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[dramatic music]
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♪ ♪
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♪ ♪
- Oh, God. - Oh, God.
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Multiple gunshot wounds.
- Just tragic.
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narrator: When friendships
turn fatal,
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homicide detectives are left
to unravel the mystery
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of what went wrong
between them.
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- Could've been done by someone
the victim knew.
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narrator: Tonight,
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on "The First 48
Critical Minutes"...
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- [gasps]
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00:00:32,264 --> 00:00:33,499
narrator: A woman's deadly
premonition.
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- You do not seem to be
grieving over her loss.
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narrator:
A new friendship leads
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narrator:
A new friendship leads
to the ultimate betrayal.
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to the ultimate betrayal.
- No, I'm not!
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00:00:45,223 --> 00:00:47,160
- You sure about that?
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- It's gonna be another
mystery.
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narrator: And, a best friends
night out ends in disaster.
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- You think you know
a person...
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[dramatic music]
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♪ ♪
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- The idea that friendships
could end in murder
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- The idea that friendships
could end in murder
is hard to imagine.
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is hard to imagine.
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but it happens more often
than you'd think.
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Sometimes the person you
thought you could trust
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betrays you.
[intense music] ♪ ♪
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- Hey Tim.
- She's in the rear bedroom.
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- Hey Tim.
- She's in the rear bedroom.
Laying on the floor.
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Laying on the floor.
- We have any ID on her yet?
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- Lady came running up to me
a little while ago,
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- Lady came running up to me
a little while ago,
and she gave us that name.
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and she gave us that name.
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and she gave us that name.
- Shakeitha? - Shakeitha?
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- Mm-hmm.
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- Mm-hmm.
[melancholy music]
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[melancholy music]
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narrator: 25-year-old
Shakeitha Johnson
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was born and raised
in New Orleans
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was born and raised
in New Orleans
and went by the nickname
"Banana."
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and went by the nickname
"Banana." ♪ ♪
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She is survived by her parents
and two sisters. ♪ ♪
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[radio chatter]
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- Neighbors say it was her
birthday, yesterday. Just tragic.
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Damn.
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Damn.
[dramatic music]
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[dramatic music]
Oh, God. ♪ ♪
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Multiple gunshot wounds.
- Yeah, yeah. ♪ ♪
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- She got it to the head,
left shoulder, right arm...
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♪ ♪ Brutal.
There's casings inside.
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♪ ♪
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narrator: CSI collects three
casings inside
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and three more leading
into the front yard.
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♪ ♪
- Doors not forced, right? - No.
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So maybe she opens
the door... ♪ ♪
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♪ ♪
- I interviewed
the victim's sister.
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- I interviewed
the victim's sister.
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Apparently the victim wrecked
that car over a week ago. - OK.
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- That car belongs to one of
her best friends:
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- That car belongs to one of
her best friends:
a Lyneisha Tennessee.
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a Lyneisha Tennessee.
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When the victim said she
couldn't pay for the damages,
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she's been having a lot
of death threats.
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So it sounds like everything's
over the stupid car.
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So it sounds like everything's
over the stupid car.
- All right.
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- All right. [tense music]
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♪ ♪
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[door slams]
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♪ ♪
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♪ ♪
- I'm just trying to figure out
how the hell this happened.
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- I'm just trying to figure out
how the hell this happened.
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- So are we, so are we.
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Who would be the last person
with her?
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- I don't know, I don't...
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- Were you over there
last night?
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- Yeah, I believe I remember
seeing one out there.
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- OK.
[muffled speech]
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narrator:
Tennessee says Banana
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wouldn't pay to fix the car.
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- Had to be a big hassle
for you, though, huh? I mean...
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- It was crazy,
but what could I do? ♪ ♪
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- [laughs]
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My mom used to always tell me,
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"Stay away from that girl;
she's nothing but trouble."
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And I'm like, nobody can keep
me away from her.
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00:05:07,367 --> 00:05:09,739
- What drew you so much to her?
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00:05:09,739 --> 00:05:12,477
- When me and my kids needed
a place to go,
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she's just always, you know,
been there for me.
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[somber music] ♪ ♪
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- You do not seem to be
grieving over her loss.
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♪ ♪
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00:05:36,425 --> 00:05:41,770
- I can't cry right now--
I just can't. ♪ ♪ - Wow.
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♪ ♪
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Did you have anything to do
with her murder today? ♪ ♪
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- No! Why--no!
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- No! Why--no!
I can't get nobody killed.
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I can't get nobody killed.
This is crazy... ♪ ♪
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- So, who do you think
would want to hurt Banana?
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- Jazz?
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- Wait, Jazz was living
with her? - Yeah.
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narrator: Tennessee
says Banana
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had an ongoing feud
with her roommate, Jazz.
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I guess they were having
an argument--
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I guess they were having
an argument--
- Her and Jazz?
- Yeah.
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- Her and Jazz?
- Yeah. ♪ ♪
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[muffled speech]
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♪ ♪
- What's her real name?
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00:06:39,971 --> 00:06:42,843
- I don't know this girl
from Adam and Eve. I don't know.
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♪ ♪
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- So I'm going to run our
victim in our report database.
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[keyboard clacking]
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[keyboard clacking]
See what kind of complaints
she's made.
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00:06:54,400 --> 00:06:58,040
See what kind of complaints
she's made.
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00:06:58,040 --> 00:06:58,074
See what kind of complaints
she's made.
Got a disturbance report.
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Got a disturbance report.
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Banana claims that her roommate
was threatening her.
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[dramatic music]
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♪ ♪
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Hey. Sorry about the wait.
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Hey. Sorry about the wait.
Take a look at this individual
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Take a look at this individual
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and tell me if you
recognize 'em. ♪ ♪
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- That looks like Jazz.
- That looks like Jazz?
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♪ ♪
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I think Jazz is gonna be our
strongest suspect right now.
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♪ ♪ [punchy music]
♪ ♪
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Theo, check this out.
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- That's our deceased
victim there.
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00:07:45,168 --> 00:07:45,201
- That's our deceased
victim there.
narrator: In the database,
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narrator: In the database,
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Vaught discovers
body cam video
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from the officer that filed
Banana's complaint
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00:07:51,046 --> 00:07:51,047
from the officer that filed
Banana's complaint
against Jazz.
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00:07:51,047 --> 00:07:52,783
against Jazz.
136
00:07:52,783 --> 00:07:56,891
- That's Shakeitha.
Banana. [muffled speech]
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00:07:56,891 --> 00:07:58,294
- This is crazy.
138
00:07:58,294 --> 00:07:58,394
- This is crazy.
Right outside
where she was killed.
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00:07:58,394 --> 00:08:00,766
Right outside
where she was killed.
140
00:08:00,766 --> 00:08:02,703
narrator:
The video was recorded
141
00:08:02,703 --> 00:08:09,049
a week before the murder.
142
00:08:09,049 --> 00:08:11,086
narrator:
Banana tells the officer
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00:08:11,086 --> 00:08:13,658
that Jazz sent her
threatening texts.
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00:08:13,658 --> 00:08:15,094
[distorted voice]
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00:08:21,941 --> 00:08:25,114
- Wow! - Yeah.
146
00:08:34,132 --> 00:08:40,979
- Sad.
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00:08:40,979 --> 00:08:43,718
narrator: She gives Jazz's
phone number to the officer.
