All language subtitles for TheTimeOfYourLife.1948

[MUSIC PLAYING]

JOE (VOICEOVER): Nick's
Pacific Street Saloon,

Restaurant &
Entertainment Palace...

Come in and be yourself.

Nick.

[CHUCKLES]

That's Nick.

I don't know what his name is.

We call him the Arab.

I'm Joe.

And that's Willie, the
Marvel game maniac.

Good morning, everybody.

Paper, mister?

Paper?

How many do you have?

Five.

Holy smoke, mister.

Thanks!

No foundation, all
the way down the line.

(SLURRING HIS SPEECH) This
is a free country, ain't it?

You can't get
beat that machine.

Oh, yeah?

Tom?

[WHISTLES] Tom!

What do you want?

I want Tom to get
me a watermelon.

That's what I want.

What do you want?

Money or love or fame or what?

You'll never get them
reading the racing form.

I like to keep
abreast of the time.

TOM: Hiya, Joe.

Who saved your life?

You did, Joe.

How'd I do it?

What?

How did I do it?

Joe, you know how you did it.

I want you to answer me.

How did I save your life?

I've forgotten.

Well, you made me eat all that
chicken soup three years ago

When I was sick and hungry.

Chicken soup?

Yeah.

Three years ago?

It was that long?

Yeah, sure, Joe.

Tell me the whole story.

Well, uh... well, you
took me up to the doctor,

And you gave me some money
for my food and my clothes,

And you paid my room rent.

Aw, Joe, you know all
the things it's you did.

In good health now?

TOM: Yeah.

Got clothes?

Yeah.

Sure, Joe.

Eat three times a
day... sometimes four?

Yeah.

Sometimes five.

Got a place to sleep?

Yeah, sure, Joe.

Well, then where in the
blazes have you been?

Well, Joe, I was out
in front with the boys.

They were talking about the
trouble down on the waterfront.

Well, I want you be around
here when I need you.

I will.

I will.

Now, here... take this money
and go down to the emporium.

You know where the emporium is?

Yeah, sure, Joe.

You take the elevator
to the fourth floor,

And walk around to the
back to the toy department

And buy me some toys.

Bring them here.

Yeah.

Toys?

What kind of toys?

Any kind of toys.

Little ones I can
put on this table.

What do you want toys for?

What?

All right, Joe.

All right.

You don't have to get
sore at everything.

What are people going to think...
A big guy like me buying toys?

What people?

Aw, Joe, you're always making
me do these crazy things

For you, and I'm the guy
that gets embarrassed.

Do as I tell you.

OK.

But I still wish I knew why.

Wait, before you
go, take this dime

And put it in the phonograph.

Number six and seven.

Joe, what do you hear in
those old songs, anyway?

I bet we listen to
them ten times a day.

Why can't we ever hear number
16 or 11 or two or something.

There's lots of other numbers.

Put the dime in the phonograph.

Boy, I'm glad I don't have
to stay and listen to 'em.

And sit down and hold
still for number six.

Oh.

Then go get me the toys.

OK.

And never mind being a
martyr about it, either.

The cause isn't worth it.

[MUSIC PLAYING]

She's a good kid, and
dearly god bless her.

[MUSIC PLAYING]

Beer.

Tom.

Tom.

We got everything straight?

What?

What do you mean what?

I just gave you
some instructions.

Well, what do you want, Joe?

I want you come to your senses.

Oh.

I got it.

I got it.

The emporium, fourth
floor, in the back,

The toy department,
$2 worth of toys

That you can put on the table.

Get back here in a half hour.

Don't get sidetracked anywhere.

Just, do as I tell you.

Yeah.

Joe, can I bet four
[INAUDIBLE] on the horse races?

There's a long shot... Precious
Time... gonna win by 10 lengths.

Joe, I gotta have some money.

I thought you wanted him
to get you a watermelon?

I forgot.

What's the dream?

What?

What's the dream now?

What dream?

What dream?

The dream you're dreaming.

Suppose he did bring
you a watermelon.

What would you do with it?

I'd put it right here on the
table, and I'd look at it.

And then I'd eat it.

What do you suppose
I do with it?

How should I know what
you do with anything?

What I'd like to know is where
do you get your money from?

What work do you do?

[CHUCKLES]

Bring us the
bottle of champagne.

Champagne?

What's the big idea?

Oh, I just thought you
might like some champagne.

Yeah, but what's the big idea?

You can't push me around.

I dislike being unkind
to another human being.

Well, you be careful
what you think about me.

I have nothing but
the noblest thoughts

Of both your person
and your spirit.

What are you talking about?

You shut up!

He owns this place.

He's a very important man.

All kinds of people
come to him looking

For work... comedians,
singers, dancers.

I don't care.

He can't call me names.

OK, sister.

I know how it is with
you dames in the morning.

Don't you dare call me names.

I... I used to be in burlesque.

If you were ever in burlesque,
I used to be Diamond Jim Brady.

I was in burlesque.

I... I played the burlesque
circuit from coast to coast.

I've had flowers sent to
me by European Royalty.

I've had dinner with young men
of wealth and social position.

You're dreamin'.

You're a B-girl at Manigi's
joint up the street.

I was in burlesque.

Kitty Duval... that was my name.

Life-sized photographs of me in
costume in front of burlesque

Theaters all over the country.

I believe you.

Have some champagne.

Miss Duval...

That's not my real name.

That's my stage name.

I'll call you by
your stage name.

All right, sister.

Make up your mind.

You're going to have
champagne with him or not?

Pour the lady some wine.

OK, professor.

OK.

But why you come to this
dump instead of one of them

High-class joints uptown is
more than I can understand.

Why don't you have
champagne at the Park Plaza?

Why don't you drink with a lady?

Don't you dare call me
names, you... dentist.

Dentist?

What kind of cussin' is that?

Listen, this guy
don't belong in here.

The only reason I
got champagne is

Because he keeps
ordering it all the time.

And don't think you're the only
one he drinks champagne with.

He drinks with all of them.

He's crazy or something.

Nick, I think
you're going to be

All right... in a
couple of centuries.

Sorry, I don't
understand your English.

To the spirit, Kitty Duval.

Thank you.

Nick?

Yeah.

Would you mind putting another
nickel in the phonograph?

Number sev...

Seven.

I know.

I know.

I know.

I don't mind at
all, your highness.

Although personally I'm
not a lover of music.

As a matter of fact, I think
Tchaikovsky was a dope.

Where did you ever
hear of Tchaikovsky?

He was a dope.

Yeah, why?

They talked about him on
the radio one Sunday morning.

He let a woman make
a sucker out of him.

Ah, I see.

I stood behind
that bar listening

To the stuff and
cry like a baby.

None But the Lonely
Heart... he was a dope.

What made you cry, Nick?

What?

What made you cry?

I don't know.

I've been
underestimating you, Nick.

Get everybody worked up.

They give everybody stuff
they shouldn't have.

He was a dope.

I like champagne.

And everything
that goes with it...

Big houses with big porches,
big rooms and big windows,

And big trees, and big shepherd
dogs sleeping in the shade.

I'd walk out of the house and
I'd... I'd look at the trees,

And smell the flowers.

And I'd run across the lawn
and lie down under a tree

And read a book... a
book of poems maybe.

I'm goin' next door to
Frankie's to make a bet.

I'll be right back.

Make one for me.

Who do you like?

Precious Time.

Precious Time?

Mmm-hmm.

$10.

For sure?

On the nose.

OK, it's your money.

[INAUDIBLE]

Oh... why do I always
forget the number?

Oh...

What's the dream
now, Kitty Duval?

I dream of home.

I always dream of home.

I have no home.

I have no place.

But still I dream of all
of us together again.

We had a farm in Ohio.

There was nothing good about it.

It was always sad.

There was always trouble.

But still... still, I dream about
it as if I could go back there.

Momma would be there and
Papa and my brother, Louie,

And my little brother, Stephen.

I'm Polish.

Duval.

My name is not Duval.

It's Koranovsky.

Katerina Koranovsky.

We lost everything.

So we moved to Chicago.

We tried to work.

We tried to stay together,
but my brother, Louie,

Got into trouble. And
I tried to help him.

