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These are the user uploaded subtitles that are being translated: 1 00:00:03,271 --> 00:00:07,341 CAPTIONING MADE POSSIBLE BY VIDMARK ENTERTAINMENT 2 00:02:34,388 --> 00:02:37,325 [HORN HONKS] 3 00:02:58,946 --> 00:03:01,315 OHH. 4 00:03:01,882 --> 00:03:04,352 [BREATHING DEEPLY] 5 00:03:04,385 --> 00:03:06,820 OHH. 6 00:03:09,423 --> 00:03:12,326 OHH. 7 00:03:17,398 --> 00:03:19,300 DON'T MOVE. 8 00:03:33,481 --> 00:03:35,783 [SIGHS] 9 00:03:38,352 --> 00:03:41,255 [WHINNY] 10 00:03:44,392 --> 00:03:46,860 [WHINNY] 11 00:03:46,894 --> 00:03:49,363 [WHINNY] 12 00:03:55,369 --> 00:03:56,804 JOHN? 13 00:03:56,837 --> 00:03:59,473 MAY I REST NOW? 14 00:03:59,507 --> 00:04:02,276 [KNOCK ON DOOR] 15 00:04:02,310 --> 00:04:04,612 UH, IT'S OPEN. 16 00:04:20,060 --> 00:04:22,029 I'M SORRY. 17 00:04:39,413 --> 00:04:41,815 [DOOR SLIDING] 18 00:04:42,416 --> 00:04:45,486 [SIREN] 19 00:04:51,124 --> 00:04:53,561 [SIREN STOPS] 20 00:04:53,594 --> 00:04:56,029 [WHINNY] 21 00:05:04,405 --> 00:05:07,508 [TOILET FLUSHING] 22 00:05:10,511 --> 00:05:12,746 [DOOR CLOSES] 23 00:05:23,557 --> 00:05:26,960 I, UH, ORDERED YOU SOME BREAKFAST. 24 00:05:27,661 --> 00:05:30,030 I HAVE TO GO. 25 00:05:33,601 --> 00:05:36,704 WILL THAT BE CASH OR CHARGE? 26 00:06:04,932 --> 00:06:07,968 SHOULD I LEAVE YOU MY NUMBER? 27 00:06:12,473 --> 00:06:13,741 BY THE WAY, 28 00:06:13,774 --> 00:06:15,075 WHO'S ELIZABETH? 29 00:06:15,108 --> 00:06:16,710 [SIREN] 30 00:06:16,744 --> 00:06:20,113 LAST NIGHT, YOU CALLED ME ELIZABETH. 31 00:06:53,547 --> 00:06:56,450 John: WOULD YOU PLEASE COME BACK 32 00:06:56,484 --> 00:06:59,520 WHEN I COUNT TO 50? 33 00:07:02,189 --> 00:07:04,725 1... 34 00:07:04,758 --> 00:07:07,094 2... 35 00:07:07,127 --> 00:07:09,563 3... 36 00:07:09,597 --> 00:07:12,533 4... 37 00:07:12,566 --> 00:07:15,035 5... 38 00:07:15,068 --> 00:07:17,871 6... 39 00:07:17,905 --> 00:07:18,606 7... 40 00:07:18,639 --> 00:07:21,542 Stewardess: MONSIEUR GRAY? SIR? 41 00:07:21,575 --> 00:07:23,511 MONSIEUR GRAY? 42 00:07:23,544 --> 00:07:24,812 MONSIEUR GRAY? 43 00:07:24,845 --> 00:07:28,949 WE'RE GOING TO BE LANDING SOON IN PARIS. 44 00:07:54,775 --> 00:07:55,909 MR. GRAY. 45 00:07:55,943 --> 00:07:58,746 A PLEASURE TO HAVE YOU BACK AT THE RAPHAEL HOTEL WITH US. 46 00:07:58,779 --> 00:08:00,948 THANK YOU, PIERRE. YOU LOOK TERRIFIC. 47 00:08:00,981 --> 00:08:03,183 THANK YOU, SIR. 48 00:08:13,293 --> 00:08:13,961 OH, MR. GRAY. 49 00:08:13,994 --> 00:08:16,630 HEY, BONJOUR, CHARLES. 50 00:08:16,664 --> 00:08:18,532 YOUR SUITE. 51 00:08:18,566 --> 00:08:19,066 UHH. 52 00:08:19,099 --> 00:08:20,968 AND NO CALL FOR YOU? 53 00:08:21,001 --> 00:08:22,570 NO ONE KNOWS I'M HERE. 54 00:08:22,603 --> 00:08:24,572 ALL RIGHT, SIR. 55 00:08:37,618 --> 00:08:38,619 OH. 56 00:08:38,652 --> 00:08:39,787 JE SUIS CONFUSE. 57 00:08:39,820 --> 00:08:44,057 EXCUSEZ MOI. MERCI BEAUCOUP, MONSIEUR. 58 00:08:49,229 --> 00:08:51,198 HE'S HERE. 59 00:08:53,767 --> 00:08:55,703 [DOOR CLOSES] 60 00:09:31,872 --> 00:09:35,208 John: NO ONE KNOWS I'M HERE, HUH? 61 00:09:36,343 --> 00:09:38,679 ELIZABETH. 62 00:09:39,813 --> 00:09:42,282 Auctioneer: AND NOW UNDER LOT 12, 63 00:09:42,315 --> 00:09:44,685 WE ARE PRESENTING L'ATTENTE, 64 00:09:44,718 --> 00:09:46,019 ONE OF THE FINEST PIECES 65 00:09:46,053 --> 00:09:49,623 IN THE COLLECTION OF ELIZABETH McGRAW. 66 00:09:49,657 --> 00:09:50,924 AND FOR THIS LOT, 67 00:09:50,958 --> 00:09:54,995 WE HAVE A BID OF 600,000 TO START WITH. 68 00:09:55,028 --> 00:09:57,197 AT 600,000, 600,000? 69 00:09:57,230 --> 00:09:59,667 AT 600,000. 650,000? 70 00:09:59,700 --> 00:10:01,835 IN THE LEFT OF THE ROOM AT 650-- 71 00:10:01,869 --> 00:10:04,104 700,000. AT 700,000. 72 00:10:04,137 --> 00:10:06,206 STILL AT THE BACK OF THE ROOM. 73 00:10:06,239 --> 00:10:08,776 700,000. DO I HAVE 8-- 74 00:10:08,809 --> 00:10:10,210 YES, 800,000. 75 00:10:10,243 --> 00:10:12,813 ANY ADVANCE ON 800,000? 76 00:10:12,846 --> 00:10:15,315 ONCE. TWICE. 77 00:10:15,348 --> 00:10:16,283 SOLD! 78 00:10:16,316 --> 00:10:19,920 THE GENTLEMAN STANDING IN THE BACK OF THE ROOM. 79 00:10:24,825 --> 00:10:25,759 LOT NUMBER 13: 80 00:10:25,793 --> 00:10:27,895 PERSONNAGE AUX MAINS LEVéES BY RECONDO, 81 00:10:27,928 --> 00:10:29,730 ALSO FROM THE McGRAW COLLECTION. 82 00:10:29,763 --> 00:10:32,099 I'LL START THE BIDDING AT 400,000 FRANCS. 83 00:10:32,132 --> 00:10:34,702 AT 400,000 FRANCS? AT 400,000. 84 00:10:34,735 --> 00:10:38,005 I HAVE 450,000. AT 450,000. 85 00:10:38,038 --> 00:10:40,107 500,000? AT 500,000. 86 00:10:40,140 --> 00:10:44,377 I HAVE 550,000. DO I HAVE 6? DO I HAVE 600? 87 00:10:44,411 --> 00:10:46,680 DO I HAVE 600? AT 600,000. 88 00:10:46,714 --> 00:10:48,816 650. 700,000. 89 00:10:48,849 --> 00:10:50,283 AT 750,000. SOLD! 90 00:10:50,317 --> 00:10:53,286 PERSONNAGE EN YORK ALSO BY RECONDO. 91 00:10:53,320 --> 00:10:56,056 I WILL START THE BIDDING AT 600,000. 92 00:10:56,089 --> 00:10:58,291 DO I HAVE 7? 8? 800. 93 00:10:58,325 --> 00:11:00,427 9. 1 MILLION FRANCS. 94 00:11:00,460 --> 00:11:02,362 1 MILLION FRANCS. 95 00:11:02,395 --> 00:11:04,698 ONCE. TWICE. 96 00:11:04,732 --> 00:11:05,799 SOLD! 1 MILLION FRANCS. 97 00:11:05,833 --> 00:11:09,136 NOW LOT 15: FEMALE AU BLANC, ALSO BY RECONDO. 98 00:11:09,169 --> 00:11:10,437 I'LL HAVE 600,000. 99 00:11:10,470 --> 00:11:12,740 DO I HAVE 7? I HAVE 7. 100 00:11:12,773 --> 00:11:14,742 8? 801,000. 101 00:11:14,775 --> 00:11:16,176 9? 700,000. 102 00:11:16,209 --> 00:11:17,344 SOLD! 50,000. 103 00:11:17,377 --> 00:11:18,712 1 MILLION, 1 HUNDRED. 104 00:11:18,746 --> 00:11:21,281 750,000. 800,000. 105 00:11:21,314 --> 00:11:23,751 IT STILL BUYS FOR 600,000. 106 00:11:23,784 --> 00:11:24,651 GONE. SOLD! 107 00:11:24,684 --> 00:11:27,821 THIS WAS THE FIFTH AND LAST RECONDO PASTEL 108 00:11:27,855 --> 00:11:28,756 FROM THE McGRAW COLLECTION 109 00:11:28,789 --> 00:11:31,892 SOLD TO THE GENTLEMAN STANDING IN THE BACK. 110 00:11:31,925 --> 00:11:35,695 CONGRATULATIONS, SIR. YOU HAVE THEM ALL. 111 00:12:12,900 --> 00:12:14,334 EXCUSE ME. 112 00:12:14,367 --> 00:12:15,936 I DON'T MEAN, UH... 113 00:12:15,969 --> 00:12:17,070 TO BE RUDE. UH... 114 00:12:17,104 --> 00:12:20,908 BUT IT'S JUST, UH, THE SCARF THAT YOU'RE WEARING, IT'S-- 115 00:12:20,941 --> 00:12:21,775 MM-HMM. 116 00:12:21,809 --> 00:12:23,877 IT'S EXACTLY LIKE, UH... 117 00:12:23,911 --> 00:12:29,016 A GIFT I GAVE A FRIEND A LONG TIME AGO IN NEW YORK. 118 00:12:29,049 --> 00:12:31,318 ELIZABETH McGRAW? 119 00:12:31,351 --> 00:12:33,954 YOU'RE RIGHT. IT'S HER SCARF. 120 00:12:33,987 --> 00:12:36,223 WHAT'S YOUR NAME? 121 00:12:36,256 --> 00:12:38,491 JOHN. JOHN GRAY. 122 00:12:38,525 --> 00:12:39,960 GRAY. 123 00:12:39,993 --> 00:12:41,929 YES. 124 00:12:41,962 --> 00:12:44,397 ELIZABETH ACTUALLY GAVE THIS TO ME 125 00:12:44,431 --> 00:12:46,033 RIGHT AFTER WE FIRST MET. 126 00:12:46,066 --> 00:12:49,336 SHE KNEW I LIKED IT, SO SHE GAVE IT TO ME. 127 00:12:49,369 --> 00:12:53,340 YOU KNOW ELIZABETH-- SO IMPULSIVE. 128 00:12:53,373 --> 00:12:54,241 JOHN GRAY. 129 00:12:54,274 --> 00:12:57,577 I PICTURED YOU VERY DIFFERENT, JOHN GRAY. 130 00:12:57,610 --> 00:13:00,948 HEY, CALL ME JOHN. IT'S EASIER. 131 00:13:00,981 --> 00:13:03,450 LEA. CALLOT. 132 00:13:03,483 --> 00:13:04,885 LEA CALLOT. 133 00:13:04,918 --> 00:13:06,854 MY ASSISTANT CLAIRE. 134 00:13:06,887 --> 00:13:08,355 BONJOUR. 135 00:13:08,388 --> 00:13:08,856 OK. 136 00:13:08,889 --> 00:13:12,425 GOOD. BONJOUR. 137 00:13:16,029 --> 00:13:17,130 WHAT ARE YOU DOING IN PARIS? 138 00:13:17,164 --> 00:13:20,901 I WAS JUST CURIOUS AFTER ALL THESE YEARS TO SEE WHY... 139 00:13:20,934 --> 00:13:22,970 ELIZABETH WAS SELLING HER COLLECTION. 140 00:13:23,003 --> 00:13:25,205 I'D SAY THAT'S A LITTLE MORE THAN CURIOUS 141 00:13:25,238 --> 00:13:27,174 TO COME ALL THE WAY TO PARIS. 142 00:13:27,207 --> 00:13:29,442 I WAS REALLY HOPING SHE'D BE HERE. 143 00:13:29,476 --> 00:13:30,077 WHY? 144 00:13:30,110 --> 00:13:32,145 I WANTED TO SPEAK WITH HER. 145 00:13:32,179 --> 00:13:34,948 SHE DIDN'T TELL ME YOU COLLECTED. 146 00:13:34,982 --> 00:13:36,016 YOU BUY MUCH ART? 147 00:13:36,049 --> 00:13:37,885 I REALLY NEED TO TALK TO HER. 148 00:13:37,918 --> 00:13:39,887 DO YOU THINK YOU CAN HELP ME? 149 00:13:39,920 --> 00:13:42,522 ELIZABETH HAS SUCH A GREAT EYE. 150 00:13:42,555 --> 00:13:44,291 CALL ME IN THE MORNING. 151 00:13:44,324 --> 00:13:47,060 WE'LL GET TOGETHER. 152 00:13:47,928 --> 00:13:50,430 YOU KNOW, I WAS THINKING, PEOPLE... 