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00:08:56,443 --> 00:09:00,051
- [gasps]
[music intensifies]
149
00:09:00,051 --> 00:09:06,931
- You know, throughout my
career
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00:09:06,931 --> 00:09:08,100
I've seen people fight
over cars,
151
00:09:08,100 --> 00:09:09,704
I've seen people fight
over money.
152
00:09:09,704 --> 00:09:10,973
I've seen women fight
over men.
153
00:09:10,973 --> 00:09:12,743
I've seen men fight
over women.
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00:09:12,743 --> 00:09:15,381
And it's sadly to say
it escalates to murder.
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00:09:15,381 --> 00:09:17,786
When one friend threatens
another friend,
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00:09:17,786 --> 00:09:23,297
you should take it very
seriously. [dial tone]
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00:09:23,297 --> 00:09:24,901
- Hi, Jazz.
158
00:09:24,901 --> 00:09:28,307
You may hold some information
that would beneficial to me.
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00:09:28,307 --> 00:09:35,021
Are you available
to meet today? - Uh...
160
00:09:35,021 --> 00:09:36,290
- All right.
161
00:09:36,290 --> 00:09:36,323
- All right.
[suspenseful music]
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00:09:36,323 --> 00:09:39,730
[suspenseful music]
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♪ ♪
164
00:09:46,711 --> 00:09:53,157
Can I get you anything?
165
00:09:53,157 --> 00:09:58,167
- You can have a seat
right there. Okay.
166
00:09:58,167 --> 00:10:02,141
You duckin' and dodging me...
makes it a little--
167
00:10:02,141 --> 00:10:04,880
makes it a little more
suspicious, right?
168
00:10:04,880 --> 00:10:08,287
If you know something
about this... - [sighs]
169
00:10:18,307 --> 00:10:21,814
- She did. It was brutal.
170
00:10:30,766 --> 00:10:33,805
[dramatic music]
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00:10:33,805 --> 00:10:36,476
- I want to make sure
I'm completely clear.
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00:10:36,476 --> 00:10:36,578
- I want to make sure
I'm completely clear.
What about the text messages
you sent
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What about the text messages
you sent
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00:10:40,418 --> 00:10:46,129
where you told her it would be
her "last weekend"? ♪ ♪
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00:10:53,077 --> 00:10:55,381
♪ ♪
176
00:10:55,381 --> 00:10:55,415
♪ ♪
- And she got killed.
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00:10:55,415 --> 00:10:57,185
- And she got killed.
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00:11:09,977 --> 00:11:11,881
narrator:
Jazz explains her text
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00:11:11,881 --> 00:11:14,452
was a threat to get Banana's
government assisted housing
180
00:11:14,452 --> 00:11:15,989
taken away.
181
00:11:23,838 --> 00:11:26,978
♪ ♪
182
00:11:26,978 --> 00:11:33,858
- You say that those texts were
taken out of context. - OK.
183
00:11:33,858 --> 00:11:35,896
- That would've been important
for me to know early on, right?
184
00:11:35,896 --> 00:11:37,599
- Sure.
- Mm-hmm.
185
00:11:45,414 --> 00:11:46,517
- OK.
186
00:11:46,517 --> 00:11:53,531
♪ ♪
187
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- So many people have motive
right now.
188
00:11:59,142 --> 00:12:02,248
The victim had a lot of people
in and out of that house.
189
00:12:02,248 --> 00:12:05,421
That means a lot of motive,
a lot of opportunity.
190
00:12:05,421 --> 00:12:07,125
But I don't think Jazz had
anything to do with
191
00:12:07,125 --> 00:12:11,433
Banana's murder.
[intense music]
192
00:12:11,433 --> 00:12:18,414
♪ ♪
193
00:12:19,583 --> 00:12:21,621
[door shuts]
194
00:12:21,621 --> 00:12:21,654
[door shuts]
So, take me through it.
195
00:12:21,654 --> 00:12:24,392
So, take me through it.
196
00:12:24,392 --> 00:12:26,096
[distorted voice]
197
00:12:40,926 --> 00:12:42,529
- And who did this?
198
00:13:09,115 --> 00:13:12,221
[music intensifies]
199
00:13:12,221 --> 00:13:18,701
♪ ♪
200
00:13:18,701 --> 00:13:20,939
- Who's Boom?
201
00:13:31,594 --> 00:13:34,432
- Mm.
202
00:13:34,432 --> 00:13:40,545
But you're having
a relationship with Boom.
203
00:13:40,545 --> 00:13:42,148
- How do you know him?
204
00:13:42,148 --> 00:13:47,726
- I know him through--
I guess around the 'hood.
205
00:13:47,726 --> 00:13:54,540
- What's his last name?
206
00:13:54,540 --> 00:14:01,721
- Yesterday, where'd you go?
- How'd you leave her house?
207
00:14:01,721 --> 00:14:06,163
- You understand there's video
in that area.
208
00:14:06,163 --> 00:14:12,709
[music intensifies]
- Okay, how'd you get home?
209
00:14:12,709 --> 00:14:19,389
- From who? - OK.
Now we're getting somewhere.
210
00:14:19,389 --> 00:14:26,436
OK? - Did Boom know Banana?
211
00:14:26,436 --> 00:14:34,419
♪ ♪ [dial tone]
- You have reached...
212
00:14:34,419 --> 00:14:39,195
♪ ♪
- We'll see if he calls back.
213
00:14:39,195 --> 00:14:47,045
[suspenseful music]
♪ ♪
214
00:14:47,045 --> 00:14:49,449
Just got a voice mail
215
00:14:49,449 --> 00:14:53,090
from an attorney stating he
represents a Delvin Wilson.
216
00:14:53,090 --> 00:14:54,727
He said he was returning
my call
217
00:14:54,727 --> 00:14:57,031
from a voice message that I
left yesterday.
218
00:14:57,031 --> 00:15:00,337
The only person I called
yesterday was Boom. - Really?
219
00:15:00,337 --> 00:15:02,609
- Looks like Boom.
220
00:15:02,609 --> 00:15:04,112
narrator:
Detective Rob Barrere
221
00:15:04,112 --> 00:15:08,153
runs the name Delvin Wilson
in the database.
222
00:15:08,153 --> 00:15:09,557
- Here he is.
223
00:15:09,557 --> 00:15:12,228
narrator: 28-year-old
Delvin Wilson
224
00:15:12,228 --> 00:15:13,631
has prior convictions
for possession
225
00:15:13,631 --> 00:15:17,606
of drug paraphernalia and
illegal carrying of weapons.
226
00:15:17,606 --> 00:15:21,346
♪ ♪
227
00:15:21,346 --> 00:15:23,250
- He's wanted for murder.
- Get out.
228
00:15:23,250 --> 00:15:26,524
- Shooting from a few days ago.
♪ ♪
229
00:15:26,524 --> 00:15:26,558
♪ ♪
- Who's case is that?
230
00:15:26,558 --> 00:15:31,399
- Who's case is that? ♪ ♪
231
00:15:31,399 --> 00:15:39,115
- Looks like it's
Barret's case. ♪ ♪
232
00:15:39,115 --> 00:15:43,357
- You got him on wanted? - I do.
233
00:15:43,357 --> 00:15:50,404
♪ ♪
234
00:15:50,404 --> 00:15:57,151
♪ ♪
235
00:15:57,151 --> 00:16:01,560
- The casings from Barret's
case and my case are a match.
236
00:16:01,560 --> 00:16:03,263
There's no doubt in my mind
right now
237
00:16:03,263 --> 00:16:06,570
that Boom is responsible
for the murder of Banana.
238
00:16:06,570 --> 00:16:06,604
that Boom is responsible
for the murder of Banana.
