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You're doing loud.
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It's missing.
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Left.
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The room's just here, babe.
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The cross has got it all for a month.
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Thank you, Mrs Ashley.
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It's lovely, Mrs Ashley.
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You're really charming.
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You've certainly worked wonders.
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It looks very nice, isn't it?
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Thank you, madam.
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Ah, thank you.
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There you are.
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As you can see, we have the good fortune to have Mary here as a visitor.
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It was such a surprise, Mr Ashley.
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When your cousin came to fetch me, the others were green with envy.
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Can I speak to you, please?
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Yes, of course.
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As soon as Mary is settled.
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No, no, I'm afraid it cannot wait.
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You're at liberty to say anything you please in front of Mary.
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I don't wish to make intrusion.
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Let me go and unpack, Mrs Ashley.
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Very well.
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Leave the doors wide open, Mary.
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So you can hear me if I call.
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Yes, certainly, Mrs Ashley.
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Certainly, Mrs Ashley.
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Why have you done this?
30
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After last night, I cannot be with you alone again.
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How long is she to stay?
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As long as I choose.
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Rachel, this can't be settled in a moment's conversation with the doors open.
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I beg of you, listen to me.
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Let me talk to you alone, please.
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You threatened me last night.
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Once was enough, there is nothing to settle.
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Now go.
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No.
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Please.
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Please, sir.
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John!
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You are the first to talk way over.
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All of those Fight!
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I'm not going to do that.
46
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I'm not going to do that.
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I'm not going to do that.
48
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I'm not going to do that.
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I'm not going to do that.
50
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I'm not going to do that.
51
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I'm not going to do that.
52
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I'm not going to do that.
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I'm not going to do that.
54
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I'm not going to do that.
55
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I'm not going to do that.
56
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I'm not going to do that.
57
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I'm not going to do that.
58
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I'm not going to do that.
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I'm not going to do that.
60
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I'm not going to do that.
61
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I'm not going to do that.
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I'm not going to do that.
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I'm not going to do that.
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I'll be okay.
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I love you.
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I love you.
67
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I love you.
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I like you.
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I love you!
70
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I love you too.
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I love you.
72
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I love you too!
73
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I love Oz.
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Whoa!
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Whoa!
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Whoa!
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Whoa!
78
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Whoa!
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Right.
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I have been ill.
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You are lucky to be alive.
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I'm I.
83
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I think it was your own horse strength that pulled you through.
84
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And certain things I bathed them do.
85
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I made a serum out of the juices of herbs.
86
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They called it poison.
87
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But you have survived.
88
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Is it something?
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It's Mary Pasco's story.
90
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I sent her away.
91
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Last week.
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I'm not sure.
93
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I'm not sure.
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I'm not sure.
95
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I'm not sure.
96
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I'm not sure.
97
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I'm not sure.
98
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Well, Tammon.
99
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We should lay a footpath along the bottom.
100
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And there'll be that bridgeway going from side to side.
101
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They've only just started work on that, of course.
102
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It's bigger than I thought.
103
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Deeper.
104
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Yes, it's a...
105
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It's most impressive, Tammon.
106
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Thank you, sir.
107
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Where did you find that?
108
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Oh, the mister said that brought from Italy, sir.
109
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We thought we might make a fountain in the bottom.
110
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It'd be nice if we could have another little figure up at the other end, sir.
111
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Perhaps the misters will get one when she goes back to Italy.
112
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I, uh...
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I don't think she has any intention of returning, Tammon.
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I'm glad of that, sir, but we are different.
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She was only waiting for you to get better before she went.
116
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Let's discuss it.
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I wouldn't do that, sir. Not about with you.
118
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That's Lebernum, see? It is poisonous, sir.
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Hello.
120
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Hello, Luis.
121
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This is a surprise.
122
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Thank you.
123
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Thank you, Tammon.
124
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More in, Mr. Ease.
125
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How are you, Trim?
126
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I'm fine.
127
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I'm fine.
128
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I'm fine.
129
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I'm fine.
130
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I'm fine.
131
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I'm fine.
132
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I'm fine.
133
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I'm fine.
134
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I'm fine.
135
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I'm fine.
136
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How are you, Trim?
137
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I'm much, much better. Thank you.
138
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Well, don't I look it?
139
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Indeed you do.
140
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I heard you'd be making changes.
