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These are the user uploaded subtitles that are being translated: 1 00:00:05,172 --> 00:00:08,172 --Captions by VITAC-- www.vitac.com 2 00:00:08,172 --> 00:00:11,137 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS, LLC 3 00:00:25,517 --> 00:00:27,689 Narrator: SWORDS. 4 00:00:32,517 --> 00:00:34,724 PONTOONS. 5 00:00:38,379 --> 00:00:40,000 GRANDFATHER CLOCKS. 6 00:00:44,172 --> 00:00:45,827 AND FUSES. 7 00:00:53,586 --> 00:00:58,517 FOR THOUSANDS OF YEARS, WARS WERE WON AND LOST BY THE SWORD. 8 00:00:58,517 --> 00:01:01,068 SWORDS HELPED SHAPE HISTORY. 9 00:01:02,862 --> 00:01:07,137 TODAY, MODERN ARTISANS CRAFT HISTORICAL REPLICAS 10 00:01:07,137 --> 00:01:08,724 OF THESE AGE-OLD WEAPONS, 11 00:01:08,724 --> 00:01:12,586 AND THEY GO TO THE HILT TO MAKE SURE THE DETAILS ARE JUST RIGHT. 12 00:01:19,586 --> 00:01:22,172 THIS REPRODUCTION OF A MEDIEVAL SWORD 13 00:01:22,172 --> 00:01:25,689 HEARKENS BACK TO THE DAYS OF KNIGHTS IN SHINING ARMOR. 14 00:01:28,586 --> 00:01:30,620 THE FIRST STEP TO MAKING A SWORD 15 00:01:30,620 --> 00:01:34,068 IS TO PLACE A PIECE OF HIGH-CARBON STEEL IN A FIXTURE. 16 00:01:34,068 --> 00:01:38,103 COMPUTER-GUIDED BLADES CARVE OUT THE BASIC SHAPE OF THE SWORD 17 00:01:38,103 --> 00:01:41,517 WITH ALL THE SPECIFICATIONS OF THE ORIGINAL. 18 00:01:41,517 --> 00:01:43,000 CENTURIES AGO, 19 00:01:43,000 --> 00:01:45,965 A BLACKSMITH WOULD HAVE DONE THIS PAINSTAKING JOB BY HAND, 20 00:01:45,965 --> 00:01:48,241 BUT THIS MACHINE IS MUCH FASTER 21 00:01:48,241 --> 00:01:51,241 AND CREATES A MUCH MORE CONSISTENT CUT. 22 00:01:56,620 --> 00:01:58,620 AFTER ABOUT AN HOUR OF CARVING, 23 00:01:58,620 --> 00:02:02,172 A NICELY TAPERED SWORD BLANK EMERGES. 24 00:02:11,482 --> 00:02:14,551 THE BLANK IS SUBMERGED IN HOT LIQUID SALT -- 25 00:02:14,551 --> 00:02:17,241 A CRITICAL STEP THAT SOFTENS THE STEEL 26 00:02:17,241 --> 00:02:20,344 TO ELIMINATE STRESSES CREATED BY THE CARVING. 27 00:02:23,137 --> 00:02:25,344 NEXT, THE BLADE IS PLUNGED INTO COOL LIQUID 28 00:02:25,344 --> 00:02:27,482 IN A PROCESS CALLED QUENCHING. 29 00:02:27,482 --> 00:02:30,827 IT IMMEDIATELY HARDENS THE EDGES OF THE SWORD, 30 00:02:30,827 --> 00:02:33,137 BUT THE CENTER COOLS MORE SLOWLY. 31 00:02:33,137 --> 00:02:36,034 THIS ALLOWS THE SWORD TO RETAIN FLEXIBILITY, 32 00:02:36,034 --> 00:02:38,482 GIVING THE BLADE A SPRINGY QUALITY. 33 00:02:40,965 --> 00:02:42,413 USING A BELT GRINDER, 34 00:02:42,413 --> 00:02:45,103 SWORD MAKERS FINE-TUNE THE BLADE'S SHAPE 35 00:02:45,103 --> 00:02:47,034 AND HONE ITS EDGES. 36 00:02:51,206 --> 00:02:53,931 THE BLADE IS NOW INCREDIBLY SHARP. 37 00:02:56,827 --> 00:02:59,344 TO TEST ITS STRENGTH, THEY STRIKE A METAL BARREL WITH IT. 38 00:02:59,344 --> 00:03:02,931 INCREDIBLY, THE SWORD DOESN'T CHIP. 39 00:03:02,931 --> 00:03:05,034 NEXT, WAX IS PUMPED INTO MOLDS 40 00:03:05,034 --> 00:03:09,793 TO MAKE HISTORICALLY ACCURATE COPIES OF THE HILT PARTS 41 00:03:09,793 --> 00:03:11,206 LIKE THE POMMEL -- 42 00:03:11,206 --> 00:03:15,344 WHICH IS THE COUNTERWEIGHT AT THE END OF THE HILT -- 43 00:03:15,344 --> 00:03:18,931 AND THE GUARD THAT SEPARATES THE BLADE FROM THE HANDLE. 