrofoil? 236 00:11:38,501 --> 00:11:41,243 Papa. Nello has a surprise for you. 237 00:11:41,330 --> 00:11:42,548 - Yes? - OMBRETTA: Yes. 238 00:11:43,593 --> 00:11:46,204 A private boat and tour. 239 00:11:50,513 --> 00:11:52,428 Wow. Hmm. 240 00:11:52,515 --> 00:11:54,299 ["CI PENSIAMO DOMANI" PLAYING] 241 00:11:54,386 --> 00:11:57,085 [SINGING IN ITALIAN] 242 00:12:11,403 --> 00:12:16,191 And as we reach the end of our tour, 243 00:12:16,278 --> 00:12:20,848 I'd like to show you the most beautiful jewels 244 00:12:20,978 --> 00:12:23,459 of our exotic island. 245 00:12:25,200 --> 00:12:27,724 [LAUGHS] 246 00:12:27,811 --> 00:12:29,160 I am speaking, of course, 247 00:12:29,247 --> 00:12:32,598 of the many celebrity villas here in Ischia. 248 00:12:32,685 --> 00:12:35,036 We are in the district of Zaro. 249 00:12:35,340 --> 00:12:38,300 And here, at one time or another, 250 00:12:38,909 --> 00:12:41,303 famous director Luchino Visconti, 251 00:12:41,433 --> 00:12:43,653 international actress Liz Taylor, 252 00:12:44,001 --> 00:12:46,699 and her lover, Richard Burton, 253 00:12:46,787 --> 00:12:48,789 made Ischia their summer residence. 254 00:12:48,876 --> 00:12:52,618 [SONG CONTINUES] 255 00:12:57,623 --> 00:12:59,800 Sorry, can you close it? 256 00:13:00,670 --> 00:13:01,714 Thank you. 257 00:13:02,454 --> 00:13:06,981 And so, signori, I now bid you arrivederci. 258 00:13:07,329 --> 00:13:08,417 Auf Wiedersehen. 259 00:13:09,113 --> 00:13:10,245 Au revoir. 260 00:13:10,941 --> 00:13:12,029 Ni hao. 261 00:13:12,334 --> 00:13:14,249 Bye! [LAUGHS] 262 00:13:14,336 --> 00:13:15,772 [SONG CONTINUES] 263 00:13:15,903 --> 00:13:18,035 [SINGING IN ITALIAN] 264 00:13:45,280 --> 00:13:48,109 [SONG FADES][SHIP HORN BLARING] 265 00:13:48,239 --> 00:13:50,807 [LORELLA MURMURS] Uh, excuse me. 266 00:13:50,894 --> 00:13:53,897 Are you looking perhaps for "Favuzzo?" 267 00:13:54,506 --> 00:13:58,380 Oh, si![LAUGHS] Favuzzo! 268 00:13:58,815 --> 00:14:01,252 [SMOOCHES, LAUGHS][CHUCKLES] 269 00:14:01,339 --> 00:14:03,037 I am Angioletto. 270 00:14:03,211 --> 00:14:05,909 Di Meglio. I am the father of-- 271 00:14:05,996 --> 00:14:08,303 - Ah, Lello. Of course. - Nello. 272 00:14:08,433 --> 00:14:11,219 Oh. Nello, Lello. What's the difference, huh? 273 00:14:11,306 --> 00:14:13,003 [SMOOCHES] You're right. 274 00:14:13,090 --> 00:14:14,787 [CHUCKLES] Thank you. [CHUCKLES] 275 00:14:14,875 --> 00:14:16,180 But... But-- 276 00:14:16,267 --> 00:14:17,965 Where are the two fidanzatini? 277 00:14:18,095 --> 00:14:19,923 The... the young lovers. 278 00:14:20,010 --> 00:14:23,144 Nello went to check for our hotel. 279 00:14:23,448 --> 00:14:24,754 - We are very tired. - Yeah. 280 00:14:24,841 --> 00:14:26,974 Oh! You are our guests. 281 00:14:27,061 --> 00:14:29,585 Filomena has already prepared your room, 282 00:14:29,672 --> 00:14:32,240 and she has been cooking for three days. 283 00:14:32,370 --> 00:14:35,547 Ah, but we have just met. We really can't impose. 284 00:14:35,678 --> 00:14:37,245 No, no, no--We can't impose, we-- 285 00:14:37,332 --> 00:14:39,551 With the engagement of our children, 286 00:14:39,638 --> 00:14:41,031 we are practically family. 287 00:14:41,205 --> 00:14:43,599 [CHUCKLES] And besides we have plenty of room.[CHUCKLES] 288 00:14:43,686 --> 00:14:46,776 [CHUCKLES] Oh, come on! Come on! [LAUGHS] 289 00:14:46,863 --> 00:14:48,169 Plenty of room... 290 00:14:52,260 --> 00:14:54,915 [ENGINE REVVING] 291 00:14:55,959 --> 00:14:57,656 Plenty of room! 292 00:14:59,876 --> 00:15:00,877 Lello! 293 00:15:01,008 --> 00:15:02,531 - NELLO: It's Nello. - Nello. Nello. 294 00:15:02,835 --> 00:15:06,187 - How many kilometers? - Just ten! 295 00:15:06,970 --> 00:15:08,102 - Just ten? - NELLO: Yes. 296 00:15:08,189 --> 00:15:09,320 Ah, we are lucky. 297 00:15:09,451 --> 00:15:11,105 - LORELLA: [LAUGHS] Yes. - Yes. 298 00:15:11,192 --> 00:15:12,758 - Very lucky. - Very lucky. 299 00:15:12,889 --> 00:15:16,937 [UPBEAT MUSIC PLAYING] 300 00:15:32,778 --> 00:15:34,867 SABRINA: [IN ITALIAN] The Great Nic Cassino! 301 00:15:35,259 --> 00:15:36,782 Welcome to Villa Antonietta. 302 00:15:37,392 --> 00:15:39,394 Nicola. Grazie mille. 303 00:15:39,481 --> 00:15:40,830 [IN ENGLISH] Thanks for the hospitality. 304 00:15:40,917 --> 00:15:42,223 Ah, you speak Italian! 305 00:15:42,701 --> 00:15:45,617 Well, kinda. Not really. 306 00:15:46,749 --> 00:15:48,577 Well, my dad taught me and my brother, 307 00:15:48,664 --> 00:15:50,448 but I stopped using it when he died. 308 00:15:50,971 --> 00:15:53,190 Ah! Your brother is died? 309 00:15:53,669 --> 00:15:55,758 No. Uh, we just haven't spoken 310 00:15:55,845 --> 00:15:57,934 in English or Italian in a long time. [CHUCKLES] 311 00:15:58,108 --> 00:16:01,155 [LAUGHS] I'm sorry. My English not so fine. 312 00:16:01,242 --> 00:16:05,072 - Well, my Italian's not so fine. - Ah. I think. 313 00:16:05,463 --> 00:16:06,682 [IN ITALIAN] Okay. 314 00:16:06,812 --> 00:16:08,771 - [IN ENGLISH] Come. Come here. - NIC: Great. 315 00:16:09,380 --> 00:16:11,382 [BIRDS CHIRPING] 316 00:16:12,340 --> 00:16:13,515 This is the gym. 317 00:16:14,081 --> 00:16:15,256 Ah.[CHUCKLES] 318 00:16:15,343 --> 00:16:16,387 [IN ITALIAN] Fabulous! 319 00:16:17,171 --> 00:16:19,564 [IN ENGLISH] At any mode, here are the keys. 320 00:16:19,956 --> 00:16:24,352 [SIGHS] Accomodati. Uh, make yourself at home. 321 00:16:24,439 --> 00:16:25,440 Hmm. 322 00:16:25,527 --> 00:16:27,094 [IN ITALIAN] Very kind of you. 323 00:16:27,181 --> 00:16:28,660 Uh... 324 00:16:28,878 --> 00:16:31,968 Can I eat you tonight? 325 00:16:33,143 --> 00:16:34,101 Hmm? 326 00:16:34,710 --> 00:16:36,103 [IN ENGLISH] Uh. Ask her 327 00:16:36,190 --> 00:16:38,235 if she wants to have dinner with me tonight. 328 00:16:38,322 --> 00:16:40,542 [IN ITALIAN] Mr. Cassino's asking if you want to have dinner with him tonight. 329 00:16:40,629 --> 00:16:42,413 Ah! [INHALES] 330 00:16:42,587 --> 00:16:44,024 Thanks, but... 331 00:16:44,241 --> 00:16:45,808 [IN ENGLISH] I can't, um... 332 00:16:46,548 --> 00:16:48,289 [IN ITALIAN] Sorry, tell him I can't. 333 00:16:48,506 --> 00:16:49,768 I have to go back to Rome. 334 00:16:49,899 --> 00:16:51,596 I have a role in the Sergeant Stone movie. 335 00:16:52,249 --> 00:16:53,729 MARCO: [IN ENGLISH] Mr. Nic, she is going to Rome. 336 00:16:53,990 --> 00:16:55,600 For the Sergeant Stone movie. 337 00:16:56,514 --> 00:16:59,343 Ah. Well, give my regards to Vin. 338 00:17:00,214 --> 00:17:02,042 [IN ITALIAN] Nic, now I really have to go. 339 00:17:02,738 --> 00:17:04,174 [SPEAKS ITALIAN] 340 00:17:04,348 --> 00:17:06,307 [IN ENGLISH] For anything, call me. 341 00:17:06,394 --> 00:17:09,136 Mm-hmm. Chiamami. The keys. 342 00:17:10,093 --> 00:17:11,138 [IN ITALIAN] Thanks. 343 00:17:11,268 --> 00:17:13,009 [IN ENGLISH] Bye, Nic. [KISSES] NIC: Bye. 344 00:17:13,401 --> 00:17:14,750 SABRINA: Bye. Ciao. 345 00:17:16,665 --> 00:17:18,362 NIC: Jack, it's great. You nailed it. 346 00:17:18,449 --> 00:17:19,624 It's got a gym and everything. 347 00:17:19,711 --> 00:17:21,844 And the view... Mediterranean. 348 00:17:22,584 --> 00:17:24,325 Stunning. Beautiful. 349 00:17:25,587 --> 00:17:27,284 Jack, I've been thinking. 350 00:17:27,371 --> 00:17:29,199 It's time for me to get back to basics, 351 00:17:29,330 --> 00:17:31,027 like when I wrote Spike in three days 352 00:17:31,158 --> 00:17:32,681 in that sweatbox. 353 00:17:32,942 --> 00:17:35,075 Reclaim the throne, so to speak. 354 00:17:35,901 --> 00:17:36,902 [SIGHS] 355 00:17:43,344 --> 00:17:44,823 Uh, Jack. 356 00:17:45,259 --> 00:17:46,869 It's time for me to get back to work. 357 00:17:47,348 --> 00:17:49,567 [IN ITALIAN] Enjoy, enjoy, help yourself! 358 00:17:49,698 --> 00:17:51,003 [LAUGHS] 359 00:17:51,134 --> 00:17:52,701 [IN ENGLISH] I am allergic to liver. 360 00:17:52,831 --> 00:17:56,400 No. No liver. No liver. You can eat. 361 00:17:56,531 --> 00:17:58,272 - FABRIZIO: Uh-huh. - LORELLA: No liver. 362 00:17:59,751 --> 00:18:02,754 Ah, do you like it? [EXCLAIMS] 363 00:18:02,841 --> 00:18:04,016 [IN ITALIAN] It's testicles! 364 00:18:04,234 --> 00:18:07,759 [IN ENGLISH] The balls are the best part. [LAUGHS] 365 00:18:08,934 --> 00:18:11,023 [ALL LAUGH][KICKS TABLE] 366 00:18:11,372 --> 00:18:13,852 [CHUCKLES] You see... you see, 367 00:18:13,939 --> 00:18:16,116 I am convinced that here 368 00:18:16,594 --> 00:18:19,249 I will receive an inspiration. 369 00:18:19,336 --> 00:18:20,642 - An inspiration. - Ah. 370 00:18:20,729 --> 00:18:24,428 For me, coming to Ischia is like a pilgrimage. 371 00:18:25,255 --> 00:18:28,824 And La Colombaia, the villa of Visconti, 372 00:18:28,954 --> 00:18:31,392 is the holy land for... 373 00:18:31,566 --> 00:18:33,002 [IN ITALIAN] Neorealism. 374 00:18:33,176 --> 00:18:34,917 [FORK CLATTERS] Oh! 375 00:18:35,047 --> 00:18:37,789 [IN ENGLISH] Perhaps our son will someday 376 00:18:37,876 --> 00:18:40,096 become a famous director like you. 377 00:18:40,227 --> 00:18:41,576 [CHUCKLES] LORELLA: Like him! 378 00:18:41,837 --> 00:18:44,144 [CHUCKLES, IN ITALIAN] No... let's hope not! 379 00:18:44,622 --> 00:18:46,233 [ALL LAUGH] 380 00:18:46,407 --> 00:18:47,408 [SMOOCHES] 381 00:18:47,712 --> 00:18:49,018 LORELLA: [IN ENGLISH] Just kidding! Just kidding! 382 00:18:49,105 --> 00:18:50,715 Ah, ah. 383 00:18:50,802 --> 00:18:51,977 Cheers, cheers, cheers! 384 00:18:52,064 --> 00:18:53,544 ALL: Cheers! Cheers! 385 00:18:53,631 --> 00:18:55,459 [ANGIOLETTO CHUCKLES] Thank you. 386 00:18:55,851 --> 00:18:58,114 [NIC PANTS] 387 00:18:58,245 --> 00:19:00,247 [BIRDS CHIRPING] 388 00:19:01,335 --> 00:19:03,902 NIC: [GROANS] Maurizio. 389 00:19:04,033 --> 00:19:05,513 - Marco. - MARCO: Mr. Nic? 390 00:19:05,643 --> 00:19:07,515 [NIC PANTS] MARCO: Huh? Mr. Nic? 391 00:19:07,732 --> 00:19:09,212 Breathe, breathe. 392 00:19:09,691 --> 00:19:11,171 Breathe slowly. 393 00:19:12,128 --> 00:19:13,260 Breathe. 394 00:19:14,174 --> 00:19:15,784 Breathe. Breathe. 395 00:19:17,525 --> 00:19:21,311 [GENTLE ACCORDION MUSIC PLAYING] 396 00:19:24,314 --> 00:19:25,533 [YAWNS] 397 00:19:28,623 --> 00:19:29,624 [WHISPERS] Fabrizio... 398 00:19:42,202 --> 00:19:45,161 [MUSIC CONTINUES] 399 00:19:49,992 --> 00:19:51,428 GUARD: Ladies and gentlemen, 400 00:19:51,733 --> 00:19:53,691 La Colombaia is now closing. 401 00:19:54,388 --> 00:19:55,650 Please, this way. 402 00:19:57,521 --> 00:20:02,439 [MYSTERIOUS MUSIC PLAYING] 403 00:20:27,812 --> 00:20:29,336 [GATE LOCK CLICKING] 404 00:20:34,732 --> 00:20:36,560 [WIND WHOOSHES] 405 00:20:41,739 --> 00:20:43,524 Could this be... 406 00:20:44,960 --> 00:20:46,918 Visconti's writing room? 407 00:20:51,009 --> 00:20:52,097 [CLEARS THROAT] 408 00:20:54,274 --> 00:20:56,363 GUARD: [OVER PA] La Colombaia is now closing. 409 00:20:57,059 --> 00:20:59,017 Please proceed to the exit. 410 00:20:59,453 --> 00:21:01,411 [MUSIC FADES][WIND BLOWING] 411 00:21:03,892 --> 00:21:04,893 LORELLA: Eh... OMBRETTA: Papa? 412 00:21:05,459 --> 00:21:07,156 - Papa? - Ah. Papa? 413 00:21:08,636 --> 00:21:09,593 ANGIOLETTO: Oh, no. 414 00:21:11,900 --> 00:21:12,770 [IN ITALIAN] Excuse me. 415 00:21:12,901 --> 00:21:13,771 LORELLA: Fabrizio! 416 00:21:14,076 --> 00:21:15,033 [KNOCKING ON GATE] ANGIOLETTO: Excuse me. 417 00:21:15,643 --> 00:21:17,209 [IN ENGLISH] Excuse me! 418 00:21:17,340 --> 00:21:19,429 [WHIMSICAL MUSIC PLAYING] 419 00:21:20,212 --> 00:21:21,692 [GRUNTS] 420 00:21:24,347 --> 00:21:26,306 [CELL PHONE BEEPING] 421 00:21:38,230 --> 00:21:39,231 Hello! 422 00:21:39,971 --> 00:21:42,409 Help! Please! 423 00:21:43,279 --> 00:21:45,499 - Fabrizio! - Papa? 424 00:21:56,161 --> 00:21:58,250 [FABRIZIO WHIMPERS] 425 00:21:58,816 --> 00:22:01,341 Help. [WHIMPERS] Help! 426 00:22:02,516 --> 00:22:04,866 [WHIMPERS][PIPE CREAKING] 427 00:22:05,214 --> 00:22:06,476 [FABRIZIO YELPS] 428 00:22:06,607 --> 00:22:08,260 [WHIMPERS] 429 00:22:08,783 --> 00:22:10,219 [YELPS] 430 00:22:10,437 --> 00:22:12,134 [YELPS, GROANS] 431 00:22:12,482 --> 00:22:15,050 Help! Help! 432 00:22:15,398 --> 00:22:18,880 Help! [SCREAMS][MUSIC CONCLUDES] 433 00:22:23,754 --> 00:22:25,756 [GROANS] 434 00:22:26,496 --> 00:22:27,497 [GROANS] 435 00:22:28,019 --> 00:22:29,456 [IN ITALIAN] Ouch, that hurt! 436 00:22:29,760 --> 00:22:33,285 [GRUNTS, GROANS] 437 00:22:33,416 --> 00:22:34,765 Ouch, that hurt! 438 00:22:35,766 --> 00:22:39,727 [GRUNTS, PANTS] 439 00:22:42,469 --> 00:22:46,386 [SOFT CLASSICAL MUSIC PLAYING] 440 00:22:47,169 --> 00:22:48,388 [GASPS SOFTLY] 441 00:23:23,423 --> 00:23:24,554 [GASPS] 442 00:23:26,034 --> 00:23:27,252 [BREATHES SHAKILY] 443 00:23:29,254 --> 00:23:34,259 [IN ENGLISH] Visconti's long lost masterpiece... 444 00:23:37,959 --> 00:23:40,701 "IN SEARCH OF LOST TIME" LUCHINO VISCONTI 445 00:23:40,788 --> 00:23:42,180 [FOOTSTEPS APPROACHING][KEYS JINGLING] 446 00:23:42,267 --> 00:23:43,399 [BIRD WINGS FLAPPING] 447 00:23:56,368 --> 00:23:58,458 Oh! [GASPS] 448 00:23:59,720 --> 00:24:01,678 [BREATHES RAPIDLY] 449 00:24:03,854 --> 00:24:06,509 [LAUGHS] 450 00:24:06,857 --> 00:24:09,033 [IN ITALIAN] Oh mamma, oh mamma. 451 00:24:09,643 --> 00:24:12,515 Slowly, slowly... 452 00:24:19,304 --> 00:24:21,306 [EXHALES] 453 00:24:22,307 --> 00:24:24,266 [MUSIC FADES] 454 00:24:27,051 --> 00:24:29,576 [IN ENGLISH] And here we are on the set ofThe Horseman, 455 00:24:29,663 --> 00:24:31,447 the latest apocalyptic action film... 456 00:24:31,534 --> 00:24:33,667 [CHUCKLES, SIGHS] ...currently filming in New York, 457 00:24:33,754 --> 00:24:36,104 starring rising action movie star Brick Maxwell. 458 00:24:36,234 --> 00:24:37,540 [BRICK MAXWELL SCREAMING] 459 00:24:38,846 --> 00:24:40,325 And speaking of Armageddon, 460 00:24:40,456 --> 00:24:42,240 NASA's just reported that the path 461 00:24:42,327 --> 00:24:44,460 of the massive asteroid set to miss Earth 462 00:24:44,591 --> 00:24:47,245 by 100,000 miles has been recalculated. 463 00:24:47,419 --> 00:24:49,291 Make that 200,000--[SMACKS LIPS] Stupid. 