141
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Yes.
142
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This is a great improvement, don't you think?
143
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Philipp, I must talk to you.
144
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There's something wrong.
145
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Yes, something is wrong.
146
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Well, what is it?
147
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Philipp, I've been worried about you for such a long time now.
148
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I wanted to talk to you after that dreadful birthday, then.
149
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It's about Rachel.
150
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Please listen to what I have to say.
151
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I only want to help you.
152
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You set yourself against her from the very start.
153
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You made up your mind to dislike her.
154
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What about you?
155
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Don't you remember what you said about her before she came?
156
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You mistrusted her.
157
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And with good reason...
158
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You must stop this, Luis.
159
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If you continue talking...
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We shall hate each other.
161
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Do you love her then so much?
162
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You've honest with yourself, Philipp.
163
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What is the future hold now for either of you?
164
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I've asked her to marry me.
165
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I asked her once.
166
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And twice.
167
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And I shall ask her again and again until she consents.
168
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When was the first time you asked her?
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When finished?
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In the morning of my birthday.
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What did she answer you?
172
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We spoke across purposes.
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I thought that she meant yes, when in fact she meant no.
174
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Had she read your document at that time?
175
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She read that later, later the same morning.
176
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She lost little time in reading it then and driving up to see my father.
177
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She did not understand it very well.
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She understood it when she drove away.
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I remember perfectly.
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As the carriage waited and we stood upon the steps, my father said to her...
181
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That we married to Claus may strike a little hard.
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You must remain a widow if you wish to keep your fortune.
183
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And this is actually smart at him and said that suits me very well.
184
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Stop looking for trouble, Luis.
185
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Her clause was inserted to safeguard the estate.
186
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To prevent any squander by her stranger.
187
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Wish you or my wife would not apply.
188
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If she were your wife, the whole estate would revert to you again.
189
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That's the law, Philip.
190
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Yes, but...
191
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Well, she knows I would share every penny of it with her.
192
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She wouldn't refuse to marry me because of that one clause, would she?
193
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Is that what you're trying to suggest?
194
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I am not suggesting anything.
195
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But remember that her wife cannot take her husband's money from the country
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nor return to the place where she belongs.
197
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She belongs here, Luis, with me.
198
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Then why is she planning to return to Florence?
199
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But she is not.
200
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Everyone speaks of it.
201
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Gossip. Melissa's gossip.
202
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Why does she ride into town every day?
203
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Why shouldn't she?
204
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She goes to the bank, Philip.
205
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I'm sure she's sending money out of the country, and...
206
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Yes?
207
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She goes to the inn by the harbor, the scooner.
208
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She meets someone there.
209
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How do you know, Luis?
210
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I heard the servants talk.
211
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Gossiping.
212
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All right, gossiping.
213
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Perhaps it is true.
214
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Where she goes to this inn?
215
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Who does she meet there?
216
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I do not know.
217
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You must believe me, Philip.
218
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I do not know.
219
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I do not know.
220
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I do not know.
221
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Nick Kendall tells me that there is fresh gossip about the countryside.
222
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What now?
223
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That you are going back to Florence.
224
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Tamlin tells me the same.
225
00:14:24,000 --> 00:14:26,000
There is plenty of time to decide about these things.
226
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Have you sold the villa yet?
227
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No, I can afford to keep it now, can't I?
228
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Have you let it?
229
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You mean that you would want to spend the winter there?
230
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Possibly.
231
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Or the late summer?
232
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Well, how's there any need to go at all?
233
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You belong here. This is your home.
234
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Philip, you must stop behaving like this.
235
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Like what?
236
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As if we were married or intended to marry.
237
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You know very well that cannot be.
238
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I've made it abundantly clear.
239
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No one could have made it clearer.
240
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So letters will pass between us, will they?
241
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From England to Italy?
242
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Month after month throughout the year?
243
00:15:12,000 --> 00:15:15,000
I will say to you, dear Rachel, the comedians are in bloom.
244
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And you will reply, dear Philip, I am very glad to hear it.
245
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My rose garden is doing very well. Is that to be our future?
246
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You could visit me in the spring.
247
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There's much you would like in Italy.
248
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How long has right now they've been here?
249
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That's my business.
250
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Answer me.
251
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Very well for the past two weeks.
252
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Why is he here?
253
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Because I asked him because I needed his advice.
