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1
00:01:03,580 --> 00:01:06,014
[♪♪♪]
2
00:01:28,072 --> 00:01:31,806
[CLASSICAL PIANO PIECE PLAYS]
3
00:01:31,875 --> 00:01:34,509
[♪♪♪]
4
00:02:00,537 --> 00:02:03,338
[♪♪♪]
5
00:02:10,147 --> 00:02:11,480
NURSE?
6
00:02:13,117 --> 00:02:14,549
[COUGHS]
7
00:02:14,618 --> 00:02:16,318
WHAT ARE YOU DOING?
8
00:02:16,353 --> 00:02:18,353
WHO ARE YOU?
9
00:02:20,357 --> 00:02:23,525
YOU...
10
00:02:23,560 --> 00:02:25,693
HOUNDING ME TO THE GRAVE,
11
00:02:25,729 --> 00:02:28,330
YOU AND ALL THE OTHERS.
12
00:02:28,398 --> 00:02:30,698
I TOLD YOU,
13
00:02:30,734 --> 00:02:31,899
YOU WILL FIND NOTHING,
14
00:02:31,968 --> 00:02:34,503
YOU WILL GET NOTHING,
15
00:02:34,538 --> 00:02:38,373
NOT NOW, NOT EVER!
16
00:02:38,442 --> 00:02:41,376
IT'S GONE...
17
00:02:41,411 --> 00:02:43,778
BURIED.
18
00:02:43,813 --> 00:02:47,782
I WON'T HAVE IT
STAINING MY NAME,
19
00:02:47,851 --> 00:02:49,484
MY LEGACY,
20
00:02:49,520 --> 00:02:51,953
YOU HEAR ME?
21
00:02:51,988 --> 00:02:56,491
I... I TRIED...
22
00:02:56,527 --> 00:02:59,528
TO MAKE AMENDS...
23
00:02:59,563 --> 00:03:03,565
I'VE T-TRIED.
24
00:03:08,305 --> 00:03:10,405
[MONITORS FLATLINING]
25
00:03:23,353 --> 00:03:24,686
NO, SERIOUSLY, DAD,
26
00:03:24,721 --> 00:03:26,388
I DON'T KNOW WHY YOU EVER
SIGNED ME UP FOR BASKETBALL.
27
00:03:26,423 --> 00:03:27,455
I BELIEVE
YOU DID THAT
28
00:03:27,524 --> 00:03:28,690
ALL BY YOURSELF.
29
00:03:28,725 --> 00:03:30,258
WELL, WHY DIDN'T YOU
TALK ME OUT OF IT?
30
00:03:30,294 --> 00:03:31,359
AS I RECALL,
31
00:03:31,395 --> 00:03:33,195
THERE WAS NO TALKING YOU
OUT OF ANYTHING.
32
00:03:33,230 --> 00:03:34,829
LOGAN, WE ARE SORRY
THAT YOUR TEAM DIDN'T WIN,
33
00:03:34,864 --> 00:03:36,531
BUT YOU DID YOUR BEST.
34
00:03:36,600 --> 00:03:37,765
NOW, HAVE SOME PIZZA.
35
00:03:37,801 --> 00:03:38,700
YOU'LL FEEL BETTER.
36
00:03:38,735 --> 00:03:39,767
LEMONADE?
37
00:03:40,804 --> 00:03:42,637
OKAY.
38
00:03:42,673 --> 00:03:43,805
I'M SORRY, DAD,
39
00:03:43,873 --> 00:03:44,839
I'M JUST...
40
00:03:44,874 --> 00:03:46,208
FRUSTRATED, YOU KNOW?
41
00:03:46,243 --> 00:03:48,510
I MEAN, WE HAVE
A DECENT TEAM AND ALL,
42
00:03:48,579 --> 00:03:51,079
WE JUST CAN'T GET
OUR OFFENSE IN SYNC.
43
00:03:51,114 --> 00:03:52,947
WELL, I'M SURE THE LAST THING
YOU NEED RIGHT NOW
44
00:03:52,982 --> 00:03:54,816
IS FATHERLY ADVICE,
45
00:03:54,884 --> 00:03:56,218
SO WHY DON'T WE JUST SIT HERE
AND ENJOY THE PIZZA?
46
00:03:56,253 --> 00:03:57,519
LEMONADE?
47
00:03:57,554 --> 00:03:58,453
AH, PLEASE.
48
00:03:59,923 --> 00:04:02,290
THIS LOOKS
DELICIOUS, HONEY.
49
00:04:02,359 --> 00:04:03,525
IS THAT, UH,
SUN-DRIED TOMATOES?
50
00:04:03,560 --> 00:04:04,826
YES, WITH A LITTLE
BIT OF GARLIC.
51
00:04:04,861 --> 00:04:06,261
AH.
52
00:04:08,031 --> 00:04:09,531
OKAY, GO AHEAD.
53
00:04:11,101 --> 00:04:12,967
MM, DELICIOUS.
54
00:04:13,036 --> 00:04:14,236
DAD...
55
00:04:14,271 --> 00:04:15,870
I'M GIVING YOU
AN OPEN LANE HERE.
56
00:04:15,905 --> 00:04:18,440
OH, ALL RIGHT.
57
00:04:18,475 --> 00:04:19,741
WELL, IN MY EXPERIENCE,
58
00:04:19,776 --> 00:04:21,008
AT SOME POINT,
59
00:04:21,044 --> 00:04:22,910
SOMEONE HAS TO STEP UP
AND BE THE TEAM LEADER,
60
00:04:22,946 --> 00:04:24,779
AND IN MY OPINION,
I THINK THAT SHOULD BE YOU.
61
00:04:24,814 --> 00:04:26,147
-ME?
-MM-HMM.
62
00:04:26,182 --> 00:04:27,215
NO, DAD, I--
63
00:04:27,284 --> 00:04:28,316
YOU'RE A GOOD BALL HANDLER,
64
00:04:28,352 --> 00:04:29,718
YOU'RE A SOLID PASSER,
65
00:04:29,753 --> 00:04:30,752
YOU KNOW HOW TO RUN THE COURT.
66
00:04:30,787 --> 00:04:33,020
AND MOST IMPORTANTLY,
YOU'RE SMART.
67
00:04:33,056 --> 00:04:34,789
YOU ARE REALLY SMART.
68
00:04:34,824 --> 00:04:38,727
I'LL BET YOU THAT NEXT
PIECE OF PIZZA THERE
69
00:04:38,795 --> 00:04:39,794
THAT YOU ALMOST
KNOW THE GAME
70
00:04:39,829 --> 00:04:41,429
AS WELL AS YOUR COACH.
71
00:04:44,368 --> 00:04:45,267
FOUL!
72
00:04:45,302 --> 00:04:46,468
[LAUGHS]
73
00:04:46,503 --> 00:04:47,535
DADDY TAKES IT.
74
00:04:47,571 --> 00:04:48,703
[CHUCKLING]
75
00:04:52,676 --> 00:04:54,442
YOU ARE REALLY GOOD
WITH HIM, JASON.
76
00:04:54,511 --> 00:04:56,344
HEY, I'VE BEEN THERE.
77
00:04:56,380 --> 00:04:58,613
DIDN'T YOUR TEAM WIN
THE LEAGUE CHAMPIONSHIP
78
00:04:58,649 --> 00:05:00,014
THREE YEARS IN A ROW?
79
00:05:00,049 --> 00:05:02,016
UH, YES, ONLY TO LOSE
THE STATE CHAMPIONSHIP
80
00:05:02,051 --> 00:05:02,950
THREE YEARS IN A ROW.
81
00:05:02,986 --> 00:05:03,918
AW...
82
00:05:03,953 --> 00:05:05,219
AND BACK THEN,
83
00:05:05,255 --> 00:05:06,354
IT WAS A MORE LEVEL
PLAYING FIELD.
84
00:05:06,390 --> 00:05:08,189
I WASN'T GOING UP AGAINST
6'10" MONSTERS
85
00:05:08,224 --> 00:05:09,457
WHO COULD 360 DUNK.
86
00:05:10,594 --> 00:05:12,160
WELL, LIKE YOU SAID,
LOGAN IS SMART.
87
00:05:12,195 --> 00:05:13,662
HE'LL FIGURE IT OUT.
88
00:05:13,697 --> 00:05:15,297
I'M JUST GLAD HE HAS YOU
TO LEAN ON.
89
00:05:15,332 --> 00:05:16,164
THANK YOU.
90
00:05:16,199 --> 00:05:17,031
[CELL PHONE RINGS]
OOH.
91
00:05:19,068 --> 00:05:20,001
WHO IS IT?
92
00:05:20,036 --> 00:05:21,169
HANNAH.
93
00:05:21,237 --> 00:05:22,136
HEY, SWEETHEART,
WHAT'S UP?
94
00:05:22,205 --> 00:05:23,772
MOM, I KNOW IT'S LATE,
95
00:05:23,840 --> 00:05:24,872
AND I HATE TO HIT YOU UP,
96
00:05:24,908 --> 00:05:25,973
BUT MY DEBIT CARD
JUST MAXED OUT, AGAIN,
97
00:05:26,009 --> 00:05:27,942
AND I'VE GOT STUDY GROUP
GOING ON HERE,
98
00:05:27,977 --> 00:05:29,010
AND CAFFEINE IS, LIKE,
99
00:05:29,045 --> 00:05:30,378
SUPER CRITICALAT THIS JUNCTURE,
100
00:05:30,414 --> 00:05:31,346
AND BESIDES, IT'S MY TURN
TO BUY THE NEXT ROUND, SO...
101
00:05:31,381 --> 00:05:32,747
HANNAH...
102
00:05:32,783 --> 00:05:34,849
MAYBE A J-O-B
IS IN ORDER HERE.
103
00:05:34,884 --> 00:05:36,250
A JOB?
104
00:05:36,286 --> 00:05:37,619
THERE'S GOT TO BE SOMETHINGI CAN FIND PART-TIME.
105
00:05:37,654 --> 00:05:39,253
NEVER MIND, MOM.
106
00:05:39,289 --> 00:05:40,188
I'VE GOT THIS.
107
00:05:40,223 --> 00:05:41,222
LOVE YOU.
108
00:05:41,257 --> 00:05:42,857
-LOVE YOU, TOO.
- BYE.
109
00:05:42,892 --> 00:05:44,158
OH, BOY,
KIDS IN CRISIS.
110
00:05:44,227 --> 00:05:45,393
FILM AT 11:00.
111
00:05:45,429 --> 00:05:47,161
WELL, HOPEFULLY, WE'LL BE
IN DREAMLAND BY THEN.
112
00:05:47,197 --> 00:05:48,062
[CHUCKLES]
113
00:05:52,235 --> 00:05:53,835
[SIGHS GROGGILY]
114
00:05:55,839 --> 00:05:56,771
[CLEARS THROAT]
115
00:05:58,342 --> 00:06:00,809
ROUGH NIGHT, MR. DWYER?
116
00:06:00,844 --> 00:06:03,578
WE'LL CALL IT OVERTIME.
117
00:06:03,613 --> 00:06:05,213
BY THE WAY...
118
00:06:05,281 --> 00:06:06,448
IT'S OFFICIAL.
119
00:06:09,519 --> 00:06:12,119
AUF WIEDERSEHEN, MR. DIETZ.
120
00:06:12,155 --> 00:06:13,621
HMM.
121
00:06:13,657 --> 00:06:15,923
DEATHBED CONFESSION
WOULD HAVE BEEN NICE.
122
00:06:15,992 --> 00:06:18,025
AT LEAST NOW
WE CAN START LIQUIDATING
123
00:06:18,094 --> 00:06:19,861
THE REST OF THE ESTATE.
124
00:06:19,896 --> 00:06:22,397
WHO KNOWS, MAYBE WE'LL FIND IT.
125
00:06:22,466 --> 00:06:24,031
YES, WELL,
BURIED TREASURE ASIDE,
126
00:06:24,100 --> 00:06:26,534
THE AUCTION IS STILL
ONLY TWO DAYS OFF.
127
00:06:27,838 --> 00:06:29,371
WE'LL DO A THOROUGH SWEEP
OF THE RESIDENCE,
128
00:06:29,439 --> 00:06:30,739
PHOTOGRAPH
ANYTHING LEFT OF VALUE,
129
00:06:30,774 --> 00:06:32,374
THEN WE'LL EMAIL
AN ADDENDUM LIST
130
00:06:32,409 --> 00:06:34,342
TO ALL THOSE WHO RSVP'D.
131
00:06:34,378 --> 00:06:35,577
SHALL I START IN THE LIBRARY?
132
00:06:35,612 --> 00:06:36,811
ABSOLUTELY.
133
00:06:36,880 --> 00:06:38,212
PACK UP THE ENTIRE ROOM.
134
00:06:38,248 --> 00:06:39,981
I'M GOING TO NEED SOME TIME
TO SIFT THROUGH ALL THIS.
135
00:06:40,016 --> 00:06:41,483
YES, SIR.
136
00:06:45,221 --> 00:06:46,120
[♪♪♪]
137
00:06:46,155 --> 00:06:47,088
LOGAN, WE SHOULD GET GOING.
138
00:06:47,123 --> 00:06:48,623
WHERE'S YOUR BACKPACK?
139
00:06:48,658 --> 00:06:49,791
IT'S JUST UPSTAIRS.
140
00:06:49,826 --> 00:06:51,359
GO GRAB IT.
141
00:06:52,929 --> 00:06:54,362
HONEY, DID YOU
SEE THIS?
142
00:06:54,398 --> 00:06:55,830
KARL DIETZ
PASSED AWAY LAST NIGHT.
143
00:06:55,866 --> 00:06:56,798
OH, NO.
144
00:06:56,833 --> 00:06:57,832
DIETZ...
145
00:06:57,868 --> 00:07:00,034
WHY DO I KNOW
THAT NAME?
146
00:07:00,069 --> 00:07:01,936
THE DIETZ RECITAL HALL?
147
00:07:02,005 --> 00:07:03,304
THE ONE YOUR DAD SPENT
148
00:07:03,339 --> 00:07:04,639
TWO YEARS OF HIS LIFE
BUILDING?
149
00:07:04,674 --> 00:07:06,474
OH, RIGHT.
150
00:07:06,510 --> 00:07:07,876
NOT ONLY DID
MR. DIETZ FUND IT,
151
00:07:07,911 --> 00:07:10,612
HE WOULD FOLLOW ME AROUND
AND MICRO-MANAGE EVERY DETAIL.
152
00:07:10,647 --> 00:07:12,680
HE WAS THE ULTIMATE
PERFECTIONIST.
153
00:07:12,716 --> 00:07:14,048
HE WAS ALSO
VERY GENEROUS.
154
00:07:14,083 --> 00:07:15,784
DANI AND I ARE SUPPOSED
TO GO TO HIS ESTATE SALE
155
00:07:15,819 --> 00:07:16,818
LATER THIS WEEK.
156
00:07:16,887 --> 00:07:18,019
AND ALL THE PROCEEDS
157
00:07:18,054 --> 00:07:19,987
ARE GOING TO
THE DIETZ RECITAL HALL FUND
158
00:07:20,023 --> 00:07:21,088
OR LOCAL MUSIC PROGRAMS.
159
00:07:21,124 --> 00:07:22,424
HOW LONG HAS IT BEEN
ON THE CALENDAR?
160
00:07:22,459 --> 00:07:23,558
ABOUT A MONTH.
161
00:07:23,593 --> 00:07:25,259
SHOULDN'T YOU BE,
LIKE, OFFICIALLY DEAD
162
00:07:25,328 --> 00:07:27,729
BEFORE YOUR ESTATE
GETS AUCTIONED OFF?
163
00:07:27,764 --> 00:07:29,030
NOT IF YOU'RE 92,
AND IN FAILING HEALTH.
164
00:07:29,065 --> 00:07:31,666
IT'S CALLED "GETTING
YOUR AFFAIRS IN ORDER."
165
00:07:31,701 --> 00:07:32,801
ANYWAY, THE MAN WAS A FRIEND,
166
00:07:32,836 --> 00:07:34,903
AND HE DEFINITELY
MADE ME A BETTER BUILDER.
167
00:07:34,938 --> 00:07:36,704
HE'LL BE MISSED.
168
00:07:36,740 --> 00:07:37,972
WELL...
169
00:07:38,007 --> 00:07:38,873
I AM DEFINITELY
GOING TO BE LATE
170
00:07:38,909 --> 00:07:39,741
IF I DON'T
GET A MOVE-ON.
171
00:07:40,877 --> 00:07:42,577
GREAT PANCAKES, DAD.
172
00:07:42,646 --> 00:07:43,945
PATENT THAT RECIPE.
173
00:07:43,980 --> 00:07:45,079
THANK YOU.
MAYBE I WILL.
174
00:07:45,114 --> 00:07:46,581
WHAT ARE YOU MAKING FOR DINNER?
175
00:07:49,152 --> 00:07:51,118
[SHOP BELL JINGLES]
176
00:07:51,154 --> 00:07:52,554
WHOA.
177
00:07:52,589 --> 00:07:54,255
LOOKS LIKE SOMEONE
SPRINKLED A LITTLE AMBITION
178
00:07:54,324 --> 00:07:55,523
IN THEIR MORNING COFFEE.
179
00:07:55,559 --> 00:07:56,658
COFFEE,
180
00:07:56,693 --> 00:07:58,593
AND NUDGING FROM
MY DAMSEL IN DISTRESS.
181
00:07:58,628 --> 00:07:59,727
WELL...
182
00:08:01,665 --> 00:08:04,265
WELL, MY WORK
HERE IS DONE.
183
00:08:04,300 --> 00:08:05,834
YOU LADIES HAVE
A NICE DAY NOW.
184
00:08:07,637 --> 00:08:09,938
UM, I DON'T MEAN
TO BREAK UP THE MOOD,
185
00:08:09,973 --> 00:08:11,506
BUT DID YOU HAPPEN TO
SORT THROUGH THE BILLS?
186
00:08:11,541 --> 00:08:14,075
YES, I, UH, PUT THEM
IN TWO PILES.
187
00:08:14,110 --> 00:08:16,410
"PAY NOW"
AND "PAY LATER."
188
00:08:16,446 --> 00:08:18,646
OOH, "PAY LATER"
IS RATHER LARGE.
189
00:08:18,682 --> 00:08:19,747
THAT'S WHAT I THOUGHT.
190
00:08:19,783 --> 00:08:20,782
OH, DEAR.
191
00:08:20,817 --> 00:08:22,484
HELEN!
192
00:08:22,519 --> 00:08:23,518
SO NICE TO SEE YOU.
193
00:08:23,553 --> 00:08:24,953
GOOD MORNING, JENNIFER.
194
00:08:24,988 --> 00:08:26,454
A LITTLE BIRD TOLD ME
195
00:08:26,490 --> 00:08:29,457
YOU CAME ACROSS
SOME PRE-WAR DRESDEN CHINA?
196
00:08:29,493 --> 00:08:31,893
YES, THAT LITTLE BIRD
WAS ME.
197
00:08:31,928 --> 00:08:33,695
WELL, THANK YOU
FOR THE CALL, MY DEAR.
198
00:08:33,730 --> 00:08:34,996
SHALL I GET IT FOR YOU
TO LOOK AT?
199
00:08:35,031 --> 00:08:36,097
I'LL BE RIGHT BACK.
200
00:08:36,132 --> 00:08:37,665
BY THE WAY, DID YOU HEAR?
201
00:08:37,734 --> 00:08:39,266
KARL DIETZ PASSED AWAY.
202
00:08:39,335 --> 00:08:40,902
YES, I READ ABOUT THAT
IN THE PAPER.
203
00:08:40,971 --> 00:08:42,904
A FELLOW BERLINER,
204
00:08:42,939 --> 00:08:45,773
THOUGH I NEVER MUCH
CARED FOR THE MAN.
205
00:08:45,809 --> 00:08:47,041
A BIT STIFF
FOR A CAREER DIPLOMAT,
206
00:08:47,110 --> 00:08:48,109
DON'T YOU THINK?
207
00:08:48,144 --> 00:08:49,243
I WOULDN'T KNOW.
208
00:08:49,278 --> 00:08:50,344
WE NEVER MET.
209
00:08:50,380 --> 00:08:51,713
WELL, HE DID HAVE
EXCELLENT TASTE,
210
00:08:51,748 --> 00:08:53,180
I'LL GRANT HIM THAT.
211
00:08:53,216 --> 00:08:54,883
DID YOU GET A CHANCE
212
00:08:54,918 --> 00:08:57,151
TO LOOK THROUGH
HIS ESTATE AUCTION CATALOGUE?
213
00:08:58,555 --> 00:08:59,787
THERE'S THIS, UM,
214
00:08:59,823 --> 00:09:00,922
LANDSCAPE PAINTING
215
00:09:00,957 --> 00:09:02,924
ON PAGE TWO...
216
00:09:02,993 --> 00:09:04,191
OH, RIGHT, OF COURSE.
217
00:09:04,227 --> 00:09:06,828
THE CASPAR DAVID FRIEDRICH.
218
00:09:06,897 --> 00:09:09,063
WELL, IT'S A BIT PRICEY FOR US,
BUT GORGEOUS.
219
00:09:09,098 --> 00:09:10,598
[SIGHING] JENNIFER, I...
220
00:09:10,634 --> 00:09:12,066
I CAN'T SHAKE
THE FEELING
221
00:09:12,101 --> 00:09:14,536
THAT I SAW THIS PAINTING
222
00:09:14,571 --> 00:09:16,337
AT OUR FAMILY HOME
BACK IN GERMANY.
223
00:09:16,372 --> 00:09:18,105
REALLY?
224
00:09:18,141 --> 00:09:19,774
HELEN, ARE YOU SURE?
225
00:09:19,843 --> 00:09:23,011
WELL, I CAN'T BE CERTAIN.
226
00:09:23,079 --> 00:09:27,015
I WAS ONLY SIX
WHEN WE FLED EAST BERLIN.
227
00:09:27,050 --> 00:09:30,317
BUT I DO RECALL
SOMETHING QUITE SIMILAR
228
00:09:30,353 --> 00:09:31,920
HANGING IN
AN UPSTAIRS BEDROOM.
229
00:09:31,988 --> 00:09:34,455
NOW, THIS WAS
AFTER THE WAR, OF COURSE,
230
00:09:34,490 --> 00:09:37,692
AND BY THEN, EVERYTHING
HAD BEEN DESTROYED,
231
00:09:37,727 --> 00:09:39,460
SOLD, LOST...
232
00:09:39,495 --> 00:09:41,763
HELEN, WE CAN INQUIRE
ABOUT THE PANTING'S PROVENANCE.
233
00:09:41,798 --> 00:09:44,532
YES, THAT WOULD BE
VERY HELPFUL, MY DEAR.
234
00:09:44,568 --> 00:09:47,035
BUT IN THE MEANTIME,
I AM GOING TO BID ON IT.
235
00:09:47,070 --> 00:09:48,369
HEAVEN KNOWS,
236
00:09:48,404 --> 00:09:50,004
MOTHER AND FATHER WOULD HAVE.
237
00:09:52,576 --> 00:09:53,841
[♪♪♪]
238
00:09:53,877 --> 00:09:56,210
SO, MY MATH TEACHER,
MRS. BELLOWS,
239
00:09:56,279 --> 00:09:58,980
SHE HANDS US THIS REALLY WEIRD
MID-TERM ASSIGNMENT.
240
00:09:59,049 --> 00:10:00,882
SHE WANTS US TO LOOK AT
PARTS OF OUR LIFE
241
00:10:00,917 --> 00:10:02,050
THAT NEED IMPROVEMENT,
242
00:10:02,118 --> 00:10:04,085
AND USE STATISTICS
TO COME UP WITH A PLAN.
243
00:10:04,120 --> 00:10:05,887
OH, WELL, THAT
SOUNDS INTERESTING.
244
00:10:05,922 --> 00:10:07,221
DOES THAT MEAN
YOU'RE GONNA HELP?
245
00:10:07,290 --> 00:10:08,990
OH, NO, I'M DONE
WITH HIGH SCHOOL.
246
00:10:09,025 --> 00:10:10,725
-DAD?
-OH, LIKEWISE.
247
00:10:10,760 --> 00:10:12,426
BUT REMEMBER WHAT
WE TALKED ABOUT
248
00:10:12,495 --> 00:10:13,360
LAST NIGHT?
249
00:10:13,396 --> 00:10:14,361
TEAM LEADERSHIP.
250
00:10:14,430 --> 00:10:17,198
MAYBE WITH SOME
STATS IN HAND...
251
00:10:17,233 --> 00:10:19,200
AND IT COULD HELP FORM
A GAME PLAN.
252
00:10:19,235 --> 00:10:20,768
YEAH.
253
00:10:20,804 --> 00:10:22,036
YOU'RE RIGHT.
254
00:10:22,072 --> 00:10:23,671
[HANNAH SINGING]
♪ SHE GOT A JOB ♪
255
00:10:23,707 --> 00:10:24,872
♪ NOW SHE'S OKAY ♪
256
00:10:24,908 --> 00:10:27,274
♪ NOW SHE CAN AFFORD
A DOUBLE LATTE... ♪
257
00:10:27,310 --> 00:10:28,843
OH, HANNAH,
THAT'S WONDERFUL.
258
00:10:28,878 --> 00:10:29,844
[LAUGHS]
259
00:10:29,879 --> 00:10:31,613
STUDENT TUTORING,
15 AN HOUR,
260
00:10:31,648 --> 00:10:32,480
CAN YOU BELIEVE IT?
261
00:10:32,515 --> 00:10:34,015
-SERIOUSLY?
-MM-HMM.
262
00:10:34,050 --> 00:10:34,916
CONGRATS.
WHEN DO YOU START?
263
00:10:34,951 --> 00:10:36,017
TOMORROW.
264
00:10:36,052 --> 00:10:37,251
I'VE BEEN ASSIGNED
A FOOTBALL PLAYER
265
00:10:37,286 --> 00:10:39,253
WHO HAS A TON OF MAKE-UP WORK
TO GET THROUGH.
266
00:10:39,288 --> 00:10:40,588
FOOTBALL...
267
00:10:40,657 --> 00:10:41,522
WHAT'S HIS NAME?
268
00:10:41,557 --> 00:10:42,824
UH, RICK NASON?
269
00:10:42,859 --> 00:10:44,726
-RICK NASON?
-MM-HMM.
270
00:10:44,761 --> 00:10:46,193
HANNAH, HE'S
THE STARTING QUARTERBACK.
271
00:10:46,229 --> 00:10:47,729
WELL, NOT FOR LONG
272
00:10:47,797 --> 00:10:49,430
IF HE DOESN'T GET
HIS ACT TOGETHER.
273
00:10:49,465 --> 00:10:50,765
HE'S ALREADY
ON ACADEMIC PROBATION.
274
00:10:50,800 --> 00:10:52,700
OKAY, HANNAH, LOOK AT ME.
275
00:10:52,736 --> 00:10:54,102
RICK NASON IS CARRYING
276
00:10:54,137 --> 00:10:55,603
THE ENTIRE FOOTBALL TEAM, OKAY?
277
00:10:55,639 --> 00:10:56,971
YOU CANNOT LET HIM FAIL.
278
00:10:57,040 --> 00:10:58,405
LOGAN, LOOK AT ME.
279
00:10:58,441 --> 00:10:59,540
HE'S NOT GOING TO FAIL.
280
00:10:59,575 --> 00:11:01,109
OKAY, LOOK AT ME,
281
00:11:01,144 --> 00:11:02,877
LET'S EAT.
282
00:11:08,918 --> 00:11:10,584
GOSH, I'VE NEVER
SEEN A RED CARPET
283
00:11:10,654 --> 00:11:12,520
AT AN ESTATE
AUCTION BEFORE.
284
00:11:12,588 --> 00:11:14,588
I FEEL A LITTLE
UNDERDRESSED.
285
00:11:14,624 --> 00:11:15,523
OH, THERE'S DEAN!
HEY!