464 00:24:54,209 --> 00:24:55,427 [LORELLA SNORES] 465 00:24:58,126 --> 00:25:00,215 [LAUGHS QUIETLY] 466 00:25:06,613 --> 00:25:09,441 [LORELLA SNORES SOFTLY] 467 00:25:10,704 --> 00:25:12,619 [WHISPERS] Luchino! [KISSES, CHUCKLES] 468 00:25:14,185 --> 00:25:16,448 [SNORES][PLAYFUL MUSIC PLAYING] 469 00:25:21,149 --> 00:25:22,324 [LORELLA SNORES] 470 00:25:34,118 --> 00:25:35,729 FABRIZIO: "Book number one." 471 00:25:37,078 --> 00:25:39,820 - But... where is book two? - LORELLA: Huh? 472 00:25:40,429 --> 00:25:42,562 Book two.[SNORTS] 473 00:25:56,619 --> 00:25:57,794 [BRAKES SQUEAK] 474 00:25:59,927 --> 00:26:01,972 FABRIZIO: Excuse me! Excuse me! 475 00:26:02,059 --> 00:26:03,321 [METAL GATE CREAKING] 476 00:26:03,452 --> 00:26:05,759 - But... why is closed? - GUARD: Huh? 477 00:26:05,933 --> 00:26:08,239 Inagibile. Condemned.[KEYS JANGLING] 478 00:26:08,892 --> 00:26:11,503 "Condemned due to a recent collapse." 479 00:26:11,808 --> 00:26:14,637 But... but I must enter. 480 00:26:14,898 --> 00:26:17,205 I left something inside, very important. 481 00:26:17,292 --> 00:26:18,641 GUARD: If you wish, I can search. 482 00:26:18,728 --> 00:26:20,382 What did it look like? 483 00:26:22,123 --> 00:26:24,516 A last glimmer of hope. 484 00:26:36,703 --> 00:26:38,269 [MUSIC FADES] 485 00:26:38,400 --> 00:26:41,229 [PANTS] 486 00:26:51,935 --> 00:26:52,936 [GRUNTS] 487 00:26:55,896 --> 00:26:58,376 ANGIOLETTO: Is there anything I can help you find? 488 00:26:59,247 --> 00:27:01,684 The highest precipice on the island. 489 00:27:04,556 --> 00:27:05,557 Okay. 490 00:27:06,167 --> 00:27:08,038 Come on.[ENGINE STARTS] 491 00:27:09,213 --> 00:27:13,435 [MELANCHOLIC MUSIC PLAYING][ENGINE REVVING] 492 00:27:14,915 --> 00:27:18,092 You may find what you are looking for here. 493 00:27:19,049 --> 00:27:20,181 If not, 494 00:27:20,311 --> 00:27:22,879 there is a nice cliff over there. 495 00:27:23,140 --> 00:27:24,185 [CHUCKLES] 496 00:27:26,883 --> 00:27:30,147 SILENCE AND PRAYER 497 00:27:42,856 --> 00:27:44,422 [MUSIC FADES] 498 00:27:45,510 --> 00:27:46,642 Hello. 499 00:27:48,818 --> 00:27:49,863 It's me. 500 00:27:50,559 --> 00:27:51,995 Fabrizio Favuzzo. 501 00:27:52,996 --> 00:27:55,912 You remember? Uh, Obtusion? 502 00:27:57,392 --> 00:27:58,523 [IN ITALIAN] Nonsense. 503 00:27:58,741 --> 00:27:59,742 The Scream. 504 00:27:59,916 --> 00:28:00,917 [CHUCKLES] 505 00:28:01,004 --> 00:28:02,049 [SPEAKS ITALIAN] 506 00:28:06,227 --> 00:28:07,707 [IN ENGLISH] Maybe not, huh? 507 00:28:09,317 --> 00:28:12,320 My films are totally forgettable, as am I. 508 00:28:13,016 --> 00:28:13,974 [SIGHS] 509 00:28:15,062 --> 00:28:16,977 But to be shown the heavens 510 00:28:17,412 --> 00:28:19,588 only to be dashed to the rocks 511 00:28:19,719 --> 00:28:23,287 is crueler than any failure I could direct. 512 00:28:25,159 --> 00:28:27,683 There must be a design for me. 513 00:28:28,858 --> 00:28:32,340 Some grand storyboard. 514 00:28:34,951 --> 00:28:38,259 If there is a way for me to make this film, 515 00:28:38,346 --> 00:28:42,480 please, please give me a sign. 516 00:28:42,785 --> 00:28:45,962 [ORCHESTRAL RINGTONE PLAYING] 517 00:28:49,879 --> 00:28:50,837 [GASPS] 518 00:28:51,620 --> 00:28:52,708 [IN ITALIAN] Hello. 519 00:28:54,231 --> 00:28:55,276 Ah, Lorella. 520 00:28:56,059 --> 00:28:57,060 Yes... 521 00:28:58,148 --> 00:29:00,324 Yes, I wanted... I wanted... 522 00:29:00,455 --> 00:29:01,456 Mm-hmm? 523 00:29:02,065 --> 00:29:03,545 Yes, but... 524 00:29:04,415 --> 00:29:06,766 Exactly... I wanted... 525 00:29:07,331 --> 00:29:08,332 [SPLUTTERS] 526 00:29:08,419 --> 00:29:10,421 Hello? Hello? 527 00:29:12,423 --> 00:29:14,817 [IN ENGLISH] My wife reminds me we have a reservation 528 00:29:14,904 --> 00:29:16,340 at Il Bracconiere. 529 00:29:16,645 --> 00:29:17,646 ANGIOLETTO: [IN ITALIAN] Uh-oh! 530 00:29:17,733 --> 00:29:19,474 [IN ENGLISH] I almost forgot. 531 00:29:20,170 --> 00:29:22,042 I have to drop you off, then I am... 532 00:29:22,129 --> 00:29:23,086 [IN ITALIAN] I'm working... 533 00:29:23,217 --> 00:29:25,001 [IN ENGLISH] ...at the port. [PANTS] 534 00:29:25,132 --> 00:29:26,220 Ah! 535 00:29:29,353 --> 00:29:30,572 Come on. 536 00:29:33,923 --> 00:29:36,926 [MELANCHOLIC MUSIC PLAYING] 537 00:29:55,466 --> 00:29:56,554 ANGIOLETTO: Fabrizio. 538 00:29:57,381 --> 00:29:59,079 Fabrizio, where are you going? 539 00:29:59,166 --> 00:30:02,996 You said it was this way to the cliff? 540 00:30:08,958 --> 00:30:09,829 [GRUNTS] 541 00:30:10,742 --> 00:30:11,874 [IN ITALIAN] Sorry. 542 00:30:20,578 --> 00:30:21,884 [ECHOING] Sorry. 543 00:30:26,497 --> 00:30:29,022 [DRAMATIC MUSIC PLAYING] 544 00:30:30,284 --> 00:30:33,200 [JET ENGINE ROARING] 545 00:30:33,330 --> 00:30:35,115 [DRAMATIC MUSIC BUILDS] 546 00:30:35,202 --> 00:30:38,248 [HELICOPTER WHIRRING OVERHEAD] 547 00:30:43,079 --> 00:30:44,951 [BOMBS WHISTLING, BOOMING] 548 00:30:45,038 --> 00:30:48,432 [RAPID GUNFIRE] 549 00:30:54,264 --> 00:30:57,746 [GUNFIRE CONTINUES] 550 00:31:04,318 --> 00:31:09,062 [MUSIC FADES][BIRDS CHIRPING] 551 00:31:13,109 --> 00:31:14,763 Everything alright? 552 00:31:15,677 --> 00:31:18,288 [IN ENGLISH] Angioletto, it's a sign. 553 00:31:19,768 --> 00:31:23,163 La Madonna has shown me a miracle. 554 00:31:24,120 --> 00:31:26,340 Nic Cassino will do my film. 555 00:31:27,776 --> 00:31:30,735 But what Nic Cassino? That was a sosia. 556 00:31:30,910 --> 00:31:31,954 A body double. 557 00:31:32,563 --> 00:31:34,348 Ischia is famous for them. 558 00:31:34,870 --> 00:31:37,133 Did you see how he spoke to you in Italian? 559 00:31:37,220 --> 00:31:41,007 No, no. No, no, it was him. I'm sure of it. 560 00:31:43,052 --> 00:31:45,098 It's my destiny. 561 00:31:46,403 --> 00:31:50,494 Everything in my life has brought me to Ischia. 562 00:31:51,626 --> 00:31:54,063 To find the manuscript. 563 00:31:54,542 --> 00:31:56,892 To cross paths with the great Nic Cassino. 564 00:31:58,459 --> 00:32:00,940 We must find him. Will you help? 565 00:32:02,811 --> 00:32:04,117 To find another cliff? 566 00:32:09,774 --> 00:32:10,993 [IN ITALIAN] Yes. 567 00:32:11,602 --> 00:32:12,603 [KISSES] 568 00:32:13,213 --> 00:32:14,301 [CHUCKLES SOFTLY] 569 00:32:15,867 --> 00:32:16,868 ANGIOLETTO: Guys... 570 00:32:17,782 --> 00:32:20,176 [IN ENGLISH] Anyone seen Nic Cassino on the island? 571 00:32:20,263 --> 00:32:22,178 Of course. He's playing at Cinema delle Vittorie 572 00:32:22,265 --> 00:32:23,484 in Forio for another week 573 00:32:23,571 --> 00:32:24,920 before they close for the summer. 574 00:32:25,138 --> 00:32:26,139 No. 575 00:32:26,530 --> 00:32:29,229 Not in the cinema. On the island. 576 00:32:29,446 --> 00:32:32,841 Angioletto, I saw Sylvester Stallone 577 00:32:32,972 --> 00:32:35,278 - at Ischia Ponte. - MAN 1: Sylvester Stallone? 578 00:32:35,365 --> 00:32:37,715 [IN ITALIAN] Are you nuts?[CHATTERING IN ITALIAN] 579 00:32:37,846 --> 00:32:38,978 TITINA: Good morning. 580 00:32:39,108 --> 00:32:40,153 MAN 2: Morning, Titina. 581 00:32:40,370 --> 00:32:42,329 [IN ENGLISH] Hi, guys.[MAN 3 SPEAKS ITALIAN] 582 00:32:42,633 --> 00:32:44,200 [IN ENGLISH] An ice cream. Strawberry. 583 00:32:44,331 --> 00:32:45,636 Hi, Titina. 584 00:32:46,681 --> 00:32:50,511 Titi. What do know about any celebrities on Ischia? 585 00:32:50,728 --> 00:32:54,167 Oh, besides the fact that they are ruining the island? 586 00:32:54,341 --> 00:32:58,258 But... but have you seen anyone lately? 587 00:32:58,867 --> 00:32:59,868 Mm. 588 00:33:00,173 --> 00:33:02,740 There is an American staying in Zaro. 589 00:33:02,827 --> 00:33:05,787 - At Sabrina Fiorucci's villa. - ANGIOLETTO: Hmm. 590 00:33:06,396 --> 00:33:08,007 And do you know who it is? 591 00:33:09,573 --> 00:33:10,922 [IN ITALIAN] So what? 592 00:33:11,053 --> 00:33:12,272 [IN ENGLISH] Who gives a shit? 593 00:33:12,359 --> 00:33:14,100 [PATRONS APPLAUD] MAN: [IN ITALIAN] Well done. 594 00:33:14,187 --> 00:33:15,666 [IN ENGLISH] Thank you, guys! 595 00:33:15,840 --> 00:33:17,755 [CHUCKLES] TITINA: Bye! 596 00:33:22,412 --> 00:33:26,112 [WHISPERS] Fabrizio.[WHIMSICAL MUSIC PLAYING] 597 00:33:26,547 --> 00:33:27,722 Fabrizio. 598 00:33:29,419 --> 00:33:33,380 - FABRIZIO: Who is it? - Angioletto. Come outside. 599 00:33:37,775 --> 00:33:38,994 Oh. Come on. 600 00:33:40,343 --> 00:33:41,562 [FABRIZIO SIGHS] 601 00:33:44,565 --> 00:33:45,783 Come on, come on. 602 00:33:48,221 --> 00:33:49,396 [FABRIZIO YAWNS] 603 00:33:50,092 --> 00:33:51,833 He is at Zaro. 604 00:33:52,181 --> 00:33:54,270 Sabrina Fiorucci's villa. 605 00:33:55,837 --> 00:33:58,535 - Who? - Nic Cassino. 606 00:33:59,406 --> 00:34:00,972 Nic Cassino? Let's go! 607 00:34:01,495 --> 00:34:02,931 [YELPS, GROANS] 608 00:34:03,366 --> 00:34:05,847 Fabrizio, Fabrizio. Are you all right? 609 00:34:06,326 --> 00:34:08,241 - Yes, yes. - Okay, listen to me. 610 00:34:08,589 --> 00:34:09,851 There is a problem. 611 00:34:10,373 --> 00:34:12,680 The villa is blindato. Locked down. 612 00:34:13,072 --> 00:34:15,465 There are walls and security cameras. 613 00:34:15,639 --> 00:34:17,076 There is no way to get in. 614 00:34:20,949 --> 00:34:22,037 We need a plan. 615 00:34:22,124 --> 00:34:23,125 Yeah. 616 00:34:23,647 --> 00:34:27,347 We need actors. Props.[YAWNS] 617 00:34:27,434 --> 00:34:28,696 Wardrobe. 618 00:34:30,176 --> 00:34:32,003 [IN ITALIAN] Special effects. 619 00:34:34,876 --> 00:34:37,400 [IN ENGLISH] You need an assistant director. 620 00:34:37,922 --> 00:34:39,359 - Lello! - Nello. 621 00:34:39,446 --> 00:34:40,534 [SNAPS FINGERS] 622 00:34:43,885 --> 00:34:46,105 [MUSIC FADES] 623 00:34:51,110 --> 00:34:53,155 Mr. Nic, there is a phone call for you. 624 00:34:53,416 --> 00:34:54,417 Who is it? 625 00:34:54,896 --> 00:34:57,681 Someone named Fabrizio Favuzzo. He said he is a director. 626 00:34:58,117 --> 00:35:00,293 Who the hell is Fabrizio Favuzzo? 627 00:35:01,163 --> 00:35:03,296 Who the hell is Fabrizio Favuzzo? 628 00:35:04,514 --> 00:35:05,863 He said to look out the window. 629 00:35:06,255 --> 00:35:07,256 What? 630 00:35:07,387 --> 00:35:08,736 He said to look out the window. 631 00:35:10,433 --> 00:35:11,434 [SIGHS] 632 00:35:19,964 --> 00:35:24,143 [UPBEAT MUSIC PLAYING] 633 00:35:27,058 --> 00:35:30,149 NIC: What is this? An episode of Gilligan's Island? 634 00:35:39,375 --> 00:35:40,724 Mr. Cassino! 635 00:35:58,655 --> 00:36:02,529 NIC: So, uh, Maestro-- I mean, Mastro Favuzzo. 636 00:36:02,964 --> 00:36:05,358 I gotta say, I'm not much of a fan of European cinema. 637 00:36:05,488 --> 00:36:08,665 I find the, uh, the subtitles distracting. 638 00:36:08,970 --> 00:36:10,363 But what can I do for you? 639 00:36:10,493 --> 00:36:11,668 [CHUCKLES] 640 00:36:12,713 --> 00:36:18,284 It's not what you can do for me. It's what I can do for you. 641 00:36:19,372 --> 00:36:20,373 Interesting.[SNAPS FINGERS] 642 00:36:24,246 --> 00:36:25,813 I have here 643 00:36:26,205 --> 00:36:30,121 an original script by Luchino Visconti. 644 00:36:31,035 --> 00:36:35,301 An unedited opera and neorealistic masterpiece 645 00:36:35,649 --> 00:36:40,436 based on Proust's novel, AÀ la recherche du temps perdu. 646 00:36:40,523 --> 00:36:43,047 The Search for Lost Time. 647 00:36:43,178 --> 00:36:46,964 An unfinished work and culmination 648 00:36:47,051 --> 00:36:49,619 of his artistic vision 649 00:36:49,967 --> 00:36:53,971 that has never seen the light of day. 650 00:36:57,671 --> 00:36:58,759 And? 651 00:36:59,890 --> 00:37:04,373 And I want you to star in it. 652 00:37:04,895 --> 00:37:05,940 Hmm. 653 00:37:08,595 --> 00:37:10,988 - Visconti? - Yes. Yes. 654 00:37:11,250 --> 00:37:14,905 Maybe you have heard of him? Um... 655 00:37:15,471 --> 00:37:17,256 Death in Venice? 656 00:37:18,213 --> 00:37:19,258 Can't say that I have. 657 00:37:21,521 --> 00:37:23,174 The Leopard? Il Gattopardo. 658 00:37:24,959 --> 00:37:27,222 Uh, Leopard. Sounds familiar. 659 00:37:30,051 --> 00:37:32,793 Bellissima? Uh, Ossessione? 660 00:37:33,141 --> 00:37:34,055 Senso! 661 00:37:35,099 --> 00:37:37,232 Yeah. Sex films. 662 00:37:38,668 --> 00:37:42,759 Uh, Lello? Hmm. Uh... Um... 663 00:37:43,586 --> 00:37:46,937 Rocco e i suoi fratelli. Rocky and His Brothers. 664 00:37:47,111 --> 00:37:50,941 - It's a boxing film. - Ah! Boxing! Boxing film. 665 00:37:51,290 --> 00:37:53,466 Now we're getting somewhere.[CHUCKLES] 666 00:37:53,683 --> 00:37:55,424 - But have you seen it? - No. 667 00:37:55,990 --> 00:37:57,252 Listen, Favuzzo. 668 00:37:57,383 --> 00:37:59,385 I'm booked solid for the next ten years 669 00:37:59,472 --> 00:38:01,691 doing blockbusters, and I'm writing my own film. 670 00:38:01,996 --> 00:38:04,520 But anyway, listen. I'll give you my agent's number. 671 00:38:04,607 --> 00:38:06,435 No, no.[SCRIBBLING ON PAPER] 672 00:38:08,611 --> 00:38:11,266 And... yeah. Just call me. 673 00:38:12,441 --> 00:38:13,877 - Right. - At some point. 674 00:38:14,791 --> 00:38:17,403 Okay, uh, but... but-- 675 00:38:21,058 --> 00:38:22,712 - Oh, uh, Favuzzo. - Yeah? 676 00:38:23,017 --> 00:38:24,105 Pleasure meeting you. 677 00:38:24,932 --> 00:38:27,064 - America! - American. 678 00:38:29,110 --> 00:38:31,373 Uh, good luck with your film. 679 00:38:31,547 --> 00:38:33,680 - Thank you very much. - NIC: My pleasure. 680 00:38:35,769 --> 00:38:40,208 Hmm. Art films. No. No. Not happening. 681 00:38:40,382 --> 00:38:44,038 FABRIZIO: He doesn't know Luchino Visconti. 682 00:38:44,299 --> 00:38:46,345 - NELLO: Incredible. - NIC: Maurizio. 683 00:38:46,693 --> 00:38:48,999 See if you can find me a copy of that Rocco movie. 684 00:38:49,086 --> 00:38:52,612 [BOAT ENGINE REVVING] 685 00:39:01,055 --> 00:39:02,230 [SIGHS] 686 00:39:05,625 --> 00:39:07,801 You haven't written a page in four and a half days. 687 00:39:08,497 --> 00:39:10,673 You wrote Spike in half that time. 688 00:39:12,283 --> 00:39:13,372 [SIGHS] 689 00:39:15,025 --> 00:39:16,157 Maurizio. 690 00:39:17,245 --> 00:39:21,075 I need a break. Is there a town around here? 691 00:39:21,423 --> 00:39:22,424 Yes, Mr. Nic. 692 00:39:22,555 --> 00:39:24,557 All right. Let's... let's get out of here. 693 00:39:25,079 --> 00:39:27,037 Ah. Where's the limo? 694 00:39:27,516 --> 00:39:30,824 No limousines in Ischia, but we have a minivan instead. 695 00:39:31,259 --> 00:39:34,305 Mm-hmm? Looks more like a skinny van. 696 00:39:34,915 --> 00:39:36,003 Interesting. 