44 00:03:18,931 --> 00:03:22,655 THESE WAX COPIES ARE USED TO CAST THE PARTS IN METAL. 45 00:03:22,655 --> 00:03:26,379 THEN THE CAST-METAL PIECES ARE SMOOTHED AND POLISHED. 46 00:03:30,620 --> 00:03:33,448 THEY SMOOTH AWAY THE ROUGH EDGES ON THIS SWORD GUARD 47 00:03:33,448 --> 00:03:35,689 AND HONE ITS PROFILE. 48 00:03:37,862 --> 00:03:39,896 GRINDING THE POMMEL IS A CHALLENGE, 49 00:03:39,896 --> 00:03:42,827 BECAUSE IT HAS SO MANY CURVES AND ANGLES. 50 00:03:42,827 --> 00:03:45,586 ONE MISTAKE, AND THE POMMEL COULD END UP LOPSIDED, 51 00:03:45,586 --> 00:03:48,896 WHICH MEANS IT WOULDN'T BE VERY EFFECTIVE AS A COUNTERWEIGHT. 52 00:03:55,586 --> 00:03:59,068 WITH THE BLADE IN A PADDED VISE, THE GUARD SLIDES ONTO THE TANG, 53 00:03:59,068 --> 00:04:01,689 WHERE IT'S CUSHIONED WITH A PIECE OF PLASTIC 54 00:04:01,689 --> 00:04:02,793 AND A METAL PIPE. 55 00:04:04,655 --> 00:04:07,724 THEN A SLEDGEHAMMER POUNDS IT INTO POSITION. 56 00:04:15,517 --> 00:04:19,344 NEXT, THE POMMEL IS HAMMERED INTO PLACE. 57 00:04:21,551 --> 00:04:24,793 AND FINALLY, A SMALL PIECE OF STEEL CALLED A PEEN BLOCK 58 00:04:24,793 --> 00:04:26,896 IS SLIPPED ON. 59 00:04:26,896 --> 00:04:29,413 HEAT FROM A TORCH SOFTENS THE PEEN 60 00:04:29,413 --> 00:04:32,000 SO IT SPREADS AS IT'S HAMMERED DOWN. 61 00:04:40,068 --> 00:04:41,758 THE EPOXY GETS A QUICK STIR. 62 00:04:41,758 --> 00:04:44,000 THEN IT'S APPLIED TO TWO WOODEN GRIPS 63 00:04:44,000 --> 00:04:46,379 AS WELL AS TO THE HANDLE OF THE SWORD. 64 00:04:48,586 --> 00:04:51,758 THEN THE GRIPS ARE CLAMPED INTO PLACE. 65 00:04:57,000 --> 00:05:00,655 NEXT, BLACK DYE IS BRUSHED ONTO A THIN PIECE OF LEATHER. 66 00:05:00,655 --> 00:05:03,344 THE OTHER SIDE IS COATED WITH GLUE. 67 00:05:05,965 --> 00:05:08,103 THIS GLUE-AND-DYE-DRENCHED LEATHER 68 00:05:08,103 --> 00:05:10,482 IS THEN WRAPPED AROUND THE WOODEN HANDLE. 69 00:05:15,379 --> 00:05:19,275 IT'S BOUND WITH CORD TO COMPRESS THE LEATHER WRAP WHILE IT DRIES. 70 00:05:23,931 --> 00:05:27,206 NOW IT'S TIME TO BRAND THE BLADE WITH THE MAKER'S INSIGNIA. 71 00:05:27,206 --> 00:05:32,620 CHEMICALS ETCH THE MARK INTO THE STEEL .4 OF AN INCH DEEP. 72 00:05:39,413 --> 00:05:41,103 AND NOW YOU HAVE A REPLICA 73 00:05:41,103 --> 00:05:43,793 THAT'S TRUE TO THE MEDIEVAL ORIGINAL -- 74 00:05:43,793 --> 00:05:47,413 A PIECE OF ART THAT TAKES YOU BACK IN TIME AT SWORDPOINT. 75 00:05:52,758 --> 00:05:56,586 COMING UP, PUTTING TOGETHER THE PIECES OF A PONTOON BOAT. 76 00:06:02,620 --> 00:06:05,034 Narrator: PARTY BARGE, FLOATING BRIDGE, LUXURY RAFT -- 77 00:06:05,034 --> 00:06:08,034 JUST SOME OF THE MANY FUNCTIONS OF PONTOON BOATS. 