The fellas Louie was with
killed him for something.

I don't know what.

I'd like to forget
about Chicago.

I... what's the dream?

I dream of home.

Are you Nick?

Hello, Sunset 7349?

May I speak to Miss
Elsie Mandelspiegel?

You Nick?

I am Nick.

Can you use a great comedian?

Who, for instance?

Me.

You?

What's funny about you?

I dance.

I do gags and stuff.

In costume, or are you
wearing your costume?

All I need is a cigar.

Do you supply it?

Yes.

All right.

Get funny.

OK.

Now, I'm standing on the
corner of Third and Market.

I'm looking around.

I'm figuring it out.

It's all there, right
in front of me...

The whole city...
The whole world.

I see people going by.

They're going somewhere.

I don't know where they're
going, but they're going.

I ain't going anywhere.

Where can you go?

I'm figuring it out.

All right, I'm a citizen.

A fat guy bumps
into an old lady.

They were in a hurry,
they bumped... boom.

What does it mean?

War.

War!

Elsie?

Oh, hold it a minute,
will you, please?

Elsie?

Elsie, this is Dudley.

Elsie, I'll jump in the
Bay if you don't marry me.

Life isn't worth
living without you.

I... I can't sleep.

I can't think of
anything but you

All the time... day and
night and night and day.

Elsie, I love you.

I love you.

What?

Is this Sunset
seven-three-four-nine?

Seven nine, four three.

Well, what's your name?

Uh, Lorene.

Loreen Smith.

Loreen.

Lorene Smith?

Oh, I thought you were
Elsie Mandelspiegel.

Oh, you did.

Uh, what's your name?

Dudley.

Yeah, Dudley R. Bostwick.

Yeah, R... it stands for Raoul,
but I never spell it out.

Uh, pleased to meet
you, Dudley Raoul.

I'm pleased to meet you, too.

[BANGING]

What?

There's a lot of
noise around here.

Where am I?

At Nick's on Pacific Street.

I work at the SP.

I told them I was sick, and
they gave me the afternoon off.

Oh, wait a minute.

I'll ask him.

I'd like to meet you, too.

Yeah, sure.

I'll ask him.

Hey, what's this address?

Number seven Pacific
Street, you cad.

Cad?

You don't know how I've been
suffering on account of Elsie.

I take things too ceremoniously.

I've got to be
more lackadaisical.

Hello, Elenore...
Uh, I mean Lorene.

It's number seven,
Pacific Street.

(BREATHLESSLY) Number
seven, Pacific... oh!

Wait till I get a pencil.

Number seven, Pacific.

I'll be there in a jiffy.

Now... now you wait for me.

Yeah, sure.

I'll wait for you.

How will you know me?

Oh, you'll know me.

I'll recognize you.

Goodbye.

Goodbye.

[SIGHS] Dudley Raoul.

Ohh.

Ooh.

Oh, Elsie.

Nobody's got a sense
of humor anymore.

The whole world's dying for
comedy like never before.

Nobody knows how to laugh.

What I've gone
through for Elsie.

I got all kinds of
funny ideas in my head...

To help make the
world happy again.

What in the world
do I want to see

A girl named Lorene Smith for?

Some girl I don't even know.

See If you think this is funny.

My own idea.

I made this dance up myself.

It's part of a speech...
A political speech.

Beer?

No, sir.

I'd like to talk to you.

Well, what's on your mind?

Well, I...

Come on, speak up.

You hungry or what?

Honest, I ain't hungry.

All I want is a job.

I don't want no charity.

Well, what can you do?

How good are you?

Well, I can run errands, clean
up, wash dishes... anything.

You belong to a union?

What union?

For the love of
Mike, where you been?

Don't you know you can't walk
into a place and ask for a job

And get one and go to
work just like that.

You've got to belong
to one of the unions.

I didn't know.

I've gotta have a job real soon.

Well, you've got to
belong to a union.

I don't want any favors.

All I want is a chance
to earn a living.

Go in the kitchen.

Tell Sam to give you some lunch.

Honest, I ain't hungry.

No, he ain't hungry.

[INTERPOSING VOICES]

Sam, make it snappy.
Sit down here.

We'll fix you right up.

There, eat that.

That'll make you feel better.

Give 'em some [INAUDIBLE]
and a coffee, too.

Why didn't you tell
me you were hungry?

Thank you.

I didn't know I was that hungry.

Feel better now, huh?

Mmm-hmm.

That'll hold you for a while.

Come in the bar when
you feel like it.

Uh, no check, Sam.

[TAPPING]

Hey, hey.

What do you think you're doing?

That's a new step.

I'm a natural born
dancer and comedian.

Look, you're no good.

Why don't you try some
other kind of work?

Why don't you get a job in
a store selling something?

What do you want
to be comedian for?

I've got something
for the world,

And they haven't
got sense enough

To let me give it to them.

Elsie.

Now I'm waiting
for some girl I've

Never seen before...
Loreen Smith.

Never saw her in my
life... just happened

To get the wrong number.

She turns on the personality
and I'm a cooked Indian.

Gimme a beer, please.

NICK: Comin' up.

HARRY: Hey, Nick.

You've gotta see my act.

If I don't wow 'em,
OK, I'll go home.

If Vaudeville wasn't dead, a
guy like me would have a chance.

Listen, you're not funny.

You're a sad young guy.

What do you want to
try to be funny for?

You'll break everybody's heart.

What's there for you
to be funny about?

You've been poor all
your life, haven't you?

I've been poor, all right.

But don't forget
that some things

Count more than
some other things.

What counts more, for instance,
than what else, for instance?

I think talent, for instance,
counts more than money,

For instance, that's what.

And I've got talent.

I get new ideas night and day.

Everything comes natural to me.

I've got style.

I just need a little time
to round it out, that's all.

[PIANO PLAYING]

I run a dive in Frisco.

Guy arrives, makes me
stock up with champagne.

B-girls come in, holler
at me that they're ladies.

Talent comes in, begs me
for a chance to show itself.

Even society people come
in here once in a while.

I don't know what for.

Maybe it's the location.

Maybe it's my personality.

Maybe they can feel
at home anywhere else.

Please dance with me.

I never learned to dance.

Oh, anybody can dance.

Just... just hold
me in your arms.

Oh, I'm sorry.

I can't dance.

I only wish I could.

You'll have to excuse me.

What'd you get?

Toys.

That's what you sent me for.

The girl asked me what
I wanted with toys,

And I didn't know
what to tell her.

Joe, you've got to
give me some money.

After all the things
you've done for me,

I'd do anything in
the world for you,

But you gotta give me
some money once in awhile.

Take her out, and
show her a good time.

Do you dance?

Yeah.

I won fourth prize at the
Palomar five years ago.

Dance with her.

Dance with her.

Yeah.

Kitty Duval... the
burlesque queen...

I mean queen of the
world burlesque.

Dance with her.

She wants to dance.

[INAUDIBLE] here wants
to be a dishwasher.

He faints from hunger.

Then he sits down, plays
better than [INAUDIBLE].

[INAUDIBLE] played the violin.

All right, don't get
careful He's good, ain't he?

[INAUDIBLE].

Don't talk.

Just dance.

What'll it be, lady?

Oh.

I'm looking for the
young man I talked to

On the telephone...
Dudley Raoul Bostwick.

Dudley Raoul Bostwick?

Yes.

Oh.

Yeah, Bostwick.

Oh.

Yes, Bostwick.

Oh.

Oh... oh... oh... Bostwick.

Yes.

Yeah, well, he left
here 10 minutes ago.

Oh, no.

You mean, Dudley Bostwick...
That old man in a wheelchair.

Wheelchair?

Yeah, Dudley Bostwick.

That's what he
said his name was.

He said to tell you not to wait.

Well... are you sure you're
not Dudley Raoul Bostwick?

Who me?

Yes.

Well, my name is
Roger Tenefrancia,

And I'm a French Canadian.

I never saw the fella before.

It seems to be your
voice is the same voice

I heard on the telephone.

Ah... a coincidence, an
accident, a quirk of fate,

One of those things.

Dismiss the thought.

They wheeled him out
of here 10 minutes ago.

He said he was going
to commit suicide.