153 00:13:50,463 --> 00:13:54,367 USUALLY DON'T SELL WHAT THEY VALUE MOST. 154 00:13:54,401 --> 00:13:57,004 YOU SHOULD KNOW. 155 00:13:57,037 --> 00:13:57,770 HMM. 156 00:13:57,804 --> 00:14:01,008 YOU'RE A VERY LUCKY MAN, JOHN GRAY. 157 00:14:01,041 --> 00:14:04,277 THEY'RE FABULOUS PAINTINGS. 158 00:14:06,579 --> 00:14:08,481 [INHALES] 159 00:14:08,515 --> 00:14:11,018 [EXHALES] 160 00:14:17,290 --> 00:14:19,492 Receptionist: ALLO. OUI? BONJOUR. 161 00:14:19,526 --> 00:14:20,393 UH, HELLO. 162 00:14:20,427 --> 00:14:22,229 COULD I PLEASE SPEAK TO, UH, LEA CALLOT? 163 00:14:22,262 --> 00:14:24,932 UN INSTANTE, S'IL VOUS PLAIT. 164 00:14:24,965 --> 00:14:25,933 HELLO? 165 00:14:25,966 --> 00:14:27,300 [BEEP] 166 00:14:27,334 --> 00:14:28,368 [SIGHS] 167 00:14:28,401 --> 00:14:29,669 Receptionist: OUI? BONJOUR. 168 00:14:29,702 --> 00:14:30,670 YEAH, LEA CALLOT, PLEASE. 169 00:14:30,703 --> 00:14:31,939 YOUR NAME, MONSIEUR? JOHN GRAY. 170 00:14:31,972 --> 00:14:35,909 OK, COULD YOU TELL HER THAT, UM... 171 00:14:35,943 --> 00:14:38,645 I'M STAYING AT THE RAPHAEL. 172 00:14:38,678 --> 00:14:40,914 THAT'S GRAY. JOHN GRAY. 173 00:14:40,948 --> 00:14:42,115 OF COURSE, MONSIEUR. 174 00:14:42,149 --> 00:14:45,118 [SIGHS] 175 00:14:48,188 --> 00:14:49,156 [LAUGHS] 176 00:14:49,189 --> 00:14:52,392 I'M LATE. I MUST GO. I MUST GO. 177 00:14:52,425 --> 00:14:53,593 OH. 178 00:14:53,626 --> 00:14:55,595 YOU ARE LOOKING FOR LEA. HMM? 179 00:14:55,628 --> 00:14:58,065 THIS IS CHARLIE. THIS IS JOHN. 180 00:14:58,098 --> 00:14:59,066 YEAH. 181 00:14:59,099 --> 00:15:00,000 YOU COME WITH ME. 182 00:15:00,033 --> 00:15:02,002 I WAS HAVING A QUICK LUNCH. 183 00:15:02,035 --> 00:15:04,972 YOU KNOW, I LIVE HERE, AND I WORK HERE. 184 00:15:05,005 --> 00:15:06,173 THAT'S COOL. 185 00:15:06,206 --> 00:15:07,207 I'M REALLY SORRY. 186 00:15:07,240 --> 00:15:11,611 I DIDN'T, UH, MEAN TO INTERRUPT YOU AND CHARLIE. 187 00:15:12,012 --> 00:15:14,247 C'EST PAS GRAVE. 188 00:15:18,218 --> 00:15:18,986 BONJOUR, CLAIRE. 189 00:15:19,019 --> 00:15:20,988 BONJOUR, NATALIE. CA VA? 190 00:15:21,021 --> 00:15:22,189 * IT'S COME ALIVE 191 00:15:22,222 --> 00:15:23,523 IL VA BIEN CE COULEUR SUR TOI. 192 00:15:23,556 --> 00:15:27,227 OUI. COMME TOUJOURS TU M'AS CHOISI LA PLUS BELLE. 193 00:15:27,260 --> 00:15:29,596 LE MEILLEUR POU TOI, MON AMOUR. 194 00:15:29,629 --> 00:15:31,164 VAS-Y. 195 00:15:31,198 --> 00:15:33,066 [ARGUING IN FRENCH] 196 00:15:33,100 --> 00:15:35,302 [MUSIC PLAYING, SINGING IN FRENCH] 197 00:15:35,335 --> 00:15:37,370 [CELL PHONE RINGS] 198 00:15:37,404 --> 00:15:38,471 EXCUSE ME, SIR. 199 00:15:38,505 --> 00:15:39,739 WE'RE GOING IN. 200 00:15:39,772 --> 00:15:41,308 OK. 201 00:15:50,183 --> 00:15:52,552 [SPEAKING FRENCH] 202 00:15:53,120 --> 00:15:55,688 MERCI. CIAO. 203 00:15:55,722 --> 00:15:57,991 OK, STOP THE MUSIC A SECOND. 204 00:15:58,025 --> 00:15:59,392 STOP THE MUSIC. 205 00:15:59,426 --> 00:16:00,060 WHO'S NEXT? 206 00:16:00,093 --> 00:16:02,595 UH, NATASHA, BUT SHE'S LATE. 207 00:16:02,629 --> 00:16:03,530 I NEVER LIKED HER. 208 00:16:03,563 --> 00:16:06,199 HER WALK, HER STRIDE. SHE'S FAR TOO VULGAR. 209 00:16:06,233 --> 00:16:07,334 SHE LOOKS LIKE A HORSE. 210 00:16:07,367 --> 00:16:09,636 A CARTHORSE, NOT A RACEHORSE, DARLING. 211 00:16:09,669 --> 00:16:12,072 SHE'S JUST WHAT WE NEED FOR THE SHOW. 212 00:16:12,105 --> 00:16:13,006 OK, GRETHA, LET'S GO. 213 00:16:13,040 --> 00:16:15,142 HOW ARE YOU? TRES BIEN? 214 00:16:15,175 --> 00:16:17,144 [CELL PHONE RINGS] 215 00:16:17,177 --> 00:16:19,112 [RING] 216 00:16:19,146 --> 00:16:20,547 AH, FRANCOISE. 217 00:16:20,580 --> 00:16:22,149 YOU'RE LOOKING WONDERFUL, DARLING. 218 00:16:22,182 --> 00:16:24,084 HOW CAN I TELL? WELL, I'M TELEPATHIC. 219 00:16:24,117 --> 00:16:27,687 EXCELLENT. MAKE SURE YOU DON'T PULL IT OUT, THOUGH. 220 00:16:27,720 --> 00:16:29,056 EXCELLENT. OK. 221 00:16:29,089 --> 00:16:30,790 BON. CINQ MINUTES? 222 00:16:30,823 --> 00:16:33,560 OK, CINQ MINUTES, TOUT LE MONDE. 223 00:16:33,593 --> 00:16:34,461 [HANDS CLAPS] 224 00:16:34,494 --> 00:16:37,264 [MUSIC STOPS PLAYING] 225 00:16:43,470 --> 00:16:46,273 LEA, LES MANCHES NE VONT PAS. REGARDE. 226 00:16:46,306 --> 00:16:48,741 ALLORS, FAIS COMME CA. 227 00:16:48,775 --> 00:16:51,244 MERCI, MARCEL. 228 00:16:52,312 --> 00:16:55,582 WHY DON'T WE GO INTO MY OFFICE? 229 00:16:55,615 --> 00:16:56,683 JOHN GRAY. 230 00:16:56,716 --> 00:16:59,052 [LAUGHS] WHAT TOOK YOU SO LONG? 231 00:16:59,086 --> 00:17:02,355 SERIOUSLY, YOU SHOULD HAVE CALLED FIRST. 232 00:17:02,389 --> 00:17:05,058 NOW MY DAY IS TOTALLY JAMMED UP 233 00:17:05,092 --> 00:17:07,660 PREPARING FOR THE SHOW. 234 00:17:07,694 --> 00:17:10,697 I'M ABSOLUTELY CRAZED. 235 00:17:14,134 --> 00:17:17,370 SO WHEN ARE YOU GOING BACK TO THE STATES? 236 00:17:17,404 --> 00:17:20,207 I'M NOT GOING BACK. 237 00:17:21,141 --> 00:17:23,710 NOT UNTIL I TALK TO YOU. 238 00:17:25,145 --> 00:17:26,379 SO AM I TO UNDERSTAND 239 00:17:26,413 --> 00:17:31,084 THE DETERMINATION OF ALL YOUR FUTURE MOVEMENTS IS IN MY HANDS? 240 00:17:31,118 --> 00:17:33,420 THAT'S QUITE A RESPONSIBILITY. 241 00:17:33,453 --> 00:17:36,156 ONE...I'M NOT SURE I'M UP TO. 242 00:17:36,189 --> 00:17:39,726 FRANCOISE IS BEGGING FOR A PEEK AT THE COLLECTION. 243 00:17:39,759 --> 00:17:41,094 SHE'S FROTHING AT THE MOUTH. 244 00:17:41,128 --> 00:17:43,730 IN FACT, SHE'S OOZING FROM EVERY ORIFICE. 245 00:17:43,763 --> 00:17:46,399 SHE SWEARS SHE WON'T UTTER A DICKY BIRD. 246 00:17:46,433 --> 00:17:47,300 I TOLD YOU, VITTORIO, 247 00:17:47,334 --> 00:17:50,870 NO OUTSIDERS, NO VISITORS, NO EXCEPTIONS. 248 00:17:50,903 --> 00:17:53,573 NO VISITORS? 249 00:17:54,174 --> 00:17:57,210 THIS IS A FRIEND OF ELIZABETH'S. 250 00:17:57,244 --> 00:18:00,413 JOHN GRAY, MEET VITTORIO da SILVA, MY PARTNER. 251 00:18:00,447 --> 00:18:01,514 A FRIEND OF ELIZABETH'S? 252 00:18:01,548 --> 00:18:04,784 WELL, I'M DELIGHTED TO MEET A FRIEND OF ELIZABETH'S, 253 00:18:04,817 --> 00:18:07,587 BUT THIS IS A PRIVATE SHOW. 254 00:18:07,620 --> 00:18:10,157 I LOVE THAT COAT. 255 00:18:10,190 --> 00:18:11,358 ARMANI OR VERSACE? 256 00:18:11,391 --> 00:18:13,293 UH, PERHAPS YAMAMOTO? 257 00:18:13,326 --> 00:18:16,196 OR, UH...THE GAP? 258 00:18:16,229 --> 00:18:18,298 I'M JOKING, OF COURSE. 259 00:18:21,234 --> 00:18:24,471 [HUMMING] 260 00:18:30,343 --> 00:18:31,744 HOW ABOUT BREAKFAST? 261 00:18:31,778 --> 00:18:35,282 I'LL PICK THE PLACE. 262 00:18:35,882 --> 00:18:38,585 YEAH. I'D LIKE THAT. 263 00:18:43,890 --> 00:18:45,258 SO... 264 00:18:45,292 --> 00:18:47,860 THAT'S HIM? 265 00:18:47,894 --> 00:18:50,597 [CAR ALARM SOUNDING] 266 00:19:14,387 --> 00:19:18,825 MERCI, DANIELLE. A DEMAIN, MäMéRE. 267 00:19:49,989 --> 00:19:53,960 I WON'T BE A JIFFY. I'LL BE BACK WITH LEA IN A FEW MINUTES. 268 00:19:53,993 --> 00:19:55,395 JUST WAIT. 269 00:19:55,428 --> 00:19:56,529 [DOOR CLOSES] 270 00:19:56,563 --> 00:19:59,332 [WHISTLING] 271 00:20:41,874 --> 00:20:43,610 [WHISTLING] 272 00:20:43,643 --> 00:20:45,545 HELLO, DARLING. I'VE ARRIVED. 273 00:20:45,578 --> 00:20:49,048 OH, PLEASE DON'T HURRY GETTING DRESSED. WE'RE ALREADY LATE. 274 00:20:49,081 --> 00:20:53,386 WE'LL PROBABLY ARRIVE IN TIME FOR THE NEXT PARTY. 275 00:20:54,354 --> 00:20:56,423 FRANCOISE WAS EASY, 276 00:20:56,456 --> 00:21:00,327 BUT THE PENANCE IS HAVING TO ENDURE THE UNMITIGATING GARBAGE 277 00:21:00,360 --> 00:21:03,963 THAT FLOWS OUT OF HER MOUTH. 278 00:21:03,996 --> 00:21:06,433 CHEERS, DARLING. 279 00:21:07,834 --> 00:21:09,536 NOT THIS EVENING, VITTORIO. 280 00:21:09,569 --> 00:21:10,570 I'M NOT UP TO IT. 281 00:21:10,603 --> 00:21:14,307 I'VE HAD ENOUGH OF FASHION GROUPIES FOR ONE DAY. 282 00:21:14,341 --> 00:21:18,044 OH, WHAT I NEED IS A LONG HOT BATH. 283 00:21:18,077 --> 00:21:20,713 AVOIDING ME... 284 00:21:20,747 --> 00:21:22,315 UPSETS ME. 285 00:21:22,349 --> 00:21:23,383 IT MAKES ME MAD! 286 00:21:23,416 --> 00:21:28,955 IT'S AN EMOTION THAT I CAN... QUITE LIVE WITHOUT. 287 00:21:28,988 --> 00:21:32,659 THIS IS A DANGEROUS GAME YOU'RE PLAYING, YOUNG LADY. 288 00:21:32,692 --> 00:21:35,428 YOU KNOW, NOT EVERYTHING IS A GAME, VITTORIO... 289 00:21:35,462 --> 00:21:37,830 OR DIDN'T YOUR MOTHER TELL YOU THAT? 290 00:21:37,864 --> 00:21:40,400 BUT WHAT I FIND REALLY UPSETTING 291 00:21:40,433 --> 00:21:44,036 IS THAT YOU DON'T TRY TO MAKE ME MAD. 292 00:21:44,070 --> 00:21:47,874 YOU JUST DON'T CARE. 293 00:21:51,043 --> 00:21:52,945 YOU KNOW... 294 00:21:52,979 --> 00:21:57,016 THAT'S EXACTLY WHAT YOU USED TO LIKE. 295 00:21:57,049 --> 00:21:59,018 YOU USED TO SAY TO ME, 296 00:21:59,051 --> 00:22:02,822 "LET'S KEEP NOTHING PERSONAL." 