[music intensifies]
239
00:16:06,604 --> 00:16:13,851
[music intensifies]
♪ ♪
240
00:16:13,851 --> 00:16:13,885
♪ ♪
narrator: The next day.
241
00:16:13,885 --> 00:16:17,191
narrator: The next day.
[phone ringing]
242
00:16:17,191 --> 00:16:20,431
- Hey, Barret. Oh yeah?
243
00:16:20,431 --> 00:16:23,103
narrator: Before Vaught issues
a warrant for Boom...
244
00:16:23,103 --> 00:16:30,317
- Wow, really?
All right, thanks--bye.
245
00:16:30,317 --> 00:16:31,554
Guess what?
246
00:16:31,554 --> 00:16:34,258
Boom was found murdered
in Georgia,
247
00:16:34,258 --> 00:16:37,833
along with his brother.
♪ ♪ - Wow.
248
00:16:37,833 --> 00:16:37,933
- Wow.
- They were shot and killed
in a car,
249
00:16:37,933 --> 00:16:39,570
- They were shot and killed
in a car,
250
00:16:39,570 --> 00:16:43,745
and the car was set on fire.
251
00:16:43,745 --> 00:16:49,155
narrator: With his suspect
dead, Vaught closes his case.
252
00:16:49,155 --> 00:16:51,861
- Although we have enough
to prove probable cause,
253
00:16:51,861 --> 00:16:51,927
- Although we have enough
to prove probable cause,
that he committed this murder,
254
00:16:51,927 --> 00:16:53,831
that he committed this murder,
255
00:16:53,831 --> 00:16:57,873
obviously he can't be brought
to justice on it. ♪ ♪
256
00:16:57,873 --> 00:16:57,974
♪ ♪
So it'll be a clearance
by exception.
257
00:16:57,974 --> 00:17:05,320
So it'll be a clearance
by exception. ♪ ♪
258
00:17:05,320 --> 00:17:09,162
narrator: The next day,
Vaught and Barrere
259
00:17:09,162 --> 00:17:10,932
go to update Banana's family.
260
00:17:10,932 --> 00:17:10,933
go to update Banana's family.
[somber music]
261
00:17:10,933 --> 00:17:13,538
[somber music]
262
00:17:13,538 --> 00:17:19,449
- We believe that he's the
person that killed Banana.
263
00:17:19,449 --> 00:17:20,552
- We've never seen him before.
264
00:17:20,552 --> 00:17:22,723
- Never seen him before,
either.
265
00:17:22,723 --> 00:17:22,756
- Never seen him before,
either.
- What's his name?
266
00:17:22,756 --> 00:17:26,229
- What's his name?
- Delvin Wilson.
267
00:17:26,229 --> 00:17:29,870
He goes by the nickname "Boom."
- Mm.
268
00:17:29,870 --> 00:17:36,483
- But he fled the state,
and he was murdered in Georgia.
269
00:17:36,483 --> 00:17:41,493
- What? - Mm-mm.
[melancholy music]
270
00:17:41,493 --> 00:17:42,796
- It's brought some closure.
271
00:17:42,796 --> 00:17:45,502
-I know it'll never
bring her back,
272
00:17:45,502 --> 00:17:49,643
but God did his job, you know.
273
00:17:49,643 --> 00:17:54,953
♪ ♪
274
00:17:54,953 --> 00:18:00,197
- Being friendly is usually
considered a positive trait.
275
00:18:00,197 --> 00:18:03,437
But sometimes it can lead
to tragic consequences.
276
00:18:03,437 --> 00:18:05,909
In this next case
from Broward County, Florida,
277
00:18:05,909 --> 00:18:08,648
an elderly man was quick
to make new friends.
278
00:18:08,648 --> 00:18:14,258
[inquisitive music]
♪ ♪
279
00:18:14,258 --> 00:18:17,933
- We believe this
is the victim--
280
00:18:17,933 --> 00:18:17,966
- We believe this
is the victim--
Jeffrey Blaugrund.
281
00:18:17,966 --> 00:18:20,672
Jeffrey Blaugrund.
282
00:18:20,672 --> 00:18:24,412
That's the person who normally
lives in that residence.
283
00:18:24,412 --> 00:18:26,382
narrator: 70-year-old
Jeffrey Blaugrund
284
00:18:26,382 --> 00:18:28,921
is a retired steel worker
from New York.
285
00:18:28,921 --> 00:18:32,596
He moved to Broward County
15 years ago.
286
00:18:32,596 --> 00:18:40,310
[somber music] ♪ ♪
287
00:18:40,310 --> 00:18:41,614
- Howdy, sir.
288
00:18:41,614 --> 00:18:46,422
Did you know the neighbor
that lived right above you?
289
00:18:46,422 --> 00:18:47,826
narrator:
According to a neighbor,
290
00:18:47,826 --> 00:18:50,297
the victim sometimes allowed
homeless people
291
00:18:50,297 --> 00:18:54,706
to stay in his extra bedroom.
- Thank you very much, sir.
292
00:18:54,706 --> 00:18:58,447
Thank you.
If the neighbors are correct
293
00:18:58,447 --> 00:18:59,616
that the victim was
bringing strangers
294
00:18:59,616 --> 00:19:02,622
over to his apartment,
then that could be the motive,
295
00:19:02,622 --> 00:19:09,368
because they could've took
advantage of him. ♪ ♪
296
00:19:09,368 --> 00:19:10,839
[muffled speech]
297
00:19:10,839 --> 00:19:13,310
- Aye, aye, captain.
298
00:19:13,310 --> 00:19:20,290
♪ ♪
299
00:19:20,290 --> 00:19:27,873
This is the master bedroom
of the house.
300
00:19:27,873 --> 00:19:33,985
The victim is in the bag
right there.
301
00:19:33,985 --> 00:19:36,055
You have a safe
on top of the bed.
302
00:19:36,055 --> 00:19:36,089
You have a safe
on top of the bed.
It's been forced open.
303
00:19:36,089 --> 00:19:41,734
It's been forced open.
[intense percussive music]
304
00:19:41,734 --> 00:19:43,604
It looks like a shoe print.
305
00:19:43,604 --> 00:19:46,677
narrator: On a sheet of paper
near the victim
306
00:19:46,677 --> 00:19:48,346
is a bloody shoe print.
307
00:19:48,346 --> 00:19:53,758
- This is gonna be a key piece
of physical evidence.
308
00:19:53,758 --> 00:19:55,562
There's no signs
of forced entry.
309
00:19:55,562 --> 00:20:00,037
So, this could've been done by
someone the victim knew.
310
00:20:00,037 --> 00:20:02,509
narrator: The team moves
the victim to the breezeway
311
00:20:02,509 --> 00:20:10,023
to get a better look
at his injuries.
312
00:20:10,023 --> 00:20:11,025
narrator:
It appears the victim
313
00:20:11,025 --> 00:20:11,092
narrator:
It appears the victim
was beaten and strangled.
314
00:20:11,092 --> 00:20:17,505
was beaten and strangled.
♪ ♪
315
00:20:17,505 --> 00:20:19,509
- Based on what we're seeing,
316
00:20:19,509 --> 00:20:21,881
the victim hasn't been seen
for about two weeks.
317
00:20:21,881 --> 00:20:25,053
So, we're assuming he that may
have been killed two weeks ago.
318
00:20:25,053 --> 00:20:28,961
♪ ♪
narrator: Then...
319
00:20:28,961 --> 00:20:28,962
narrator: Then...