286
00:11:15,558 --> 00:11:16,524
HI!
287
00:11:16,559 --> 00:11:17,992
HEY! JENN! DANI!
288
00:11:18,028 --> 00:11:19,426
DID YOU BRING YOUR CHECKBOOKS?
289
00:11:19,462 --> 00:11:20,294
WE DID, DID YOU?
290
00:11:20,363 --> 00:11:21,362
ARE YOU KIDDING ME?
291
00:11:21,397 --> 00:11:22,830
DID HAYDN WEAR A WIG?
292
00:11:22,866 --> 00:11:23,931
[LAUGHING]
293
00:11:23,967 --> 00:11:25,599
-LADIES...
-HE DID.
294
00:11:26,770 --> 00:11:28,602
HI, HELEN.
295
00:11:29,773 --> 00:11:31,238
THANK YOU.
296
00:11:33,309 --> 00:11:35,442
THIS IS A GOOD TURNOUT.
297
00:11:35,478 --> 00:11:37,745
YES, A NICE
FAT COMMISSION
298
00:11:37,781 --> 00:11:39,681
IN THIS OFFERING,
299
00:11:39,716 --> 00:11:41,783
BUT A DISAPPOINTMENT
NONETHELESS.
300
00:11:41,818 --> 00:11:43,851
SIR, I WENT OVER
EVERY SQUARE INCH
301
00:11:43,887 --> 00:11:45,452
OF THE DIETZES' RESIDENCE.
302
00:11:45,488 --> 00:11:47,021
I WENT THROUGH
EVERY DRAWER IN HIS DESK,
303
00:11:47,090 --> 00:11:49,223
I EVEN PULLED UP
THE FLOORBOARDS.
304
00:11:49,258 --> 00:11:50,758
I'M TELLING YOU,
305
00:11:50,794 --> 00:11:52,994
WHAT YOU SEE
IS WHAT WE'VE GOT.
306
00:11:53,029 --> 00:11:54,929
AND I'M TELLING YOU
THERE'S MORE, DWYER.
307
00:11:54,964 --> 00:11:57,165
A KING'S RANSOM
TUCKED AWAY SOMEWHERE,
308
00:11:57,200 --> 00:12:00,902
PROBABLY... RIGHT
UNDERNEATH OUR NOSES.
309
00:12:04,908 --> 00:12:06,140
OTHERWISE, WHY
WOULD HE BE HERE?
310
00:12:06,209 --> 00:12:07,842
HMM?
311
00:12:07,877 --> 00:12:09,177
JACQUES GRENIER.
312
00:12:10,413 --> 00:12:11,946
KEEP AN EYE ON HIM.
313
00:12:11,981 --> 00:12:13,347
YES, SIR.
314
00:12:25,829 --> 00:12:27,361
GOOD AFTERNOON,
LADIES AND GENTLEMEN.
315
00:12:27,430 --> 00:12:30,031
I AM YOUR HOST
AND AUCTIONEER,
316
00:12:30,066 --> 00:12:32,166
CONRAD SILES.
317
00:12:32,202 --> 00:12:34,468
NOW THEN, LET US COMMENCE
318
00:12:34,537 --> 00:12:38,206
WITH THE KARL L. DIETZ
CHARITABLE ESTATE AUCTION.
319
00:12:38,274 --> 00:12:40,474
ITEM NUMBER ONE...
320
00:12:40,543 --> 00:12:43,477
AN EXCEPTIONAL
BIEDERMEIER ARMOIRE WARDROBE
321
00:12:43,512 --> 00:12:45,913
IN PURE WALNUT,
322
00:12:45,949 --> 00:12:48,482
CIRCA 1840.
323
00:12:48,517 --> 00:12:51,252
AND WE WILL START THE BIDDING
AT $6,000.
324
00:12:51,287 --> 00:12:52,854
6,000?
325
00:12:52,889 --> 00:12:54,222
6,500...
326
00:12:54,257 --> 00:12:55,456
DO I HEAR 7,000?
327
00:12:59,229 --> 00:13:00,128
[COUGHS]
328
00:13:01,664 --> 00:13:03,264
7,000.
329
00:13:03,299 --> 00:13:04,932
DO I HEAR 8,000?
330
00:13:06,770 --> 00:13:07,769
8,000 GOING...
331
00:13:07,804 --> 00:13:09,137
GOING...
332
00:13:10,506 --> 00:13:11,505
SOLD! [BANGS GAVEL]
333
00:13:11,540 --> 00:13:13,340
$7,000,
334
00:13:13,409 --> 00:13:17,411
TO THE GENTLEMEN
WITH PADDLE NUMBER 44.
335
00:13:17,480 --> 00:13:19,147
[APPLAUSE]
336
00:13:20,483 --> 00:13:21,783
NEXT UP,
337
00:13:21,851 --> 00:13:24,152
A DELIGHTFUL
LANDSCAPE PAINTING
338
00:13:24,187 --> 00:13:26,120
FROM A TRUE MASTER
OF ROMANTICISM,
339
00:13:26,156 --> 00:13:27,755
CASPAR DAVID FRIEDRICH.
340
00:13:27,791 --> 00:13:28,722
[WHISPERING]
THAT'S IT.
341
00:13:28,758 --> 00:13:30,524
THAT'S THE ONE.
342
00:13:30,593 --> 00:13:31,392
ARE YOU SURE, HELEN?
343
00:13:31,427 --> 00:13:32,726
YES.
344
00:13:32,762 --> 00:13:34,528
NOW I'M CERTAIN.
345
00:13:34,563 --> 00:13:36,497
AND WE WILL START THE BIDDING
AT 15,000.
346
00:13:36,532 --> 00:13:37,965
OH, DEAR.
347
00:13:39,502 --> 00:13:40,835
I'M AFRAID
I'M TOO OLD
348
00:13:40,870 --> 00:13:43,271
TO TAKE OUT
A SECOND MORTGAGE.
349
00:13:43,306 --> 00:13:44,405
AW...
350
00:13:54,150 --> 00:13:55,216
YOU BREAK IT,
351
00:13:55,251 --> 00:13:57,018
YOU STILL PAY FOR IT.
352
00:13:57,053 --> 00:13:58,286
HMM...
353
00:13:58,321 --> 00:14:02,123
CONRAD SILES'
BAGMAN, I PRESUME?
354
00:14:02,192 --> 00:14:07,195
AND WHAT DID YOU BRING HOME
FROM THE WAR, SERGEANT?
355
00:14:07,230 --> 00:14:09,730
THE CASHIER IS THAT WAY.
356
00:14:18,407 --> 00:14:22,443
WE HAVE AN ACCEPTED
STANDING BID OF $30,000.
357
00:14:22,478 --> 00:14:24,245
LOT #2 IS NOW SOLD.
358
00:14:24,280 --> 00:14:25,246
[BANGS GAVEL]
359
00:14:25,281 --> 00:14:27,381
I'M SORRY, HELEN.
360
00:14:27,450 --> 00:14:29,650
[POLITE APPLAUSE]
361
00:14:36,226 --> 00:14:37,658
[DEAN]: LOOK
AT THAT, LADIES.
362
00:14:37,693 --> 00:14:39,994
IS THAT A VESTONE-
DOBROTT PLAYER PIANO?
363
00:14:40,029 --> 00:14:41,795
YES, A 1910,
TO BE EXACT.
364
00:14:41,865 --> 00:14:42,830
IT'S ON
THE ADDENDUM LIST.
365
00:14:42,866 --> 00:14:44,031
DID YOU NOT
GET ONE?
366
00:14:44,067 --> 00:14:45,132
NO.
367
00:14:45,168 --> 00:14:46,467
IT WAS EMAILED TO ME
LAST NIGHT.
368
00:14:46,502 --> 00:14:48,102
WELL, I DIDN'T SEE ONE.
369
00:14:48,171 --> 00:14:49,337
IT SAYS IT'S
IN FAIR CONDITION.
370
00:14:49,372 --> 00:14:51,038
"FAIR" BEING CODE
371
00:14:51,107 --> 00:14:52,639
FOR "BARELY
FUNCTIONING."
372
00:14:52,708 --> 00:14:54,909
IT COMES WITH
SIX MUSIC ROLLS.
373
00:14:54,978 --> 00:14:56,510
I KNOW SOMEONE
WHO WOULD PAY A FORTUNE
374
00:14:56,545 --> 00:14:57,678
FOR THIS PIANO,
375
00:14:57,747 --> 00:14:58,913
ONCE IT'S RESTORED,
OF COURSE.
376
00:15:01,251 --> 00:15:02,483
HEY, HELEN,
DID YOU SEE THIS?
377
00:15:02,518 --> 00:15:05,086
LOOK, THERE'S A PAIR
OF LANDSCAPE PAINTINGS,
378
00:15:05,121 --> 00:15:06,687
"SUNRISE" AND "SUNSET."
379
00:15:06,722 --> 00:15:08,822
IT SAYS THE ARTIST COMES
FROM THE MUNICH SCHOOL.
380
00:15:08,858 --> 00:15:10,291
THE STYLE
COULD BE REMINISCENT
381
00:15:10,326 --> 00:15:11,993
OF CASPAR DAVID FRIEDRICH.
382
00:15:12,028 --> 00:15:14,095
OH MY, THAT
SOUNDS INTERESTING.
383
00:15:14,130 --> 00:15:15,796
AND THEY'RE
PROBABLY AFFORDABLE.
384
00:15:15,831 --> 00:15:17,398
ARE YOU IN?
385
00:15:17,433 --> 00:15:18,632
I'M IN.
386
00:15:18,667 --> 00:15:19,833
NEXT...
387
00:15:19,869 --> 00:15:21,903
A VESTONE-DOBROTT PIANO.
388
00:15:21,938 --> 00:15:24,171
AND WE'LL START
THE BIDDING AT $2,000.
389
00:15:24,207 --> 00:15:25,506
2,000.
390
00:15:25,541 --> 00:15:27,308
2,200...?
391
00:15:27,377 --> 00:15:28,709
IT'S FUN!
392
00:15:28,744 --> 00:15:30,144
WELL, I'D SAY
393
00:15:30,179 --> 00:15:32,079
WE'VE EARNED
SOME CHAMPAGNE.
394
00:15:32,115 --> 00:15:34,748
HELEN GOT HER "SUNRISE"
AND "SUNSET" PAINTINGS,
395
00:15:34,784 --> 00:15:36,517
AND DEAN GOT HIS VIOLA,
396
00:15:36,552 --> 00:15:39,387
AND RAGS-TO-RICHES NOW OWNS
KAISER WILHELM'S PIANO.
397
00:15:39,422 --> 00:15:42,123
WELL... LET'S
DRINK TO THAT.
398
00:15:42,158 --> 00:15:43,291
HAPPY AUCTION DAY,
EVERYONE!
399
00:15:43,326 --> 00:15:44,491
HAPPY AUCTION
DAY, EVERYONE!
400
00:15:44,560 --> 00:15:46,493
AUCTION DAY.
401
00:15:46,529 --> 00:15:48,062
IT DOESN'T LOOK TOO BAD.
402
00:15:48,131 --> 00:15:50,531
SOME WD-40, SOME SANDPAPER,
403
00:15:50,566 --> 00:15:52,033
MAYBE A LITTLE DUCT TAPE...
404
00:15:52,068 --> 00:15:53,534
[CHUCKLING]
OH, DEAN, STOP.
405
00:15:53,569 --> 00:15:55,736
JUST GIVE ME ABOUT AN HOUR
TO TAKE A LOOK AT IT,
406
00:15:55,771 --> 00:15:57,138
AND WRITE UP AN ESTIMATE,
407
00:15:57,173 --> 00:15:59,506
FACTORING IN THE FRIENDS
AND FAMILY DISCOUNT, OF COURSE.
408
00:15:59,542 --> 00:16:01,242
THANK YOU.
409
00:16:01,277 --> 00:16:02,076
EXCUSEZ-MOI.
410
00:16:02,111 --> 00:16:03,077
MAY I HAVE A MOMENT?
411
00:16:04,180 --> 00:16:05,479
MY NAME IS JACQUES,
412
00:16:05,514 --> 00:16:08,416
AND, UNFORTUNATELY,
I WAS NOT IN THE ROOM
413
00:16:08,451 --> 00:16:10,584
WHEN THEY PRESENT
THIS MARVELOUS PIANO,
414
00:16:10,619 --> 00:16:12,286
AND I NEVER RECEIVED
415
00:16:12,322 --> 00:16:14,021
THE ADDENDUM LIST,
416
00:16:14,057 --> 00:16:17,524
SO I WOULD LIKE TO KNOW
IF YOU WOULD CONSIDER AN OFFER?
417
00:16:17,593 --> 00:16:19,793
I COULD GO UP, UH, 20%?
418
00:16:19,862 --> 00:16:21,195
[CHUCKLES POLITELY]
419
00:16:21,230 --> 00:16:22,930
WELL, THANK YOU,
BUT IT'S NOT FOR SALE.
420
00:16:22,966 --> 00:16:24,465
25%?
421
00:16:24,500 --> 00:16:27,501
UH, THAT'S VERY GENEROUS,
BUT I'M NOT SELLING.
422
00:16:27,536 --> 00:16:29,370
MADAME...
423
00:16:29,439 --> 00:16:30,704
THIS IS VERY IMPORTANT TO ME.
424
00:16:32,208 --> 00:16:33,407
PLEASE SAY YOUR PRICE.
425
00:16:35,345 --> 00:16:36,610
THE LADY SAID NO.
426
00:16:36,645 --> 00:16:38,645
WELL...
427
00:16:38,681 --> 00:16:41,748
THAT IS A REAL SHAME.
428
00:17:07,877 --> 00:17:10,144
[♪♪♪]
429
00:17:13,216 --> 00:17:14,315
[ENTRY BELL CHIMES]
430
00:17:14,350 --> 00:17:15,983
DEAN!
431
00:17:18,587 --> 00:17:20,121
DEAN, YOU BACK THERE?
432
00:17:26,529 --> 00:17:28,262
DEAN?
433
00:17:34,904 --> 00:17:36,370
DEAN!
434
00:17:42,845 --> 00:17:43,944
[DIALING]
435
00:17:43,979 --> 00:17:45,812
9-1-1,WHAT'S YOUR EMERGENCY?
436
00:17:45,881 --> 00:17:47,081
YES, OPERATOR, UH,
437
00:17:47,116 --> 00:17:50,184
THERE'S BEEN AN ATTACK
AT 166 SOUTH GROVE.
438
00:17:50,253 --> 00:17:52,253
THE VICTIM IS UNCONSCIOUS,
I NEED AN AMBULANCE RIGHT AWAY.
439
00:17:56,526 --> 00:17:58,692
[ENTRY BELL CHIMES]
440
00:18:04,867 --> 00:18:06,033
OH, FRANK,
441
00:18:06,069 --> 00:18:07,468
DEAN IS SUCH A SWEET GUY.
442
00:18:07,503 --> 00:18:09,636
I DON'T KNOW WHAT WOULD HAVE
PROVOKED THIS KIND OF ATTACK.
443
00:18:09,705 --> 00:18:11,004
IT'S MOST LIKELY
A ROBBERY GONE WRONG.
444
00:18:14,243 --> 00:18:16,277
CHECK THE TILL HERE...
445
00:18:18,114 --> 00:18:21,014
THERE'S 500 OR SO DOLLARS
STILL LEFT IN THE TILL.
446
00:18:21,050 --> 00:18:23,517
THAT'S STRANGE, FOR A ROBBERY.
447
00:18:23,553 --> 00:18:25,152
HMM...
448
00:18:25,188 --> 00:18:26,687
THESE INSTRUMENTS,
449
00:18:26,722 --> 00:18:28,255
THEY SEEM LIKE
THEY'RE PRETTY VALUABLE.
450
00:18:31,994 --> 00:18:33,494
JENN?
451
00:18:33,529 --> 00:18:36,197
THE PIANO...
452
00:18:36,265 --> 00:18:38,199
THE FRONT PANELS
WERE YANKED OFF.
453
00:18:38,234 --> 00:18:40,334
THE ASSAILANT WAS PROBABLY
LOOKING FOR SOMETHING.
454
00:18:40,369 --> 00:18:41,335
MONEY, DRUGS...
455
00:18:41,370 --> 00:18:42,669
I'VE SEEN STRANGER THINGS.
456
00:18:42,738 --> 00:18:44,438
FRANK, DEAN AND I WERE
APPROACHED AFTER THE AUCTION
457
00:18:44,474 --> 00:18:45,406
BY A GENTLEMAN,
458
00:18:45,441 --> 00:18:46,707
HE SAID HIS NAME WAS "JACQUES."
459
00:18:46,775 --> 00:18:48,175
MEDIUM HEIGHT, FRENCH ACCENT.
460
00:18:48,244 --> 00:18:49,977
HE WANTED TO BUY
THE PIANO.
461
00:18:50,012 --> 00:18:51,345
WHEN I DECLINED HIS OFFER,
462
00:18:51,380 --> 00:18:53,280
HE GOT VERY INSISTENT.
463
00:18:53,316 --> 00:18:54,582
DEAN HAD TO INTERVENE.
464
00:18:54,617 --> 00:18:55,782
HMM...
465
00:18:55,851 --> 00:18:57,718
THAT DEFINITELY
SOUNDS LIKE A MOTIVE.
466
00:18:57,753 --> 00:18:59,120
I TAKE IT
HE DIDN'T GIVE YOU HIS CARD?
467
00:18:59,155 --> 00:19:00,287
NO.
468
00:19:00,323 --> 00:19:02,490
OH, BUT I DID SEE HIM
PLACE A WINNING BID
469
00:19:02,525 --> 00:19:03,457
ON A BIEDERMEIER DRESSER,
470
00:19:03,493 --> 00:19:04,858
WHICH MEANS
471
00:19:04,927 --> 00:19:06,494
THE AUCTION HOUSE WOULD HAVE
A RECORD OF THAT PURCHASE.
472
00:19:06,562 --> 00:19:08,329
GOOD, I'LL FOLLOW UP.
473
00:19:08,364 --> 00:19:10,197
IN THE MEANTIME,
I'M GONNA TAKE A LOOK AROUND
474
00:19:10,266 --> 00:19:11,265
AND SEE IF ANYTHING ELSE
WAS TAKEN.
475
00:19:15,538 --> 00:19:16,470
FRANK...
476
00:19:16,506 --> 00:19:17,571
MM-HMM?
477
00:19:17,607 --> 00:19:19,706
THERE MIGHT BE
A GUITAR MISSING.
478
00:19:19,742 --> 00:19:20,508
LOOK RIGHT THERE,
479
00:19:20,543 --> 00:19:21,775
SLOT G-4?
480
00:19:21,810 --> 00:19:23,144
OKAY...
481
00:19:23,179 --> 00:19:24,145
ALL RIGHT,
482
00:19:24,213 --> 00:19:26,747
LET'S SEE IF MR. CONNICK
483
00:19:26,782 --> 00:19:29,816
HAS ANY LISTED HERE...
484
00:19:29,885 --> 00:19:31,752
ALL RIGHT, G-3, G-5,
485
00:19:31,820 --> 00:19:33,820
G-4...
486
00:19:33,856 --> 00:19:37,057
IT'S A 1937
MARTIN D-28 GUITAR.
487
00:19:37,092 --> 00:19:38,492
SOUNDS REALLY EXPENSIVE.
488
00:19:38,528 --> 00:19:40,761
A VINTAGE MARTIN
COULD BE WORTH $8,000.
489
00:19:40,796 --> 00:19:42,196
WHO'S THE OWNER?
490
00:19:42,231 --> 00:19:43,197
THERE ISN'T ANYTHING ELSE
LISTED HERE,
491
00:19:43,232 --> 00:19:44,931
EXCEPT FOR THE INITIALS "H-N."
492
00:19:44,967 --> 00:19:45,832
DOES THAT
RING A BELL?
493
00:19:45,901 --> 00:19:47,268
NO.
494
00:19:47,303 --> 00:19:48,769
LOOK, IF YOU DON'T NEED ME,
495
00:19:48,837 --> 00:19:50,804
I'M GOING TO GO TO THE HOSPITAL
AND SEE HOW DEAN IS DOING.
496
00:19:50,839 --> 00:19:51,938
OKAY.
497
00:19:51,974 --> 00:19:53,207
WELL, I'M GOING TO STICK AROUND
498
00:19:53,242 --> 00:19:55,309
AND LOOK AT THE SECURITY FOOTAGE
ON THE CAMERAS.
499
00:19:55,344 --> 00:19:57,744
IT'S TOO BAD THEY DIDN'T HAVE
A CAMERA MOUNTED IN THE BACK.
500
00:19:57,780 --> 00:19:59,112
YEAH.
501
00:19:59,182 --> 00:20:00,080
IT IS TOO BAD.
502
00:20:04,480 --> 00:20:05,902
HOW'S MR. CONNICK FARING?
503
00:20:05,952 --> 00:20:08,086
WELL, HE'S CONSCIOUS,
BUT HE'S STILL IN ICU.
504
00:20:08,154 --> 00:20:10,288
THIS IS THE NEUROLOGIST
IN CHARGE.
505
00:20:10,324 --> 00:20:12,457
SHE SAID HE'S NOT READY
FOR VISITORS YET.
506
00:20:12,526 --> 00:20:14,326
OKAY, THANKS.
507
00:20:14,361 --> 00:20:16,127
NOW, THIS MAN
YOU MENTIONED,
508
00:20:16,162 --> 00:20:18,062
THE ONE WHO APPROACHED YOU
AFTER THE AUCTION...
509
00:20:18,098 --> 00:20:19,264
YES, JACQUES.
510
00:20:19,333 --> 00:20:20,565
OKAY, WELL,
511
00:20:20,634 --> 00:20:22,567
I MAY HAVE
FOUND SOMETHING.
512
00:20:26,540 --> 00:20:28,172
CHECK THIS OUT.
513
00:20:28,242 --> 00:20:29,774
THE MARTIN GUITAR
IS STILL THERE.
514
00:20:29,809 --> 00:20:30,709
SLOT G-4.
515
00:20:30,744 --> 00:20:32,043
YEAH, I SAW THAT.
516
00:20:32,979 --> 00:20:35,247
HERE WE GO.
517
00:20:35,282 --> 00:20:36,281
THAT'S HIM.
THAT'S "JACQUES."
518
00:20:36,350 --> 00:20:37,148
ARE YOU SURE?
519
00:20:37,183 --> 00:20:38,316
YES.
520
00:20:38,352 --> 00:20:40,151
OKAY, WELL, WE HAVE
A BONA FIDE SUSPECT.
521
00:20:40,186 --> 00:20:42,654
I JUST HOPE THAT
MR. CONNICK CAN I.D. HIM.
522
00:20:44,324 --> 00:20:45,257
LIKE A DOG AFTER A BONE.
523
00:20:45,292 --> 00:20:47,459
OR A MAN AFTER A PIANO.
524
00:20:47,527 --> 00:20:48,393
[CHUCKLES]
525
00:20:51,030 --> 00:20:52,330
ALL RIGHT.
526
00:20:52,399 --> 00:20:54,866
58 SECONDS OFF-CAMERA.
527
00:20:54,901 --> 00:20:56,268
YOU THINK THAT WAS ENOUGH TIME?
528
00:20:56,303 --> 00:20:57,969
WHAT, ENOUGH TIME
TO KNOCK OUT YOUR FRIEND?
529
00:20:58,004 --> 00:20:59,437
TEAR THE PANELS OFF YOUR PIANO,
530
00:20:59,506 --> 00:21:00,872
AND DO
A SEARCH-AND-SEIZE?
531
00:21:00,907 --> 00:21:02,474
YEAH, PLENTY OF TIME.
532
00:21:02,509 --> 00:21:04,942
QUESTION IS,
WHAT WAS HE LOOKING FOR?
533
00:21:06,647 --> 00:21:07,545
ALL RIGHT, I'M GOING
TO FAST-FORWARD
534
00:21:07,614 --> 00:21:08,480
A LITTLE BIT HERE.
535
00:21:09,983 --> 00:21:13,351
THERE'S ONE OTHER PERSON THAT
CAME IN BEFORE YOU ARRIVED.
536
00:21:13,387 --> 00:21:14,586
THERE HE IS,
537
00:21:14,621 --> 00:21:15,820
OUR ROCK-'N'-ROLLER.
538
00:21:15,889 --> 00:21:17,355
WELL, HE LOOKS FAMILIAR.
539
00:21:17,391 --> 00:21:19,791
"H-N..."
540
00:21:19,826 --> 00:21:22,427
OH, YOU KNOW WHAT,
I THINK THAT'S HOWIE NASH.
541
00:21:22,462 --> 00:21:23,428
HE'S A LOCAL MUSICIAN.
542
00:21:23,497 --> 00:21:24,929
VERY POPULAR
AMONG HANNAH'S CROWD.
543
00:21:24,964 --> 00:21:27,031
OH, FYI, HE PLAYS FOLK,
NOT ROCK.
544
00:21:27,066 --> 00:21:28,199
I HEARD HIS CD.
HE'S PRETTY GOOD.
545
00:21:28,234 --> 00:21:29,734
OH, YEAH?
546
00:21:29,803 --> 00:21:31,503
HE'S A VERY BAD THIEF.
547
00:21:35,809 --> 00:21:37,175
[SIGHS] OH...
548
00:21:37,243 --> 00:21:38,777
THAT'S NOT GOOD.
549
00:21:38,812 --> 00:21:40,378
HOW LONG WAS HE OFF-CAMERA?
550
00:21:40,414 --> 00:21:42,614
16 SECONDS.
551
00:21:42,649 --> 00:21:43,782
STILL WITHIN THE TIMEFRAME,
552
00:21:43,817 --> 00:21:46,083
STILL A SUSPECT.
553
00:21:52,726 --> 00:21:53,958
SHANNON,
554
00:21:53,993 --> 00:21:55,159
WHAT ARE YOU DOING?
555
00:21:55,228 --> 00:21:56,227
I DIDN'T GIVE YOU
THE AFTERNOON OFF, LET'S GO.
556
00:21:56,262 --> 00:21:57,529
I KNOW, COACH, I KNOW.
557
00:21:57,564 --> 00:21:59,163
I'M JUST CRUNCHING
SOME DATA HERE.
558
00:21:59,199 --> 00:22:00,432
YEAH, DID YOU KNOW
559
00:22:00,467 --> 00:22:02,033
WE'RE SHOOTING ALMOST 60%
FROM THE TOP OF THE KEY?
560
00:22:02,068 --> 00:22:03,702
BUT ONLY 30% INSIDE THE PAINT?
561
00:22:03,737 --> 00:22:05,303
WHAT ARE YOU,
MY STATISTICIAN NOW?
562
00:22:05,339 --> 00:22:07,739
NO, NO, I'M JUST GOING OVER SOME
MATH HOMEWORK.
563
00:22:07,774 --> 00:22:09,407
LOOK, I WAS THINKING,
564
00:22:09,443 --> 00:22:11,976
MAYBE WE COULD WORK OFF
SOME OF THESE STATS, YOU KNOW?
565
00:22:12,011 --> 00:22:12,877
DESIGN SOME NEW PLAYS?
566
00:22:12,912 --> 00:22:13,845
OH, YEAH?
567
00:22:13,880 --> 00:22:14,979
I'VE GOT A BETTER IDEA.
568
00:22:15,014 --> 00:22:16,214
HOW ABOUT 10
FULL-COURT SPRINTS?
569
00:22:17,351 --> 00:22:18,350
[BLOWS WHISTLE]
570
00:22:18,385 --> 00:22:19,317
LET'S GO! ON THE LINE!
571
00:22:19,386 --> 00:22:20,719
10 SPRINTS, LET'S GO!
HUSTLE UP!
572
00:22:20,754 --> 00:22:22,721
LET'S GO!
LET'S GO! LET'S GO!
573
00:22:24,123 --> 00:22:25,523
COME ON, KID,
574
00:22:25,559 --> 00:22:27,792
WE HAVE YOU ON TAPE
AT THE CRIME SCENE.