697 00:39:36,438 --> 00:39:39,267 ["UN POSTO MIGLIORE" PLAYING] 698 00:39:39,398 --> 00:39:40,660 [VAN DOOR SLIDES OPEN] 699 00:39:42,052 --> 00:39:43,532 [NIC GROANS] 700 00:39:43,663 --> 00:39:46,579 [SINGING IN ITALIAN] 701 00:39:47,231 --> 00:39:48,842 [ENGINE STARTS] 702 00:39:52,236 --> 00:39:53,412 [VAN DOOR CLOSES] 703 00:40:01,898 --> 00:40:03,117 [EXHALES] 704 00:40:30,797 --> 00:40:31,841 NIC: [HESITANTLY] "Torno s..." 705 00:40:31,928 --> 00:40:33,713 I'LL BE BACK TOMORROW 706 00:40:33,800 --> 00:40:34,888 ...sebati." 707 00:40:37,630 --> 00:40:38,892 "Next Saturday." 708 00:40:41,198 --> 00:40:44,201 "Torno subito." Subito not sabato. 709 00:40:44,288 --> 00:40:45,812 It means "right away." 710 00:40:45,942 --> 00:40:48,249 - Hmm. - TITINA: You don't eat lunch in America? 711 00:40:48,684 --> 00:40:51,339 Uh, well, I usually start 712 00:40:51,426 --> 00:40:52,775 with breakfast and a piece of fruit. 713 00:40:52,906 --> 00:40:53,994 Uh... 714 00:40:54,124 --> 00:40:55,822 How'd... how'd you know I was American? 715 00:40:56,039 --> 00:40:59,869 [SCOFFS] Only Americans wear boots in summer. 716 00:41:00,000 --> 00:41:01,001 NIC: Hmm. 717 00:41:02,176 --> 00:41:03,177 Interesting. 718 00:41:04,483 --> 00:41:07,355 You don't know who I am.I... I really don't care. 719 00:41:07,442 --> 00:41:10,967 - Unless you're a tourist. - Well, I played a tourist. 720 00:41:11,185 --> 00:41:12,839 - Uh, in a film. - TITINA: Hmm? 721 00:41:12,926 --> 00:41:15,232 It was a character who spoiled a plot 722 00:41:15,319 --> 00:41:16,712 to blow up Saint Peter's... 723 00:41:16,843 --> 00:41:19,062 Uh, Nic Cassino. 724 00:41:19,149 --> 00:41:21,369 Uh, you might recognize me from film and TV. 725 00:41:21,456 --> 00:41:22,501 - Thanks. - Hmm. 726 00:41:23,589 --> 00:41:26,722 Oh, yes. I've seen your posters. 727 00:41:27,636 --> 00:41:28,768 But not the movies. 728 00:41:28,898 --> 00:41:32,685 - They are too fantastic for me. - I guess they are. 729 00:41:32,772 --> 00:41:35,557 Yeah, like a video game or a cartoon. 730 00:41:36,166 --> 00:41:37,559 Not at all important. 731 00:41:37,646 --> 00:41:39,300 What do you mean, uh, important? 732 00:41:39,387 --> 00:41:40,867 I'LL BE BACK TOMORROW 733 00:41:40,997 --> 00:41:42,216 Just curious. 734 00:41:43,609 --> 00:41:47,221 I mean that important is like Visconti. 735 00:41:47,787 --> 00:41:50,093 Like Rocco and His Brothers. 736 00:41:50,180 --> 00:41:52,618 About two brothers who fight over a woman. 737 00:41:53,053 --> 00:41:55,185 Do you know Visconti? 738 00:41:55,446 --> 00:41:58,580 Yeah. Visconti. He did that, uh, boxing film. 739 00:41:58,667 --> 00:41:59,712 With Rocky. 740 00:42:00,626 --> 00:42:02,497 Yeah. I guess so. 741 00:42:02,628 --> 00:42:04,194 WOMAN: [IN ITALIAN] What's got into you, bringing her here? 742 00:42:08,198 --> 00:42:10,070 WOMAN: [CHUCKLES] Pretty? 743 00:42:10,200 --> 00:42:12,681 She's got goose bumps. She's pale, she's nothing. 744 00:42:14,640 --> 00:42:16,598 ACTOR 1: 745 00:42:17,033 --> 00:42:19,253 Say that again, if you've got the guts. 746 00:42:21,516 --> 00:42:22,648 [GROANS] 747 00:42:23,910 --> 00:42:25,259 ACTOR 2: Simone, stop! 748 00:42:26,347 --> 00:42:28,044 You're my brother, I can't help that! 749 00:42:28,697 --> 00:42:31,570 ACTOR 1: Couldn't you have thought of that before, that I was your brother? 750 00:42:31,874 --> 00:42:34,703 You only think of that now 'cause you're scared. 751 00:42:34,834 --> 00:42:36,749 [GROANS] ACTOR 2: No, I'm not scared. 752 00:42:37,358 --> 00:42:40,622 No? Okay, come on, let me see. 753 00:42:40,883 --> 00:42:43,016 [ACTOR 1 GRUNTS][SOBS] 754 00:42:44,539 --> 00:42:46,410 ACTOR 2: Simone, you're crazy! Someone could come! 755 00:42:46,541 --> 00:42:48,021 ACTOR 1: Out of my way! 756 00:42:48,717 --> 00:42:52,199 NIC: [SOBBING] Oh, Carla...[TRAIN WHISTLE BLOWS] 757 00:42:52,286 --> 00:42:54,984 [SIGHS, GROANS] 758 00:42:56,290 --> 00:42:57,465 [GROANS] 759 00:42:58,031 --> 00:42:59,598 [IN ENGLISH] Sorry, Luigi. 760 00:43:01,600 --> 00:43:06,648 [SOBS] Sorry, Luigi. [SOBBING] 761 00:43:08,650 --> 00:43:12,393 [VIDEO GAME BEEPING][NIC SOBBING] 762 00:43:16,745 --> 00:43:17,833 Thank you. 763 00:43:18,442 --> 00:43:20,270 Thank you. Very nice. Thank you. 764 00:43:23,622 --> 00:43:25,580 [IN ITALIAN] Lorella, wait. 765 00:43:26,276 --> 00:43:28,061 Here is the Parmigiana recipe. 766 00:43:28,278 --> 00:43:30,672 [CHUCKLES] Thank you, that's so cute! 767 00:43:30,803 --> 00:43:32,369 [IN ENGLISH] You're so kind. 768 00:43:32,456 --> 00:43:34,850 [ORCHESTRAL RINGTONE PLAYING][SIGHS] 769 00:43:36,504 --> 00:43:39,812 Favuzzo speaking.[CHURCH BELLS TOLLING] 770 00:43:43,337 --> 00:43:47,080 [SPLUTTERS] I have to... I... 771 00:43:47,515 --> 00:43:48,559 What? 772 00:43:48,864 --> 00:43:51,475 [BABBLES, SPLUTTERS] 773 00:43:51,780 --> 00:43:53,869 [SPLUTTERS] Who is it? 774 00:43:54,043 --> 00:43:55,392 [FABRIZIO GROANS] LORELLA: Who is it? 775 00:43:55,566 --> 00:43:57,438 - Yeah? - LORELLA: Are you okay? 776 00:43:57,525 --> 00:43:59,788 - NELLO: Who is it? - Are you okay? 777 00:44:02,922 --> 00:44:04,445 It's Nic Cassino! 778 00:44:04,575 --> 00:44:06,229 [GASPS] He wants to do your film! 779 00:44:06,534 --> 00:44:09,276 [ALL EXCLAIM] Exactly! 780 00:44:09,363 --> 00:44:12,061 [UPBEAT MUSIC PLAYING][ALL LAUGH, CHEER] 781 00:44:12,148 --> 00:44:13,976 Yeah, yeah. Sure! 782 00:44:15,978 --> 00:44:17,458 This is fantastic! 783 00:44:18,546 --> 00:44:20,766 [BOTH EXCLAIM, LAUGH] 784 00:44:20,940 --> 00:44:24,117 [ALL CHATTERING HAPPILY] 785 00:44:24,900 --> 00:44:26,075 Don't... don't drink. 786 00:44:26,162 --> 00:44:28,208 Don't drink too much! Hey. Come on. 787 00:44:28,338 --> 00:44:31,646 [GRUNTS][ALL LAUGH] 788 00:44:32,212 --> 00:44:35,171 Lello! [YELLS, LAUGHS] 789 00:44:35,998 --> 00:44:38,305 Sorry. Sorry again. Sorry. 790 00:44:39,175 --> 00:44:40,524 [PANTS] 791 00:44:41,221 --> 00:44:42,570 [BICYCLE BELL DINGS] 792 00:44:42,701 --> 00:44:43,832 Taxi! 793 00:44:46,661 --> 00:44:48,402 [ENGINE REVVING] 794 00:44:52,493 --> 00:44:53,886 [BUZZES] 795 00:44:56,062 --> 00:44:58,629 [FABRIZIO CLAPS][LOCK CLICKING] 796 00:45:00,893 --> 00:45:02,155 DINO: Cut! 797 00:45:02,242 --> 00:45:04,461 [IN ITALIAN] Fabrizio, is that you? 798 00:45:04,635 --> 00:45:05,549 [IN ENGLISH] Come on! 799 00:45:06,159 --> 00:45:08,248 [GROANS][EXCLAIMS] Are you all right? 800 00:45:08,378 --> 00:45:10,554 Yeah, come on. [SPEAKS ITALIAN] 801 00:45:10,685 --> 00:45:13,296 And so, my friend. What brings you to Roma? 802 00:45:13,993 --> 00:45:16,996 - Uh, I have a script. - DINO: Mm-hmm? 803 00:45:17,344 --> 00:45:21,043 I have Nic Cassino. I need a producer. 804 00:45:21,174 --> 00:45:24,481 Yeah. And I have the Johnny Depp, you know? 805 00:45:24,830 --> 00:45:26,788 In the film I'm making in the back room. 806 00:45:26,875 --> 00:45:28,877 Wait. Johnny! 807 00:45:29,008 --> 00:45:31,532 [DISTANT SIRENS WAILING] 808 00:45:32,228 --> 00:45:33,577 [IN ITALIAN] Maestro, please tell us. 809 00:45:33,708 --> 00:45:35,362 [IN ENGLISH] Hey. Nice work in there. 810 00:45:36,189 --> 00:45:37,451 [IN ITALIAN] Thank you, master. 811 00:45:37,581 --> 00:45:39,801 DINO: Well done. [CHUCKLES] 812 00:45:40,715 --> 00:45:43,065 [IN ENGLISH] Dino, when you told me 813 00:45:43,152 --> 00:45:45,241 you were doing art films... DINO: No. 814 00:45:45,328 --> 00:45:47,287 ...I thought--No, no. Stop. Stop. 815 00:45:47,374 --> 00:45:50,986 Fabrizio, no. Not art films. 816 00:45:51,378 --> 00:45:53,772 Hard films. Okay? 817 00:45:54,337 --> 00:45:56,992 My friend, who goes to see art films? Come on. 818 00:45:57,384 --> 00:45:59,865 Uh, and then again, what is an art film 819 00:46:00,126 --> 00:46:03,303 if not a kind of soft hard film, huh? [CHUCKLES] 820 00:46:03,694 --> 00:46:07,394 But what happened to the ambitious producer 821 00:46:07,481 --> 00:46:08,787 - and director? - Hmm. 822 00:46:08,917 --> 00:46:11,833 We're going to revive the glory days 823 00:46:11,920 --> 00:46:13,095 of Italian cinema. 824 00:46:13,400 --> 00:46:16,272 Do you remember our first film? Cannes! 825 00:46:16,403 --> 00:46:18,013 The Directors' Fortnight. 826 00:46:18,405 --> 00:46:20,929 What happened to those dreams? 827 00:46:21,147 --> 00:46:23,540 Venice? The Gold Lion? 828 00:46:24,106 --> 00:46:26,761 Yeah. But Fabrizio, 829 00:46:27,457 --> 00:46:31,287 now... now we are old lions. Hmm? 830 00:46:32,245 --> 00:46:34,813 I'm sorry, my friend. I'm really sorry. 831 00:46:36,684 --> 00:46:38,991 You can say no to me.[CELL PHONE KEYS CLICKING] 832 00:46:39,382 --> 00:46:43,996 But let me see you say no to him. 833 00:46:45,258 --> 00:46:49,305 [YELLS DRAMATICALLY] 834 00:46:49,697 --> 00:46:51,568 NELLO: Thank you! Thank you! Great! 835 00:46:51,699 --> 00:46:52,831 My pleasure. 836 00:46:53,744 --> 00:46:55,181 Come on. After you. FABRIZIO: Yes. 837 00:46:55,311 --> 00:46:56,704 [IN ITALIAN] Are you kidding me? 838 00:46:58,010 --> 00:47:01,100 [IN ENGLISH] That is the best body double I've ever seen. 839 00:47:01,404 --> 00:47:02,492 [CHUCKLES] 840 00:47:03,842 --> 00:47:05,887 Yeah! Si! 841 00:47:06,453 --> 00:47:08,063 Si! Si![LAUGHS] 842 00:47:08,194 --> 00:47:11,588 Yeah! [CHUCKLES] Great! 843 00:47:11,806 --> 00:47:12,676 NIC: Morning. 844 00:47:13,852 --> 00:47:14,853 Hi. 845 00:47:17,681 --> 00:47:20,206 If you wish, - you can also remove your hat. - NIC: Hmm? 846 00:47:20,293 --> 00:47:22,773 The word in Ischia is you are no more than a lookalike. 847 00:47:23,557 --> 00:47:24,819 - Huh. - TITINA: Mm-hmm. 848 00:47:25,037 --> 00:47:26,429 Gotta be careful of the sun. 849 00:47:26,908 --> 00:47:29,780 [SCOFFS] Are you worried about more wrinkles? 850 00:47:29,868 --> 00:47:32,218 Ah. Good one. I like that.[CHUCKLES] 851 00:47:33,610 --> 00:47:36,787 Fact is, a suntan is the kiss of death for an actor. 852 00:47:37,136 --> 00:47:40,617 Especially when he's filming. Messes with continuity. 853 00:47:41,096 --> 00:47:43,229 So, you are making a film on Ischia? 854 00:47:44,273 --> 00:47:47,450 Yeah, uh, a script by Visconti. 855 00:47:48,408 --> 00:47:49,452 Heard of him? 856 00:47:51,150 --> 00:47:52,629 - Really? - Mm-hmm. 857 00:47:53,456 --> 00:47:54,762 - Huh? - NIC: Uh... 858 00:47:55,023 --> 00:47:58,940 Yeah, uh, anyway, my process, it's... it's complicated. 859 00:47:59,027 --> 00:48:01,073 I like to familiarize myself with the environment. 860 00:48:01,160 --> 00:48:03,902 Get to know the people, uh, and the settings. 861 00:48:04,337 --> 00:48:08,994 Uh, I didn't want to say, but I'm a method actor. 862 00:48:10,169 --> 00:48:11,735 - Method actor? - Mm-hmm. 863 00:48:12,519 --> 00:48:14,303 If you want a tour, I recommend... 864 00:48:14,390 --> 00:48:15,435 [IN ITALIAN] "Tour of the island." 865 00:48:16,001 --> 00:48:19,004 [IN ENGLISH] Hmm. Sounds great. How do I get to see the island? 866 00:48:20,919 --> 00:48:23,878 - Come with me. - Great! Let's do it! 867 00:48:24,052 --> 00:48:27,708 [UPBEAT FUNKY MUSIC PLAYING] 868 00:48:29,971 --> 00:48:32,191 [SEAGULLS SQUAWKING] 869 00:48:35,063 --> 00:48:37,631 TITINA: Ischia was born from the sea 870 00:48:37,718 --> 00:48:40,025 by a volcano shooting all the way 871 00:48:40,112 --> 00:48:40,982 to the highest point. 872 00:48:42,027 --> 00:48:45,291 Mount Epomeo, nearly 800 meters. 873 00:48:46,118 --> 00:48:47,162 Hmm. 874 00:48:48,250 --> 00:48:50,731 Not gonna get me up there. Nope. 875 00:48:52,863 --> 00:48:56,780 The island is also divided into six communes, 876 00:48:57,259 --> 00:48:59,087 each with its own mayor, 877 00:48:59,522 --> 00:49:02,961 which is probably why nothing ever gets done. Hmm. 878 00:49:03,874 --> 00:49:04,875 Ischia was once... 879 00:49:05,572 --> 00:49:08,009 [IN ITALIAN] A paradise, a green island. 880 00:49:08,792 --> 00:49:09,837 Para... 881 00:49:09,968 --> 00:49:11,186 Paradise. 882 00:49:11,317 --> 00:49:13,667 Paradiso. Paradiso. TITINA: Paradiso. 883 00:49:13,841 --> 00:49:16,409 [IN ENGLISH] Well, it's... it's still paradise. 884 00:49:17,758 --> 00:49:18,977 Thanks. 885 00:49:20,326 --> 00:49:22,632 Have you ever gone scuba diving? 886 00:49:24,199 --> 00:49:26,897 Scuba diving? Yeah, in a film. 887 00:49:27,550 --> 00:49:30,466 - In a pool with lifeguards. - TITINA: Hmm? 888 00:49:32,512 --> 00:49:34,514 If you really want to see Ischia, 889 00:49:35,123 --> 00:49:37,778 the best place is underwater. 890 00:49:38,822 --> 00:49:39,693 Underwater? 891 00:49:40,650 --> 00:49:42,652 - Do you want? - Yeah. 892 00:49:43,175 --> 00:49:44,219 - Yeah? - NIC: Yeah. 893 00:49:44,393 --> 00:49:45,307 Come on. 894 00:49:45,481 --> 00:49:48,658 [ETHEREAL MUSIC PLAYING] 895 00:49:54,838 --> 00:49:56,753 [WATER RUSHING][MUSIC FADES] 896 00:49:58,277 --> 00:50:00,583 [PANTS] 897 00:50:01,889 --> 00:50:04,196 - Hey, how are you? - Sorry about that. 898 00:50:04,718 --> 00:50:06,807 Sometimes I suffer from claustrophobia. 899 00:50:07,286 --> 00:50:08,243 And, uh... 900 00:50:09,288 --> 00:50:12,073 acrophobia, and thalassophobia. 901 00:50:12,247 --> 00:50:16,730 - Uh, what is thalassophobia? - It's, uh, fear of the sea. 902 00:50:17,600 --> 00:50:21,082 Oh, I'm so sorry! Why didn't you tell me? 903 00:50:21,169 --> 00:50:23,084 [SIGHS] I... I forgot. 904 00:50:23,867 --> 00:50:26,957 - What's up with the bubbles? - Oh, carbon dioxide. 905 00:50:27,306 --> 00:50:29,569 Uh, Ischia is a volcanic island 906 00:50:29,656 --> 00:50:32,789 and the entire Bay of Naples is a sleeping super-volcano. 907 00:50:32,920 --> 00:50:36,750 Um, when the bubbles rise, there is activity somewhere. 908 00:50:38,404 --> 00:50:39,883 - Super-volcano? - Yeah. 909 00:50:42,625 --> 00:50:43,713 Hmm. 910 00:50:49,545 --> 00:50:50,590 [SOFTLY] Ah. 911 00:50:55,334 --> 00:50:58,206 NIC: Fade in. Exterior, outer space. 912 00:50:58,337 --> 00:50:59,642 Smash cut to... 913 00:51:00,861 --> 00:51:01,949 [CHUCKLES] 914 00:51:02,471 --> 00:51:05,170 ...a fiery asteroid is racing towards Earth 915 00:51:05,300 --> 00:51:07,737 on a collision course with a super-volcano. 916 00:51:08,912 --> 00:51:11,219 Hmm. Interesting. 917 00:51:12,568 --> 00:51:14,004 [INSTRUMENTAL MUSIC PLAYING] 918 00:51:14,135 --> 00:51:15,441 [IN ITALIAN] Good morning, Nic. 919 00:51:15,571 --> 00:51:16,572 [IN ENGLISH] Something to drink? 