254
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Why do you need his advice?
255
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Philip, will you stop behaving like a child and have some understanding?
256
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Oh, you expect me to understand a seat.
257
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You've been lying to me.
258
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Every day for the past two weeks and you cannot deny it.
259
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If I have deceived you, it was for your sake only.
260
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You hate Rinaldi.
261
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If you had known I was meeting him, this scene would have come this soon and I just could not bear the idea of it.
262
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Oh God, must I go through this again?
263
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First with Ambrose, now with you.
264
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He's in love with you.
265
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Rinaldi?
266
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It has been for years.
267
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He's my friend, that's all. He's my friend.
268
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Send him away there. Send him back where he belongs.
269
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He's already gone.
270
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Gone?
271
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He sells from Plymouth tomorrow.
272
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When will you follow him?
273
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That depends on you.
274
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Philip, if only you could be less bitter and less cruel.
275
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No, leave me now.
276
00:16:51,000 --> 00:16:52,000
Please.
277
00:16:52,000 --> 00:16:53,000
Leave me.
278
00:17:03,000 --> 00:17:16,000
As the weeks pass, I notice more and more how she turns for advice to a man I have mentioned before in my letters.
279
00:17:17,000 --> 00:17:19,000
Sign your Rinaldi.
280
00:17:20,000 --> 00:17:24,000
I believe this man to have a pernicious influence upon her.
281
00:17:32,000 --> 00:17:39,000
What is it that they say to one another when I am not there?
282
00:20:02,000 --> 00:20:05,000
I believe this man to have a pernicious influence upon her.
283
00:20:05,000 --> 00:20:08,000
I believe this man to have a pernicious influence upon her.
284
00:20:08,000 --> 00:20:11,000
I believe this man to have a pernicious influence upon her.
285
00:20:11,000 --> 00:20:14,000
I believe this man to have a pernicious influence upon her.
286
00:20:14,000 --> 00:20:17,000
I believe this man to have a pernicious influence upon her.
287
00:20:17,000 --> 00:20:20,000
I believe this man to have a pernicious influence upon her.
288
00:20:20,000 --> 00:20:23,000
I believe this man to have a pernicious influence upon her.
289
00:20:23,000 --> 00:20:26,000
I believe this man to have a pernicious influence upon her.
290
00:20:26,000 --> 00:20:29,000
I believe this man to have a pernicious influence upon her.
291
00:20:29,000 --> 00:20:47,000
One thought possesses me, leaving me no peace.
292
00:20:50,000 --> 00:20:52,000
Are they trying to poison me?
293
00:20:56,000 --> 00:20:58,000
I'm so sorry you have to leave Mr. Kander.
294
00:20:58,000 --> 00:21:02,000
Indeed so am I. But I have a brother sick of Laxillian and I promise to call and see him.
295
00:21:02,000 --> 00:21:04,000
Oh, I hope he's having a serious.
296
00:21:04,000 --> 00:21:06,000
Oh, I do think he can see him.
297
00:21:06,000 --> 00:21:09,000
Make an excuse to stay behind him and talk to you.
298
00:21:12,000 --> 00:21:13,000
Father?
299
00:21:14,000 --> 00:21:19,000
If you mind if I didn't come with you, it's so hot and stuffy and courage.
300
00:21:20,000 --> 00:21:21,000
I will bring her home later.
301
00:21:22,000 --> 00:21:24,000
Well, it will be no trouble.
302
00:21:25,000 --> 00:21:26,000
Yes, very well.
303
00:21:27,000 --> 00:21:29,000
Thank you again, Mrs. Ashley.
304
00:21:29,000 --> 00:21:32,000
I shall see you next Sunday, if not before.
305
00:21:32,000 --> 00:21:33,000
I hope so.
306
00:21:44,000 --> 00:21:47,000
I'm so glad you decided to stay a little longer.
307
00:21:47,000 --> 00:21:50,000
We have so few opportunities for any conversation.
308
00:21:57,000 --> 00:22:21,000
I suppose the heat in Florence now must be well nigh unbearable, even to you.
309
00:22:22,000 --> 00:22:23,000
I never found it so.
310
00:22:24,000 --> 00:22:26,000
I am lucky at the Villa Sangaletti.
311
00:22:26,000 --> 00:22:29,000
And having a little courtyard beside the house.