575
00:22:27,828 --> 00:22:29,193
STOP WITH
THE THIRD DEGREE, MAN.
576
00:22:29,262 --> 00:22:31,128
ME AND DEAN?
577
00:22:31,197 --> 00:22:32,364
YOU HAVE NO IDEA.
578
00:22:32,399 --> 00:22:33,297
OKAY.
579
00:22:33,333 --> 00:22:34,866
WELL, ENLIGHTEN ME.
580
00:22:34,934 --> 00:22:36,735
YEAH, MAYBE
I'LL START WITH THEFT,
581
00:22:36,770 --> 00:22:38,503
AND THEN I'LL WORK
MY WAY UP TO ASSAULT.
582
00:22:38,538 --> 00:22:39,871
OR VICE-VERSA,
WHATEVER YOU--
583
00:22:39,939 --> 00:22:41,439
THE MARTIN GUITAR
IS MINE, OKAY?
584
00:22:42,476 --> 00:22:43,341
THIS RIGHT HERE
585
00:22:43,377 --> 00:22:45,677
IS A PRE-PAID RECEIPT...
586
00:22:45,712 --> 00:22:47,111
FOR NEW STRINGS
587
00:22:47,146 --> 00:22:48,880
AND FRET REPAIR.
588
00:22:48,915 --> 00:22:50,314
MR. CONNICK
589
00:22:50,350 --> 00:22:53,050
IS THE ONLY HUMAN ON THE PLANET
I'D LET TOUCH MY D-28.
590
00:22:53,086 --> 00:22:54,786
THE MAN'S A GOOD FRIEND,
591
00:22:54,855 --> 00:22:56,287
BEEN A MENTOR TO ME
592
00:22:56,322 --> 00:22:58,256
SINCE I PICKED UP A TOY UKULELE.
593
00:22:58,291 --> 00:22:59,624
WHY WOULD I WANT TO HURT HIM?
594
00:22:59,693 --> 00:23:01,225
SO, WHY DIDN'T YOU
CALL 9-1-1?
595
00:23:01,261 --> 00:23:03,361
BECAUSE I HAD NO IDEA
HE HAD BEEN ROLLED, OKAY?
596
00:23:03,430 --> 00:23:04,562
I THOUGHT
I COULD HEAR HIM
597
00:23:04,598 --> 00:23:05,764
MOVING AROUND
IN THE BACK THERE.
598
00:23:05,799 --> 00:23:08,032
AND THE DOOR WAS SHUT,
MUSIC WAS ON...
599
00:23:08,067 --> 00:23:09,467
HE WAS IN WORK MODE.
600
00:23:09,503 --> 00:23:10,334
WELL, THEN YOU KNOCK.
601
00:23:10,404 --> 00:23:12,236
NO. YOU DON'T KNOCK.
602
00:23:12,272 --> 00:23:13,872
HE'D HEAR THE DOOR ENTRY BUZZER.
603
00:23:13,907 --> 00:23:15,940
IF HE'S NOT THERE
WHEN YOU WALK IN, YOU WAIT.
604
00:23:15,975 --> 00:23:17,909
IT MEANS HE'S BUSY.
605
00:23:17,944 --> 00:23:19,944
COULD BE HOLDING A STRADIVARIUS,
KNOW WHAT I'M SAYING?
606
00:23:19,979 --> 00:23:20,912
BUT YOU COULDN'T WAIT.
607
00:23:21,981 --> 00:23:23,047
I GOT A GIG TONIGHT.
608
00:23:23,082 --> 00:23:23,948
ARE WE DONE?
609
00:23:25,985 --> 00:23:27,952
I WANNA GO BY THE HOSPITAL.
610
00:23:27,987 --> 00:23:30,187
YOU'RE WASTING YOUR TIME.
611
00:23:38,031 --> 00:23:40,097
RICK?
612
00:23:40,133 --> 00:23:41,165
HEY, THERE.
613
00:23:41,200 --> 00:23:42,567
I DON'T THINK
WE'VE MET.
614
00:23:42,636 --> 00:23:44,602
HI, I'M HANNAH, YOUR NEW TUTOR.
615
00:23:45,539 --> 00:23:46,538
YOU'RE KIDDING.
616
00:23:46,573 --> 00:23:47,705
MY COACH SAID
617
00:23:47,741 --> 00:23:48,840
HE'D HANDLE THIS.
618
00:23:48,875 --> 00:23:50,107
HE DID.
619
00:23:50,143 --> 00:23:51,810
THAT'S WHY I'M HERE.
620
00:23:51,878 --> 00:23:53,411
YOU DO KNOW
THAT ACADEMIC PROBATION
621
00:23:53,480 --> 00:23:55,012
CAN LEAD
TO TEAM SUSPENSION, RIGHT?
622
00:23:55,048 --> 00:23:58,550
ANYWAY, I'VE VISITED
ALL YOUR PROFESSORS,
623
00:23:58,585 --> 00:23:59,884
AND, WOW,
624
00:23:59,953 --> 00:24:01,252
CLEARLY, WE HAVE A LOT
OF MAKE-UP WORK TO GET AFTER.
625
00:24:01,287 --> 00:24:03,721
YEAH, WELL, I GOT PRACTICE
IN A COUPLE MINUTES, SO--
626
00:24:03,757 --> 00:24:05,356
WELL, I CAN MEET
IN THE LIBRARY RIGHT AFTER?
627
00:24:05,391 --> 00:24:06,925
LET'S SAY TOMORROW.
628
00:24:11,798 --> 00:24:13,631
SO, WHY WASN'T I INFORMED?
629
00:24:13,667 --> 00:24:15,299
YOU HAD NO RIGHT
TO HOLD AN ESTATE SALE
630
00:24:15,368 --> 00:24:16,968
TO SELL OFF
MY FAMILY HEIRLOOMS!
631
00:24:17,003 --> 00:24:18,603
I HAD EVERY RIGHT,
MISS TURNER.
632
00:24:18,638 --> 00:24:21,105
I HAVE HERE A LETTER
FROM MY GRANDFATHER,
633
00:24:21,174 --> 00:24:22,173
WRITTEN TO MY MOTHER, HELGA,
634
00:24:22,208 --> 00:24:23,207
SIX MONTHS AGO,
635
00:24:23,242 --> 00:24:24,275
ASSURING US
THAT EVERYTHING,
636
00:24:24,310 --> 00:24:25,443
AND I MEAN EVERYTHING
IN HIS ESTATE,
637
00:24:25,479 --> 00:24:26,544
WOULD BE LEFT TO US.
638
00:24:26,580 --> 00:24:28,145
AND I HAVE HERE
639
00:24:28,181 --> 00:24:30,648
A LEGALLY-BINDING CONTRACT
640
00:24:30,684 --> 00:24:32,750
SIGNED BY YOUR
LATE GRANDFATHER, KARL DIETZ,
641
00:24:32,786 --> 00:24:33,818
EIGHT WEEKS AGO,
642
00:24:33,854 --> 00:24:35,487
GIVING ME PERMISSION
TO APPRAISE,
643
00:24:35,522 --> 00:24:36,888
CATALOGUE, AND AUCTION
644
00:24:36,923 --> 00:24:38,890
ALL ITEMS LISTED HERE WITHIN,
645
00:24:38,925 --> 00:24:42,460
THE NET PROFITS TO BE PLACED
IN HIS CHARITABLE TRUST.
646
00:24:42,496 --> 00:24:43,427
TWO MONTHS AGO.
647
00:24:43,463 --> 00:24:44,829
HOW CONVENIENT.
648
00:24:45,866 --> 00:24:47,365
DETECTIVE, MA'AM.
649
00:24:47,433 --> 00:24:48,766
MR. SILES IS
AT THE TOP OF THE STAIRS.
650
00:24:48,802 --> 00:24:50,234
HE'S EXPECTING YOU.
651
00:24:50,269 --> 00:24:51,903
THANK YOU.
652
00:24:54,474 --> 00:24:56,207
HEY, JENN, THANKS
FOR MEETING ME HERE.
653
00:24:56,242 --> 00:24:57,709
I FIGURED YOU'RE
AN ANTIQUE EXPERT,
654
00:24:57,744 --> 00:24:59,944
SO YOU SHOULD BE ABLE
TO SPEAK SILES'S LANGUAGE.
655
00:24:59,980 --> 00:25:01,245
OF COURSE.
656
00:25:01,280 --> 00:25:02,714
HAS HOWIE
BEEN CLEARED?
657
00:25:02,749 --> 00:25:04,315
FOR NOW.
658
00:25:04,350 --> 00:25:05,449
[SILES]: ...WELL,
CLEARLY, MY CONTRACT
659
00:25:05,485 --> 00:25:06,751
SUPERSEDES YOUR LETTER.
660
00:25:06,786 --> 00:25:07,986
SPEAKING OF WHICH,
661
00:25:08,021 --> 00:25:09,521
WHEN WAS THE LAST TIME
YOU SAW YOUR GRANDFATHER?
662
00:25:09,556 --> 00:25:11,322
NINE, TEN YEARS AGO?
663
00:25:11,391 --> 00:25:12,557
HOW DARE YOU?
664
00:25:12,592 --> 00:25:13,558
I'M SORRY.
665
00:25:13,593 --> 00:25:15,192
YOUR GRIEF AND CONCERN
666
00:25:15,228 --> 00:25:16,494
IS DULY NOTED.
667
00:25:16,530 --> 00:25:17,862
AND I HAVE NO DOUBT
668
00:25:17,898 --> 00:25:20,297
THAT YOU MANIPULATED
A SICK, FEEBLE OLD MAN.
669
00:25:20,333 --> 00:25:21,265
YOU'LL BE HEARING
FROM MY ATTORNEY.
670
00:25:21,300 --> 00:25:23,334
GOOD EVENING, MISS TURNER.
671
00:25:23,369 --> 00:25:24,268
AH, DETECTIVE,
672
00:25:24,303 --> 00:25:26,070
PLEASE, COME IN.
673
00:25:26,139 --> 00:25:27,471
SORRY ABOUT
THE SPOT OF DRAMA.
674
00:25:27,507 --> 00:25:29,541
COMES WITH THE TERRITORY,
I'M AFRAID.
675
00:25:29,576 --> 00:25:31,208
I'M SURE.
676
00:25:31,244 --> 00:25:33,344
NOW THEN,
677
00:25:33,379 --> 00:25:35,246
HOW MAY I BE
OF ASSISTANCE?
678
00:25:35,281 --> 00:25:37,348
IS THAT
A FRIEDRICH EISENLOHR?
679
00:25:37,383 --> 00:25:38,850
OH, WHY, YES.
680
00:25:38,885 --> 00:25:39,984
UM, CIRCA...
681
00:25:40,020 --> 00:25:42,319
1836.
682
00:25:42,355 --> 00:25:43,354
HUH.
683
00:25:43,389 --> 00:25:44,689
MISS...?
684
00:25:44,758 --> 00:25:46,257
OH, UH, SHANNON.
685
00:25:46,292 --> 00:25:49,827
I LOVE
THE BAHNHAUSLE DESIGN.
686
00:25:49,863 --> 00:25:51,162
JENNIFER OWNS
AN ANTIQUE STORE IN TOWN,
687
00:25:51,197 --> 00:25:52,096
RAGS-TO-RICHES.
688
00:25:52,131 --> 00:25:53,765
AH, YES, YES.
689
00:25:53,833 --> 00:25:55,833
RUMOR HAS IT YOU HAVE THE HABIT
OF UNEARTHING A RARE GEM
690
00:25:55,869 --> 00:25:56,935
NOW AND THEN.
691
00:25:56,970 --> 00:26:00,371
WELL, I CERTAINLY
UNEARTHED ONE TODAY.
692
00:26:00,406 --> 00:26:02,774
I'M THE ONE WHO PURCHASED
MR. DIETZ'S PLAYER PIANO.
693
00:26:02,809 --> 00:26:04,042
OH, YES,
694
00:26:04,077 --> 00:26:05,843
WELL, WHAT A DELIGHTFUL
AND ARCANE INSTRUMENT.
695
00:26:05,879 --> 00:26:07,311
YES.
696
00:26:07,346 --> 00:26:09,013
OH, OF COURSE,
NOW I RECOGNIZE YOU.
697
00:26:09,082 --> 00:26:11,515
AND WASN'T THAT, UM,
DEAN CONNICK
698
00:26:11,551 --> 00:26:12,817
I SAW YOU WITH?
699
00:26:13,954 --> 00:26:16,187
ACTUALLY, THAT'S
WHY WE'RE HERE.
700
00:26:16,222 --> 00:26:18,489
MR. CONNICK WAS ASSAULTED
THIS AFTERNOON,
701
00:26:18,524 --> 00:26:20,024
SHORTLY AFTER TRANSPORTING
THE PLAYER PIANO
702
00:26:20,093 --> 00:26:21,158
BACK TO HIS SHOP.
703
00:26:21,227 --> 00:26:22,760
OH, THAT IS DISTRESSING.
704
00:26:22,829 --> 00:26:24,462
WE HAVE A WITNESS...
705
00:26:25,531 --> 00:26:27,465
THE SAME INDIVIDUAL
706
00:26:27,533 --> 00:26:30,201
WHO PLACED THE WINNING BID
ON THE BIEDERMEIER ARMOIRE.
707
00:26:30,236 --> 00:26:32,503
ALSO SEEMS TO HAVE
QUITE THE ZEALOUS INTEREST
708
00:26:32,538 --> 00:26:34,872
IN MRS. SHANNON'S PIANO.
709
00:26:34,908 --> 00:26:36,173
SAYS HIS NAME IS "JACQUES."
710
00:26:37,510 --> 00:26:41,312
I VAGUELY RECOGNIZE THE FACE,
DETECTIVE,
711
00:26:41,347 --> 00:26:45,549
BUT I'M AFRAID
I CANNOT HELP YOU, UH...
712
00:26:45,585 --> 00:26:46,584
THE GENTLEMAN,
IF YOU CAN CALL HIM THAT,
713
00:26:46,653 --> 00:26:48,285
LEFT WITHOUT THE ARMOIRE,
714
00:26:48,321 --> 00:26:49,887
AND DID NOT LEAVE A CHECK
TO PLACE IT ON HOLD,
715
00:26:49,923 --> 00:26:51,823
THEREFORE WE HAVE NO RECORD
OF HIM, I'M AFRAID.
716
00:26:51,858 --> 00:26:53,725
HE WASN'T
ON THE INVITE LIST?
717
00:26:53,760 --> 00:26:56,027
NO, BUT, UH,
WE OFTEN GET CRASHERS,
718
00:26:56,062 --> 00:26:58,329
AND THIS ONE PICKED UP A PADDLE
AND MADE A BID.
719
00:26:58,364 --> 00:27:00,264
UM...
720
00:27:00,299 --> 00:27:02,066
SORRY I COULDN'T BE
OF MORE HELP, DETECTIVE.
721
00:27:03,503 --> 00:27:04,468
AND MS. SHANNON,
722
00:27:04,504 --> 00:27:06,104
PLEASE EXTEND
MY HEARTFELT WISHES
723
00:27:06,139 --> 00:27:07,404
TO MR. CONNICK
724
00:27:07,440 --> 00:27:09,974
FOR A FULL
AND COMPLETE RECOVERY.
725
00:27:10,010 --> 00:27:11,308
WILL DO.
726
00:27:11,344 --> 00:27:12,576
THANK YOU.
727
00:27:14,347 --> 00:27:15,212
GOOD NIGHT.
728
00:27:25,187 --> 00:27:26,921
HEY, HON'.
729
00:27:26,956 --> 00:27:28,689
OH, HEY, SWEETHEART.
730
00:27:28,758 --> 00:27:30,925
I GOT YOUR MESSAGE ABOUT DEAN.
731
00:27:30,960 --> 00:27:32,326
ANY UPDATES FROM THE HOSPITAL?
732
00:27:32,361 --> 00:27:34,028
UH, YES, HE IS STILL IN ICU,
733
00:27:34,097 --> 00:27:35,663
BUT HIS MRI CAME BACK CLEAR.
734
00:27:35,732 --> 00:27:36,864
WELL, THAT'S
ENCOURAGING.
735
00:27:36,899 --> 00:27:38,032
SOMETHING SMELLS GOOD.
736
00:27:38,067 --> 00:27:39,133
WHAT ARE YOU COOKING?
737
00:27:39,168 --> 00:27:40,467
OH, I'M TRYING
THAT NEW DELIVERY SERVICE
738
00:27:40,503 --> 00:27:41,902
THAT DANI KEEPS RAVING ABOUT.
739
00:27:41,938 --> 00:27:43,170
OH...
740
00:27:43,205 --> 00:27:44,839
NOT THE "DON'T PANIC,
IT'S ORGANIC" EXPRESS?
741
00:27:44,874 --> 00:27:45,906
YES!
742
00:27:45,942 --> 00:27:47,574
PANEER VINDALOO WITH EGGPLANT.
743
00:27:47,610 --> 00:27:49,844
[SIGHS]
744
00:27:49,879 --> 00:27:51,979
OH, COME ON, WHERE'S
YOUR SENSE OF ADVENTURE?
745
00:27:52,015 --> 00:27:53,380
JUST GO EASY ON THE CURRY.
746
00:27:53,415 --> 00:27:54,448
[CHUCKLES]
747
00:27:54,517 --> 00:27:56,216
HEY, YOU WORKING ON
A NEW PROJECT?
748
00:27:56,285 --> 00:27:57,417
ACTUALLY,
IT'S AN OLD ONE.
749
00:27:57,453 --> 00:27:59,286
THOSE ARE
THE ORIGINAL BLUEPRINTS
750
00:27:59,321 --> 00:28:00,721
FROM THE DIETZ RECITAL HALL.
751
00:28:00,757 --> 00:28:02,289
I THOUGHT I'D DONATE THEM,
752
00:28:02,324 --> 00:28:04,558
YOU KNOW, MAYBE GET 'EM FRAMED,
AND HANG THEM IN THE LOBBY?
753
00:28:04,593 --> 00:28:06,426
WOULD YOU LIKE ME
TO GET THEM FRAMED FOR YOU?
754
00:28:06,495 --> 00:28:08,195
THAT IS A TERRIFIC IDEA.
755
00:28:08,230 --> 00:28:09,496
[CHUCKLING]
756
00:28:09,565 --> 00:28:11,465
HIS GRANDDAUGHTER'S
PUTTING ON A MEMORIAL SERVICE
757
00:28:11,534 --> 00:28:12,533
IN A COUPLE OF DAYS.
758
00:28:12,568 --> 00:28:14,334
THEY'VE ASKED ME
TO HELP PLAN IT
759
00:28:14,370 --> 00:28:16,637
SINCE I KNOW EVERY
SQUARE INCH OF THE PLACE.
760
00:28:16,706 --> 00:28:17,838
AND THERE'S
A REHEARSAL TOMORROW,
761
00:28:17,874 --> 00:28:19,807
SO MAYBE IF YOU COULD
DROP THEM BY THEN?
762
00:28:19,842 --> 00:28:20,908
OH, WOW, A RUSH JOB.
763
00:28:20,943 --> 00:28:22,877
HUH, WELL, I'M ON IT.
764
00:28:22,912 --> 00:28:24,045
THANK YOU.
765
00:28:26,082 --> 00:28:27,548
HEY, JASON...
766
00:28:27,583 --> 00:28:28,716
THIS ISN'T YOUR HANDWRITING.
767
00:28:28,751 --> 00:28:32,086
THOSE ARE MR. DIETZ'S NOTES
AND ADJUSTMENTS.
768
00:28:32,121 --> 00:28:34,021
THAT'S WHY I WANTED
TO DONATE THE PRINTS.
769
00:28:34,057 --> 00:28:36,157
LIKE I SAID,
THE MAN WAS A PERFECTIONIST.
770
00:28:36,192 --> 00:28:37,291
HE EVEN BROUGHT
HIS OWN PEOPLE IN
771
00:28:37,326 --> 00:28:38,425
TO DO THE ACOUSTICS,
772
00:28:38,460 --> 00:28:39,927
THE STAGE FLOORING, VIP SEATS...
773
00:28:42,198 --> 00:28:43,764
WHAT?
774
00:28:46,703 --> 00:28:48,703
WELL, I WAS JUST THINKING,
775
00:28:48,771 --> 00:28:50,237
SOMEONE WENT TO GREAT LENGTHS
776
00:28:50,272 --> 00:28:51,538
TO SEARCH
KARL DIETZ'S PIANO.
777
00:28:51,574 --> 00:28:53,373
THEY WERE EVEN WILLING
TO HURT DEAN.
778
00:28:53,409 --> 00:28:55,342
IT MAKES YOU WONDER...
779
00:28:55,411 --> 00:28:56,543
DID KARL DIETZ DIE
780
00:28:56,579 --> 00:28:58,179
FROM SOMETHING OTHER THAN
A HEART ATTACK?
781
00:28:58,214 --> 00:28:59,313
JENN...
782
00:28:59,348 --> 00:29:01,281
DON'T OVER-THINK THIS.
783
00:29:01,317 --> 00:29:03,283
MR. DIETZ HAD A HISTORY
OF HEART TROUBLE.
784
00:29:03,352 --> 00:29:04,518
HE WAS IN A HOME HOSPICE.
785
00:29:04,553 --> 00:29:06,286
YES, BUT THAT WOULDN'T
NECESSARILY REMOVE HIM
786
00:29:06,322 --> 00:29:07,387
FROM HARM'S WAY,
787
00:29:07,423 --> 00:29:09,023
WOULD IT?
788
00:29:11,360 --> 00:29:13,293
[♪♪♪]
789
00:29:16,833 --> 00:29:18,432
TELL ME, MR. DWYER,
790
00:29:18,467 --> 00:29:20,701
HOW UP ARE YOU
ON YOUR PHILOSOPHERS?
791
00:29:20,737 --> 00:29:22,502
OH, I'VE READ
A LITTLE NIETZSCHE,
792
00:29:22,538 --> 00:29:24,905
A LITTLE BIT OF MARCUS AURELIUS.
793
00:29:24,941 --> 00:29:27,507
I TAKE IT YOU'VE NEVER HEARD
OF YANG ZHU?
794
00:29:27,543 --> 00:29:28,776
FOURTH CENTURY.
795
00:29:28,811 --> 00:29:30,177
CHINESE.
796
00:29:30,246 --> 00:29:32,346
BELIEVED IN AN "EVERYTHING
FOR MYSELF" OUTLOOK.
797
00:29:32,381 --> 00:29:35,649
IS THERE A POINT TO THIS, SIR?
798
00:29:35,684 --> 00:29:37,885
NOT A POINT.
799
00:29:37,920 --> 00:29:39,954
A REVELATION.
800
00:29:41,157 --> 00:29:44,358
TUCKED AMONG THE VOLUMES
IN DIETZ'S LIBRARY...
801
00:29:46,195 --> 00:29:48,863
THE MISSING LINK
TO A MISSING FORTUNE, PERHAPS?
802
00:29:48,898 --> 00:29:50,865
OUTSTANDING.
803
00:29:50,900 --> 00:29:53,067
SO... WHAT HAVE YOU FOUND?
804
00:29:53,102 --> 00:29:54,201
PATIENCE.
805
00:29:54,237 --> 00:29:55,202
I'VE JUST STARTED
SIFTING THROUGH IT ALL,
806
00:29:55,238 --> 00:29:56,370
AND MY GERMAN IS A LITTLE RUSTY,
807
00:29:56,405 --> 00:29:57,304
BUT...
808
00:29:58,574 --> 00:29:59,907
I DID FIND A NOTE.
809
00:30:01,210 --> 00:30:02,810
A PERSONAL REMINDER
810
00:30:02,845 --> 00:30:04,779
REGARDING THE TWO
MUNICH SCHOOL PAINTINGS
811
00:30:04,814 --> 00:30:06,413
WE FOUND
HANGING BEHIND HIS DESK.
812
00:30:06,448 --> 00:30:08,615
THE "SUNRISE" AND "SUNSET"
LANDSCAPES?
813
00:30:08,651 --> 00:30:10,151
YES.
814
00:30:10,186 --> 00:30:11,618
HE ASKED FOR THEM
815
00:30:11,654 --> 00:30:14,188
TO BE MOVED TO THE VAULT
FOR SAFEKEEPING.
816
00:30:15,357 --> 00:30:17,124
FORTUNATELY, HE NEVER
GOT AROUND TO IT
817
00:30:17,160 --> 00:30:18,859
BEFORE HIS HEALTH TOOK
A TURN FOR THE WORSE.
818
00:30:18,895 --> 00:30:20,360
UNFORTUNATELY...
819
00:30:20,396 --> 00:30:21,762
[SIGHS]
820
00:30:21,798 --> 00:30:23,697
I JUST SOLD THEM OFF AT AUCTION.
821
00:30:23,732 --> 00:30:26,466
YOU THINK THEY MAY CONTAIN
A CLUE TO THIS VAULT?
822
00:30:27,736 --> 00:30:29,203
ALL I KNOW IS,
823
00:30:29,238 --> 00:30:32,840
KARL DIETZ KEPT HIS SECRETS
VERY CLOSE.
824
00:30:32,875 --> 00:30:35,075
PERHAPS HANGING
ON A WALL BEHIND HIS DESK.
825
00:30:35,111 --> 00:30:36,476
SO...
826
00:30:36,512 --> 00:30:38,645
WHO OWNS THE PAINTINGS NOW?
827
00:30:38,681 --> 00:30:40,915
A MRS. HELEN BAUER.
828
00:30:43,052 --> 00:30:44,318
HOW'S THAT?
829
00:30:44,353 --> 00:30:45,152
PERFECT.
830
00:30:45,188 --> 00:30:46,287
THANKS.
831
00:30:46,322 --> 00:30:47,454
WHY DON'T YOU COME ON IN?
832
00:30:47,523 --> 00:30:49,290
WE'RE JUST
FINALIZING SOME DETAILS.
833
00:30:49,325 --> 00:30:50,490
OKAY.
834
00:30:52,728 --> 00:30:54,528
SO, AFTER
THE MENDELSSOHN OCTET,
835
00:30:54,563 --> 00:30:56,096
WE'LL HAVE THE MUSICIANS
LEAVE WITH THEIR CHAIRS,
836
00:30:56,132 --> 00:30:58,065
AND THEN WE'LL FINISH
WITH THE MOZART FANTASIA.
837
00:30:58,100 --> 00:30:58,933
AGREED?
838
00:30:59,001 --> 00:30:59,834
OKAY, WONDERFUL.
839
00:30:59,869 --> 00:31:01,101
THANK YOU, EVERYONE.
840
00:31:01,137 --> 00:31:02,102
CAROLYN?
841
00:31:02,138 --> 00:31:03,170
YES?
842
00:31:03,239 --> 00:31:04,104
HEY, I WANTED
TO INTRODUCE YOU
843
00:31:04,140 --> 00:31:05,372
TO MY WIFE, JENNIFER.
844
00:31:05,407 --> 00:31:07,541
JENN, THIS IS CAROLYN,
KARL DIETZ'S GRANDDAUGHTER.
845
00:31:07,609 --> 00:31:09,743
IT'S NICE
TO FORMALLY MEET YOU.
846
00:31:09,778 --> 00:31:10,777
WE CROSSED PATHS
847
00:31:10,847 --> 00:31:12,213
AT THE AUCTION HOUSE EARLIER.
848
00:31:12,281 --> 00:31:13,580
I'M SO SORRY
849
00:31:13,615 --> 00:31:15,049
YOU HAD TO WITNESS
MY LITTLE TEMPER TANTRUM THERE.
850
00:31:15,084 --> 00:31:15,782
IT WAS BAD TIMING,
I'M AFRAID.
851
00:31:15,852 --> 00:31:17,251
OH, EXCUSE ME,
852
00:31:17,320 --> 00:31:18,785
THE BACK STAGE DOOR
IS WARPED,
853
00:31:18,821 --> 00:31:20,821
I'VE GOT TO MAKE SURE
THEY FIX THE LOCK.