297 00:22:17,404 --> 00:22:18,971 OH. 298 00:22:20,607 --> 00:22:22,642 THANK YOU. 299 00:22:36,523 --> 00:22:38,057 [THUMP] 300 00:22:59,679 --> 00:23:01,681 IT'S A MAGNIFICENT BUILDING. 301 00:23:01,714 --> 00:23:02,549 MM-HMM. 302 00:23:02,582 --> 00:23:03,750 SHE'S IN THERE? 303 00:23:03,783 --> 00:23:04,684 YES. 304 00:23:04,717 --> 00:23:05,552 COME ON. 305 00:23:05,585 --> 00:23:07,954 SO, UH, HAVE YOU WORKED FOR LEA LONG? 306 00:23:07,987 --> 00:23:09,422 ALMOST ONE YEAR, 307 00:23:09,456 --> 00:23:12,592 BUT SHE DIDN'T HIRE ME FOR FASHION. 308 00:23:12,625 --> 00:23:13,325 I'M AN ARTIST. 309 00:23:13,359 --> 00:23:15,161 I DESIGN CRAZY, ABSTRACT THINGS 310 00:23:15,194 --> 00:23:19,065 FOR DINNERS AND SPECIAL OCCASIONS. 311 00:23:19,098 --> 00:23:21,100 LEA LIKED ONE OF MY SCULPTURES-- 312 00:23:21,133 --> 00:23:24,771 A SORT OF FUTURISTIC WORLD CRASHING TOGETHER. 313 00:23:24,804 --> 00:23:26,506 YOU KNOW? 314 00:23:26,539 --> 00:23:28,207 OH, SURE, I KNOW. 315 00:23:28,240 --> 00:23:32,479 I MEAN, I SEE ONE OF THOSE THINGS EVERY DAY. 316 00:23:33,179 --> 00:23:36,583 I WAS ALL SET TO HAVE A LITTLE, YOU KNOW... 317 00:23:36,616 --> 00:23:38,117 ARTISTIC PARISIAN LIFE, 318 00:23:38,150 --> 00:23:42,589 BUT YOU DON'T HAVE A LITTLE LIFE AROUND LEA. 319 00:23:42,622 --> 00:23:44,023 A LITTLE LIFE? 320 00:23:44,056 --> 00:23:45,525 YES. 321 00:23:45,558 --> 00:23:46,493 YOU KNOW... 322 00:23:46,526 --> 00:23:48,795 YOU'RE BORN. YOU EAT. YOU CRY. 323 00:23:48,828 --> 00:23:52,031 YOU SLEEP. YOU SLEEP. LISTEN. LISTEN. 324 00:23:52,064 --> 00:23:54,567 WORK, WORK, WORK, 325 00:23:54,601 --> 00:23:56,569 AND DIE. 326 00:23:58,971 --> 00:24:00,973 John: AND LEA? 327 00:24:01,574 --> 00:24:02,542 SHE'S THE BEST. 328 00:24:02,575 --> 00:24:05,144 SHE'S MY TEACHER. SHE'S MY FRIEND. 329 00:24:05,177 --> 00:24:07,079 SHE SAYS, "NO LIMIT, 330 00:24:07,113 --> 00:24:08,615 VER LA LUNE"-- 331 00:24:08,648 --> 00:24:10,517 TO REACH FOR THE MOON. 332 00:24:10,550 --> 00:24:13,786 BUT, IT GIVES ME A KICK. 333 00:24:13,820 --> 00:24:16,188 AND WHAT ABOUT VITTORIO? 334 00:24:16,222 --> 00:24:18,891 VITTORIO. HE'S LEA'S PARTNER. 335 00:24:18,925 --> 00:24:21,661 HE TAKE CARE OF ALL THE BUSINESS. 336 00:24:21,694 --> 00:24:24,230 THEY ARE VERY CLOSE... 337 00:24:24,263 --> 00:24:26,566 FOR A LONG TIME. 338 00:24:27,967 --> 00:24:30,903 YOU ASK A LOT OF QUESTION. 339 00:24:30,937 --> 00:24:32,004 MMM. 340 00:24:32,038 --> 00:24:33,806 SOMETIMES I DO. 341 00:24:33,840 --> 00:24:35,274 I TALK TOO MUCH. 342 00:24:35,307 --> 00:24:37,076 VITTORIO SAYS I DO. 343 00:24:37,109 --> 00:24:38,678 THAT'S LEA OVER THERE. 344 00:24:38,711 --> 00:24:41,548 BUT HER, SHE IS THE SILENT TYPE, HUH? 345 00:24:41,581 --> 00:24:43,516 CAN I ASK YOU ONE LAST QUESTION? 346 00:24:43,550 --> 00:24:45,518 SURE. 347 00:24:45,985 --> 00:24:49,055 DID YOU EVER MEET ELIZABETH? 348 00:24:49,088 --> 00:24:50,156 NO. 349 00:24:50,189 --> 00:24:51,023 [CELL PHONE RINGS] 350 00:24:51,057 --> 00:24:51,824 OH, MERDE. 351 00:24:51,858 --> 00:24:54,060 ALLO? OUI, DEUX MINUTES. 352 00:24:54,093 --> 00:24:56,529 LEA IS A LOT. YOU WILL SEE. 353 00:24:56,563 --> 00:24:59,265 I'M ON CALL ALL DAY. 354 00:25:00,032 --> 00:25:03,803 Claire: YES, VITTORIO. OUI. 355 00:25:06,606 --> 00:25:07,574 LEA? 356 00:25:07,607 --> 00:25:11,644 N-NO, I DON'T KNOW WHERE SHE IS. 357 00:25:11,678 --> 00:25:15,948 NO, NO. I AM SURE SHE WILL BE THERE SOON. 358 00:25:16,749 --> 00:25:18,751 OUI. 359 00:25:20,820 --> 00:25:25,792 John: IT'S, UH, VERY KIND OF YOU TO MEET WITH ME. 360 00:25:26,893 --> 00:25:27,827 Waiter: EST VOILá. 361 00:25:27,860 --> 00:25:31,598 Lea: I HOPE YOU DON'T MIND. I ALREADY ORDERED. 362 00:25:31,631 --> 00:25:33,232 I'M RUNNING LATE. 363 00:25:33,265 --> 00:25:36,302 NO. I COULD USE A CUP OF COFFEE. 364 00:25:36,335 --> 00:25:38,237 MM-HMM. 365 00:25:41,340 --> 00:25:42,575 LEA, 366 00:25:42,609 --> 00:25:45,077 WHERE'S ELIZABETH? 367 00:25:45,945 --> 00:25:50,349 YOU KNOW, THIS IS ONE OF MY FAVORITE PLACES IN PARIS. 368 00:25:50,382 --> 00:25:53,019 I LOVE IT UP HERE. 369 00:25:54,621 --> 00:25:57,990 YEAH, I CAN, UH, I CAN SEE WHY. 370 00:25:58,024 --> 00:26:00,059 IT'S LIKE THE OLD AND THE NEW 371 00:26:00,092 --> 00:26:02,294 RUNNING INTO EACH OTHER WITHOUT INTRODUCTIONS. 372 00:26:02,328 --> 00:26:04,764 PLACES LIKE THIS, THEY GIVE YOU-- 373 00:26:04,797 --> 00:26:05,998 WHERE IS SHE, LEA? 374 00:26:06,032 --> 00:26:08,735 WHERE IS SHE? 375 00:26:11,303 --> 00:26:12,605 TANGIERS. 376 00:26:12,639 --> 00:26:14,173 TANGIERS? 377 00:26:14,206 --> 00:26:15,274 SHE'S IN TANGIERS... 378 00:26:15,307 --> 00:26:19,812 WITH HER HUSBAND, OF COURSE. 379 00:26:22,048 --> 00:26:24,851 WHAT KIND OF MAN DID SHE, UH... 380 00:26:24,884 --> 00:26:26,686 MARRY? 381 00:26:26,719 --> 00:26:28,688 A NICE MAN. 382 00:26:28,721 --> 00:26:32,291 OLDER, BUT VERY POWERFUL. 383 00:26:32,324 --> 00:26:36,362 HIS FAMILY LIVE IN TANGIERS, SO THAT'S WHERE THEY WENT. 384 00:26:36,395 --> 00:26:37,263 SHE JUST, UH-- 385 00:26:37,296 --> 00:26:40,800 IT'S NOT LIKE ELIZABETH JUST TO TAKE OFF, 386 00:26:40,833 --> 00:26:42,134 GO TO A PLACE LIKE TANGIERS. 387 00:26:42,168 --> 00:26:47,807 OR MAYBE YOU DIDN'T KNOW ELIZABETH AS WELL AS YOU THOUGHT YOU DID. 388 00:26:52,812 --> 00:26:55,882 DO YOU STILL KEEP IN TOUCH WITH HER? 389 00:26:55,915 --> 00:26:59,986 I'M SORRY, JOHN. I'VE REALLY GOT TO GO. 390 00:27:03,222 --> 00:27:05,725 John: LISTEN, DON'T PLAY GAMES WITH ME. 391 00:27:05,758 --> 00:27:10,396 HOW COME YOU KNOW SO MUCH ABOUT ME AND ELIZABETH? 392 00:27:14,701 --> 00:27:17,369 ARE YOU GONNA TALK TO ME? 393 00:27:17,403 --> 00:27:20,707 "WE'RE IN A WHOREHOUSE IN CHICAGO, IT'S 1952, 394 00:27:20,740 --> 00:27:22,374 "AND I'M A MAN WITH A PROBLEM. 395 00:27:22,408 --> 00:27:27,379 I CAN'T GET EXCITED UNLESS I SEE YOU CRAWL ACROSS THE FLOOR." 396 00:27:27,413 --> 00:27:28,981 [SIGHS] 397 00:27:29,415 --> 00:27:33,986 ELIZABETH WAS MY BEST FRIEND. 398 00:27:35,755 --> 00:27:38,958 WOULD YOU TELL ME WHAT THE HELL IS GOING ON HERE? 399 00:27:38,991 --> 00:27:41,794 THIS IS ALL MORE THAN A COINCIDENCE. 400 00:27:41,828 --> 00:27:42,729 LET IT GO, JOHN. 401 00:27:42,762 --> 00:27:45,765 ARE YOU GONNA ANSWER ME? 402 00:27:47,099 --> 00:27:50,737 ELIZABETH WOULD WANT YOU TO HAVE THIS. 403 00:28:14,160 --> 00:28:16,228 MONSIEUR GRAY? 404 00:30:24,290 --> 00:30:26,492 [FOOTSTEPS] 405 00:30:26,525 --> 00:30:28,594 [KNOCK ON DOOR] 406 00:30:29,962 --> 00:30:32,899 [KNOCK ON DOOR] 407 00:30:34,633 --> 00:30:37,403 [KNOCK ON DOOR] 408 00:30:40,239 --> 00:30:44,010 [FOOTSTEPS] 409 00:30:47,313 --> 00:30:49,982 WHAT'S THIS CRAP? 410 00:30:50,016 --> 00:30:53,152 OH, JESUS, I HATE MUSEUMS. 411 00:30:53,185 --> 00:30:57,589 Lea: MEET ME AT 2 P.M. Ä LA CONCIERGERIE. 412 00:30:57,623 --> 00:30:59,625 John: OK. 413 00:30:59,658 --> 00:31:02,261 [BELL TOLLING] 414 00:31:33,993 --> 00:31:37,096 WOW, YOU SURE KNOW HOW TO PICK PLACES. 415 00:31:37,129 --> 00:31:41,067 THIS IS WHERE THEY HELD MARIE ANTOINETTE... 416 00:31:41,100 --> 00:31:42,101 BEFORE SHE DIED. 417 00:31:42,134 --> 00:31:46,038 I CERTAINLY HOPE THIS IS GOING TO LEAD SOMEWHERE. 418 00:31:46,072 --> 00:31:48,074 HISTORY. 419 00:31:52,444 --> 00:31:56,248 YOU KNOW, LEA, I'M NOT REAL BIG ON GROUP TOURS 420 00:31:56,282 --> 00:31:57,950 AND THAT KIND OF SHIT. 421 00:31:57,984 --> 00:32:00,319 DEPENDS ON YOUR GUIDE. 422 00:32:01,453 --> 00:32:04,623 I'VE BEEN LOOKING FOR A GUIDE... 423 00:32:05,724 --> 00:32:08,160 FOR A LONG TIME. 424 00:32:14,700 --> 00:32:18,704 I DON'T THINK YOU'RE READY FOR THAT. 425 00:32:18,737 --> 00:32:20,539 FOR WHAT? 426 00:32:33,485 --> 00:32:36,055 [FOOTSTEPS] 427 00:32:36,088 --> 00:32:38,357 [PEOPLE TALKING] 428 00:32:38,390 --> 00:32:39,992 NO! NO! 429 00:32:40,026 --> 00:32:40,759 HEY! 430 00:32:40,792 --> 00:32:41,994 NO! NO! 431 00:32:42,028 --> 00:32:43,095 HEY, HEY, HEY. LEA. 432 00:32:43,129 --> 00:32:47,199 HEY! HEY, THAT'S ENOUGH RIGHT THERE. 433 00:32:49,068 --> 00:32:50,069 OH. 434 00:32:50,102 --> 00:32:51,637 MISTER, IT'S JUST A GAME. 435 00:32:51,670 --> 00:32:54,173 YOU CALL TERRORIZING A LADY A GAME? 436 00:32:54,206 --> 00:32:55,374 ARE YOU ALL RIGHT? 437 00:32:55,407 --> 00:32:56,608 YEAH. I'M OK. 438 00:32:56,642 --> 00:32:59,145 HE JUST GETS A LITTLE CARRIED AWAY SOMETIMES. 439 00:32:59,178 --> 00:33:02,148 MISS, YOU WANT TO WALK OUT WITH US? 440 00:33:02,181 --> 00:33:04,050 NO. IT'S OK. 441 00:33:04,083 --> 00:33:06,118 I'LL BE ALL RIGHT. 442 00:33:07,119 --> 00:33:08,020 YOU'RE AMERICAN. 443 00:33:08,054 --> 00:33:12,124 YOU SHOULD KNOW BETTER. 