Original subtitles

We watch films here to learn something about

We watch films here to learn something about

We watch films here to learn something about television today, to

television today, to

television today, to watch television and to make television.

watch television and to make television.

watch television and to make television. We become aware of a few filmic

We become aware of a few filmic

We become aware of a few filmic processes and we consider what

processes and we consider what

processes and we consider what follows from a few chemical processes.

Documentary films used to be another

Documentary films used to be another

Documentary films used to be another word for documentary, travel film, if

word for documentary, travel film, if

word for documentary, travel film, if you have one When you travel a long distance,

you have one When you travel a long distance,

you have one When you travel a long distance, every picture you bring with you is valuable

[Music]

[Music]

Strange beaches Strange people Plants Animals

Strange beaches Strange people Plants Animals

Strange beaches Strange people Plants Animals Buildings Films of people whose

Buildings Films of people whose

Buildings Films of people whose movements have mysterious senses

movements have mysterious senses

movements have mysterious senses

[Applause]

[Music]

[Music]

[Music]

[Music] The movements of these strange people

The movements of these strange people

The movements of these strange people are expressive because they come from a

are expressive because they come from a

are expressive because they come from a traditional religious culture

traditional religious culture

traditional religious culture

[music]

[music]

[music] [applause]

[applause]

[applause] [music]

the religious culture also creates a

the religious culture also creates a

the religious culture also creates a connection between people and the landscape

connection between people and the landscape

connection between people and the landscape

connects the movements of people

connects the movements of people

connects the movements of people with nature

and when living and working in the

and when living and working in the

and when living and working in the village community the movements of

village community the movements of

village community the movements of people are related to one another related

[music]

[music]

[music] [applause]

[applause]

[applause] [music]

[music]

I'm well on board at the moment

[music]

[music]

[music] the relationships between people

the relationships between people

the relationships between people are visible because they happen in the

are visible because they happen in the

are visible because they happen in the community of one word and

community of one word and

community of one word and not, like with us, in an

not, like with us, in an

not, like with us, in an unmissable society and the

unmissable society and the

unmissable society and the Camera highlights the relationships

Camera highlights the relationships

Camera highlights the relationships by recording the gestures of the people,

by recording the gestures of the people,

by recording the gestures of the people, the bodies and limbs more than

the bodies and limbs more than

the bodies and limbs more than the faces, and the montage puts the

the faces, and the montage puts the

the faces, and the montage puts the movements of the individuals together into a

movements of the individuals together into a

movements of the individuals together into a coherent sequence

[Music]

[Music]

[Music] Hans Klok

Hans Klok

Hans Klok [Music]

[Music]

[Music] documentary travel film the images from

documentary travel film the images from

documentary travel film the images from abroad show us Something that we

abroad show us Something that we

abroad show us Something that we don't have but that we

don't have but that we

don't have but that we can imagine, for example a community in

can imagine, for example a community in

can imagine, for example a community in which the movements of people

which the movements of people

which the movements of people are related to one another.

are related to one another.

are related to one another. Here you can see unedited photos

Here you can see unedited photos

Here you can see unedited photos that Eisenstein took in Mexico in 1930. He

that Eisenstein took in Mexico in 1930. He

that Eisenstein took in Mexico in 1930. He had a girl make movements in order to

had a girl make movements in order to

capture the image of an original movement

with one mirror he shined light on the

with one mirror he shined light on the

with one mirror he shined light on the girl's face

girl's face

girl's face Eisenstein found foreign images in Mexico

Eisenstein found foreign images in Mexico

Eisenstein found foreign images in Mexico and cultivated them for our eyes

the film song on Ceylon is divided into chapters

the film song on Ceylon is divided into chapters

the film song on Ceylon is divided into chapters the structure says we are

the structure says we are

the structure says we are not giving a representation of the

not giving a representation of the

not giving a representation of the whole thing here we are talking about two three things

whole thing here we are talking about two three things

whole thing here we are talking about two three things that we Know

that we Know

that we Know what you can remember for

what you can remember for

what you can remember for work today instead of a cursory

work today instead of a cursory

work today instead of a cursory view of the whole thing, it's better to show a few

view of the whole thing, it's better to show a few

view of the whole thing, it's better to show a few details in detail and if you show a few

details in detail and if you show a few

details in detail and if you show a few details in detail, maybe you

details in detail, maybe you

details in detail, maybe you 'll get an idea of ​​the

'll get an idea of ​​the

'll get an idea of ​​the whole thing.