78 00:06:08,034 --> 00:06:11,517 WHILE THEIR BASIC DESIGN HASN'T CHANGED MUCH OVER THE YEARS, 79 00:06:11,517 --> 00:06:15,068 NEW MATERIALS HAVE MADE PONTOONS BIGGER, SLEEKER, STURDIER, 80 00:06:15,068 --> 00:06:16,517 AND FASTER. 81 00:06:16,517 --> 00:06:20,310 AND WHAT BETTER WAY TO ENJOY AN AFTERNOON THAN ON THE LAKE. 82 00:06:22,206 --> 00:06:23,413 IN THE OLD DAYS, 83 00:06:23,413 --> 00:06:27,137 PONTOONS FLOATED ATOP 45-GALLON STEEL DRUMS. 84 00:06:28,931 --> 00:06:32,275 TODAY, THEY RIDE ON CUSTOM-BUILT FLOATING CHAMBERS 85 00:06:32,275 --> 00:06:34,344 MADE OF SPECIAL ALUMINUM ALLOY. 86 00:06:36,344 --> 00:06:40,379 THESE FLOATING CHAMBERS START OFF AS SHEETS OF ALUMINUM. 87 00:06:40,379 --> 00:06:44,275 THIS ROLLING MACHINE FORMS THEM INTO TUBES, 88 00:06:44,275 --> 00:06:48,862 APPLYING PRESSURE EQUIVALENT TO THE WEIGHT OF 26 ELEPHANTS. 89 00:06:48,862 --> 00:06:52,793 A WORKER SLIDES EACH CYLINDER ONTO A TRACK 90 00:06:52,793 --> 00:06:55,241 TO STABILIZE IT FOR WELDING. 91 00:06:55,241 --> 00:06:57,931 A PACING MACHINE REGULATES THE SPEED OF THE WELDING TORCH 92 00:06:57,931 --> 00:07:00,551 SO THAT IT CONNECTS THE TUBE'S EDGES EVENLY, 93 00:07:00,551 --> 00:07:02,724 PRODUCING A SOLID, WATERTIGHT SEAL. 94 00:07:06,793 --> 00:07:09,827 MEANWHILE, THIS ROLLING MACHINE SHAPES ALUMINUM SHEETS 95 00:07:09,827 --> 00:07:13,482 INTO TAPERED CYLINDERS CALLED NOSE CONES. 96 00:07:13,482 --> 00:07:15,241 BY VARYING THE HYDRAULIC PRESSURE, 97 00:07:15,241 --> 00:07:17,310 THE OPERATOR IS ABLE TO MOLD THE ALUMINUM 98 00:07:17,310 --> 00:07:20,103 INTO THE SHAPE OF A LARGE CONE. 99 00:07:20,103 --> 00:07:22,241 THEY USE A SPECIAL ALUMINUM ALLOY 100 00:07:22,241 --> 00:07:24,448 TO MAKE THE CHAMBERS SHOCKPROOF. 101 00:07:24,448 --> 00:07:29,000 NEXT STEP, MAKING THIS PONTOON LEAKPROOF. 102 00:07:31,655 --> 00:07:35,310 FIRST, THE WELDER CLAMPS THE NOSE CONE SEAMS TOGETHER 103 00:07:35,310 --> 00:07:38,310 TO PREPARE FOR WELDING. 104 00:07:38,310 --> 00:07:40,551 BECAUSE OF ITS UNIQUE SHAPE, 105 00:07:40,551 --> 00:07:44,206 THE NOSE CONE HAS TO BE WELDED COMPLETELY BY HAND. 106 00:07:44,206 --> 00:07:46,931 THIS TYPE OF WELDING, CALLED TIG WELDING, 107 00:07:46,931 --> 00:07:52,103 GENERATES TEMPERATURES THAT CAN REACH 9,000 DEGREES FAHRENHEIT. 108 00:07:52,103 --> 00:07:54,724 THE NOSE CONES WILL SIT AT THE BOW OF THE BOAT, 109 00:07:54,724 --> 00:07:58,241 IN FRONT OF THE OTHER FLOATING CHAMBERS. 110 00:07:58,241 --> 00:08:00,586 THE WAFFLED COMPONENT AT THE END OF EACH CHAMBER 111 00:08:00,586 --> 00:08:01,724 IS CALLED THE BAFFLE. 112 00:08:01,724 --> 00:08:06,000 IT ADDS EXTRA PROTECTION AGAINST LEAKS. 113 00:08:06,000 --> 00:08:08,275 THIS HYDRAULIC PRESS SQUEEZES THE SECTIONS TOGETHER 114 00:08:08,275 --> 00:08:10,310 FOR AN EXTRA-SNUG FIT. 115 00:08:12,172 --> 00:08:15,517 CHAMBERS ARE WELDED TOGETHER TO FORM FLOATS. 116 00:08:15,517 --> 00:08:18,551 THE NUMBER OF CHAMBERS PER FLOAT VARIES 117 00:08:18,551 --> 00:08:21,551 DEPENDING ON THE PONTOON'S LENGTH. 