- What's up, Tim?
320
00:20:28,962 --> 00:20:30,063
- What's up, Tim?
321
00:20:30,063 --> 00:20:30,131
- What's up, Tim?
narrator:
Sergeant Dave Elwood
322
00:20:30,131 --> 00:20:31,399
narrator:
Sergeant Dave Elwood
323
00:20:31,399 --> 00:20:34,405
gets a lead from dispatch.
324
00:20:34,405 --> 00:20:35,742
- Can you send that recording
to me?
325
00:20:35,742 --> 00:20:38,648
narrator: The victim called
911 two weeks ago--
326
00:20:38,648 --> 00:20:42,087
the same day he may have
been killed.
327
00:21:08,708 --> 00:21:12,047
narrator Minutes later,
the victim called 911 back
328
00:21:12,047 --> 00:21:14,418
and cancelled the call
for assistance.
329
00:21:14,418 --> 00:21:21,399
♪ ♪
330
00:21:21,399 --> 00:21:24,840
- He's our "Marquise."
331
00:21:24,840 --> 00:21:26,710
He's the gentleman we gotta
find right now.
332
00:21:26,710 --> 00:21:33,658
♪ ♪
333
00:21:33,658 --> 00:21:37,464
- I really do appreciate you
voluntarily coming down here,
334
00:21:37,464 --> 00:21:38,801
first off.
335
00:21:38,801 --> 00:21:46,049
And what we're talking about
is a guy you may know named Jeff.
336
00:21:46,049 --> 00:21:47,852
- How do you know him?
337
00:21:47,852 --> 00:21:50,858
narrator: Marquise claims that
the victim offered him a ride
338
00:21:50,858 --> 00:21:53,864
when he was walking along
the highway six months ago.
339
00:21:53,864 --> 00:21:55,835
- We was just talking
and chilling.
340
00:21:55,835 --> 00:21:57,906
Hung out with him,
and that's it.
341
00:21:57,906 --> 00:22:00,043
- We're unfortunately working
the case
342
00:22:00,043 --> 00:22:00,077
- We're unfortunately working
the case
of Jeff being murdered.
343
00:22:00,077 --> 00:22:04,519
of Jeff being murdered.
♪ ♪
344
00:22:04,519 --> 00:22:07,024
- Oh.
- So, we're trying to find
345
00:22:07,024 --> 00:22:14,906
anybody who knew Jeff.
346
00:22:14,906 --> 00:22:16,710
- Well, we're hearing
that he called police.
347
00:22:16,710 --> 00:22:24,158
He said you actually held
a knife against his throat.
348
00:22:24,158 --> 00:22:27,766
- Did you rip him off?
349
00:22:27,766 --> 00:22:30,638
narrator: Marquise admits
that two weeks ago
350
00:22:30,638 --> 00:22:33,778
he stole money from Jeffrey.
351
00:22:33,778 --> 00:22:37,519
- All right, you never saw
him again, after that?
352
00:22:37,519 --> 00:22:41,860
- I have nothing to do
with what's going on. ♪ ♪
353
00:22:41,860 --> 00:22:45,000
- Do you have a problem with us
taking a look at your shoes
354
00:22:45,000 --> 00:22:45,033
- Do you have a problem with us
taking a look at your shoes
and photographing them?
355
00:22:45,033 --> 00:22:48,741
and photographing them? - Nah?
356
00:22:48,741 --> 00:22:50,210
[keys jangle]
357
00:22:50,210 --> 00:22:50,211
[keys jangle]
[inaudible chatter]
358
00:22:50,211 --> 00:22:53,784
[inaudible chatter]
359
00:22:53,784 --> 00:22:59,996
♪ ♪
360
00:22:59,996 --> 00:23:04,238
- The shoes that Marquis had
on didn't match the imprints
361
00:23:04,238 --> 00:23:06,543
we found in blood
on the crime scene.
362
00:23:06,543 --> 00:23:08,213
He was more than cooperative.
363
00:23:08,213 --> 00:23:10,250
narrator: The team doesn't
believe Marquise
364
00:23:10,250 --> 00:23:14,559
has anything to do
with the homicide.
365
00:23:14,559 --> 00:23:16,997
- In these investigations,
you gotta stay open-minded.
366
00:23:16,997 --> 00:23:19,903
So, that's what we're gonna do.
We're gonna move on.
367
00:23:19,903 --> 00:23:23,109
[intense music]
368
00:23:23,109 --> 00:23:28,821
♪ ♪
369
00:23:28,821 --> 00:23:31,560
- Is that from a guy
named John? - Yeah.
370
00:23:31,560 --> 00:23:33,229
narrator:
All of the last messages
371
00:23:33,229 --> 00:23:36,637
to the victim are from someone
named John.
372
00:23:36,637 --> 00:23:38,941
- "Hey, what's up, Bubba?"
373
00:23:38,941 --> 00:23:40,578
"Didn't your friends
leave yet?"
374
00:23:40,578 --> 00:23:43,116
"Are we still hanging out later
or are you selling out?"
375
00:23:43,116 --> 00:23:45,087
♪ ♪
376
00:23:45,087 --> 00:23:47,324
- So, really, there's no other
texts at all, really,
377
00:23:47,324 --> 00:23:47,358
- So, really, there's no other
texts at all, really,
except for this John guy.
378
00:23:47,358 --> 00:23:48,861
except for this John guy.
379
00:23:48,861 --> 00:23:52,000
The John number is somebody
you want to contact?
380
00:23:52,000 --> 00:23:54,004
You wanna see what the hell
that was all about?
381
00:23:54,004 --> 00:23:57,010
Just see what he has to say.
♪ ♪
382
00:23:57,010 --> 00:23:58,614
narrator: Forsberg traces
the phone number
383
00:23:58,614 --> 00:23:59,883
that sent the messages.
384
00:23:59,883 --> 00:24:01,920
- We're looking at a phone
number we found
385
00:24:01,920 --> 00:24:03,256
in our victim's apartment.
386
00:24:03,256 --> 00:24:05,327
And it looks like that phone
number, we believe,
387
00:24:05,327 --> 00:24:05,394
And it looks like that phone
number, we believe,
is registered to
Jonathan Forster.
388
00:24:05,394 --> 00:24:09,770
is registered to
Jonathan Forster. ♪ ♪
389
00:24:09,770 --> 00:24:12,675
At this time it shows that
he has a criminal history.
390
00:24:12,675 --> 00:24:15,681
narrator: 27-year-old
Jonathan Forster
391
00:24:15,681 --> 00:24:18,286
has convictions for aggravated
assault, burglary,
392
00:24:18,286 --> 00:24:18,287
has convictions for aggravated
assault, burglary,
and drug possession.
393
00:24:18,287 --> 00:24:20,357
and drug possession.
394
00:24:20,357 --> 00:24:22,361
- Most of his home addresses
are showing "at large"
395
00:24:22,361 --> 00:24:22,427
- Most of his home addresses
are showing "at large"
which means he's
probably homeless,
396
00:24:22,427 --> 00:24:24,031
which means he's
probably homeless,
397
00:24:24,031 --> 00:24:26,837
so it's gonna be kind of
difficult to track him down.
398
00:24:26,837 --> 00:24:29,776
[dramatic music]
399
00:24:29,776 --> 00:24:36,022
♪ ♪
400
00:24:36,022 --> 00:24:38,026
We located Jonathan
this morning.
401
00:24:38,026 --> 00:24:40,965
narrator: Detectives finally
tracked down Jonathan
402
00:24:40,965 --> 00:24:42,301
at a hotel.
