All language subtitles for The Man Who Knew Too Much (1934) Colorized Movie ¦ Leslie Banks, Edna Best, Peter Lorre ¦ Full Movie (inglés)

Oh my dear, what is she doing?

Oh, don't push, dear.

- Are you all right, sir?

- Better ask my nurse,

My English is not good enough for me to know.

- That daughter of mine seems to be

knocking 'em cold all before her time, isn't she?

- Knocking them cold, what does it mean?

- Oh, it's just an expression, you know?

- Lucky if you didn't catch your death of cold.

- Hello, Louis.

Good thing you didn't lose your head.

- Sorry I upset you.

- Don't mind, it was a very...

awkward moment.

- Come along now...we've been here quite long enough.

- Well, I think I must go back to the hotel now.

- Oh, no more jumping?

- No, that was my last chance.

Oh, your fault, terrible woman!

- It wasn't,

it was a silly little dog.

- I might have been killed, you know.

You realize that my last day here

might have been my last day on earth?

- Your last day here?

- You're not leaving tonight, are you, Louis?

- I'm afraid, yes.

By the last train.

- Oh, Uncle Louis!

- Why did you call me "uncle?"

- Well, you're just like an uncle, aren't you?

- How dare you, miss?

- We shall miss you, Louis.

- Mummy will cry her eyes out.

Won't she, Daddy?

- Yes, dear.

- You think so?

- Oh, she adores you, doesn't she, daddy?

- Yes, dear. - I am desolate to go.

As it's my last night, would you and your charming wife

accept to have dinner with me tonight?

- Well, she'd love it, both of us.

- Good.

- Oh, Uncle Louis.

I get awfully hungry in the evening.

- Yes, you get awfully sleepy, too, darling.

Long after your bedtime, my child!

- Oh, let me sit up, I'll sleep overtime tomorrow.

- Yeah, we'll ask your mother.

- Oh, yes, let's.

- Where is Jill?

- She's working off the finals of the clay pigeon shooting.

- I see. - I do hope she wins, don't you, Louis?

- Who is against her?

- That fellow Ramon.

- Well, then she's got to win.

- Why, don't you like him, trouble?

- Do you?

- I don't know, he's all right.

Bit of a bore, but he means well, doesn't he?

- Why don't you like him?

- He's got many too many teeth

and too much brilliantine.

- Sworn enemies, eh?

- You English have such a sense of humor.

- Well, I can't say I hope you'll win.

- I'm sure that you will.

So beautiful, so clever.

- Yes, well, let's get on with it, shall we?

- Are you ready?

- Mummy, may I stay up tonight?

- Oh, darling, ask me presently.

- Oh, say yes now, just for luck.

- You little wretch, look...

here's that brooch you wanted,

now will you run away and be quiet?

- Ohh, it's--

Daddy, don't you like it, mummy gave it to me.

- Here, shut up darling, or they'll forbid you.

- Sorry.

I'm not a baby!

- Let that be a lesson to you.

Never have any children.

- That was your fault, fathead!

- It wasn't!

- Betty!

You know your child's gonna cost me the match, don't you?

- Well, she's your child as well as mine, isn't you?

- Well, if I lose this game, I'll disown her forever.

- I am sorry you lost, Madame Lawrence,

but I am delighted I won.

Please, you understand me?

- You're a marvelous shot

and I know what I'm talking about.

- You make me blush.

- We must have another battle one day, shall we?

- I shall live for that moment.

- Well, you would have this child.

- Oh, Madame Lawrence, you English are extraordinaire!

Ahh...

my love!

- Ahh, my darling!

- My lunch!

- You can keep your brat.

- Thank you.

I'm just going off with another man.

Darling...you go to bed early.

With Betty.

- Poor Daddy.

- Sir, you have beaten my wife

and she has gone off with another man.

You are a dirty dog!

- You are as comical as your charming wife!

- Is that Mummy's knitting?

- Yes. Why?

- Bring it over.

- Go on Louis, perform.

- What do you mean?