854
00:31:20,890 --> 00:31:22,522
IT'S ALWAYS SOMETHING.
855
00:31:22,558 --> 00:31:24,791
OH, MY GOSH,
HE HAS BEEN SUCH A HELP.
856
00:31:24,827 --> 00:31:27,361
WELL, HE WORKED VERY CLOSELY
WITH YOUR GRANDFATHER
857
00:31:27,396 --> 00:31:28,329
BUILDING THIS PLACE.
858
00:31:28,364 --> 00:31:31,131
I'M SO SORRY
FOR YOUR LOSS.
859
00:31:31,167 --> 00:31:32,766
SO, I TAKE IT YOU HAD NO IDEA
860
00:31:32,801 --> 00:31:34,501
THERE WAS GOING TO BE
AN ESTATE AUCTION?
861
00:31:34,536 --> 00:31:36,503
NO, NONE WHATSOEVER.
862
00:31:36,538 --> 00:31:38,638
I'VE BEEN OVERSEAS ON ASSIGNMENT
THESE PAST FEW MONTHS.
863
00:31:38,707 --> 00:31:40,074
I'M A CRISIS MANAGER
FOR THE CDC.
864
00:31:41,077 --> 00:31:43,143
OH, WOW, A REAL HUMANITARIAN.
865
00:31:43,179 --> 00:31:45,545
OH, WELL...
866
00:31:45,581 --> 00:31:46,580
IT CAN BE REWARDING
867
00:31:46,648 --> 00:31:48,249
AND EXHAUSTING.
868
00:31:48,284 --> 00:31:50,417
BUT, UH...
869
00:31:50,452 --> 00:31:52,686
YEAH, I'M STILL WORKING THROUGH
A LOT OF THE GUILT AND REGRET
870
00:31:52,721 --> 00:31:54,788
OVER NOT BEING ABLE TO GET BACK
BEFORE MY GRANDPA DIED.
871
00:31:56,893 --> 00:31:58,525
HE DIDN'T TREAT MY MOTHER
VERY WELL
872
00:31:58,560 --> 00:31:59,927
WHEN I WAS GROWING UP,
873
00:31:59,962 --> 00:32:00,827
I CALLED HIM OUT ON IT,
874
00:32:00,897 --> 00:32:02,596
AND THAT WAS THAT.
875
00:32:02,664 --> 00:32:03,397
HE CUT US BOTH OFF.
876
00:32:03,432 --> 00:32:05,099
I'M SORRY.
877
00:32:06,302 --> 00:32:08,269
ABOUT SIX MONTHS AGO,
MY MOM TOLD ME
878
00:32:08,337 --> 00:32:09,904
THAT GRANDPA WANTED
TO REINSTATE US IN THE WILL,
879
00:32:09,972 --> 00:32:11,138
AND SHE GAVE ME
A LETTER TO THAT EFFECT,
880
00:32:11,173 --> 00:32:12,072
FROM HIM.
881
00:32:12,108 --> 00:32:13,107
REALLY?
882
00:32:13,142 --> 00:32:15,175
MY MOM,
883
00:32:15,211 --> 00:32:16,911
SHE PASSED AWAY
A FEW MONTHS AGO,
884
00:32:16,946 --> 00:32:17,844
WHILE I WAS OVERSEAS,
885
00:32:17,914 --> 00:32:19,046
AND THEN...
886
00:32:19,081 --> 00:32:20,714
GRANDPA'S
HEALTH DECLINED,
887
00:32:20,749 --> 00:32:23,517
AND THAT'S WHEN
CONRAD SILES SWOOPED IN.
888
00:32:23,552 --> 00:32:25,552
HE'S A PROFESSIONAL VULTURE,
THAT MAN.
889
00:32:26,855 --> 00:32:27,988
I'M SORRY.
I DON'T MEAN TO VENT.
890
00:32:28,024 --> 00:32:30,925
OH, IT'S PERFECTLY ALL RIGHT.
891
00:32:30,960 --> 00:32:33,527
I FIGURE I'LL JUST LEAVE IT
TO THE LAWYERS TO SORT IT OUT.
892
00:32:33,562 --> 00:32:35,562
WELL, I'M VERY SORRY
893
00:32:35,597 --> 00:32:37,164
THAT YOU'RE HAVING
TO GO THROUGH THIS,
894
00:32:37,199 --> 00:32:38,732
BUT IF IT'S ANY CONSOLATION,
895
00:32:38,801 --> 00:32:41,135
YOUR GRANDFATHER MEANT
A GREAT DEAL TO THIS COMMUNITY.
896
00:32:41,170 --> 00:32:42,903
AND I THINK
IT'S LOVELY
897
00:32:42,939 --> 00:32:45,772
THAT YOU'RE HONORING HIS MEMORY
AND HIS CONTRIBUTIONS.
898
00:32:45,808 --> 00:32:47,474
THANK YOU.
899
00:32:48,777 --> 00:32:50,477
NOW IF I COULD JUST
DO SOMETHING ABOUT MY NERVES.
900
00:32:50,512 --> 00:32:51,678
I'VE VOLUNTEERED TO PLAY
901
00:32:51,747 --> 00:32:54,214
THE MOZART
"FANTASIA IN D MINOR."
902
00:32:54,250 --> 00:32:55,015
OH, MY!
903
00:32:55,051 --> 00:32:56,216
[CHUCKLING]
904
00:32:56,285 --> 00:32:58,052
YEAH, IT WAS
MY GRANDPA'S FAVORITE.
905
00:32:58,087 --> 00:32:59,686
HE TAUGHT IT TO MY MOTHER,
AND THEN TO ME.
906
00:32:59,721 --> 00:33:01,788
I AM SURE YOU WILL BE FINE.
907
00:33:01,824 --> 00:33:02,923
THANK YOU.
908
00:33:02,959 --> 00:33:04,391
I SHOULD REALLY
GET BACK TO WORK.
909
00:33:04,427 --> 00:33:05,892
UM, I'LL SEE YOU
AT THE MEMORIAL?
910
00:33:05,928 --> 00:33:06,760
OF COURSE, YOU WILL.
911
00:33:11,667 --> 00:33:12,899
WELL, TO BE HONEST,
912
00:33:12,969 --> 00:33:15,069
I CAN UNDERSTAND
CAROLYN'S FRUSTRATION.
913
00:33:15,104 --> 00:33:16,971
DO YOU THINK SILES
MIGHT HAVE MANIPULATED DIETZ
914
00:33:17,006 --> 00:33:18,105
INTO AN ESTATE AUCTION?
915
00:33:18,140 --> 00:33:20,407
HER LAWYER CERTAINLY
THINKS SO.
916
00:33:20,443 --> 00:33:21,741
THE DEPARTMENT WAS JUST NOTIFIED
917
00:33:21,777 --> 00:33:23,877
THAT HE'S PREPARING
TO FILE CHARGES AGAINST SILES
918
00:33:23,912 --> 00:33:25,980
FOR DEFRAUDING THE GRANDFATHER
919
00:33:26,015 --> 00:33:27,314
OUT OF WHAT SHE CONSIDERS
920
00:33:27,383 --> 00:33:29,716
HER RIGHTFUL INHERITANCE.
921
00:33:29,751 --> 00:33:31,118
THEY'VE ALREADY DRAWN UP
A LIST OF ITEMS,
922
00:33:31,153 --> 00:33:32,519
ASSETS FROM THE ESTATE--
923
00:33:32,588 --> 00:33:34,254
PIANO INCLUDED?
924
00:33:34,290 --> 00:33:36,190
PIANO INCLUDED.
925
00:33:36,225 --> 00:33:37,257
SHE'S ALSO EXPRESSED
926
00:33:37,293 --> 00:33:38,925
HER DISPLEASURE
AT THE DEPARTMENT
927
00:33:38,961 --> 00:33:40,394
FOR NOT RELEASING
DIETZ'S BODY YET.
928
00:33:41,630 --> 00:33:42,929
AND YOU HAVEN'T BECAUSE...?
929
00:33:44,166 --> 00:33:45,599
BECAUSE THERE ARE QUESTIONS...
930
00:33:46,668 --> 00:33:48,969
...WHICH I DON'T CARE
TO COMMENT ON.
931
00:33:49,005 --> 00:33:50,770
THE PAPER SAID HE DIED
OF HEART FAILURE.
932
00:33:50,806 --> 00:33:52,339
CARDIAC ARREST.
933
00:33:52,375 --> 00:33:56,276
WHICH, ACCORDING TO DR. TRAMMEL,
WAS TRIGGERED BY AN EMBOLISM.
934
00:33:56,312 --> 00:33:57,577
I MEAN, JENN,
935
00:33:57,613 --> 00:33:59,613
COME ON, THE GUY WAS ALMOST
A HUNDRED YEARS OLD.
936
00:33:59,648 --> 00:34:00,780
92.
937
00:34:00,816 --> 00:34:01,915
CLOSE ENOUGH.
938
00:34:02,951 --> 00:34:05,019
LET'S TURN THE PAGE
HERE FOR A SECOND.
939
00:34:05,054 --> 00:34:06,786
I WENT AND PAID
YOUR FRIEND A VISIT,
940
00:34:06,822 --> 00:34:08,422
MR. CONNICK.
941
00:34:08,457 --> 00:34:10,657
ACCORDING TO HIM,
HE WAS CLUBBED FROM BEHIND,
942
00:34:10,692 --> 00:34:12,526
SO THAT'S WHY HE DIDN'T SEE
THE ASSAILANT.
943
00:34:12,594 --> 00:34:13,660
IT SEEMED
A LITTLE STRANGE TO ME,
944
00:34:13,729 --> 00:34:15,896
CONSIDERING THE SIGHT LINE'S
TO THE DOOR.
945
00:34:15,931 --> 00:34:18,098
SO I HAD ONE OF
MY TECH GUYS GO OVER THERE,
946
00:34:18,134 --> 00:34:20,100
AND CHECK OUT THE REAR WINDOW
OF THE SHOP,
947
00:34:20,136 --> 00:34:22,169
AND, WELL,
ACCORDING TO THE EVIDENCE,
948
00:34:22,204 --> 00:34:23,337
IT WAS JIMMIED.
949
00:34:23,372 --> 00:34:25,705
SO, THE ATTACKER HAD
AN ENTRY AND EXIT POINT.
950
00:34:25,741 --> 00:34:27,908
YES.
951
00:34:27,976 --> 00:34:31,778
WHICH LEAVES ME AT A DEAD END
UNTIL I FIND JACQUES.
952
00:34:31,847 --> 00:34:33,047
WHO LEFT
THROUGH THE FRONT DOOR.
953
00:34:33,082 --> 00:34:34,314
WELL, PROBABLY BECAUSE
954
00:34:34,350 --> 00:34:35,815
HE NOTICED
THE SURVEILLANCE CAMERAS,
955
00:34:35,851 --> 00:34:36,883
BUT THAT DOESN'T MEAN
956
00:34:36,919 --> 00:34:37,951
HE COULDN'T HAVE
WALKED AROUND TO BACK.
957
00:34:38,020 --> 00:34:40,454
SO WE HAVE JACQUES
AT THE AUCTION,
958
00:34:40,489 --> 00:34:42,556
LOOKING FOR SOMETHING INSIDE
THE BIEDERMEIER DRESSER.
959
00:34:42,591 --> 00:34:43,557
HE DOESN'T FIND IT,
960
00:34:43,592 --> 00:34:44,758
SO HE CHUCKS IT.
961
00:34:44,826 --> 00:34:46,593
THEN SET HIS SIGHTS
ON YOUR PIANO,
962
00:34:46,628 --> 00:34:48,895
WHICH HE TRACKS DOWN
TO DEAN'S SHOP,
963
00:34:48,931 --> 00:34:50,197
HAS A LOOK-SEE--
964
00:34:50,232 --> 00:34:51,831
NOT A VERY THOROUGH ONE.
965
00:34:51,867 --> 00:34:54,268
WELL, EITHER HE FOUND
WHAT HE WAS LOOKING FOR,
966
00:34:54,303 --> 00:34:55,269
OR SOMEONE SPOOKED HIM.
967
00:34:55,337 --> 00:34:56,803
MAYBE IT WAS HOWIE?
968
00:34:56,838 --> 00:34:59,339
HE SAID DEAN'S WORKSHOP DOOR
WAS CLOSED WHEN HE GOT THERE,
969
00:34:59,408 --> 00:35:01,341
AND HE THOUGHT HE HEARD SOMEONE
MOVING AROUND INSIDE?
970
00:35:01,377 --> 00:35:02,809
WHICH HE ASSUMED
WAS MR. CONNICK.
971
00:35:02,844 --> 00:35:04,445
BUT IT MIGHT HAVE BEEN JACQUES.
972
00:35:04,480 --> 00:35:05,312
HMM...
973
00:35:05,381 --> 00:35:06,913
THIS ATTACK
HAD A GOAL,
974
00:35:06,949 --> 00:35:08,215
A PURPOSE,
975
00:35:08,250 --> 00:35:12,719
AND ALL CLUES SEEM TO LEAD
TO KARL DIETZ'S PIANO.
976
00:35:12,754 --> 00:35:14,020
OH, EXCUSE ME,
977
00:35:14,056 --> 00:35:16,756
CAN I GET A SLICE
OF MUD PIE FOR MY FRIEND?
978
00:35:16,792 --> 00:35:18,225
THANK YOU.
979
00:35:18,260 --> 00:35:20,127
I DIDN'T SAY
I WANTED A MUD PIE.
980
00:35:20,162 --> 00:35:21,828
YOU DIDN'T SAY
YOU DIDN'T.
981
00:35:21,863 --> 00:35:22,762
UH...
982
00:35:25,968 --> 00:35:28,268
[♪♪♪]
983
00:35:35,130 --> 00:35:37,530
WELCOME TO RAGS-TO-RICHES.
984
00:35:37,565 --> 00:35:38,664
IT'S A NICE SHOP,
985
00:35:38,700 --> 00:35:39,632
VERY CHARMING.
986
00:35:39,667 --> 00:35:41,267
THANK YOU.
987
00:35:41,302 --> 00:35:42,301
DIDN'T I SEE YOU
988
00:35:42,370 --> 00:35:43,436
AT THE AUCTION
THE OTHER DAY?
989
00:35:43,504 --> 00:35:44,637
OUI.
990
00:35:44,672 --> 00:35:46,139
I AM HERE ABOUT THE PIANO.
991
00:35:46,174 --> 00:35:48,074
AH, THE PIANO.
992
00:35:48,110 --> 00:35:50,343
THE PIANO
ISN'T ACTUALLY FOR SALE.
993
00:35:50,378 --> 00:35:51,845
WELL, I WILL
TAKE A LOOK ANYWAY.
994
00:35:51,880 --> 00:35:52,846
OH.
995
00:35:52,914 --> 00:35:55,381
[TELEPHONE RINGS]
996
00:35:55,416 --> 00:35:57,817
HELLO, RAGS-TO-RICHES.
997
00:35:57,853 --> 00:35:59,919
OH, HEY, DANI,
HAS THE PIANO ARRIVED YET?
998
00:35:59,955 --> 00:36:01,721
MAIS OUI.
999
00:36:01,757 --> 00:36:03,656
YES, WE HAVE A CUSTOMER
LOOKING AT IT RIGHT NOW.
1000
00:36:03,691 --> 00:36:05,424
IT'S JACQUES, ISN'T IT?
1001
00:36:05,460 --> 00:36:06,425
HE'S THERE.
1002
00:36:06,494 --> 00:36:07,426
-OUI.
-YES.
1003
00:36:07,462 --> 00:36:08,628
YEAH, YOU GOT IT, SISTER.
1004
00:36:08,663 --> 00:36:10,130
DISPATCH?
1005
00:36:10,165 --> 00:36:14,033
I NEED ANY AVAILABLE UNIT
AT 9179 MAIN STREET, ASAP.
1006
00:36:14,069 --> 00:36:15,401
DANI, REMAIN CALM.
1007
00:36:15,436 --> 00:36:17,370
FRANK IS ON HIS WAY THERE
AND THE POLICE ARE EN ROUTE.
1008
00:36:17,405 --> 00:36:20,473
OH, THAT'S WONDERFUL NEWS.
1009
00:36:20,508 --> 00:36:22,375
I WOULD LIKE TO SEE
THE PIANO BENCH
1010
00:36:22,410 --> 00:36:24,010
AND THE MUSIC SCROLLS, MADAME.
1011
00:36:24,045 --> 00:36:25,645
AH--
[SHOP BELL JINGLES]
1012
00:36:25,680 --> 00:36:27,080
DREW!
1013
00:36:27,115 --> 00:36:28,614
OH, DREW, I'M SO
HAPPY TO SEE YOU!
1014
00:36:28,650 --> 00:36:30,049
OH!
1015
00:36:30,085 --> 00:36:31,184
I TOLD YOU I'D BE DROPPING OFF
THE NEW LIGHT FIXTURES.
1016
00:36:31,219 --> 00:36:32,152
UH, DREW,
THIS IS JACQUES.
1017
00:36:32,187 --> 00:36:33,719
HE'S INTERESTED
IN THE PIANO.
1018
00:36:33,755 --> 00:36:35,021
FORMIDABLE, JACQUES.
1019
00:36:35,056 --> 00:36:36,022
HEY, LET'S START IT UP!
[POLICE SIRENS OUTSIDE]
1020
00:36:36,057 --> 00:36:37,023
WHERE'D YOU PUT
THOSE MUSIC ROLLS?
1021
00:36:37,058 --> 00:36:38,024
THEY'RE IN
THE PIANO BENCH, RIGHT?
1022
00:36:38,093 --> 00:36:38,925
LET'S GO GET THEM--
1023
00:36:38,960 --> 00:36:40,026
I'M SORRY,
1024
00:36:40,061 --> 00:36:41,094
I FORGOT I HAVE
ANOTHER APPOINTMENT.
1025
00:36:41,163 --> 00:36:43,696
PERHAPS, UH,
SOME OTHER TIME.
1026
00:36:43,765 --> 00:36:44,630
[SHOP BELL JINGLES]
1027
00:36:44,666 --> 00:36:46,232
[SIGHS IN RELIEF]
1028
00:36:46,268 --> 00:36:47,967
[POLICE SIRENS APPROACH]
1029
00:36:56,644 --> 00:36:57,944
MY TRAVEL BAG--?
1030
00:36:58,013 --> 00:36:59,312
NO, JUST A MINUTE.
1031
00:37:01,082 --> 00:37:03,116
HMM, YOU'RE QUITE
THE WORLD TRAVELER,
1032
00:37:03,151 --> 00:37:04,851
HUH, MR. GRENIER?
1033
00:37:04,886 --> 00:37:05,852
WELL, FOR NOW,
1034
00:37:05,887 --> 00:37:06,853
IN OUR ZIP CODE,
AT LEAST,
1035
00:37:06,922 --> 00:37:08,254
YOU'RE FACING
FELONY ASSAULT.
1036
00:37:09,390 --> 00:37:12,258
BUT I HAVE NOT
ASSAULTED ANYONE.
1037
00:37:12,294 --> 00:37:13,492
WELL, WE HAVE SURVEILLANCE
FOOTAGE OF YOU
1038
00:37:13,561 --> 00:37:15,195
CONFRONTING MR. CONNICK
1039
00:37:15,230 --> 00:37:16,696
BEFORE HE WOUND UP IN THE ICU.
1040
00:37:16,731 --> 00:37:20,200
WE ALSO HAVE WITNESSES
WHO CAN TESTIFY
1041
00:37:20,235 --> 00:37:22,035
TO YOUR KEEN INTEREST
IN THE PLAYER PIANO
1042
00:37:22,070 --> 00:37:23,036
THAT WAS AT HIS SHOP,
1043
00:37:23,071 --> 00:37:24,003
THE ONE THAT WAS
SLIGHTLY DAMAGED
1044
00:37:24,039 --> 00:37:25,538
AFTER THE ATTACK--
1045
00:37:25,573 --> 00:37:27,841
I MERELY INQUIRED
ABOUT THE PIANO.
1046
00:37:27,876 --> 00:37:30,810
YES, THREE TIMES,
AT MY LAST COUNT.
1047
00:37:30,846 --> 00:37:34,180
IT MUST HOLD
DEEP SENTIMENTAL VALUE TO YOU.
1048
00:37:34,216 --> 00:37:35,348
AS I SAID,
1049
00:37:35,383 --> 00:37:37,483
IF I COULD RETRIEVE
MY TRAVEL BAG--
1050
00:37:37,552 --> 00:37:38,751
[DOOR LOCK BUZZES]
1051
00:37:38,786 --> 00:37:40,019
AH! HERE IT IS.
1052
00:37:40,055 --> 00:37:41,520
MERCI, MONSIEUR.
1053
00:37:51,032 --> 00:37:53,299
WHAT DO WE HAVE HERE?
1054
00:37:53,335 --> 00:37:55,134
A BERETTA NINE-MIL.
1055
00:37:55,203 --> 00:37:56,870
MY SERVICE WEAPON.
1056
00:37:56,905 --> 00:37:58,838
AND WHAT SERVICE
WOULD THAT BE?
1057
00:37:58,874 --> 00:38:01,841
THE EUROPEAN MINISTRY
OF CRIMINAL AFFAIRS.
1058
00:38:01,877 --> 00:38:04,810
MY PERMIT AND I.D.
ARE ALSO IN THE BAG.
1059
00:38:14,256 --> 00:38:16,689
EMCA, HUH?
1060
00:38:16,758 --> 00:38:20,026
SO, WHAT BRINGS YOU
HERE, INSPECTOR,
1061
00:38:20,061 --> 00:38:23,229
BESIDES AN OLD ARMOIRE
AND A PLAYER PIANO?
1062
00:38:23,265 --> 00:38:24,898
KARL DIETZ.
1063
00:38:24,933 --> 00:38:26,832
I'VE BEEN PURSUING HIM
FOR A VERY LONG TIME.
1064
00:38:26,868 --> 00:38:27,967
WHY?
1065
00:38:28,003 --> 00:38:29,735
CALL IT, UH...
1066
00:38:29,771 --> 00:38:31,004
RESTITUTION.
1067
00:38:31,039 --> 00:38:32,138
WELL...
1068
00:38:32,173 --> 00:38:34,107
YOU'RE A LITTLE LATE FOR THAT.
1069
00:38:34,142 --> 00:38:35,741
THE MAN IS DEAD.
1070
00:38:35,777 --> 00:38:36,742
OUI.
1071
00:38:36,778 --> 00:38:39,012
NOW, IF ONLY
THE DEAD COULD TALK.
1072
00:38:40,715 --> 00:38:41,881
WHAT DOES THAT MEAN?
1073
00:38:41,917 --> 00:38:43,983
AH, IT IS MY TURN NOW,
DETECTIVE.
1074
00:38:44,019 --> 00:38:47,387
TELL ME, WHAT DO YOU KNOW
ABOUT THE LATE KARL DIETZ?
1075
00:38:47,422 --> 00:38:49,222
ALL RIGHT.
1076
00:38:49,291 --> 00:38:51,024
GERMAN-BORN,
1077
00:38:51,092 --> 00:38:53,026
WORKED AS A DIPLOMATIC LIAISON
FOR NATO,
1078
00:38:53,061 --> 00:38:55,661
RETIRED OUT HERE
ABOUT 20 YEARS AGO.
1079
00:38:55,696 --> 00:38:57,563
HE WAS A FRIEND OF THE MAYOR,
1080
00:38:57,598 --> 00:38:59,132
AND HE'S A VERY
GENEROUS BENEFACTOR
1081
00:38:59,167 --> 00:39:00,300
TO THE COMMUNITY,
1082
00:39:00,335 --> 00:39:02,001
UNDERWRITING
THE LOCAL RECITAL HALL,
1083
00:39:02,037 --> 00:39:03,436
THE ORCHESTRA--
1084
00:39:03,471 --> 00:39:05,704
YES-YES, I AM SURE HE IS
A TRUE PATRON OF THE ARTS.
1085
00:39:05,740 --> 00:39:06,739
AH...
1086
00:39:06,808 --> 00:39:09,142
I DETECT A NOTE
OF SARCASM THERE.
1087
00:39:09,177 --> 00:39:11,411
THIS MAN YOU SPEAK OF,
1088
00:39:11,446 --> 00:39:13,913
THIS, UH... RETIRED DIPLOMAT,
1089
00:39:13,949 --> 00:39:16,416
THIS MAGNANIMOUS
BENEFACTOR,
1090
00:39:16,451 --> 00:39:18,985
IS A MASQUERADE,
1091
00:39:19,020 --> 00:39:21,554
A REINVENTION.
1092
00:39:21,589 --> 00:39:25,425
THE KARL DIETZ I KNOW
IS SOMEONE ELSE ENTIRELY.
1093
00:39:25,460 --> 00:39:28,061
SOMEONE WHO TOOK FULL ADVANTAGE
1094
00:39:28,096 --> 00:39:29,662
OF THE DIRE SITUATION
1095
00:39:29,697 --> 00:39:32,631
THAT FOLLOWED
THE WAR IN GERMANY.
1096
00:39:32,700 --> 00:39:34,700
COULD YOU BE
A LITTLE MORE SPECIFIC?
1097
00:39:34,735 --> 00:39:37,337
HE ABUSED THE POWERS
AND PRIVILEGES
1098
00:39:37,405 --> 00:39:38,604
BESTOWED UPON HIM,
1099
00:39:38,639 --> 00:39:39,872
AND FOR THAT,
1100
00:39:39,907 --> 00:39:42,141
HE WILL ATONE.
1101
00:39:42,177 --> 00:39:43,076
EVEN FROM THE GRAVE.
1102
00:39:45,513 --> 00:39:46,980
NOW, DETECTIVE...
1103
00:39:47,015 --> 00:39:48,414
TELL ME,
1104
00:39:48,450 --> 00:39:51,750
DO I NEED TO CONTACT
AN ATTORNEY?
1105
00:39:55,723 --> 00:39:57,523
[SHOP BELL JINGLES]
1106
00:39:57,558 --> 00:40:00,126
OH, JUST LET ME KNOW
IF YOU NEED ANY HELP.
1107
00:40:00,161 --> 00:40:01,227
THE VESTONE...
1108
00:40:02,763 --> 00:40:04,330
IT'S HERE.
1109
00:40:04,366 --> 00:40:06,265
YES.
1110
00:40:06,301 --> 00:40:09,068
WE JUST GOT THAT
AT AN ESTATE AUCTION.
1111
00:40:09,104 --> 00:40:11,137
ARE YOU FAMILIAR WITH
THE VESTONE-DOBROTT MODEL?
1112
00:40:11,172 --> 00:40:12,972
VERY FAMILIAR.
1113
00:40:13,041 --> 00:40:14,974
THIS WAS MY GRANDFATHER'S.
1114
00:40:15,010 --> 00:40:16,142
HE TAUGHT ME TO PLAY ON IT.
1115
00:40:17,345 --> 00:40:18,777
MR. DIETZ WAS YOUR GRANDFATHER?
1116
00:40:18,813 --> 00:40:20,246
YES.
1117
00:40:21,616 --> 00:40:22,848
SORRY. I'M CAROLYN.
1118
00:40:22,917 --> 00:40:24,117
CAROLYN TURNER.
1119
00:40:24,152 --> 00:40:25,518
I MET JENNIFER
AT THE MEMORIAL REHEARSAL.
1120
00:40:25,553 --> 00:40:27,220
OH. I'M DANI,
I'M HER PARTNER.
1121
00:40:27,288 --> 00:40:28,354
OH, GREAT.
1122
00:40:28,390 --> 00:40:29,622
I'M ACTUALLY HERE
1123
00:40:29,657 --> 00:40:31,391
BECAUSE I NEED AN APPRAISAL
ON SOME OF THE ITEMS
1124
00:40:31,426 --> 00:40:33,393
FROM THE DIETZ ESTATE AUCTION,
1125
00:40:33,461 --> 00:40:34,660
INCLUDING THIS PIANO.