312
00:22:30,000 --> 00:22:33,000
It faces north and it is always pleasantly cool.
313
00:22:35,000 --> 00:22:37,000
Since spring and in summer, I never sit anywhere else.
314
00:22:38,000 --> 00:22:39,000
Very good, tell him.
315
00:22:47,000 --> 00:22:50,000
Now, who will come for a walk with me?
316
00:22:51,000 --> 00:22:52,000
Louise?
317
00:22:53,000 --> 00:22:55,000
If you will excuse me, Mrs. Ashley.
318
00:22:55,000 --> 00:22:57,000
The literature is rather hot, is it not?
319
00:22:59,000 --> 00:23:01,000
I shall have to go by myself then.
320
00:23:02,000 --> 00:23:05,000
I want to see what Tamlin and his men have been doing at the Sanquin Garden.
321
00:23:06,000 --> 00:23:07,000
Be careful then.
322
00:23:08,000 --> 00:23:09,000
Careful.
323
00:23:10,000 --> 00:23:13,000
I thought I'd better warn you, sir, not to stand on the bridge way over the Sanquin Garden.
324
00:23:14,000 --> 00:23:17,000
There's only a framework as yet and won't be an old wait about it.
325
00:23:21,000 --> 00:23:24,000
Be careful of walking too long in the sun.
326
00:23:33,000 --> 00:23:35,000
Okay, we have a little bit of time.
327
00:23:50,000 --> 00:23:51,000
I'll be right back.
328
00:24:09,000 --> 00:24:11,000
You remember that conversation we had last week?
329
00:24:12,000 --> 00:24:13,000
Well, you were right.
330
00:24:13,000 --> 00:24:14,000
And I was wrong.
331
00:24:15,000 --> 00:24:17,000
And I have suspicions of worse beside.
332
00:24:18,000 --> 00:24:21,000
I believe she has tried to poison me and that she did the same to Ambrose.
333
00:24:22,000 --> 00:24:24,000
But I must have final proof.
334
00:24:25,000 --> 00:24:27,000
It doesn't matter now how I discovered it.
335
00:24:28,000 --> 00:24:30,000
But the proof may lie in a letter from that man right now, D.
336
00:24:31,000 --> 00:24:32,000
You know Italian, don't you?
337
00:24:33,000 --> 00:24:34,000
Just a letter.
338
00:24:34,000 --> 00:24:35,000
Yes, yes, you do. You learned it with your French.
339
00:24:36,000 --> 00:24:39,000
Now between us, we can make it some kind of translation.
340
00:24:40,000 --> 00:24:41,000
Why did you not warn my father?
341
00:24:42,000 --> 00:24:45,000
If she is guilty, he could accuse her with greater force than you.
342
00:24:46,000 --> 00:24:47,000
Because I must have proof.
343
00:24:48,000 --> 00:24:49,000
You should be doing this, Philip.
344
00:24:50,000 --> 00:24:52,000
What you are doing now is what anyone might do, a common thief.
345
00:24:53,000 --> 00:24:55,000
Here. What's this?
346
00:24:57,000 --> 00:24:58,000
I'm not sure.
347
00:24:59,000 --> 00:25:01,000
I think there's a list of plants. The writing is not clear.
348
00:25:03,000 --> 00:25:04,000
This aside is written in English.
349
00:25:05,000 --> 00:25:06,000
It's a list of plants.
350
00:25:07,000 --> 00:25:08,000
Not full of bernum.
351
00:25:09,000 --> 00:25:10,000
Yes, it's here.
352
00:25:11,000 --> 00:25:12,000
As it mentions Python.
353
00:25:12,000 --> 00:25:17,000
No, it just says that it's a native of South Europe and should be transplanted in March.
354
00:25:21,000 --> 00:25:22,000
What is it?
355
00:25:23,000 --> 00:25:24,000
It's a letter from the bank.
356
00:25:26,000 --> 00:25:33,000
Listen, dear madam, we thank you for the return of the Ashley collection of jewels,
357
00:25:34,000 --> 00:25:39,000
which, according to your instruction, as you are shortly to leave the country,
358
00:25:39,000 --> 00:25:43,000
will remain with us in custody until such time as your heir,
359
00:25:44,000 --> 00:25:46,000
Mr. Philip Ashley may take possession of them.
360
00:25:50,000 --> 00:25:51,000
The letter I'm looking for is not here.