118 00:08:21,551 --> 00:08:25,137 THESE RISERS WILL HOLD THE PONTOON'S FLOOR IN PLACE. 119 00:08:25,137 --> 00:08:27,310 EACH CHAMBER FLOATS ON ITS OWN, 120 00:08:27,310 --> 00:08:31,310 SO EVEN WITH SEVERAL PUNCTURES, THE BOAT WOULD STAY AFLOAT. 121 00:08:35,896 --> 00:08:39,137 A WORKER SHOOTS COMPRESSED AIR INTO EACH CHAMBER 122 00:08:39,137 --> 00:08:40,793 TO CHECK FOR LEAKS. 123 00:08:44,862 --> 00:08:46,551 HE COATS THE WELDS WITH A SOAPY SOLUTION, 124 00:08:46,551 --> 00:08:49,758 WHICH WILL BUBBLE UP IN THE CASE OF AN AIR LEAK. 125 00:08:49,758 --> 00:08:51,206 THIS DEMONSTRATION SHOWS 126 00:08:51,206 --> 00:08:53,862 THAT IF AIR CAN GET OUT THROUGH THIS TINY HOLE, 127 00:08:53,862 --> 00:08:57,206 THEN WATER CAN GET IN THROUGH IT. 128 00:08:57,206 --> 00:08:59,689 WORKERS INSTALL ALUMINUM CROSS MEMBERS 129 00:08:59,689 --> 00:09:03,413 TO SUPPORT ALL THE WEIGHT THAT WILL BE ADDED ON TOP. 130 00:09:03,413 --> 00:09:05,172 A PNEUMATIC TORQUE WRENCH IS USED 131 00:09:05,172 --> 00:09:09,862 TO BOLT THE CROSS MEMBERS INTO THE RISERS WITH RUSTPROOF NUTS. 132 00:09:09,862 --> 00:09:12,413 NEXT, THE BOAT'S FLOOR IS CONSTRUCTED 133 00:09:12,413 --> 00:09:15,413 FROM SHEETS OF PRESSURE-TREATED PLYWOOD. 134 00:09:15,413 --> 00:09:20,206 POP RIVETS ANCHOR IT SECURELY TO THE CROSS MEMBERS. 135 00:09:20,206 --> 00:09:23,724 WORKERS CUSTOM-CUT AND GLUE DOWN A MARINE CARPET. 136 00:09:23,724 --> 00:09:25,206 IT'S MADE OF PLASTIC, 137 00:09:25,206 --> 00:09:29,068 SO EVEN WITH A LOT OF WATER EXPOSURE, IT STILL WON'T ROT. 138 00:09:29,068 --> 00:09:32,379 NOW FOR SOME FADE-RESISTANT DECALS. 139 00:09:32,379 --> 00:09:35,206 ROLLERS CRIMP THE BOAT'S ALUMINUM SIDE PANELS 140 00:09:35,206 --> 00:09:36,689 TO MAKE THEM STRONGER. 141 00:09:36,689 --> 00:09:41,000 CORRUGATED PANELS DON'T WARP OR WOBBLE AS MUCH AS FLAT ONES. 142 00:09:41,000 --> 00:09:42,758 USING A POP-RIVET GUN, 143 00:09:42,758 --> 00:09:46,793 A WORKER FASTENS THE PANELS ONTO THE RAILING. 144 00:09:46,793 --> 00:09:50,758 THIS SHAPING MACHINE CURVES THE RAILING IN ALL THE RIGHT PLACES, 145 00:09:50,758 --> 00:09:53,965 BENDING THE MALLEABLE METAL WITH VARYING PRESSURE. 146 00:09:58,586 --> 00:10:01,620 NEXT, WORKERS BRING THE ASSEMBLED PIECES 147 00:10:01,620 --> 00:10:03,551 TO THE PLATFORM. 148 00:10:07,862 --> 00:10:10,931 SCREWS AND BOLTS SECURE EVERYTHING TO THE BOAT'S FLOOR, 149 00:10:10,931 --> 00:10:12,931 INCLUDING THE FURNITURE. 150 00:10:14,275 --> 00:10:17,206 THE PONTOON'S CAPTAIN WILL COMMAND THE CRAFT 151 00:10:17,206 --> 00:10:18,551 USING THIS CONSOLE. 152 00:10:23,379 --> 00:10:25,931 THE BUTTONS FOR THE HORN, LIGHTS, AND MUSIC 153 00:10:25,931 --> 00:10:29,310 SIT AT THE TOP OF THE CONSOLE FOR EASY ACCESS. 154 00:10:31,000 --> 00:10:35,724 EXTRA TOUCHES BRING SOME OF THE COMFORTS OF HOME TO THIS CRAFT. 155 00:10:38,068 --> 00:10:41,137 WIRES AND CONTROL CABLES CONNECT THE CAPTAIN'S CONSOLE 156 00:10:41,137 --> 00:10:44,482 TO THIS 50-HORSEPOWER MOTOR. 