1126
00:40:34,695 --> 00:40:35,794
OH.
1127
00:40:35,830 --> 00:40:38,564
WELL, THAT'S
VERY NICE OF YOU,
1128
00:40:38,633 --> 00:40:40,366
AND A BIT AWKWARD.
1129
00:40:40,435 --> 00:40:41,800
AWKWARD, YES...
1130
00:40:43,571 --> 00:40:45,304
AND REGRETTABLE.
1131
00:40:50,211 --> 00:40:51,810
YOU AGAIN.
1132
00:40:51,846 --> 00:40:52,912
WHAT'S THIS?
1133
00:40:52,947 --> 00:40:54,380
MY LETTER OF RESIGNATION,
AS YOUR TUTOR.
1134
00:40:54,416 --> 00:40:56,649
PARAGRAPH TWO CITES
YOUR LACK OF COOPERATION,
1135
00:40:56,684 --> 00:40:58,184
VIOLATING
YOUR ACADEMIC PROBATION,
1136
00:40:58,253 --> 00:40:59,552
SO HAVE FUN WARMING THE BENCH.
1137
00:40:59,587 --> 00:41:01,187
WAIT, COME ON...
1138
00:41:01,222 --> 00:41:03,289
YOU DON'T HAVE TO COME DOWN
SO HEAVY HERE.
1139
00:41:03,324 --> 00:41:04,623
I DON'T WANT TO,
1140
00:41:04,659 --> 00:41:07,460
BUT IF YOU'RE NOT WILLING
TO HELP YOURSELF...
1141
00:41:07,495 --> 00:41:09,128
LOOK, FOR ME,
I LOSE A PAYCHECK.
1142
00:41:09,164 --> 00:41:10,463
SO WHAT?
1143
00:41:10,498 --> 00:41:12,398
BUT FOR YOU, YOUR TEAM...
1144
00:41:12,434 --> 00:41:14,833
THERE'S A WHOLE LOT MORE
AT STAKE HERE.
1145
00:41:25,713 --> 00:41:27,480
YOU OKAY, HON'?
1146
00:41:27,549 --> 00:41:31,150
OH, YEAH, YEAH,
I WAS JUST THINKING.
1147
00:41:31,186 --> 00:41:34,554
IF WE LIVED
UNTIL WE WERE 92,
1148
00:41:34,589 --> 00:41:36,222
HOW MANY GRANDKIDS
DO YOU THINK WE'LL HAVE?
1149
00:41:36,257 --> 00:41:37,356
[CHUCKLES]
1150
00:41:37,392 --> 00:41:38,291
I HAVE NO IDEA.
1151
00:41:39,961 --> 00:41:42,962
DID KARL DIETZ EVER TALK
ABOUT HIS FAMILY?
1152
00:41:42,997 --> 00:41:44,564
NO, I DIDN'T KNOW
HE HAD A FAMILY
1153
00:41:44,599 --> 00:41:45,864
UNTIL I MET CAROLYN.
1154
00:41:45,900 --> 00:41:48,167
MAYBE THEY DIDN'T HEAL
THAT FAMILY RIFT.
1155
00:41:48,203 --> 00:41:50,236
WELL...
1156
00:41:53,641 --> 00:41:56,576
WE ARE NOT GOING
TO LET THAT HAPPEN HERE.
1157
00:41:56,611 --> 00:41:58,511
WE'RE GOING TO STAY CONNECTED,
1158
00:41:58,546 --> 00:41:59,745
WE'RE GOING TO STAY CLOSE,
1159
00:41:59,780 --> 00:42:03,048
AND WHATEVER WE HAVE
AT THE END OF THE JOURNEY,
1160
00:42:03,084 --> 00:42:05,218
IT'S GOING TO STAY
IN THE FAMILY.
1161
00:42:05,253 --> 00:42:06,185
DEAL.
1162
00:42:06,221 --> 00:42:07,186
DEAL.
1163
00:42:07,255 --> 00:42:09,355
[CELL PHONE RINGS]
1164
00:42:10,391 --> 00:42:12,091
HELLO?
1165
00:42:12,127 --> 00:42:13,426
HELEN, ARE YOU OKAY?
1166
00:42:13,461 --> 00:42:15,561
OH, NO.
1167
00:42:15,597 --> 00:42:16,395
ARE THE POLICE THERE?
1168
00:42:17,765 --> 00:42:20,065
WELL, THAT'S GOOD.
1169
00:42:20,101 --> 00:42:21,066
WELL, NO.
1170
00:42:21,102 --> 00:42:22,568
NO, IT'S NO TROUBLE.
1171
00:42:22,637 --> 00:42:24,170
OKAY.
1172
00:42:24,205 --> 00:42:25,871
IT'S HELEN BAUER.
1173
00:42:25,906 --> 00:42:26,939
SOMEONE BROKE INTO HER HOUSE.
1174
00:42:27,008 --> 00:42:28,141
THE POLICE ARE THERE,
1175
00:42:28,176 --> 00:42:29,542
BUT I THINK SHE COULD USE
SOME HAND HOLDING.
1176
00:42:29,611 --> 00:42:30,676
OF COURSE.
1177
00:42:30,745 --> 00:42:31,777
GO.
1178
00:42:33,181 --> 00:42:34,180
I WAS IN BED
1179
00:42:34,215 --> 00:42:37,683
WHEN MY DOG, MIMI,
HEARD A COMMOTION,
1180
00:42:37,718 --> 00:42:39,084
AND RAN DOWNSTAIRS,
1181
00:42:39,154 --> 00:42:42,155
BIT THE THIEF,
AND RAN HIM OFF,
1182
00:42:42,223 --> 00:42:44,323
BUT NOT BEFORE
HE DID SOME DAMAGE.
1183
00:42:44,359 --> 00:42:45,958
HELEN, WAS ANYTHING TAKEN?
1184
00:42:45,993 --> 00:42:47,760
NOT THAT I KNOW OF.
1185
00:42:47,795 --> 00:42:50,429
WHERE IS
THE "SUNSET" PAINTING?
1186
00:42:50,498 --> 00:42:52,131
OH, IT'S TUCKED
BEHIND THE COUCH
1187
00:42:52,167 --> 00:42:54,567
I WAS GOING
TO HANG IT TOMORROW.
1188
00:43:10,151 --> 00:43:11,884
-FRANK...
-HMM?
1189
00:43:11,919 --> 00:43:13,252
CAN I SEE THE BACK OF THAT
FOR A SECOND?
1190
00:43:13,288 --> 00:43:14,520
SURE.
1191
00:43:20,395 --> 00:43:22,295
THE CANVAS STRETCHER
ON THE "SUNSET" PAINTING
1192
00:43:22,330 --> 00:43:23,396
IS THICKER THAN THIS ONE.
1193
00:43:23,431 --> 00:43:26,031
CAN WE TAKE THIS
OUT OF THE FRAME?
1194
00:43:26,067 --> 00:43:27,466
YEAH, LET'S SEE,
LET'S CHECK IT OUT.
1195
00:43:32,039 --> 00:43:33,306
[GASPS]
1196
00:43:33,341 --> 00:43:34,873
THERE'S A WHOLE
OTHER PANTING IN HERE.
1197
00:43:36,110 --> 00:43:37,210
[GASPS]
1198
00:43:38,213 --> 00:43:40,913
OH, WOW.
1199
00:43:42,217 --> 00:43:43,816
I THINK THIS IS
A HERMANN HERZOG.
1200
00:43:43,851 --> 00:43:45,585
[GASPS]
1201
00:43:45,620 --> 00:43:48,987
AN ORIGINAL HERMANN HERZOG.
1202
00:43:49,023 --> 00:43:51,209
AND IF IT IS ORIGINAL,
1203
00:43:51,259 --> 00:43:53,125
WELL, THIS PAINTING
IS WORTH TEN TIMES
1204
00:43:53,194 --> 00:43:54,493
WHAT HELEN PAID FOR
THESE OTHER TWO PAINTINGS.
1205
00:44:00,962 --> 00:44:02,225
WHAT DO YOU THINK?
1206
00:44:02,275 --> 00:44:03,608
WELL, I MEAN,
1207
00:44:03,643 --> 00:44:05,676
YOU WOULD HAVE TO TAKE IT
TO A PROFESSIONAL
1208
00:44:05,712 --> 00:44:06,577
TO GET IT AUTHENTICATED,
1209
00:44:06,646 --> 00:44:08,446
BUT GIVEN
THE LINEN CANVAS,
1210
00:44:08,481 --> 00:44:09,480
THE LAYERS OF PAINT,
1211
00:44:09,549 --> 00:44:11,749
AND THE SIGNATURE
OF THE ARTIST,
1212
00:44:11,817 --> 00:44:13,651
I THINK IT'S A GENUINE
HERMANN HERZOG.
1213
00:44:14,820 --> 00:44:16,287
I'M SURPRISED CONRAD SILES
NEVER CAUGHT THIS.
1214
00:44:17,423 --> 00:44:19,523
THEN AGAIN...
NOT EVERYONE HAS YOUR EYE.
1215
00:44:21,361 --> 00:44:24,662
FRANK, THESE PAINTINGS
CAME FROM THE DIETZ ESTATE.
1216
00:44:24,697 --> 00:44:25,963
IF ANYONE KNEW A MASTERPIECE
WAS BEING CONCEALED,
1217
00:44:25,998 --> 00:44:26,930
IT WOULD BE--
1218
00:44:26,966 --> 00:44:28,031
KARL DIETZ.
1219
00:44:28,067 --> 00:44:30,668
AND OBVIOUSLY
SOMEONE ELSE AS WELL.
1220
00:44:30,703 --> 00:44:31,902
WHAT ABOUT
1221
00:44:31,937 --> 00:44:34,272
THAT CASPAR DAVID
FRIEDRICH PAINTING?
1222
00:44:34,340 --> 00:44:36,173
YOU ASK ME,
1223
00:44:36,208 --> 00:44:39,209
I THINK THAT AUCTIONEER
IS UP TO NO GOOD.
1224
00:44:46,952 --> 00:44:48,519
BONJOUR, SERGEANT.
1225
00:44:48,588 --> 00:44:50,521
WHAT DO YOU WANT, JACQUES?
1226
00:44:50,556 --> 00:44:51,889
OH, THE SAME THING AS YOU.
1227
00:44:51,924 --> 00:44:53,924
EVERYTHING
THAT KARL DIETZ
1228
00:44:53,959 --> 00:44:56,360
NEGLECTED TO PLACE
ON THE AUCTION TABLE.
1229
00:44:56,396 --> 00:44:58,529
MISSING ART.
1230
00:44:58,564 --> 00:45:00,197
MISSING ANTIQUITIES.
1231
00:45:00,266 --> 00:45:03,267
MISSING JEWELS.
1232
00:45:03,336 --> 00:45:04,835
OH, COME, SERGEANT,
1233
00:45:04,870 --> 00:45:07,004
OUR INTERESTS HERE COULD BE
BENEFITED MUTUALLY, NO?
1234
00:45:07,039 --> 00:45:09,273
UNLESS YOU PREFER
TO CONTINUE
1235
00:45:09,309 --> 00:45:11,175
BEING THE MINION
1236
00:45:11,210 --> 00:45:14,845
OF THAT CHARLATAN, CONRAD SILES?
1237
00:45:14,880 --> 00:45:15,879
OUI.
1238
00:45:15,915 --> 00:45:17,181
WELL...
1239
00:45:17,249 --> 00:45:19,049
THINK ABOUT IT.
1240
00:45:19,084 --> 00:45:21,084
A BIENTOT, SERGEANT.
1241
00:46:27,453 --> 00:46:29,387
[♪♪♪]
1242
00:46:37,764 --> 00:46:39,797
FIND ANYTHING NEW, SIR?
1243
00:46:39,866 --> 00:46:42,466
I HAVE HERE A LETTER
1244
00:46:42,502 --> 00:46:44,769
WRITTEN BY
DIETZ'S DAUGHTER, HELGA,
1245
00:46:44,804 --> 00:46:46,437
A LITTLE MORE THAN
THREE MONTHS AGO,
1246
00:46:46,506 --> 00:46:48,338
SHORTLY BEFORE
HER PASSING.
1247
00:46:48,374 --> 00:46:50,274
SHE OUTRIGHT REJECTS
1248
00:46:50,309 --> 00:46:52,910
HER FATHER'S OFFER
TO RECONCILE THEIR DIFFERENCES,
1249
00:46:52,945 --> 00:46:55,178
OR TO HAVE HER
OR HER DAUGHTER, CAROLYN,
1250
00:46:55,247 --> 00:46:58,115
REINSTATED IN HIS WILL.
1251
00:46:58,183 --> 00:47:00,684
THAT CERTAINLY HEADS OFF
ANY LAWSUIT COMING YOUR WAY.
1252
00:47:00,720 --> 00:47:01,652
YES, INDEED.
1253
00:47:01,687 --> 00:47:04,221
BUT THERE'S MORE.
1254
00:47:04,256 --> 00:47:07,124
SHE SAYS HERE,
AND I QUOTE,
1255
00:47:07,159 --> 00:47:10,561
"I DO NOT WANT
YOUR PRECIOUS PIANO,
1256
00:47:10,596 --> 00:47:12,830
"AND I WILL NOT HAVE
CAROLYN MADE LIABLE
1257
00:47:12,865 --> 00:47:14,465
"FOR YOUR
ILL-GOTTEN GAINS.
1258
00:47:14,534 --> 00:47:17,234
"IF YOU HAD ANY INTEGRITY
LEFT AT ALL,
1259
00:47:17,303 --> 00:47:18,536
"YOU WILL MAKE AMENDS,
1260
00:47:18,571 --> 00:47:20,738
"AND OFFER RESTITUTION
TO THOSE YOU HAVE WRONGED.
1261
00:47:20,773 --> 00:47:24,642
THEN, MAYBE,
WE CAN ALL DIE IN PEACE."
1262
00:47:26,879 --> 00:47:28,512
[CHUCKLING]
1263
00:47:28,548 --> 00:47:30,948
IT'S THE VESTONE-DOBROTT
PLAYER PIANO, DWYER.
1264
00:47:30,983 --> 00:47:34,885
IT MUST CONTAIN THE KEY
TO DIETZ'S HIDDEN VAULT!
1265
00:47:34,954 --> 00:47:37,120
THAT'S WHY JACQUES GRENIER
BROKE INTO DEAN CONNICK'S SHOP.
1266
00:47:37,156 --> 00:47:39,423
MAKES SENSE.
1267
00:47:39,492 --> 00:47:40,858
YES, BUT NOW HE'S WANTED
BY THE POLICE,
1268
00:47:40,893 --> 00:47:43,393
WHICH GIVES US THE ADVANTAGE.
1269
00:47:43,429 --> 00:47:45,896
ARE YOU SUGGESTING
LIBERATING ANOTHER ITEM?
1270
00:47:45,965 --> 00:47:47,431
DO YOU HAVE
A PROBLEM WITH THAT?
1271
00:47:47,467 --> 00:47:49,199
NO, SIR.
1272
00:47:50,069 --> 00:47:51,068
GOOD.
1273
00:47:51,136 --> 00:47:52,035
I BELIEVE
YOU'LL FIND THE PIANO
1274
00:47:52,104 --> 00:47:53,136
AT A SHOP CALLED RAGS-TO-RICHES.
1275
00:47:54,874 --> 00:47:56,874
BY THE WAY, HOW'S THE ARM?
1276
00:47:56,909 --> 00:48:00,243
IT COULD PROBABLY USE
A FEW STITCHES.
1277
00:48:00,279 --> 00:48:01,679
YES, WELL, SEE TO IT.
1278
00:48:01,714 --> 00:48:04,782
I WANT THIS TAKEN CARE OF
AS QUICKLY AS POSSIBLE, DWYER.
1279
00:48:04,817 --> 00:48:06,049
WE'VE ALREADY MISSED
ONE OPPORTUNITY HERE.
1280
00:48:06,085 --> 00:48:06,951
DO NOT FAIL.
1281
00:48:08,020 --> 00:48:09,954
NO, SIR.
1282
00:48:19,599 --> 00:48:21,198
IT'S A GOOD FIND,
1283
00:48:21,266 --> 00:48:23,166
BUT HOW CAN WE BE CERTAIN
IT BELONGED TO DIETZ?
1284
00:48:23,235 --> 00:48:24,935
WELL, IT WAS FOUND
IN HIS PIANO BENCH,
1285
00:48:25,004 --> 00:48:26,370
THE CONTENTS
ARE WRITTEN IN GERMAN,
1286
00:48:26,405 --> 00:48:27,270
AND IT'S DIETZ'S HANDWRITING.
1287
00:48:28,407 --> 00:48:29,740
WELL, I COMPARED
SOME NOTES
1288
00:48:29,775 --> 00:48:31,375
THAT HE SCRIBBLED ONTO JASON'S
RECITAL HALL BLUEPRINTS.
1289
00:48:31,410 --> 00:48:32,643
OKAY.
1290
00:48:32,678 --> 00:48:34,011
I'M CONVINCED.
1291
00:48:37,383 --> 00:48:41,084
JEEZ, LOOK AT
ALL THE DATES, PLACES...
1292
00:48:41,120 --> 00:48:42,219
BERLIN,
1293
00:48:42,254 --> 00:48:43,888
DRESDEN, LEIPZIG.
1294
00:48:43,956 --> 00:48:45,422
AND NAMES.
1295
00:48:45,457 --> 00:48:46,757
SOME OF THEM FAMOUS ARTISTS.
1296
00:48:46,792 --> 00:48:48,091
GOYA, MENZEL,
DELACROIX.
1297
00:48:48,160 --> 00:48:49,793
OH, AND LOOK HERE...
1298
00:48:51,096 --> 00:48:53,263
CASPAR DAVID FRIEDRICH,
1299
00:48:53,298 --> 00:48:55,365
AND HERMANN HERZOG.
1300
00:48:56,502 --> 00:48:59,169
SO, THIS IS
WHAT JACQUES WAS AFTER.
1301
00:48:59,204 --> 00:49:01,539
WHY DIDN'T YOU
SAY SO, INSPECTOR?
1302
00:49:01,607 --> 00:49:03,240
FRANK, WHAT'S WRONG?
1303
00:49:03,275 --> 00:49:04,474
JACQUES?
1304
00:49:04,510 --> 00:49:05,976
YEAH, HE LIED TO ME, JENN.
1305
00:49:06,012 --> 00:49:09,079
I FOUND OUT THAT
HE'S ACTUALLY EX-EMCA.
1306
00:49:09,114 --> 00:49:10,881
HE HAD BEEN FIRED
OVER A YEAR AGO
1307
00:49:10,917 --> 00:49:12,950
FOR USING EXCESSIVE FORCE
ON SUSPECTS
1308
00:49:12,985 --> 00:49:14,985
CONNECTED TO AN ART THEFT CASE.
1309
00:49:15,054 --> 00:49:16,887
SPECIFICALLY,
THE KARL DIETZ CASE.
1310
00:49:16,923 --> 00:49:18,355
HOWEVER,
1311
00:49:18,390 --> 00:49:19,523
I DID FIND OUT
1312
00:49:19,592 --> 00:49:20,991
THAT HE WAS RECENTLY HIRED
1313
00:49:21,060 --> 00:49:23,861
BY THE STOLEN ART
RECOVERY LEAGUE.
1314
00:49:23,896 --> 00:49:25,295
EVER HEARD OF THEM?
1315
00:49:25,330 --> 00:49:27,297
YES, THEY WERE FORMED
TOWARD THE END OF WORLD WAR II.
1316
00:49:27,366 --> 00:49:29,232
THEY'RE RESPONSIBLE
FOR RECOVERING
1317
00:49:29,301 --> 00:49:30,935
HUNDREDS OF LOST
AND STOLEN ARTWORKS.
1318
00:49:30,970 --> 00:49:32,235
WHO KNOWS?
1319
00:49:32,271 --> 00:49:36,173
MAYBE HE USED THEM
AS A COVER FOR HIS OWN AGENDA.
1320
00:49:36,208 --> 00:49:37,841
WHAT I DO KNOW...
1321
00:49:37,910 --> 00:49:39,577
IS I DON'T TRUST THE GUY.
1322
00:49:39,612 --> 00:49:41,311
NOR HAVE I BEEN ABLE
TO LOCATE HIM AGAIN.
1323
00:49:41,346 --> 00:49:43,581
THE GOOD NEWS?
1324
00:49:43,616 --> 00:49:46,984
WE HAVE BOTH THE HERZOG
AND FRIEDRICH PAINTINGS
1325
00:49:47,019 --> 00:49:48,652
LOGGED IN HERE,
1326
00:49:48,688 --> 00:49:50,120
SO THAT GIVES ME DUE CAUSE
1327
00:49:50,155 --> 00:49:52,522
TO GET A SEARCH WARRANT
FOR THE SILES' AUCTION RECORDS.
1328
00:50:08,908 --> 00:50:09,840
[GUN COCKING]
1329
00:50:09,875 --> 00:50:10,874
[SHOTS BLAST]
1330
00:50:15,881 --> 00:50:17,648
THAT'S ABOUT
WHAT'S GOING TO HAPPEN.
1331
00:50:29,161 --> 00:50:31,194
SORRY FOR THE EARLY
HOUR, MR. DWYER.
1332
00:50:31,230 --> 00:50:33,130
I CALLED, RANG THE BELL,
1333
00:50:33,165 --> 00:50:34,197
NO ANSWER.
1334
00:50:34,266 --> 00:50:36,934
WELL, MR. SILES
IS A HEAVY SLEEPER,
1335
00:50:36,969 --> 00:50:39,603
ESPECIALLY AFTER A COUPLE
OF GLASSES OF PORT.
1336
00:50:39,639 --> 00:50:41,872
WHAT'S THIS ABOUT, SIR?
1337
00:50:43,776 --> 00:50:44,708
I HAVE A WARRANT,
1338
00:50:44,744 --> 00:50:47,310
SIGNED BY
JUDGE MALLARY,
1339
00:50:47,379 --> 00:50:48,445
TO SEARCH ALL RECORDS
1340
00:50:48,514 --> 00:50:49,747
PERTAINING TO THE DIETZ
ESTATE AUCTION.
1341
00:50:51,583 --> 00:50:55,385
YOU'LL FIND
EVERYTHING IS IN ORDER.
1342
00:50:59,692 --> 00:51:00,858
[ENTRY LOCK BEEPS OPEN]
1343
00:51:02,862 --> 00:51:04,427
[KNOCKING ON OFFICE DOOR]
1344
00:51:04,463 --> 00:51:05,428
MR. SILES?
1345
00:51:08,034 --> 00:51:09,599
MR. SILES!
1346
00:51:09,635 --> 00:51:11,568
CALL IT IN.
1347
00:51:13,305 --> 00:51:15,773
DO YOU HAVE A PERMIT
FOR THAT GUN?
1348
00:51:15,808 --> 00:51:16,740
ARMS OUT,
AWAY FROM YOUR SIDES.
1349
00:51:24,684 --> 00:51:25,949
SOMETHING WRONG
WITH YOUR ARM THERE, MR. DWYER?
1350
00:51:27,219 --> 00:51:28,518
IT'S JUST SOME TENDONITIS.
1351
00:51:28,554 --> 00:51:30,154
THEN YOU WOULDN'T MIND
ROLLING UP YOUR SLEEVE.
1352
00:51:41,000 --> 00:51:43,500
MEET ANY DOGS LATELY?
1353
00:51:45,304 --> 00:51:46,603
CUFF HIM.
1354
00:51:49,641 --> 00:51:50,507
[HANDCUFFS CLINKING]
1355
00:51:58,355 --> 00:52:01,690
GOT A HOLD OF YOUR MILITARY
JACKET HERE, SERGEANT.
1356
00:52:01,758 --> 00:52:03,592
LET'S HAVE A LOOK.
1357
00:52:04,528 --> 00:52:06,994
OOH, FOUR TOURS IN IRAQ,
1358
00:52:07,030 --> 00:52:08,630
LED A SPECIAL DETACHMENT
1359
00:52:08,665 --> 00:52:09,864
CHARGED WITH SECURING
AND PROTECTING
1360
00:52:09,899 --> 00:52:13,901
HIGH-VALUE ART AND ANTIQUES
IN COMBAT ZONES.
1361
00:52:13,937 --> 00:52:16,404
AH... THAT'S
WHY MR. SILES HIRED YOU.
1362
00:52:16,440 --> 00:52:17,805
I DIDN'T KILL HIM.
1363
00:52:17,841 --> 00:52:18,940
WELL, WE'LL LET BALLISTICS
WEIGH IN ON THAT.
1364
00:52:20,244 --> 00:52:22,444
YOU ARE WASTING YOUR TIME.
1365
00:52:22,512 --> 00:52:24,279
I HEAR THAT A LOT.
1366
00:52:24,314 --> 00:52:26,114
FOR THE RECORD,
WHERE WERE YOU LAST NIGHT?
1367
00:52:26,149 --> 00:52:29,884
BESIDES THE EAST SIDE
URGENT CARE CLINIC?
1368
00:52:29,953 --> 00:52:33,054
YEAH, I HAVE THE, UH,...
TREATMENT SUMMARY RIGHT HERE.
1369
00:52:34,358 --> 00:52:37,192
HMM, REALLY GLAD YOU GOT
THAT DOG BITE TAKEN CARE OF.
1370
00:52:37,261 --> 00:52:40,027
ANYWAY... LAST NIGHT?
1371
00:52:40,063 --> 00:52:41,229
I HAD A BEER.
1372
00:52:41,298 --> 00:52:42,930
PETEY'S TAVERN.
1373
00:52:42,966 --> 00:52:46,868
OH, YES, THE LOCAL
MARINE CORPS WATERING HOLE.
1374
00:52:46,903 --> 00:52:49,170
YOU'VE READ ME MY RIGHTS.
1375
00:52:49,239 --> 00:52:50,838
WHEN DO I GET MY PHONE CALL?
1376
00:52:50,874 --> 00:52:52,674
JUST A FEW MORE QUESTIONS.
1377
00:52:54,478 --> 00:52:56,378
DID KARL DIETZ
EVER ASK YOUR BOSS
1378
00:52:56,413 --> 00:52:59,013
TO HANDLE ANY ARTWORK
OF QUESTIONABLE PROVENANCE?
1379
00:52:59,048 --> 00:53:01,283
NOT THAT I'M AWARE OF.
1380
00:53:01,318 --> 00:53:03,017
WHAT WAS INSIDE
THE EMPTY LETTER BOX?
1381
00:53:03,052 --> 00:53:05,920
I'M GUESSING LETTERS.
1382
00:53:05,955 --> 00:53:07,389
BELONGING TO DIETZ OR SILES?
1383
00:53:07,424 --> 00:53:09,090
NO IDEA.
1384
00:53:09,159 --> 00:53:10,224
HMM.
1385
00:53:10,294 --> 00:53:11,192
HERE'S MY GUESS...
1386
00:53:13,297 --> 00:53:14,929
THEY BELONGED TO DIETZ.
1387
00:53:14,998 --> 00:53:17,465
SOMETHING HAD
TO CLUE YOUR BOSS IN
1388
00:53:17,501 --> 00:53:20,101
AS TO THE WHEREABOUTS
OF THE HERZOG PAINTING.
1389
00:53:20,170 --> 00:53:21,369
HOW ELSE WOULD HE HAVE KNOWN
TO ASK YOU
1390
00:53:21,405 --> 00:53:23,438
TO STEAL IT BACK?
1391
00:53:26,109 --> 00:53:27,041
LAWYER.
1392
00:53:28,144 --> 00:53:29,110
RIGHT.
1393
00:53:29,145 --> 00:53:30,312
[SLAPS TABLE]
1394
00:53:30,380 --> 00:53:31,413
THOUGHT SO.
1395
00:53:36,520 --> 00:53:37,352
SO...
1396
00:53:37,387 --> 00:53:38,386
I'VE BEEN SUSPENDED.
1397
00:53:38,422 --> 00:53:39,554
HAPPY NOW?