- Do your stuff.

What do you think of the average Englishman?

- Much too cold.

Except when he drinks too much, of course.

- Is that jumper for him?

- Of course it is.

Did you think it was for you?

It's a memento.

- To wear over my beating heart.

- Has it been fireproofed?

- Daddy, don't!

- Oh...

Look!

I'm sorry.

Quick...

Tell Bob...

My room, my brush, in my room.

Take it to the British consulate.

Or to...

Gibson...

- Louis!

Don't breathe...

Don't breathe a word to anyone.

- Betty, will you be a good girl and run up to bed?

- Go on, darling, buzz off, it's all right.

- All right.

- It's a bullet. - That's what I'm saying!

Smashed the window!

- Any letters?

- Yes, sir, two.

- Bob! - What's the matter, honey? - He's dead, it's horrible!

- Bob, listen. - No, no, no, the police-- - There's something behind all this.

He said you were to go straight to his room.

Something about a brush.

Here's the key, he gave it to me.

Oh, Bob, what can this all mean?

- Well, we'll soon find out.

- Good evening, is anything the matter?

- Nothing, nothing at all.

- If I were you and if I found...come on, hand it over!

- Pardon, sir, but no doubt there is an explanation.

- Of what? - Oh, why, why you were in that room,

Monsieur Bernard's room.

It is irregular!

- Oh, yes, that, that's easy to explain.

Anything I can do to help.

Can you get the British consul for me on the phone?

- No doubt, but first--

- Yes, first.

I've something very vital to tell him.

- The British Consul? - Yes, please.

- Perhaps it will be better

if you will kindly come to my private room for a moment.

- Of course I will, certainly.

- Thank you very much.

It is the purest formality.

- Oh, yes, of course.

- Pardon me, but in my position--

- Oh, yes, of course, it's quite all right.

- This way sir, please.

- I say, you won't forget that I want to

speak to the British consul on the phone, will you?

- Presently, mein herr, certainly, at once, certainly.

Mario, post the letter.

- I must go and talk to my wife.

- I'm very sorry,

but the commissary wishes to see each one separately.

It is formal.

But you know him well, he was your friend.

Yes, he was our friend,

but we knew very little of him, hardly anything.

- Excuse me, do you um...

Can you tell me if the British consul is in town today?

Oh...

Can you...

the British...

The British Consul...

You know, the man who comes with the passports...

is he here?

Herr?

No, I don't mean is he herr, a man, I mean, is he here?

- Here? Nein.

- Listen,

Is he here in St. Moritz?

Look.

The British Consul?

Oh, damn.

I can't remember how far he was from the window,

everything was so sudden.

Think, madame.

- Now, look here, you must let me go in there

and talk to my wife.

- But you cannot, sir.

The commissary is giving orders, in charge here.

What can I do?

Please excuse.

- Now, listen...

If you don't mind, I must...

- Must? - Captain Lawrence?

Please.

- Oh, thanks so much.

- It was left at the desk of the hall porter.

It was marked very urgent.

- Thank you.

Just before he died,

you remember that, madame?- Wait a minute.

- He said you have to go! - Well, I'm sorry.

Excuse me, I've got a message for my wife.

The Mitchinson's can't come to lunch tomorrow.

I guess we'll have to put the other people off, too.

What is that note?

Give it to me!

- I have nothing to add

to what I've already said, inspector.

Nothing whatever. - There's no use talking

like that Mr. lawrence, it just won't do.

Now, on March the 10th,

you and Mrs. Lawrence went to Switzerland.

- Thank you. Yes.

- To St. Moritz.

- Yes.

- With your little daughter.

- Yes.

Whisky and soda?

- Oh, thank you.

On March the 19th, you returned to London.

Ooop, ooop, ooop! - Oh, sorry.

Yes. - Thank you.

You returned to London

without your little daughter.

- Yes.

- One for you? - Thank you.

- Where is she?

- Staying with her aunt.

- What's this aunt's name?

- Mary.

And where is she staying with this aunt?

