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[BritBox jingle]
[Ray] * Bread of heaven, bread of heaven, *
* Feed me 'til I want no more.
* Want no more.
* Feed me 'til I want no more.
[power lines explode]
[tense string and piano music]
[Radio Caller] I'm very concerned that the government
hasn't organised our public services to cope
with all the Eastern Europeans entering the UK.
What do you say we get takeout tonight
and watch the Bachelor?
Like we never left home.
You okay, you nervous about something?
Not nervous.
Changing schools is the only constant in my life.
What's that?
[tense string music]
[Bill] What's going on?
Oh, ey up, sir.
Early morning walker found a dead body by the woods, sir.
Oh, shit. Sorry, young lady.
It's okay.
Ah, shit.
Jesus, ah.
What the 'ell do you think you're doing?
Look, police, there's been an incident.
What sort of incident?
I don't care if you found a Bigfoot.
It's the only road into town!
No it isn't, you go back that way
past the bricklayer's to get back on the A52.
Look, apologies, but I'm going to have to ask you
to go back inside.
I'm not going anywhere!
Look, I can understand that you --
-Get the fuck, -Out of my way,
I'm late.
Give me your radio.
A possible obstruction situation.
PC Cobley, requesting assistance, over.
Yeah, you and me both.
Sod it. Let him through.
Broadbent's with the kid now, anyway.
Kid?
[eerie orchestral music]
Once saw a dog stick his head out a sunroof
going under a bridge.
Messy business.
But this lad, there's no spatter.
[Yeardsley] So he was killed somewhere else,
and then brought here to Dead Man's Wood?
Someone has a sense of humour.
Well, the walker who found him weren't laughing.
Is there anything else you can tell me?
Nothing for the moment.
Let's get him out of this,
see if we can't find out who he is.
Might take a while.
Why, 'cause his face is bashed in?
Well, that, and the fact that
somebody's taken the trouble
to burn off his fingerprints.
[eerie metal grinding]
And here it is.
Boston Pilgrims Comprehensive.
It doesn't look too bad.
Some interesting graffiti.
"Real eyes realise real lies."
I don't see it, where?
It's over there, next to the thumbs up.
That's a penis, Dad.
Terrific.
Can you drop me off round the corner?
I don't want people to see this car.
Sure.
[leisurely saxophone and string music]
Morning.
She's only in the Force 10 months!
With zero arrests.
And complaints from the public.
She didn't read a dealer his rights right.
She needs time, is all.
Lydia.
It's the law of the jungle.
Piece of advice, never get too attached.
Makes it easier to say goodbye.
[eerie plucked string music]
[Cobley] Glad you're not nailing someone up on that,
or is that just for personal use?
No, no, I'm making it for the chapel.
I help out, you know, I sweep up,
I sing, do readings, whatever they need.
Ray Gilchrist, the name.
Sean Cobley.
I don't sing, been asked not to.
So, you own all of this then, do you?
No, the Lord has blessed me with stewardship.
Parts of it.
When the sun shines, though,
it's a nice spot for a picnic.
Yeah, there was a body found in the woods.
Don't suppose you were picnicking last night, were you?
Dead Man's Wood.
In the dark, it's for braver men than me.
Or women.
Right, any woman in particular?
[eerie violin music]
Hey, it's a proper bit of kit, that.
I wouldn't have thought you'd be able to test the soil
without sticking something in the ground first.
Hey, whoa, whoa, whoa, I'm a police officer.
Says you.
Yeah, I was here before.
DC Muriel Yeardsley.
Yeardsley? Scrane End?
Yeah. You know our lot, do you?
Aye. I heard a load of lads
were running that farm now.
Running it into the ground.
Yeah, well, we're not as technologically advanced
as this place, that's for sure.
Erm, the body that was found on your land,
I wanna ask you a few questions.
It wasn't found on my land.
It was found in the woods
between my property and theirs.
Ray Gilchrist, you should be talking to.
His farm's on the other side of the wood.
Why'd you say that?
'Cause some people don't care who they hurt.
Never did.
Audrey Merrick?
Lisa Cranston, Boston Stump.
Not now, Lisa, all right?
Audrey is --
Audrey now, is it?
Don't take any notice of her, she's leaving.
Oh, I'm sorry, I'm just,
I just thought you wouldn't want to talk to the press.
Then why would I have called them?
And unlike you lot,
when you do call 'em, they actually turn up.
[eerie metal clanging music]
I'd just as well be left alone now.