920 00:51:16,790 --> 00:51:18,052 [IN ITALIAN] Coffee, cappuccino, aperitif? 921 00:51:18,270 --> 00:51:20,228 [IN ENGLISH] Yeah, uh, - the last one. Great. - NELLO: Okay. 922 00:51:20,359 --> 00:51:21,621 - Come with me. Come with me. - All right. 923 00:51:21,708 --> 00:51:24,972 Uh, listen, Nic. We have informed the authorities 924 00:51:25,059 --> 00:51:26,626 that we are using a sosia. 925 00:51:26,756 --> 00:51:29,498 Body double. No one knows that you are you. 926 00:51:29,629 --> 00:51:31,370 Only Fabrizio and I... 927 00:51:31,761 --> 00:51:34,677 - and you know that you are you. - Right. Mm-hmm. 928 00:51:34,808 --> 00:51:36,070 And I am Nello. 929 00:51:36,201 --> 00:51:37,767 - Assistant director. - Nello, Nello. 930 00:51:38,377 --> 00:51:40,074 I was expecting a larger crew. 931 00:51:41,641 --> 00:51:42,859 Where is everyone? 932 00:51:43,033 --> 00:51:46,602 No, no, no. Maestro Favuzzo prefers a small troupe 933 00:51:46,733 --> 00:51:49,388 so as to adhere to the minimalistic principles 934 00:51:49,475 --> 00:51:51,129 of the Dogma school, you know? 935 00:51:51,216 --> 00:51:53,653 - Established by Lars von Trier. - Uh-huh. 936 00:51:54,132 --> 00:51:56,264 Speaking of the, uh, maestro. 937 00:51:56,351 --> 00:51:58,484 Yeah, Maestro Favuzzo. Um... 938 00:51:59,049 --> 00:52:00,181 Fabrizio? 939 00:52:02,575 --> 00:52:04,403 Papa?[KNOCKING ON DOOR] 940 00:52:04,577 --> 00:52:07,275 FABRIZIO: Please![RATTLING, KNOCKING ON DOOR] 941 00:52:07,362 --> 00:52:08,407 FABRIZIO: Please help me! 942 00:52:08,494 --> 00:52:10,452 [BANGING ON DOOR][HANDLE RATTLES] 943 00:52:10,539 --> 00:52:12,541 FABRIZIO: Anybody?[BANGING ON DOOR] 944 00:52:12,715 --> 00:52:14,804 FABRIZIO: I'm locked in![BANGING ON DOOR] 945 00:52:14,891 --> 00:52:17,981 FABRIZIO: Please! Help me! 946 00:52:18,068 --> 00:52:20,506 Many of you have asked me, 947 00:52:20,723 --> 00:52:23,073 "What is the film we are making?" 948 00:52:24,553 --> 00:52:27,643 I will now tell you! 949 00:52:30,690 --> 00:52:36,435 My film is a loose adaptation of Marcel Proust's masterpiece, 950 00:52:36,609 --> 00:52:39,568 The Search for Lost Time. 951 00:52:39,699 --> 00:52:42,441 AÀ la recherche du temps perdu 952 00:52:42,745 --> 00:52:46,314 as envisioned by... 953 00:52:47,533 --> 00:52:48,838 Luchino Visconti. 954 00:52:50,797 --> 00:52:54,235 It is a story of captives and fugitives. 955 00:52:54,366 --> 00:52:57,673 Of Sodom and Gomorrah. 956 00:52:58,152 --> 00:53:02,635 Of past, present, and future! Of love... 957 00:53:03,723 --> 00:53:05,290 and perversion. 958 00:53:06,900 --> 00:53:09,337 For the role of Albertina, 959 00:53:10,251 --> 00:53:11,948 the love interest, 960 00:53:12,210 --> 00:53:15,648 we have my lovely and talented daughter, Ombretta. 961 00:53:16,039 --> 00:53:20,174 [ALL APPLAUD] 962 00:53:20,261 --> 00:53:22,655 FABRIZIO: And for the role of Marcello, 963 00:53:23,090 --> 00:53:24,874 we have engaged the services 964 00:53:24,961 --> 00:53:28,051 of the most capable actor from America who, 965 00:53:28,138 --> 00:53:31,185 if he's not actually Nic Cassino, 966 00:53:31,272 --> 00:53:34,275 is his long-lost twin. 967 00:53:35,189 --> 00:53:37,322 [ALL APPLAUD] Whoo! 968 00:53:37,583 --> 00:53:38,714 Nic. 969 00:53:38,845 --> 00:53:40,673 What's with the... the suitcase? 970 00:53:41,413 --> 00:53:44,503 [CHUCKLES] The suitcase. 971 00:53:46,200 --> 00:53:47,680 The suitcase 972 00:53:48,246 --> 00:53:51,771 is the accumulated baggage of your past, 973 00:53:51,858 --> 00:53:54,513 that which we all carry. 974 00:53:56,166 --> 00:53:59,082 Genius. Love it. Oh, uh... 975 00:53:59,561 --> 00:54:01,171 - FABRIZIO: Yes? - The script. 976 00:54:02,260 --> 00:54:05,828 [ALL MURMURING] There is no script. 977 00:54:05,915 --> 00:54:06,960 Huh? 978 00:54:07,874 --> 00:54:10,137 We improvise! 979 00:54:10,268 --> 00:54:12,226 [BRIGHT MUSIC PLAYING] 980 00:54:12,313 --> 00:54:15,360 - Huh? - And action! 981 00:54:15,447 --> 00:54:17,275 [ALL APPLAUDING][LAUGHS] 982 00:54:17,362 --> 00:54:21,670 In this scene, Marcello has decided to return to Balbec, 983 00:54:21,931 --> 00:54:24,325 on the seaside, with Albertina. 984 00:54:24,412 --> 00:54:27,894 Here, grief at his grandmother's suffering 985 00:54:28,373 --> 00:54:29,896 overwhelms him. 986 00:54:30,418 --> 00:54:33,726 He ponders the intermittencies of the heart 987 00:54:34,161 --> 00:54:37,338 and the ways of dealing with sad memories. 988 00:54:37,425 --> 00:54:40,515 And so, without further adieu. 989 00:54:41,037 --> 00:54:42,038 Slate! 990 00:54:43,692 --> 00:54:44,998 [IN ITALIAN] Background... 991 00:54:45,085 --> 00:54:46,826 - [IN ENGLISH] And action! - Wait, wait, wait. 992 00:54:47,348 --> 00:54:49,829 - Cut, cut, cut. - Is there dialogue in this scene? 993 00:54:50,264 --> 00:54:52,614 - Of course. - So where's the sound mixer? 994 00:54:52,788 --> 00:54:55,269 FABRIZIO: There is none. We film now. 995 00:54:55,356 --> 00:54:57,576 Later we dub the voices. 996 00:54:57,924 --> 00:55:00,274 As in the European tradition. 997 00:55:00,796 --> 00:55:03,364 Well, that's great, but for the cameras... 998 00:55:04,234 --> 00:55:06,019 how do we use our mouths? 999 00:55:06,280 --> 00:55:07,760 - FABRIZIO: Count. - Count? 1000 00:55:07,847 --> 00:55:08,935 Just count. 1001 00:55:09,414 --> 00:55:10,893 [IN ITALIAN] Background... 1002 00:55:11,067 --> 00:55:12,373 [IN ENGLISH] And action! 1003 00:55:12,895 --> 00:55:14,070 NIC: One. 1004 00:55:14,636 --> 00:55:15,637 Two. 1005 00:55:17,117 --> 00:55:18,292 Three. 1006 00:55:19,075 --> 00:55:21,164 - Four. - OMBRETTA: [IN ITALIAN] One. 1007 00:55:21,339 --> 00:55:23,471 Two. Three. 1008 00:55:23,645 --> 00:55:25,604 [IN ENGLISH] Five, six![CAMERA WHIRRING] 1009 00:55:26,169 --> 00:55:27,562 OMBRETTA: [IN ITALIAN] Six, seven. 1010 00:55:28,737 --> 00:55:30,957 [IN ENGLISH] Six, seven![SOBS] 1011 00:55:31,087 --> 00:55:33,133 [IN ITALIAN] Eight.[NIC GROANS] 1012 00:55:33,699 --> 00:55:35,483 Nine. Mamma mia! 1013 00:55:37,006 --> 00:55:38,878 [SOBS] And ten! 1014 00:55:39,008 --> 00:55:40,575 FABRIZIO: [IN ENGLISH] Cut, cut, cut! 1015 00:55:40,706 --> 00:55:43,361 No, no, no! You are overcounting! 1016 00:55:44,231 --> 00:55:47,060 I will not stand for overcounting on my set. 1017 00:55:47,147 --> 00:55:49,497 - No divas. - LORELLA: She was fantastic! 1018 00:55:49,715 --> 00:55:52,370 [YELLS, SIGHS] 1019 00:55:52,935 --> 00:55:54,720 Too much! Again! 1020 00:55:56,112 --> 00:55:57,592 Seven was good. 1021 00:55:57,810 --> 00:56:01,553 Eight, so and so. Ten is too much! Please, again! 1022 00:56:04,077 --> 00:56:05,339 [SIGHS] 1023 00:56:10,475 --> 00:56:12,520 JACK: [OVER PHONE] A film? Are you nuts? 1024 00:56:12,651 --> 00:56:14,304 How come I don't know anything about a film? 1025 00:56:14,392 --> 00:56:16,611 Uh, it's a... it's an art film, Jack, 1026 00:56:16,698 --> 00:56:18,613 by that acclaimed Italian director. 1027 00:56:18,874 --> 00:56:23,139 You know the guy, uh, uh... Fabrizio Fravuzzo. 1028 00:56:23,226 --> 00:56:24,663 He scored the rights to, uh, 1029 00:56:24,793 --> 00:56:27,709 Luchino Visconti's unfinished masterpiece. 1030 00:56:27,883 --> 00:56:30,233 The point is, we're gonna finish the unfinished masterpiece 1031 00:56:30,364 --> 00:56:34,194 and turn it into a masterpiece. Jack, I'm feeling... 1032 00:56:36,457 --> 00:56:38,459 I'm feeling rejuvenated, Jack. 1033 00:56:38,938 --> 00:56:41,897 JACK: The word is "senile." Did they even talk money? 1034 00:56:43,682 --> 00:56:45,031 I'll get it on the back end. 1035 00:56:45,771 --> 00:56:48,948 JACK: Let's hope you don't. What? Yeah. Uh... 1036 00:56:49,644 --> 00:56:50,863 Whatever. Um... 1037 00:56:51,211 --> 00:56:53,213 I'm exercising, I'm eating right. 1038 00:56:53,561 --> 00:56:55,345 Uh, I'm not drinking. 1039 00:56:55,433 --> 00:56:59,741 [INDISTINCT CHATTER] 1040 00:57:00,873 --> 00:57:01,961 Fabrizio. 1041 00:57:03,223 --> 00:57:04,877 Is it true? There is no script? 1042 00:57:06,879 --> 00:57:09,098 There is and there isn't. 1043 00:57:09,969 --> 00:57:12,319 I have Visconti's shooting notes. 1044 00:57:13,581 --> 00:57:15,453 But, uh... But? 1045 00:57:16,758 --> 00:57:18,630 Only for half the film. 1046 00:57:20,153 --> 00:57:21,284 So how does it end? 1047 00:57:21,937 --> 00:57:22,982 Abruptly. 1048 00:57:23,069 --> 00:57:24,331 DINO: Abruptly? Si. 1049 00:57:24,418 --> 00:57:27,421 No! How do we finish the film? 1050 00:57:28,117 --> 00:57:29,162 Dino. 1051 00:57:29,292 --> 00:57:31,077 I will jump off that bridge 1052 00:57:31,164 --> 00:57:32,774 - when I come to it. - Uh. 1053 00:57:33,079 --> 00:57:34,602 NIC: Awesome, yes. 1054 00:57:35,777 --> 00:57:39,041 Until then, we have the great Nic Cassino. 1055 00:57:42,610 --> 00:57:45,787 NIC: Jack. Jack. Just... just relax, all right? 1056 00:57:45,874 --> 00:57:47,702 Just take it easy. 1057 00:57:48,660 --> 00:57:51,489 I got this, Jack. I got four words for you, 1058 00:57:51,924 --> 00:57:57,407 Nic Cassino is back! 1059 00:57:57,538 --> 00:58:00,498 ["MACHINE GUN" PLAYING] 1060 00:58:05,415 --> 00:58:06,634 [EXHALES] 1061 00:58:21,649 --> 00:58:23,477 - Mr. Nic! - Mr. Nic! 1062 00:58:23,608 --> 00:58:28,047 This scene is about involuntary memory... 1063 00:58:28,134 --> 00:58:29,744 [SOBS LOUDLY] 1064 00:58:31,485 --> 00:58:32,965 [NIC AND OMBRETTA SOB] 1065 00:58:33,052 --> 00:58:34,662 [SONG CONTINUES] 1066 00:58:47,327 --> 00:58:50,983 [GROANS] 1067 00:58:51,897 --> 00:58:53,115 [EXHALES SHARPLY] 1068 00:58:54,377 --> 00:58:56,771 [YELPS PLAYFULLY][CHUCKLES] 1069 00:59:02,472 --> 00:59:04,866 FABRIZIO: This scene is about anxiety 1070 00:59:04,953 --> 00:59:08,000 and how it leads to manipulation. 1071 00:59:08,130 --> 00:59:10,698 [LORELLA SQUEALS, SHRIEKS] 1072 00:59:17,531 --> 00:59:20,273 Slate and action! 1073 00:59:23,537 --> 00:59:24,538 [NIC GRUNTS] 1074 00:59:33,591 --> 00:59:37,812 "Story by Nic Cassino. Untitled action film." 1075 00:59:38,030 --> 00:59:42,164 And this scene is about the nature of art 1076 00:59:42,251 --> 00:59:45,603 and how drunkenness affects perception. 1077 00:59:45,907 --> 00:59:47,039 Slate! 1078 00:59:48,388 --> 00:59:50,433 And... action! 1079 00:59:52,131 --> 00:59:55,090 [SONG CONTINUES] 1080 01:00:04,752 --> 01:00:08,451 [PANTS] 1081 01:00:11,063 --> 01:00:14,457 [YELLS DRAMATICALLY] 1082 01:00:14,806 --> 01:00:18,157 Yes! 1083 01:00:22,030 --> 01:00:23,336 I'm back. 1084 01:00:25,817 --> 01:00:26,992 I'm back. 1085 01:00:27,862 --> 01:00:30,430 The great Nic Cassino.[GROANS] 1086 01:00:30,517 --> 01:00:31,823 [SONG FADES] 1087 01:00:31,910 --> 01:00:35,304 - Beautiful place. - Oh, yes. [CHUCKLES] 1088 01:00:35,957 --> 01:00:39,308 Is it true that you made love to five women at one time? 1089 01:00:40,658 --> 01:00:42,442 Physically impossible. No. 1090 01:00:43,312 --> 01:00:46,794 Then it was five women consecutively? 1091 01:00:48,535 --> 01:00:52,191 I'm more of a sprinter than an endurance guy. 1092 01:00:53,540 --> 01:00:57,675 Then it was one woman for five hours? 1093 01:00:59,154 --> 01:01:01,548 - I think that was Sting. - Uh-- 1094 01:01:01,853 --> 01:01:04,029 - Where's my guys? - OMBRETTA: I can drive you home. 1095 01:01:04,638 --> 01:01:05,639 If you want. 1096 01:01:06,771 --> 01:01:09,382 We can go rehearse our scenes for tomorrow. 1097 01:01:11,732 --> 01:01:14,300 The... big screen kiss. 1098 01:01:15,083 --> 01:01:17,912 - Hmm? - The big screen kiss. 1099 01:01:18,304 --> 01:01:20,480 Ah. Yes. 1100 01:01:21,002 --> 01:01:24,745 Well, as an actor, I like to keep things fresh. 1101 01:01:26,268 --> 01:01:27,269 Maurizio. 1102 01:01:28,140 --> 01:01:29,489 Fire up the skinny van. 1103 01:01:30,142 --> 01:01:31,360 Bedtime for Bonzo. 1104 01:01:32,013 --> 01:01:34,146 See you tomorrow. Good night. 1105 01:01:37,366 --> 01:01:38,803 [CLEARS THROAT] 1106 01:01:51,990 --> 01:01:55,907 FABRIZIO: Marcello has been spending time with Albertina, 1107 01:01:56,037 --> 01:01:59,388 whom he now suspects of lesbianism, 1108 01:01:59,954 --> 01:02:04,437 then tells his mother he must marry Albertina. 1109 01:02:04,785 --> 01:02:08,571 Here our protagonists give way 1110 01:02:08,658 --> 01:02:12,401 to their sad and unconsummated love. 1111 01:02:13,315 --> 01:02:14,316 [IN ITALIAN] Background... 1112 01:02:14,969 --> 01:02:16,666 [IN ENGLISH] And... action! 1113 01:02:17,189 --> 01:02:18,668 [CAMERA WHIRRING] 1114 01:02:23,761 --> 01:02:25,545 Cut! Works for me.[WHIRRING STOPS] 1115 01:02:26,720 --> 01:02:28,722 - DINO: The gate is clean. - NELLO: Okay, moving on. 1116 01:02:28,809 --> 01:02:30,768 No. Was not good for me. 1117 01:02:31,725 --> 01:02:33,335 I want another take. 1118 01:02:34,815 --> 01:02:38,253 - But we have to change location. - OMBRETTA: Was no good. 1119 01:02:39,080 --> 01:02:40,952 It, um, didn't, um... 1120 01:02:41,561 --> 01:02:44,172 feel true. One more take! 1121 01:02:44,825 --> 01:02:45,826 [IN ITALIAN] Okay, okay. 1122 01:02:46,087 --> 01:02:48,089 - [IN ENGLISH] One more, please. - One more take. 1123 01:02:48,220 --> 01:02:49,656 - Okay, one more. - NIC: All right. 1124 01:02:49,787 --> 01:02:52,746 FABRIZIO: Please. Thank you. One more. Again! 1125 01:02:53,312 --> 01:02:54,313 DINO: Okay. 1126 01:02:56,924 --> 01:02:58,056 [NIC SIGHS] 1127 01:02:58,883 --> 01:03:01,842 Uh, what about, uh, continuity? Wasn't... 1128 01:03:02,669 --> 01:03:04,932 Doesn't matter. Okay? Okay. 1129 01:03:05,019 --> 01:03:06,499 [IN ITALIAN] Background... 1130 01:03:06,629 --> 01:03:08,196 [IN ENGLISH] And... action! 1131 01:03:08,327 --> 01:03:09,807 [CAMERA WHIRRING] 1132 01:03:11,330 --> 01:03:13,854 [CREW MURMURING] 1133 01:03:13,985 --> 01:03:16,030 [CREW EXCLAIMING] NIC: Hey! Relax! 1134 01:03:16,117 --> 01:03:17,249 [IN ITALIAN] What is she doing? 1135 01:03:17,379 --> 01:03:18,337 NIC: [IN ENGLISH] Relax! 1136 01:03:18,424 --> 01:03:20,556 [CREW EXCLAIM] NELLO: Stop! Stop! 1137 01:03:20,687 --> 01:03:22,341 [OVERLAPPING CHATTER] 1138 01:03:22,471 --> 01:03:24,822 ["DO ME ALL NIGHT" PLAYING] Relax, relax! 1139 01:03:24,952 --> 01:03:27,041 Cut! Cut, Dino! Cut! 1140 01:03:27,520 --> 01:03:28,869 [NIC EXCLAIMS] 1141 01:03:29,435 --> 01:03:33,569 [CREW YELL] 1142 01:03:33,700 --> 01:03:35,571 [INDISTINCT CHATTER] LORELLA: Stop it! 1143 01:03:35,702 --> 01:03:37,051 NIC: The brakes! 