- In Paris.

- Street and number?

- It's a rather complicated French name,

rather difficult for an English person

to remember, I'm afraid.

- One for you? - Oh, thank you.

- By the way,

why were you so upset the night you left Switzerland?

- I'm not aware that I was upset.

- Was it because your child had been...

kidnapped?

And another thing,

my point is this;

he's not the sort of chap to...give things away

and lose his head, and spill the beans,

and all that sort of business.

See what I mean?

When I was in the Navy--

- Is that train electric?

- Yes, 20 volts.

Best present I ever gave the kid.

Doesn't play with it now, does she?

- She never did.

You never gave her a chance.

- I say, you mustn't get jumpy, you know?

Really you mustn't.

What I mean to say is,

once you begin that sort of thing, lose grip, and...

- I know.

I'm all right.

Oh, Clive...you've got Pullmans and coal trucks

on the same train.

- Good Lord, I have!

Is that your last word, sir?

Absolutely.

Well, I'm sorry to have to say it, sir,

but I don't believe you and that's that.

It's your duty as a citizen, Mr. Lawrence.

Oh, thanks for calling.

- You may be sorry.

- Don't drop in again.

Hello, you still here?

You lost your whistle or something?

- I'm not a policeman.

My name's Gibson.

I'm secretary to Sir Norman Wood of the Foreign Office.

- Oh, really?

Never heard of him.

However, how do you do?

Your friend Louis was one of our people.

Special Service.

- You didn't know that, did you?

- I'm afraid not, no.

- You didn't happen to find anything in this brush, did you?

- Nothing much.

I'm terribly busy, I--

- But enough to justify somebody

kidnapping your child to keep your mouth shut.

- I never said so.

- Nonsense.

When Louis Bernard was killed,

there was a paper in this brush.

- How terribly thrilling.

Darling,

you haven't told them anything, have you?

- Not yet, Mrs. Lawrence,

but I think he's just about to.

- Jill dear, this is Gibson

of the Foreign Office come to see us

- How do you do?

Oh, of course, I quite understand,

but I think if you listen to me,

you'll appreciate why I have to bother you.

Has either of you heard of anyone,

a foreign statesman of the name of Ropa?

- Ropa, I don't think so, have we dear?

- R-O-P-A, Ropa.

- No. - Oh, well, if you haven't heard of him,I suppose it doesn't worry you much

if he's likely to be assassinated.

- What's that got to do with us?

- Patience, Mrs. Lawrence, and I think you'll see.

Louis Bernard was killed

because he knew of a plot to assassinate Ropa.

A few hours later, your child was kidnapped, why?

Because, by that time, you were in possession of that vital information.

It was written on the piece of paper

you found in Bernard's shaving brush.

Mr. Lawrence, Ropa is in London

and an attempt may be made on his life.

My department must protect him.

Now, will you tell me what was on that paper?

- I'm sorry, I'm afraid I can't,

but I can tell you what's written on another piece of paper.

But our child had been kidnapped,

and if we spoke we'd never see her again.

It's her life against this fellow Ropa's.

Why should we care if some foreign statesman

we've never even heard of were assassinated?

- Tell me, in June 1914,

had you ever heard of a place called Sarajevo?

Of course you haven't.

I doubt if you've even heard of the Archduke Ferdinand.

But in a month's time because a man you'd never heard of

killed another man you'd never heard of

in a place you've never heard of, this country was at war.

- But I-- - Don't tell him, Bob.

I'm sorry, Mr. Gibson, but we're not interested.

What you've told us may be true, but our child's in danger.

That comes first, it must come first.

You see that, don't you?

- Mrs. Lawrence, do you realize

the type of man we're dealing with?

Do you think they draw the line at murder?

Besides, how do you know the child's alive?

How do you know they haven't--

- All right, hold on a minute.

Someone on the phone in the hall.

It's about...about Betty.

- Switch it through here, will you?

All right, I will.

- Hello?

!Good afternoon, Mr. Lawrence.

Please listen very carefully.