I was only trying to be of help.

Be of help?

What kind of help
could she be of?

Oh, Elsie.

Oh, Elsie.

She won't come to the phone,
but I keep trying anyway.

She'll come to the
phone one of these days.

If there's anything
to true love at all,

She'll come to the phone.

Hello.

Is this Sunset, 7-3-4-9?

May I speak to Elsie?

Yes.

No.

This is not Dudley Bostwick.

This is Roger Tenefrancia,
of Montreal, Canada.

I... I'm a childhood friend
of Miss Mandelspiegel's.

We... we went to
kindergarten together.

[HUFFS] What?

Yes, I'll wait.

Thank you.

I'm going next door
to listen while Gallant

Knight wins the purse.

Precious Time is
going to win it.

That's what you think.

[KNOCKING]

TV ANNOUNCER: They're at
the post, standing widely.

And there they go.

At the break and moving fast
is Gallant Knight on top.

[INAUDIBLE]

Second by a head
is Bluegrass Pride.

Running third between
horses is Black

Prince, and then
Clarendon, fourth.

Then strung out
behind the leaders

Comes Honey Car, [INAUDIBLE]
and Precious Time.

Gallant Knight is dropping back.

Going to the front
now is Black Prince,

Followed closely by Clarendon.

And Precious Time is moving up
fast now in a terrific drive,

But he'll never make it!

And running third now
is Gallant Knight.

Running fourth is Precious Time.

He's moving up on the outside,
challenging Black Prince.

Yes, here he comes,
Precious Time.

And look at that horse go!

Come on, Gallant Knight.

TV ANNOUNCER: It's Precious
Time and Black Prince

Neck and neck,
driving for the wire.

What a stretch drive.

Here they come,
It's gonna be close.

Precious Time on the outside,
Black Prince on the rails.

Gallant Knight is
falling way back.

And here's the finish... it's
Precious Time by a nose!

[APPLAUSE]

Payin' out.

$80.

All right, boys.

Get you bets back.

Hey, that's some gadget there.

How much did I win?

Huh?

How much did I win?

How do you know you won?

Don't be silly.

Tom said Precious Time was
going to win, didn't he?

He's in love, isn't he?

OK, I don't know why,
but Precious Time won.

You get $80 for $10.

How do you do it?

Faith.

Faith.

How'd he win?

By a nose!

You look him up on
the racing form...

The slowest, the cheapest...
The worst horse in the race,

He had the worst jockey.

What's a matter with my luck?

How much did you lose?

$0.50.

You should never gamble.

Why not?

Because you always got $0.50.

You have no more
faith than a flea.

That's why.

HARRY: Hey, Nick.

How do you like this?

That's not bad.

Hang around.

You can wait on tables.

Hey, Wesley... can you
play that again today?

I don't know for sure, Mr.
Nick, but I can play something.

Good.

You hang around, too.

Hello, Nick.

What do you want
to come here for?

You're too big a man it
for a little honky-tonk.

Now, Nick.

Important people
never come here.

I don't drink.

What do you want?

Nothing much.

Nothing at all.

You know me... Friendly Freddie.

Yeah, I know you.

Anything to make a
dollar for Freddie.

Since when do you have B-girls
working this trap, Nick?

I don't have none of
that, and you know it.

Nobody gets a cut on
any drinks sold here.

I see.

Who was the blonde?

What blonde?

Just went out,
with the big guy.

How do I know who she was?

Kitty... Kitty something.

Kitty Duval.

Duval?

That don't sound right.

Was she ever in Chicago?

Where she ever in Chicago?

Maybe.

Maybe she was in Hawaii.

Maybe she was in
San [INAUDIBLE].

I don't ask for geography with
every 10-cent beer I sell.

If she was in Chicago,
there'll be a record on her.

What are you driving at?

Don't get excited, Nick.

It's bad for you.

I'll worry about me.

You worry about you.

I am, Nick.

I'm going to need a couple a
hundred the end of this week.

Yeah, I don't know where
you're going to get it from.

I think I do.

Listen, I got no use for you
or anybody else like you.

I don't like your personality.

I'll be back tonight.

Do yourself a big favor...
Don't come back tonight.

Don't get into trouble, Nick.

You seem to be losing
an old friend, Nick.

Every time that guy comes into
this place I get burned up.

He's a no-good stool pigeon.

There's nothing he won't do.

Last month, McGovern's place
was closed was closed on a tip

That girls was rolling drunks.

One guess who tipped the cops.

One guess who sent
the girls in there.

Tell me one thing.

I'll do my best.

What does he want
to bother people for?

He's sick.

He's no good.

He hurts little people.

Sit down, friend.

Go ahead.

I'll break his head if he
tries any of his stuff in here.

This is my joint.

I've got a good joint.

There's nothing wrong here.

Hey, comedian... stick
to your dancing tonight.

I think you're OK.

Thanks, Nick.

Gosh, I'm on my way at last.

Hey, Wesley-do some
more of that tonight.

That's fine.

HARRY: Hello, is that you, Ma?

Harry.

I got the job!

Ha-ha.

Is it Madge Laubowitz?

Is what what?

Is the name Mabel Lapescue?

What name?

The name the
initials M.L. stand

For... the initials on your bag.

No.

Margie Longworthy?

No.

Midge Lowery?

My initials are J.T.

John?

Martha Lancaster?

No.

Joseph?

That's my first name.

Everybody calls me Joe.

The last name's the tough one.

I'll help you a little.

I'm Irish.

Just plain Mary?

Yes, it is.

I'm Irish, too... at least
on my father's side.

English on my mother's side.

I'm Irish on both sides.

Mary is one of my
favorite names.

I guess that's why I
didn't think of it.

I met a girl in Mexico
City once named Mary.

She was an American
from Philadelphia.

She got married there...
In Mexico City, I mean,

While I was there.

That was very confusing, because
I was under the impression

We were in love...
At least I was.

You never know
about anybody else.

She was engaged to
another man, you see,

And her mother was with her,
so they went through with it.

That must've been, oh,
six or seven years ago.

They probably have three
or four children now.

Are you still in love with her?

Oh, no.

As a matter of
fact, I'm not sure.

Eh, I suppose I am.

I didn't know they were
engaged until a couple of days

Before they got married.

I thought I was
going to marry her.

I kept thinking all the
time about the kind of kids

We were likely to have.

My favorite was the third one.

The first two were
fine... handsome

And fine and intelligent.

But that third one
was different... dumb

And goofy-looking.

I liked him a lot.

When she told me she
was going to be married,

I didn't feel so badly
about the first two.

It was that dumb one.

Do you have children?

Yes, two.

A son and a daughter.

Oh, wonderful.

Do they look like you?

Oh, why are you sad?

I was always sad.

Who are you waiting for?

No one.

I'm not waiting
for anybody, either.

My husband, of course.

Oh, yeah.

Sure.

He's a lawyer.

He's a great guy.

I like him.

You have responsibilities?

One and thousands.

As a matter of fact, I feel
responsible to everybody...

At least everybody I meet.

I've been trying for three years
to find out what's possible,

To live what I think
is a civilized life.

A life that can't
hurt any other life.

You're famous?

Very.

Utterly unknown,
but very famous.

Would you like to dance?

All right.

Why, I'm sorry.

I don't dance.

I didn't think you'd like to.

To tell you the truth,
like to dance at all.

I don't even like to walk.

Because of the champagne?

No.

All the time.

I guess it's because I
never got anywhere walking.

Were you ever in Paris?

Mmm-hmm.

In 1934, and again in 1937.

What month of 1934?

September, and part of October.

I was there in October
and November that year.

We were there at
almost the same time.

Were you married?

Engaged.

Mother sent me to Paris,
hoping I'd... find someone else.

I wish I'd stayed
through November.

Are you still in love with me?

Is it the champagne?

Yes... well, partly, at least.

If you don't ever see me
again, will you be very unhappy?

Very.

I'm so pleased.

Please don't get up.

Goodbye.

Goodbye.

Paper, mister?

How many have
you got this time?

11.

Hey, mister... you
own this place?

I own this place.

Can you use a great lyric tenor?

A great lyric tenor.

Who?

Me.

I'm getting too
old to sell papers.