1144 01:03:37,182 --> 01:03:39,488 FABRIZIO: The brakes![SHRIEKS] 1145 01:03:43,362 --> 01:03:44,624 NIC: Whoa! 1146 01:03:47,366 --> 01:03:48,976 [ANGIOLETTO YELLING] 1147 01:03:49,107 --> 01:03:50,195 No! 1148 01:03:52,327 --> 01:03:54,373 Stop![TIRES SCREECHING] 1149 01:03:55,069 --> 01:03:57,115 [ALL SCREAM] 1150 01:03:58,116 --> 01:04:01,423 [INDISTINCT CHATTER] 1151 01:04:02,381 --> 01:04:05,384 [OMBRETTA SIGHS][STRAINS, GRUNTS] 1152 01:04:05,645 --> 01:04:07,081 [IN ITALIAN] Push harder! 1153 01:04:07,255 --> 01:04:08,866 [CONTINUES STRAINING] 1154 01:04:09,997 --> 01:04:13,087 [PANTS] 1155 01:04:15,133 --> 01:04:17,135 The little fake saint! 1156 01:04:17,744 --> 01:04:21,139 [CONTINUES PANTING, STRAINING] 1157 01:04:25,534 --> 01:04:27,841 FILOMENA: Don't think about that. 1158 01:04:28,146 --> 01:04:30,931 [CONTINUES IN ITALIAN] 1159 01:04:31,062 --> 01:04:32,585 [IN ENGLISH] It's okay. It's okay. 1160 01:04:33,978 --> 01:04:34,979 [WHISPERS IN ITALIAN] 1161 01:04:38,939 --> 01:04:41,246 [NIC STRAINS][FILOMENA EXCLAIMS] 1162 01:04:41,463 --> 01:04:42,987 What the heck are you doing? 1163 01:04:43,117 --> 01:04:44,771 [IN ENGLISH] Hey, hey! Relax! 1164 01:04:44,858 --> 01:04:46,077 [IN ITALIAN] Mind your own business! 1165 01:04:46,251 --> 01:04:47,774 Did you jump on him? 1166 01:04:47,905 --> 01:04:49,907 [IN ENGLISH] Hey! Relax! 1167 01:04:50,255 --> 01:04:51,343 [IN ITALIAN] Mind your own business! 1168 01:04:51,604 --> 01:04:53,127 [IN ENGLISH] Take it easy, big fella. Just relax. 1169 01:04:53,388 --> 01:04:57,131 [IN ITALIAN] What the heck do you want? This idiot, this gorilla! 1170 01:04:57,610 --> 01:04:58,698 [IN ENGLISH] What'd you call me? 1171 01:04:59,612 --> 01:05:03,398 I said you are nothing more than an insensitive brute. 1172 01:05:03,703 --> 01:05:06,314 A punch-drunk gorilla. 1173 01:05:06,488 --> 01:05:09,317 [GROANS] FILOMENA: Nello! No, no, no! 1174 01:05:09,404 --> 01:05:11,102 You shouldn't have said that to me! 1175 01:05:11,232 --> 01:05:13,365 - Easy, easy! - Shouldn't have said that to me! 1176 01:05:13,495 --> 01:05:15,149 You shouldn't have called me that! 1177 01:05:16,803 --> 01:05:19,066 Easy, calm down! Calm down. 1178 01:05:20,589 --> 01:05:21,547 I'm sorry. 1179 01:05:21,634 --> 01:05:22,809 [IN ITALIAN] Go away! 1180 01:05:23,070 --> 01:05:24,289 LORELLA: [IN ENGLISH] - Do something! - I'm sorry! 1181 01:05:24,419 --> 01:05:26,030 [FABRIZIO GASPS] Easy, easy! 1182 01:05:26,595 --> 01:05:27,901 DINO: What have you done? 1183 01:05:30,469 --> 01:05:31,905 [PANTS] 1184 01:05:32,079 --> 01:05:33,776 - [IN ITALIAN] What are you doing? - Go away! 1185 01:05:34,386 --> 01:05:36,823 LORELLA: [IN ENGLISH] Are you okay? Are you okay? 1186 01:05:41,349 --> 01:05:43,961 NIC: My old man was the reason I got into acting. 1187 01:05:45,179 --> 01:05:47,965 My father. Capisce? 1188 01:05:48,791 --> 01:05:53,622 Oh. Father. Understand. Capisce. Father. 1189 01:05:56,625 --> 01:05:58,192 [WAVES LAPPING] 1190 01:06:00,629 --> 01:06:01,761 [IN ITALIAN] Where is he? 1191 01:06:02,631 --> 01:06:03,893 Over there. 1192 01:06:04,546 --> 01:06:06,070 WOMAN: What happened? 1193 01:06:15,818 --> 01:06:17,429 NIC: [IN ENGLISH] My dad, he was a... 1194 01:06:17,559 --> 01:06:18,560 [PHONE BEEPS SOFTLY] 1195 01:06:18,647 --> 01:06:20,606 NIC: He was a janitor. Smart. 1196 01:06:21,302 --> 01:06:22,260 Cultured. 1197 01:06:23,304 --> 01:06:24,262 Really cultured. 1198 01:06:25,611 --> 01:06:28,092 He couldn't read but he'd take us to the movies. 1199 01:06:29,354 --> 01:06:32,357 That was his library. Barely speak English. 1200 01:06:33,401 --> 01:06:36,448 He'd say, "No, no, no, no, no, no, no, no, no." 1201 01:06:38,624 --> 01:06:39,929 "If you can't feel it here, 1202 01:06:40,713 --> 01:06:43,455 and it doesn't make you cry just... just a little... 1203 01:06:44,717 --> 01:06:46,023 the words don't matter." 1204 01:06:47,850 --> 01:06:49,417 [GROANS] I was nine when he died. 1205 01:06:49,896 --> 01:06:51,245 I didn't cry at the funeral. 1206 01:06:52,203 --> 01:06:53,639 That's what my brother told me. 1207 01:06:55,162 --> 01:06:57,860 Said I didn't have a sensitive bone in my body. 1208 01:06:59,340 --> 01:07:00,950 That's when I took up fighting. 1209 01:07:05,390 --> 01:07:06,956 My brother was smart. 1210 01:07:09,002 --> 01:07:10,047 Really smart. 1211 01:07:11,265 --> 01:07:13,180 And kids used to beat up on him. 1212 01:07:14,877 --> 01:07:15,878 Tease him. 1213 01:07:17,837 --> 01:07:20,057 And I used to beat the livin' crap out of 'em. 1214 01:07:23,190 --> 01:07:24,365 We were close. 1215 01:07:25,584 --> 01:07:28,630 Nothin'... nothin' could get in between us. 1216 01:07:32,156 --> 01:07:33,679 Not... not love. 1217 01:07:34,941 --> 01:07:35,942 Certainly not love. 1218 01:07:38,640 --> 01:07:39,728 [GROANS SOFTLY] 1219 01:07:43,254 --> 01:07:48,650 [SNIFFLES, SOBS][SOFT MUSIC PLAYING] 1220 01:07:50,435 --> 01:07:52,741 [NIC SNIFFLING] 1221 01:07:53,481 --> 01:07:56,702 [CONTINUES SOBBING][TITINA SCOFFS] 1222 01:07:58,399 --> 01:07:59,574 TITINA: Zi Isidoro. 1223 01:08:00,662 --> 01:08:05,624 [WEEPS, SNIFFLES, BLUBBERS] 1224 01:08:07,495 --> 01:08:09,932 [WEEPING CONTINUES] 1225 01:08:10,890 --> 01:08:13,632 [CRYING] Luigi, I'm so sorry! 1226 01:08:15,068 --> 01:08:18,593 I didn't... [SOBS] I didn't mean to do... 1227 01:08:20,029 --> 01:08:21,030 [SOBS] 1228 01:08:22,902 --> 01:08:24,599 [SNIFFLES, INHALES] 1229 01:08:26,601 --> 01:08:27,689 [NIC GROANS] 1230 01:08:28,603 --> 01:08:30,518 I sent Zi Isidoro home to his wife. 1231 01:08:32,564 --> 01:08:35,001 Don't worry. Your secrets are safe. 1232 01:08:36,089 --> 01:08:37,786 He doesn't understand a word of English. 1233 01:08:41,964 --> 01:08:43,009 Carmela! 1234 01:08:43,227 --> 01:08:44,967 [IN ITALIAN] Two coffees, quick! 1235 01:08:45,490 --> 01:08:46,534 [GROANS] 1236 01:08:54,803 --> 01:08:57,415 NIC: [IN ENGLISH] So, uh, what's your story anyway? 1237 01:08:57,502 --> 01:08:59,330 Why aren't you married or engaged? 1238 01:09:01,114 --> 01:09:02,115 Um... 1239 01:09:03,856 --> 01:09:06,511 My fiancé works on Costa Caribbean. 1240 01:09:07,207 --> 01:09:09,078 He is studying to become a captain. 1241 01:09:09,340 --> 01:09:11,124 - Hmm. - TITINA: He has ambitions. 1242 01:09:11,646 --> 01:09:13,431 He has plans for his career. 1243 01:09:13,561 --> 01:09:16,651 Mm-hmm. But... but he doesn't have you. 1244 01:09:20,786 --> 01:09:22,353 We see each other when he comes back. 1245 01:09:23,136 --> 01:09:25,443 [TITINA GRUNTS] Here, it's normal. 1246 01:09:25,617 --> 01:09:27,532 - Mm-hmm? - In Ischia... 1247 01:09:27,662 --> 01:09:33,494 ...you either work in tourism or imbarcare... sail. 1248 01:09:33,755 --> 01:09:37,150 - NIC: Mm-mm. - My father was at sea when I was born. 1249 01:09:38,369 --> 01:09:41,546 And my mother raised us to be independent. 1250 01:09:43,243 --> 01:09:45,811 But I did miss my father. 1251 01:09:46,507 --> 01:09:48,161 Yeah. [INHALES DEEPLY] 1252 01:09:48,422 --> 01:09:51,425 Sometimes ships bring families together, 1253 01:09:51,643 --> 01:09:53,471 sometimes they keep them apart. 1254 01:09:54,559 --> 01:09:57,083 Hmm. Sounds familiar. 1255 01:09:58,519 --> 01:10:01,522 Except my ship's the Titanic and my wife's the iceberg. 1256 01:10:02,001 --> 01:10:03,742 [BOTH CHUCKLE] Remember that scene 1257 01:10:04,046 --> 01:10:05,744 when the ship heaves out of the water, 1258 01:10:05,874 --> 01:10:07,441 and looks like a giant skyscraper, 1259 01:10:07,528 --> 01:10:09,269 and you got these tiny little people 1260 01:10:09,356 --> 01:10:12,011 that look like ants and they're falling into the abyss below? 1261 01:10:12,141 --> 01:10:15,797 [INHALES SHARPLY] Talk about a multiphobic ending. 1262 01:10:16,581 --> 01:10:20,019 [LAUGHS SOFTLY] For someone who has saved the world 1263 01:10:20,106 --> 01:10:23,588 from certain destruction so many times, 1264 01:10:23,718 --> 01:10:25,285 you... you have many phobias. 1265 01:10:25,459 --> 01:10:27,200 Yeah, I do. Lots.[TITINA CHUCKLES SOFTLY] 1266 01:10:29,246 --> 01:10:31,944 But... you wanna know what my biggest fear is? 1267 01:10:32,336 --> 01:10:35,382 It's not... [INHALES SHARPLY, SIGHS] 1268 01:10:35,513 --> 01:10:39,081 ...physical danger, real or imagined. 1269 01:10:40,648 --> 01:10:42,215 The scariest thing for me is... 1270 01:10:42,868 --> 01:10:46,219 [SIGHS] ...not being taken seriously. 1271 01:10:47,829 --> 01:10:50,310 That's why I'm doing this film. To prove to the world I can act. 1272 01:10:50,397 --> 01:10:52,791 That I'm not some glorified meathead or... 1273 01:10:53,400 --> 01:10:55,707 some broken-down stuntman. 1274 01:10:58,057 --> 01:11:01,278 You know? [MURMURS] It's impossible. 1275 01:11:03,105 --> 01:11:05,804 Because you are the great Nic Cassino. 1276 01:11:06,457 --> 01:11:07,849 No, seriously. 1277 01:11:08,241 --> 01:11:12,201 You are larger than life. You... you really are big. 1278 01:11:13,028 --> 01:11:16,293 Yeah, I guess. IMDb has me down at... 1279 01:11:17,468 --> 01:11:18,904 6'3." I'm actually 6'2." 1280 01:11:19,861 --> 01:11:22,037 When I got to Hollywood, I was shocked. 1281 01:11:22,342 --> 01:11:24,562 The actors, they're kinda small. 1282 01:11:25,084 --> 01:11:26,259 Like, kinda like... Hmm? 1283 01:11:26,564 --> 01:11:28,827 Well, I don't wanna say, but kinda like jockeys. 1284 01:11:29,480 --> 01:11:33,962 - Jockeys? What? - Yeah. Like a... like a small person. 1285 01:11:34,354 --> 01:11:35,529 - Oh. - NIC: But not really. 1286 01:11:35,660 --> 01:11:37,096 It is... 1287 01:11:40,621 --> 01:11:42,928 [SOFT MUSIC PLAYING] 1288 01:11:43,494 --> 01:11:44,451 Sorry. 1289 01:11:52,372 --> 01:11:53,591 Sorry. 1290 01:12:05,342 --> 01:12:07,387 [SIGHS] Wow. 1291 01:12:08,606 --> 01:12:09,563 NIC: Mmm. 1292 01:12:10,651 --> 01:12:12,610 I guess all that training came in handy. 1293 01:12:16,265 --> 01:12:17,266 [NIC CHUCKLES] 1294 01:12:23,142 --> 01:12:24,230 TITINA: You write by hand? 1295 01:12:26,145 --> 01:12:27,146 NIC: Yeah. 1296 01:12:27,668 --> 01:12:29,191 Something about writing with a pencil 1297 01:12:29,322 --> 01:12:31,585 and a piece of paper that makes it more real. 1298 01:12:33,239 --> 01:12:35,763 Like a Michelangelo sketch. 1299 01:12:37,025 --> 01:12:38,287 So, you are creating a masterpiece. 1300 01:12:38,766 --> 01:12:39,941 I wouldn't say a masterpiece.[CHUCKLES] 1301 01:12:40,202 --> 01:12:43,031 It's more of a... an apocalyptic disaster film. 1302 01:12:43,162 --> 01:12:44,206 End-of-the-world stuff. 1303 01:12:44,381 --> 01:12:47,384 Why do Americans like these kind of movies? 1304 01:12:50,125 --> 01:12:51,126 I don't know. 1305 01:12:52,780 --> 01:12:54,782 Maybe it gives them a sense of hope. 1306 01:12:54,913 --> 01:12:57,132 Like truth, justice, the American way. 1307 01:12:57,698 --> 01:12:58,656 Who said that? 1308 01:12:58,960 --> 01:13:00,005 Superman. 1309 01:13:00,179 --> 01:13:01,572 - Hollywood's first action hero. - Superman. 1310 01:13:01,659 --> 01:13:03,269 Around the world in a single bound. 1311 01:13:03,400 --> 01:13:04,879 [LAUGHS] Yeah. 1312 01:13:07,142 --> 01:13:08,361 What's your excuse? 1313 01:13:10,798 --> 01:13:11,799 For what? 1314 01:13:13,018 --> 01:13:16,108 Not flying around the world in a single bound? 1315 01:13:17,544 --> 01:13:20,242 Why didn't you, um, sail with your fiancé? 1316 01:13:24,899 --> 01:13:27,032 Giosy asked me to go with him. 1317 01:13:28,642 --> 01:13:29,904 I don't know why I didn't go. 1318 01:13:31,558 --> 01:13:32,733 Maybe I was scared. 1319 01:13:33,212 --> 01:13:35,083 Or maybe you didn't have a good enough reason. 1320 01:13:35,823 --> 01:13:37,434 Like a motivation. 1321 01:13:39,261 --> 01:13:41,002 - A motivation? - Yeah. 1322 01:13:41,612 --> 01:13:43,309 Every character needs a motivation 1323 01:13:43,483 --> 01:13:46,530 in order to move forward, to do great things. 1324 01:13:47,182 --> 01:13:48,227 Oh, like... 1325 01:13:48,575 --> 01:13:49,750 [IN GRUFF VOICE] ...save the world? 1326 01:13:50,229 --> 01:13:51,796 Like salute."Save.""Save." 1327 01:13:52,187 --> 01:13:53,450 BOTH: "Save... save."[CHUCKLES] 1328 01:13:53,754 --> 01:13:55,277 - Save the world? - Save the world. 1329 01:13:55,364 --> 01:13:57,018 Again and again... And again. 1330 01:13:57,802 --> 01:13:59,194 And again... And again. 1331 01:13:59,804 --> 01:14:01,327 - And again. - And again. 1332 01:14:01,501 --> 01:14:02,502 And again. 1333 01:14:09,248 --> 01:14:10,902 [SEAGULLS SQUAWKING] 1334 01:14:13,470 --> 01:14:15,689 [BIRDS CHIRPING] 1335 01:14:18,126 --> 01:14:20,825 [GASPS] Luigi! [PANTS] 1336 01:14:22,348 --> 01:14:24,437 What's happening? Oh. 1337 01:14:26,265 --> 01:14:27,527 Hi. Um... 1338 01:14:29,137 --> 01:14:30,138 Um... 1339 01:14:30,791 --> 01:14:33,054 I have a tour group this morning. 1340 01:14:33,228 --> 01:14:36,057 - Germans. Very punctual. - Ah. 1341 01:14:37,189 --> 01:14:39,713 Well, uh... I know you're busy today, 1342 01:14:39,844 --> 01:14:41,802 but you wanna maybe hang out tomorrow? 1343 01:14:42,194 --> 01:14:45,502 Come on set and see some real acting? 1344 01:14:47,808 --> 01:14:48,853 Um... 1345 01:14:57,731 --> 01:14:58,863 Maybe. 1346 01:15:14,705 --> 01:15:15,793 Maybe. 1347 01:15:17,664 --> 01:15:19,013 Maybe. [SIGHS] 1348 01:15:26,978 --> 01:15:28,719 [IN ITALIAN] Man without values! 1349 01:15:29,937 --> 01:15:31,112 Peasant. 1350 01:15:31,765 --> 01:15:32,766 [SNICKERS] 1351 01:15:32,984 --> 01:15:34,812 Without any shame! 1352 01:15:36,204 --> 01:15:37,554 Mafioso. 1353 01:15:37,684 --> 01:15:38,946 ANGIOLETTO: Ha! 1354 01:15:40,121 --> 01:15:41,079 I cannot hear you. 1355 01:15:41,166 --> 01:15:42,167 No? 1356 01:15:42,776 --> 01:15:44,169 Mafioso! 1357 01:15:44,343 --> 01:15:46,301 [CHUCKLES] 1358 01:15:46,519 --> 01:15:48,216 - Did you hear me now? - Who is the mafioso? 1359 01:15:48,347 --> 01:15:49,217 To you. 1360 01:15:49,391 --> 01:15:51,219 [LAUGHS] 1361 01:15:51,524 --> 01:15:53,744 Say that again if you have the courage. 1362 01:15:53,961 --> 01:15:55,876 Mafioso. 1363 01:15:56,137 --> 01:15:57,574 - Mafioso to whom? - To you. 1364 01:15:57,748 --> 01:15:58,879 To me? 1365 01:15:59,140 --> 01:16:00,228 - Say that again! - Mafioso. 