We don't want to interrupt your chat

with the gentleman from the Foreign Office,

but we think we ought to remind you

that if you tell him anything of what you know,

you will never see your child again.

Just a final warning.

- Yes, but I want to--

- Bob, what is it? - I don't know, somebody playing the fool or something.

Hello?- If you think somebody's fooling you,

perhaps you'd like to speak to the child yourself.

!Hello, Daddy.

- Betty!

- Hello, my darling.

!Hello, mummy...is that you?

- Are you all right?

!Yes, Mummy.

- Plenty to eat?

Ask her where she is.

!Yes, mummy.

How are you getting on without me, mummy?

- I'm missing you terribly, darling.

Uncle Clive and I have been ...playing with your trains.

- Ask her where she is.

!Oh, mummy, I want to come home!

Oh, I do want to come home!

- So you shall, darling.

Very soon.

- Ask her where she is!

- I'll come and fetch you.

Darling,

Where are you?

!Mummy, they won't let me...

- Darling?

Betty?

- Steady, old girl, steady.

- Did either of you recognize the first voice that spoke?

- Oh, for God's sake!

I'm sorry, but can't you leave us alone?

- I say, would it be possible to trace that call?

- No, it's no good, the telephone people would never tell.

- Hello?

Give me special, please, quickly.

Hello, this is G speaking.

Were you listening?

Where did the last call to this number come from?

Wapping?

Public call box.

Notify Scotland Yard to have a plain-clothed man

posted on every corner of the district.

Well, get them from other districts.

Wapping, does that convey anything to you?

- Nothing whatever.

- Well, if there is any trouble,

I hope you'll remember you're to blame.

It's not a very nice thing to have on your conscience.

- All right, Bob, I'll see him out.

Ask Lawrence to talk it over again when I'm gone.

You know where to ring me if you want me.

Yes, thanks. Goodbye.

Clive, here a minute.

- Yes?

- Are you coming?

- Where to?

- Wapping.

- Of course, look here,

I'll get our hats and coats and things.

- Why?- You know those plain-clothed men that Gibson ordered?

If these blokes who've got Betty see them,

they'll think we've given them away.

Our only chance is to act ourselves, double-quick.

- Oh, I'm coming, too. - Oh, no, no, you stay here.

Keep on the end of that phone.

If there's any news, we'll get through to you.

- Oh, darling, I can't risk losing both...of you.

- Blow your nose.

You won't lose either of us.

- What about your food?

- Oh, leave me a bowl on the mat.

Here, do you want this?

Well, there can't be many George Barbors in Wapping.

Couldn't think of another one in that pub anyway.

Come on, let's go.

- Look. - What?

- Are they plain-clothed men over there?

- All right, come along.

Here we go.

- Yeah, just a minute.

Think these things are all right?

- I think so, you look terrible.

I say, Clive...

Any questions asked, we're just off a boat.

- Good idea, when I was in the Navy--

- Good idea, when I was in the Navy--- How are your teeth?- How are your teeth?

It seems a pity.

Come on.

Let's have a dash for it.

- Right-o.

- Bit grim, isn't it?

- Yes.

- Good evening.

My pal here's got a rather bad toothache.

- I'll look at it.

- Come along.

Here.

Oh, poor old boy.

- Five shillings.

- Five shillings.

- Give him five shillings for me, will you, please?

- Just a minute.

- Better have a look at mine while we're about it.

- What's wrong?

- I've had a terrible toothache today.

Have a look at them, will you?

- All right..

- Yeah, you stay outside and keep your mouth shut.

- Please.

- Has he arrived?

- Not yet.

Just off a ship?

- Yes.

- Which one?

- Saxon.

- She's not due until tomorrow.

- Oh, no, I...

I got off at Tilbury.

Came on by train.

- Tough skipper, old Turner.

- Not half.

Left her, last voyage.

- Yes, of course, that's right, I...

What I meant was--

I was wrong.

The voyage before last.

- Yes, of course.

Slipped my memory.