1398
00:53:39,589 --> 00:53:41,088
NO.
1399
00:53:41,124 --> 00:53:43,157
YOU KNOW, IT'S NOT TOO LATE
TO TURN YOUR SITUATION AROUND.
1400
00:53:43,193 --> 00:53:45,960
I HAVE YOUR
SCHEDULE HERE,
1401
00:53:45,995 --> 00:53:46,795
AND I NOTICED
1402
00:53:46,830 --> 00:53:48,129
THAT YOU HAVE AN HOUR
1403
00:53:48,198 --> 00:53:49,664
BETWEEN TWO OF
YOUR MORNING CLASSES
1404
00:53:49,700 --> 00:53:52,434
AND AN HOUR BETWEEN
TWO OF YOUR AFTERNOON CLASSES,
1405
00:53:52,469 --> 00:53:55,002
AS WELL AS
AN HOUR LUNCH BREAK.
1406
00:53:55,038 --> 00:53:56,471
THAT GIVES US
AT LEAST THREE HOURS A DAY
1407
00:53:56,506 --> 00:53:57,505
TO WORK TOGETHER,
1408
00:53:57,574 --> 00:53:58,573
GET YOU BACK UP TO SPEED.
1409
00:54:00,043 --> 00:54:01,543
I HAVE GIVEN YOU
MY GAME PLAN.
1410
00:54:01,578 --> 00:54:03,144
WHAT'S YOURS?
1411
00:54:08,685 --> 00:54:10,485
WAIT.
1412
00:54:12,356 --> 00:54:14,689
YOU SURE YOU CAN STAND ME
FOR THREE HOURS A DAY?
1413
00:54:16,560 --> 00:54:18,192
AS LONG AS THEY'RE PAYING ME.
1414
00:54:20,196 --> 00:54:21,095
[GIGGLES]
1415
00:54:21,130 --> 00:54:22,797
[♪♪♪]
1416
00:54:30,139 --> 00:54:31,439
DR. TRAMMEL?
1417
00:54:31,475 --> 00:54:32,607
AH, JENNIFER,
I GOT YOUR TEXT--
1418
00:54:32,642 --> 00:54:33,641
OH, THANK YOU.
1419
00:54:33,710 --> 00:54:34,743
SORRY, I ONLY HAVE A MINUTE.
1420
00:54:34,778 --> 00:54:35,810
BUSY DAY,
1421
00:54:35,846 --> 00:54:37,479
PEOPLE JUST DYING
TO GET IN HERE.
1422
00:54:37,514 --> 00:54:38,613
[CHUCKLES DRYLY]
1423
00:54:38,648 --> 00:54:40,849
SO, WHO ARE WE
VISITING TODAY?
1424
00:54:40,884 --> 00:54:41,983
CONRAD SILES.
1425
00:54:42,018 --> 00:54:44,018
OH-HO-HO, GOING ONCE...
1426
00:54:44,087 --> 00:54:46,888
GOING TWICE...
1427
00:54:46,923 --> 00:54:48,690
AND, UM...
1428
00:54:51,027 --> 00:54:52,861
TWO CLOSE-RANGE GUNSHOT WOUNDS.
1429
00:54:52,896 --> 00:54:53,795
[CHUCKLES RUEFULLY]
1430
00:54:53,830 --> 00:54:54,929
THAT'S PERSONAL, ISN'T IT?
1431
00:54:54,964 --> 00:54:56,865
WELL, YOU CAN READ INTO IT
HOWEVER YOU LIKE.
1432
00:54:56,900 --> 00:54:57,932
AND YOU CAN CHECK
WITH BALLISTICS
1433
00:54:58,001 --> 00:54:59,333
IF YOU WANT SPECIFICS.
1434
00:54:59,369 --> 00:55:01,002
THEY GOT THE BULLETS.
1435
00:55:01,070 --> 00:55:02,437
ANYTHING ELSE?
1436
00:55:02,472 --> 00:55:03,571
KARL DIETZ.
1437
00:55:03,607 --> 00:55:05,039
DETECTIVE LYNNWOOD SAID
1438
00:55:05,074 --> 00:55:06,974
YOU'D CONCLUDED HE DIED
FROM CARDIAC ARREST?
1439
00:55:07,010 --> 00:55:08,075
WELL, A PULMONARY EMBOLISM
1440
00:55:08,111 --> 00:55:10,211
HAS BEEN KNOWN TO TRIGGER
SUCH THINGS.
1441
00:55:10,246 --> 00:55:12,313
EVEN IN ELDERLY PEOPLE
WITH CHRONIC HEART FAILURE?
1442
00:55:12,348 --> 00:55:13,715
WHY NOT?
1443
00:55:13,750 --> 00:55:15,683
THEN WHY ARE YOU
HOLDING ONTO THE BODY?
1444
00:55:15,719 --> 00:55:18,352
OH-HOO-HOO...
YOU ARE A CRAFTY ONE.
1445
00:55:18,422 --> 00:55:19,754
SORRY!
1446
00:55:19,790 --> 00:55:20,988
TIME'S UP.
1447
00:55:21,024 --> 00:55:22,524
OH, OH, JUST
TWO MORE QUESTIONS.
1448
00:55:22,559 --> 00:55:24,191
I'M ASSUMING YOU HAVE A COPY
1449
00:55:24,260 --> 00:55:25,593
OF KARL DIETZ'S
HOSPITAL RECORDS?
1450
00:55:25,629 --> 00:55:26,594
YES.
1451
00:55:26,663 --> 00:55:28,563
ONE DOWN, ONE TO GO.
1452
00:55:28,632 --> 00:55:29,798
WOULD YOU MIND TELLING ME
1453
00:55:29,833 --> 00:55:31,866
WHO HE PUT DOWN
FOR HIS EMERGENCY CONTACT?
1454
00:55:31,902 --> 00:55:33,367
JENNIFER, SHAME ON YOU,
1455
00:55:33,403 --> 00:55:35,737
THAT WOULD BE A VIOLATION OF
DOCTOR-PATIENT CONFIDENTIALITY.
1456
00:55:35,772 --> 00:55:36,905
EVEN IF THE PATIENT IS DEAD?
1457
00:55:36,940 --> 00:55:38,673
TOUCHE.
1458
00:55:38,708 --> 00:55:42,143
MR. DIETZ'S
EMERGENCY CONTACT WAS...
1459
00:55:42,178 --> 00:55:45,079
OH, WHAT DO YOU KNOW?
1460
00:55:45,148 --> 00:55:46,614
-CONRAD SILES.
-MM-HMM.
1461
00:55:47,617 --> 00:55:49,517
ALL RIGHT, YOU WIN.
1462
00:55:49,553 --> 00:55:51,619
I AM HOLDING ONTO
MR. DIETZ'S BODY
1463
00:55:51,655 --> 00:55:53,387
BECAUSE I'M STILL NAGGED
BY THE FACT THAT
1464
00:55:53,423 --> 00:55:55,423
HIS VENTRICULAR ASSIST MACHINE
1465
00:55:55,459 --> 00:55:56,958
DIDN'T SOUND THE ALARM SOONER.
1466
00:55:56,993 --> 00:55:59,293
THIS IS A DIGITAL READOUT
1467
00:55:59,329 --> 00:56:02,063
OF HIS CARDIOGRAM,
1468
00:56:02,098 --> 00:56:03,030
AND O-2 SAT READINGS,
1469
00:56:03,066 --> 00:56:07,435
RECORDED AT THE TIME
IN QUESTION.
1470
00:56:07,504 --> 00:56:08,803
SEE HOW HIS HEART RATE
1471
00:56:08,839 --> 00:56:10,905
MOVES SHARPLY INTO A-FIB HERE?
1472
00:56:10,941 --> 00:56:12,774
THAT'S PROBABLY
WHEN THE EMBOLISM STRUCK.
1473
00:56:12,843 --> 00:56:14,075
WHEN DID THE ALARM GO OFF?
1474
00:56:14,143 --> 00:56:17,078
HERE. 18 SECONDS LATER.
1475
00:56:17,113 --> 00:56:20,615
WHICH SUGGESTS THAT THERE WAS
A GLITCH IN THE MACHINERY.
1476
00:56:20,650 --> 00:56:22,116
OR PERHAPS SABOTAGE?
1477
00:56:22,151 --> 00:56:25,419
OH, YOU JUST HAD TO GO THERE...
1478
00:56:25,489 --> 00:56:27,088
WELL, THE ALARMS
ON THESE MACHINES
1479
00:56:27,123 --> 00:56:27,922
CAN BE SWITCHED
ON AND OFF, RIGHT?
1480
00:56:27,958 --> 00:56:29,223
[GROANS]
1481
00:56:29,258 --> 00:56:30,992
JUST SAYIN'...
1482
00:56:34,330 --> 00:56:35,196
HEY, FRANK?
1483
00:56:35,231 --> 00:56:36,263
WHAT'S UP?
1484
00:56:36,332 --> 00:56:37,365
HEY, JENN.
1485
00:56:37,400 --> 00:56:38,600
I THOUGHT
YOU SHOULD KNOW
1486
00:56:38,635 --> 00:56:40,301
THE BALLISTICS
REPORTS CAME BACK.
1487
00:56:40,370 --> 00:56:41,669
DWYER'S BERETTA
IS NOT A MATCH
1488
00:56:41,705 --> 00:56:43,304
FOR THE BULLETS
THAT KILLED SILES.
1489
00:56:43,339 --> 00:56:44,772
WELL, YOU CAN STILL CHARGE HIM
1490
00:56:44,808 --> 00:56:46,107
WITH THE BREAK-IN
AT HELEN'S, RIGHT?
1491
00:56:46,142 --> 00:56:48,710
YES, I'M CONFIDENT
WE CAN GET AN INDICTMENT THERE,
1492
00:56:48,745 --> 00:56:51,813
ONCE THE LAB FINISHES PROCESSING
ALL THE KEY EVIDENCE.
1493
00:56:51,882 --> 00:56:53,214
THE BAD NEWS?
1494
00:56:53,249 --> 00:56:54,315
DWYER MADE BAIL.
1495
00:56:54,350 --> 00:56:55,182
OH, NO...
1496
00:56:55,218 --> 00:56:56,417
AFRAID SO.
1497
00:56:56,452 --> 00:56:57,318
SO...
1498
00:56:58,454 --> 00:57:01,022
THE SCREENSHOTS YOU SENT ME?
1499
00:57:01,057 --> 00:57:01,956
THE LOGOS MATCH.
1500
00:57:01,992 --> 00:57:04,291
IT MEANS
1501
00:57:04,360 --> 00:57:05,693
THAT DIETZ WAS AN OFFICER
1502
00:57:05,729 --> 00:57:07,929
IN THE EAST GERMAN
SECURITY SERVICE.
1503
00:57:07,964 --> 00:57:09,864
NOW, I HAD THOUGHT
AFTER MY INTERVIEW WITH JACQUES,
1504
00:57:09,900 --> 00:57:11,566
THAT, WELL,
MAYBE DIETZ WAS A COP
1505
00:57:11,635 --> 00:57:12,767
BEFORE HE WAS
A DIPLOMAT.
1506
00:57:12,802 --> 00:57:13,601
MAYBE A CORRUPT COP?
1507
00:57:13,637 --> 00:57:15,102
JACQUES SAID
1508
00:57:15,138 --> 00:57:17,405
DIETZ "ABUSED THE POWER
AND PRIVILEGE
1509
00:57:17,473 --> 00:57:18,806
THAT WAS BESTOWED UPON HIM."
1510
00:57:18,842 --> 00:57:20,008
COULD BE.
1511
00:57:20,076 --> 00:57:23,377
I MEAN, AT THE VERY LEAST,
YOU KNOW,
1512
00:57:23,413 --> 00:57:26,648
DIETZ'S JOURNAL APPEARS TO BE
A LOG FOR STOLEN ARTIFACTS.
1513
00:57:26,716 --> 00:57:28,516
IT'S JUST SO HARD TO BELIEVE
1514
00:57:28,552 --> 00:57:30,151
AFTER EVERYTHING HE'S DONE
FOR THE COMMUNITY.
1515
00:57:30,186 --> 00:57:31,085
YEAH.
1516
00:57:31,120 --> 00:57:32,554
I KNOW.
1517
00:57:32,589 --> 00:57:35,189
HOW'S THE RESEARCH GOING
ON THE HERZOG PAINTING?
1518
00:57:35,224 --> 00:57:36,958
WELL, ACCORDING TO
THE STOLEN ARTS RECOVERY LEAGUE,
1519
00:57:36,993 --> 00:57:38,259
IT WENT MISSING
SOON AFTER THE WAR.
1520
00:57:38,294 --> 00:57:39,326
INTERESTING.
1521
00:57:39,362 --> 00:57:40,628
AND THEN THERE'S
MRS. BAUER'S CLAIM
1522
00:57:40,664 --> 00:57:41,763
REGARDING
1523
00:57:41,798 --> 00:57:43,097
THE CASPAR DAVID FRIEDRICH
PROVENANCE.
1524
00:57:43,132 --> 00:57:44,098
I...
1525
00:57:44,133 --> 00:57:45,867
YOU KNOW WHAT?
1526
00:57:45,902 --> 00:57:47,168
I'M GOING TO FIND
A GERMAN TRANSLATOR
1527
00:57:47,203 --> 00:57:48,269
TO BREAK ALL THIS DOWN.
1528
00:57:48,304 --> 00:57:49,938
FRANK, THERE'S
SOMETHING BOTHERING ME
1529
00:57:49,973 --> 00:57:51,272
ABOUT DIETZ'S DEATH,
1530
00:57:51,340 --> 00:57:52,306
AND THE TIMING OF ALL OF THIS.
1531
00:57:53,610 --> 00:57:55,743
WOULD YOU MIND IF I TOOK A LOOK
AROUND HIS HOUSE?
1532
00:57:58,014 --> 00:57:59,513
[SIGHS]
1533
00:58:03,587 --> 00:58:05,286
OKAY, DON'T TOUCH ANYTHING.
1534
00:58:05,321 --> 00:58:06,454
WHAT AM I, NEW?
1535
00:58:06,489 --> 00:58:07,722
[CHUCKLES]
1536
00:58:08,858 --> 00:58:13,194
ALL RIGHT, THE IV PUMP
HAD THREE LINES,
1537
00:58:13,229 --> 00:58:14,862
ONE SALINE,
1538
00:58:14,898 --> 00:58:16,464
ONE FOR IVABRADINE--
1539
00:58:16,499 --> 00:58:17,999
I THINK THAT'S
HOW YOU SAY IT--
1540
00:58:18,068 --> 00:58:20,001
AND DOPAMINE, FOR PAIN.
1541
00:58:21,370 --> 00:58:22,436
WHERE DID YOU SAY
1542
00:58:22,472 --> 00:58:24,706
THE NURSES'
CALL BUTTON WAS FOUND?
1543
00:58:24,741 --> 00:58:27,441
UM... BESIDE THE BED,
1544
00:58:27,477 --> 00:58:29,611
RIGHT NEXT TO
A SYRINGE WRAPPER
1545
00:58:29,646 --> 00:58:31,746
AND AN END CAP.
1546
00:58:33,016 --> 00:58:35,116
ON THE TABLE THERE,
THERE WAS THREE SYRINGES,
1547
00:58:35,151 --> 00:58:36,784
ONE OF THEM USED IN CPR,
1548
00:58:36,853 --> 00:58:39,687
A HEPARIN INJECTION.
1549
00:58:39,756 --> 00:58:42,090
WAS THE WRAPPER A MATCH
1550
00:58:42,125 --> 00:58:43,725
TO THE ONE ON THE FLOOR?
1551
00:58:43,760 --> 00:58:44,859
LET'S SEE,
1552
00:58:44,894 --> 00:58:45,526
I'VE GOT
A PHOTO HERE.
1553
00:58:53,469 --> 00:58:55,336
THAT'S
INTERESTING.
1554
00:58:55,371 --> 00:58:57,204
GENERIC WRAPPER.
1555
00:58:57,240 --> 00:58:58,572
HEY, FRANK?
1556
00:58:58,608 --> 00:58:59,573
MM-HMM?
1557
00:58:59,609 --> 00:59:01,075
TAKE A LOOK AT THIS.
1558
00:59:01,144 --> 00:59:01,976
IT LOOKS LIKE
THERE'S A PUNCTURE MARK
1559
00:59:02,012 --> 00:59:04,946
ON THIS TUBE.
1560
00:59:07,483 --> 00:59:08,449
CIRCULAR.
1561
00:59:08,484 --> 00:59:10,251
VERY CLEAN.
1562
00:59:10,286 --> 00:59:12,520
LOOKS LIKE IT COULD HAVE
BEEN DONE BY A NEEDLE.
1563
00:59:16,192 --> 00:59:17,591
[SIGHING] OKAY...
1564
00:59:17,661 --> 00:59:19,060
THIS IS JUST A THEORY,
1565
00:59:19,129 --> 00:59:21,295
BUT COULD SOMEONE HAVE COME IN,
AND TURNED OFF THE ALARM?
1566
00:59:21,330 --> 00:59:23,531
AND GIVEN MR. DIETZ
AN UNSCHEDULED INJECTION?
1567
00:59:23,566 --> 00:59:26,233
DR. TRAMMEL SAID IT WAS
A PULMONARY EMBOLISM
1568
00:59:26,269 --> 00:59:27,969
THAT TRIGGERED CARDIAC ARREST.
1569
00:59:28,038 --> 00:59:29,837
WELL, IF WHAT
YOU'RE SAYING IS TRUE,
1570
00:59:29,873 --> 00:59:32,439
WE'RE NOT JUST TALKING ABOUT
A HEART FAILURE.
1571
00:59:32,475 --> 00:59:34,042
WE'RE LOOKING AT
PREMEDITATED MURDER.
1572
00:59:49,166 --> 00:59:50,131
[SHOP BELL JINGLES]
1573
00:59:52,936 --> 00:59:55,503
BONJOUR, MRS. SHANNON.
1574
00:59:55,538 --> 00:59:58,239
INSPECTOR GRENIER.
1575
00:59:58,275 --> 00:59:59,674
HOW DID YOU GET IN HERE?
1576
00:59:59,709 --> 01:00:01,509
THROUGH THE FRONT DOOR.
1577
01:00:01,544 --> 01:00:02,610
WHICH WAS LOCKED.
1578
01:00:02,645 --> 01:00:03,477
WAS IT?
1579
01:00:03,546 --> 01:00:05,246
IF SO, NOT VERY WELL.
1580
01:00:05,282 --> 01:00:07,748
MY FRIEND, DETECTIVE LYNNWOOD,
IS LOOKING FOR YOU.
1581
01:00:07,784 --> 01:00:09,083
OH, I AM SURE.
1582
01:00:09,119 --> 01:00:12,020
I UNDERSTAND YOU HAVE RECOVERED
A HERZOG PAINTING?
1583
01:00:13,256 --> 01:00:14,755
I DO HAVE MY SOURCES.
1584
01:00:14,791 --> 01:00:15,957
THROUGH THE EMCA, RIGHT?
1585
01:00:17,327 --> 01:00:18,293
I HAVE MY SOURCES, TOO.
1586
01:00:18,328 --> 01:00:19,627
WELL...
1587
01:00:19,662 --> 01:00:22,163
I WOULD VERY MUCH LIKE
TO FINISH MY EXAMINING
1588
01:00:22,199 --> 01:00:23,064
OF YOUR VESTONE PIANO,
1589
01:00:23,099 --> 01:00:24,165
AND...
1590
01:00:24,201 --> 01:00:25,834
THE MUSIC SCROLL,
1591
01:00:25,902 --> 01:00:26,767
S'IL VOUS PLAIT.
1592
01:00:26,803 --> 01:00:28,102
WHY?
1593
01:00:28,171 --> 01:00:30,538
IT PERTAINS
TO A CASE I AM WORKING ON.
1594
01:00:30,606 --> 01:00:32,406
THE CASE INVOLVING
THE LATE KARL DIETZ?
1595
01:00:34,177 --> 01:00:35,509
IT WAS HIS PIANO.
1596
01:00:35,545 --> 01:00:36,978
STANDS TO REASON.
1597
01:00:37,013 --> 01:00:39,848
YOU KNOW, I THINK YOU KNOW
MORE THAN YOU ARE LETTING ON.
1598
01:00:39,883 --> 01:00:43,617
I KNOW THAT MR. DIETZ WAS
A FORMER EAST GERMAN POLICEMAN.
1599
01:00:43,653 --> 01:00:46,154
HOW CORRUPT WAS HE, JACQUES?
1600
01:00:46,189 --> 01:00:48,522
THE MAN BETRAYED
EVERYONE IN HIS PATH,
1601
01:00:48,591 --> 01:00:51,359
INCLUDING MEMBERS
OF HIS CRIMINAL ORGANIZATION.
1602
01:00:51,394 --> 01:00:53,261
NOW...
1603
01:00:53,296 --> 01:00:54,428
MAY I?
1604
01:00:55,798 --> 01:00:58,867
I WOULD FEEL BETTER
IF DETECTIVE LYNNWOOD WAS HERE.
1605
01:00:58,935 --> 01:01:00,134
I HAVE HIM ON SPEED DIAL.
1606
01:01:00,170 --> 01:01:01,535
WE CAN MAKE AN APPOINTMENT.
1607
01:01:01,571 --> 01:01:03,838
I'M SORRY, BUT I PREFER
TO PURSUE THIS INVESTIGATION
1608
01:01:03,874 --> 01:01:05,206
ON MY OWN.
1609
01:01:05,275 --> 01:01:07,608
AND I WOULD PREFER IF
DETECTIVE LYNNWOOD WERE HERE.
1610
01:01:17,954 --> 01:01:20,554
SO, JACQUES
IS STILL AROUND, HUH?
1611
01:01:20,590 --> 01:01:22,190
HE'S STILL ON THE HUNT.
1612
01:01:22,225 --> 01:01:23,892
YOU WOULDN'T HAPPEN TO KNOW
WHERE HE'S STAYING, WOULD YOU?
1613
01:01:23,927 --> 01:01:25,927
NO, BUT I GOT THE MAKE,
MODEL, AND LICENSE PLATE
1614
01:01:25,996 --> 01:01:28,329
OF HIS RENTAL CAR.
1615
01:01:28,365 --> 01:01:30,398
VERY WELL DONE.
1616
01:01:31,768 --> 01:01:34,435
BY THE WAY,
OUR CT HAS FOUND EVIDENCE
1617
01:01:34,470 --> 01:01:35,904
THAT THE GROUND-FLOOR WINDOW
OF THE AUCTION HOUSE
1618
01:01:35,939 --> 01:01:36,905
HAD BEEN JIMMIED.
1619
01:01:36,940 --> 01:01:38,472
FROM THERE,
1620
01:01:38,508 --> 01:01:39,207
THE ASSAILANT WOULD
HAVE MADE THEIR WAY
1621
01:01:39,276 --> 01:01:41,910
UP TO SILES' STUDY.
1622
01:01:41,945 --> 01:01:43,177
I THINK WE'RE LOOKING
AT A REAL PRO HERE.
1623
01:01:43,213 --> 01:01:44,178
[SIGHS]
1624
01:01:44,214 --> 01:01:45,213
NOT TO MENTION A KILLER.
1625
01:01:45,282 --> 01:01:47,215
SPEAKING OF,
1626
01:01:47,250 --> 01:01:49,717
DR. TRAMMEL HAS NOW CHANGED
THE CAUSE OF DEATH
1627
01:01:49,752 --> 01:01:50,851
FOR KARL DIETZ.
1628
01:01:50,887 --> 01:01:52,753
HE'S NOW SAYING
1629
01:01:52,789 --> 01:01:55,223
THAT THE EMBOLISM
WAS PURPOSELY INDUCED
1630
01:01:55,258 --> 01:01:56,324
BY AN AIR BUBBLE,
1631
01:01:56,359 --> 01:01:58,059
MOST LIKELY
BY A WIDE-BORE SYRINGE.
1632
01:02:00,263 --> 01:02:02,363
I NOW HAVE A DOUBLE HOMICIDE
ON MY HANDS
1633
01:02:02,399 --> 01:02:04,098
AND A VERY UNHAPPY MAYOR.
1634
01:02:09,572 --> 01:02:10,905
[BLOWS WHISTLE]
GUYS!
1635
01:02:12,708 --> 01:02:14,042
WE NEED TO FEED OFF
FROM THE TOP OF THE KEY,
1636
01:02:14,110 --> 01:02:15,643
AND CROSS-COURT PASS
TO THE CORNERS.
1637
01:02:15,678 --> 01:02:16,744
HEY, HEY, HEY!
1638
01:02:16,779 --> 01:02:18,079
WHAT THE IN THE WIDE-WIDE
WORLD OF SPORTS
1639
01:02:18,148 --> 01:02:19,147
IS GOING ON HERE?
1640
01:02:19,182 --> 01:02:20,815
UH, THEY'RE JUST
1641
01:02:20,850 --> 01:02:21,715
HELPING ME WITH
MY HOMEWORK, COACH.
1642
01:02:21,751 --> 01:02:23,418
YOUR HOMEWORK?
1643
01:02:23,453 --> 01:02:24,685
YES, SIR.
1644
01:02:24,720 --> 01:02:26,854
THIS A STATISTICAL
ANALYSIS
1645
01:02:26,889 --> 01:02:28,189
OF ALL THEIR
SHOOTING PERCENTAGES,
1646
01:02:28,224 --> 01:02:30,358
AND BEST
PASSING LANES...
1647
01:02:30,393 --> 01:02:33,061
AND YOU TOOK IT UPON YOURSELF
TO WORK UP SOME NEW PLAYS?
1648
01:02:33,096 --> 01:02:35,263
BASED ON
THESE STATS HERE, YES.
1649
01:02:38,568 --> 01:02:40,201
I LIKE WHAT I'M SEEING HERE.
1650
01:02:40,236 --> 01:02:42,003
BUT GIVE ME
THE WHISTLE.
1651
01:02:42,038 --> 01:02:42,937
GIMME...
1652
01:02:45,241 --> 01:02:47,342
ALL RIGHT, GUYS, RUN THE PLAY.
1653
01:02:47,377 --> 01:02:48,309
LET ME SEE IT, LET'S GO.
1654
01:02:48,345 --> 01:02:49,510
[BLOWS WHISTLE]
1655
01:02:57,020 --> 01:02:59,320
[SOLO PIANIST PLAYING]
1656
01:02:59,356 --> 01:03:00,821
[♪♪♪]
1657
01:03:02,758 --> 01:03:06,027
[FINISHES PIECE]
1658
01:03:07,964 --> 01:03:10,664
[APPLAUSE]
1659
01:03:18,308 --> 01:03:20,441
SHE WAS SO GOOD,
1660
01:03:20,510 --> 01:03:22,343
AND, JASON, YOU DID
AN INCREDIBLE JOB
1661
01:03:22,379 --> 01:03:23,277
WITH THIS PLACE.
1662
01:03:23,313 --> 01:03:24,345
THANK YOU.
1663
01:03:24,414 --> 01:03:25,913
I FORGOT HOW MUCH
I LOVE THE THEATER.
1664
01:03:25,948 --> 01:03:27,215
DO YOU REMEMBER
WHEN WE WERE SENIORS,
1665
01:03:27,250 --> 01:03:28,349
AND I WAS
THE LIGHTING DESIGNER
1666
01:03:28,385 --> 01:03:29,950
AND THE STAGE MANAGER?
1667
01:03:29,986 --> 01:03:31,319
HELLO?
1668
01:03:31,388 --> 01:03:32,453
DO YOU REMEMBER THAT KISS
WE SHARED ON THE CATWALK.
1669
01:03:32,522 --> 01:03:33,821
I KNEW YOU'D GO THERE.
1670
01:03:33,856 --> 01:03:35,256
YOU GUYS, I'LL
MEET YOU OUTSIDE.