1366 01:16:00,489 --> 01:16:01,839 - ANGIOLETTO: And say that again! - FABRIZIO: Mafioso. 1367 01:16:02,013 --> 01:16:03,754 ANGIOLETTO: Mafioso? Don't do it again! 1368 01:16:03,928 --> 01:16:06,887 [CLAMORING][CONTINUE ARGUING] 1369 01:16:07,018 --> 01:16:07,975 [NELLO YELLS] 1370 01:16:08,106 --> 01:16:09,673 Stop! 1371 01:16:10,412 --> 01:16:11,979 [YELLS] 1372 01:16:12,110 --> 01:16:13,807 [IN ENGLISH] We have a film to finish. No? 1373 01:16:13,894 --> 01:16:15,156 Yes, that's right! 1374 01:16:15,461 --> 01:16:16,767 And Ombretta? 1375 01:16:17,245 --> 01:16:19,117 [IN ITALIAN] The little saint...[IN ENGLISH] Shut up! We are better. 1376 01:16:19,291 --> 01:16:20,379 Women's problems, you know? 1377 01:16:20,509 --> 01:16:21,946 [IMITATES MOCKINGLY] "Women's problems." 1378 01:16:22,076 --> 01:16:23,295 [IN ITALIAN] Good boy... 1379 01:16:23,425 --> 01:16:24,513 [IN ENGLISH] Nothing in the oven. 1380 01:16:24,601 --> 01:16:25,993 We are in the clear. 1381 01:16:26,080 --> 01:16:27,865 [IMITATES MOCKINGLY] "Nothing in the oven!" 1382 01:16:27,995 --> 01:16:29,170 [IMITATES] Nothing in the oven! 1383 01:16:29,301 --> 01:16:33,087 [ALL ARGUE IN ITALIAN] 1384 01:16:34,306 --> 01:16:35,568 Whoa, whoa, whoa! 1385 01:16:35,699 --> 01:16:38,571 [IN ENGLISH] Hey, hey, hey! Hey, hey! Whoa, whoa! 1386 01:16:38,702 --> 01:16:41,052 Whoa, whoa![CAR SIREN WAILING] 1387 01:16:41,269 --> 01:16:42,575 Hey, the cops! 1388 01:16:42,662 --> 01:16:44,272 Someone's called the cops. 1389 01:16:45,796 --> 01:16:48,015 [IN ITALIAN] Guys, guys. 1390 01:16:48,494 --> 01:16:49,495 [IN ENGLISH] From Rome. 1391 01:16:50,061 --> 01:16:51,018 The dailies! 1392 01:16:51,889 --> 01:16:52,933 ALL: The dailies! 1393 01:16:53,064 --> 01:16:55,283 The dailies, yeah.[SIGHS] The dailies... 1394 01:16:55,414 --> 01:16:57,372 [SCATTERED CHUCKLE] 1395 01:16:59,897 --> 01:17:01,246 The great Nic Cassino! 1396 01:17:01,420 --> 01:17:03,030 [ALL LAUGH, CHEER] 1397 01:17:03,161 --> 01:17:05,076 [CHEERING CONTINUES] Dailies! Nothing happened! 1398 01:17:05,206 --> 01:17:06,468 Wanna grab it? 1399 01:17:06,599 --> 01:17:08,514 [PROJECTOR WHIRRING] 1400 01:17:09,036 --> 01:17:10,124 The dailies! 1401 01:17:10,298 --> 01:17:12,257 - [LAUGHS] The dailies! - Yeah. 1402 01:17:12,823 --> 01:17:14,215 [BOTH CHUCKLE] 1403 01:17:18,306 --> 01:17:20,700 [NELLO SIGHS][SMOOCHES] 1404 01:17:21,353 --> 01:17:22,702 [SNIFFLES] 1405 01:17:31,276 --> 01:17:33,278 - NIC: Hmm. - Mm. 1406 01:17:39,763 --> 01:17:41,547 [HUMS] Dailies. 1407 01:17:42,635 --> 01:17:43,810 Not bad. 1408 01:17:58,259 --> 01:17:59,739 [MURMURS SOFTLY] 1409 01:18:10,097 --> 01:18:11,577 [SIGHS DEEPLY] 1410 01:18:24,677 --> 01:18:26,505 [ANGIOLETTO SNORES, GRUNTS] 1411 01:18:27,593 --> 01:18:28,812 Hmm. 1412 01:18:31,379 --> 01:18:33,686 [EXHALES EXCITEDLY] 1413 01:18:34,513 --> 01:18:35,557 [CHUCKLES] 1414 01:18:40,084 --> 01:18:41,215 [GROANS] 1415 01:18:54,359 --> 01:18:55,360 [SOFTLY] Wow. 1416 01:18:58,580 --> 01:18:59,756 [GASPS] 1417 01:19:05,413 --> 01:19:06,893 [OMBRETTA GROANS SOFTLY] 1418 01:19:08,765 --> 01:19:09,940 [WHIMPERS] 1419 01:19:10,897 --> 01:19:12,464 [IN ITALIAN] Not bad, eh? 1420 01:19:12,551 --> 01:19:14,379 [INDISTINCT CHATTERING][IN ENGLISH] Genius. 1421 01:19:14,466 --> 01:19:15,989 [CHURCH BELL TOLLING] 1422 01:19:21,386 --> 01:19:23,301 Shame on you. [SCOFFS] 1423 01:19:24,128 --> 01:19:27,305 Poor Nello. Poor son of mine. 1424 01:19:36,009 --> 01:19:37,184 [EXHALES DEEPLY] 1425 01:19:39,230 --> 01:19:40,274 Lorella... 1426 01:19:40,535 --> 01:19:42,146 - Where is the cliff? - What? 1427 01:19:42,581 --> 01:19:43,756 - The cliff. - Come on. 1428 01:19:43,974 --> 01:19:45,410 It wasn't that bad. 1429 01:19:54,898 --> 01:19:55,899 What have you done? 1430 01:20:01,208 --> 01:20:03,820 Jack, it's me. JACK: [OVER PHONE] Nic, where the hell have you been? 1431 01:20:03,907 --> 01:20:05,256 I've been trying to reach you all day. 1432 01:20:05,822 --> 01:20:08,215 I've been on set all day. Jack, you gotta get me out of here. 1433 01:20:08,520 --> 01:20:09,608 Why'd you call? 1434 01:20:10,087 --> 01:20:11,436 JACK: You won't believe what happened. 1435 01:20:11,784 --> 01:20:13,481 Brick Maxwell's in the hospital. 1436 01:20:13,786 --> 01:20:15,570 Some kind of intestinal infection. 1437 01:20:15,832 --> 01:20:17,137 He says it's from colonics, 1438 01:20:17,311 --> 01:20:19,574 but the word is it has more to do with a small rodent. 1439 01:20:20,097 --> 01:20:22,099 Anyway, kid, the part's yours. 1440 01:20:23,274 --> 01:20:25,145 - What part? - JACK: The Horseman. 1441 01:20:25,580 --> 01:20:26,843 They want you, Nic. 1442 01:20:27,060 --> 01:20:28,627 But you gotta get here right away. 1443 01:20:28,801 --> 01:20:31,238 They're filming already. How soon can you leave? 1444 01:20:32,239 --> 01:20:33,240 Nic? 1445 01:20:33,850 --> 01:20:35,634 ["LIVE YOUR LIFE" PLAYS] 1446 01:20:35,764 --> 01:20:37,462 [SHIP HORN BLARING] 1447 01:20:55,872 --> 01:20:58,483 ♪ To go away And not look back ♪ 1448 01:20:58,657 --> 01:21:01,181 ♪ Think of what people say ♪ 1449 01:21:01,312 --> 01:21:03,967 ♪ To go ahead And live your life ♪ 1450 01:21:04,097 --> 01:21:07,187 ♪ No regard to what is said ♪ 1451 01:21:07,448 --> 01:21:09,102 ♪ Hey 1452 01:21:10,234 --> 01:21:13,933 ♪ To what is said 1453 01:21:14,194 --> 01:21:16,718 ♪ Oh 1454 01:21:23,551 --> 01:21:26,119 ♪ Go away and not look back 1455 01:21:26,293 --> 01:21:29,427 ♪ Think of what people say ♪ 1456 01:21:30,776 --> 01:21:32,299 ♪ Hey 1457 01:21:32,430 --> 01:21:34,388 [SONG FADES OUT] 1458 01:21:35,259 --> 01:21:36,956 [IN ITALIAN] So, Nic? 1459 01:21:39,002 --> 01:21:40,003 [IN ENGLISH] Are you sure? 1460 01:21:40,307 --> 01:21:41,918 I checked with Tonino at the port. 1461 01:21:42,657 --> 01:21:44,442 He rented a boat early this morning 1462 01:21:44,616 --> 01:21:45,617 for the mainland. 1463 01:21:46,574 --> 01:21:47,662 He's gone. 1464 01:21:49,142 --> 01:21:50,143 Gone? 1465 01:21:50,927 --> 01:21:52,276 DINO: [IN ITALIAN] Oh, no! 1466 01:21:52,450 --> 01:21:54,756 [VEHICLE APPROACHING] 1467 01:22:00,110 --> 01:22:01,285 [CAR DOORS CLOSING] 1468 01:22:05,550 --> 01:22:06,681 MAN: Fabrizio Favuzzo? 1469 01:22:07,552 --> 01:22:08,596 Depends. 1470 01:22:08,770 --> 01:22:10,381 MAN: I am here on behalf of the SIAE. 1471 01:22:10,598 --> 01:22:12,731 Società Italiana di Artisti e Editori. 1472 01:22:13,775 --> 01:22:16,953 I have an order to confiscate all film and pirated material. 1473 01:22:18,476 --> 01:22:19,346 And the manuscript? 1474 01:22:20,695 --> 01:22:23,089 Uh... What manuscript? 1475 01:22:23,437 --> 01:22:24,699 Visconti's manuscript. 1476 01:22:24,830 --> 01:22:29,661 Ah. [CHUCKLES] I have no manuscript. 1477 01:22:31,358 --> 01:22:32,533 I have no script. 1478 01:22:33,926 --> 01:22:35,667 I have no actor. 1479 01:22:35,797 --> 01:22:37,147 [SOFT MUSIC PLAYING] 1480 01:22:37,277 --> 01:22:38,539 I have no film. 1481 01:22:39,410 --> 01:22:40,759 No career. 1482 01:22:41,499 --> 01:22:42,935 No life insurance. 1483 01:22:44,763 --> 01:22:45,938 [IN ITALIAN] Banned? 1484 01:22:46,808 --> 01:22:49,724 [IN ENGLISH] Fabrizio's been blacklisted. 1485 01:22:50,160 --> 01:22:52,031 MAN: For copyright violation and infringement 1486 01:22:52,162 --> 01:22:54,512 of intellectual property rights. 1487 01:22:54,816 --> 01:22:55,817 Fabrizio. 1488 01:22:57,341 --> 01:22:58,516 [IN ITALIAN] Where are you going? 1489 01:22:59,038 --> 01:23:00,431 Where are you going, Fabrizio? 1490 01:23:00,909 --> 01:23:01,998 [IN ENGLISH] To the cliff! 1491 01:23:11,050 --> 01:23:12,921 FILOMENA: Ah! 1492 01:23:13,400 --> 01:23:15,098 [OMBRETTA GROANS] LORELLA: Ombretta! 1493 01:23:15,228 --> 01:23:17,317 Come on. Hey, hey! 1494 01:23:17,448 --> 01:23:19,232 [OMBRETTA GASPS] 1495 01:23:19,363 --> 01:23:20,364 Eat something! 1496 01:23:20,451 --> 01:23:21,669 [IN ITALIAN] No, water. 1497 01:23:21,843 --> 01:23:23,454 [INDISTINCT CHATTER] 1498 01:23:35,335 --> 01:23:37,033 [CHATTERING CONTINUES] 1499 01:23:38,730 --> 01:23:41,037 Angioletto, where is he? 1500 01:23:42,038 --> 01:23:43,039 Who? 1501 01:23:43,691 --> 01:23:44,823 Nic, the American. 1502 01:23:44,997 --> 01:23:46,042 [SCOFFS] 1503 01:23:46,955 --> 01:23:49,001 [IN ENGLISH] He has gone back to Hollywood 1504 01:23:49,175 --> 01:23:51,438 and abandoned everyone. 1505 01:23:52,744 --> 01:23:53,832 What do you mean? 1506 01:23:55,138 --> 01:23:57,705 "The great Nic Cassino." 1507 01:23:58,097 --> 01:24:00,621 [SARDONIC CHUCKLE] Nic Cassino was in this film? 1508 01:24:00,708 --> 01:24:02,841 [IN ITALIAN] Yes, you wish! 1509 01:24:03,885 --> 01:24:06,801 [IN ENGLISH] Unfortunately, he was just a sosia, 1510 01:24:06,888 --> 01:24:08,020 a body double. 1511 01:24:09,021 --> 01:24:11,676 The real Nic Cassino would never run away. 1512 01:24:13,765 --> 01:24:15,288 [ENGINE STARTS] 1513 01:24:17,551 --> 01:24:19,118 [ENGINE REVVING] 1514 01:24:22,382 --> 01:24:24,732 [EXCLAIMS] Oh! Ombretta. 1515 01:24:25,255 --> 01:24:29,868 [SHIP HORN BLARING] 1516 01:24:31,870 --> 01:24:33,132 Bye. 1517 01:24:34,481 --> 01:24:35,526 - Thank you. - Mm. 1518 01:24:39,791 --> 01:24:40,792 LORELLA: Bye. 1519 01:24:47,451 --> 01:24:50,367 [INDISTINCT CHATTER] LORELLA: Bye! 1520 01:24:56,677 --> 01:24:58,505 There is just one thing. 1521 01:24:58,940 --> 01:25:01,726 It is Lello or Nello? 1522 01:25:04,250 --> 01:25:05,382 What difference now? 1523 01:25:18,090 --> 01:25:19,483 [CAMERA SHUTTER CLICKING] 1524 01:25:19,613 --> 01:25:20,919 And action! 1525 01:25:23,922 --> 01:25:25,663 Cut, cut, cut! 1526 01:25:26,446 --> 01:25:27,882 I know it's a lot to ask, 1527 01:25:28,013 --> 01:25:30,102 but could you just hit your mark and snarl? 1528 01:25:30,189 --> 01:25:32,365 Okay? We'll think about acting in post, right? 1529 01:25:33,366 --> 01:25:36,326 What's with the suitcase? What's with the suitcase? 1530 01:25:36,413 --> 01:25:38,284 [HESITATES] Let's just say I found it 1531 01:25:38,458 --> 01:25:39,677 amidst the apocalyptic ruins 1532 01:25:39,764 --> 01:25:41,983 and I'm returning it to a needy family. 1533 01:25:42,332 --> 01:25:44,072 You're the Fourth Horseman of the Apocalypse! 1534 01:25:44,203 --> 01:25:46,510 You're the Pale Rider, not the Pony Express! 1535 01:25:46,771 --> 01:25:49,295 You bring death and destruction, not lost luggage! [SIGHS] 1536 01:25:51,950 --> 01:25:53,169 That's cold! 1537 01:25:53,343 --> 01:25:55,258 Is it too much to ask for a hot latte for Chrissake? 1538 01:25:56,041 --> 01:25:57,042 Damn it! 1539 01:25:58,174 --> 01:25:59,392 WOMAN: Nic! Honey! 1540 01:26:03,614 --> 01:26:07,095 [EXCITEDLY] The ATM morning show wants an exclusive interview! 1541 01:26:07,183 --> 01:26:09,272 [GASPS, HESITATES] Are you free tomorrow? 1542 01:26:10,838 --> 01:26:12,927 - I'll think about it. - Oh. 1543 01:26:15,278 --> 01:26:17,367 [COWS MOOING] 1544 01:26:24,243 --> 01:26:25,592 [COWS MOOING] 1545 01:26:25,723 --> 01:26:29,466 [LOUD FLATULENCE] 1546 01:26:29,596 --> 01:26:31,729 [COUGHS] 1547 01:26:31,990 --> 01:26:34,384 [FLATULENCE CONTINUES][COWS MOOING] 1548 01:26:37,213 --> 01:26:40,651 [COUGHS, SHRIEKS][FLATULENCE INTENSIFIES] 1549 01:26:43,393 --> 01:26:47,092 [FLATULENCE, MOOING CONTINUES] 1550 01:26:50,182 --> 01:26:52,053 [PANTS] 1551 01:26:54,882 --> 01:26:56,841 [GRUNTS] 1552 01:27:00,888 --> 01:27:02,716 [INTENSIFYING RUMBLING] 1553 01:27:03,500 --> 01:27:05,415 [HIGH-PITCHED WHISTLING][FABRIZIO SCREAMS] 1554 01:27:07,068 --> 01:27:08,418 [SCREAMING CONTINUES] 1555 01:27:08,548 --> 01:27:10,246 [FLATULENCE][GASPS, PANTS] 1556 01:27:13,553 --> 01:27:15,294 [FLIES BUZZ] 1557 01:27:21,387 --> 01:27:23,389 [COWS MOOING] 1558 01:27:30,570 --> 01:27:31,571 Papa? 1559 01:27:33,051 --> 01:27:35,880 Ombretta, please go outside. 1560 01:27:36,402 --> 01:27:38,839 I can't bear for you to watch me shoveling shit. 1561 01:27:41,364 --> 01:27:43,757 I just wanted to tell you that... 1562 01:27:50,242 --> 01:27:51,939 I'm not going back to school. 1563 01:27:53,680 --> 01:27:55,160 But why? 1564 01:27:55,595 --> 01:27:56,814 Let's face it. 1565 01:27:57,902 --> 01:27:59,120 I'm not an actress. 1566 01:28:01,427 --> 01:28:02,385 What's the point? 1567 01:28:03,603 --> 01:28:06,476 Well, there are many roles in film. 1568 01:28:07,128 --> 01:28:09,653 Perhaps you could direct, like your father, huh? 1569 01:28:09,783 --> 01:28:10,871 [CHUCKLES SOFTLY] 1570 01:28:12,003 --> 01:28:14,614 No, eh? What about Lello? 1571 01:28:15,267 --> 01:28:16,790 Please. Nello. 1572 01:28:19,315 --> 01:28:20,577 You were right, Papa. 1573 01:28:21,752 --> 01:28:23,884 [IN ITALIAN] Marry and buy cattle from your own town. 1574 01:28:24,624 --> 01:28:27,061 [IN ENGLISH] Nello was too jealous. 1575 01:28:27,801 --> 01:28:30,761 Possessive. Hotheaded. 1576 01:28:32,545 --> 01:28:33,503 I don't know. 1577 01:28:35,679 --> 01:28:38,421 I would be better with someone like you. 1578 01:28:39,422 --> 01:28:41,380 - Like me? - OMBRETTA: Yeah, you know. 1579 01:28:42,163 --> 01:28:43,295 Lukewarm. 1580 01:28:44,035 --> 01:28:46,298 Temperate. Stoic. 1581 01:28:46,951 --> 01:28:51,608 Able to deal with failure and disappointment. 1582 01:28:52,043 --> 01:28:53,261 Of course. 1583 01:28:54,306 --> 01:28:57,744 I almost forgot. Nello asked me to give you this. 1584 01:28:58,615 --> 01:29:01,139 He says it's rightfully yours. 1585 01:29:08,929 --> 01:29:11,062 I love you, Papa. 1586 01:29:12,063 --> 01:29:13,151 Me too. 1587 01:29:25,685 --> 01:29:26,773 A janitor... 1588 01:29:30,081 --> 01:29:31,691 Smart. Cultured. 1589 01:29:33,301 --> 01:29:34,651 Really cultured. 1590 01:29:35,347 --> 01:29:37,436 Couldn't read, but he'd take us to the movies. 1591 01:29:39,046 --> 01:29:41,962 That was his library. Barely could speak English. 1592 01:29:59,850 --> 01:30:00,807 Fabrizio... 1593 01:30:03,419 --> 01:30:04,507 You are awake? 1594 01:30:07,161 --> 01:30:09,512 I need to speak to you about something. 1595 01:30:12,776 --> 01:30:14,342 Listen... [EXHALES SHARPLY] 1596 01:30:15,474 --> 01:30:18,999 If you want to separate, I understand. 1597 01:30:20,044 --> 01:30:22,612 After all, who wants to live with a failure. 1598 01:30:23,264 --> 01:30:25,441 But divorce is out of the question. 