- Nothing much wrong with your teeth.

- I think you're right.

It's not hurting as much as it was.

I'll be off. - Wait.

- Why, what's the trouble?

- There's one there better come out.

- I think I'll chance--

- Sit down.

- Hey, doesn't a doctor have to do that?

- Has he come?

- Oh, there you are, had a good crossing?

- No, sick all the way.

It is the last time I let myself be smuggled

into this country for you or anybody else.

- You will be smuggled, my friend,

when, how and where I am pleased

for you to be smuggled.

Yes?

It's your fault for having such

a wonderful aim with your gun.

You must pay the price of your genius.

- Everything ready for tonight?

- I have arranged a box for you...most conveniently placed.

- Any trouble with the charming Miss Lawrence?

- As quiet as a little mouse.

- And where is the little mouse now?

- Oh, in a little hole in the ground somewhere.

You shall see.

Your last job tonight?

- No, first.

Well, Clive, which way did they go?

- Where's Betty, found out anything?

- Yes.

- Shall I give Jill a ring?

- No, no, come along, hurry.

- You sure they went in there?

- Must have, almost certain.

I say, Clive, look!

What are they, Bob?

- Sun worshipers.

Probably they've got nothing on!

Come on, let's go.

♪ !Praise be the source of light

♪ The sun whose bonny rays

♪ Set forth all power and light

♪ And life doth fall away

♪ Praise be the gift of the world

♪ Clive, Clive, Clive...

♪ That woman at the end.

♪ Half left to you and me.

♪ What is the row, old man?

♪ I don't see what you mean.

♪ La la la la...

♪ Stand by...

♪ There's trouble coming soon.

- Perhaps those who may be among us tonight

for the first time,

and who have not yet become initiated into the mysteries

of the First Circle of the Seventh Old Ray

may be wondering what is going to happen now.

I will tell them.

Before proceeding to the mysteries

which are only for the initiate,

it is of course necessary for the minds and souls of us all

to become purged and to be made clean.

I'm therefore going to ask anyone here

who is not in tune with us

to submit to a very simple process of control.

Merely place him or herself

under the guidance of the Fourth Circle.

Is there anyone here tonight

who would care...

Perhaps you?

Relax.

Keep your eyes fixed on this light.

Keep them fixed.

Before receiving the first degree of the Seventh Old Ray,

your mind must be white and blank.

You are already feeling sleepy.

Do you hear me?

- Yes.

- Your mind is becoming quite blank.

You feel that, don't you?

Quite..

Quite blank.

- Yes.

Quite...

blank...

- I think that will do for the moment.

Will all those who are not of the Fourth Circle,

please leave as quietly as possible?

- You're not going to leave your friend, sir, are you?

- Hello!

- Good evening.

I hope you weren't very rough with him.

You see, he's subject to apoplexy.

- Who?

- Who?

Poor old George Barbor down at Wapping.

- It's all right in here?

Thank you.

- I ought to have mentioned it to you, perhaps.

You should learn to control your fatherly feelings

and not drop things on the floor, please.

Collected our brother's little offering yet, have you?

- Oh, sir, I forgot.

- Pardon me.

Dangerous.

Perhaps you would care to join our little circle now,

Mr. Lawrence, yes?

- Oh, thank you very much.

Excuse me.

Why, if it isn't our friend the sharpshooter!

- Nice to see you again, Mr. Lawrence.

- Thank you.

Nice to see you.

Now, is my young daughter all ready to go home yet?

- Oh, no, sir, she's asleep...

- No shooting...you don't want the police here, do you?

Start playing that organ or they'll hear this noise outside.

- Clive!

Clive!

Clive!

Clive!

Clive!

Through the window!

Phone Jill!

Tell her to go to the Albert Hall!

Call the police!

- Sorry.

Please forgive me.

Get down to Mrs. Lawrence.

Tell her if she goes to the Albert Hall tonight,

her child is...

Come on.

Let me get at her!

- Mr. Lawrence, please.

- The young girl--

- Who?