444 00:33:13,725 --> 00:33:16,195 THAT WAS REAL NICE. 445 00:33:21,267 --> 00:33:24,536 SOMETHING'S BEEN ON MY MIND... 446 00:33:25,371 --> 00:33:28,040 SINCE YESTERDAY'S... 447 00:33:28,074 --> 00:33:29,741 WHAT YOU SAID TO ME. 448 00:33:29,775 --> 00:33:31,543 WHAT? 449 00:33:32,611 --> 00:33:35,181 ALL THAT STUFF ABOUT... 450 00:33:35,214 --> 00:33:37,716 WHOREHOUSE IN CHICAGO. 451 00:33:38,350 --> 00:33:41,153 HOW'D YOU KNOW ABOUT THAT? 452 00:33:43,855 --> 00:33:46,258 I READ ABOUT IT. 453 00:33:49,728 --> 00:33:52,631 ELIZABETH WENT TO MOSCOW ABOUT A YEAR AGO 454 00:33:52,664 --> 00:33:56,568 ON A BUYING SPREE FOR HER GALLERY. 455 00:33:56,602 --> 00:33:57,269 [SIGHS] 456 00:33:57,303 --> 00:33:59,771 AND SHE LEFT BEHIND A JOURNAL 457 00:33:59,805 --> 00:34:02,474 THAT SHE CALLED NINE & A HALF WEEKS. 458 00:34:02,508 --> 00:34:05,811 IT WAS THE STORY OF YOUR AFFAIR. 459 00:34:07,813 --> 00:34:13,252 WHEN SHE CAME BACK, SHE WANTED TO STAY WITH ME FOR A FEW DAYS. 460 00:34:13,285 --> 00:34:17,289 SHE NEEDED TO TALK ABOUT THESE... 461 00:34:17,323 --> 00:34:20,092 DEEP FEELINGS SHE HAD INSIDE. 462 00:34:20,126 --> 00:34:22,861 SHE SAID THAT NOT A DAY WENT BY... 463 00:34:22,894 --> 00:34:27,766 THAT WASN'T AFFECTED BY THE TIME YOU SPENT TOGETHER. 464 00:34:30,669 --> 00:34:36,475 SHE ALSO WANTED TO KNOW IF IT WAS RIGHT THAT SHE LEFT YOU. 465 00:34:42,914 --> 00:34:45,151 YEAH. 466 00:34:52,191 --> 00:34:54,460 YEAH. 467 00:34:54,493 --> 00:34:55,861 IT WAS. 468 00:34:55,894 --> 00:34:58,330 I GUESS IT WAS. 469 00:35:04,236 --> 00:35:06,672 I LIKE YOU, JOHN. 470 00:35:07,939 --> 00:35:10,142 YOU'RE A LITTLE SWEET, 471 00:35:10,176 --> 00:35:12,211 A LITTLE BIT MEAN. 472 00:35:12,911 --> 00:35:15,347 LOOK TOUGH. 473 00:35:17,416 --> 00:35:20,352 MAYBE NOT TOUGH ENOUGH. 474 00:35:22,321 --> 00:35:24,656 NOT ANYMORE. 475 00:35:32,664 --> 00:35:35,501 TOUGH ENOUGH FOR WHAT? 476 00:35:35,534 --> 00:35:38,737 FOR WHAT YOU'VE STEPPED OUT OF... 477 00:35:38,770 --> 00:35:40,306 LIFE. 478 00:35:40,339 --> 00:35:42,241 LIFE. 479 00:35:42,274 --> 00:35:42,908 LIFE! 480 00:35:42,941 --> 00:35:46,378 [DANCE MUSIC PLAYING] 481 00:36:15,307 --> 00:36:16,542 * I 482 00:36:16,575 --> 00:36:17,776 * I FEEL IN MY MIND 483 00:36:17,809 --> 00:36:19,578 * I GOT TO LET GO * 484 00:36:19,611 --> 00:36:21,547 * I GOT TO UNWIND 485 00:36:21,580 --> 00:36:23,282 * I 486 00:36:23,315 --> 00:36:24,983 * I NEED A GOOD TIME 487 00:36:25,016 --> 00:36:27,353 * I NEED TO FIND LOVE * 488 00:36:27,386 --> 00:36:30,289 * I GOT TO GET HIGH 489 00:36:30,322 --> 00:36:30,922 * I 490 00:36:30,956 --> 00:36:33,259 * I FEEL IN MY MIND 491 00:36:33,292 --> 00:36:34,660 * I GOT TO LET GO * 492 00:36:34,693 --> 00:36:37,529 * I GOT TO UNWIND 493 00:36:37,563 --> 00:36:38,630 * I 494 00:36:38,664 --> 00:36:40,332 * I NEED A GOOD TIME 495 00:36:40,366 --> 00:36:42,401 * I NEED TO FIND LOVE * 496 00:36:42,434 --> 00:36:44,770 * I GOT TO GET HIGH! 497 00:36:44,803 --> 00:36:48,507 * YOU'VE GOT THE PASSION THAT YOU FEEL INSIDE * 498 00:36:48,540 --> 00:36:50,309 * A LITTLE LOVE, A LITTLE LIFE * 499 00:36:50,342 --> 00:36:52,444 * NOW YOU DESIRE 500 00:36:52,478 --> 00:36:55,914 * THERE AIN'T NO REASONS WHY WE CAN'T SHARE * 501 00:36:55,947 --> 00:36:57,716 * A LITTLE LOVE, A LITTLE LIFE * 502 00:36:57,749 --> 00:36:59,585 * CAN TAKE US THERE 503 00:36:59,618 --> 00:37:03,522 * YOU'VE GOT THE INSTINCTS, AND NOW YOU KNOW * 504 00:37:03,555 --> 00:37:05,391 * A LITTLE LOVE, A LITTLE LIFE * 505 00:37:05,424 --> 00:37:07,593 * WILL LET IT SHOW 506 00:37:07,626 --> 00:37:09,328 * JUST TAKE AHOLD 507 00:37:09,361 --> 00:37:10,629 * OF WHAT YOU FEEL 508 00:37:10,662 --> 00:37:12,698 * A LITTLE LOVE, A LITTLE LIFE * 509 00:37:12,731 --> 00:37:17,469 * WILL MAKE IT REAL 510 00:37:18,804 --> 00:37:19,705 * I 511 00:37:19,738 --> 00:37:21,773 * I FEEL IN MY HEART 512 00:37:21,807 --> 00:37:23,409 * I WANT TO LET GO 513 00:37:23,442 --> 00:37:26,278 * AND MAKE A NEW START 514 00:37:26,312 --> 00:37:27,446 * I 515 00:37:27,479 --> 00:37:29,014 * I GOT TO BREAK FREE 516 00:37:29,047 --> 00:37:31,350 * I GOT TO RUN WILD * 517 00:37:31,383 --> 00:37:33,685 * I GOT TO BELIEVE 518 00:37:33,719 --> 00:37:34,853 * I 519 00:37:34,886 --> 00:37:36,755 * I FEEL IN MY HEART 520 00:37:36,788 --> 00:37:38,390 * I WANT TO LET GO 521 00:37:38,424 --> 00:37:41,460 * AND MAKE A NEW START 522 00:37:41,493 --> 00:37:42,494 * I 523 00:37:42,528 --> 00:37:44,296 * I GOT TO BREAK FREE 524 00:37:44,330 --> 00:37:45,897 * I GOT TO RUN WILD * 525 00:37:45,931 --> 00:37:46,465 POUFFE CONNE! 526 00:37:46,498 --> 00:37:48,300 * I GOT TO BELIEVE! 527 00:37:48,334 --> 00:37:52,371 * YOU'VE GOT THE PASSION THAT YOU FEEL INSIDE * 528 00:37:52,404 --> 00:37:53,405 CHARLES! 529 00:37:53,439 --> 00:37:54,873 [SPEAKING FRENCH] 530 00:37:54,906 --> 00:37:55,574 AAH! 531 00:37:55,607 --> 00:37:57,509 GET YOUR FUCKING HANDS OFF HER. 532 00:37:57,543 --> 00:37:59,378 UHH! 533 00:38:00,045 --> 00:38:02,047 John: UHH... 534 00:38:03,415 --> 00:38:05,451 PIECE OF SHIT. 535 00:38:05,484 --> 00:38:07,519 MMM. 536 00:38:07,553 --> 00:38:09,488 LOOK AT YOURSELF. 537 00:38:09,521 --> 00:38:11,390 JESUS. 538 00:38:16,695 --> 00:38:19,565 [SOBBING] 539 00:38:26,438 --> 00:38:28,039 WHERE IS HE?! 540 00:38:28,807 --> 00:38:30,108 STOP HIM! 541 00:38:30,141 --> 00:38:31,343 [SCREAMING] 542 00:38:31,377 --> 00:38:33,044 STOP HIM! 543 00:38:34,880 --> 00:38:37,082 GET HIM! 544 00:38:37,115 --> 00:38:39,651 NO! GET HIM! 545 00:38:53,999 --> 00:38:56,568 [TIRES SCREECH] 546 00:38:56,602 --> 00:38:59,571 [HORN HONKS] 547 00:39:00,138 --> 00:39:04,342 OH, SO, WHERE ARE WE GOING? 548 00:39:05,577 --> 00:39:06,512 THAT WAS QUITE A SHOW. 549 00:39:06,545 --> 00:39:09,948 AH, DO YOU THINK YOUR LITTLE FRIEND IS, UH... 550 00:39:09,981 --> 00:39:11,483 IS GONNA BE ALL RIGHT? 551 00:39:11,517 --> 00:39:14,553 CLAIRE? YES, SHE'LL BE ALL RIGHT. 552 00:39:14,586 --> 00:39:16,522 TURN RIGHT HERE. 553 00:39:22,127 --> 00:39:22,861 SO WHERE ARE WE GOING? 554 00:39:22,894 --> 00:39:25,397 COME ON, JOHN, DON'T YOU TRUST ME? 555 00:39:25,431 --> 00:39:26,131 OH, SURE. 556 00:39:26,164 --> 00:39:28,834 COME ON, TURN LEFT, LEFT, LEFT. 557 00:39:28,867 --> 00:39:29,568 [CAR ALARM SOUNDING] 558 00:39:29,601 --> 00:39:33,071 DON'T WORRY. YOU'RE NOT LOST YET. 559 00:39:33,104 --> 00:39:34,973 [LAUGHING] 560 00:39:35,006 --> 00:39:36,908 NOT YET. 561 00:39:36,942 --> 00:39:39,478 [TIRES SCREECH] 562 00:39:48,219 --> 00:39:49,621 [KNOCK ON DOOR] 563 00:39:49,655 --> 00:39:51,790 BON SOIR, SERVI. CA VA? 564 00:39:51,823 --> 00:39:52,858 BON SOIR, LEA. 565 00:39:52,891 --> 00:39:53,959 MONSIEUR. 566 00:39:53,992 --> 00:39:54,860 HI. 567 00:39:54,893 --> 00:39:58,497 [MUSIC PLAYING] 568 00:40:04,703 --> 00:40:05,937 UH-OH. 569 00:40:05,971 --> 00:40:08,807 CA FAIT LONGTEMPS QUE TU ES VENUE NOUS VOIR. 570 00:40:08,840 --> 00:40:09,541 MéCHANTE. 571 00:40:09,575 --> 00:40:10,976 YOU'RE LOOKING WONDERFUL TONIGHT. 572 00:40:11,009 --> 00:40:12,544 YOU ALWAYS DO, OF COURSE. 573 00:40:12,578 --> 00:40:13,979 OH, WON'T YOU INTRODUCE ME 574 00:40:14,012 --> 00:40:15,947 TO YOUR VERY NICE-LOOKING FRIEND? 575 00:40:15,981 --> 00:40:16,815 JOHN GRAY. 576 00:40:16,848 --> 00:40:18,584 HI. NICE TO MEET YOU. 577 00:40:18,617 --> 00:40:19,350 MICHEL. 578 00:40:19,384 --> 00:40:20,051 WOULD YOU LIKE YOUR SPECIAL TABLE? 579 00:40:20,085 --> 00:40:22,220 I WOULD LOVE MY SPECIAL TABLE. 580 00:40:22,253 --> 00:40:23,855 GO IN THERE. 581 00:40:28,894 --> 00:40:31,697 [SPEAKING NATIVE LANGUAGE] 582 00:40:34,700 --> 00:40:37,202 WANT TO PLAY? 583 00:40:38,036 --> 00:40:39,971 WHAT'S THE GAME? 584 00:40:40,005 --> 00:40:41,873 IT'S A GAME OF CHANCE. 585 00:40:41,907 --> 00:40:43,709 WHO CARES? 586 00:40:56,555 --> 00:40:57,623 WHAT IS THIS? 587 00:40:57,656 --> 00:41:01,059 A LUCKY DRINK. 588 00:41:02,594 --> 00:41:04,596 ABSINTHE. 589 00:41:05,597 --> 00:41:08,233 FOOD FOR A LOST SOUL. 590 00:41:16,575 --> 00:41:17,809 GIVE ME MONEY. 591 00:41:17,843 --> 00:41:19,177 [LAUGHING] 592 00:41:19,210 --> 00:41:21,246 MY MONEY. 593 00:41:28,654 --> 00:41:30,589 I'M GONNA LOSE ALL YOUR MONEY. 594 00:41:30,622 --> 00:41:34,626 YOU CAN'T LOSE ALL MY MONEY. 595 00:41:34,660 --> 00:41:36,928 WATCH ME. 596 00:41:49,040 --> 00:41:51,677 YAH! OHH! OHH! 597 00:42:00,786 --> 00:42:02,921 OHH! OHH! OHH! 598 00:42:04,823 --> 00:42:07,693 AW. OHH. AW. 599 00:42:18,604 --> 00:42:21,306 YAY! YAY! YAY! 600 00:42:41,392 --> 00:42:43,895 YAY! YAY! YAY! 601 00:43:07,385 --> 00:43:09,154 YAY! YAY! YAY! 602 00:43:26,738 --> 00:43:28,807 I LOST YOUR MONEY. 