1671
01:03:35,291 --> 01:03:36,090
I'M JUST GOING
TO TALK TO CAROLYN
1672
01:03:40,530 --> 01:03:42,063
CAROLYN, I JUST
WANTED TO SAY
1673
01:03:42,098 --> 01:03:43,864
THAT THAT WAS WONDERFUL.
1674
01:03:43,900 --> 01:03:45,466
IT WAS SUCH
A BEAUTIFUL PERFORMANCE.
1675
01:03:45,502 --> 01:03:46,800
THANK YOU.
1676
01:03:46,836 --> 01:03:48,769
AND I KNOW THIS MIGHT NOT BE
THE RIGHT TIME OR PLACE,
1677
01:03:48,804 --> 01:03:50,071
BUT I'D LIKE TO TALK TO YOU
1678
01:03:50,106 --> 01:03:51,539
ABOUT THE PIANO
THAT YOU BOUGHT AT THE AUCTION.
1679
01:03:51,574 --> 01:03:53,874
YES, MY PARTNER, DANI,
DID MENTION THAT.
1680
01:03:53,910 --> 01:03:55,743
I'M SORRY, IT'S BEEN
A REALLY EMOTIONAL TIME,
1681
01:03:55,778 --> 01:03:57,078
AND I DON'T KNOW
HOW ELSE TO SAY THIS,
1682
01:03:57,147 --> 01:03:59,080
BUT I'D LIKE TO GET BACK
SOME OF MY FAMILY HEIRLOOMS,
1683
01:03:59,115 --> 01:03:59,947
ESPECIALLY THAT PIANO.
1684
01:04:01,384 --> 01:04:02,750
I'M WILLING TO MAKE
A VERY FAIR OFFER.
1685
01:04:02,785 --> 01:04:03,817
WELL, AS YOU KNOW,
1686
01:04:03,853 --> 01:04:05,786
I DID PROMISE THE PIANO
TO A CLIENT,
1687
01:04:05,821 --> 01:04:07,321
BUT...
1688
01:04:07,357 --> 01:04:09,623
LET ME CALL HIM,
AND-AND SEE WHAT I CAN DO.
1689
01:04:09,659 --> 01:04:11,392
THAT WOULD MEAN SO MUCH TO ME.
1690
01:04:11,428 --> 01:04:12,360
THANK YOU.
1691
01:04:12,395 --> 01:04:13,394
OF COURSE.
1692
01:04:13,430 --> 01:04:14,695
YOUR GRANDFATHER
WOULD BE PROUD.
1693
01:04:25,741 --> 01:04:27,308
YOU WANT
YOUR INHERITANCE?
1694
01:04:29,479 --> 01:04:30,644
I CAN HELP.
1695
01:04:30,680 --> 01:04:32,380
WHAT IS THIS?
1696
01:04:32,449 --> 01:04:34,282
I HAVE INFORMATION.
1697
01:04:34,317 --> 01:04:36,217
YOU HAVE INFORMATION.
1698
01:04:36,252 --> 01:04:38,152
WE COULD PARTNER UP.
1699
01:04:38,188 --> 01:04:40,254
I DON'T KNOW WHAT
YOU'RE TALKING ABOUT.
1700
01:04:52,368 --> 01:04:53,901
-MISS TURNER?
-THANK YOU.
1701
01:04:53,936 --> 01:04:54,835
YES.
1702
01:04:54,870 --> 01:04:55,869
DETECTIVE LYNNWOOD.
1703
01:04:55,938 --> 01:04:57,171
I GOT YOUR VOICEMAIL.
1704
01:04:57,240 --> 01:04:58,106
THANK YOU FOR SEEING ME.
1705
01:04:58,141 --> 01:05:00,074
YEAH, NO PROBLEM.
1706
01:05:00,143 --> 01:05:01,809
SO, YOU HAD A RUN-IN WITH
MR. DWYER AT THE RECITAL HALL?
1707
01:05:01,844 --> 01:05:02,910
MM-HMM.
1708
01:05:02,945 --> 01:05:04,212
AND I READ
IN THE PAPERS THIS MORNING
1709
01:05:04,247 --> 01:05:05,846
THAT HIS BOSS
WAS FOUND MURDERED?
1710
01:05:05,881 --> 01:05:07,415
SHOULD I BE CONCERNED?
1711
01:05:07,450 --> 01:05:08,716
I'VE ALREADY
CONTACTED HIS ATTORNEY
1712
01:05:08,751 --> 01:05:10,351
ABOUT THE ALTERCATION
YOU TWO HAD.
1713
01:05:10,386 --> 01:05:11,419
HE'S BEING ISSUED A SUMMONS.
1714
01:05:12,622 --> 01:05:14,088
I'M BEGINNING TO THINK
1715
01:05:14,124 --> 01:05:15,456
IT'S TIME FOR ME TO GET BACK
TO MY JOB AT THE CDC, DETECTIVE.
1716
01:05:15,525 --> 01:05:17,191
HMM.
1717
01:05:17,227 --> 01:05:18,559
BATTLING PLAGUE OUTBREAKS
SEEMS A LOT SAFER
1718
01:05:18,595 --> 01:05:19,627
THAN STICKING AROUND HERE.
1719
01:05:19,662 --> 01:05:20,728
RIGHT.
1720
01:05:20,763 --> 01:05:21,629
WELL, WE'RE ON IT,
NOT TO WORRY.
1721
01:05:21,697 --> 01:05:22,530
[CELL PHONE RINGS]
1722
01:05:22,565 --> 01:05:23,564
OH.
1723
01:05:23,633 --> 01:05:24,798
I'VE GOT TO TAKE THIS.
1724
01:05:24,834 --> 01:05:25,633
OKAY. THANK YOU.
1725
01:05:26,769 --> 01:05:29,036
HEY, JENN,
THANKS FOR CALLING BACK.
1726
01:05:29,071 --> 01:05:32,373
IT SEEMS THAT DWYER HAS BEEN
STALKING DIETZ'S GRANDDAUGHTER.
1727
01:05:32,408 --> 01:05:33,907
SHE FILED A RESTRAINING ORDER.
1728
01:05:33,943 --> 01:05:35,276
[SHOP BELL JINGLES]
[JENN]: OH, NO.
1729
01:05:35,311 --> 01:05:37,245
WHAT HAPPENED TO JACQUES?
1730
01:05:37,280 --> 01:05:39,780
[FRANK CHUCKLES]OUR SLIPPERY FRENCHMAN?
1731
01:05:39,815 --> 01:05:42,450
I DON'T KNOWWHAT TO MAKE OF THE GUY.
1732
01:05:42,485 --> 01:05:44,519
ON THE ONE HAND, HE LIED TO ME.
1733
01:05:44,554 --> 01:05:46,854
ON THE OTHER HAND,
HE ACTUALLY CHECKS OUT.
1734
01:05:46,889 --> 01:05:49,657
IN FACT, I JUST RECEIVEDAN OFFICIAL REQUEST
1735
01:05:49,725 --> 01:05:51,058
FROM THE STOLEN ART
RECOVERY LEAGUE
1736
01:05:51,093 --> 01:05:53,093
TO HAND OVER
THE HERZOG PAINTING TO HIM.
1737
01:05:53,129 --> 01:05:54,928
NO...
1738
01:05:54,964 --> 01:05:56,297
YES.
1739
01:05:56,366 --> 01:05:58,666
ACTUALLY, YOU KNOW WHAT,
I'VE GOT TO GO.
1740
01:05:58,701 --> 01:05:59,667
OKAY, I'LL TALK TO YOU LATER.
1741
01:05:59,702 --> 01:06:01,269
OKAY.
1742
01:06:01,304 --> 01:06:02,203
[SIGHING]
1743
01:06:02,238 --> 01:06:03,638
SO, HELEN WILL BE BY
1744
01:06:03,673 --> 01:06:04,938
TO PICK UP
THE DRESDEN TOMORROW,
1745
01:06:04,974 --> 01:06:07,875
AND I TUCKED JASON'S
BLUEPRINTS DOWN THERE.
1746
01:06:07,910 --> 01:06:09,243
-OH, THANK YOU.
-YOU'RE WELCOME.
1747
01:06:09,312 --> 01:06:10,378
[SHOP BELL JINGLES]
1748
01:06:10,446 --> 01:06:11,479
WHAT'S WRONG
WITH THIS PICTURE?
1749
01:06:11,514 --> 01:06:13,247
WHY AM I NOT
HEARING MUSIC?
1750
01:06:13,283 --> 01:06:14,515
DEAN!
1751
01:06:14,551 --> 01:06:15,683
[CHUCKLING IN DELIGHT]
IT'S SO GOOD TO SEE YOU!
1752
01:06:16,619 --> 01:06:18,118
HOW ABOUT SOME BRAHMS?
1753
01:06:18,154 --> 01:06:19,887
THE PERFECT ANTIDOTE
FOR A MIGRAINE.
1754
01:06:19,922 --> 01:06:20,921
[CHUCKLING]
1755
01:06:20,990 --> 01:06:22,022
OH, I WOULD
LIKE YOU TO MEET
1756
01:06:22,058 --> 01:06:24,091
MY CHAUFFEUR-
SLASH-VIRTUOSO-CAREGIVER,
1757
01:06:24,126 --> 01:06:25,226
HOWIE NASH.
1758
01:06:25,261 --> 01:06:27,127
I THINK HIS BEDSIDE
GUITAR PICKING
1759
01:06:27,163 --> 01:06:29,463
HAS WORKED MIRACLES.
1760
01:06:29,499 --> 01:06:30,464
HEY, ALL.
1761
01:06:30,533 --> 01:06:31,699
NICE TO MEET YOU, HOWIE.
1762
01:06:31,734 --> 01:06:33,201
BUT, DEAN, SHOULDN'T YOU
BE HOME, THOUGH,
1763
01:06:33,236 --> 01:06:34,168
TAKING IT EASY?
1764
01:06:34,204 --> 01:06:35,102
AND WHAT DO YOU KNOW
ABOUT THAT?
1765
01:06:36,138 --> 01:06:37,071
TOUCHE.
1766
01:06:37,106 --> 01:06:38,038
[LAUGHTER]
1767
01:06:38,074 --> 01:06:39,674
SO, DOES IT WORK?
1768
01:06:39,709 --> 01:06:41,309
WELL, IT DID AT AUCTION,
1769
01:06:41,377 --> 01:06:42,410
BUT I HAVEN'T TRIED IT
1770
01:06:42,445 --> 01:06:44,845
SINCE IT WAS VANDALIZED
AT YOUR STORE.
1771
01:06:44,880 --> 01:06:46,347
BRAHMS, WAS IT?
1772
01:06:46,416 --> 01:06:47,781
ALWAYS A GOOD
PLACE TO START.
1773
01:06:47,850 --> 01:06:48,749
I'M A LITTLE PARTIAL
1774
01:06:48,784 --> 01:06:50,017
TO MOZART,
1775
01:06:50,052 --> 01:06:51,919
"FANTASIA IN D MINOR,"
IF YOU DON'T MIND.
1776
01:06:51,954 --> 01:06:52,820
LET ME DO THAT FOR YOU.
1777
01:06:52,888 --> 01:06:53,787
THANK YOU.
1778
01:06:53,856 --> 01:06:54,755
IT'S RIGHT THERE
ON THE LEFT.
1779
01:06:59,295 --> 01:07:00,728
YOU SEE PRONGS ON EACH SIDE
OF THE WINDOW THERE?
1780
01:07:02,998 --> 01:07:04,298
OKAY.
1781
01:07:05,468 --> 01:07:07,201
IT SHOULD POP RIGHT IN...
1782
01:07:13,710 --> 01:07:15,309
OH, SO THAT'S
HOW YOU DO IT.
1783
01:07:15,345 --> 01:07:17,111
BOY, WE HAD THAT
REALLY WRONG.
1784
01:07:17,179 --> 01:07:19,280
YEAH, REALLY WRONG.
1785
01:07:19,315 --> 01:07:21,449
AND THE SWITCH IS RIGHT BELOW
THE KEYBOARD TO YOUR RIGHT.
1786
01:07:22,752 --> 01:07:23,984
WE'RE ALL SET.
1787
01:07:24,019 --> 01:07:25,018
[MECHANISM WHIRRING]
1788
01:07:26,356 --> 01:07:27,121
[ATONAL PIANO CHORDS PLAY]
1789
01:07:27,156 --> 01:07:28,989
OW! WHAT IS THAT?
1790
01:07:29,024 --> 01:07:30,358
THESE ARE FRAGILE PEOPLE HERE!
1791
01:07:31,527 --> 01:07:33,527
[TURNS OFF PIANO]
1792
01:07:34,830 --> 01:07:35,863
MAYBE I PUT IT IN WRONG?
1793
01:07:35,898 --> 01:07:36,930
DO YOU MIND
1794
01:07:36,966 --> 01:07:38,299
IF I TAKE A LOOK AT THAT
FOR A SECOND?
1795
01:07:42,071 --> 01:07:44,472
DEAN, LOOK AT THIS.
1796
01:07:44,507 --> 01:07:46,707
THE MOZART LOOKS LIKE
IT'S ON DIFFERENT PAPER STOCK.
1797
01:07:46,743 --> 01:07:48,476
OH, IT'S DEFINITELY
A NEWER PAPER,
1798
01:07:48,511 --> 01:07:49,910
MAYBE A FEW YEARS OLD,
AS OPPOSED TO THE BRAHMS,
1799
01:07:49,945 --> 01:07:51,779
WHICH HAS YELLOWED
WITH TIME.
1800
01:07:51,847 --> 01:07:53,814
COULD IT BE FROM
A DIFFERENT PIANO MAYBE?
1801
01:07:53,849 --> 01:07:54,749
A NEWER MODEL?
1802
01:07:54,784 --> 01:07:56,216
POSSIBLY.
1803
01:07:56,252 --> 01:07:57,785
BUT WHY WOULD THE ROLLS
BE IN WITH THESE?
1804
01:07:59,455 --> 01:08:00,954
THIS WAS DIETZ'S
FAVORITE PIECE.
1805
01:08:00,990 --> 01:08:03,557
HE TAUGHT IT TO HIS DAUGHTER,
HIS GRANDDAUGHTER.
1806
01:08:03,593 --> 01:08:05,459
I THINK THIS IS HERE
FOR A REASON.
1807
01:08:05,495 --> 01:08:07,995
A MYSTERY
WRAPPED UP IN MOZART.
1808
01:08:08,030 --> 01:08:09,163
YOU GOTTA LOVE IT.
1809
01:08:09,198 --> 01:08:10,164
[LAUGHTER]
1810
01:08:10,199 --> 01:08:11,965
DEAN, I'D BETTER
GET YOU HOME.
1811
01:08:12,001 --> 01:08:13,434
WHAT?
1812
01:08:13,469 --> 01:08:15,002
OH, COME ON, THINGS ARE JUST
STARTING TO GET INTERESTING.
1813
01:08:15,037 --> 01:08:16,370
I PROMISED YOUR DOCTORS.
1814
01:08:16,406 --> 01:08:18,038
SAY "SO LONG".
1815
01:08:18,073 --> 01:08:19,373
SO LONG, EVERYONE.
1816
01:08:21,010 --> 01:08:22,376
DEAN, I'M GLAD
YOU'RE DOING WELL.
1817
01:08:22,412 --> 01:08:23,811
SO AM I.
1818
01:08:23,846 --> 01:08:24,779
WE'RE OUTTA HERE.
1819
01:08:24,814 --> 01:08:26,447
BYE.
1820
01:08:26,516 --> 01:08:28,048
LISTEN, I'M GONNA
TAKE OFF, TOO.
1821
01:08:28,083 --> 01:08:29,483
WE HAVE DINNER RESERVATIONS.
1822
01:08:29,519 --> 01:08:30,384
ARE YOU OKAY TO LOCK UP?
1823
01:08:30,420 --> 01:08:31,552
I AM FINE.
YOU HAVE FUN.
1824
01:08:31,587 --> 01:08:32,853
OKAY.
1825
01:08:32,888 --> 01:08:34,288
[SHOP BELL JINGLES]
1826
01:08:41,171 --> 01:08:42,571
[SHOP BELL JINGLES]
1827
01:08:42,621 --> 01:08:43,586
HEY, JENN!
1828
01:08:43,655 --> 01:08:44,621
HEY, GUYS,
1829
01:08:44,656 --> 01:08:45,755
WHAT A NICE SURPRISE.
1830
01:08:45,791 --> 01:08:47,123
WE THOUGHT WE'D STOP BY
BEFORE THE BIG GAME.
1831
01:08:47,158 --> 01:08:48,291
OH, THAT'S RIGHT.
1832
01:08:48,359 --> 01:08:49,325
GOOD LUCK, LOGAN.
1833
01:08:49,360 --> 01:08:50,527
OH, HE WON'T NEED
ANY LUCK.
1834
01:08:50,562 --> 01:08:52,495
ACCORDING TO COACH BYERS,
1835
01:08:52,564 --> 01:08:54,864
LOGAN'S COME UP WITH
A WINNING GAME PLAN.
1836
01:08:54,900 --> 01:08:55,965
YEAH.
1837
01:08:56,000 --> 01:08:57,300
TELL ME THAT
AFTER THE FINAL BUZZER.
1838
01:08:57,335 --> 01:08:58,401
[CHUCKLES FONDLY]
1839
01:08:59,538 --> 01:09:01,037
WHAT'S THIS?
1840
01:09:01,072 --> 01:09:03,339
WELL, IT'S
SUPPOSED TO BE
1841
01:09:03,408 --> 01:09:05,408
MOZART'S
"FANTASIA IN D MINOR,"
1842
01:09:05,444 --> 01:09:07,209
BUT TURNS OUT IT'S JUST
A BUNCH OF NOISE.
1843
01:09:07,245 --> 01:09:10,613
AND I'M FAIRLY CERTAIN THERE'S
A CODE EMBEDDED IN HERE.
1844
01:09:10,649 --> 01:09:12,582
I JUST DON'T KNOW
HOW TO FIGURE IT OUT.
1845
01:09:12,651 --> 01:09:14,617
DO YOU HAVE ANY OTHER
AUTHENTIC ROLLS OF MUSIC?
1846
01:09:14,653 --> 01:09:15,952
I DO.
1847
01:09:15,987 --> 01:09:16,920
I HAVE A PIECE BY BRAHMS.
1848
01:09:16,955 --> 01:09:18,187
WELL THEN,
1849
01:09:18,222 --> 01:09:20,022
PRINT OFF THE BRAHMS SHEET MUSIC
OFF THE INTERNET,
1850
01:09:20,091 --> 01:09:21,491
AND, YOU KNOW,
1851
01:09:21,560 --> 01:09:24,494
MARK DOWN THE CORRECT NOTES
ALONGSIDE EACH PERFORATION.
1852
01:09:24,529 --> 01:09:26,496
AND THAT WAY
I CAN CROSS-REFERENCE
1853
01:09:26,531 --> 01:09:29,866
TO SEE WHICH NOTE
EACH PERFORATION REPRESENTS.
1854
01:09:29,901 --> 01:09:31,534
LOGAN, YOU ARE A GENIUS.
1855
01:09:32,737 --> 01:09:34,671
WHAT IF THE PIECE
IS WRITTEN IN D MINOR?
1856
01:09:34,706 --> 01:09:37,674
WELL THEN, "D" WOULD REPRESENTS
THE NUMBER ONE,
1857
01:09:37,709 --> 01:09:38,908
AND "E" THE NUMBER TWO,
1858
01:09:38,944 --> 01:09:40,343
YOU KNOW,
AND SO ON AND SO FORTH.
1859
01:09:40,378 --> 01:09:41,544
WHAT ABOUT SHARPS AND FLATS?
1860
01:09:41,580 --> 01:09:44,714
THAT COULD BE... LETTERS?
1861
01:09:44,749 --> 01:09:46,850
D-SHARP COULD REPRESENT
THE LETTER "A",
1862
01:09:46,885 --> 01:09:48,785
OR MAYBE
1863
01:09:48,820 --> 01:09:51,053
IT'S THE FIRST SHARP
OR FLAT AFTER "D" MINOR.
1864
01:09:51,089 --> 01:09:52,522
I DON'T KNOW,
YOU'LL HAVE TO PLAY WITH IT.
1865
01:09:52,557 --> 01:09:53,823
AND, UH, WE HAVE
A GAME TO PLAY,
1866
01:09:53,859 --> 01:09:54,757
SO WE SHOULD GO.
1867
01:09:54,793 --> 01:09:55,925
RIGHT.
SO, GOOD LUCK, MOM.
1868
01:09:55,961 --> 01:09:57,293
GOOD LUCK TO YOU, TOO, LOGAN,
1869
01:09:57,362 --> 01:09:58,194
AND JUST HAVE FUN.
1870
01:10:00,532 --> 01:10:02,966
[SIGHING EAGERLY]
1871
01:10:04,569 --> 01:10:05,535
HANNAH!
1872
01:10:05,604 --> 01:10:06,536
HEY, HANNAH!
1873
01:10:06,605 --> 01:10:07,604
YOU DID IT.
1874
01:10:07,639 --> 01:10:09,105
I GOT A B!
1875
01:10:09,173 --> 01:10:10,473
YOU DID IT, RICK.
1876
01:10:10,509 --> 01:10:11,875
HIGH-FIVE.
1877
01:10:14,746 --> 01:10:15,845
[LAUGHS]
1878
01:10:15,881 --> 01:10:18,581
[♪♪♪]
1879
01:10:21,586 --> 01:10:23,753
[ROAR OF SPORTS CROWD]
1880
01:10:25,757 --> 01:10:26,856
[CROWD CHEERING]
1881
01:10:26,892 --> 01:10:28,324
[FINAL BUZZER BLARES]
1882
01:10:28,359 --> 01:10:29,993
WHOO!
1883
01:10:30,028 --> 01:10:32,094
[TEAM CHEERING]
1884
01:10:34,833 --> 01:10:36,866
LOGAN!
1885
01:10:36,902 --> 01:10:38,735
BRILLIANT.
WELL DONE.
1886
01:10:38,770 --> 01:10:40,102
THANK YOU, SIR.
1887
01:10:40,138 --> 01:10:41,303
YOU'VE GOT YOURSELF
QUITE THE STRATEGIST HERE,
1888
01:10:41,339 --> 01:10:42,171
MR. SHANNON.
1889
01:10:42,240 --> 01:10:43,706
DON'T I KNOW IT.
1890
01:10:45,644 --> 01:10:46,809
WHAT DID I TELL YOU?
1891
01:10:47,946 --> 01:10:49,078
YOU STEPPED UP,
1892
01:10:49,113 --> 01:10:50,179
AND YOU WERE THE RIGHT PERSON
TO DO IT.
1893
01:10:50,214 --> 01:10:52,348
THANKS FOR
THE ENCOURAGEMENT, DAD,
1894
01:10:52,417 --> 01:10:54,316
AND ALL THE SUPPORT.
1895
01:10:54,385 --> 01:10:55,251
IT MEANS A LOT.
1896
01:10:55,286 --> 01:10:56,953
ANYTIME, SON.
1897
01:10:56,988 --> 01:10:58,187
NOW, GO ON,
1898
01:10:58,256 --> 01:10:59,455
PARTY WITH THE GUYS.
1899
01:11:00,759 --> 01:11:01,658
WHOO!
1900
01:11:04,295 --> 01:11:06,863
[TOGETHER]:
JETS! JETS! JETS! JETS! JETS!
1901
01:11:06,898 --> 01:11:08,531
[CHEERING] WHOO!
1902
01:11:12,537 --> 01:11:14,537
[MUTTERING]
SHARPS, FLATS...
1903
01:11:14,573 --> 01:11:16,405
OR THE NOTE THAT COMES
BEFORE "D" MINOR,
1904
01:11:16,441 --> 01:11:18,741
I THINK THAT'S A "C"...
1905
01:11:18,777 --> 01:11:20,043
[DOOR RATTLING]
1906
01:11:24,248 --> 01:11:25,181
[SPEED-DIALING]
1907
01:11:25,216 --> 01:11:26,148
[FRAME SPLINTERS]
1908
01:11:26,184 --> 01:11:27,650
[GASPS IN FRIGHT] FRANK!
1909
01:11:27,686 --> 01:11:28,718
DWYER JUST BROKE
INTO MY STORE!
1910
01:11:28,753 --> 01:11:29,953
MR. DWYER!
1911
01:11:30,021 --> 01:11:31,353
I'VE CALLED THE POLICE!
1912
01:11:31,389 --> 01:11:32,455
FRANK, ARE YOU THERE?
1913
01:11:32,490 --> 01:11:33,355
YEAH, I'M STILL HERE, JENN.
1914
01:11:33,424 --> 01:11:34,490
UNITS ARE ABOUT A BLOCK AWAY.
1915
01:11:34,559 --> 01:11:35,524
I'LL BE ARRIVING SHORTLY.
1916
01:11:47,072 --> 01:11:48,504
WE HAVE AN ALL-POINTS OUT
ON DWYER NOW,
1917
01:11:48,539 --> 01:11:50,339
AND I'M GOING TO KEEP
A PATROL UNIT
1918
01:11:50,374 --> 01:11:51,340
HERE AT YOUR SHOP.
1919
01:11:51,409 --> 01:11:52,441
DO YOU WANT ONE
AT YOUR RESIDENCE?
1920
01:11:52,477 --> 01:11:53,542
ABSOLUTELY.
THANKS, FRANK.
1921
01:11:53,578 --> 01:11:54,543
THANK YOU.
1922
01:11:54,579 --> 01:11:55,912
YEAH, NO PROBLEM.
1923
01:11:55,947 --> 01:11:57,413
HEY, I HEAR CONGRATULATIONS
ARE IN ORDER?
1924
01:11:57,448 --> 01:11:59,315
OH, YEAH. LOGAN'S TEAM
WON THEIR FIRST GAME.
1925
01:11:59,350 --> 01:12:00,216
HEY, WELL, GIVE HIM MY BEST.
1926
01:12:00,251 --> 01:12:01,183
I WILL.
1927
01:12:04,756 --> 01:12:06,489
[♪♪♪]
1928
01:12:08,326 --> 01:12:09,726
CRACK IT YET, MOM?
1929
01:12:09,761 --> 01:12:11,995
MM, I HOPE SO.
1930
01:12:12,030 --> 01:12:12,996
I THINK
I'M GETTING CLOSE,
1931
01:12:13,031 --> 01:12:14,864
BUT THERE COULD BE
THREE LINES OF CODE.
1932
01:12:14,899 --> 01:12:16,499
YOU SEE THESE TWO COLUMNS
1933
01:12:16,534 --> 01:12:17,466
THAT ARE VERTICAL
RIGHT HERE?
1934
01:12:17,502 --> 01:12:18,701
THEY'RE THE ONLY TWO
GROUPED TOGETHER
1935
01:12:18,770 --> 01:12:19,936
ON THE ENTIRE ROLL,
1936
01:12:19,971 --> 01:12:21,137
AND THE NUMBERS
AND THE LETTERS,
1937
01:12:21,205 --> 01:12:22,571
THEY MATCH UP
PERFECTLY.
1938
01:12:22,607 --> 01:12:23,740
HMM...
1939
01:12:23,775 --> 01:12:25,074
BOTH ALPHA-NUMERIC...
1940
01:12:26,811 --> 01:12:27,877
WAIT...
1941
01:12:27,912 --> 01:12:30,813
THOSE LOOK JUST LIKE
GPS COORDINATES.
1942
01:12:30,849 --> 01:12:32,015
YOU THINK?
1943
01:12:32,083 --> 01:12:33,549
HOLD ON.
1944
01:12:41,159 --> 01:12:42,058
YUP.
1945
01:12:42,093 --> 01:12:43,259
SEE?
1946
01:12:44,696 --> 01:12:47,563
LOGAN, THAT'S
THE DIETZ RECITAL HALL!
1947
01:12:48,700 --> 01:12:50,700
THIS IS INCREDIBLE.
1948
01:12:50,735 --> 01:12:53,569
DO YOU HAVE ANY IDEA
WHAT THESE NUMBERS MIGHT BE?