361
00:25:53,000 --> 00:25:54,000
So, what are you doing?
362
00:25:56,000 --> 00:25:58,000
Have you met through the blossom?
363
00:26:00,000 --> 00:26:01,000
No.
364
00:26:10,000 --> 00:26:11,000
This is it.
365
00:26:13,000 --> 00:26:14,000
Here. Read it. What does it say?
366
00:26:16,000 --> 00:26:18,000
But it is in English. Here you see, he says,
367
00:26:19,000 --> 00:26:23,000
since you have become more English than Italian, I write to you in your language of adoption.
368
00:26:24,000 --> 00:26:29,000
I will do all you ask of me in Florence, though I am not sure you deserve any of it.
369
00:26:30,000 --> 00:26:34,000
At least the villa will be waiting for you.
370
00:26:35,000 --> 00:26:36,000
And the servants.
371
00:26:39,000 --> 00:26:41,000
And you would last decide to tear yourself away.
372
00:26:46,000 --> 00:26:47,000
They're not delayed too long.
373
00:26:49,000 --> 00:26:53,000
I have never had great faith in those impulses of your heart and your emotions.
374
00:26:56,000 --> 00:27:00,000
If in the end you cannot bring yourself to leave that boy behind,
375
00:27:01,000 --> 00:27:02,000
then bring him with you.
376
00:27:03,000 --> 00:27:06,000
I warn you, though, against my better judgment.
377
00:27:09,000 --> 00:27:16,000
I will care to yourself and believe me, your friend.
378
00:27:19,000 --> 00:27:20,000
I know thee.
379
00:27:20,000 --> 00:27:25,000
That's a nice letter, Philip. A friendly letter. There is nothing criminal in that.
380
00:27:27,000 --> 00:27:28,000
No.
381
00:27:33,000 --> 00:27:37,000
It's Ambrose. He'll heal you, Ochs.
382
00:27:40,000 --> 00:27:43,000
Here, what's this at the bottom?
383
00:27:43,000 --> 00:27:52,000
Nonmeramentari, calleori, vilichey, remember only the...
384
00:27:56,000 --> 00:27:58,000
Remember only the happy hours.
385
00:28:00,000 --> 00:28:01,000
Did she not show it to you before?
386
00:28:04,000 --> 00:28:05,000
No.
387
00:28:05,000 --> 00:28:09,000
Can you have Miss Judge to do you think about the poison?
388
00:28:09,000 --> 00:28:12,000
You can see for yourself there is no proof.
389
00:28:12,000 --> 00:28:18,000
No. No. There is not any proof.
390
00:28:18,000 --> 00:28:22,000
I never will be. But now...
391
00:28:22,000 --> 00:28:23,000
Not ever.
392
00:28:23,000 --> 00:28:26,000
If there is no proof, Philip, you cannot condemn her.
393
00:28:26,000 --> 00:28:30,000
She may be innocent. She may be guilty.
394
00:28:30,000 --> 00:28:32,000
Yes. Yes, you're right.
395
00:28:32,000 --> 00:28:37,000
If she is innocent and you accused her, you would be guilty then not she.
396
00:28:37,000 --> 00:28:40,000
And you would never forgive yourself, Philip.
397
00:28:40,000 --> 00:28:42,000
No.
398
00:28:45,000 --> 00:28:50,000
Let's go now, please. I wish we could not meddle with her things.
399
00:28:50,000 --> 00:28:53,000
Where is she coming?
400
00:28:53,000 --> 00:28:56,000
Do you see her?
401
00:28:56,000 --> 00:28:58,000
No.
402
00:28:59,000 --> 00:29:01,000
No.
403
00:29:03,000 --> 00:29:05,000
No!
404
00:29:28,000 --> 00:29:31,000
No.
405
00:29:59,000 --> 00:30:01,000
Rachel.
406
00:30:01,000 --> 00:30:04,000
Oh, no.
407
00:30:28,000 --> 00:30:31,000
No.
408
00:30:58,000 --> 00:31:01,000
No.
409
00:31:28,000 --> 00:31:31,000
No.
410
00:31:58,000 --> 00:32:24,000
They used to hang men at four turnings in the old days. Not any more, though.
411
00:32:28,000 --> 00:32:31,000
No.
412
00:32:58,000 --> 00:33:01,000
No.
27874
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