403
00:24:42,301 --> 00:24:44,171
- Lo and behold he had
a pair of shoes on
404
00:24:44,171 --> 00:24:46,175
consistent with the track marks
405
00:24:46,175 --> 00:24:50,651
left on scene
at our homicide. ♪ ♪
406
00:24:50,651 --> 00:24:52,722
- We're now gonna see if
he wants to talk to us.
407
00:24:52,722 --> 00:24:56,797
He didn't seem receptive.
♪ ♪
408
00:24:56,797 --> 00:24:57,932
[door slams]
409
00:24:57,932 --> 00:25:00,805
Basically, we're investigating
this case,
410
00:25:00,805 --> 00:25:05,080
of a guy I'm not sure if you
knew or not.
411
00:25:05,080 --> 00:25:06,783
And the reason why
your name came up
412
00:25:06,783 --> 00:25:09,388
is because of his
phone records.
413
00:25:09,388 --> 00:25:12,194
I have a picture of him--do you
wanna see what this guy
414
00:25:12,194 --> 00:25:14,098
looks like from his picture?
415
00:25:22,949 --> 00:25:24,118
- It can be easy sometimes
to take advantage
416
00:25:24,118 --> 00:25:24,152
- It can be easy sometimes
to take advantage
of an elderly person.
417
00:25:24,152 --> 00:25:25,420
of an elderly person.
418
00:25:25,420 --> 00:25:25,454
of an elderly person.
They can be too trusting,
419
00:25:25,454 --> 00:25:27,090
They can be too trusting,
420
00:25:27,090 --> 00:25:29,729
If they can help someone,
they feel obligated to do so.
421
00:25:29,729 --> 00:25:32,034
They often find themselves
the victims of crimes
422
00:25:32,034 --> 00:25:33,704
because of their
trusting heart.
423
00:25:33,704 --> 00:25:36,042
- Do you wanna look
at this guy's picture
424
00:25:36,042 --> 00:25:42,689
to see if you know him?
♪ ♪
425
00:25:42,689 --> 00:25:47,699
[intense music]
- No problem, pal.
426
00:25:47,699 --> 00:25:50,036
You have any questions for me?
- No.
427
00:25:50,036 --> 00:25:51,372
narrator: Before Jonathan
walks out,
428
00:25:51,372 --> 00:25:54,411
Detective John Curcio collects
his sneakers
429
00:25:54,411 --> 00:25:54,479
Detective John Curcio collects
his sneakers
to test for the victim's DNA.
430
00:25:54,479 --> 00:25:57,852
to test for the victim's DNA.
431
00:25:57,852 --> 00:25:59,188
- Just so you know,
Jonathan,
432
00:25:59,188 --> 00:26:03,797
this is a temporary thing.
♪ ♪
433
00:26:03,797 --> 00:26:06,970
- His complete refusal to talk
and the physical evidence
434
00:26:06,970 --> 00:26:08,273
that we have
at the present time
435
00:26:08,273 --> 00:26:11,012
leads more towards him being
a suspect
436
00:26:11,012 --> 00:26:13,049
than eliminating him
as a suspect.
437
00:26:13,049 --> 00:26:16,255
[tense music]
438
00:26:16,255 --> 00:26:20,397
narrator: The next evening,
the case takes a turn.
439
00:26:20,397 --> 00:26:20,497
narrator: The next evening,
the case takes a turn.
- We're waiting
for patrol deputies.
440
00:26:20,497 --> 00:26:21,900
- We're waiting
for patrol deputies.
441
00:26:21,900 --> 00:26:23,938
They've arrested
Jonathan Forster
442
00:26:23,938 --> 00:26:29,081
and Forster's girlfriend,
Danielle Sachs, for shoplifting.
443
00:26:29,081 --> 00:26:31,085
narrator: Detectives go in
to talk to Danielle
444
00:26:31,085 --> 00:26:36,028
to find out if she knows
anything about the murder.
445
00:26:36,028 --> 00:26:40,103
- Why are you embarrassed?
Because you can't--
446
00:26:40,103 --> 00:26:42,976
- Well, you have bigger
problems than that, Danielle.
447
00:26:42,976 --> 00:26:44,980
We brought in Jonathan
yesterday
448
00:26:44,980 --> 00:26:46,750
on a murder investigation.
449
00:26:46,750 --> 00:26:50,056
- He texted me and told me
that you guys talked.
450
00:26:50,056 --> 00:26:51,292
- He didn't tell you
we took his shoes?
451
00:26:51,292 --> 00:26:53,329
- He--yeah!
And he says it's [bleep].
452
00:26:53,329 --> 00:26:55,233
I've been with the guy
for five years.
453
00:26:55,233 --> 00:26:58,439
If he's telling me he didn't do
something-- - My concern now
454
00:26:58,439 --> 00:27:01,379
is whether you know something
about this murder.
455
00:27:01,379 --> 00:27:03,182
- Am I under arrest?
456
00:27:03,182 --> 00:27:04,318
- Unfortunately, yeah,
I can't--
457
00:27:04,318 --> 00:27:04,352
- Unfortunately, yeah,
I can't--
- You're kidding me.
458
00:27:04,352 --> 00:27:05,921
- You're kidding me.
459
00:27:05,921 --> 00:27:07,457
- I can't help when you go
into a store and shoplift.
460
00:27:07,457 --> 00:27:09,328
♪ ♪
461
00:27:09,328 --> 00:27:11,933
- You know what--I'm not
talking to you anymore.
462
00:27:11,933 --> 00:27:15,473
♪ ♪ - OK.
463
00:27:15,473 --> 00:27:15,541
- OK.
- What is his name?
- Kevin.
464
00:27:15,541 --> 00:27:17,477
- What is his name?
- Kevin.
465
00:27:17,477 --> 00:27:17,546
- What is his name?
- Kevin.
- Can I speak to him
for a second?
466
00:27:17,546 --> 00:27:18,914
- Can I speak to him
for a second?
467
00:27:18,914 --> 00:27:26,495
- You certainly can.
- Listen, he--
468
00:27:26,495 --> 00:27:31,339
You know?
469
00:27:31,339 --> 00:27:33,678
[stammering]
- You gotta understand,
470
00:27:33,678 --> 00:27:38,554
if your boyfriend killed
somebody...
471
00:27:38,554 --> 00:27:39,990
- I can tell you this:
472
00:27:39,990 --> 00:27:43,296
he is looking at these
murder charges,
473
00:27:43,296 --> 00:27:46,837
and the hearing
is coming soon. ♪ ♪
474
00:27:46,837 --> 00:27:49,843
How do you think he met Jeff?
475
00:27:49,843 --> 00:27:52,381
- He told me he met Jeff
at a Wendy's.
476
00:27:52,381 --> 00:27:55,855
And this guy gave him a buck
or two that he was short--
477
00:27:55,855 --> 00:27:57,224
for the meal.
478
00:27:57,224 --> 00:27:59,161
narrator: She claims
the victim told Jonathan
479
00:27:59,161 --> 00:28:01,032
he had a room for rent.
480
00:28:01,032 --> 00:28:03,036
- This was a guy who truly
wanted to help
481
00:28:03,036 --> 00:28:05,040
that had a bedroom for us that
we could sleep in--
482
00:28:05,040 --> 00:28:07,912
we could pay rent in,
it's gonna be normal.
483
00:28:07,912 --> 00:28:09,448
- Did he ever have contact
with you?