I don't want to holler
headlines all the time.

I want to sing.

You can use a great
lyric tenor, can't you?

What's lyric about you?

(TALKING LOUDER) My voice.

Oh.

All right.

Sing.

When Irish eyes are smiling,
sure it's like morn in spring.

In the lilt of Irish laughter,
you can hear the angels sing.

When Irish eyes are happy
I happy all the world seems

Bright and gay And when
Irish eyes are smiling...

You Irish?

No, I'm Greek.

Sure, they'll steal
your hearts away.

Ah... not bad.

Let me hear you again
about a year from now.

Honest?

Did you like it, too, mister?

Very lyric.

What part of Greece?

Thessalonica.

Lyric, huh?

That's what I thought!

Don't wait a year.

Come back a little
later with those papers.

You're a great singer.

Thanks.

Thanks, mister.

So long!

(SINGING) When Irish
eyes are smiling,

Sure it's like a morn in spring.

In the lilt of Irish laughter,
you can hear the angels sing.

When Irish hearts are happy all
the world seems bright and gay

Buy when...

(SLURRING HIS SPEECH)
Irish eyes are smiling.

Ling sure they'll
steal your heart...

Away.

You don't understand
what I'm talking about.

You couldn't tell
me what you meant

If you knew what you meant.

MALE SPEAKER:
[MAKING SIREN NOISE]

Hi, Joe.

Nick.
[INTERPOSING VOICES]

Two beers.

[TELEPHONE RINGING]

Nick's Pacific
Street Restaurant,

Saloon & Entertainment Palace...
Good afternoon, Nick speaking.

Who?

Is there a Dudley
Bostwick in this joint?

Hello?

Hello, Elsie.

Yea... you're coming down?

She's coming down.

No, I... I won't drink.

Oh, gosh, Elsie.

Is that good?

I don't know, but it's
honest and ambitious.

Then you'll work so long,
you're irresistible to people.

And here is where
I really get goin'.

Excellent!

A most satisfying demonstration
of the present state

Of the American body and soul.

Son, you're a genius.

I go out in front
of an audience

For the first time
in my life tonight.

They'll be delighted.

Hey, where'd you learn to dance?

I never took a
lesson in my life.

I'm a natural born dancer.

Really?

And comedian, too.

You can make people laugh?

Well, I can be funny,
but they won't laugh.

Well, that's odd.

How come... well, why not?

I don't know.

They just won't laugh.

Well, would you
care to be funny now?

I'd like to try
out a new monologue

I've been thinking about.

Please do, and if it's
funny, I promise you,

I'll roar with laughter.

All right, This is it.

I'm up at Sharky's on First.

It's a quarter to nine,
AM, Pacific Standard Time,

Wednesday, the 11th of October.

What I've got is a
headache and a 1918 nickel.

What I want is a cup of coffee.

If I buy a cup of coffee with a
nickel, I've got to walk home.

I've got an age-old problem.

I'm thinking it over,
like I always do.

What happens?

My ear aches!

My ear!

What do I do?

I get confused.

I go out to buy
the morning paper.

What do I want with
the morning paper?

What I need is a cup of
coffee and a good used car.

Maybe the headline is about
me... I take a quick look... no!

The headline is not about me.

It's about a monster
7,000 miles away.

I'm here.

Who's our monster?

Who's behind the eight ball?

I turn around.

Everybody's behind
the eight ball.

Take it easy, Crop.

Son, that's the
funniest thing I've ever

Heard... or seen,
for that matter.

Then why didn't you laugh?

Well, I... I don't know yet.

I'm always getting funny
ideas that nobody'll laugh at.

It maybe that you've
stumbled headlong

Into some new kind of humor.

But what good is it, if it
doesn't make anybody laugh?

Well, there are kinds
of laughter, son.

And I must say, in
all truth, that I

Am laughing, although
not out loud.

I want to hear people
laugh... out loud!

They may catch on, son.

Give 'em time.

Give 'em time.

Let's go, Crop.

MALE SPEAKER:
[MAKING SIREN NOISE]

So long, Joe.

So long.

Nick, play number six, will you?

Hey, there's a
horse named McCarthy

Going in the fifth today.

Yeah.

Bet everything you
have on McCarthy.

You're crazy.

That horse is a
double-crossing no good.

I wouldn't bet a nickel on him.

You bet everything
you got on McCarthy.

I don't need money.

What makes you think
McCarthy is going to win?

McCarthy's name is
McCarthy, isn't it?

The horse is going
to win, that's all.

Today.

Why?

You just do as I tell you, and
everything will be all right.

(SINGING IN
UNISON) She's a good

Kid and dearly God bless her.

McCarthy likes to talk and talk.

Hey, Joe... you don't
believe that Kitty,

Do you... about
being in burlesque?

I believe dreams
sooner than statistics.

She sure is somebody.

Called me a dentist.

What's the matter?

What happened?

Ah, it's Kitty.

She's up in her room, crying.

Crying?

Yeah.

I've been talking to her all
this time, and she won't stop.

Well, what's she crying about?

I don't know.

She kept talking, and... and I
couldn't understand anything.

She kept telling me about a big
house and a lot of collie dogs

Running around and...
And flowers and...

Don't play that!

Tom.

Tom.

I can't stand Kitty crying.

You want to marry her?

Yeah.

Why?

I don't know.

I guess I love her, that's all.

You're sure now?

All right here.

Take all this money, and run
next door to Frankie's, and put

It on the nose of
McCarthy in the fifth.

All this money on McCarthy?

Hurry up, it's nearly post time.

Gee, Joe, if McCarthy
wins, we'll be rich, huh?

Get going, will you?

Yeah.

McCarthy.

Just because you get a
little lucky this morning,

You got to go to work
and throw away $80.

He wants to marry her.

Suppose she don't
want to marry him.

Well, now why do you
suppose she wouldn't

Want to marry a
nice guy like Tom?

Well, she's been in burlesque.

She's had flowers sent to
her by European royalty.

She's dined with young men of
quality and social position.

She's above Tom.

TOM: Joe, they were
running when I got there,

And Frankie wouldn't
take the bet.

McCarthy didn't get a
call until the stretch,

And I thought we were going
to save all this money.

And then McCarthy
wins by two lengths.

What'd he pay... 15 to one?

Better, but Frankie
wouldn't take the bet.

Well, for the love of Mike!

Gosh.

We'd have won about $1,500.

Yeah.

Take this money, and got
down to Schwabacher Frey.

And buy me some
maps of the world.

And on the way back, stop at
one of those pawn shops on Third

Street, and buy me a good
revolver and some cartridges.

What about Kitty?

What are you going
to do... study the map,

And then go out
and shoot somebody?

I want to read the
names of some towns

And rivers and
valleys and mountains.

What do you want
with that revolver?

I want to study it.

I'm interested in things.

And tell the man you don't
know anything about firearms,

And you're trusting
him not to cheat you.

And don't pay more than $15.

Joe, what are you sending
me off to crazy things

For all the time?

They're not crazy, Tom.

Now go get them
for me, will you?

Well, how about Kitty?

Let her cry.

It'll do her good.

Joe, if she comes in here while
I'm gone, will you talk to her?

Tell her about me.

All right, now get
going, will you?

Now, don't load that gun.

Just buy it and bring it here.

You won't catch
me loading any gun.

Wait a minute... take
these toys away.

Where'll I take 'em?

Give 'em to some kid.

No.

Take 'em up to Kitty.

Toys stopped me
from crying once.

Shall I, Joe?

Take 'em up to Kitty?

You think they'll
make her happy?

They might.

You get curious about
the way they work.

That's what they're for.

Yeah.

Yeah, sure.

I'll take 'em up to Kitty.

Mr. Nick?

Yeah?

Can I play the piano again?

Well, sure, What do you
think I'm paying you for?

You're going to pay me
for playing the piano?

I'll give you
enough to get by on.

Get money for
playing the piano.

Well, Nick.

Nick... [SPEAKING SPANISH]

Beef, the ham...

[SPEAKING SPANISH]

OK.

[SPEAKING SPANISH]

Goodbye.

Bye.

Goodbye.

Who was that?

My mother.

What'd she say?

Nothing... just
wanted to say hello.