whole thing.

whole thing. I'll just give a few details

I'll just give a few details

I'll just give a few details about the film song ceylon teach

these numbers also indicate the

these numbers also indicate the

these numbers also indicate the verses of the song that this film is

verses of the song that this film is

verses of the song that this film is a music made of images this music is

a music made of images this music is

a music made of images this music is also composed of very different images

also composed of very different images

also composed of very different images at the beginning when it

at the beginning when it

at the beginning when it is told about the old religion there are

is told about the old religion there are

is told about the old religion there are images as if from a studio or

images as if from a studio or

images as if from a studio or greenhouse in superimpositions to

greenhouse in superimpositions to

greenhouse in superimpositions to create something artificial

[Music]

[Music]

The

The

The pictures that describe the current

pictures that describe the current

pictures that describe the current Buddhist religion have a completely different character in

Buddhist religion have a completely different character in

Buddhist religion have a completely different character in these pictures that the real

these pictures that the real

these pictures that the real process from which they are taken can still be

process from which they are taken can still be

process from which they are taken can still be seen

the boys a gentleman Julia

Weinheimer

Weinheimer

Weinheimer only

as a pilgrim resting on a bench

as a pilgrim resting on a bench

as a pilgrim resting on a bench Set is what is presented in

Set is what is presented in

Set is what is presented in a very high cinematic narrative,

a very high cinematic narrative,

a very high cinematic narrative, recorded from two camera

recorded from two camera

recorded from two camera points of view and put together into a brittle

points of view and put together into a brittle

points of view and put together into a brittle narrative, something that

narrative, something that

narrative, something that happened and which was adapted to with the

happened and which was adapted to with the

happened and which was adapted to with the recording devices

recording devices

recording devices [music]

[music]

[music] completely different from the man who steps onto the veranda

completely different from the man who steps onto the veranda

completely different from the man who steps onto the veranda to the children dancing practice he

to the children dancing practice he

to the children dancing practice he appears the way the

appears the way the

appears the way the equipment was used for the film recording the

equipment was used for the film recording the

equipment was used for the film recording the film narrative is completely closed

film narrative is completely closed

film narrative is completely closed a production

holds

holds

holds this world

and then there is the bird which is

and then there is the bird which is

and then there is the bird which is made up of several birds which

made up of several birds which

made up of several birds which belongs to a stone Buddha

belongs to a stone Buddha

belongs to a stone Buddha [music]

[music]

[music] [applause]

[Applause]

the soul flies up in a children's book

the soul flies up in a children's book

the soul flies up in a children's book I say once a drawing of a

I say once a drawing of a

I say once a drawing of a girl who died at the end of the book

girl who died at the end of the book

girl who died at the end of the book and her soul figuratively flew up from her mouth

and her soul figuratively flew up from her mouth

and her soul figuratively flew up from her mouth as a dove to comfort the children

as a dove to comfort the children

as a dove to comfort the children

[Music] [Music]

[Music].

[Music].

[Music].

and there is a sequence of happy

and there is a sequence of happy

and there is a sequence of happy events that a man

events that a man

events that a man tells others in the evening, or rather that

tells others in the evening, or rather that

tells others in the evening, or rather that one can imagine that they

one can imagine that they

one can imagine that they are from the story of a man in the evening

[music]

[music]

[music] [applause]

[applause]

[applause] [music]

[music]

[music] a film like a song a film that music

a film like a song a film that music

a film like a song a film that music pictures summarized into short topics

pictures summarized into short topics

pictures summarized into short topics the topics crystals that arise for a

the topics crystals that arise for a

the topics crystals that arise for a moment and

moment and

moment and disintegrate again in order to make music out of the pictures

disintegrate again in order to make music out of the pictures

disintegrate again in order to make music out of the pictures there are the crossfades

crossfades equalize the pictures to

crossfades equalize the pictures to

crossfades equalize the pictures to each other make them supple

each other make them supple

each other make them supple allow things that are apart

allow things that are apart

allow things that are apart to be brought together

but then it was home in the world

[applause]

and there is the music itself which

and there is the music itself which

and there is the music itself which accompanies the images like a commentary. This

accompanies the images like a commentary. This

accompanies the images like a commentary. This music is, by the way, European

music is, by the way, European

music is, by the way, European composed music with a few lines of

composed music with a few lines of

composed music with a few lines of isms in the sound.