157 00:10:44,482 --> 00:10:46,827 IT'S BY NO MEANS A HIGH-SPEED ENGINE, 158 00:10:46,827 --> 00:10:49,758 BUT IT GIVES A PONTOON BOAT ALL THE POWER IT NEEDS 159 00:10:49,758 --> 00:10:51,655 FOR A LEISURELY SPIN ON THE LAKE. 160 00:11:00,310 --> 00:11:04,137 WHEN WE RETURN, CLOCKING IN AT A FACTORY WHERE TIME IS MONEY. 161 00:11:09,586 --> 00:11:11,275 Narrator: INVENTED CENTURIES AGO, 162 00:11:11,275 --> 00:11:13,034 GRANDFATHER CLOCKS RUN ON GRAVITY. 163 00:11:13,034 --> 00:11:16,724 WHEN YOU WIND THE CLOCK, WEIGHTS INSIDE ARE DRAWN UPWARDS. 164 00:11:16,724 --> 00:11:19,724 GRAVITY THEN PULLS THE WEIGHTS DOWN GRADUALLY, 165 00:11:19,724 --> 00:11:23,344 UNWINDING THE CABLES AND TURNING THE HANDS OF THE CLOCK. 166 00:11:23,344 --> 00:11:27,310 THE PROPER TERM FOR THIS TYPE OF TIMEPIECE IS A LONG-CASE CLOCK. 167 00:11:30,931 --> 00:11:32,689 THE NICKNAME "GRANDFATHER CLOCK" 168 00:11:32,689 --> 00:11:35,965 CAME FROM A POPULAR SONG FROM THE 1800s. 169 00:11:40,793 --> 00:11:42,827 THIS LONG-ESTABLISHED COMPANY 170 00:11:42,827 --> 00:11:45,689 MAKES ITS CLOCK CASES OUT OF QUALITY HARDWOODS, 171 00:11:45,689 --> 00:11:48,620 SUCH AS MAPLE AND OAK. 172 00:11:48,620 --> 00:11:51,689 TO CONSTRUCT FRAMES FOR THE FOUR SIDES AND DOOR, 173 00:11:51,689 --> 00:11:53,586 WORKERS FIT DOWELS INTO HOLES, 174 00:11:53,586 --> 00:11:57,000 THEN SECURE THE PIECES TOGETHER WITH SCREWS AND GLUE. 175 00:11:57,000 --> 00:11:59,758 THEY LAY EACH FRAME IN THIS CURING MACHINE 176 00:11:59,758 --> 00:12:03,241 THAT USES HIGH-FREQUENCY RADIO WAVES TO GENERATE HEAT, 177 00:12:03,241 --> 00:12:06,793 DRYING THE GLUE IN SECONDS. 178 00:12:06,793 --> 00:12:10,413 WORKERS CONNECT THE FOUR FRAMES WITH SCREWS AND GLUE. 179 00:12:10,413 --> 00:12:14,034 THEY'LL LATER ATTACH THE DOORFRAME WITH HINGES. 180 00:12:18,482 --> 00:12:21,103 THE NEXT STEP IS TO ASSEMBLE A BASE -- 181 00:12:21,103 --> 00:12:23,689 AGAIN, WITH DOWELS, GLUE, AND SCREWS. 182 00:12:28,034 --> 00:12:29,413 ONCE THE GLUE IS DRY, 183 00:12:29,413 --> 00:12:31,931 THE ASSEMBLED FRAME GOES INTO THE BASE. 184 00:12:36,965 --> 00:12:38,827 NOW FOR SOME EMBELLISHMENT. 185 00:12:38,827 --> 00:12:42,310 COMPUTER-GUIDED ROUTERS CARVE ELEGANT WOOD MOLDINGS 186 00:12:42,310 --> 00:12:46,103 THAT GIVE THIS PARTICULAR MODEL A TRADITIONAL FEEL. 187 00:12:46,103 --> 00:12:50,448 TODAY'S GRANDFATHER CLOCKS COME IN STYLES TO SUIT ANY DECOR. 188 00:12:53,655 --> 00:12:55,310 WORKERS CAREFULLY SAND 189 00:12:55,310 --> 00:12:58,000 EVERY SINGLE PIECE OF WOOD IN THE CLOCK CASE. 190 00:12:58,000 --> 00:13:00,068 THE SURFACE MUST BE FLAWLESSLY SMOOTH 191 00:13:00,068 --> 00:13:03,034 FOR IT TO ABSORB COLOR EVENLY. 192 00:13:03,034 --> 00:13:07,000 THE MOLDINGS ARE ATTACHED WITH A COMBINATION OF GLUE AND NAILS. 193 00:13:12,724 --> 00:13:17,000 THESE LONG PIECES OF WOOD BECOME CURVED, FLUTED MOLDINGS. 194 00:13:21,551 --> 00:13:24,655 THEY ADORN THE SIDE OF THE DOORFRAME. 