Eight burglaries, I've had eight in two years.
And what have the police done? Fu --
Rural crime costs 2.1 million a year.
At least, according to my campaign leaflet, it does.
I pledged to help people like her.
And now here she is, eight burglaries in a year.
Four. It's eight over two years.
Right, well what about the dead lad?
Has all the hallmarks of a gang hit.
Fingerprints burned off,
face beaten to a pulp.
She's tricky, so I hear.
Thanks to this, she's got a real following
with the string-'em-up brigade,
and they are hard to placate,
unless you actually start executing people.
I think she'd benefit from a visit.
Get her on side,
then we can start to spin this thing in my favour, eh?
Show her the Hixon charm, Bill.
Worked on me.
[office door closes]
I'd just as well be left alone now.
Eight burglaries, I've had, eight in two years.
And what have the police done?
Fuck all.
I've had so much stuff nicked,
I've had to put security all over my farm.
[eerie string music]
Mrs Merrick?
Hi, I'd like --
-[electric fence crackles] -Ow!
Careful, that's electric.
Excuse me?
Let's try this again.
-Mrs Merrick. -Miss!
Miss Merrick.
I'm Chief Constable Bill Hixon.
Heard about your eight burglaries.
No flies on you.
Why only report two of them?
Can't solve crimes we don't know about.
You can't solve crimes you do know about!
Well, I'd like to look at your property.
Maybe I can help you secure it.
See how they got in?
Help yourself.
You park your car on a drainage point,
two more minutes, you're gonna need a tow truck.
[engine starts]
[engine revs]
[phone buzzes]
Hixon.
-Sir? -Hello?
Sir, it's Muriel.
-Who? -Muriel!
The DNA's come back from the body in the woods.
It's a local Boston boy.
William Mowbray, he served 18 months
for persistent breaking and entering
on mostly isolated farms.
As for gangland theory,
he's no known affiliations,
no one from Serious and Organised knows him,
so it doesn't seem like a gang thing.
You'll have to excuse me, Muriel,
but my life has reached such a nadir of awfulness
that I cannot tell you who or where I am.
I see, sir.
Good luck with that.
Before you go, I do need to speak --
[dialling tone]
Rude.
[flies buzz]
[eerie music]
[shotgun clicks]
What's that?
That's a lovely cup of coffee for you, love.
Only drink tea.
I know how you feel, Miss Merrick.
Will Mowbray invaded your home,
he made you feel like a victim.
Now, our farm's been done a couple of times now,
it's scary.
You looking for a hug?
How did it happen?
He come after you,
you fought him back with the shovel?
No one round these parts would blame you for it.
No one from round these parts is.
Right, Audrey.
Come on, back at me.
Audrey!
Just saying, someone shows up at the arse crack of night,
I'm there, a woman on my own,
I'd be waiting for him.
10 of them show up, I kill them too.
Right, I'm off.
Where you going?
Looks like we got a murder weapon off your farm,
I think you'd better sit back down.
If there's anything you want to say to me right now,
it'd be very helpful for you going forward,
particularly if it involves some regret.
There is one thing.
And I need a lift home.
Sir.
It's pig's blood, the blood on the shovel,
it's pig's.
Runt was sick.
One bang over, cheaper than the vet's.
[Hixon] Could have told me that it wasn't human blood.
You're not the sort that listens.
You're the sort that learns.
You shouldn't be poking around in my life.
You're looking for a killer,
you need to be looking one place only.
Gilchrist's.
[tense electronic music]
So, who the hell are the Gilchrists?
Ray Gilchrist.
Turns out Ray's got a record.
Did two years for ABH,
cautioned for other violent offences.
His farm's just on the other side
of Dead Man's Wood,
so I reckon there's a finger pointing at him.
Yeah, Audrey's.
Piece of work.
She's smart.
She's talking to the Stump,
getting them all riled up,
now everybody's paying attention to us.
But trust me, someone who's working it that hard
is guilty.
-So ... -So, why are we looking
where Audrey Merrick wants us to look?
I'm not, I'm following the evidence!
Where are you off?
Following the real evidence.
Hey Muriel, got the lad's next of kin.
She was the last person he called.
Her name's Freya Mowbray.
Go on, what you waiting for?
-Go on. -Thank you.
[tense string music]
Magda always packs too much.
Here, have one.
-Thanks. -So, I read
the court records you sent over.
It's a farmer's feud.
These two families have been going at each other
for generations.
The Gilchrists and the Merricks.