isms in the sound.

isms in the sound. This music is rarely

This music is rarely

This music is rarely used as onomatopoeically as here, as a

used as onomatopoeically as here, as a

used as onomatopoeically as here, as a noise

[music]

usually is They are there to

usually is They are there to

usually is They are there to characterize a basic mood the

characterize a basic mood the

characterize a basic mood the right film music

[music]

when this film song was shot on the iPhone there

when this film song was shot on the iPhone there

when this film song was shot on the iPhone there was already a genre of

was already a genre of

was already a genre of films in song music and symphony form

films in song music and symphony form

films in song music and symphony form these films like music stood in

these films like music stood in

these films like music stood in opposition to the common films because

opposition to the common films because

opposition to the common films because immediately afterwards The thing with the

immediately afterwards The thing with the

immediately afterwards The thing with the moving pictures was invented, it was

moving pictures was invented, it was

moving pictures was invented, it was so far that literature and journalism

so far that literature and journalism

so far that literature and journalism determined the films, the films, the music that

determined the films, the films, the music that

determined the films, the films, the music that existed in the 20s came from the

existed in the 20s came from the

existed in the 20s came from the impulse to treat the images according to their own laws, to

impulse to treat the images according to their own laws, to

impulse to treat the images according to their own laws, to make films

make films

make films without having to worry about the plot or idea

without having to worry about the plot or idea

without having to worry about the plot or idea orient the images to

orient the images to

orient the images to bring them together according to their own laws

the most striking visual moment is the

the most striking visual moment is the

the most striking visual moment is the movement the movement determines the value

movement the movement determines the value

movement the movement determines the value of the images

the search for moving images then

the search for moving images then

the search for moving images then led the filmmakers to the big city

led the filmmakers to the big city

led the filmmakers to the big city where there is traffic and

where there is traffic and

where there is traffic and machine rhythm there is an idea

machine rhythm there is an idea

machine rhythm there is an idea of ​​cinematic film The music didn't

of ​​cinematic film The music didn't

of ​​cinematic film The music didn't stay entirely fresh.

Films soon began to look for

Films soon began to look for

Films soon began to look for subjects to demonstrate their means.

subjects to demonstrate their means.

subjects to demonstrate their means. The big city as a pretext for

The big city as a pretext for

The big city as a pretext for a quick montage and a trivial

a quick montage and a trivial

a quick montage and a trivial philosophical idea as a pretext for a

philosophical idea as a pretext for a

philosophical idea as a pretext for a montage of ideas.

Wowereit also does this in his song on

Wowereit also does this in his song on

Wowereit also does this in his song on Ceylon a montaged

Ceylon a montaged

Ceylon a montaged idea

idea

idea [music]

and television documentaries

and television documentaries

and television documentaries we still find these ideas montage

we still find these ideas montage

we still find these ideas montage today half an idea is usually enough to

today half an idea is usually enough to

today half an idea is usually enough to deliver a cinematic effect

deliver a cinematic effect

deliver a cinematic effect and the movement montage has been

and the movement montage has been

and the movement montage has been preserved as inserts of traffic crowds of

preserved as inserts of traffic crowds of

preserved as inserts of traffic crowds of passers-by machines because the

passers-by machines because the

passers-by machines because the television program

television program

television program wants to be briefly filmic in between jason wright has

wants to be briefly filmic in between jason wright has

wants to be briefly filmic in between jason wright has The effects that his method

The effects that his method

The effects that his method offers failed. He did not

offers failed. He did not

offers failed. He did not record the spectacular movements

record the spectacular movements

record the spectacular movements but rather the small ones that one only

but rather the small ones that one only

but rather the small ones that one only experiences through patient observation

experiences through patient observation

experiences through patient observation [Music]

[Music]