484
00:28:09,448 --> 00:28:12,387
narrator: She admits they were
at Jeffrey's three weeks ago--
485
00:28:12,387 --> 00:28:15,460
the night the team believes
he was murdered.
486
00:28:15,460 --> 00:28:15,461
the night the team believes
he was murdered.
[dramatic music]
487
00:28:15,461 --> 00:28:17,565
[dramatic music]
488
00:28:17,565 --> 00:28:17,599
[dramatic music]
- What happened there?
489
00:28:17,599 --> 00:28:19,001
- What happened there?
490
00:28:26,917 --> 00:28:29,889
- What bedroom?
491
00:28:29,889 --> 00:28:32,027
narrator: Danielle said
she saw Jonathan
492
00:28:32,027 --> 00:28:35,568
slapping the victim.
- And then what happened?
493
00:28:35,568 --> 00:28:37,905
- I went outside and I smoked
a cigarette--
494
00:28:37,905 --> 00:28:40,276
John came outside to smoke with
me and that's when I said,
495
00:28:40,276 --> 00:28:41,613
"I don't want to stay here.
496
00:28:41,613 --> 00:28:44,284
"I don't feel comfortable.
I don't want to stay here."
497
00:28:44,284 --> 00:28:46,155
- So, what happens with Jeff?
498
00:28:46,155 --> 00:28:48,326
- I took my bag
and I waited outside.
499
00:28:48,326 --> 00:28:50,497
Jon came out probably
two minutes later.
500
00:28:50,497 --> 00:28:53,035
- Did you hear him telling this
guy you guys were leaving?
501
00:28:53,035 --> 00:28:54,204
- Yeah, I asked him,
502
00:28:54,204 --> 00:28:58,112
I said, "Was he cool
with you leaving?" He says yeah.
503
00:28:58,112 --> 00:28:59,481
- And after you guys
left there,
504
00:28:59,481 --> 00:29:01,620
what was your conversation
like with Jon?
505
00:29:01,620 --> 00:29:05,895
- He just seemed very angry.
- Does he get violent?
506
00:29:05,895 --> 00:29:08,166
- He's not really a violent
person, you know?
507
00:29:08,166 --> 00:29:11,272
- Did Jon kill this guy?
Are you aware of him killing?
508
00:29:11,272 --> 00:29:13,476
- [laughs]
No, I'm not.
509
00:29:13,476 --> 00:29:13,511
- [laughs]
No, I'm not.
- You sure about that?
510
00:29:13,511 --> 00:29:14,913
- You sure about that?
511
00:29:14,913 --> 00:29:19,488
- He's never said to me that
he's killed a guy. Ever.
512
00:29:19,488 --> 00:29:22,929
- All right. ♪ ♪
513
00:29:22,929 --> 00:29:24,465
narrator:
Jonathan and Danielle
514
00:29:24,465 --> 00:29:27,104
are taken to jail
for shoplifting
515
00:29:27,104 --> 00:29:29,509
but will be released shortly.
516
00:29:29,509 --> 00:29:31,212
- We're gonna have to look
into their phone records
517
00:29:31,212 --> 00:29:34,251
and see if they communicated
during or after the homicide
518
00:29:34,251 --> 00:29:39,596
and see what that reveals.
[dramatic music]
519
00:29:39,596 --> 00:29:41,465
♪ ♪
520
00:29:41,465 --> 00:29:41,499
♪ ♪
- Here we go, here we go.
521
00:29:41,499 --> 00:29:48,012
- Here we go, here we go.
♪ ♪
522
00:29:48,012 --> 00:29:50,083
- When they're at
the victim's apartment,
523
00:29:50,083 --> 00:29:53,557
it looks like Danielle and
Jonathan are in separate rooms
524
00:29:53,557 --> 00:29:57,632
texting each other
if the victim's sleeping.
525
00:29:57,632 --> 00:30:00,003
"I don't want him to wake up
from you moving around."
526
00:30:00,003 --> 00:30:02,407
And they start talking about
valuables that they see
527
00:30:02,407 --> 00:30:02,441
And they start talking about
valuables that they see
inside the apartment.
528
00:30:02,441 --> 00:30:05,380
inside the apartment. ♪ ♪
529
00:30:05,380 --> 00:30:07,250
It looks like
they were in the process
530
00:30:07,250 --> 00:30:10,223
of ripping off the victim and
possibly the victim woke up,
531
00:30:10,223 --> 00:30:13,129
and that's where you see
the big struggle in the bedroom
532
00:30:13,129 --> 00:30:18,239
that we saw in the crime scene.
♪ ♪
533
00:30:18,239 --> 00:30:21,145
narrator: Based on all
the circumstantial evidence,
534
00:30:21,145 --> 00:30:24,719
the team will charge Jonathan
and Danielle with murder.
535
00:30:24,719 --> 00:30:24,720
the team will charge Jonathan
and Danielle with murder.
[dramatic music]
536
00:30:24,720 --> 00:30:29,996
[dramatic music]
- Hopefully he'll show up.
537
00:30:29,996 --> 00:30:36,543
♪ ♪
Jonathan, how you doing, man?
538
00:30:36,543 --> 00:30:42,989
It's Captain Forsberg,
you remember me? - OK. - OK.
539
00:30:42,989 --> 00:30:44,993
- You're under arrest,
you understand that?
540
00:30:44,993 --> 00:30:49,669
narrator: As the team takes
Jonathan into custody...
541
00:30:49,669 --> 00:30:55,246
Curcio spots Danielle.
[dramatic music]
542
00:30:55,246 --> 00:30:58,419
- She's got on black sweater,
blue jeans,
543
00:30:58,419 --> 00:31:05,333
and the big glasses
with her purse. ♪ ♪
544
00:31:05,333 --> 00:31:06,670
[car honks]
545
00:31:06,670 --> 00:31:09,576
♪ ♪
546
00:31:09,576 --> 00:31:09,642
♪ ♪
- What am I under arrest for?
547
00:31:09,642 --> 00:31:14,686
- What am I under arrest for?
- You're under arrest.
548
00:31:14,686 --> 00:31:21,733
♪ ♪
549
00:31:21,733 --> 00:31:25,106
narrator: The next day,
550
00:31:25,106 --> 00:31:28,179
Curcio gets unexpected
new evidence.
551
00:31:28,179 --> 00:31:29,582
- You called me up on the phone
552
00:31:29,582 --> 00:31:29,649
- You called me up on the phone
and you started talking about
553
00:31:29,649 --> 00:31:32,053
and you started talking about
554
00:31:32,053 --> 00:31:35,460
a girl you knew
by name of Danielle.
555
00:31:35,460 --> 00:31:36,663
narrator: A friend
of Danielle's
556
00:31:36,663 --> 00:31:41,138
says she told him
about the murder.
557
00:31:41,138 --> 00:31:47,450
[dramatic music] - OK.
558
00:31:47,450 --> 00:31:54,498
♪ ♪
559
00:32:05,788 --> 00:32:08,225
- You're always warned by your
grandparents, your parents,
560
00:32:08,225 --> 00:32:10,229
you know, don't talk
to strangers--
561
00:32:10,229 --> 00:32:12,167
don't bring strangers
to your house.
562
00:32:12,167 --> 00:32:15,239
And unfortunately, the victim
in this case--
563
00:32:15,239 --> 00:32:17,177
though he was an elderly
person,
564
00:32:17,177 --> 00:32:20,751
that's the rule he violated
which cost him his life.
565
00:32:20,751 --> 00:32:20,785
that's the rule he violated
which cost him his life.