Clogged up court schedules for years.
In 1982 alone there were 13 suits
and counter-suits.
1982.
Nebraska.
Springsteen's best!
Never toured it.
What a shame.
With farmers, it's never about what's on the surface,
it's about bad blood in the soil.
Unless you're one of them,
but you will never be able to handle them.
I'll be able to handle 'em.
Is that right, city boy?
Without gold-plated evidence,
these people will run rings around you.
First of all, I'm not a city boy.
And we really don't know each other that well, do we?
Well, this was nice.
Next time at yours?
Um, Kelsey doesn't really know about us.
I meant your office.
Oh, yeah.
I talked to her on the telephone, you know.
-Kelsey? -[Stirling] Mm.
We had a scintillating conversation.
How did it go?
"Hello, is Bill Hixon at home?"
"No, he's trying to break the bicycling record
"for the Herne Loop."
I think she knows, don't you?
[Bully] Oh look, look, look, here comes Bug-Eyes.
[Pupil] [laughs] She looks like a nun.
Her face is hilarious.
Watch this.
Ow!
Bitch.
[Pupil] You just got violated!
[Bully] It's not funny!
Don't let them find out who your dad is.
I saw you get dropped round the back.
So, where are the rest of you?
Where I come from,
the geeks are the biggest clique in the school.
After the jocks.
I am a jock.
Yeah, right.
Check this out.
I practise bokator, it's a Cambodian martial art.
Who's the dude?
Did he move away or something?
Or something.
[eerie music]
Freya Mowbray?
Sister of William?
Oh, bollocks.
What's he done?
[haunting electronic music]
[Yeardsley] The last phone call Will made was to you.
What did he say?
I thought he was at some rave.
He was shouting about sparks in the sky, like fireworks,
I hung up on him, I ...
You weren't to know, Freya.
I thought he was tripping.
Okay, if I had a pound for every time
Will called me off his tits,
I'd have enough to get me and Scott out of here for good.
Scott?
Yeah, he's our kid brother.
He's a good boy.
Easily led, especially by Will.
Can we speak to Scott?
Yeah, sure.
He's not been answering my calls, but ...
Oh God.
[haunting violin music]
[Kelsey] Hey!
Hey! Come on, let's go, it's cold.
Alex is gonna come home with us.
Oh, okay. Where is she?
He's across the street.
Listen, why don't you and I
just spend a little time together,
have a quiet dinner?
-He's gay. -Oh.
Come on over, buddy!
What is it?
[Yeardsley] It's a missing persons, sir.
Scott Mowbray.
Guys, why don't you go inside, okay?
Mowbray, didn't we find him already?
Scott Mowbray, Will's younger brother.
No police record.
He's only 17.
Some kid was found this morning with his skull caved in.
Let's go.
Kids, go inside, won't be long.
Alex?
Alex, what's wrong?
[haunting electronic music]
[Yeardsley] Freya Mowbray said that
Will was robbing farms again.
She was worried he was using his brother to help him.
This is it, sir, Dead Man's Wood.
Maybe Scott was here with Will.
[Hixon] Could Scott have killed his brother?
Sister says no way.
I believe her.
Scott followed Will round like a lost puppy,
worshipped him.
Followed him right into all this shit.
I think we're looking for another body.
[Hixon] We need to talk to Audrey Merrick.
[Yeardsley] And Ray Gilchrist.
[police radio chatters]
[haunting violin music]
-Hey! -Jesus.
You need to leave!
Worried we're gonna find something?
We'll be finding you in a minute!
We're set to muck spread here.
Is that someone's mother?
[Hixon] Someone's sister.
[Forensics Officer] Ma'am, found this.
[Yeardsley] It's clean, it's been dropped recently.
Stone's missing.
That yours?
Do I look like I wear rings?
See the way she just looked at her?
If the ring isn't Audrey's,
maybe it's the Gilchrists'.
That road leads to their house.
[haunting electronic music]
[choral singing]
[Ray] * Bread of heaven,
* Bread of heaven,
* Feed me 'til I want no more.
* Feed me 'til I want ...
Sorry, we tried knocking.
It's beautiful music.
You've a lovely voice.
Gets it from his old man, of course.
The name's Albert.
And this is my Ray, of sunshine.
We've already spoken to police.
I pray for the lad who died,
he's in the Lord's arms this morn.
Can you take a look at these for me?
Two?
Scott, he's only a boy, he's 17.
Dead lad's little brother.
17's not a boy!