What do you want
with that gun, Joe?

I study things, Nick.

OK.

Murphy's the name.

Just an old tracker.

You mind if I sit down?

I'd be delighted.

What'll you have?

Beer... same as I been drinking.

Glass of beer, Nick.

Thanks.

I don't suppose you
ever fell in love

With a midget
weighing 39 pounds.

Can't say I have.

Down in Gallup, 20
years ago, a fella

Named Rufus Jenkins
came to down with six

White horses and two black ones.

Said he wanted a man to
break the horses for him.

Had a meeting down at
Parker's mercantile

Store, and finally
it came to blows.

Bashed a brass [INAUDIBLE]
door over his head

And ran away to Mexico.

But he didn't die.

Couldn't speak a word.

Took up with a
cattle breeder named

Diago... educated in California.

Spoke the language
better than you and me.

He said, Murph, your job was
to feed them prize bulls.

I said, fine, fine.

What'll I feed them?

He said hay, lettuce,
salt, beer and aspirin.

Came to blows two days
later, over in the court.

And he claimed I stole!

I had borrowed it.

Busted the accordion
over his head.

Ruined the finest
accordion I ever saw.

Grabbed a horse and rode
back across the border.

Texas.

Got to talking with a
fella that looked honest.

Turned out to be a ranger
that we're looking for me.

Yeah, you were saying,
uh... a 39-pound midget.

Will I ever forget that lady?

Will I ever get over that
Amazon of small proportions?

Will you?

If I live to be 60.

60?

You look more than 60 now.

No, son.

That's trouble
showing in my face...

Trouble and complications.

Oh, that accounts for it, then.

Well, go ahead, tell me more.

I told the Texas Ranger my
name was Rosstein... a mining

Engineer from
Pennsylvania, looking

For something worthwhile.

I mentioned two
places in Houston.

Heh-heh.

I nearly lost an eye
early one morning,

Coming down the stairs.

Bumped into a
six-footer with an iron

Claw where his right
had was supposed to be.

Said, you broke up my home!

I told the feller I was
a stranger in Houston.

Six-foot tall and
an iron claw, say,

That's bad been on the nerves.

Kicked him right
smack in the teeth!

When he made a swipe
at me with his claw.

I'd have lost an eye,
except for quick thinking.

He rolled out in
[INAUDIBLE], pulled a gun.

Fired seven times.

I went on down the street...
Running, of course.

Left town 20 minutes
later, all dressed up

In a woman's silk dress
and feathered hat.

Did you ever try to herd
cattle on a bicycle?

No.

And I never fell in love with
a midget weighing 39 pounds.

Left Houston, with
$0.60 in my pocket...

Gift of a girl named Lucinda.

Walked 14 miles in 14 hours.

Great big house,
barbed wire all around.

Great big dogs.

Dogs jumped up and came for me.

I walked right through 'em,
growing older every second.

Walked up to the
door and knocked.

An old man came to the
door... 90 if he was a day.

Sawed-off shotgun, too.

I said I ain't looking
for trouble, father.

I'm hungry and thirsty.

Name's Cavanaugh.

Tucked me in and made mint
juleps for the two of us.

I said, you living
here alone, father?

He said, drink your drink,
and ask no questions.

If I was to tell you that
old southern gentleman was

My grandfather, you wouldn't
believe me, would you?

I might.

Well, it so happens he wasn't.

It would have been romantic
if he had been, though.

Where do you herd
cattle on a bicycle?

Hackensack, New Jersey... 1918.

Hackensack, New Jersey.

They don't herd
cattle in Hackensack.

They don't anymore.

They did in 1918.

One fella did, least ways.

Bookkeeper named Sam Gold.

Straight from the
East side of New York.

Sombrero, lariat, [INAUDIBLE],
two head of cattle

And two bicycles.

Called his place
the Gold Bar Ranch.

Two acres, right out
of the city limits.

That was the year of
the war, you remember?

Yeah, I remember.

But how about herding
those cows on a bicycle.

How'd you do it?

Easiest thing in the
world... rode no hands.

Had to.

Otherwise I couldn't
lasso the cows.

I worked with Sam Gold,
the cows ran away.

Bicycles scared them.

Never saw hide nor
hair of them again.

Broke poor Sam's heart.

Took four aces, a deck of
red cards and walked to town.

Poker.

A fella in the game named
Harry Sotheby liked to gamble.

I told him, with a smile,
that I didn't think

He'd care that the
$100 I wouldn't

Hold four aces the next hand.

He called it.

My cards were red
on the blank side.

The other cards were blue.

I'd plum forgot all about it.

Showed him four aces.

Would have been
killed on the spot,

Except for the
hurricane that year.

Hurricane?

Well, you ain't forgot the
Hackensack hurricane of 1918,

Have you?

No.

There was no hurricane
in Hackensack

In 1918, or any other year.

There weren't?

Then what in tarnation do you
suppose all that commotion was?

And how come I come
to in Chicago, dream

One down State
Street at high noon?

They must have scared you.

No!

That wasn't it.

Now, you look up the
papers of November 1918,

And I think you'll find there
was a hurricane in Hackensack.

I remember sitting on the
roof of a two-story building,

Floating Northwest.

Northwest?

Now, son, don't tell me you
don't believe me, either.

Of course I believe you.

Living is an art.

It's not bookkeeping.

It takes an awful
lot of rehearsal

For a man to get to be himself.

You're the first man I've ever
met who's really believed me.

Ha-ha.

You give her the toys?

Yeah, I gave 'em to her.

She stop crying?

No, she started crying
harder than ever.

Mmm, that's funny.

I wonder why.

Here, play number seven.

Yeah.

Say, uh, Joe... if I'd have
got there a bit sooner,

Frankie would have
taken the bet,

And we'd have had
about $1,500 now.

How much of what
you've given me?

If she'd marry you, all of it.

Would you, Joe?

Joe, you think we'll ever have
$80 again sometime for a race,

When there's a 15 to
one shot that we like?

The weather's good,
the track is fast.

They get off to a good start.

Our horse doesn't get a
call until the stretch,

And we think we're going
to lose all that money,

And... and then he
wins... by a nose.

I didn't quite get that.

Well... you... you
know what I mean.

You mean the impossible?

No, Tom, we won't.

We were just a little
late, that's all.

We might.

Well, not likely.

Well, then, Joe,
how am I ever going

To get enough money
to marry Kitty?

I don't know, Tom.

Maybe you aren't.

Oh, Joe.

I gotta marry Kitty.

You oughtta see the crazy
room that she lives in.

What kind of a room?

Oh, it's little.

It crowds you in.

It's bad, Joe.

Kitty doesn't belong
in a place like that.

You want to take
her away from there?

Yeah.

Yeah.

I want Kitty to live
in a house that there's

Room enough to live in.

Kitty oughtta have a
garden [INAUDIBLE].

You want to take care of her?

Yeah, sure, Joe.

I oughtta take care of somebody
good, so I can feel good.

Well, that means you'll
have to get a job.

What can you do?

Well... I finished high school,
but I don't know what I can do.

Well, sometimes when
you think about it,

What do you think
you'd like to do?

Well, I'd like to sit
a around like you, Joe,

And have somebody
run errands for me,

And drink champagne,
take it easy,

Never be broke and not
have to worry about money.

That's a noble ambition.

Joe, I got to do
something for Kitty.

I got to.

Get my hat.

Yeah.

You mean you're going to get up?

She's crying, isn't she?

Yeah, but I've seen you
sit in one place from 10

In the morning till
two the next morning.

Well, at my best,
Tom, I just don't

Travel by foot, that's all.

Come on.

I'll find some way to
stop her from crying.

Doo-doo-doo, doo-doo... doo.

To the old.

To the new.

To children and small
animals, like little dogs

That don't bite.

To reforest... ration.

To unemployment insurance!

[PHONE RINGING]

Come on, all of ya!

If you're looking for
it, I'll give it to ya!

Who?

[INTERPOSING VOICES]

Nick?

Yes, he's here.

Nick, it's for you.

I think it's important.

It's important?

What's important?

Police sergeant.

Police sergeant,
that's important.

I'll do it for ya.

Quiet!

Quiet.