195 00:13:24,655 --> 00:13:27,586 THIS MODEL ALSO FEATURES A PAIR OF STATELY COLUMNS 196 00:13:27,586 --> 00:13:30,862 ABOVE AND BELOW THE FLUTES. 197 00:13:30,862 --> 00:13:33,275 A WORKER FIRST POSITIONS THEM WITH GLUE, 198 00:13:33,275 --> 00:13:38,172 THEN SCREWS THEM SECURELY INTO THE FRAME FROM BEHIND. 199 00:13:38,172 --> 00:13:40,931 THE NEXT STEP IS TO STAIN THE WOOD, 200 00:13:40,931 --> 00:13:43,896 HAND-RUBBING IT TO BRING OUT THE GRAIN. 201 00:13:43,896 --> 00:13:45,655 A COAT OF LACQUER PROTECTS THE WOOD 202 00:13:45,655 --> 00:13:48,931 AND GIVES IT A DEGREE OF SHEEN, FROM MATTE TO GLOSSY, 203 00:13:48,931 --> 00:13:50,448 DEPENDING ON THE MODEL. 204 00:13:50,448 --> 00:13:52,827 AFTER INSTALLING THE GLASS AND DOOR, 205 00:13:52,827 --> 00:13:55,655 IT'S TIME TO INSTALL THE CLOCK'S COMPONENTS. 206 00:13:55,655 --> 00:13:58,137 WORKERS START WITH LONG, METAL BARS CALLED CHIME RODS, 207 00:13:58,137 --> 00:14:00,620 8 TO 12 OF THEM, DEPENDING ON THE MODEL. 208 00:14:00,620 --> 00:14:03,896 EACH CHIME ROD PRODUCES A CERTAIN DIFFERENT MUSICAL NOTE 209 00:14:03,896 --> 00:14:05,103 WHEN STRUCK. 210 00:14:05,103 --> 00:14:08,000 NEXT COMES A MECHANISM CALLED THE MOVEMENT. 211 00:14:08,000 --> 00:14:10,137 IT CONTAINS TIMEKEEPING COMPONENTS 212 00:14:10,137 --> 00:14:13,137 THAT TRIGGER THE CHIME HAMMERS TO HIT THE CHIME RODS 213 00:14:13,137 --> 00:14:16,275 ON THE HOUR, HALF-HOUR, OR QUARTER-HOUR. 214 00:14:16,275 --> 00:14:19,137 THIS COMPANY USES ONLY TOP-QUALITY, 215 00:14:19,137 --> 00:14:22,379 ALL-BRASS MOVEMENTS IMPORTED FROM GERMANY. 216 00:14:22,379 --> 00:14:25,551 THE CHIME HAMMERS ARE ALSO MADE OF BRASS, 217 00:14:25,551 --> 00:14:27,586 BUT THEY HAVE PLASTIC TIPS, 218 00:14:27,586 --> 00:14:29,344 SO YOU ONLY HEAR THE MUSICAL NOTE, 219 00:14:29,344 --> 00:14:32,206 NOT THE SOUND OF METAL STRIKING METAL. 220 00:14:32,206 --> 00:14:34,137 THESE BRASS PULLEYS 221 00:14:34,137 --> 00:14:36,827 HANG FROM CABLES CONNECTED TO THE MOVEMENT. 222 00:14:36,827 --> 00:14:39,931 THE PULLEYS WILL SUPPORT THE CLOCK'S THREE WEIGHTS. 223 00:14:44,310 --> 00:14:47,551 AFTER CONNECTING THE MOVEMENT TO THE CLOCK DIAL, 224 00:14:47,551 --> 00:14:50,827 A WORKER INSERTS A DECORATIVE DETAIL -- 225 00:14:50,827 --> 00:14:53,310 A WOOD PANEL TO FRAME THE DIAL. 226 00:14:57,448 --> 00:15:00,206 THEN SHE INSTALLS THE CLOCK'S SECOND HAND 227 00:15:00,206 --> 00:15:04,137 INTO THE CENTER OF A MINIATURE DIAL. 228 00:15:04,137 --> 00:15:08,275 ON THE MAIN DIAL, THE HOUR AND THE MINUTE HANDS ARE ATTACHED. 229 00:15:08,275 --> 00:15:10,103 DEPENDING ON THE MODEL, 230 00:15:10,103 --> 00:15:13,758 THESE ALUMINUM HANDS ARE PAINTED EITHER BLACK OR GOLD. 231 00:15:16,275 --> 00:15:18,793 A DECORATIVE NUT SECURES THEM. 232 00:15:29,586 --> 00:15:33,896 FINALLY, THE ALL-IMPORTANT WEIGHTS AND PENDULUM. 233 00:15:33,896 --> 00:15:36,551 THE WEIGHTS ARE BRASS CANISTERS FILLED WITH LEAD. 234 00:15:36,551 --> 00:15:38,448 EACH ONE WEIGHS ALMOST 9 POUNDS. 