I saw my first tour of duty at that age!
You a veteran, sir?
2 Para.
I fought at Goose Green.
Falklands.
It's a lot like this place.
Bare, muddy terrain
and thousands of miles from civilization.
I'll get you some biscuits.
Thank you.
[Albert] Crack out the special rations,
officer of the mess.
I know there's some trouble's in my past,
but I've atoned.
Past tends to repeat itself, Ray.
You've got anger management issues.
But the anger of Man
does not achieve the righteousness of God.
When I feel that anger,
those words of James calm me, every time.
Every time?
They should prescribe that on the NHS.
[Hixon] What about the anger of Audrey Merrick, Ray?
Not sure there's a Bible verse
that'll help that one.
Maybe Matthew 6:19.
Do not store up for yourself
[Hixon] The treasures of earth,
where thieves break in and steal.
I'm American.
In God we trust.
Do you recognise this?
No, sorry.
I wish I could help.
I think you can.
We're done here.
Thank you, Mr Gilchrist.
[Yeardsley] Did you see his face
when I teased him about his versifying?
Ray's temper's gone nowhere.
Audrey has a temper.
Yeah, and no history of assault.
[mobile phone rings]
She's a record of assault.
Whatever history she has is buried deep.
We've got a trace on Scott's phone.
It's on the move.
It's 40 miles from here, near Stickney.
[wistful guitar music]
[Cobley] It's stopped up here, 200 yards.
* Out one day, I chanced upon
* A man to who I might belong.
* He held my eyes in strongest hold, *
[Hixon] Take a look inside.
* And then he glued me to his soul. *
[wistful guitar music]
[Cobley] All clear.
[mobile phone rings]
No.
[mobile phone rings]
[Hikers] Hey!
That's our car!
Mr Votters said he stopped
at Stickney services for petrol,
used the power wash to clean the tent.
Left the boot open,
someone must have chucked the phone in.
Yeah, to get us heading in the wrong direction.
Make us think Scott was on his way across the North Sea.
Mrs Merrick does like
a little bit of misdirection, doesn't she?
[Yeardsley] Or Ray.
[Hixon] What've you got on the phone, anything?
Tech boys found this.
Deleted message meant for his sister.
Can't tell when he wrote it, never got sent.
And unfinished.
"I wish I had listened when you ..."
Kelsey!
Dinner!
I found Mexican takeout!
Kels?
Kelsey!
[tense violin music]
Kelsey?
Kelsey!
[Kelsey] So, you and Scott were close?
Scott stood up for me when nobody else would.
Thanks for coming.
I couldn't just sit at home knowing he --
Yes, it's fine, I get it.
Listen, Alex,
usually when the police do a search like that,
it generally means --
Dead Man's Wood.
I get it.
What's that?
They're burning something!
Scott?
Scott!
Are you there?
[Kelsey] Wait!
-Scott! -Alex!
Come back!
[Alex] Scott!
Where are you?
[Kelsey] Alex!
[fire explodes]
Shit!
[Hixon] Kelsey!
Jesus Christ!
Alex, where's Alex?
[fire explodes]
What's going on?
[Alex] There's no one there!
Just burning rubbish!
Scott's not there!
What are you talking about?
Scott said he was working on the farm
near Dead Man's Wood.
[Hixon] Scott, you knew Scott Mowbray?
[Alex] He's my friend.
He told me he was working near here
with his brother Will.
Where's my phone?
I want my mum!
All right, I'll call your mum.
Come on.
I don't have her number.
Yes, you do.
[Lydia] Jesus, Alex.
Why didn't you tell me it was your Scott?
I didn't put two and two together.
Went up to her room and she was gone.
Yeah, taking my son out in the middle of the night!
Excuse me?
Alex is vulnerable.
My daughter is 14 years old, American
and in her first week at a new school.
And lost her mother.
You wanna talk to me about vulnerable?
I was worried.
I didn't know you had a son that old.
Yeah well, we start young in these parts.
Fast learners.
This isn't a good friendship.
We shouldn't encourage them.
Yeah, no argument there.
[Hixon] You're grounded.
That is the single least effective punishment
you could give me.
I'm always grounded, Dad.
-Kelsey? -Maybe you like
keeping your distance from people,
but I don't.
Tonight was not the smartest move, and I get that.
It was dangerous.
Alex needed to find his friend.
That's what people do for people they care about.
[door slams]
[haunting guitar music]
[knock on door]
Well, hello, Alex's mom.