603 00:43:38,283 --> 00:43:40,686 HEY! STOP THEM! STOP THEM! 604 00:43:40,719 --> 00:43:44,122 HEY, HEY, HEY. WHAT'S HAPPENING? WHAT'S HAPPENING, HUH? 605 00:43:44,155 --> 00:43:46,024 GIVE ME THAT. 606 00:43:46,357 --> 00:43:48,326 WATCH YOUR POCKETS, NOW. 607 00:43:48,359 --> 00:43:49,661 COME ON, JOHN. 608 00:43:49,695 --> 00:43:50,428 YOU WEREN'T. 609 00:43:50,461 --> 00:43:51,362 COME ON, JOHN. 610 00:43:51,396 --> 00:43:52,664 I'LL SEE YOU AGAIN. 611 00:43:52,698 --> 00:43:55,667 COME ON, MOTHERFUCKER, COME ON. 612 00:43:56,868 --> 00:43:57,769 [HORN HONKS] 613 00:43:57,803 --> 00:43:59,838 [TIRES SCREECH] 614 00:44:00,371 --> 00:44:02,173 COME OVER HERE. 615 00:44:02,207 --> 00:44:03,008 COME OVER HERE. 616 00:44:03,041 --> 00:44:06,878 [LAUGHING] BY THE TIME I COUNT TO 50? 617 00:44:07,713 --> 00:44:09,647 1... 618 00:44:13,118 --> 00:44:14,052 WHOO! 619 00:44:14,085 --> 00:44:15,386 [LAUGHING] 620 00:44:15,420 --> 00:44:17,823 COME ON, JOHN! 621 00:44:20,792 --> 00:44:22,861 COME ON! 622 00:44:25,897 --> 00:44:27,999 COME ON, JOHN. 623 00:44:28,900 --> 00:44:30,201 WHOO! 624 00:44:37,743 --> 00:44:39,010 COME ON! 625 00:44:39,044 --> 00:44:40,278 [MAN TALKING] 626 00:44:40,311 --> 00:44:42,848 WHOO! 627 00:44:45,016 --> 00:44:47,786 [BARKING] 628 00:44:52,457 --> 00:44:54,893 WHOO! 629 00:45:00,866 --> 00:45:03,268 * BABY 630 00:45:03,301 --> 00:45:06,004 * ALL NIGHT 631 00:45:06,337 --> 00:45:09,775 * I'D RATHER NOT 632 00:45:09,808 --> 00:45:15,480 * YOUR BEAUTY IS BEFORE ME * 633 00:45:15,513 --> 00:45:18,383 * SOMETIMES 634 00:45:18,416 --> 00:45:21,953 * IT'S THE WATER 635 00:45:48,579 --> 00:45:50,816 HEY. OH. OH. 636 00:45:50,849 --> 00:45:52,417 [LAUGHING] 637 00:45:52,450 --> 00:45:54,219 OH, GOD. 638 00:45:54,252 --> 00:45:55,120 OOH. 639 00:45:55,153 --> 00:45:57,923 [LAUGHING] 640 00:45:57,956 --> 00:45:59,490 MMM. 641 00:48:39,150 --> 00:48:42,087 * HELLO 642 00:48:43,354 --> 00:48:47,959 * HELLO, STRANGER 643 00:48:48,659 --> 00:48:50,695 * WHERE'VE YOU BEEN? 644 00:48:50,728 --> 00:48:53,164 * WHERE YOU GOIN'? 645 00:48:53,198 --> 00:48:58,136 * I REALLY WANNA KNOW 646 00:48:58,503 --> 00:49:03,141 * OOH, I SAID, HELLO 647 00:49:04,209 --> 00:49:09,147 * HELLO, STRANGER 648 00:49:10,148 --> 00:49:12,117 * HAVE YOU HAD A GOOD TIME? * 649 00:49:12,150 --> 00:49:13,985 * IT MAKES ME SMILE 650 00:49:14,019 --> 00:49:18,223 * WHEN YOU LOOK AT ME THAT WAY * 651 00:49:18,256 --> 00:49:20,191 [LEA LAUGHS] 652 00:49:20,625 --> 00:49:25,063 * CAN I COME HOME WITH YOU TONIGHT? * 653 00:49:25,096 --> 00:49:29,200 * IS THAT WHAT YOU'RE ASKIN'? * 654 00:49:30,635 --> 00:49:36,041 * YOU SAY YOU'RE GONNA TREAT ME RIGHT * 655 00:49:36,074 --> 00:49:41,012 * A STRANGER'S TOUCH IS WHAT I NEED TONIGHT * 656 00:49:41,046 --> 00:49:45,183 * IT'S A STRANGE KIND OF MAGIC * 657 00:49:45,216 --> 00:49:45,950 * WHEN WE TOUCH 658 00:49:45,983 --> 00:49:49,354 * IT'S A STRANGE KIND OF MAGIC * 659 00:49:49,387 --> 00:49:51,422 * OH, IT'S DANGEROUS 660 00:49:51,456 --> 00:49:54,459 * IT'S A STRANGE KIND OF MAGIC * 661 00:49:54,492 --> 00:49:57,195 * TELL ME, WHY CAN'T YOU SEE? * 662 00:49:57,228 --> 00:50:01,666 * STRANGERS YOU AND I WILL ALWAYS BE * 663 00:50:01,699 --> 00:50:04,202 * WHEN WE TOUCH 664 00:50:04,235 --> 00:50:07,705 * OOH, WHEN WE TOUCH 665 00:50:07,738 --> 00:50:11,209 * HELLO 666 00:50:12,210 --> 00:50:16,781 * HELLO, STRANGER 667 00:50:18,249 --> 00:50:21,119 * HELLO 668 00:50:22,653 --> 00:50:27,092 * HELLO, STRANGER 669 00:50:27,325 --> 00:50:31,762 * OOH, I SAID, HELLO 670 00:50:33,231 --> 00:50:37,735 * HELLO, STRANGER 671 00:50:37,768 --> 00:50:42,073 * OOH, I SAID, HELLO 672 00:50:42,107 --> 00:50:44,775 Claire: EVERYONE IS CRAZY AT THE SHOW. 673 00:50:44,809 --> 00:50:46,077 VITTORIO SHOUTING. 674 00:50:46,111 --> 00:50:49,780 THE MODELS, ELLES NE SAVANT JAMAIS CE QU'LL FAUT FAIRE. 675 00:50:49,814 --> 00:50:51,816 LEA ASKED ME TO COME AND GET YOU, 676 00:50:51,849 --> 00:50:54,352 BUT WE HAVE A LITTLE TIME BEFORE THE SHOW. 677 00:50:54,385 --> 00:50:56,687 WOULD YOU LIKE TO SEE SOME OF PARIS? 678 00:50:56,721 --> 00:50:57,688 I DON'T KNOW. 679 00:50:57,722 --> 00:51:01,159 TRUST ME. I WILL TAKE YOU TO A VERY NICE PLACE. 680 00:51:01,192 --> 00:51:03,428 YOU ARE GOING TO LOVE IT. 681 00:51:03,461 --> 00:51:05,830 ONLY IF YOU GET RID OF THAT HAT. 682 00:51:05,863 --> 00:51:08,466 [LAUGHS] 683 00:51:08,499 --> 00:51:11,536 OH, HOW NICE OF YOU TO DROP BY. 684 00:51:11,569 --> 00:51:13,404 DRAMA'S FOR THE THEATER, VITTORIO. 685 00:51:13,438 --> 00:51:15,840 NOW, HERE WE HAVE A UNIQUE EVENING GOWN 686 00:51:15,873 --> 00:51:17,342 DESIGNED BY MADEMOISELLE CALLOT 687 00:51:17,375 --> 00:51:18,209 WITH HER CUSTOMARY GENIUS, 688 00:51:18,243 --> 00:51:20,245 WITH HER IDIOSYNCRATIC EYE FOR DETAIL. 689 00:51:20,278 --> 00:51:26,217 SO WHY, TELL ME, PRAY, DOES IT HANG LIKE A SACK OF OLD LAUNDRY? 690 00:51:26,251 --> 00:51:27,318 MERCI. 691 00:51:27,352 --> 00:51:28,253 LEA, WE ARE FALLING APART. 692 00:51:28,286 --> 00:51:30,588 IT'LL BE ALL RIGHT, VITTORIO. HAVE FAITH. 693 00:51:30,621 --> 00:51:33,491 FAITH? DOCTORS HAVE FAITH. HEALERS HAVE FAITH. 694 00:51:33,524 --> 00:51:35,260 FASHION HAS... 695 00:51:35,293 --> 00:51:38,463 DEADLINES! 696 00:51:39,897 --> 00:51:42,200 BACK TO WORK! 697 00:51:48,273 --> 00:51:51,709 I WANT TO SAY THANK YOU FOR LAST NIGHT. 698 00:51:51,742 --> 00:51:53,444 YOU'RE WELCOME. 699 00:51:53,478 --> 00:51:54,912 WERE YOU SCARED? 700 00:51:54,945 --> 00:51:56,914 A LITTLE, I SUPPOSE. 701 00:51:56,947 --> 00:51:59,217 I WAS JUST PLAYING WITH HIM. 702 00:51:59,250 --> 00:52:03,688 I DON'T UNDERSTAND WHY THIS GUY WENT CRAZY. 703 00:52:03,721 --> 00:52:06,791 MAYBE YOU KNEW IT WAS GONNA HAPPEN. 704 00:52:06,824 --> 00:52:08,526 NON. 705 00:52:09,227 --> 00:52:12,163 WELL, WHEN YOU PLAY GAMES, 706 00:52:12,197 --> 00:52:13,798 SOMEONE'S GONNA GET HURT. 707 00:52:13,831 --> 00:52:15,466 THAT'S THE WAY IT IS. 708 00:52:15,500 --> 00:52:16,667 IT'S TRICKY. 709 00:52:16,701 --> 00:52:19,237 TRICKY, TRICKY. 710 00:52:19,770 --> 00:52:21,806 [LAUGHS] LIKE THAT? 711 00:52:21,839 --> 00:52:23,441 THE BOAT CAN SINK. 712 00:52:23,474 --> 00:52:25,810 LE BATEAU EST CHERIAC. 713 00:52:26,744 --> 00:52:29,214 THE BOAT MIGHT SINK. 714 00:52:31,382 --> 00:52:32,250 IT'S COLD. 715 00:52:32,283 --> 00:52:35,353 DO YOU WANT SOME COFFEE? 716 00:52:35,386 --> 00:52:37,688 LET'S PUT YOUR HAT OUT THERE. 717 00:52:37,722 --> 00:52:38,489 NON. 718 00:52:38,523 --> 00:52:41,659 [LAUGHING] NO, NO, DON'T DO THIS. NO. 719 00:52:43,594 --> 00:52:45,830 I LIKE IT HERE. 720 00:52:45,863 --> 00:52:46,831 YEAH. 721 00:52:46,864 --> 00:52:47,565 YEAH. 722 00:52:47,598 --> 00:52:51,669 I LIKE PLACES THAT LET DOGS IN. 723 00:53:05,350 --> 00:53:08,686 WE SHOULDN'T BE LATE FOR THE SHOW. 724 00:53:10,988 --> 00:53:13,558 Doorman: CARTON, S'IL VOUS PLAIT. 725 00:53:13,591 --> 00:53:14,892 CARTON, S'IL VOUS PLAIT. 726 00:53:14,925 --> 00:53:16,561 YOUR INVITATION, MADAME, PLEASE. 727 00:53:16,594 --> 00:53:17,495 I'M INVITED. 728 00:53:17,528 --> 00:53:19,664 I FORGOT MY INVITATION, BUT I'M ON THE LIST. 729 00:53:19,697 --> 00:53:21,632 I'M SORRY, MADAME. I CAN'T LET YOU IN. 730 00:53:21,666 --> 00:53:22,567 I AM THE GODDAMN EDITOR 731 00:53:22,600 --> 00:53:24,335 OF THE BIGGEST FASHION MAGAZINE IN AMERICA, 732 00:53:24,369 --> 00:53:27,438 AND I AM GONNA KICK YOUR ASS IF YOU DON'T LET ME IN. 733 00:53:27,472 --> 00:53:28,239 FRANCOISE. IT'S ME CLAIRE. 734 00:53:28,273 --> 00:53:29,574 CLAIRE, I AM HAVING A TERRIBLE TIME. 735 00:53:29,607 --> 00:53:31,942 IT'S OK. SHE'S WITH US. MERCI. 736 00:53:31,976 --> 00:53:33,010 THEY WERE GONNA STOP ME. 737 00:53:33,043 --> 00:53:34,812 I MEAN, WELL, WHO ARE THESE PEOPLE? 738 00:53:34,845 --> 00:53:38,583 FIRST UP, NATASHA, ADRIäNNE, MONICA, ERICA. LET'S GO. 739 00:53:38,616 --> 00:53:40,885 JOHN IS HERE. HE'S HERE. 740 00:53:40,918 --> 00:53:43,521 YEAH, GREAT, EXCELLENT. 741 00:53:44,789 --> 00:53:45,590 KEEP THIS UP HERE. 742 00:53:45,623 --> 00:53:47,792 KEEP IT UP, LADIES, KEEP IT TOGETHER. 743 00:53:47,825 --> 00:53:49,327 NO, WAIT, WAIT, WAIT. 744 00:53:49,360 --> 00:53:52,397 PUT IT TOGETHER. MAKE SURE YOU PUT IT TOGETHER. 745 00:53:52,430 --> 00:53:52,963 COME ON. 746 00:53:52,997 --> 00:53:55,500 LEA, LEA. OH. OH! 747 00:53:57,435 --> 00:54:01,005 [APPLAUSE, CHEERING] 748 00:54:22,460 --> 00:54:25,596 [MUSIC PLAYING] 749 00:55:02,833 --> 00:55:04,735 COME ON, AISHA. 750 00:55:09,807 --> 00:55:11,008 WATCH THIS, OK? 751 00:55:11,041 --> 00:55:12,777 ¡ESTA! 752 00:55:20,050 --> 00:55:21,819 DO IT! 753 00:55:37,768 --> 00:55:39,704 YOU GOT TOO MUCH MAKEUP. 