1599 01:30:26,311 --> 01:30:27,530 It's not for the money, 1600 01:30:27,965 --> 01:30:31,229 but I just wouldn't know how to tell Ombretta... 1601 01:30:31,359 --> 01:30:32,448 [LORELLA IN ITALIAN] What are you saying? 1602 01:30:33,971 --> 01:30:35,233 [SPEAKS IN ITALIAN] 1603 01:30:35,929 --> 01:30:37,061 [IN ENGLISH] What's come over you? 1604 01:30:37,409 --> 01:30:39,063 A divorce? A separation? 1605 01:30:39,716 --> 01:30:41,195 [IN ITALIAN] What do you mean by depression? 1606 01:30:42,240 --> 01:30:44,329 [IN ENGLISH] No, I just wanted to say 1607 01:30:44,590 --> 01:30:46,549 that for once in my life, 1608 01:30:47,114 --> 01:30:49,595 I was very proud of you. 1609 01:30:50,683 --> 01:30:51,684 [LAUGHS] 1610 01:30:52,119 --> 01:30:55,079 LORELLA: The way you directed the great Nic Cassino. 1611 01:30:55,862 --> 01:30:59,953 I mean, how you persevered against all good reason, 1612 01:31:00,606 --> 01:31:02,478 with buon senso, sound judgment. 1613 01:31:03,696 --> 01:31:05,263 And your juvenile faith... [CHUCKLES] 1614 01:31:05,916 --> 01:31:07,570 ...and sheer stubborn, 1615 01:31:07,700 --> 01:31:10,137 narrow-minded pigheadedness was-- 1616 01:31:10,268 --> 01:31:14,446 Stop, stop, stop. [CHUCKLES] You had me at "pigheaded." 1617 01:31:17,797 --> 01:31:18,755 Okay. 1618 01:31:19,582 --> 01:31:22,236 [BREATHES DEEPLY] 1619 01:31:23,542 --> 01:31:24,674 In any event, 1620 01:31:25,326 --> 01:31:27,328 I don't think you're a failure. 1621 01:31:32,595 --> 01:31:34,118 At least, not yet. 1622 01:31:40,254 --> 01:31:41,952 What do you mean, "not yet?" 1623 01:31:47,218 --> 01:31:48,785 You are only a failure 1624 01:31:48,915 --> 01:31:50,526 if you don't finish what you start. 1625 01:31:51,527 --> 01:31:53,920 But... how can I finish? 1626 01:31:55,487 --> 01:31:58,621 I have been banned from working in Italy ever again. 1627 01:31:59,447 --> 01:32:00,623 Blacklisted. 1628 01:32:01,362 --> 01:32:04,278 And who says that you have to finish this film in Italy? 1629 01:32:04,975 --> 01:32:06,280 Who says that? 1630 01:32:15,159 --> 01:32:16,290 Where did you get this? 1631 01:32:17,553 --> 01:32:20,730 I cashed in your life insurance policy. 1632 01:32:21,426 --> 01:32:24,560 [CHUCKLES] But... I don't have a life insurance. 1633 01:32:26,823 --> 01:32:27,824 Really? 1634 01:32:30,174 --> 01:32:31,218 Good night. 1635 01:32:31,915 --> 01:32:33,873 [WHIMSICAL MUSIC PLAYING] 1636 01:32:35,701 --> 01:32:39,313 [LORELLA SIGHS PROUDLY] 1637 01:32:45,015 --> 01:32:46,277 Good night. 1638 01:32:50,411 --> 01:32:52,544 [MUSIC FADES OUT] NIC: [GROANING] Francesca. 1639 01:32:52,675 --> 01:32:55,721 Can you grab me some ice and a wrap for my knee, please? 1640 01:32:55,852 --> 01:32:58,419 FRANCESCA: I gotta run down the street for some ice. 1641 01:32:58,550 --> 01:33:01,597 [DOOR OPENS, CLOSES] 1642 01:33:02,336 --> 01:33:03,773 What the hell's in that thing anyway? 1643 01:33:04,295 --> 01:33:05,731 [GROANS] 1644 01:33:19,179 --> 01:33:20,964 [GRUNTS, HUFFS] 1645 01:33:22,966 --> 01:33:23,923 [SIGHS] 1646 01:33:27,710 --> 01:33:29,537 [GRUNTS] 1647 01:33:33,498 --> 01:33:36,457 ["CARNIVAL OF THE ANIMALS: VII. AQUARIUM" PLAYING] 1648 01:33:55,172 --> 01:33:58,349 THE UP-AND-DOWN CAREER OF THE GENIUS FABRIZIO FAVUZZO 1649 01:33:58,479 --> 01:33:59,480 Hmm. 1650 01:34:00,699 --> 01:34:02,396 The accumulated baggage. 1651 01:34:03,963 --> 01:34:05,617 It was Favuzzo's all along. 1652 01:34:21,328 --> 01:34:23,113 [SCOFFS] Interesting. 1653 01:34:23,200 --> 01:34:25,550 FABRIZIO: And action! 1654 01:34:28,248 --> 01:34:29,685 NIC: Hey, hey. Pull over. 1655 01:34:29,902 --> 01:34:31,599 Pull up here.[CLASSICAL MUSIC FADES OUT] 1656 01:34:45,265 --> 01:34:47,485 - Carla. - Sorry. 1657 01:34:48,051 --> 01:34:49,008 - Nic! - NIC: Hey. 1658 01:34:49,661 --> 01:34:50,662 How are you? 1659 01:34:51,271 --> 01:34:52,969 - Good. How are you? - NIC: It's great to see you. 1660 01:34:53,099 --> 01:34:55,493 - CARLA: Yeah, you too. - What are you doing? PA? 1661 01:34:55,623 --> 01:34:56,842 Yeah, right. 1662 01:34:56,929 --> 01:34:59,410 Um, I got a call from the film commission. 1663 01:34:59,540 --> 01:35:01,978 They asked me to cast us some extras 1664 01:35:02,065 --> 01:35:04,154 on an international film from Italy. 1665 01:35:04,241 --> 01:35:05,633 - Hmm. - CARLA: Yeah. 1666 01:35:06,069 --> 01:35:07,287 Maybe you heard about it. 1667 01:35:08,201 --> 01:35:11,204 - NIC: Ah, yeah. Mm-hmm. - CARLA: Quite a cast, don't you think? 1668 01:35:11,335 --> 01:35:12,684 Yeah, I do. It's, uh-- Yeah. 1669 01:35:12,815 --> 01:35:14,425 I was... I was there for a film festival. 1670 01:35:14,555 --> 01:35:16,079 They asked me to do a couple of scenes. 1671 01:35:16,166 --> 01:35:18,603 I thought, "Hey, why not?" Just help 'em out. 1672 01:35:18,734 --> 01:35:20,387 Hmm. Hmm.[CARLA CHUCKLES] 1673 01:35:21,127 --> 01:35:22,563 Uh, how's Luigi? 1674 01:35:22,955 --> 01:35:26,306 Uh... He's good. [CHUCKLES] NIC: Good, good. 1675 01:35:26,916 --> 01:35:29,005 Anyway, I... I'm not feeling too good. 1676 01:35:29,092 --> 01:35:31,311 I'm on painkillers for my... my knee. 1677 01:35:31,834 --> 01:35:33,661 - So I gotta split. - Sure. 1678 01:35:33,879 --> 01:35:35,707 Anyway, it was... it was great seeing you. 1679 01:35:35,838 --> 01:35:37,187 CARLA: You too. Yeah. 1680 01:35:37,317 --> 01:35:38,710 - Really good. - Oh. [CHUCKLES] 1681 01:35:39,537 --> 01:35:40,538 All right. 1682 01:35:41,365 --> 01:35:42,540 - CARLA: Take care. - Bye. 1683 01:35:55,248 --> 01:35:56,859 [DOORBELL CHIMES] 1684 01:35:57,207 --> 01:35:58,382 Please... 1685 01:35:59,339 --> 01:36:00,427 [GRUNTS] 1686 01:36:07,565 --> 01:36:09,175 - Carla? - Hi, Nic. 1687 01:36:10,002 --> 01:36:11,656 - Come in. - Thank you. 1688 01:36:12,483 --> 01:36:15,486 - Uh, you want a drink? - Uh, sure. 1689 01:36:15,878 --> 01:36:18,271 - All right, um, take a seat. - Thank you. 1690 01:36:21,535 --> 01:36:23,755 NIC: How's little Cosimo? CARLA: He's getting big. 1691 01:36:23,886 --> 01:36:27,106 - He'll be nine in September. - Nine. Whoa. 1692 01:36:27,846 --> 01:36:31,067 And Luigi has a show opening. 1693 01:36:31,197 --> 01:36:34,200 And he's anxious as usual. You know Luigi. 1694 01:36:34,766 --> 01:36:38,161 Yeah. Well, that's good for him. 1695 01:36:39,423 --> 01:36:40,598 Luigi doesn't know I came. 1696 01:36:41,904 --> 01:36:44,210 But I told him about your work in Italy 1697 01:36:44,384 --> 01:36:45,821 and he was pretty impressed. 1698 01:36:48,214 --> 01:36:49,389 Impressed or embarrassed? 1699 01:36:49,868 --> 01:36:54,046 - Nic. - Well, he's always... 1700 01:36:55,265 --> 01:36:56,309 hated my acting. 1701 01:36:58,050 --> 01:36:59,269 You know how Luigi is. 1702 01:37:00,357 --> 01:37:02,141 It's kind of tough for him to admit your success. 1703 01:37:02,359 --> 01:37:04,752 I mean, you're his kid brother. 1704 01:37:05,884 --> 01:37:09,409 Yeah. I'm his kid brother. Hmm. 1705 01:37:10,976 --> 01:37:12,760 Used to call me Punchy the Gorilla. 1706 01:37:13,065 --> 01:37:15,154 Like that stuffed animal we had as kids. 1707 01:37:15,633 --> 01:37:18,897 But we were close. I had his back. 1708 01:37:20,072 --> 01:37:23,032 Until this... pretty girl comes along 1709 01:37:23,162 --> 01:37:24,642 and changes everything. 1710 01:37:25,643 --> 01:37:29,777 I lost my brother and my girl to one left hook. 1711 01:37:31,083 --> 01:37:32,868 If there's one punch I could take back, 1712 01:37:33,390 --> 01:37:34,391 it'd be that. 1713 01:37:37,307 --> 01:37:38,525 It wouldn't have mattered. 1714 01:37:40,571 --> 01:37:42,312 I still would have picked Luigi. 1715 01:37:43,617 --> 01:37:45,184 [SIGHS DEEPLY] 1716 01:37:45,881 --> 01:37:47,012 CARLA: Nic... 1717 01:37:49,667 --> 01:37:52,061 I never thought you stupid or insensitive. 1718 01:37:53,497 --> 01:37:55,281 I just liked Luigi better. 1719 01:37:58,545 --> 01:37:59,677 [SCOFFS] 1720 01:38:03,072 --> 01:38:05,944 Luigi gave this to little Cosimo on his third birthday 1721 01:38:06,075 --> 01:38:07,598 and kind of outgrown it. 1722 01:38:08,425 --> 01:38:10,253 I thought you might like to have it. 1723 01:38:18,391 --> 01:38:19,436 [SNIFFS] 1724 01:38:20,916 --> 01:38:23,048 NIC: [SCOFFS] Punchy the Gorilla. 1725 01:38:23,744 --> 01:38:25,877 CARLA: Nic, take care of yourself, okay? 1726 01:38:27,183 --> 01:38:28,575 Yeah. You too. 1727 01:38:29,315 --> 01:38:30,447 - Bye. - NIC: Bye. 1728 01:38:38,150 --> 01:38:40,631 [DOOR SLIDES OPEN] 1729 01:38:43,851 --> 01:38:45,114 Get a grip, Cassino. 1730 01:38:46,289 --> 01:38:49,770 [ELEVATOR BELL CHIMES][NIC SOBBING] 1731 01:39:01,826 --> 01:39:03,480 [BOTTLES CLINKING][NIC GRUNTS] 1732 01:39:03,828 --> 01:39:05,612 [DISTANT DOGS BARKING] 1733 01:39:05,743 --> 01:39:08,006 - Who's there? - NIC: Luigi. 1734 01:39:09,834 --> 01:39:10,835 Nicky? 1735 01:39:11,575 --> 01:39:12,619 Is that you? 1736 01:39:13,446 --> 01:39:14,578 Yep. 1737 01:39:14,708 --> 01:39:17,494 [GASPS SOFTLY] What are you doing here? 1738 01:39:18,408 --> 01:39:19,670 Well, I was... 1739 01:39:20,758 --> 01:39:22,151 limpin' around the hood this morning 1740 01:39:22,281 --> 01:39:24,936 and I saw your name up in lights and... 1741 01:39:25,763 --> 01:39:26,764 I just thought-- 1742 01:39:27,330 --> 01:39:29,332 Well, here's... here's a-- 1743 01:39:30,463 --> 01:39:31,464 Do you wanna have a beer? 1744 01:39:32,204 --> 01:39:34,859 [SOFT MUSIC PLAYING] NIC: Fifteen years, huh? 1745 01:39:35,120 --> 01:39:36,382 Yeah. Just about. 1746 01:39:37,514 --> 01:39:41,518 It was 15 years this Carla and I finally tied the knot. 1747 01:39:41,997 --> 01:39:42,998 Yeah. 1748 01:39:43,737 --> 01:39:44,869 Sorry about that. I was... 1749 01:39:45,304 --> 01:39:47,611 I was in Vietnam doing a POW film. 1750 01:39:47,785 --> 01:39:49,743 - One of my better ones. - Yeah, yeah. I understand. 1751 01:39:49,874 --> 01:39:51,789 You were busy with your career. 1752 01:39:52,094 --> 01:39:54,922 [NIC CLEARS THROAT] You could have called, though. 1753 01:39:56,272 --> 01:39:59,579 Yeah. Well, I didn't get the invite till late. 1754 01:39:59,971 --> 01:40:01,451 The mail in Indochina... 1755 01:40:02,539 --> 01:40:04,845 Besides, I'm not the only one who doesn't reply to mail. 1756 01:40:04,932 --> 01:40:07,370 The amount of awards ceremonies I invited you to. 1757 01:40:07,805 --> 01:40:09,502 You never came.[SCOFFS] 1758 01:40:09,633 --> 01:40:13,593 Well, maybe... a personal invitation? 1759 01:40:15,639 --> 01:40:17,423 Instead of sending those stupid 1760 01:40:17,597 --> 01:40:20,600 gold-embossed invitations. [CHUCKLES] 1761 01:40:22,820 --> 01:40:24,082 NIC: Yeah, well... 1762 01:40:24,822 --> 01:40:28,826 I was-- Well-- I guess I was embarrassed. 1763 01:40:32,743 --> 01:40:34,005 LUIGI: A knock on the door, 1764 01:40:34,614 --> 01:40:37,443 a personal invitation from your kid brother. 1765 01:40:38,705 --> 01:40:40,055 That's not embarrassing. 1766 01:40:42,231 --> 01:40:43,971 Getting beat up by your kid brother 1767 01:40:44,059 --> 01:40:46,583 in front of the woman he loves? Now, that's embarrassing. 1768 01:40:48,585 --> 01:40:50,239 Louie, that was 30 years ago. 1769 01:40:50,761 --> 01:40:52,589 You're never gonna forgive me for that, are you? 1770 01:40:53,155 --> 01:40:55,679 I mean, I know I haven't forgiven myself. 1771 01:40:57,681 --> 01:41:00,988 Ah, Nicky. Look, that wasn't it. 1772 01:41:02,294 --> 01:41:03,469 It wasn't? 1773 01:41:05,863 --> 01:41:06,864 You don't wanna hear it. 1774 01:41:07,647 --> 01:41:09,736 Yeah, I... I do wanna hear it. 1775 01:41:09,954 --> 01:41:10,955 [SIGHS] 1776 01:41:12,348 --> 01:41:14,219 - You wanna hear it? - Yeah, I wanna hear it. 1777 01:41:15,699 --> 01:41:17,570 It's 'cause you made it to the top 1778 01:41:18,267 --> 01:41:20,530 and you never even once threw down a line. 1779 01:41:21,444 --> 01:41:23,315 You could have helped me a bit. 1780 01:41:23,402 --> 01:41:25,665 You were in a position to do so, but you didn't. 1781 01:41:26,449 --> 01:41:27,798 You turned your back. 1782 01:41:29,147 --> 01:41:31,193 You turned your back and ran. 1783 01:41:31,323 --> 01:41:33,760 And you been running scared ever since. 1784 01:41:36,502 --> 01:41:37,460 You're right. 1785 01:41:38,635 --> 01:41:39,940 I did run. 1786 01:41:40,593 --> 01:41:41,768 Been running my whole life. 1787 01:41:44,075 --> 01:41:45,816 But I never turned my back on you. 1788 01:41:46,599 --> 01:41:48,123 I always wanted to help you. 1789 01:41:49,820 --> 01:41:51,213 Then why didn't you? 1790 01:41:55,608 --> 01:41:57,784 Lou... Hollywood, it's... 1791 01:41:59,003 --> 01:42:01,310 it's not like film school. It's not... 1792 01:42:02,354 --> 01:42:04,748 it's not like theater. It's not hugs and kisses. 1793 01:42:06,010 --> 01:42:07,054 It's tough. 1794 01:42:08,665 --> 01:42:11,885 They don't fight fair. It's like being a street fighter 1795 01:42:12,059 --> 01:42:13,409 without a corner to sit in. 1796 01:42:13,539 --> 01:42:15,715 It's... it's every man for himself. 1797 01:42:17,108 --> 01:42:19,066 So you don't think I could have made it? 1798 01:42:19,154 --> 01:42:20,155 NIC: Lou... 1799 01:42:21,112 --> 01:42:22,766 you can't possibly imagine the... 1800 01:42:24,115 --> 01:42:27,466 the humiliation, the shame, the embarrassment that these... 1801 01:42:28,859 --> 01:42:32,471 The fear that this town can... put on you. 1802 01:42:33,429 --> 01:42:35,735 They build you up and they take everything from you. 1803 01:42:35,866 --> 01:42:39,435 Your pride, your soul... [VOICE BREAKS] ...your family. 1804 01:42:40,349 --> 01:42:42,829 You got a family. You got a beautiful family. 1805 01:42:42,960 --> 01:42:46,398 What do I got? I got a... fading career. 1806 01:42:46,529 --> 01:42:49,184 A fading face, fading fame. I mean, I'm a joke. 1807 01:42:49,314 --> 01:42:50,968 You got what you wanted. 1808 01:42:55,277 --> 01:42:56,669 I'm not so sure about that. 1809 01:42:57,061 --> 01:42:59,846 [INHALES SHARPLY] Well, what is it, Nicky? 1810 01:43:00,630 --> 01:43:01,979 Huh? What do you want? 1811 01:43:02,675 --> 01:43:04,416 What is this all about, huh? 1812 01:43:06,897 --> 01:43:09,116 I don't know. [HESITATES] I'm... I'm confused. 