I want to hear this
important stuff.

I'm 58 years old.

Been married four times...
Father of countless children

Whose names I don't
even remember.

I haven't got no money.

I live from hand to mouth.

But if there's anything
I can do, name it,

And I'll do it for you.

Look, Pop, just a minute.

Please, sit down.

Go back to sleep... for me.

I can do that, too.

Yeah, sarge.

Girls with records
workin' in my place?

Has anybody made a
complaint against me?

Well, if it ain't a
complaint, what is it?

Grapevine?

Look, sarge, you've known
me for years, why do...

Listen, sarge, for
your information,

The grapevine's name is Blick.

He was here this morning, and
I told him not to come back.

He looks for trouble every
place, and he always finds it.

I don't break any
laws, and you know it.

I've got a dive in the toughest
part of town... five years,

Nobody's been robbed,
murdered or jipped.

I leave people alone!

Your swanky joints uptown make
trouble for you every night!

All right, all right.

I'll be careful.

Start playing again.

My ears have got a headache.

Go do your dance, son.

Trouble coming?

Weasel named Blick.

What kind of a weasel
is this weasel, Blick?

NICK: Very dignified.

Toenails on his fingers.

Anybody at all...
You can count on me.

That's my father.

Well, bless your heart, child.

Bless your lovely little heart.

NICK: Maria!

What are you doing here?

Now you get right home
where you belong, you hear?

Go on.

Go home, and help Grandma
fix Pop his supper.

Go on.

Go ahead.

Go on.

Go on.

I had a little daughter
point me out in a crowd once.

You're broke, ain't you?

Always.

Always.

All right, go in the kitchen.

Give Sam a hand.

Eat some food.

Anything at all.

I know a good man
when I see one.

Another beer?

Hello, Dudley.

Elsie!

Oh, Elsie, you'll never know
how glad I am to see you.

I'm sorry about not
answering the phone.

I love you, Dudley...

Just to see you.

I was afraid I'd
never you again.

It was driving me crazy.

I didn't want to live... honest.

I know you love me, Dudley.

And I love you.

But don't you see
it's impossible?

Maybe it isn't, Elsie.

Love is for birds.

They have wings to fly away
on when it's time for flying.

I know.

I know.

You told me before, but
I can't help it, Elsie.

I love you.

Ah.

Ah.

We should have knocked.

Oh, just go ahead with
what you were doing.

Pardon us.

Oh, please don't
leave on account of us.

And do have a lovely time.

Nick, what kind of a joint
are you running here?

Very strict... no
unescorted females.

Mmm, since when?

Since now.

Sgt. Finnegan called.

That mouth with
an elephant's body?

Spend your time at the movies
the next couple of days.

Movies?

They give me a pain.

All about love.

Pain or no pain, for
the next couple of days,

The flat-foots are
going to be romancing

You, so stay outta here.

I always was susceptible
to a man in uniform

With a badge, a club and a gun.

All right, get going.

We were just going.

We were formally
muddled at [INAUDIBLE].

Yes.

[MUSIC PLAYING]

(SINGING) Thorny was
the crown that he wore,

And the cross his body o'ercame.

Grievous were the
sorrows he bore,

But he suffered
thus not in vain.

May I to the fountain be led,
made to cleanse my sins below...

Thank you.

Next stage show, 10 o'clock.

There's nobody in this joint.

Hey, Kit Carson!

Whoa, Jenny!

[SCREAMS]

[SINGING]

(SINGING) and I shall
be whiter than snow.

Brothers and sisters.

Brothers and sisters...
I was a sinner.

I chewed tobacco and
I I drank liquor.

But now I've been saved.

Hallelujah.

(SLURRING HIS SPEECH)
Saved, saved, saved...

Amen.

Saved, saved...

Hallelujah.

Saved.

54 [INAUDIBLE] [INAUDIBLE].

Millions for defense, but
not one cent for a tribute.

The union must be preserved!

You may fire when
ready, [INAUDIBLE].

I'm goin' below.

[BAND PLAYING]

Nothing.

Nothing?

Nothing yet.

You wanted to
visit a honky-tonk.

Well, this is a honky-tonk,
and I've had enough of it.

No, wait.

Oh, Joe... what are we
going to do with this?

Take it outside, and give it
to some worthy hold-up man.

Wonderful.

(EXCITEDLY) Guns.

How should I know
who's a hold-up man?

Take it away.

Give it to somebody.

Do I have to give
it to somebody?

Of course.

Can I take it back and
get some of our money?

Stop talking like a tightwad.

Go find somebody who appears
to be in need of a gun,

And give it to him.

Simply marvelous.

Joe, how can I tell
who's in need of a gun?

Tom, you've seen good
people who have needed guns,

Haven't you?

Well, I... I don't remember.

I might give it to the
wrong kind of a guy,

And he might do something crazy.

All right, then give it to me.

I'll find somebody.

Here.

Uh, yeah, take this
money and get me,

Uh, this week's Time Life
Look, Pick and Click...

And, uh, 12 or 15
packages of gum.

Life, Time, Look,
Pick and Click,

And 12 or 15 packages of gum.

That's right.

All that gum, Joe?

What kind?

Mmm, all kinds.

Mix 'em up.

Any kind.

Licorice, too?

Ooh.

Licorice, by all means.

Juicy Fruit?

Mmm-hmm.

Juicy Fruit.

Tuity Fruity?

Tuity... is there such a gum?

Oh, sure, Joe.

That's the best kind.

All right then.

Tuity Fruity, too.

Get all the kinds... any
kind they're selling.

Life, Time, Look,
Pick and Click

And all the different
kinds of gum.

They're both mad.

Aw, wait, uh... get, uh...
Get some jelly beans,

Too... all the different colors.

All right, Joe.

And, uh... the longest
Panetela cigars you can find.

Six of 'em.

Six Panetela's... I got it.

Uh, wait, uh... wait, uh... give
uh... give a news boy a dollar.

OK, Joe.

Give, uh... give an
old man a dollar.

OK, Joe.

And give the Salvation Army
outside a couple of dollars,

And tell them to play
that song that goes,

Uh... let the lower
lights be burning,

Send a gleam across the waves.

Let the lower
lights be burning,

Send a gleam across the wave.

(SINGING) Some poor
dying, struggling seamen,

You may rescue, you may save.

OK, Joe.

I got it.

Time, Life, Look, Pick and
Click, all the different kinds

Of chewing gum that
that they're selling,

Jelly beans, six Panetela
cigars, $1 for a news boy,

$1 for for an old man,
$2 to the Salvation Army,

Let the lower lights be burning,
send a gleam across the wave.

That's it.

OK.

He's absolutely insane.

I can't help it if he's crazy.

Do you want to go back to
where people aren't crazy?

Oh, no.

Not for the world.

Well, all right, then.

Don't be telling me every
minute that he's crazy.

Well, you needn't
be huffy about it.

Presbyterian?

Went to a Presbyterian
Sunday school.

Fond of singing?

On occasion.

Get yourself a
glass, and sit down.

(SINGING) Let the
lower lights be burning,

Send a gleam across the wave.

Some poor drowning, struggling
seaman, you may rescue,

You may save.

Yes, you may save.

Always was fond of that song.

Used to sing it at
the top of my voice.

Never saved a semen in my life.

I saved a seaman once.

Oh?

Well, it wasn't
exactly a seaman.

Fella named Wellington...
Heavy-set sort

Of a fella... nice
personality, but no friends

To speak of... not until
I came along at any rate.

In New Orleans, in the
summer of the year of 1899.

I was a lot younger than,
of course and wore no beard,

But was regarded by many
people as a man of means.

You know anything about guns?

Ha.

All there is to know.

I didn't fight the
Ojibwe's for nothing.

Up in the Lake [INAUDIBLE]
County in Michigan.

Oh, about 1881 or '2.

Fought 'em right up to
the shore of the lake.

Made 'em swim for Canada...
One fella in particular.

An Injun named Harry Daisy.

Well, uh... what sort of
gun would you say this is?

Any good?

Well, that looks like a might
nice hunk of shooting iron.

That's a six-shooter.

I shot a man with
a six-shooter once.

Got him right through the
palm of his right hand.