754 00:55:39,737 --> 00:55:41,939 LET'S GO. 755 00:55:59,757 --> 00:56:01,859 WHERE'S HER DRESSER? 756 00:56:02,727 --> 00:56:04,829 AH, PIEUSE! 757 00:56:04,862 --> 00:56:07,498 FABIäNNE! 758 00:56:17,542 --> 00:56:19,444 Lea: HELP HER. 759 00:57:19,937 --> 00:57:23,908 OHH. OHH. OHH. 760 00:57:51,669 --> 00:57:53,771 YAY! YAY! YAY! 761 00:57:53,804 --> 00:57:56,607 BRAVO! BRAVO! 762 00:57:57,975 --> 00:57:59,176 BRAVO! 763 00:57:59,209 --> 00:58:00,945 BRAVO! 764 00:58:07,818 --> 00:58:08,786 BRAVO! 765 00:58:08,819 --> 00:58:11,622 [WHISTLES] 766 00:58:12,657 --> 00:58:14,058 [WHISTLES] 767 00:58:14,091 --> 00:58:15,960 BRAVO! 768 00:58:15,993 --> 00:58:17,261 BRAVO! 769 00:58:17,294 --> 00:58:20,164 BRAVO! 770 00:58:21,866 --> 00:58:23,734 [WHISTLES] 771 00:58:23,768 --> 00:58:25,836 BRAVO! 772 00:58:28,873 --> 00:58:29,707 MISS. MISS, 773 00:58:29,740 --> 00:58:31,776 JOHN IS WAITING FOR YOU ON THE STAGE. 774 00:58:31,809 --> 00:58:33,911 LEA, OVER HERE, PLEASE. LEA, FOR THE CAMERA. 775 00:58:33,944 --> 00:58:34,945 THIS IS A PROUD DAY. 776 00:58:34,979 --> 00:58:36,714 OH, BEAUTY IS A FORM OF GENIUS. 777 00:58:36,747 --> 00:58:38,048 IT NEEDS NO EXPLANATIONS. 778 00:58:38,082 --> 00:58:38,983 CONGRATULATIONS. 779 00:58:39,016 --> 00:58:40,150 WHERE ARE YOU GOING? 780 00:58:40,184 --> 00:58:41,218 YOU KNOW WHERE I'M GOING. 781 00:58:41,251 --> 00:58:43,821 SURELY YOU'RE NOT TAKING HIM TO THE PARTY, ARE YOU? 782 00:58:43,854 --> 00:58:45,690 TAKE CLAIRE AND MEET ME OUT FRONT. 783 00:58:45,723 --> 00:58:47,324 ARE YOU COMING WITH ME TONIGHT? 784 00:58:47,357 --> 00:58:49,794 I HAVE TO GO WITH LEA TO THE PARTY. 785 00:58:49,827 --> 00:58:50,628 IT'S BUSINESS, CHARLIE. 786 00:58:50,661 --> 00:58:53,964 FUCK BUSINESS. ARE YOU COMING WITH ME? 787 00:58:53,998 --> 00:58:55,866 MERDE. 788 00:59:01,872 --> 00:59:03,808 WELL, CONGRATULATIONS. 789 00:59:03,841 --> 00:59:07,277 I'M HAPPY FOR YOU. YOU GOT WHAT YOU WANTED. 790 00:59:07,311 --> 00:59:09,747 YOU THINK SO? 791 00:59:09,947 --> 00:59:13,217 YOU'RE EXTREMELY CLEVER. 792 00:59:13,250 --> 00:59:15,920 I ADMIRE THAT IN A WOMAN. 793 00:59:15,953 --> 00:59:19,790 YOU STILL DON'T GET IT, DO YOU? 794 00:59:28,933 --> 00:59:31,235 I'M GETTING CLOSE. 795 00:59:31,969 --> 00:59:35,339 YOU'RE COMING TO A PARTY WITH ME. 796 00:59:35,372 --> 00:59:39,043 OH, I DON'T KNOW. I HATE PARTIES. 797 00:59:39,076 --> 00:59:41,178 YOU LIKE SURPRISES? 798 00:59:42,179 --> 00:59:44,782 ONLY IF THEY COME IN SMALL PACKAGES. 799 00:59:44,815 --> 00:59:48,185 HA HA. COME ON. 800 01:00:03,400 --> 01:00:05,402 HELLO? 801 01:00:05,435 --> 01:00:06,303 KAHDIJAH. 802 01:00:06,336 --> 01:00:08,038 HELLO, DARLING. 803 01:00:08,072 --> 01:00:09,940 KAHDIJAH, JOHN GRAY. 804 01:00:09,974 --> 01:00:12,943 ENCHANTé, MONSIEUR. 805 01:00:12,977 --> 01:00:15,045 VOUS ETES LE BIENVENU. 806 01:00:15,079 --> 01:00:19,116 LEA TOLD ME MUCH ABOUT YOU. 807 01:00:25,122 --> 01:00:25,690 HI. 808 01:00:25,723 --> 01:00:28,659 AH, DARLING, HOW ARE YOU? 809 01:00:28,693 --> 01:00:30,260 CA VA BIEN? 810 01:02:09,059 --> 01:02:13,263 * AIN'T NO BIG THING 811 01:02:13,297 --> 01:02:20,470 * TO LEAP FOR THE BELL TO RING * 812 01:02:20,504 --> 01:02:25,209 * AIN'T NO BIG THING 813 01:02:25,876 --> 01:02:31,115 * TILL THE OTHER BELL 814 01:02:32,817 --> 01:02:38,522 * AIN'T NO LADY, STAYIN' FOR DAYS * 815 01:02:38,555 --> 01:02:44,962 * STROLL DOWNTOWN TO THE RED LIGHT PLACE * 816 01:02:44,995 --> 01:02:47,197 * JUMP UP, TURN AROUND 817 01:02:47,231 --> 01:02:49,033 * WHAT'S IN STORE? 818 01:02:49,066 --> 01:02:51,101 THIS IS MY SURPRISE? 819 01:02:51,135 --> 01:02:53,103 WELL, UNLESS YOU WANT TO BE NEXT, 820 01:02:53,137 --> 01:02:56,874 I SUGGEST YOU FOLLOW ME. 821 01:02:56,907 --> 01:03:01,846 * SHOWING NOW, HIT AND RUN * 822 01:03:01,879 --> 01:03:08,018 * BOY MEETS GIRL WHILE THE BEAT GOES ON * 823 01:03:08,052 --> 01:03:11,588 * STITCHED UP TIGHT 824 01:03:11,621 --> 01:03:13,590 * CAN SHE BREATHE? 825 01:03:13,623 --> 01:03:20,998 * LOVE IS THE DRUG GOT A HOOK ON ME * 826 01:03:52,296 --> 01:03:54,531 THIS IS FOR YOU. 827 01:03:55,065 --> 01:03:58,268 MAYBE THAT'S SOMETHING I DON'T WANT ANYMORE. 828 01:03:58,302 --> 01:04:01,906 WELL, THEN, I GUESS YOU WON'T FIND OUT 829 01:04:01,939 --> 01:04:05,009 WHY I BROUGHT YOU HERE. 830 01:04:18,455 --> 01:04:20,958 DON'T MOVE. 831 01:04:27,031 --> 01:04:28,632 WHO'S HERE? 832 01:04:28,665 --> 01:04:31,235 WHO'S HERE? 833 01:04:38,275 --> 01:04:41,411 JOHN, YOU KNOW ALL ABOUT THIS-- 834 01:04:41,445 --> 01:04:44,414 RAISING THE STAKES. 835 01:04:48,953 --> 01:04:52,022 INVENTING. 836 01:04:54,291 --> 01:04:56,560 REINVENTING. 837 01:05:13,677 --> 01:05:16,280 COME HERE. 838 01:05:23,453 --> 01:05:28,392 * EVEN NOW, I PARK MY CAR 839 01:05:31,695 --> 01:05:37,267 * SPEAK MY PIECE IN THE SINGLES' BAR * 840 01:05:39,603 --> 01:05:45,375 * FACE TO FACE, TOE TO TOE * 841 01:05:47,744 --> 01:05:53,317 * HEART TO HEART AS WE HIT THE FLOOR * 842 01:05:55,519 --> 01:06:02,392 * LIMBO RIGHT, LIMBO DOWN 843 01:06:04,628 --> 01:06:10,334 * LOCKED EMBRACE, STUMBLE ROUND * 844 01:06:12,602 --> 01:06:18,242 * I SAY GO, YOU SAY YES 845 01:06:21,078 --> 01:06:27,617 * DIM THE LIGHTS, GUESS THE REST * 846 01:06:29,453 --> 01:06:35,659 * OH, OH, CATCH THAT BUZZ 847 01:06:37,361 --> 01:06:43,300 * LOVE IS THE DRUG I'M THINKING OF * 848 01:06:45,269 --> 01:06:52,509 * OH, OH, CAN'T YOU SEE? 849 01:06:53,610 --> 01:07:01,451 * LOVE IS THE DRUG GOT A HOOK ON ME * 850 01:07:03,520 --> 01:07:06,490 WHAT HAPPENED TO ELIZABETH? 851 01:07:06,523 --> 01:07:07,524 I TOLD YOU. 852 01:07:07,557 --> 01:07:09,426 TELL ME AGAIN. 853 01:07:09,459 --> 01:07:13,363 TELL ME AGAIN BECAUSE I DON'T BELIEVE YOU. 854 01:07:13,397 --> 01:07:16,266 SHE LEFT YOU, JOHN. 855 01:07:16,300 --> 01:07:21,105 SELF-INDULGENCE IS THE LAST REFUGE OF THE BORED. 856 01:07:21,138 --> 01:07:23,673 HAVE YOU TOLD HIM? 857 01:07:23,707 --> 01:07:26,276 DON'T. 858 01:07:26,310 --> 01:07:27,111 THEN I SHALL. 859 01:07:27,144 --> 01:07:30,380 IT WAS A SUBLIME FUNERAL. 860 01:07:30,414 --> 01:07:33,550 HUNDREDS OF WHITE IRISES. 861 01:07:33,583 --> 01:07:36,153 NOTHING BUT WHITE IRISES. 862 01:07:36,186 --> 01:07:39,789 ELIZABETH WOULD HAVE LOVED IT. 863 01:07:57,541 --> 01:08:00,244 OH, NO. 864 01:09:32,536 --> 01:09:35,672 TELL ME WHY, LEA? 865 01:09:35,705 --> 01:09:38,775 I CAN'T HELP YOU, JOHN. 866 01:09:39,343 --> 01:09:41,345 WELL, YOU SHOULD HAVE THOUGHT ABOUT THAT 867 01:09:41,378 --> 01:09:43,880 BEFORE YOU STARTED LYING. 868 01:09:47,684 --> 01:09:51,688 YOU'RE GONNA TELL ME HOW SHE DIED. 869 01:09:54,324 --> 01:09:58,362 I DIDN'T HAVE THE HEART TO TELL YOU. 870 01:10:01,931 --> 01:10:04,768 I THOUGHT IT WOULD BE BEST YOU DIDN'T KNOW. 871 01:10:04,801 --> 01:10:06,336 AH, THAT'S NICE. 872 01:10:06,370 --> 01:10:11,975 I'M NOT INTERESTED IN YOUR, UH, LITTLE EXCUSES. 873 01:10:15,979 --> 01:10:19,883 NOW, I WANT YOU TO TELL ME. 874 01:10:21,551 --> 01:10:24,554 YOU WANT TO KNOW EVERYTHING, JOHN? 875 01:10:24,588 --> 01:10:27,491 I'LL SHOW YOU. 876 01:10:32,796 --> 01:10:35,899 I FIRST MET ELIZABETH AT A PARTY 877 01:10:35,932 --> 01:10:39,703 FOR AN ART EXHIBITION SHE WAS INVOLVED IN. 878 01:10:39,736 --> 01:10:44,474 WE LIKED EACH OTHER IMMEDIATELY. 879 01:10:44,508 --> 01:10:48,878 ONE NIGHT ABOUT 2:00 IN THE MORNING, MY PHONE RANG. 880 01:10:50,780 --> 01:10:52,916 I HEARD A WOMAN CRYING. 881 01:10:52,949 --> 01:10:56,820 IT TOOK ME A WHILE TO REALIZE THAT IT WAS ELIZABETH. 882 01:10:56,853 --> 01:11:00,590 SHE ASKED ME TO COME GET HER. 883 01:11:00,624 --> 01:11:03,660 SHE WAS STRUNG OUT ON BAD DRUGS. 884 01:11:03,693 --> 01:11:06,930 THOSE DEALERS KNEW HER BY HER FIRST NAME. 885 01:11:06,963 --> 01:11:09,766 I HATED THEM. 886 01:11:09,799 --> 01:11:12,302 SHE'D BE FINE FOR MONTHS AT A TIME, 887 01:11:12,336 --> 01:11:14,638 AND THEN SHE'D DISAPPEAR FOR WEEKS. 888 01:11:17,641 --> 01:11:21,411 AND I'D FIND HER IN THIS HOLE. 889 01:11:22,512 --> 01:11:24,280 DEAD END. 890 01:11:25,515 --> 01:11:28,652 THE POLICE FOUND HER IN SOME CHEAP HOTEL, 891 01:11:28,685 --> 01:11:33,590 BUT I KNOW IT WAS THIS PLACE THAT KILLED HER. 892 01:12:22,806 --> 01:12:24,741 [SCREAMING] 893 01:12:24,774 --> 01:12:27,877 Man: WHERE'S YOUR PRETTY BLONDE SISTER? 894 01:12:27,911 --> 01:12:29,713 WHY DON'T SHE COME ALONG HERE NO MORE? 895 01:12:29,746 --> 01:12:34,117 WE'LL JUST HAVE TO MAKE DO WITH YOUR SEXY ASS. 896 01:12:34,150 --> 01:12:35,919 AAH! 897 01:12:35,952 --> 01:12:37,654 WHAT IS THIS? 898 01:12:37,687 --> 01:12:39,022 YOU BOYS LIKE TO PLAY GAMES? 899 01:12:39,055 --> 01:12:41,525 VA TE FAIRE ENCULER, TOI. CASSE-TOI. 900 01:12:41,558 --> 01:12:44,561 IL EST CALIBRE? 