235 00:15:40,586 --> 00:15:44,896 THE PENDULUM SWAYS FROM SIDE TO SIDE AT AN EVEN PACE. 236 00:15:44,896 --> 00:15:48,034 THIS ENSURES THAT THE CLOCK KEEPS ACCURATE TIME. 237 00:15:48,034 --> 00:15:50,965 IT ALSO DRIVES THE CLOCK TO CHIME ON THE HOUR 238 00:15:50,965 --> 00:15:52,586 OR FRACTION OF THE HOUR. 239 00:15:54,896 --> 00:15:57,137 ALL YOU HAVE TO DO TO KEEP THIS CLOCK TICKING 240 00:15:57,137 --> 00:16:00,103 IS WIND IT UP ABOUT ONCE A WEEK. 241 00:16:07,241 --> 00:16:11,000 UP NEXT, BEHIND THE SCENES AT A FUSE FACTORY. 242 00:16:16,724 --> 00:16:17,758 Narrator: INVENTED IN THE 19th CENTURY, 243 00:16:17,758 --> 00:16:19,689 FUSES ARE DESIGNED TO BLOW 244 00:16:19,689 --> 00:16:22,344 WHENEVER THERE'S A POWER OVERLOAD. 245 00:16:22,344 --> 00:16:24,689 THIS STOPS THE FLOW OF ELECTRICITY 246 00:16:24,689 --> 00:16:26,379 AND PREVENTS A WIRING FIRE. 247 00:16:26,379 --> 00:16:28,689 WE MAY NEVER SEE FUSES IN ACTION, 248 00:16:28,689 --> 00:16:31,517 BUT THEY'RE CONSTANTLY WORKING TO PROTECT US 249 00:16:31,517 --> 00:16:33,862 WHEREVER ELECTRICAL CURRENT FLOWS. 250 00:16:38,275 --> 00:16:42,379 CHOOSING THE RIGHT FUSE DEPENDS ON THE AMOUNT OF CURRENT. 251 00:16:45,206 --> 00:16:49,103 TO MAKE A HIGH-VOLTAGE FUSE FOR USE IN ELECTRICAL SUBSTATIONS, 252 00:16:49,103 --> 00:16:52,448 THIS MACHINE CUTS NOTCHES INTO A LONG, SILVER STRIP, 253 00:16:52,448 --> 00:16:54,931 WHICH WILL SERVE AS THE FUSE'S ELEMENT. 254 00:16:54,931 --> 00:16:58,137 THE NOTCHES WILL HELP CONTROL THE WAY THE FUSE BLOWS. 255 00:16:58,137 --> 00:17:00,896 BITS OF SOFT METAL ARE MELTED ONTO THE STRIP. 256 00:17:00,896 --> 00:17:05,793 THESE WILL BE THE POINTS WHERE THE FUSE BLOWS. 257 00:17:05,793 --> 00:17:07,413 ONE END OF THE SILVER ELEMENT 258 00:17:07,413 --> 00:17:10,034 IS WELDED TO THE TOP OF A CERAMIC CORE... 259 00:17:11,931 --> 00:17:15,275 ...AND THE ELEMENT IS WOUND AROUND IT. 260 00:17:25,137 --> 00:17:28,655 WORKERS SLIDE THE ELEMENT CORE INTO THE FUSE CASING 261 00:17:28,655 --> 00:17:32,206 AND BEND BACK METAL TABS. 262 00:17:32,206 --> 00:17:35,103 THEN, USING A SOLDERING TECHNIQUE CALLED BRAZING, 263 00:17:35,103 --> 00:17:37,655 THEY SEAL EVERYTHING TOGETHER. 264 00:17:43,413 --> 00:17:48,310 THEY TAKE A BRASS WASHER AND WIND IGNITION WIRE AROUND IT. 265 00:17:48,310 --> 00:17:50,413 THEY'RE ASSEMBLING THE STRIKER PIN -- 266 00:17:50,413 --> 00:17:52,551 THE DEVICE THAT INDICATES A BLOWN FUSE 267 00:17:52,551 --> 00:17:54,137 AND SHUTS DOWN THE POWER. 268 00:17:56,137 --> 00:17:58,724 THE STRIKER PIN IS FITTED TO THE WASHER, 269 00:17:58,724 --> 00:18:00,517 AND WITH THE WIRE PROTRUDING, 270 00:18:00,517 --> 00:18:04,344 IT'S PLACED INTO A HOLDING DEVICE. 271 00:18:04,344 --> 00:18:08,758 EXPLOSIVE POWDER IS ADDED TO EACH STRIKER PIN. 272 00:18:13,344 --> 00:18:16,896 THEN THE BOTTOM OF THE PIN IS PLUGGED WITH A RUBBER STOPPER. 