Lifted his arm to
wave to a friend.

I thought it was a bird...
A fella named Caroway.

Larimore Caroway.

Well, uh... do you know
how to work one of these?

[CHUCKLES] Do I
know how to work it?

Oh, hand me that
little gun, son,

And I'll show you all about it.

Uh, yeah... yeah, that's
probably [CLEARS THROAT]

One of them new kind of
six-shooters, after my time.

Ain't nicked an Injun in years.

Eh, let's see now.

I think, yeah...
Get this, and then

This is supposed to
come up like... ow!

That's it.
That... there it is.

Ha-ha.

That look all right?

Oh, you got a good
gun here, son.

Yes.

I'll explain it to you.

See them little holes?

Well, that's where you
put the cartridges.

Oh, fine.

Show me how it's done.

Well... first, you put 'em
in one by one, like this.

That's one.

There's two.

Three.

Four.

Five.

Ah.

Well, this six-shooter
only holds five.

Then you put the barrel
back in place like that.

You cock it.

Then all you got to
do is aim and fire!

[SCREAMS]

[INTERPOSING VOICES]

Is it all set?

Oh, ready to kill.

OK, well let me hold it.

Ah, careful, son.

Don't cock it.

Many a man's lost an eye
foolin' with a loaded gun.

Feller I know
named Denny Dunovan

Lost a nose... ruined
his whole life.

Now... now, hold it firm.

Squeeze the trigger.

Don't snap it.

Spoils your aim.
Fine.

Well, let's see now
if I can unload it.

Of course you can.

Well, thanks.

I'm very grateful to you.

It's a beaut, son.

Ooh.

[BELLS RINGING]

Ha-ha!

Oh, boy.

There you are, Nick.

You thought I
couldn't do it, eh?

Now watch.

One.

Two.

Three.

Four.

Five.

And... six!

Oh, oh, boy.

What a beautiful country.

Hey, Nick.

I told you I could do it.

How about that?

You see... I knew I could do it.

Pretty good, eh?

I finally did it.

Ha-ha, oh, boy!

Isn't that wonderful?

[BELLS SOUNDING]

OK, how's that?

I knew I could do it.

Six nickels.

It took me a little while,
but I finally did it.

It's scientific, really.

With a little skill, a man could
make a modest living beating

The Marvel games... not that
that's what I want to do.

I just don't like the
idea of anything getting

The best of me... a
machine or anything else.

There's no other way a man
can be a success at anything.

I've never seen you
before in my life,

But I can tell from the
kind of clothes you wear,

And the kind of company you
keep, that you're a man who

Looks every problem straight in
the eye, and then goes to work

And solves it.

I'm that way myself.

Well, it's... it's
been wonderful talking

To a nicer kind of
people for a change.

Well, I'll... I'll be seeing you.

So long.

Goodbye, lady.

You've got a good man there.

Take good care of him.

So long, Nick.

Well, I'm a knock-kneed weasel.

You know, for a
while there, I didn't

Think that young Assyrian
was going to make it.

Hey, you know that
fella's got something.

You get it all?

Yeah.

Let's have some of
that chewing gum.

OK.

Yeah... Tuity Fruity, all right.

You know, I've
always wanted to see

How much gum I could
chew at one time.

Tell you what, Tom... I'll bet
that I can chew more at one

Time and you can.

All right.

I'll referee.

Did you get the, uh...
Get the jelly beans?

Oh, yeah.

Let's have a look at 'em.

I had a little
trouble finding 'em.

Mmm-hmm.

Same as ever.

I can remember the first
time I ever ate jelly beans.

Baltimore, 1878.

Joe...

Mm?

What'd you want to move
Kitty into the Park Plaza for?

Nice room...

There's two.

And, uh... three.

Oh, three.

Uh, good food, good clothes.

She'll be all right, Tom.

Gee, I hope so.

Don't you think she might
get lonely up there?

She hadn't got
anybody to talk to.

There's never anybody anywhere
for her to talk to, except you.

Me, Joe?

You know, you're the
other half of that girl.

You belong with that
little kid in Ohio

Who once dreamed of living.

I put her in that hotel
so she can have a chance

To gather herself
together again.

I... I want her to be
lonely for awhile,

So she can come
together the way she

Was meant to be
at the beginning.

Loneliness is good
for people, Tom.

And right now, it's the
only thing for Kitty.

Any more licorice?

Hmm?

Licorice.

Oh.

Gee, I guess we chewed
all the licorice in, Joe.

We've still got Clove,
double-mint, spearmint,

Beechnut, tea berry
and Juicy Fruit.

MURPHY: He's ahead of you, Joe.

You, uh... you really want
to marry her, don't you?

Honest, Joe... except I
haven't got any money.

Well, we've got to
figure out something

That you can do that won't
bother you very much.

I wish I could.

Tom, would you be
embarrassed driving a truck?

Say, I never thought of that.

Yeah, I like that.

Gravel and highways and
little towns and coffee

And hotcakes and beautiful
valleys and mountains

And streams and trees
and daybreak and sunset.

There is poetry in it at that.

Yeah.

Yeah, that's the kind of
work I oughtta do, Joe.

Here... here's a nickel.

Go call tuxedo 9-9-9-4.

Just sit there and travel
and look and smile and bust

Out laughing... ha-ha, oh!

Hey, Joe... can I take Kitty
along with me sometime?

I don't know.

Ask for Mr. Keith.

(MUFFLED) Hello.

I'd like to talk to Mr. Keith.

Muh... Mr. Keith.

Take that gum out of
your mouth for a minute.

Mr. Keith.

Yeah, that's right.

They're getting him.

(MUFFLED) Hello?

You win, Tom.

Hello, Keith?

Joe.

Fine.

Forget it.

Have you a place
for a good driver?

I don't know.

You haven't got a driver's
license, have you?

No, Joe.

But I can get one.

No, but he can get
one easy enough.

Stall the union.

He'll join later.

Sure, called him
a vice president,

And say he drives
for relaxation.

Sure.

What do you mean... tonight?

Well, I don't see why not.

All right.

I'll send him right over.

Huh, thanks.

Am I gonna get the job, Joe?

He wants to take a look at you.

How do I look, Joe?

Put up your head.

Stick out your chest.

How do you feel?

Fine.

You look fine, too.

Now look, Tom.

Here's uh... here's $10.

He may want you to
get into a truck

And begin driving to
San Diego tonight.

Ooh, I gotta tell Kitty.

I'll tell her.

Take good care of her, Joe.

Don't worry about her, Tom.

She'll be all right.

Now take a cab down to
Townsend and Fourth.

The Keith Motor
transport company.

He'll be waiting for you.

Get going.

OK.

Joe... Joe... thanks.

Don't be silly.

Have yourself a pleasant
smoke... on your way.

Give the slummers one each.

All right, Joe.

There you are.

What do you think you're doing?

Uh, really, dear... I'd like to.

Oh, this is too much.

I'd really, really
like to, dear.

Come on, now.

Take a big, deep draw.

The mother of four
children, and she's

Still looking for romance.

Hey, where you guys been?

We gotta have some
entertainment around here.

Can't you see them [INAUDIBLE]
people from uptown?

You said to come back at
ten, for the second show.

Did I say that?

Sure, you did.

That's exactly what you said.

Say, was the first
show all right?

That wasn't a show.

There was nobody here to see it.

How could it be a show
when nobody sees it.

I think people are afraid to
come down to the water front.

On account of the strike.

Yeah, come on back here.

I want you to tend
bar for a while.

Yes, sir.

I'm gonna take a walk
over to the pier.

You society people
made up your minds yet?

Oh, uh... have you
any boilermakers?

Two boiler...

No.

Oh, all right.

Have you champagne?

What do you think
he's been pouring out

Of that bottle...
Water or something?

Have you any on ice?

I got a dozen of 'em on ice.

He's been drinking champagne in
here day and night for a month

Now.

Bring us a bottle.

Bottle a champagne, Harry.

Rattle the keys a little, son.

Hiya, [INAUDIBLE]. [INAUDIBLE]

All the way down the line.

[PIANO PLAYING]

Hello, Kitty.

Hello, Joe.

Nice seeing you again.

I came in a cab.