He tried to find the melody in the material and

He tried to find the melody in the material and

He tried to find the melody in the material and not the other way around to make the material

not the other way around to make the material

not the other way around to make the material dance to music

dance to music

dance to music There is the song of sale on a sequence

There is the song of sale on a sequence

There is the song of sale on a sequence where one sits by the water and talks

where one sits by the water and talks

where one sits by the water and talks [music]

a second stands in the water and fishes

a second stands in the water and fishes

a second stands in the water and fishes takes and throws something

[music]

and a third catches something but only for

and a third catches something but only for

and a third catches something but only for a moment it looks as if

a moment it looks as if

a moment it looks as if he is Catching something right away we see

he is Catching something right away we see

he is Catching something right away we see he makes a movement that comes from the west,

he makes a movement that comes from the west,

which expresses the communication between their activities,

which expresses the communication between their activities,

even if they are spatially separated

[music]

In this picture, both what the

In this picture, both what the

In this picture, both what the man is doing is there, namely hitting the laundry and what

man is doing is there, namely hitting the laundry and what

man is doing is there, namely hitting the laundry and what that means namely,

that means namely,

that means namely, not to be separated from the others at work,

not to be separated from the others at work,

not to be separated from the others at work, an idea that was not only

an idea that was not only

an idea that was not only constructed into the material, but an

constructed into the material, but an

constructed into the material, but an idea that material was found,

idea that material was found,

idea that material was found, not defective

not defective

not defective narratives that correspond to the matter,

narratives that correspond to the matter,

narratives that correspond to the matter, the images of the past look so

the images of the past look so

the images of the past look so synthetic, they are a

synthetic, they are a

synthetic, they are a reconstruction

[music]

[Music]

[Music]

the mountains of the present look more real

the mountains of the present look more real

the mountains of the present look more real they are taken out of view

in the mission of Adams

in the mission of Adams

in the mission of Adams this sharp lead ball

this sharp lead ball

this sharp lead ball 108 last

sprint title

so far could territories

so far could territories

so far could territories duty impression in julie

duty impression in julie

duty impression in julie julia with

julia with

julia with the draw was tannheim

the draw was tannheim

the draw was tannheim [music]

in the chapter survivors of commerce the

in the chapter survivors of commerce the

in the chapter survivors of commerce the voices of commerce, the images

voices of commerce, the images

voices of commerce, the images and the sounds stand next to and

and the sounds stand next to and

and the sounds stand next to and against each other

against each other

against each other there are noises in the air that the

there are noises in the air that the

there are noises in the air that the workers cannot hear

[Music]

maria kauling dollar

there are the images of work that is

there are the images of work that is

there are the images of work that is done under the sign of the old culture

done under the sign of the old culture

done under the sign of the old culture

[ Music]

[ Music]

[ Music] work that is perhaps already done like in a

work that is perhaps already done like in a

work that is perhaps already done like in a factory in the open air

and there is work in factories

and there is work in factories

and there is work in factories [Music]

these different types of work

these different types of work

these different types of work stand next to each other to show the

stand next to each other to show the

stand next to each other to show the simultaneous and unconnected

simultaneous and unconnected

simultaneous and unconnected different working relationships in

different working relationships in

different working relationships in lines,

lines,

lines, but there is a limit to the

but there is a limit to the

but there is a limit to the cinematic Method You can't tell from the work

cinematic Method You can't tell from the work

cinematic Method You can't tell from the work whether its aim and

whether its aim and

whether its aim and speed is specified by the commercial

speed is specified by the commercial

speed is specified by the commercial director. You can't

director. You can't

director. You can't tell the difference between commercial work and the work of the

tell the difference between commercial work and the work of the

tell the difference between commercial work and the work of the village community

just by looking at it

just by looking at it

It doesn't

It doesn't

It doesn't just say what it is and it doesn't just say what it

just say what it is and it doesn't just say what it

just say what it is and it doesn't just say what it stands for. A picture that you can see

stands for. A picture that you can see

stands for. A picture that you can see where it was taken from and what it's

where it was taken from and what it's

where it was taken from and what it's there for now. There is

there for now. There is

there for now. There is no final word. A final picture. That was

a home on the average

end.

It was a home on the average