273 00:18:24,620 --> 00:18:27,931 NEXT, THE STRIKER PIN IS PRESSED INTO A BRASS CAPSULE. 274 00:18:27,931 --> 00:18:30,241 THIS WILL CONTAIN THE MINI-EXPLOSION 275 00:18:30,241 --> 00:18:33,034 THAT PUSHES OUT THE PIN WHEN THE FUSE IS BLOWN. 276 00:18:36,931 --> 00:18:40,068 THIS TEST RUN SHOWS HOW IT ALL HAPPENS. 277 00:18:40,068 --> 00:18:42,068 THE PIN'S IGNITION WIRE 278 00:18:42,068 --> 00:18:45,551 IS WRAPPED AROUND AN ELECTRICAL POST. 279 00:18:45,551 --> 00:18:47,724 WORKERS CLAMP DOWN THE PIN 280 00:18:47,724 --> 00:18:49,724 AND POSITION THE PENDULUM THAT SWINGS 281 00:18:49,724 --> 00:18:54,379 TO INDICATE THE AMOUNT OF FORCE WITH WHICH THE PIN FIRES. 282 00:18:54,379 --> 00:18:58,000 A JOLT OF POWER DETONATES THE EXPLOSIVE. 283 00:18:58,000 --> 00:19:02,655 THIS CAUSES THE PIN TO PROTRUDE, SIGNIFYING A BLOWN FUSE. 284 00:19:07,344 --> 00:19:11,068 NOW, A METAL EYELET SLIDES ONTO THE STRIKER PIN'S IGNITION WIRE, 285 00:19:11,068 --> 00:19:13,517 AND THEN A WIRE COIL IS ATTACHED TO IT, 286 00:19:13,517 --> 00:19:16,275 COMPLETING THE STRIKER PIN'S IGNITION SYSTEM. 287 00:19:21,689 --> 00:19:26,206 A SNARE PULLS THE WHOLE ASSEMBLY INTO THE FUSE. 288 00:19:30,344 --> 00:19:35,551 THE END OF THE COIL IS TIED TO THE FUSE'S CAP. 289 00:19:35,551 --> 00:19:39,655 AND AN OUTER CAP IS PRESS-FITTED OVER THE INNER ONE. 290 00:19:42,586 --> 00:19:46,689 NEXT, THE FUSE IS FILLED WITH SAND. 291 00:19:46,689 --> 00:19:48,655 THIS SAND WILL ABSORB ENERGY FROM THE ELEMENT 292 00:19:48,655 --> 00:19:50,517 WHEN THE FUSE BLOWS. 293 00:19:58,206 --> 00:20:03,137 AUTOMATED RODS TAP THE FUSES TO COMPACT THE SAND INSIDE. 294 00:20:05,793 --> 00:20:08,862 NEXT, AN OUTER CAP IS LUBRICATED... 295 00:20:12,758 --> 00:20:15,793 ...AND IT'S PRESSED ONTO THE OTHER END OF THE FUSE. 296 00:20:22,862 --> 00:20:25,724 THIS MACHINE SPINS GROOVES ONTO THE CAP, 297 00:20:25,724 --> 00:20:28,551 PINCHING IT TIGHTLY TO THE FUSE CASING. 298 00:20:33,965 --> 00:20:36,586 A CURRENT IS RUN THROUGH EACH ONE OF THESE FUSES, 299 00:20:36,586 --> 00:20:38,310 CHECKING THE VOLTAGE 300 00:20:38,310 --> 00:20:41,655 TO CONFIRM THAT THEY'RE IN GOOD WORKING ORDER. 301 00:20:43,689 --> 00:20:46,551 SEALANT IS THEN PUMPED AROUND THE CAP'S RIMS 302 00:20:46,551 --> 00:20:48,758 TO MAKE THEM COMPLETELY AIRTIGHT. 303 00:20:50,758 --> 00:20:55,862 FINALLY, THE SAFETY INFORMATION IS AFFIXED TO THE FUSE. 304 00:20:57,482 --> 00:20:59,551 AND SOME ELECTRICAL SPECIFICATIONS 305 00:20:59,551 --> 00:21:02,103 ARE STAMPED ONTO THE CAPS. 306 00:21:03,620 --> 00:21:06,965 NOW THESE FUSES ARE READY TO GO WITH THE ELECTRICAL FLOW 307 00:21:06,965 --> 00:21:09,655 AND BLOW AT THE FIRST SIGN OF TROUBLE. 308 00:21:12,862 --> 00:21:14,931 IF YOU HAVE ANY COMMENTS ABOUT THE SHOW, 309 00:21:14,931 --> 00:21:17,689 OR IF YOU'D LIKE TO SUGGEST TOPICS FOR FUTURE SHOWS, 310 00:21:17,689 --> 00:21:20,413 DROP US A LINE AT... 25232

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