901 01:12:44,594 --> 01:12:45,862 UN CALIBRE. 902 01:12:45,895 --> 01:12:47,897 COME ON. 903 01:12:49,032 --> 01:12:51,435 COME ON. 904 01:12:52,135 --> 01:12:54,571 FUCK YOU. 905 01:12:57,841 --> 01:12:59,909 YEAH. 906 01:13:06,750 --> 01:13:08,452 SCARED? 907 01:13:10,086 --> 01:13:14,691 NO...NOT OF THESE BASTARDS. 908 01:13:19,128 --> 01:13:21,465 WHERE ARE YOU GOING? 909 01:13:23,667 --> 01:13:25,769 HOME. 910 01:13:30,640 --> 01:13:34,110 YOU KNOW, I NEVER FELT GOOD ENOUGH FOR HER. 911 01:13:34,844 --> 01:13:38,047 I REALIZED THAT THE DAY SHE LEFT. 912 01:13:38,081 --> 01:13:43,086 I WAS STUPID. I HAD TO WAIT TILL SHE CLOSED THE DOOR 913 01:13:43,119 --> 01:13:46,890 TILL I WAS ABLE TO TELL HER HOW MUCH I LOVED HER. 914 01:13:50,026 --> 01:13:54,864 I DON'T WANT TO BE ALONE. 915 01:13:54,898 --> 01:13:57,567 NOT NOW. 916 01:14:10,880 --> 01:14:18,822 * TELL ME, WHAT DID YOU DREAM ABOUT? * 917 01:14:18,855 --> 01:14:26,996 * DID YOU RUN IN THE SUN HAVING FUN, AND WAS I WITH YOU? * 918 01:14:27,030 --> 01:14:35,639 * AND WHEN YOU DREAM, DO YOU DREAM ABOUT ME? * 919 01:14:36,773 --> 01:14:43,947 * WHEN YOU SPEAK, DO YOU TALK ABOUT ME? * 920 01:14:49,252 --> 01:14:51,187 AH, BONJOUR, LEA. 921 01:14:51,220 --> 01:14:52,221 MADELEINE. 922 01:14:52,255 --> 01:14:53,122 CA VA? 923 01:14:53,156 --> 01:14:54,023 CA VA BIEN. 924 01:14:54,057 --> 01:14:55,559 OUI. JOHN GRAY. 925 01:14:55,592 --> 01:14:56,926 HELLO. 926 01:14:56,960 --> 01:14:59,963 OH, IT'S SO NICE TO BE BACK. 927 01:15:04,267 --> 01:15:09,272 John: YOU KNOW, I USED TO HATE COMING OUT TO PLACES LIKE THIS. 928 01:15:10,139 --> 01:15:15,912 IT'S SO QUIET, SO STILL. 929 01:15:16,245 --> 01:15:18,047 I KINDA LIKE IT TODAY. 930 01:15:18,081 --> 01:15:21,985 YOU KNOW THE EIFFEL TOWER-- THE GLASS BALL? 931 01:15:22,018 --> 01:15:23,887 YEAH. 932 01:15:24,588 --> 01:15:25,354 IT WAS ME. 933 01:15:25,388 --> 01:15:28,858 NOW, LOOK. I'M GONNA MAKE YOU A DEAL. 934 01:15:28,892 --> 01:15:29,793 OK? 935 01:15:29,826 --> 01:15:30,894 MM-HMM. 936 01:15:30,927 --> 01:15:34,931 THIS WEEKEND-- JUST ME AND YOU. 937 01:15:34,964 --> 01:15:37,967 NOBODY ELSE. 938 01:15:38,001 --> 01:15:40,236 OK? 939 01:16:18,174 --> 01:16:20,810 FEELS GOOD. 940 01:16:26,049 --> 01:16:29,152 SO YOU GLAD YOU MET ME? 941 01:16:33,823 --> 01:16:37,627 WHY DO YOU FEEL THAT YOU HAVE TO ASK ME THAT? 942 01:16:44,233 --> 01:16:47,136 YOU NEED ME, JOHN GRAY. 943 01:21:02,291 --> 01:21:08,264 SOMETIMES I'D IMAGINE WHAT IT WOULD BE LIKE TO BE WITH YOU. 944 01:21:08,965 --> 01:21:11,200 HOW YOU'D... 945 01:21:12,468 --> 01:21:15,338 SHUT OFF THE REST OF THE WORLD 946 01:21:15,371 --> 01:21:18,674 AND NEVER LET IT... 947 01:21:18,707 --> 01:21:20,409 INTRUDE ON OUR PLEASURE. 948 01:21:20,443 --> 01:21:24,547 HOW YOU'D PLAN EVERYTHING. 949 01:21:24,580 --> 01:21:27,984 NEVER HURRY A MOMENT. 950 01:21:28,451 --> 01:21:30,686 NEVER NEGLECT A DETAIL. 951 01:21:30,719 --> 01:21:35,224 WELL, NOT THIS TIME, LEA. 952 01:21:45,001 --> 01:21:48,104 YOU KNOW, WHERE I CAME FROM, IT TOOK ME ABOUT 16 YEARS 953 01:21:48,137 --> 01:21:55,311 TO REALIZE THAT THE WORLD THAT I SAW ON MY TELEVISION SET EVERY DAY 954 01:21:55,344 --> 01:21:58,314 WAS REALLY OUT THERE. 955 01:21:59,515 --> 01:22:03,286 THEN IT TOOK ME ANOTHER 2 YEARS TO WORK UP THE COURAGE 956 01:22:03,319 --> 01:22:06,289 TO FIND THAT WORLD. 957 01:22:06,322 --> 01:22:12,495 YOU KNOW, WE'RE A LOT ALIKE, YOU AND I. 958 01:22:13,429 --> 01:22:16,199 WE HAD TO INVENT OURSELVES. 959 01:22:24,007 --> 01:22:26,175 WHAT'S THE MATTER? 960 01:22:29,578 --> 01:22:31,714 NOTHING. 961 01:22:34,317 --> 01:22:36,685 DON'T TREAT ME LIKE THAT. 962 01:22:36,719 --> 01:22:40,356 I--I--I'M JUST A LITTLE CONFUSED. 963 01:22:40,389 --> 01:22:43,092 NO, YOU'RE NOT. 964 01:22:43,126 --> 01:22:45,628 LOOK AT ME. 965 01:22:49,598 --> 01:22:55,071 OK, PICTURE THIS. 966 01:22:56,405 --> 01:23:00,443 WE'RE IN A WHOREHOUSE IN CHICAGO. 967 01:23:00,476 --> 01:23:02,445 IT'S 1952. 968 01:23:02,478 --> 01:23:07,250 AND I'M A MAN WITH A PROBLEM. 969 01:23:07,283 --> 01:23:10,486 WE MADE A DEAL. 970 01:23:11,254 --> 01:23:15,424 WE'RE IN A WHOREHOUSE IN CHICAGO. IT'S 1952. 971 01:23:15,458 --> 01:23:19,728 SOUND FAMILIAR? AND I'M A MAN WITH A PROBLEM. 972 01:23:19,762 --> 01:23:26,535 I CAN'T GET EXCITED UNLESS I SEE YOU CRAWL ACROSS THE FLOOR. 973 01:23:33,809 --> 01:23:36,412 DON'T PUSH ME, LEA. 974 01:23:38,347 --> 01:23:40,683 BUT I CAN. 975 01:23:44,387 --> 01:23:49,024 I CAN COME TO YOU IF YOU WANT. 976 01:23:55,398 --> 01:24:00,136 COME ON, JOHN, WE BOTH KNOW WHAT YOU WANT. 977 01:24:39,775 --> 01:24:42,611 YOU CAN'T STOP ME. 978 01:24:42,645 --> 01:24:44,480 [HORN HONKS] 979 01:25:27,656 --> 01:25:31,694 YOU JUST DON'T GET IT, DO YOU? 980 01:25:31,727 --> 01:25:34,397 WHAT? 981 01:26:00,356 --> 01:26:02,791 [KNOCK ON DOOR] 982 01:26:02,825 --> 01:26:04,593 WHO IS IT? 983 01:26:05,261 --> 01:26:07,596 VITTORIO. 984 01:26:08,631 --> 01:26:10,433 MERDE. 985 01:26:10,799 --> 01:26:13,636 [KNOCK ON DOOR] 986 01:26:16,472 --> 01:26:19,608 SORRY, VITTORIO. I HAVEN'T COME TO THE OFFICE 987 01:26:19,642 --> 01:26:22,678 BUT I HAVE SO MANY THINGS TO DO. 988 01:26:22,711 --> 01:26:23,546 IT'S NOT IMPORTANT. 989 01:26:23,579 --> 01:26:26,282 WHEN THE CAT'S AWAY, THE MICE WILL PLAY. 990 01:26:26,315 --> 01:26:28,751 WONDER WHERE THE CAT IS TONIGHT? HMM? 991 01:26:28,784 --> 01:26:32,521 PROBABLY SCREWING ON THE ROOF WITH HER TOMCAT. 992 01:26:32,555 --> 01:26:35,558 OR SHOULD I SAY, HER JOHN CAT? 993 01:26:35,591 --> 01:26:36,525 DO YOU MIND? 994 01:26:36,559 --> 01:26:39,695 I DON'T MIND, AND I DON'T CARE. I'M FED UP. 995 01:26:39,728 --> 01:26:43,532 I'M GOING BACK TO MY LITTLE LIFE. 996 01:26:43,566 --> 01:26:46,602 EVERYTHING-- I GAVE HER EVERYTHING. 997 01:26:46,635 --> 01:26:47,970 BEFORE SHE MET ME, SHE WAS NOTHING. 998 01:26:48,003 --> 01:26:49,872 SHE WAS A VACANT, BLANK, EMPTY CANVAS. 999 01:26:49,905 --> 01:26:54,743 STUPIDITY OOZED FROM EVERY PORE OF THAT LUSCIOUS AND DELICIOUS BODY. 1000 01:26:54,777 --> 01:26:58,747 I GAVE HER EDUCATION, TASTE, SOPHISTICATION, INTELLIGENCE. 1001 01:26:58,781 --> 01:27:02,618 I EVEN TOOK HER TO THE BLOODY THEATER. 1002 01:27:04,420 --> 01:27:08,991 I JUST FEEL SO... 1003 01:27:09,024 --> 01:27:10,926 BLOODY...EMPTY. 1004 01:27:10,959 --> 01:27:12,828 I'M SORRY, BUT... 1005 01:27:12,861 --> 01:27:13,896 [KNOCK ON DOOR] 1006 01:27:13,929 --> 01:27:14,763 I DON'T UNDERSTAND YOU. 1007 01:27:14,797 --> 01:27:18,033 LEA? LEA, IT'S ME CHARLIE. OPEN THE DOOR. 1008 01:27:18,066 --> 01:27:22,338 LEA, COME ON, BABY, IT'S ME. IT'S CHARLIE. 1009 01:27:22,371 --> 01:27:24,273 OPEN THE DOOR. 1010 01:27:24,307 --> 01:27:25,741 LEA? 1011 01:27:26,542 --> 01:27:29,912 CLAIRE, WHERE HAVE YOU BEEN? WHAT HAVE YOU BEEN DOING? 1012 01:27:29,945 --> 01:27:33,716 WHY HAVEN'T YOU CALLED ME SINCE BEFORE THE SHOW? 1013 01:27:33,749 --> 01:27:35,584 Claire: I'VE BEEN BUSY. 1014 01:27:35,618 --> 01:27:37,320 BUSY. 1015 01:27:37,920 --> 01:27:40,789 A TOUT A L'AIR, CHERIE 1016 01:27:40,823 --> 01:27:44,693 ET BON CHANCE. 1017 01:27:44,727 --> 01:27:48,664 WHAT'S HE DOING HERE? HUH? 1018 01:27:48,697 --> 01:27:49,698 C'EST MON BOSS, D'ACCORD. 1019 01:27:49,732 --> 01:27:50,566 YES, I KNOW HE'S YOUR BOSS 1020 01:27:50,599 --> 01:27:52,335 BUT I ASKED YOU WHAT HE WAS DOING HERE. 1021 01:27:52,368 --> 01:27:54,603 HAVE YOU BEEN FUCKING HIM? 1022 01:27:54,637 --> 01:27:55,904 [SLAP] 1023 01:28:00,543 --> 01:28:03,912 OH, GOD. 1024 01:28:15,958 --> 01:28:18,661 CLAIRE? 1025 01:28:24,767 --> 01:28:27,803 I JUST WANTED TO SAY 1026 01:28:27,836 --> 01:28:31,840 I DIDN'T KNOW ANYTHING ABOUT ELIZABETH. 1027 01:28:33,976 --> 01:28:37,346 I KNOW THAT. 1028 01:28:40,816 --> 01:28:44,052 AND WHAT HAPPENED TO YOU? WHO DID THIS TO YOU? 1029 01:28:44,086 --> 01:28:46,088 CHARLIE. 1030 01:28:46,121 --> 01:28:47,790 CHARLIE DID THIS TO YOU? 1031 01:28:47,823 --> 01:28:48,591 YEAH. 1032 01:28:48,624 --> 01:28:53,496 I WAS NOT AS GROWN UP AS I THOUGHT. 1033 01:28:53,529 --> 01:28:58,501 HEY, YOU'RE AS GROWN UP AS YOU SHOULD BE. 1034 01:29:02,871 --> 01:29:07,576 I GUESS I SHOULD HAVE KNOWN BETTER. COME HERE. 1035 01:29:07,610 --> 01:29:09,712 TRICKY, TRICKY. 1036 01:29:23,125 --> 01:29:24,893 HELLO. HI. 1037 01:29:24,927 --> 01:29:26,562 HERE YOU ARE. 1038 01:29:26,595 --> 01:29:29,798 AND YOUR NAME HERE, PLEASE. 1039 01:29:30,799 --> 01:29:34,437 MERCI, AU REVOIR. 