[guitar strumming]
566
00:32:20,785 --> 00:32:25,493
[guitar strumming]
567
00:32:25,493 --> 00:32:27,765
- When a confrontation between
friends erupts into violence,
- Coming up next...
568
00:32:27,765 --> 00:32:27,832
- When a confrontation between
friends erupts into violence,
- Coming up next...
that fleeting moment of anger
569
00:32:27,832 --> 00:32:29,769
that fleeting moment of anger
570
00:32:29,769 --> 00:32:29,869
that fleeting moment of anger
can turn into a lifetime
of regret.
571
00:32:29,869 --> 00:32:32,642
can turn into a lifetime
of regret.
572
00:32:32,642 --> 00:32:38,720
♪ ♪
573
00:32:38,720 --> 00:32:44,398
5- We responded to a man
sleeping behind the building.
574
00:32:44,398 --> 00:32:46,368
- OK.
- That's where it started off.
575
00:32:46,368 --> 00:32:47,672
- Any witnesses?
576
00:32:47,672 --> 00:32:49,509
- Well, I got one lady
that I talked to,
577
00:32:49,509 --> 00:32:52,380
said she heard shots
at 2:00 a.m. - OK.
578
00:32:52,380 --> 00:32:54,284
- But from what the fire
department is saying,
579
00:32:54,284 --> 00:32:56,790
is that that don't look like
a 2:00 a.m. shooting.
580
00:32:56,790 --> 00:32:58,426
narrator:
Paramedics believe the victim
581
00:32:58,426 --> 00:33:03,169
has been dead for
at least 24 hours. ♪ ♪
582
00:33:03,169 --> 00:33:06,408
- So right now, all we got--
we got a dead body...
583
00:33:06,408 --> 00:33:08,412
- We got his name.
- And a gunshot wound?
584
00:33:08,412 --> 00:33:09,816
- We got an ID on him.
585
00:33:09,816 --> 00:33:11,653
[birds chirping]
586
00:33:11,653 --> 00:33:14,157
♪ ♪
587
00:33:14,157 --> 00:33:16,696
narrator: 36-year-old
Antoine Tony Hamilton
588
00:33:16,696 --> 00:33:20,303
had one child and was recently
released from prison.
589
00:33:20,303 --> 00:33:23,710
[melancholy music]
590
00:33:23,710 --> 00:33:27,551
- Try and track down
the victim's next of kin.
591
00:33:27,551 --> 00:33:30,423
Try and find out everybody
this guy knows--
592
00:33:30,423 --> 00:33:34,297
where he's been hanging out.
There's no witnesses?
593
00:33:34,297 --> 00:33:40,176
It's gonna be another mystery.
[mysterious music]
594
00:33:40,176 --> 00:33:47,257
♪ ♪
595
00:33:47,257 --> 00:33:51,432
narrator: The family says the
day before he was found dead,
596
00:33:51,432 --> 00:33:56,743
Antoine was with his best
friend--Carlos Mitchell.
597
00:33:56,743 --> 00:33:58,212
- Carlos was like a brother.
598
00:33:58,212 --> 00:34:00,450
I've been knowing him since
I was 12 years old.
599
00:34:00,450 --> 00:34:02,588
- I've known him
for at least 15 years.
600
00:34:02,588 --> 00:34:06,161
- 15 years!
601
00:34:06,161 --> 00:34:08,466
And he came home--
as soon as he came home,
602
00:34:08,466 --> 00:34:11,171
that's when he lost his legs.
603
00:34:11,171 --> 00:34:13,209
narrator: The family says
Carlos lost his leg
604
00:34:13,209 --> 00:34:16,181
two years ago
when he was hit by a car.
605
00:34:16,181 --> 00:34:17,350
- As soon as he came home.
606
00:34:17,350 --> 00:34:18,887
I think it was right down
[inaudible].
607
00:34:18,887 --> 00:34:18,987
I think it was right down
[inaudible].
narrator:
According to the family,
608
00:34:18,987 --> 00:34:20,624
narrator:
According to the family,
609
00:34:20,624 --> 00:34:24,231
after the accident,
Carlos changed.
610
00:34:24,231 --> 00:34:28,907
- He kind of turned into a...
611
00:34:28,907 --> 00:34:28,940
- He kind of turned into a...
shiesty person if you ask me.
612
00:34:28,940 --> 00:34:36,623
shiesty person if you ask me.
♪ ♪
613
00:34:36,623 --> 00:34:40,898
- Carlos is supposedly
one of the last persons
614
00:34:40,898 --> 00:34:40,965
- Carlos is supposedly
one of the last persons
that was seen with Antoine.
615
00:34:40,965 --> 00:34:44,906
that was seen with Antoine.
616
00:34:44,906 --> 00:34:44,973
that was seen with Antoine.
Your best friend
was murdered.
617
00:34:44,973 --> 00:34:47,243
Your best friend
was murdered.
618
00:34:47,243 --> 00:34:48,780
You got nothing to do with it.
619
00:34:48,780 --> 00:34:51,218
Wouldn't you contact
the police?
620
00:34:51,218 --> 00:34:56,663
[dramatic music]
♪ ♪
621
00:34:56,663 --> 00:35:02,240
Copped him, right there.
♪ ♪
622
00:35:02,240 --> 00:35:06,248
Right now all roads lead
to Carlos.
623
00:35:06,248 --> 00:35:07,918
Gonna focus our attention
on finding him
624
00:35:07,918 --> 00:35:07,919
Gonna focus our attention
on finding him
and bringing him in
625
00:35:07,919 --> 00:35:08,920
and bringing him in
626
00:35:08,920 --> 00:35:16,001
♪ ♪
627
00:35:16,001 --> 00:35:23,817
When's the last time
you saw him--Carlos?
628
00:35:23,817 --> 00:35:26,288
narrator: Carlos's cousin
last saw Carlos
629
00:35:26,288 --> 00:35:29,327
the day before Tony was
found dead.
630
00:35:29,327 --> 00:35:32,835
- You know Tony?
- Yeah. - OK.
631
00:35:32,835 --> 00:35:39,949
When's the last time
you saw Tony?
632
00:35:39,949 --> 00:35:42,287
- Last time you've seen Tony
was with Carlos
633
00:35:42,287 --> 00:35:44,559
that Monday morning?
634
00:35:44,559 --> 00:35:47,464
- Yeah, that's the last time I
saw him.
635
00:35:47,464 --> 00:35:51,004
- Carlos needs to call us.
- OK.
636
00:35:51,004 --> 00:35:51,071
- Carlos needs to call us.
- OK.
- Appreciate it, man.
- A'ight.
637
00:35:51,071 --> 00:35:57,985
- Appreciate it, man.
- A'ight. - Yeah. ♪ ♪
638
00:35:57,985 --> 00:36:00,958
The longer Carlos avoids us,
in my mind,
639
00:36:00,958 --> 00:36:00,991
The longer Carlos avoids us,
in my mind,
the guiltier he looks.
640
00:36:00,991 --> 00:36:05,734
the guiltier he looks.
[suspenseful music]
641
00:36:05,734 --> 00:36:12,715
♪ ♪
642
00:36:12,715 --> 00:36:15,319
I just got a call from Carlos.
643
00:36:15,319 --> 00:36:18,459
He's gonna turn himself in,
in the morning.
644
00:36:18,459 --> 00:36:26,341
He sounded pretty shook up
on the phone. ♪ ♪
645
00:36:26,341 --> 00:36:29,481
narrator: At 7:41 a.m.,
Carlos Mitchell
646
00:36:29,481 --> 00:36:31,485
arrives at Homicide.