- Hello?

- Hello.

- Clive! - Listen Jill...you know that chap we were looking for?

Yes, A. Hall...

It isn't a chap at all!

No, it's the real hall, Albert Hall.

- The Albert Hall?!

- Betty...we're on to her all right.

Listen, Bob says you're to go to the Albert Hall.

- Now?

- Yes, now, you are to do what you can,

that's where it's happening.

You know, go to stop it.

- But when? - No, no, no time now, must get off for the police.

- Hello, is that Mrs. Lawrence?

- Mrs. Lawrence...I'm afraid she's just this minute gone out.

- Will that be all for tonight, sir?

- No...I shall want you to stay, yes?

- I'd rather go now, sir.

My husband wants his supper.

Besides, I don't want to be mixed up in any nasty business.

- Rawlings?

- Hello?

See that Mrs. Sprocket stays, eh?

See to it.

- Are these poisoned?

- Have a drink?

- Thanks very much, I'll have a gin and French.

Is this where you write your sermons?

- Sometimes.

Come, come, don't blush, please.

Have you never been to the seaside?

You called her?

- No...

She'd gone!

- Well, I've...no doubt we can arrange

to deal with it in some OTHER way.

- That's my pal with the cops.

- If he runs, you gentlemen shoot him...give him a bad leg.

No one will hear.

So long.

Ah, here he is again.

Officer, this gentleman has been a great trouble tonight.

- Nothing of the kind, officer.

My pal has a little girl...

at least he HAD her...now, that's the whole point, we came down here to look for her.

And these chaps, I mean, this fellow here,

they're crooks, officer.

- He's a little intoxicated, officer.

His friend was bad enough, but he's worse, isn't he sister?

He's constantly creating scenes in this church.

- Look here, the pair of you...

- Disorderly behaviour in a sacred edifice.

Is that what you want to charge him with?

- Alas, yes.

We don't wish to press it, officer,

but we've been very patient, haven't we, sister?

- Oh, but dammit, I--

- Now, What have you got to say for yourself?

- Look here, tonight... my friend and I...

- Where are they?

- Who?- Well, the whistle...the whistle that was blowing just now.

- Oh yes, the arm of the English law

needed help taking our friend to the station,

very, very reluctantly,

I have given him a charge.

- For disorderly behavior in a sacred edifice.

Hmmm....

- I forgot, the little one, shall she join us?

- Do you mean Betty?

- One of the sweetest children I ever met.

Bring her, please.

You know, to a man with a heart as soft as mine,

there is nothing sweeter than a touching scene.

- Such as?

- Such as a father saying goodbye to his child.

Yeah, a goodbye for the last time.

What could be more touching than that?

- I'm afraid if you expect a scene from me,

you are going to be disappointed.

- We shall see.

Why do you look at me like that?

Betty!

- Daddy!

Daddy!

- Oh!

You all right, darling?

There, there.

I say, darling...

awfully smart dressing gown.

Where did you get it?

Betty...

Betty, I want to tell you something.

Here, oi!

Listen, your school report's come.

Awfully good.

Really.

- Let's go.

Where's Mummy?

- Come on, tell her.

At the Albert Hall, my dear.

Oh, that reminds me, your scene was so charming,

I was almost forgetting...

- What is it?

- A record of the delightful piece

which they are playing at the Albert Hall tonight.

Charming, yes?

- And what of it?

- Oh, yes, I forgot.

Music is less in your line than marksmanship.

If you listen, my dear Ramon,

I'll show you the exact moment at which you can shoot.

Now, listen carefully.

There.

See, at such a moment, your shot will not be heard.

I think the composer would have appreciated that.

No one will know.

- Except for one.

- Ohhh...

- You are clever, my friend.

Come, you must start soon.

It's impolite to be late for a concert.

And tell Mrs. Lawrence...

her little Betty and her husband are very well.

Anything else?

- Tell her they may soon be leaving us.

Leaving us for a long, long journey.

How is it that Shakespeare says...

"From which no traveler returns."