Bring a glass.

Where's Tom?

Getting a job tonight...
Driving a truck.

Be back in a couple of days.

Oh, Joe.

Joe, I've gotta talk to you.

I...

You look fine.

Joe, I was never in burlesque.

We were just poor.

I tried... other things.

Here's to you,
Katerina Koranovsky.

Here's to you and Tom.

Joe, he asked me to marry him.

Mmm, you want to see
him... say goodbye.

But he's too good for me.

Tom's just like a little boy.

Too many things
have happened to me.

Kitty, you one of the few
truly innocent people I've

Ever known.

Now he'll be back in a few days.

Go on back to the
hotel and wait for him.

That's what I mean.

I can't stand being alone.

I'm no good, Joe.

I've tried... I've
tried awfully hard.

I don't know what it
is, but... I miss...

Oh, I don't know what
to tell you, Kitty.

I don't belong
at the Park Plaza.

What I've wanted all my
life... it's too late.

I didn't mean to hurt you.

Oh, you haven't hurt me.

I've never known
anybody like you.

I don't know much about love
anymore, but I know I love you.

And I know I love Tom.

I love you, too, Kitty.

Oh, Joe... what kind of
a life can I give Tom?

You're good for Tom.

Tom's good for you.

Think I should go back to
the hotel and wait for him?

I can't tell you what to do.

I think it might be a good idea.

Oh, Joe... it's so lonesome.

Mmm, might take a
whole week, Kitty.

Ooh.

Didn't you speak of reading
a book... a book of poems?

Oh, I didn't know
what I was saying.

Of course you knew.

I think you'd like poetry.

Wait here a minute.

Oh, please don't leave me, Joe.

Please, don't leave me.

Don't worry.

Where are you goin'?

To get you some books... poetry.

All right, Joe.

Taxi.

[HORN SOUNDS]

Where's Nick?

He went for a walk.

Shut up.

Who are you?

Harry.

What's your name, sister?

Kitty Duval.

What's it to you?

Where do you work?

I'm not working just now.

I'm looking for work.

What kind of work?

What kind of work?

You go jump in the Bay!

Don't give me any
of your gutter lip.

You can't talk to a lady
that way in my presence.

What'd you say?

Well, you've got no
right to hurt people.

Who are you?

[GROANING]

Is he a police officer?

I don't know.

Now, then... what kind of work?

Excuse me, mister.

But it seems to me
that you have no right

To talk to the
[INAUDIBLE] like that.

Shut up, I said.

Well, are you going to
stand for such insolence?

Are ya?

Come on, get out of here.

Now, then.

Let's start all over.

What's your name?

Kitty Duval.

Where do you live?

Until tonight I lived at
the New York Hotel... room 21.

This evening, I moved
to the Park Plaza.

Oh, the Park Plaza, huh?

It's a nice place.

Where do you work?

I'm looking for work.

What kind of work do you do?

I'm an actress.

I see.

What movies have I seen you in?

I used to be in burlesque.

You're a liar.

It's the truth!

What are you doing here?

I... I came here to see
if I could get a job.

Doing what?

Singin' and dancing.

(ANGRILY) You
can't sing or dance.

What are you lying for?

I can so.

I sang and danced in burlesque
all over the country.

You're a liar.

You're from Chicago.

Your name is
Katerina Koranovsky.

No.

You served two years
in the state pen.

You're an ex-con.

No, it's not true.

I... I was in burlesque.

My name is Kitty
Duval, I tell ya.

I- I sang, and I danced,
and... I said lines, too.

So you danced in
burlesque, huh?

Yes.

All right.

Let's see what you did.

No, I can't... it's...
It's... there's no music,

And I haven't got
the right clothes.

There's music.
Hey, you... play something.

Go on!

All right, Kitty Duval.

Get up on that stage.

Get going, now.

And let me see you
dance the way you did

In burlesque all
over the country.

Start playing.

I thought you said
you could sing.

All you what wonderful, dame.

You took my heart, and through
it (VOICE CRACKS) away...

Heh-heh-heh.

All right.

Start taking them off.

In heaven above.

What is this thing...

No.

No, I don't have to
take 'em off to be

Any more naked
than I am already.

All right.

I was never on the
stage before just now.

I made up lies about
myself, because I

Was ashamed of the truth.

Well, I'm not ashamed
now... I'm proud.

I'm proud, because I never
hurt anyone in my life.

You... you hurt
anybody you can find

Who happens to be
scared and weak.

Well, you finished
hurting me, because I

Just can't be hurt anymore.

I'll tell ya who I am.

I am Katerina Koranovsky.

I guess you know who you are.

Kitty.

What are you doing up there?

It's that man, Blick.

He made her do it.

He beat up the old man, too.

Blick!

[CLICK]

[CLICK]

[CLICK]

[CLICK]

[CLICK]

That dumb Tom...
Buys a six-shooter

That won't even shoot once.

Joe!

Kitty, you'll love
it in San Diego.

[INAUDIBLE] [INAUDIBLE]
[INAUDIBLE] [INAUDIBLE]

MURPHY: Eeh, [INAUDIBLE].

I never asked for a quarter,
but I always gave it!

Which way did he go?

The other way.

[INAUDIBLE] He hit me
while I was looking at him!

I'll have him hog-tied and
stoned before you know it!

Gosh, darn 'em, where is he at?

Take him to me. [INAUDIBLE]
the horns, I'll get him.

That's all I want.

I don't show you where...

Oh, they don't make
lariats like they used to.

(FEARFULLY) Mr. Nick.

Mr. Nick.

Mr. Nick.

Mr. Nick.

I'll catch him [INAUDIBLE].

I'll show you.

There he is.

You turn him around, Joe.

Turn him around my way.

Then duck. [INAUDIBLE] Hey,
Arab... give me a hand, will ya?

SAM: [SPEAKING FOREIGN LANGUAGE]

MALE SPEAKER 2:
Oh, no you don't.

[CHUCKLES]

Just be careful!

[SCREAM]

[CHUCKLES]

Deader than a mackerel.

I heard a shot.

What happened?

Will somebody tell
me what happened?

Just killed a man and
don't even know his name.

Blick.

Blick.

Heh.

It oughta look nice
on a headstone.

There goes my license.

You expect you'll
hang for this?

Just give me 10 minutes
ahead of the posse.

That's all I want.

Oh, gonna cheat the law, huh?

No, no, no.

I'm willing to take my
punishment, given I'm caught.

Hey, Kitty!

Kitty, I got a job!

Watch this.

Friends.

Friends.

Friends... I didn't like
the way this victim

Spoke to ladies
and hit gentlemen.

I am a man of few words,
but fierce action.

This man's thoroughly
unreliable.

I killed a man.

Didn't I, son?

Now where do you get
that stuff... killed a man?

Uh, I fired a shot at him.

Didn't I boy?

Sure, but you missed him.

I could have swore he was
as cold as a mackerel.

He was.

But this is what did it.

Then he's not dead?

No.

He's not dead.

It would have been kind
of nice if he had've been.

What are you
standing there for?

Nobody said anything profound.

You want to get
married, don't you?

Now that's a silly question.

Don't even answer it, Tom.

You do... don't you, Tom?

Well then why
don't you beat it?

You've got a girl.

You've got a job, and
you've got your health.

What more do you need?

Well, who's going to
take care of you, Joe?

I'm sick of the sight of you.

Bless you, and beat it.

Just a minute.

Ain't nobody gettin' married,
unless I kiss the bride first.

All right, Kit.

Heh.

Try following
that, young feller.

I better be getting out of here.

I can feel her
changing her mind.

I'll never change my mind, Kit.

Tom is faithful, handsome
and... and hard-working.

Who... me, Kitty?

My boy... you know, women
find me irresistible.

Kit, did I ever tell
you about the time

I fell in love with a
midget weighing 39 pounds?

Not you, son.

Down in Gallup, 20
years ago, a man

Named Rufus Jenkins
came to town with six

White horses and two black ones.

Said he wanted somebody to break
those horses... gift of a girl

Named Lucinda, who
had an iron claw

Where her right hand oughtta be.

Said, you broke up my home!

[LAUGHING]

Enough is enough.

[MUSIC PLAYING]