1949
01:12:53,604 --> 01:12:56,405
WELL, IT'S NOT LONGITUDE
OR LATITUDE.
1950
01:12:56,474 --> 01:12:58,174
THERE'S NOT ENOUGH
DIGITS THERE.
1951
01:12:58,209 --> 01:13:00,409
SO, UH...
1952
01:13:00,444 --> 01:13:02,178
YEAH, I HAVEN'T GOT A CLUE,
SORRY, MOM.
1953
01:13:02,213 --> 01:13:03,980
THAT'S OKAY, LOGAN,
YOU HAVE BEEN A BIG HELP.
1954
01:13:04,015 --> 01:13:05,281
I'M GONNA GRAB YOUR DAD'S
SET OF BLUEPRINTS
1955
01:13:05,316 --> 01:13:06,182
FROM MY STORE,
1956
01:13:06,217 --> 01:13:07,116
AND I'M GONNA CALL FRANK.
1957
01:13:07,185 --> 01:13:08,217
THANK YOU.
1958
01:13:10,989 --> 01:13:12,689
[SHOP BELL JINGLES]
1959
01:13:14,826 --> 01:13:16,258
-HI.
-HI.
1960
01:13:16,294 --> 01:13:17,226
BYE.
1961
01:13:19,230 --> 01:13:21,263
FRANK, I'M ON MY WAY
TO THE RECITAL HALL.
1962
01:13:21,299 --> 01:13:22,799
I HOPE YOU CAN MEET ME THERE.
1963
01:13:25,970 --> 01:13:28,270
[STARTS ENGINE]
1964
01:13:44,655 --> 01:13:46,288
BONJOUR, MRS. SHANNON.
1965
01:13:46,357 --> 01:13:48,191
WE MEET AGAIN.
1966
01:13:48,226 --> 01:13:49,759
SO WE DO.
1967
01:13:49,794 --> 01:13:51,227
THE HERZOG PAINTING.
1968
01:13:51,262 --> 01:13:52,561
WHERE IS IT?
1969
01:13:52,597 --> 01:13:55,631
SAFELY IN THE HANDS
OF THE AUSTRIAN CONSULATE,
1970
01:13:55,666 --> 01:13:57,767
SOON BE RETURNED
TO ITS RIGHTFUL HEIR,
1971
01:13:57,802 --> 01:14:00,002
A JEWISH FAMILY
FROM VIENNA
1972
01:14:00,038 --> 01:14:01,437
WHOSE PARENTS
HAD IT TAKEN FROM THEM
1973
01:14:01,472 --> 01:14:03,405
DURING THE ANSCHLUSS OF 1938.
1974
01:14:03,441 --> 01:14:05,007
THAT'S GOOD NEWS.
1975
01:14:06,310 --> 01:14:08,010
SO, WHAT ARE YOU DOING HERE?
1976
01:14:08,079 --> 01:14:09,045
BESIDES STALKING ME?
1977
01:14:10,048 --> 01:14:11,580
STALKING? NO, MADAME,
1978
01:14:11,649 --> 01:14:14,383
I AM MERELY HERE
TO OFFER ASSISTANCE.
1979
01:14:14,418 --> 01:14:17,887
YOU SEE, KARL DIETZ
WAS NOT THE ONLY ONE...
1980
01:14:17,956 --> 01:14:18,855
TO KEEP A JOURNAL.
1981
01:14:20,658 --> 01:14:23,226
DETECTIVE LYNNWOOD
INDICATED TO MY SUPERIORS
1982
01:14:23,294 --> 01:14:25,628
THAT YOU FOUND HIS JOURNAL,
1983
01:14:25,663 --> 01:14:28,231
SO I THOUGHT NOW WOULD BE
A GOOD TIME TO COMPARE NOTES.
1984
01:14:29,333 --> 01:14:31,768
DO ANY OF THESE NAMES,
1985
01:14:31,803 --> 01:14:33,702
OR DATES, ARTISTS,
1986
01:14:33,738 --> 01:14:35,504
LOOK FAMILIAR?
1987
01:14:35,539 --> 01:14:36,472
GOYA...
1988
01:14:37,541 --> 01:14:38,574
MENZEL...
1989
01:14:41,545 --> 01:14:44,346
YOU KNEW ABOUT
THE CASPAR DAVID FRIEDRICH?
1990
01:14:44,382 --> 01:14:48,184
WELL, I DID NOT JUST MERELY
SIT BEHIND THE DESK AT THE EMCA
1991
01:14:48,253 --> 01:14:49,585
FOR ALL THOSE YEARS.
1992
01:14:49,620 --> 01:14:51,087
[INHALES DEEPLY]
1993
01:14:51,156 --> 01:14:55,057
NOW... WHAT BROUGHT YOU HERE
WITH YOUR HUSBAND'S BLUEPRINTS?
1994
01:14:57,195 --> 01:14:59,495
OF COURSE.
1995
01:14:59,530 --> 01:15:01,264
IT'S PERFECT.
1996
01:15:01,299 --> 01:15:02,598
THE RECITAL HALL.
1997
01:15:02,667 --> 01:15:04,267
AND DIETZ
HELPED TO MAKE IT!
1998
01:15:04,302 --> 01:15:05,634
[STAMMERING EXCITEDLY]
1999
01:15:05,670 --> 01:15:08,437
AND THAT PIANO,
DID THE PIANO HAVE A... A MAP?
2000
01:15:08,506 --> 01:15:12,474
A CODE, IN A PIANO ROLL.
2001
01:15:12,543 --> 01:15:14,844
MOZART'S "FANTASIA IN D MINOR".
2002
01:15:14,879 --> 01:15:15,778
[SMACKS BOOK]
2003
01:15:15,814 --> 01:15:18,414
I KNEW IT! I KNEW IT!
2004
01:15:18,449 --> 01:15:19,448
LET ME SHOW YOU,
2005
01:15:19,517 --> 01:15:21,483
UM... THIS DATA ENTRY.
2006
01:15:21,519 --> 01:15:23,986
THESE ARE SHIPPING
AND CRATING SERVICES,
2007
01:15:24,055 --> 01:15:25,688
CARGO CONTAINER
I.D. NUMBERS.
2008
01:15:25,723 --> 01:15:27,156
I TRACED THEM ALL
BACK TO A TIME
2009
01:15:27,192 --> 01:15:29,391
WHEN KARL DIETZ
WAS A NATO LIAISON.
2010
01:15:29,427 --> 01:15:31,227
YOU SEE, HIS DIPLOMATIC STATUS
2011
01:15:31,262 --> 01:15:34,297
ALLOW HIM TO, UH,
BYPASS U.S. CUSTOMS, HUH?
2012
01:15:34,332 --> 01:15:36,365
I BELIEVE HE USE HIS PRIVILEGE
2013
01:15:36,400 --> 01:15:39,302
TO SMUGGLE ART AND STOLEN JEWELS
2014
01:15:39,337 --> 01:15:40,303
OUT OF GERMANY
INTO THIS COUNTRY,
2015
01:15:40,338 --> 01:15:41,770
PIECE BY PIECE.
2016
01:15:41,806 --> 01:15:43,405
SO, THAT'S HOW HE DID IT.
2017
01:15:43,474 --> 01:15:44,941
YES,
2018
01:15:44,976 --> 01:15:46,008
HOWEVER, A FEW YEARS AGO,
2019
01:15:46,077 --> 01:15:47,844
THE EMCA RECEIVED
AN ANONYMOUS TIP,
2020
01:15:47,879 --> 01:15:50,179
WHICH I BELIEVE CAME FROM
DIETZ'S DAUGHTER, HELGA.
2021
01:15:50,215 --> 01:15:53,682
BUT BEFORE THE FBI COULD
FILE A SEARCH WARRANT,
2022
01:15:53,718 --> 01:15:57,286
DIETZ HID HIS STOLEN GOODS.
2023
01:15:57,322 --> 01:15:58,487
BUT WHERE?
2024
01:15:58,556 --> 01:16:00,156
THAT WAS ALWAYS THE MYSTERY.
2025
01:16:01,025 --> 01:16:02,258
NOW...
2026
01:16:02,293 --> 01:16:05,427
THE MOZART IN D MINOR
DIRECTED YOU HERE.
2027
01:16:07,465 --> 01:16:09,265
I THINK THE LOCK
ON THE STAGE DOOR
2028
01:16:09,300 --> 01:16:11,200
MIGHT BE BROKEN.
2029
01:16:11,236 --> 01:16:12,201
FOLLOW ME.
2030
01:16:27,970 --> 01:16:29,269
[SIGHS]
2031
01:16:29,337 --> 01:16:31,537
I GUESS JASON
FIXED THE LOCK.
2032
01:16:31,606 --> 01:16:32,939
WELL, HE IS EFFICIENT.
2033
01:16:32,975 --> 01:16:35,208
ALLOW ME, MADAME.
2034
01:16:35,244 --> 01:16:36,509
SOMETIMES, TO CATCH A THIEF...
2035
01:16:38,380 --> 01:16:40,080
YOU HAVE TO PLAY
THE THIEF.
2036
01:16:45,587 --> 01:16:46,486
VOILA!
2037
01:16:49,792 --> 01:16:51,224
[♪♪♪]
2038
01:16:56,731 --> 01:16:58,698
THIS FIRST SET OF NUMBERS...
2039
01:17:00,735 --> 01:17:03,336
IT'S TOO SHORT
TO BE A TRACKING NUMBER
2040
01:17:03,371 --> 01:17:05,138
OR A ZIP CODE.
2041
01:17:07,742 --> 01:17:10,210
THERE HAS TO BE
SOME CORRELATION
2042
01:17:10,245 --> 01:17:12,279
TO THE RECITAL HALL.
2043
01:17:18,353 --> 01:17:19,452
JACQUES...
2044
01:17:19,487 --> 01:17:20,586
MY HUSBAND SAID
2045
01:17:20,622 --> 01:17:22,789
THAT KARL DIETZ
HAD HIS OWN SPECIALISTS
2046
01:17:22,825 --> 01:17:24,657
WHO DID THE ACOUSTICS,
THE STAGE FLOORING,
2047
01:17:24,726 --> 01:17:25,625
AND THE VIP SEATS.
2048
01:17:29,464 --> 01:17:31,364
HERE'S KARL DIETZ'S CHAIR.
2049
01:17:31,399 --> 01:17:33,066
"B-9."
2050
01:17:33,135 --> 01:17:36,102
"SL-R1-B9."
2051
01:17:36,138 --> 01:17:37,070
OF COURSE,
2052
01:17:37,105 --> 01:17:38,839
IT'S "STAGE LEFT,
ROW ONE, B-9."
2053
01:17:38,874 --> 01:17:41,407
WE HAVE A MATCH.
2054
01:17:45,147 --> 01:17:46,980
HEY.
2055
01:17:47,015 --> 01:17:49,082
THERE IS AN ELECTRICAL CONDUIT
RUNNING UNDER EACH SEAT.
2056
01:17:50,652 --> 01:17:52,018
PERHAPS
IT'S JUST FOR THE LIGHT.
2057
01:17:52,087 --> 01:17:54,221
WAIT A MINUTE.
2058
01:17:54,256 --> 01:17:55,989
IT LOOKS LIKE
THERE MIGHT BE A...
2059
01:17:56,024 --> 01:17:57,157
A SWITCH DOWN HERE.
2060
01:17:58,327 --> 01:17:59,259
[MECHANISM WHIRS]
2061
01:18:11,206 --> 01:18:13,039
ALLOW ME, MADAME.
2062
01:18:15,010 --> 01:18:16,309
[HATCH CREAKING]
2063
01:18:18,380 --> 01:18:20,213
[GASPING]
2064
01:18:20,282 --> 01:18:22,415
KARL DIETZ'S VAULT.
2065
01:18:22,450 --> 01:18:23,783
AT LAST.
2066
01:18:24,987 --> 01:18:26,753
BLESS YOU, MS. SHANNON.
2067
01:18:26,788 --> 01:18:29,055
WORDS CANNOT EXPRESS HOW I FEEL.
2068
01:18:29,091 --> 01:18:30,023
YOU MUST UNDERSTAND,
2069
01:18:30,058 --> 01:18:31,391
THIS IS WHAT MY LIFE,
2070
01:18:31,459 --> 01:18:34,094
WHAT MY WORK IS ALL ABOUT.
2071
01:18:34,129 --> 01:18:35,762
RESTITUTION?
2072
01:18:36,698 --> 01:18:38,631
OUI.
2073
01:18:38,666 --> 01:18:40,367
RESTITUTION.
2074
01:18:45,607 --> 01:18:47,440
WAIT A MINUTE.
2075
01:18:52,047 --> 01:18:54,014
OH, HERE IT IS.
2076
01:18:54,049 --> 01:18:57,951
THE ORIGINAL MOZART
"FANTASIA IN D MINOR,"
2077
01:18:58,020 --> 01:19:00,620
WHICH CONFIRMS THAT KARL DIETZ
MANUFACTURED THE OTHER ONE.
2078
01:19:02,391 --> 01:19:04,657
OH, WAIT A MINUTE.
2079
01:19:04,692 --> 01:19:05,558
WHAT?
2080
01:19:05,627 --> 01:19:07,627
IT'S CAROLYN.
2081
01:19:07,662 --> 01:19:09,629
CAROLYN, SHE HAD TO HAVE KNOWN.
2082
01:19:09,697 --> 01:19:10,997
THAT'S WHY
SHE'S BEEN ON ME
2083
01:19:11,033 --> 01:19:12,865
TO BUY BACK THE VESTONE.
2084
01:19:12,935 --> 01:19:13,800
ACTUALLY...
2085
01:19:15,270 --> 01:19:17,971
I'VE ALWAYS HATED THAT
WHEEZING EXCUSE FOR A PIANO.
2086
01:19:19,174 --> 01:19:21,908
BUT THANKS TO YOU, JENNIFER,
2087
01:19:21,944 --> 01:19:24,510
I NOW HAVE MY INHERITANCE.
2088
01:19:24,579 --> 01:19:27,447
WHICH YOU ASSUMED WAS YOURS
ALL ALONG, DIDN'T YOU?
2089
01:19:28,817 --> 01:19:31,884
I MEAN, YOU HAD THE LETTER
2090
01:19:31,920 --> 01:19:33,686
FROM YOUR GRANDFATHER
TO YOUR MOTHER,
2091
01:19:33,721 --> 01:19:36,489
INFORMING HER
THAT YOU HAD BEEN
2092
01:19:36,524 --> 01:19:38,558
REINSTATED IN HIS WILL...
2093
01:19:40,162 --> 01:19:42,562
BUT AFTER YOUR MOTHER DIED,
2094
01:19:42,597 --> 01:19:45,365
AFTER YOU RETURNED
FROM OVERSEAS,
2095
01:19:45,400 --> 01:19:48,234
YOU SUDDENLY FOUND OUT
THAT THINGS HAD CHANGED...
2096
01:19:50,339 --> 01:19:51,404
THAT YOUR MOTHER AND GRANDFATHER
2097
01:19:51,473 --> 01:19:53,206
DIDN'T HEAL THEIR RIFT,
2098
01:19:53,275 --> 01:19:54,807
AND THAT YOUR
GRANDFATHER DECIDED
2099
01:19:54,876 --> 01:19:56,676
TO SELL HIS ESTATE FOR CHARITY,
2100
01:19:56,711 --> 01:19:58,278
LEAVING YOU CUT OFF ONCE AGAIN.
2101
01:19:59,247 --> 01:20:00,246
[DIETZ, MUMBLING]: NURSE?
2102
01:20:03,385 --> 01:20:05,285
WHAT ARE YOU DOING?
2103
01:20:06,788 --> 01:20:08,654
WHO ARE YOU?
2104
01:20:11,426 --> 01:20:13,259
YOU...
2105
01:20:13,295 --> 01:20:15,695
HOUNDING ME TO THE GRAVE,
2106
01:20:15,730 --> 01:20:17,497
YOU AND ALL THE OTHERS.
2107
01:20:17,565 --> 01:20:18,564
[JENNIFER]: SO, YOU DECIDEDTO RETALIATE...
2108
01:20:19,767 --> 01:20:20,967
...AND YOU ENDED HIS LIFE.
2109
01:20:21,003 --> 01:20:22,335
HE WAS A HORRIBLE MAN,
2110
01:20:22,371 --> 01:20:24,437
WHO HAD OUTLIVED HIS USEFULNESS.
2111
01:20:24,473 --> 01:20:26,406
AND YOU HAD
WHAT YOU NEEDED,
2112
01:20:26,475 --> 01:20:28,574
HIS LETTER TO YOUR MOTHER,
2113
01:20:28,610 --> 01:20:31,011
AND THE CLUE
TO HIS HIDDEN TREASURE,
2114
01:20:31,046 --> 01:20:32,379
THE PLAYER PIANO...
2115
01:20:32,414 --> 01:20:34,647
WHICH IS WHY YOU BROKE INTOMY FRIEND'S SHOP
2116
01:20:34,682 --> 01:20:36,383
AND ASSAULTED HIM.
2117
01:20:39,454 --> 01:20:41,687
[HEAVY THUD]
2118
01:20:45,994 --> 01:20:47,394
[SHOP ENTRY BELL CHIMES]
2119
01:20:47,429 --> 01:20:48,995
BUT YOUR SEARCHWAS CUT SHORT
2120
01:20:49,031 --> 01:20:50,330
WHEN HOWIE NASH ARRIVED.
2121
01:20:50,365 --> 01:20:53,699
YOU HAD TO GET OUT OF THEREIN A HURRY.
2122
01:20:53,735 --> 01:20:55,168
THEN THINGS BECAME
MORE URGENT
2123
01:20:55,203 --> 01:20:56,269
WHEN YOU LEARNED
2124
01:20:56,304 --> 01:20:57,737
THE HERZOG PAINTING
HAD BEEN FOUND,
2125
01:20:57,772 --> 01:21:00,006
TUCKED AWAY INSIDE A RELATIVELY
WORTHLESS PIECE OF ART.
2126
01:21:00,042 --> 01:21:01,307
YES, WELL,
ACCORDING TO MOTHER,
2127
01:21:01,343 --> 01:21:03,276
GRANDPA WAS A VERY
CLEVER SMUGGLER.
2128
01:21:03,311 --> 01:21:04,310
YOU MEAN CRIMINAL--
2129
01:21:04,379 --> 01:21:05,745
DO I LOOK LIKE I CARE?
2130
01:21:05,780 --> 01:21:06,979
JACQUES IS RIGHT.
2131
01:21:07,015 --> 01:21:08,181
THINGS DID GET
MUCH MORE URGENT
2132
01:21:08,250 --> 01:21:09,582
BECAUSE YOU REALIZED
2133
01:21:09,617 --> 01:21:11,384
THAT SILES HAD SECURED
2134
01:21:11,420 --> 01:21:13,386
EVERYTHING
IN YOUR GRANDFATHER'S LIBRARY,
2135
01:21:13,455 --> 01:21:15,055
INCLUDING
HIS PERSONAL CORRESPONDENCE.
2136
01:21:16,391 --> 01:21:18,191
I BELIEVE THERE WAS
ANOTHER LETTER,
2137
01:21:18,226 --> 01:21:20,193
FROM YOUR MOTHER
TO YOUR GRANDFATHER,
2138
01:21:20,262 --> 01:21:21,761
ONE IN WHICH
2139
01:21:21,796 --> 01:21:24,130
SHE OUTRIGHT REJECTED
HIS OFFER OF AN INHERITANCE.
2140
01:21:24,166 --> 01:21:25,765
NOW YOU'RE JUST SPECULATING.
2141
01:21:25,800 --> 01:21:27,233
AM I?
2142
01:21:27,269 --> 01:21:28,935
THEN WHY WEREN'T YOU LISTED
AS NEXT OF KIN
2143
01:21:29,003 --> 01:21:30,002
ON HIS HOSPITAL PAPERS?
2144
01:21:31,906 --> 01:21:32,972
YOUR MOTHER WANTED
2145
01:21:33,041 --> 01:21:34,607
NOTHING TO DO
WITH YOUR GRANDFATHER,
2146
01:21:34,676 --> 01:21:35,875
AND THE IRONY IS,
2147
01:21:35,910 --> 01:21:39,245
SHE WAS TRYING TO PROTECT YOU
FROM HIS CRIMES,
2148
01:21:39,281 --> 01:21:42,014
BUT WHEN YOU REALIZED
SILES HAD HER LETTER...
2149
01:21:43,685 --> 01:21:46,352
WELL, YOU COULDN'T AFFORDTO LET HIM EXPOSE THAT...
2150
01:21:46,388 --> 01:21:47,287
[GUN COCKS]
2151
01:21:52,227 --> 01:21:54,327
COLLATERAL DAMAGE, I'M AFRAID.
2152
01:21:54,362 --> 01:21:56,262
AS ARE YOU!
2153
01:21:56,298 --> 01:21:57,163
SHUT THE HATCH.
2154
01:22:04,639 --> 01:22:06,672
ALL RIGHT, LET'S GO.
2155
01:22:06,741 --> 01:22:08,575
STAGE RIGHT, IF YOU WILL.
2156
01:22:08,610 --> 01:22:09,742
COME ON, GO!
2157
01:22:09,811 --> 01:22:11,010
MAY I ASK YOU WHAT LED YOU
2158
01:22:11,045 --> 01:22:12,745
TO THE MOZART IN D MINOR?
2159
01:22:12,780 --> 01:22:14,680
MOTHER'S LETTERS
TO GRANDPA.
2160
01:22:14,716 --> 01:22:16,483
THANKS FOR CRACKING
THE CODE, BY THE WAY.
2161
01:22:16,518 --> 01:22:18,184
YOUR MOTHER WAS THE ONE
WHO CONTACTED EMCA, YES?
2162
01:22:18,253 --> 01:22:19,152
YES.
2163
01:22:19,221 --> 01:22:21,020
SHE WAS THE ONE
2164
01:22:21,055 --> 01:22:22,688
WHO WANTED EVERYTHING RETURNED
TO ITS RIGHTFUL OWNER?
2165
01:22:22,724 --> 01:22:23,689
MOTHER ALWAYS HAD
2166
01:22:23,758 --> 01:22:24,724
A WAYWARD SENSE
OF MORALITY.
2167
01:22:24,759 --> 01:22:25,592
WHERE IS YOURS,
MISS TURNER?
2168
01:22:26,561 --> 01:22:27,360
[PULLEYS SPIN]
2169
01:22:29,364 --> 01:22:30,296
[GASPS]
2170
01:22:34,169 --> 01:22:35,301
JENN!
2171
01:22:36,538 --> 01:22:37,837
ARE YOU TWO ALL RIGHT?
2172
01:22:37,872 --> 01:22:38,838
[PANTING]
2173
01:22:38,873 --> 01:22:40,140
YES. YES, WE'RE--
2174
01:22:40,175 --> 01:22:41,574
[JACQUES]:
MAGNIFIQUE.
2175
01:22:43,211 --> 01:22:44,210
OUI.
2176
01:22:44,246 --> 01:22:45,211
[CHUCKLES IN RELIEF]
2177
01:22:47,582 --> 01:22:48,448
HELEN!
2178
01:22:48,483 --> 01:22:49,449
JENNIFER.
2179
01:22:49,518 --> 01:22:50,416
LOVELY TO SEE YOU.
2180
01:22:50,485 --> 01:22:51,484
LOVELY TO SEE YOU.
2181
01:22:51,520 --> 01:22:52,952
HOW WAS
MY HUSBAND'S DRIVING?
2182
01:22:52,987 --> 01:22:54,053
EXCELLENT.
2183
01:22:54,088 --> 01:22:55,321
RIGHT IN HERE.
2184
01:22:57,359 --> 01:22:59,259
OH, MY.
2185
01:22:59,294 --> 01:23:01,060
JENNIFER,
WHAT'S GOING ON HERE?
2186
01:23:01,095 --> 01:23:02,962
IT'S NOT MY BIRTHDAY.
2187
01:23:02,997 --> 01:23:04,631
HELEN, I WOULD
LIKE YOU TO MEET
2188
01:23:04,666 --> 01:23:05,798
INSPECTOR JACQUES GRENIER.
2189
01:23:05,867 --> 01:23:07,267
IT'S A PLEASURE,
MADAME.
2190
01:23:07,335 --> 01:23:08,968
JACQUES WAS FORMERLY
2191
01:23:09,003 --> 01:23:11,271
WITH EUROPEAN MINISTRY
OF CRIMINAL AFFAIRS,
2192
01:23:11,306 --> 01:23:14,874
BUT NOW HE IS WITH
THE LOST ART RECOVERY LEAGUE.
2193
01:23:14,942 --> 01:23:16,008
HE'S RESPONSIBLE
FOR TRACKING DOWN
2194
01:23:16,077 --> 01:23:17,210
A LOT OF THE ARTWORK
2195
01:23:17,245 --> 01:23:18,878
THAT MR. DIETZ
ILLEGALLY CONFISCATED.
2196
01:23:18,913 --> 01:23:20,480
STILL SO SHOCKING.
2197
01:23:20,515 --> 01:23:21,947
HARD TO BELIEVE.
2198
01:23:21,983 --> 01:23:24,750
FORTUNATELY, THE DNA
WAS A MATCH TO CAROLYN
2199
01:23:24,819 --> 01:23:27,753
ON THE SYRINGE WRAPPER FOUND
IN HER GRANDFATHER'S BEDROOM.
2200
01:23:27,789 --> 01:23:29,556
THE D.A. WILL BE
INDICTING HER FOR MURDER.
2201
01:23:29,591 --> 01:23:30,723
OH, AND AS FAR AS
2202
01:23:30,758 --> 01:23:32,124
MR. DWYER IS CONCERNED,
2203
01:23:32,160 --> 01:23:33,726
HE WAS FOUND AND APPREHENDED.
2204
01:23:33,761 --> 01:23:35,295
HE WILL BE FACING
BURGLARY CHARGES.
2205
01:23:36,631 --> 01:23:38,764
WELL, NOW FOR SOME
EVEN BETTER NEWS.
2206
01:23:38,800 --> 01:23:40,233
LOGAN, SINCE YOU HELPED
CRACK THE CODE,
2207
01:23:40,268 --> 01:23:41,734
WOULD YOU LIKE
TO DO THE HONORS?
2208
01:23:47,375 --> 01:23:48,208
RECOGNIZE THIS, MRS. BAUER?
2209
01:23:48,243 --> 01:23:50,109
OF COURSE.
2210
01:23:50,144 --> 01:23:52,412
THE PROVENANCE
WAS FORGED, HELEN.
2211
01:23:52,447 --> 01:23:53,379
JACQUES AND I FOUND
2212
01:23:53,415 --> 01:23:54,681
THE ORIGINAL
CERTIFICATE OF OWNERSHIP
2213
01:23:54,716 --> 01:23:56,082
IN MR. DIETZ'S FILES.
2214
01:23:56,117 --> 01:23:58,451
IT BELONGED TO,
AND STILL BELONGS TO,
2215
01:23:58,520 --> 01:24:00,520
THE BAUER FAMILY.
2216
01:24:00,555 --> 01:24:02,121
OH, MY GOODNESS.
2217
01:24:02,156 --> 01:24:03,923
WELL...
2218
01:24:05,093 --> 01:24:07,293
AS MY MOTHER
ALWAYS SAID,
2219
01:24:07,329 --> 01:24:10,496
"ALL GOOD THINGS COME
TO THOSE WHO WAIT."
2220
01:24:12,133 --> 01:24:14,234
WELL, WE HAVE WAITED
LONG ENOUGH.
2221
01:24:14,269 --> 01:24:15,768
WHO WOULD LIKE
SOME CHAMPAGNE?
2222
01:24:15,837 --> 01:24:17,069
OH. I WOULD.
2223
01:24:17,138 --> 01:24:18,003
[CORK POPS, EVERYONE CHEERS]
2224
01:24:18,039 --> 01:24:19,972
WHOO! YEAH!
2225
01:24:23,077 --> 01:24:27,012
[♪♪♪]
148377
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