What joyous revelation do you have for me today?
That's another four good cops off the street.
I suppose you get a bonus per redundancy.
Do you think your son knows what farm
Scott worked on?
No, think I have a pretty good idea.
Can you imagine fighting off
two young guys single handedly?
She's something else.
You seen what Will Mowbray looked like?
You don't know that Audrey Merrick killed anybody.
That's just the thing: I do.
I see it in her.
You like her, don't you?
-What? -Bit of advice,
don't get attached.
Did she say that?
Jesus, Hixon. They're your words, not Audrey's.
I don't know why you bother
with these redundancy procedures,
why don't you just grab a shovel
and dispatch the runts one by one?
You and her firing off rounds at anyone
who dares come near your little island.
'Course you know what she's capable of.
You are her.
[haunting string music]
[Hixon] That explains the bangs.
Whose clothes are you burning, Audrey?
[gate slams shut]
What are you two up to?
Oh, back issues of the Stump.
Ray Gilchrist, cautioned by police,
fighting one of his own farm workers.
Blah, blah, blah.
Lydia's lad said young Scott worked on the farm.
Yeah, he didn't say which farm though, did he?
He didn't need to.
Click that photo.
[Yeardsley] No, that's the wrong Gilchrist,
that's Albert, Ray's dad.
He did all right, didn't he?
Shut your mouth.
[Cobley] What?
That's the ring from the field.
It had a stone in it, then,
but that's the same ring!
[haunting violin music]
[church bell rings]
[Lydia] Where's His Lordship?
Don't know, don't care.
Guess which farm the Mowbrays worked for.
Ray Gilchrist hires ex-offenders.
Get in there, you beauty!
Jesus, well,
bad blood all over, isn't it lads?
[haunting violin music]
[Stone] Jesus, can I help you?
I'm Chief Constable Bill Hixon.
Antony Stone, I run the five parishes.
Just a little bit jumpy today.
That's all right, I don't blame you.
I saw who just came out of your church.
I see the Merricks and the Gilchrists
are all over this place.
What did Miss Merrick have to say for herself?
Well, late Reverend Stone said
this used to be mutual ground for both families,
but not so much any more.
Apart from Ray Gilchrist, that is.
That's one of Ray's, actually.
My old parish used to buy me ciggies.
This place would be dust without Ray.
1982, year of the feud.
Prepares the service sheets,
tends the churchyard,
even fixes the pew.
Oh, September 4th,
there's a double booking for Gilchrist and Merrick.
Thought they hated each other,
but this looks like a wedding.
It's private business.
What did Audrey want?
She came talking about absolution.
I bet she did.
She wanted to know if God still loved those
with murder in their hearts.
[tense violin music]
Burning trash at night!
Is that legal?
Is trespassing?
[tractor engine starts]
I know about you and Ray!
Gave you his mother's ring, didn't he?
Found it in the field.
I know you were going to get married,
I've seen the church records.
September 4th, 1982.
Gilchrist-Merrick.
What did he do, stand you up?
Stand me up?
Are you joking?
That's where the ring came from?
The one he gave you?
Ray's mother's ring?
The Mowbrays robbed you that night,
you walked in on it?
You hit Will with the shovel?
Did you do the same thing to Scott?
Where'd you bury him?
His sister would like to know.
I got a field to plough.
You need to go.
[Yeardsley] Look, you lied to us, Ray.
You hire criminals.
[Ray] I hire people who need a second chance!
It's more than her over the field would do!
What's wrong with basic tools!
Digging your hands into earth, like God intended?
Biscuits!
Will and Scott Mowbray,
they didn't appreciate their second chance, did they?
Robbed their Good Samaritan blind, right?
-No. -But you caught them,
didn't you Ray?
Right, that kind of betrayal must have stung.
[Ray] There's nowt to rob here!
Unlike her place!
Come on Ray!
Now it's time to start talking to me
before I come back here with Forensics
and a search warrant!
[plate breaks]
-Oh! -Dad, Dad!
Don't, no, don't, you'll cut yourself,
just sit down.
Just sit down, okay.
You know what, just get out.
Go and get your warrant, just get your warrant,
'cause you're not coming through these doors without one.
Let me just --
Get out!
Get out!
Oh, Dad, Dad, Dad, don't, it's okay, don't worry.
The ring. It's Audrey's.
It puts Mowbray on her property.
I guess Scott's body's here somewhere too.
We'll get a search warrant, we'll --
-[electric fence sparks] -Ow!