1813 01:43:09,247 --> 01:43:11,206 Things used to be so simple. 1814 01:43:12,294 --> 01:43:13,251 Like... 1815 01:43:14,383 --> 01:43:15,732 when we went to the movies with Dad. 1816 01:43:15,862 --> 01:43:17,864 [EMOTIONAL MUSIC PLAYING] NIC: Remember? 1817 01:43:18,430 --> 01:43:20,302 I remember sitting next to him thinkin'... 1818 01:43:21,781 --> 01:43:23,305 he wants us up there on the big screen. 1819 01:43:23,435 --> 01:43:25,089 Not in the cheap seats.[CHUCKLES] 1820 01:43:25,307 --> 01:43:27,613 Up there on the big screen, winning awards. 1821 01:43:28,310 --> 01:43:30,921 Oscars, Emmys, Tonys.[CHUCKLES] 1822 01:43:31,530 --> 01:43:32,618 All that stuff. 1823 01:43:34,011 --> 01:43:35,491 - The movies. - Yeah. 1824 01:43:35,665 --> 01:43:38,145 That's when we were family. That's when we were brothers. 1825 01:43:38,407 --> 01:43:41,279 That's all he wanted. And that's all I want. 1826 01:43:45,327 --> 01:43:46,371 Cheers. 1827 01:43:47,111 --> 01:43:48,939 - To Dad. - To Dad. 1828 01:43:52,029 --> 01:43:53,596 [MUSIC FADES OUT] 1829 01:44:06,826 --> 01:44:10,569 [CAR ENGINE REVVING][DRAMATIC MUSIC PLAYING] 1830 01:44:21,624 --> 01:44:22,581 LORELLA: It's Nic. 1831 01:44:23,103 --> 01:44:25,628 Oh, it's Nic! 1832 01:44:43,210 --> 01:44:45,517 [INTENSE ORCHESTRAL MUSIC PLAYING] 1833 01:45:05,668 --> 01:45:07,452 Must have mixed up our luggage. 1834 01:45:07,626 --> 01:45:09,628 [MUSIC FADES] 1835 01:45:09,759 --> 01:45:11,804 You left before I could claim it. 1836 01:45:12,152 --> 01:45:14,546 Hmm. Well, I came back to finish what we started. 1837 01:45:14,677 --> 01:45:15,765 Under one condition. 1838 01:45:15,895 --> 01:45:17,854 We shoot the final scene in Ischia. 1839 01:45:18,637 --> 01:45:21,684 At the highest peak of Mount Epomeo. 1840 01:45:23,076 --> 01:45:26,166 But there is no final scene. 1841 01:45:26,297 --> 01:45:28,125 There is no script. There never was. 1842 01:45:28,430 --> 01:45:31,607 - Only an opening. - Mm-hmm. Wait. 1843 01:45:32,129 --> 01:45:34,784 [SOLEMN MUSIC PLAYING] 1844 01:45:38,831 --> 01:45:42,357 Right. Excuse the, uh, we've got a stain. 1845 01:45:46,273 --> 01:45:48,841 But we have no money for a sosia. 1846 01:45:48,928 --> 01:45:51,148 A stunt double. Who will do the scene? 1847 01:45:52,323 --> 01:45:53,542 I'll do it. 1848 01:45:54,717 --> 01:45:55,979 Are you sure? 1849 01:45:57,110 --> 01:45:58,329 You are no longer acrophobe? 1850 01:45:58,460 --> 01:45:59,852 Mmm. Cured. 1851 01:45:59,939 --> 01:46:01,071 [IN ITALIAN] Done. 1852 01:46:01,506 --> 01:46:03,421 [FABRIZIO LAUGHING EXCITEDLY] 1853 01:46:04,988 --> 01:46:05,989 Ah... 1854 01:46:06,598 --> 01:46:07,599 [IN ENGLISH] But you see... 1855 01:46:08,252 --> 01:46:10,036 I can't return to Italy. 1856 01:46:10,385 --> 01:46:13,388 I have been blacklisted. I'm sorry. 1857 01:46:14,040 --> 01:46:18,218 - I'm sorry to everyone! - Well, that's fine. 1858 01:46:19,219 --> 01:46:22,658 I have a great idea for a co-director. Hmm? 1859 01:46:23,615 --> 01:46:25,269 - Really? - Yeah, really. 1860 01:46:27,227 --> 01:46:29,360 LORELLA: But who will co-direct? 1861 01:46:31,754 --> 01:46:32,885 A super-volcano? 1862 01:46:33,016 --> 01:46:34,060 Super-volcano! 1863 01:46:34,278 --> 01:46:36,236 [BOTH LAUGH EXCITEDLY][MUSIC INTENSIFIES] 1864 01:46:37,455 --> 01:46:38,587 - FABRIZIO: Yes! - Yeah! 1865 01:46:38,674 --> 01:46:40,763 Nic Cassino is back! 1866 01:46:40,850 --> 01:46:43,156 [NIC GRUNTS][FABRIZIO LAUGHS] 1867 01:46:45,158 --> 01:46:46,508 Oh, God, that's it! 1868 01:46:54,559 --> 01:46:56,126 [MUSIC FADES OUT] 1869 01:46:57,388 --> 01:47:00,217 TITINA: "Tonno con me." NIC: "Come back with me." 1870 01:47:05,265 --> 01:47:06,919 TITINA: Did you write that all by yourself? 1871 01:47:08,225 --> 01:47:11,184 Actually, I had help with Isidoro. 1872 01:47:12,795 --> 01:47:16,581 Did you tell him you want to eat tuna with me? 1873 01:47:17,103 --> 01:47:19,192 Because that is what is written. 1874 01:47:19,323 --> 01:47:21,934 No, it's... it's the thought that counts. 1875 01:47:22,282 --> 01:47:24,023 You have a lot of nerve to show your face, 1876 01:47:24,110 --> 01:47:25,808 "the great Nic Cassino!" 1877 01:47:25,982 --> 01:47:27,026 Yeah, I've... 1878 01:47:27,418 --> 01:47:29,420 I've been sitting here for an hour and a half and... 1879 01:47:30,334 --> 01:47:31,944 no one's recognized me except this old lady-- 1880 01:47:32,075 --> 01:47:36,601 No one recognized you because no one cares about you. 1881 01:47:37,384 --> 01:47:39,125 You're... you're a phony, 1882 01:47:39,691 --> 01:47:41,476 even if you are not a sosia. 1883 01:47:43,565 --> 01:47:44,522 Listen. 1884 01:47:45,784 --> 01:47:47,656 You have every right to... to be angry at me. 1885 01:47:47,786 --> 01:47:50,572 I ran away from you. I ran away from everyone. 1886 01:47:50,702 --> 01:47:51,877 Yes, you did. 1887 01:47:52,051 --> 01:47:53,096 Why? 1888 01:47:54,227 --> 01:47:56,186 I guess it's, uh... it's... 1889 01:47:56,839 --> 01:47:59,276 I had some character issues to resolve. 1890 01:47:59,406 --> 01:48:01,147 Uh, like a... like a backstory. 1891 01:48:01,278 --> 01:48:03,193 - [SCOFFS] Backstory? - NIC: No, please. 1892 01:48:03,323 --> 01:48:05,195 Every great character-- Just listen to me. 1893 01:48:05,848 --> 01:48:08,720 Please. Every great character needs a backstory. 1894 01:48:08,807 --> 01:48:09,939 And in that backstory 1895 01:48:10,069 --> 01:48:11,897 are the things that make the character tick. 1896 01:48:12,028 --> 01:48:13,246 And sometimes, 1897 01:48:13,377 --> 01:48:16,293 you gotta go back and reset the clock. 1898 01:48:17,033 --> 01:48:19,731 - And did you? - Yeah. Uh... 1899 01:48:20,863 --> 01:48:22,429 Some stuff came up.[TITINA SCOFFS] 1900 01:48:22,604 --> 01:48:24,388 - A lot of stuff. - TITINA: "Stuff, stuff"... 1901 01:48:24,606 --> 01:48:25,824 Yeah, stuff, you know-- 1902 01:48:25,911 --> 01:48:28,261 - Ah. Good stuff or bad stuff? - NIC: Good, bad... 1903 01:48:29,219 --> 01:48:30,829 But... but you left. 1904 01:48:32,004 --> 01:48:33,049 You left. 1905 01:48:34,311 --> 01:48:38,968 You made people believe in you. That you were different. 1906 01:48:39,229 --> 01:48:41,927 That you were not just another celebrity tourist, 1907 01:48:42,275 --> 01:48:44,582 caring nothing for the mess you leave behind. 1908 01:48:44,713 --> 01:48:46,149 Look, I'm--TITINA: No. 1909 01:48:47,542 --> 01:48:50,327 [SOBS] Why did you come back? 1910 01:48:50,762 --> 01:48:52,285 I came back for you.[TITINA SCOFFS] 1911 01:48:52,372 --> 01:48:53,722 No, I... I did. 1912 01:48:54,549 --> 01:48:55,724 I came back for you. 1913 01:48:57,290 --> 01:48:58,553 I came back for my motivation. 1914 01:48:59,336 --> 01:49:00,337 - Liar. - No, no 1915 01:49:00,424 --> 01:49:01,468 - No, yeah. - No. 1916 01:49:03,122 --> 01:49:04,471 No, I'm not lying. 1917 01:49:09,172 --> 01:49:10,173 I'm sorry. 1918 01:49:27,059 --> 01:49:28,452 [GROANS] Whoa. 1919 01:49:29,279 --> 01:49:30,759 - I'm strong? - Yeah. 1920 01:49:30,889 --> 01:49:31,977 - Very st-- Yeah. - I know. 1921 01:49:32,108 --> 01:49:33,631 - Ow, that actually hurt. - Mm. 1922 01:49:34,284 --> 01:49:35,546 All right. Ow. 1923 01:49:35,981 --> 01:49:38,201 Right on the funny bone. No, not the funny bone, but... 1924 01:49:38,810 --> 01:49:40,072 Citizens of the world. 1925 01:49:40,203 --> 01:49:41,508 I stand before you today 1926 01:49:41,596 --> 01:49:43,032 as we face our gravest challenge. 1927 01:49:43,598 --> 01:49:46,557 As I speak, an asteroid the size of a small planet 1928 01:49:46,688 --> 01:49:48,907 hurtles through space directly at Mt. Vesuvius. 1929 01:49:49,212 --> 01:49:51,170 I ask the nations of the world 1930 01:49:51,257 --> 01:49:53,999 to unleash their nuclear weapons at the asteroid...[INTENSE RUMBLING] 1931 01:49:55,305 --> 01:49:57,568 ...to destroy it before it destroys us. 1932 01:49:58,090 --> 01:49:59,483 May God be with us all. 1933 01:50:02,268 --> 01:50:03,705 [FABRIZIO CLEARS THROAT] 1934 01:50:06,272 --> 01:50:08,710 Maestro... [sighs] 1935 01:50:10,712 --> 01:50:11,800 With your permission. 1936 01:50:18,763 --> 01:50:19,721 And... 1937 01:50:20,678 --> 01:50:21,940 [IN ITALIAN] Action! 1938 01:50:22,245 --> 01:50:25,378 [BOMBASTIC, JAZZY MUSIC PLAYING] 1939 01:50:29,034 --> 01:50:31,776 OMBRETTA: Marcello. They heard you. They listened. 1940 01:50:31,907 --> 01:50:34,344 They have sent their entire nuclear arsenals 1941 01:50:34,474 --> 01:50:38,000 to destroy the asteroid. ["SE BRUCIASSE LA CITTAÀ" PLAYING] 1942 01:50:51,143 --> 01:50:53,058 Marcello...[AIR RAID SIREN WAILING] 1943 01:50:53,232 --> 01:50:54,625 Do you know what that means? 1944 01:50:55,365 --> 01:50:57,062 NIC: It means the world's safe. 1945 01:50:57,410 --> 01:51:00,370 And the super-volcano can sleep for another million years. 1946 01:51:00,457 --> 01:51:01,458 No. 1947 01:51:02,546 --> 01:51:04,461 It means a new age of peace. 1948 01:51:05,897 --> 01:51:09,248 No more weapons. No more wars. 1949 01:51:09,422 --> 01:51:11,511 [SIREN WAILING] 1950 01:51:11,686 --> 01:51:13,818 [SONG PEAKS] 1951 01:51:14,471 --> 01:51:17,474 OMBRETTA: Marcello! Look! Another missile! 1952 01:51:17,604 --> 01:51:19,476 NIC: Time to save the world again. 1953 01:51:20,216 --> 01:51:21,347 [NIC GRUMBLES] 1954 01:51:21,478 --> 01:51:22,871 I'm gettin' too old for this shit. 1955 01:51:26,178 --> 01:51:27,223 [GASPS] 1956 01:51:27,745 --> 01:51:28,746 Marcello! 1957 01:51:28,920 --> 01:51:33,882 [YELLS DRAMATICALLY] 1958 01:51:34,186 --> 01:51:35,710 [NIC GRUNTS, WHIMPERS] 1959 01:51:41,063 --> 01:51:42,760 [SONG CONCLUDES] 1960 01:51:42,891 --> 01:51:46,372 [AUDIENCE APPLAUDING, CHEERING] 1961 01:51:47,547 --> 01:51:50,420 And finally, a clip from our last nominee. 1962 01:51:52,857 --> 01:51:54,772 [SOBS] 1963 01:51:55,294 --> 01:51:56,818 NIC: [SOBBING] Sorry, Luigi. 1964 01:51:57,340 --> 01:51:59,908 I'm so sorry! [SOBS] 1965 01:52:00,430 --> 01:52:01,605 [JINGLE MUSIC PLAYING] 1966 01:52:01,997 --> 01:52:06,436 And the winner for the Best Rip Your Heart Out Crying Scene... 1967 01:52:07,611 --> 01:52:11,746 from the first ever neorealistic action film... 1968 01:52:12,659 --> 01:52:15,967 It's my man, Nic Cassino! 1969 01:52:16,098 --> 01:52:18,753 [TRIUMPHANT MUSIC PLAYING][CROWD CHEERS, APPLAUDS] 1970 01:52:26,543 --> 01:52:28,632 [CROWD CHEER] 1971 01:52:32,723 --> 01:52:33,985 Where's Papa? 1972 01:52:45,867 --> 01:52:47,346 FABRIZIO: Anybody? [POUNDING ON DOOR] 1973 01:52:47,999 --> 01:52:49,435 [HANDLE RATTLING] FABRIZIO: Please! 1974 01:52:49,566 --> 01:52:50,915 Do something! 1975 01:52:51,655 --> 01:52:53,178 Please! 1976 01:52:53,657 --> 01:52:55,093 Excuse me! [KNOCKS ON DOOR] 1977 01:52:55,224 --> 01:52:57,356 FABRIZIO: The winner is in the toilet! 1978 01:52:57,530 --> 01:53:01,883 ["MINE AIN'T YOURS" PLAYING] 1979 01:53:18,551 --> 01:53:21,511 ♪ It's your last chance To reign ♪ 1980 01:53:22,033 --> 01:53:25,036 ♪ Till you fall down On your knees ♪ 1981 01:53:26,342 --> 01:53:28,605 ♪ That isn't how you make it 1982 01:53:29,693 --> 01:53:32,087 ♪ Mine ain't yours for taking 1983 01:53:32,739 --> 01:53:35,307 ♪ Now you're to blame 1984 01:53:36,004 --> 01:53:38,528 ♪ For what's going on with me ♪ 1985 01:53:38,658 --> 01:53:40,051 ♪ You know ♪ 1986 01:53:40,182 --> 01:53:42,358 ♪ Your life's what You've made it ♪ 1987 01:53:43,663 --> 01:53:45,970 ♪ Mine ain't yours for taking 1988 01:53:47,276 --> 01:53:49,626 ♪ You never have To make it right ♪ 1989 01:53:49,756 --> 01:53:53,108 ♪ But how long Can you be wrong? ♪ 1990 01:53:54,370 --> 01:53:57,808 ♪ Don't try to sing The same old song ♪ 1991 01:54:01,246 --> 01:54:03,596 ♪ You're never tired Of making fights ♪ 1992 01:54:03,727 --> 01:54:06,817 ♪ Tell me how long Till you're gone ♪ 1993 01:54:07,949 --> 01:54:10,821 ♪ You never try to see Eye to eye ♪ 1994 01:54:11,604 --> 01:54:14,651 ♪ Always looking for A place to hide ♪ 1995 01:54:14,781 --> 01:54:16,871 ♪ That isn't how you make it ♪ 1996 01:54:18,176 --> 01:54:20,439 ♪ Mine ain't yours for taking 1997 01:54:34,845 --> 01:54:37,543 ♪ It's your last chance To reign ♪ 1998 01:54:38,153 --> 01:54:41,199 ♪ Till you fall down On your knees ♪ 1999 01:54:42,461 --> 01:54:44,768 ♪ That isn't how you make it 2000 01:54:45,987 --> 01:54:48,337 ♪ Mine ain't yours for taking 2001 01:54:49,120 --> 01:54:51,688 ♪ Now you're to blame 2002 01:54:52,080 --> 01:54:54,778 ♪ For what's going on with me ♪ 2003 01:54:54,909 --> 01:54:56,258 ♪ You know ♪ 2004 01:54:56,388 --> 01:54:58,477 ♪ Your life's what you make it ♪ 2005 01:55:00,044 --> 01:55:02,046 ♪ Mine ain't yours for taking 2006 01:55:03,482 --> 01:55:05,876 ♪ You never have To make it right ♪ 2007 01:55:06,007 --> 01:55:08,792 ♪ But how long Can you be wrong? ♪ 2008 01:55:10,446 --> 01:55:13,971 ♪ Don't try to sing The same old song ♪ 2009 01:55:17,409 --> 01:55:19,803 ♪ You're never tired Of making fights ♪ 2010 01:55:19,934 --> 01:55:22,937 ♪ Tell me how long Till you're gone ♪ 2011 01:55:24,155 --> 01:55:26,897 ♪ You never try to see Eye to eye ♪ 2012 01:55:27,898 --> 01:55:30,727 ♪ Always looking For a place to hide ♪ 2013 01:55:30,857 --> 01:55:33,164 ♪ That isn't how you make it ♪ 2014 01:55:34,383 --> 01:55:36,646 ♪ Mine ain't yours for taking 2015 01:56:19,341 --> 01:56:21,604 ♪ You never have To make it right ♪ 2016 01:56:21,734 --> 01:56:24,607 ♪ But how long Can you be wrong? ♪ 2017 01:56:26,217 --> 01:56:29,568 ♪ Don't try to sing The same old song ♪ 2018 01:56:32,963 --> 01:56:35,183 ♪ You never try To make it right ♪ 2019 01:56:35,313 --> 01:56:38,577 ♪ Tell me how long Till you're gone ♪ 2020 01:56:39,796 --> 01:56:42,451 ♪ You never try to see Eye to eye ♪ 2021 01:56:43,408 --> 01:56:46,281 ♪ Always looking For a place to hide ♪ 2022 01:56:46,411 --> 01:56:48,674 ♪ That isn't how you make it ♪ 2023 01:56:49,893 --> 01:56:52,026 ♪ Mine ain't yours for taking 2024 01:56:53,157 --> 01:56:55,333 ♪ That isn't how you make it 2025 01:56:56,769 --> 01:56:59,076 ♪ Mine ain't yours for taking 2026 01:57:08,651 --> 01:57:11,001 [SONG CONCLUDES] 2027 01:57:11,001 --> 01:57:16,001 DOWNLOADED FROM WWW.AWAFIM.TV 2028 01:57:11,001 --> 01:57:21,001 For latest movies and series with subtitles Visit WWW.AWAFIM.TV Today 132691