A great poet.

- Daddy, daddy, let me go, daddy, daddy, let me go, daddy!

- Is that it?

Sounds as if it went off all right.

- I hope so, for all our sakes.

- Quick, there he goes!

- Follow that car!

You, come with me.

Well?

It's all right.

- What was that scream?

!We have apologize to listeners

for the delay which has occurred in the broadcast

of the concert from the Albert Hall.

An attempt has been made to assassinate

the distinguished European diplomat Monsieur Ropa

who was attending the concert.

- Attempt?

!We are happy to say, however,

that the shot fired merely caused a slight flesh wound

in Monsieur Ropa's shoulder

and he has been able to return home.

We are now taking listeners back to the Albert Hall

for the rest of the concert which has already started.

- It must've been that damn woman screaming!

- Were you followed here?

- No one saw me leave the building.

I couldn't have been followed!

- I hope you are right for your own sake.

For dear little Betty's...

Call the others!

- Abbott wants you, come on.

- Take a look.

- Gangway, please. - Gangway, please.

- Looks like an all night job to me.

- Baker!

Listen Baker, I want you to go across

to their front door and knock.

Once that door's open, see that it stays open

'till we get across.

Do you understand?

- Yes, sir.

- Quick, come on, boys!

- Do you know anything about that house?

What about the child, any idea if the child's inside?

- I know no more than you do, God, I hope not.

- All I know is they went to Wapping

because my husband said...

- What's up? - We've got orders to clear these streets.

- I've got orders to clear my box.

- Anything further, Binstead?

- No, sir.

We can't do anything against them with revolvers,

so I've sent to try and raise some rifles.

- Where from?- There's a gunsmith's a few streets away, sir.

I've sent the lorry.

- It's the rifles, sir.- Good, put the men in the house opposite at the same level.

Get in by the back door.

- Very good, sir.

You take charge of the firing party,

I'll send the men into you.

- And clear the people out of the houses you occupy.

- Very good, sir.

Where's your back yard?

- Through the kitchen, this way.

- Sergeant, leave a couple of men next door

on the ground floor.

I'll take the rest in here.

Come on, whose rifle is this?

It's mine.

- What's the trouble? - 'Fraid you'll have to shift your family out of here.

- I ain't married.- All the better for you, now you wait out here, it'll be safer.

We've got business inside.

- Much better if you waited outside, you know?

- I only come in to see if everything was all right.

- Stop that, this is a scrap, not a smoking concert.

That piano will make a nice rest, let's move it over.

- Good God, come away from that window, you'll get killed!

You've got to get out of this room,

the police want to come in.

- Take your tunics off.

Don't touch that blind 'til you're in position.

When you hear my whistle, open fire.

- Yes, sir.- Better take that mattress across, give you a bit of cover.

- I've come straight off point duty.

I could do with a bit of a sleep on that meself.

Still warm, too.

- Tell your missis about ya!

Are you ready?

- Wait a minute...

- There must be some way through to the house...

Try all these doors.

- Come on, boys, try the doors.

- They're locked, sir!

- Well, smash them in!

- Go on, break 'em right down, go on.

- They're in, they're all in!

- It'd be safer if you were farther up the street, madam.

- My God, that's done us!

- More ammunition wanted.

- All right, get it.

- No...I finish.

I don't go on!

- You took this on for our cause

and you've got to go through with it.

- We ought to have taken a chance...

We ought to have shot our way out.

- I never ordered the first policeman to be shot.

Now, we will have to try and use the child.

Go and fetch her.

Go and fetch her, yes?

- I keep her close, then, if they get me, they get her too.

- They're scarcely replying to our fire at all now, sir.

- My God, look at that!

- It's Betty!

- Stop them firing!

Quick, get that man!

- I daren't, sir, I might hit the kiddie.

- Two men on the roof after the girl.

Sergeant, look after him.

The rest of you, come with me.

Hello, darling.

Come on, you're all right.

- No.

- Here's Mummy, look.

It's all right.

- It's all right.