Jesus!
That what burned his fingers?
I doubt it.
Come on, we're gonna follow their route that night.
Where'd they go, how'd they get in.
I saw Audrey heading out, we need to do this fast.
[electric hums]
Are those cables wired to the mains?
That'd give you a shock.
Didn't Freya say that Will called,
saying something about seeing sparks?
Don't know why more thieves don't invest in these.
It'll do 'em.
[tense string music]
Jesus.
This hatch was wired up.
[computer equipment hums]
Plenty to steal here.
[tense string music]
Shit.
Jesus!
Jesus Christ.
Scott!
What has she done to you?
Scott, can you hear me?
Can you hear me?
Don't touch him.
Stop! You've done enough.
Thought you killed him.
Tried to.
Thought I'd killed both of 'em.
I wired up those bars,
I wanted to kill 'em.
I was sick of being robbed.
What about his brother?
She didn't touch him.
Will left me.
I fell, but, he just grabbed the stuff and ran.
We climbed up to the window, we both got shocked.
I fell, he just went on in
and took what he could.
Left me for dead!
It's all right, Scott.
It's all right now!
It's all right, my boy.
Last I saw the other lad,
He was running back towards the Gilchrist place.
[tense string music]
You can look but you can't touch, Muriel.
They won't grant a search warrant.
But look at him!
He's working up a right head of steam.
Sooner or later, he'll give me probable cause.
[mobile phone rings]
It's the boss.
He's waiting for me over there.
What, and you're going over there?
When there's a murderer to be caught here?
Didn't you hear me, Muriel?
He's my boss!
Not gonna give him probable cause to fire my arse!
Yeah, I got your message sir,
I'm on my way back.
[Audrey] No ambulance!
They'll send him to Young Offenders.
And that's why I couldn't tell you.
You didn't kill Will,
but you think Ray did?
You were gonna marry him.
More fool me!
My dad told me,
that lot just wanted to put all the land
into the Gilchrist name!
Tax-efficient, they said.
Ray never wanted me.
You loved him.
He was beautiful once.
I watched him the whole way crossing the land,
and he had flowers in his hand.
And he asked to go walking.
With me!
And we were gonna be married.
Until his daddy came home.
Big injured war hero.
I never saw no injury!
Whatever it was, was in his head.
I saw Ray, though.
And whatever Albert said, he jumped.
[weeps]
So much for love.
[tense string music]
What the hell have you got in there?
It's okay Drakes, I've found Scott Mowbray.
You call off the search.
He's, what happened to him?
He's all right.
He's gonna be okay, unlike his brother.
So did Ray do it, sir?
Sparks, fireworks.
That pylon blew.
Where's Yeardsley?
I know who killed Will Mowbray.
Oh, yes!
[tense electronic music]
That's evidence Ray, put it down!
Put it down!
Please, you don't understand!
Ray Gilchrist, I'm arresting you
on suspicion of murdering --
No, no, dad --
No, no!
Sergeant Gilchrist!
It's all right, sir, I've got this!
You were at Goose Green, weren't you?
14 hours into bombardment?
All for fuck all!
You saw the lights, the explosions over there!
Lights in the sky, coming from the Merricks' farm?
One of them Argies, coming right for me.
For my farm!
You weren't gonna let that happen.
Stand down, Sergeant!
There's no Argentinean fighters here.
Those explosions were the pylons blowing.
Those two aren't the enemy.
Stand down, solider.
You're just like all the other officers.
You fuckin' --
No, Dad, Dad, Dad!
Dad, Dad, Dad, Dad, no!
It's over.
No, no, no.
It's all over.
No, no, no.
No, dad.
Yeardsley, you okay?
[haunting string music]
It'll be all right, Dad.
Be all right.
[Cobley] Watch your head.
[Ray] You'll look after him, won't you?
We'll call you from the hospital.
You can come down after and see him then, all right?
I didn't know!
After you showed me the pictures of those boys,
he said one of them
looked like a soldier he'd,
he'd killed in the Falklands, so,
and then when I found the shovel,
then I knew, I knew.
Ray.
[bright violin music]
Hey, I thought we left it
in kind of a weird place.
Not at all.
You were looking out for your daughter,
it's your job.
She's all I got,
but she doesn't have to be.
Andrew is my ex-husband.
I'm sorry, I didn't know you had company.
Good night.
Wait, Bill!
We're not going in?
Your friend seemed kind of --
She wasn't hungry.
[wistful violin music]
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