647
00:36:31,485 --> 00:36:38,533
♪ ♪
648
00:36:38,533 --> 00:36:40,470
[faucet running]
649
00:36:40,470 --> 00:36:44,912
- He's indicating that he's
gonna tell me everything.
650
00:36:44,912 --> 00:36:52,360
♪ ♪
651
00:36:52,360 --> 00:36:55,499
Let me start at the beginning.
652
00:36:55,499 --> 00:37:01,913
Are you willing to talk to me
about this case? ♪ ♪
653
00:37:01,913 --> 00:37:06,455
- Is it true you know
Antoine Hamilton?
654
00:37:06,455 --> 00:37:09,996
Maybe I was like 14,
I've been knowing him.
655
00:37:09,996 --> 00:37:14,070
Yeah, his mom's like my mom--
we all grew up together.
656
00:37:14,070 --> 00:37:18,847
- Carlos, did you shoot
Antoine Hamilton?
657
00:37:18,847 --> 00:37:26,094
[intense music]
658
00:37:26,094 --> 00:37:32,975
- The gun went off?
659
00:37:32,975 --> 00:37:35,681
You shot him?
How did that happen?
660
00:37:35,681 --> 00:37:36,983
- Okay, when I came home...
661
00:37:36,983 --> 00:37:38,954
narrator: Carlos says Tony
was on drugs
662
00:37:38,954 --> 00:37:41,626
when he came over
Monday night.
663
00:37:52,480 --> 00:37:54,852
narrator: Carlos claims he
pulled a gun
664
00:37:54,852 --> 00:37:58,392
when Tony became belligerent.
665
00:38:06,576 --> 00:38:13,489
♪ ♪
666
00:38:13,489 --> 00:38:14,759
[stammering]
667
00:38:16,194 --> 00:38:17,463
[sighs]
668
00:38:17,463 --> 00:38:19,535
- Did you hit him--
- Nah.
669
00:38:19,535 --> 00:38:23,543
- Was the barrel pointed--
- Uh-uh, the barrel was up.
670
00:38:23,543 --> 00:38:25,479
And I hit him like this.
- Mm-hmm.
671
00:38:25,479 --> 00:38:27,851
- I don't know where it hit
him at.
672
00:38:27,851 --> 00:38:31,592
I was too scared to even look!
♪ ♪
673
00:38:31,592 --> 00:38:33,697
All I did was hit him
with the gun!
674
00:38:33,697 --> 00:38:35,634
I did not try
to kill Tony, man!
675
00:38:35,634 --> 00:38:37,103
Lord, you know, Lord.
676
00:38:49,562 --> 00:38:51,164
- So what did you do next--
you moved him?
677
00:38:51,164 --> 00:38:51,199
- So what did you do next--
you moved him?
- Yeah, I moved him.
678
00:38:51,199 --> 00:38:52,233
- Yeah, I moved him.
679
00:38:52,233 --> 00:38:52,267
- Yeah, I moved him.
- OK.
- I moved him.
680
00:38:52,267 --> 00:38:53,937
- OK.
- I moved him.
681
00:38:53,937 --> 00:38:57,778
- You got one leg--
- But I had my leg on, then.
682
00:38:57,778 --> 00:38:59,815
- You had your prosthetic leg?
683
00:38:59,815 --> 00:39:01,753
But even with your
prosthetic leg,
684
00:39:01,753 --> 00:39:05,661
you were able to move him
yourself? - How did you move him?
685
00:39:05,661 --> 00:39:12,675
- Yeah?
686
00:39:12,675 --> 00:39:14,177
I had the car parked--
I parked
687
00:39:14,177 --> 00:39:14,211
I had the car parked--
I parked
right in front of the step.
688
00:39:14,211 --> 00:39:16,783
right in front of the step.
689
00:39:16,783 --> 00:39:19,855
- Did somebody help you move
the body? - No, sir.
690
00:39:19,855 --> 00:39:21,191
- If somebody helped you,
I need to know.
691
00:39:21,191 --> 00:39:21,291
- If somebody helped you,
I need to know.
I want you to be truthful
about this.
692
00:39:21,291 --> 00:39:22,661
I want you to be truthful
about this.
693
00:39:22,661 --> 00:39:27,671
- I'm being as truthful as I
can with you, sir. ♪ ♪
694
00:39:36,188 --> 00:39:43,068
You hear me?
695
00:39:43,068 --> 00:39:48,546
♪ ♪
696
00:39:48,546 --> 00:39:52,888
- Go ahead and change out of
your clothes and put that on.
697
00:39:52,888 --> 00:39:57,096
- Some cases are like this. Um...
698
00:39:57,096 --> 00:40:00,570
I guess Carlos just needed
to get this off his chest.
699
00:40:09,588 --> 00:40:13,696
A nightmare--
700
00:40:13,696 --> 00:40:15,066
[sighs]
701
00:40:40,984 --> 00:40:47,998
♪ ♪
702
00:40:47,998 --> 00:40:53,175
- Usually solving a murder
case brings closure.
703
00:40:53,175 --> 00:40:53,208
- Usually solving a murder
case brings closure.
to the victim's family.
704
00:40:53,208 --> 00:40:56,883
to the victim's family.
[somber music]
705
00:40:56,883 --> 00:41:00,055
This particular case,
the suspect was a close friend
706
00:41:00,055 --> 00:41:04,164
of the victim and the family.
♪ ♪
707
00:41:04,164 --> 00:41:07,704
- Carlos, okay, he's in jail
for this.
708
00:41:07,704 --> 00:41:12,881
He admitted he was the one
that shot him. ♪ ♪
709
00:41:12,881 --> 00:41:15,754
- Two nights in a row,
he stood up here
710
00:41:15,754 --> 00:41:18,158
and hugged my wife,
telling her,
711
00:41:18,158 --> 00:41:21,097
"Mama, we gonna find out
who did this."
712
00:41:21,097 --> 00:41:21,098
"Mama, we gonna find out
who did this."
We gonna get him."
713
00:41:21,098 --> 00:41:26,041
We gonna get him." ♪ ♪
714
00:41:26,041 --> 00:41:27,811
I just don't see how you can
just come
715
00:41:27,811 --> 00:41:31,384
and look a person in the eye,
like nothing never happened.
716
00:41:31,384 --> 00:41:33,322
♪ ♪
717
00:41:33,322 --> 00:41:37,664
You think you know a person,
and apparently, you know,
718
00:41:37,664 --> 00:41:39,334
you just might not know
that person
719
00:41:39,334 --> 00:41:39,367
you just might not know
that person
as well as you think you do.
720
00:41:39,367 --> 00:41:42,139
as well as you think you do.
721
00:41:42,139 --> 00:41:48,953
♪ ♪
722
00:41:48,953 --> 00:41:50,724
- When a friendship ends
in death,
723
00:41:50,724 --> 00:41:53,963
it is extremely difficult
for the family to deal with.
724
00:41:53,963 --> 00:41:55,967
More than likely, if these are
close friends,
725
00:41:55,967 --> 00:41:57,336
the families know each other.
726
00:41:57,336 --> 00:41:59,407
The last thing they
would've ever expected
727
00:41:59,407 --> 00:42:02,948
is for one to take
the other one's life.
728
00:42:02,948 --> 00:42:08,091
It is the ultimate betrayal.
[somber music]
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00:42:08,091 --> 00:42:15,139
♪ ♪
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