1040 01:29:42,177 --> 01:29:44,813 * SEE THE CLOUDS AROUND MY HEART * 1041 01:29:44,847 --> 01:29:51,754 * BABY, CLOSIN' IN RIGHT FROM THE START * 1042 01:29:53,889 --> 01:29:55,858 * TURN THE TIDE DOWN LOW 1043 01:29:55,891 --> 01:30:00,095 * IF IT'S QUIET, I WILL HEAR YOU GO * 1044 01:30:00,128 --> 01:30:05,100 THIS JUST ISN'T AMUSING ANYMORE. 1045 01:30:06,602 --> 01:30:07,102 [CLANK] 1046 01:30:07,135 --> 01:30:07,903 * ...WAVE OF LOVE 1047 01:30:07,936 --> 01:30:10,906 * OR A SEXUAL RAINBOW FROM ABOVE? * 1048 01:30:10,939 --> 01:30:13,976 * WAS IT THE TIDAL WAVE OF LOVE * 1049 01:30:14,009 --> 01:30:17,946 * OR A SEXUAL RAINBOW FROM ABOVE? * 1050 01:30:28,657 --> 01:30:31,794 * SHOW YOU ALL THE REAL EMOTION 1051 01:30:31,827 --> 01:30:33,796 * BABY, I REVEAL 1052 01:30:33,829 --> 01:30:37,900 * MY DEVOTION 1053 01:30:40,102 --> 01:30:44,540 * YOU WHO TURN THE TIDE 1054 01:30:44,573 --> 01:30:51,780 * YOU WHO SEE THE STORM 1055 01:30:51,814 --> 01:30:54,683 * WAS IT THE TIDAL WAVE OF LOVE * 1056 01:30:54,717 --> 01:30:57,620 * OR A SEXUAL RAINBOW FROM ABOVE? 1057 01:30:57,653 --> 01:31:00,856 * WAS IT THE TIDAL WAVE OF LOVE? * 1058 01:31:00,889 --> 01:31:03,225 * OOH HOO HOO-OOH OOH OOH 1059 01:31:03,258 --> 01:31:05,894 * WAS IT THE TIDAL WAVE OF LOVE * 1060 01:31:05,928 --> 01:31:09,064 * OR A SEXUAL RAINBOW FROM ABOVE? * 1061 01:31:09,097 --> 01:31:14,236 * WAS IT THE TIDAL WAVE OF LOVE? * 1062 01:31:14,837 --> 01:31:17,540 * WAS IT THE TIDAL WAVE OF LOVE * 1063 01:31:17,573 --> 01:31:20,609 * OR A SEXUAL RAINBOW FROM ABOVE? * 1064 01:31:20,643 --> 01:31:24,680 * WAS IT THE TIDAL WAVE OF LOVE? * 1065 01:31:24,713 --> 01:31:27,182 * OOH HOO HOO 1066 01:31:28,150 --> 01:31:32,588 * YOU WHO TURN THE TIDE 1067 01:31:32,621 --> 01:31:39,695 * YOU WHO SEE THE STORM 1068 01:31:39,728 --> 01:31:42,097 * WAS IT THE TIDAL WAVE OF LOVE * 1069 01:31:42,130 --> 01:31:46,869 * OR A SEXUAL RAINBOW FROM ABOVE? * 1070 01:31:48,704 --> 01:31:54,677 LEA, I'VE DECIDED TO GIVE YOU EXACTLY WHAT YOU WANT. 1071 01:31:55,944 --> 01:31:56,779 TAKE THAT CHAIR 1072 01:31:56,812 --> 01:32:01,584 AND MOVE IT TO THE CENTER OF THE ROOM. 1073 01:32:04,319 --> 01:32:05,954 JUST DO IT. 1074 01:32:05,988 --> 01:32:06,822 TAKE THE CHAIR 1075 01:32:06,855 --> 01:32:10,325 AND MOVE IT TO THE CENTER OF THE ROOM. 1076 01:32:10,358 --> 01:32:13,996 WHAT IF IT'S NOT WHAT I WANT ANYMORE? 1077 01:32:14,029 --> 01:32:15,898 JUST DO IT. 1078 01:32:25,641 --> 01:32:27,943 ARE YOU DOING THIS FOR ME, JOHN, 1079 01:32:27,976 --> 01:32:28,944 OR ARE YOU DOING THIS FOR YOU? 1080 01:32:28,977 --> 01:32:33,281 SIT DOWN. BECAUSE IF YOU'RE DOING THIS FOR ME, 1081 01:32:33,315 --> 01:32:35,918 DON'T BOTHER. 1082 01:32:35,951 --> 01:32:38,153 UNCROSS YOUR LEGS. 1083 01:32:45,060 --> 01:32:47,863 YOU'VE BEEN PUSHING IT REAL HARD, LEA, 1084 01:32:47,896 --> 01:32:53,268 SO NOW I'M GONNA GIVE YOU EXACTLY WHAT YOU WANT. 1085 01:32:54,036 --> 01:32:58,006 GET ON THE FLOOR ON YOUR HANDS AND KNEES. 1086 01:32:58,040 --> 01:33:02,144 I AM SO SCARED, JOHN. 1087 01:33:02,745 --> 01:33:06,248 YOU FORGOT I READ ALL ABOUT THIS, JOHN. 1088 01:33:06,281 --> 01:33:07,182 I KNOW THIS GAME. 1089 01:33:07,215 --> 01:33:13,221 I'VE BEEN WAITING FOR THIS FOR A LONG TIME. 1090 01:33:15,257 --> 01:33:18,060 LIFT UP YOUR SKIRT. 1091 01:33:30,372 --> 01:33:32,140 HI. 1092 01:33:33,976 --> 01:33:36,044 John: THAT'S GILLES. 1093 01:33:36,912 --> 01:33:38,814 HE'S A FRIEND. 1094 01:33:38,847 --> 01:33:42,985 HE'S GONNA DO EXACTLY WHAT I TELL HIM TO DO. 1095 01:33:47,956 --> 01:33:52,728 John: SHE DOESN'T NEED A LOT, GILLES, JUST MORE. 1096 01:33:56,064 --> 01:33:58,133 SHE'S ALL YOURS. 1097 01:34:13,949 --> 01:34:17,019 DID I TELL YOU TO MOVE? 1098 01:34:37,940 --> 01:34:39,474 NO. [COUGHING] 1099 01:34:39,507 --> 01:34:40,943 NO, JOHN. 1100 01:34:40,976 --> 01:34:42,044 NO. JOHN-- 1101 01:34:42,077 --> 01:34:44,079 I DIDN'T TELL YOU YOU COULD MOVE. 1102 01:34:44,112 --> 01:34:45,748 NO. 1103 01:35:03,465 --> 01:35:06,869 JOHN, I CAN'T DO THIS. 1104 01:35:06,902 --> 01:35:08,136 I CAN'T DO THIS. 1105 01:35:08,170 --> 01:35:10,105 COME ON, BABY. 1106 01:35:10,138 --> 01:35:11,073 JOHN! 1107 01:35:11,106 --> 01:35:11,940 STOP IT! 1108 01:35:11,974 --> 01:35:13,909 PUT HER IN THE CHAIR. 1109 01:35:13,942 --> 01:35:14,910 NO. 1110 01:35:14,943 --> 01:35:16,278 AAH! 1111 01:35:16,311 --> 01:35:17,112 AAH! 1112 01:35:17,145 --> 01:35:18,380 FUCKING WHORE. 1113 01:35:18,413 --> 01:35:20,015 PUT HER IN THE CHAIR. 1114 01:35:20,048 --> 01:35:22,017 PUT HER IN THE CHAIR. 1115 01:35:22,050 --> 01:35:24,319 [SOBBING] 1116 01:35:24,352 --> 01:35:26,354 PUT HER IN THE CHAIR. 1117 01:35:32,127 --> 01:35:32,995 SIT. 1118 01:35:33,028 --> 01:35:34,229 SIT DOWN! 1119 01:35:34,262 --> 01:35:35,263 [SOBBING] 1120 01:35:35,297 --> 01:35:37,332 FUCKING ASSHOLE! 1121 01:35:46,975 --> 01:35:48,410 [KISSES LOUDLY] 1122 01:35:58,887 --> 01:36:01,890 [SOBBING] 1123 01:36:15,370 --> 01:36:17,873 IS THAT WHAT YOU WANTED? 1124 01:36:17,906 --> 01:36:19,875 NO. 1125 01:36:28,216 --> 01:36:29,184 HEY. 1126 01:36:29,217 --> 01:36:30,853 NO. 1127 01:36:36,224 --> 01:36:37,359 OK. 1128 01:36:37,392 --> 01:36:38,260 HUH? 1129 01:36:38,293 --> 01:36:41,163 THINGS WILL BE ALL RIGHT. 1130 01:36:48,570 --> 01:36:50,172 OK? 1131 01:37:00,348 --> 01:37:02,317 OK? 1132 01:37:02,350 --> 01:37:05,053 YOU'RE SUCH A JERK. 1133 01:37:12,360 --> 01:37:14,029 OH... 1134 01:38:28,270 --> 01:38:31,306 WHERE ARE YOU GOING? 1135 01:38:37,545 --> 01:38:40,348 I GOTTA GO FOR A WALK. 1136 01:38:41,583 --> 01:38:45,253 YOU'RE NOT COMING BACK, ARE YOU? 1137 01:38:58,366 --> 01:39:02,704 I DON'T WANT TO, UH, HURT ANYBODY ANYMORE. 1138 01:39:02,737 --> 01:39:06,608 I THOUGHT YOU STARTED TO CARE FOR ME. 1139 01:39:06,641 --> 01:39:09,011 I DID. 1140 01:39:49,551 --> 01:39:55,357 WOULD YOU PLEASE COME BACK BY THE TIME I COUNT TO 50? 1141 01:40:08,370 --> 01:40:11,606 [BELL TOLLS] 1142 01:41:45,233 --> 01:41:46,634 * WHY DID YOU DO IT? 1143 01:41:46,668 --> 01:41:47,469 * DO IT? 1144 01:41:47,502 --> 01:41:50,605 * WHY DID YOU DO THAT THING TO ME? * 1145 01:41:50,638 --> 01:41:52,474 * TO ME? 1146 01:41:55,577 --> 01:41:57,279 * WHY DID YOU DO IT? 1147 01:41:57,312 --> 01:41:58,112 * DO IT? 1148 01:41:58,146 --> 01:42:00,782 * WHY DID YOU DO THAT THING TO ME? * 1149 01:42:00,815 --> 01:42:01,816 * TO ME? 1150 01:42:01,849 --> 01:42:04,586 CAPTIONING MADE POSSIBLE BY VIDMARK ENTERTAINMENT 1151 01:42:04,619 --> 01:42:06,921 CAPTIONING PERFORMED BY THE NATIONAL CAPTIONING INSTITUTE, INC. 1152 01:42:06,954 --> 01:42:12,194 PUBLIC PERFORMANCE OF CAPTIONS PROHIBITED WITHOUT PERMISSION OF NATIONAL CAPTIONING INSTITUTE 1153 01:42:15,197 --> 01:42:19,634 * I'VE BEEN THINKIN' 'BOUT WHAT YOU HAVE DONE TO ME * 1154 01:42:19,667 --> 01:42:20,702 * TO ME, TO ME 1155 01:42:20,735 --> 01:42:24,572 * THE DAMAGE IS MUCH DEEPER THAN YOU'LL EVER SEE * 1156 01:42:24,606 --> 01:42:25,407 * SEE, SEE 1157 01:42:25,440 --> 01:42:30,212 * HIT ME LIKE A HAMMER TO MY HEAD * 1158 01:42:30,245 --> 01:42:31,145 * HEAD 1159 01:42:31,179 --> 01:42:34,782 * I WONDER WHY YOU PUSHED AND WHY YOU LED * 1160 01:42:34,816 --> 01:42:36,218 * LED 1161 01:42:36,251 --> 01:42:38,953 * WHY DID YOU DO IT? 1162 01:42:38,986 --> 01:42:43,625 * WHY DID YOU DO THAT THING TO ME? * 1163 01:42:46,661 --> 01:42:49,464 * WHY DID YOU DO IT? 1164 01:42:49,497 --> 01:42:53,635 * WHY DID YOU DO THAT THING TO ME? * 1165 01:42:56,638 --> 01:42:59,607 * THE ONLY ONE WHO KNOWS THE TRUTH * 1166 01:42:59,641 --> 01:43:04,879 * MAN, IT'S IN ME AND YOU 1167 01:43:07,715 --> 01:43:10,785 * BEEN DRIFTIN' 1168 01:43:10,818 --> 01:43:13,855 * AND I'M GOIN' 1169 01:43:13,888 --> 01:43:17,325 * A MILLION MILES 1170 01:43:17,359 --> 01:43:18,760 * NOW YOU KNOW 1171 01:43:18,793 --> 01:43:24,566 * I'M ALIVE, I'M NOT DEAD 1172 01:43:25,333 --> 01:43:27,635 * SO SAY GOOD-BYE 1173 01:43:27,669 --> 01:43:30,872 * BECAUSE I'VE LEFT 1174 01:43:32,674 --> 01:43:34,576 * GONE 1175 01:43:34,609 --> 01:43:38,280 * TOMORROW 1176 01:43:39,547 --> 01:43:41,349 * GONE 1177 01:43:41,383 --> 01:43:44,552 * IN SORROW 1178 01:43:45,753 --> 01:43:47,622 * GONE 1179 01:43:47,655 --> 01:43:51,959 * TODAY 1180 01:43:51,993 --> 01:43:58,500 * GONE AWAY 1181 01:43:58,533 --> 01:44:00,335 * A-AY-A-AY-A-AY 1182 01:44:00,368 --> 01:44:02,837 * GONE AWAY 1183 01:44:03,705 --> 01:44:06,374 * GONE AWAY 1184 01:44:06,708 --> 01:44:09,277 * GONE AWAY 1185 01:44:09,811 --> 01:44:12,714 * GONE AWAY 1186 01:44:13,348 --> 01:44:15,783 * GONE AWAY 1187 01:44:16,651 --> 01:44:19,354 * GONE AWAY 1188 01:44:19,654 --> 01:44:22,524 * GONE AWAY 1189 01:44:22,824 --> 01:44:23,791 * GONE 1190 01:44:23,825 --> 01:44:28,663 * AWAY 75527

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