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--Captions by VITAC--
www.vitac.com
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00:00:08,172 --> 00:00:11,137
CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS, LLC
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Narrator: SWORDS.
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00:00:32,517 --> 00:00:34,724
PONTOONS.
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GRANDFATHER CLOCKS.
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00:00:44,172 --> 00:00:45,827
AND FUSES.
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FOR THOUSANDS OF YEARS, WARS
WERE WON AND LOST BY THE SWORD.
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00:00:58,517 --> 00:01:01,068
SWORDS HELPED SHAPE HISTORY.
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00:01:02,862 --> 00:01:07,137
TODAY, MODERN ARTISANS CRAFT
HISTORICAL REPLICAS
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00:01:07,137 --> 00:01:08,724
OF THESE AGE-OLD WEAPONS,
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00:01:08,724 --> 00:01:12,586
AND THEY GO TO THE HILT TO MAKE
SURE THE DETAILS ARE JUST RIGHT.
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THIS REPRODUCTION
OF A MEDIEVAL SWORD
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HEARKENS BACK TO THE DAYS
OF KNIGHTS IN SHINING ARMOR.
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THE FIRST STEP TO MAKING A SWORD
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IS TO PLACE A PIECE OF
HIGH-CARBON STEEL IN A FIXTURE.
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00:01:34,068 --> 00:01:38,103
COMPUTER-GUIDED BLADES CARVE OUT
THE BASIC SHAPE OF THE SWORD
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WITH ALL THE SPECIFICATIONS
OF THE ORIGINAL.
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CENTURIES AGO,
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A BLACKSMITH WOULD HAVE DONE
THIS PAINSTAKING JOB BY HAND,
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BUT THIS MACHINE IS MUCH FASTER
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00:01:48,241 --> 00:01:51,241
AND CREATES
A MUCH MORE CONSISTENT CUT.
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AFTER ABOUT AN HOUR OF CARVING,
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A NICELY TAPERED
SWORD BLANK EMERGES.
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00:02:11,482 --> 00:02:14,551
THE BLANK IS SUBMERGED
IN HOT LIQUID SALT --
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A CRITICAL STEP
THAT SOFTENS THE STEEL
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00:02:17,241 --> 00:02:20,344
TO ELIMINATE STRESSES
CREATED BY THE CARVING.
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00:02:23,137 --> 00:02:25,344
NEXT, THE BLADE
IS PLUNGED INTO COOL LIQUID
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00:02:25,344 --> 00:02:27,482
IN A PROCESS CALLED QUENCHING.
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IT IMMEDIATELY HARDENS
THE EDGES OF THE SWORD,
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BUT THE CENTER
COOLS MORE SLOWLY.
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00:02:33,137 --> 00:02:36,034
THIS ALLOWS THE SWORD
TO RETAIN FLEXIBILITY,
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GIVING THE BLADE
A SPRINGY QUALITY.
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USING A BELT GRINDER,
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SWORD MAKERS FINE-TUNE
THE BLADE'S SHAPE
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AND HONE ITS EDGES.
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THE BLADE IS NOW
INCREDIBLY SHARP.
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TO TEST ITS STRENGTH, THEY
STRIKE A METAL BARREL WITH IT.
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INCREDIBLY,
THE SWORD DOESN'T CHIP.
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NEXT, WAX IS PUMPED INTO MOLDS
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TO MAKE HISTORICALLY ACCURATE
COPIES OF THE HILT PARTS
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LIKE THE POMMEL --
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WHICH IS THE COUNTERWEIGHT
AT THE END OF THE HILT --
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AND THE GUARD THAT SEPARATES
THE BLADE FROM THE HANDLE.
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THESE WAX COPIES ARE USED
TO CAST THE PARTS IN METAL.
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THEN THE CAST-METAL PIECES
ARE SMOOTHED AND POLISHED.
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THEY SMOOTH AWAY THE ROUGH EDGES
ON THIS SWORD GUARD
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AND HONE ITS PROFILE.
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GRINDING THE POMMEL
IS A CHALLENGE,
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00:03:39,896 --> 00:03:42,827
BECAUSE IT HAS SO MANY CURVES
AND ANGLES.
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ONE MISTAKE, AND THE POMMEL
COULD END UP LOPSIDED,
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WHICH MEANS IT WOULDN'T BE VERY
EFFECTIVE AS A COUNTERWEIGHT.
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WITH THE BLADE IN A PADDED VISE,
THE GUARD SLIDES ONTO THE TANG,
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WHERE IT'S CUSHIONED
WITH A PIECE OF PLASTIC
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00:04:01,689 --> 00:04:02,793
AND A METAL PIPE.
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00:04:04,655 --> 00:04:07,724
THEN A SLEDGEHAMMER
POUNDS IT INTO POSITION.
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00:04:15,517 --> 00:04:19,344
NEXT, THE POMMEL
IS HAMMERED INTO PLACE.
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00:04:21,551 --> 00:04:24,793
AND FINALLY, A SMALL PIECE
OF STEEL CALLED A PEEN BLOCK
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IS SLIPPED ON.
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HEAT FROM A TORCH
SOFTENS THE PEEN
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00:04:29,413 --> 00:04:32,000
SO IT SPREADS
AS IT'S HAMMERED DOWN.
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THE EPOXY GETS A QUICK STIR.
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00:04:41,758 --> 00:04:44,000
THEN IT'S APPLIED
TO TWO WOODEN GRIPS
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00:04:44,000 --> 00:04:46,379
AS WELL AS TO THE HANDLE
OF THE SWORD.
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00:04:48,586 --> 00:04:51,758
THEN THE GRIPS
ARE CLAMPED INTO PLACE.
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NEXT, BLACK DYE IS BRUSHED
ONTO A THIN PIECE OF LEATHER.
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00:05:00,655 --> 00:05:03,344
THE OTHER SIDE
IS COATED WITH GLUE.
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00:05:05,965 --> 00:05:08,103
THIS GLUE-AND-DYE-DRENCHED
LEATHER
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00:05:08,103 --> 00:05:10,482
IS THEN WRAPPED AROUND
THE WOODEN HANDLE.
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00:05:15,379 --> 00:05:19,275
IT'S BOUND WITH CORD TO COMPRESS
THE LEATHER WRAP WHILE IT DRIES.
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00:05:23,931 --> 00:05:27,206
NOW IT'S TIME TO BRAND THE BLADE
WITH THE MAKER'S INSIGNIA.
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00:05:27,206 --> 00:05:32,620
CHEMICALS ETCH THE MARK INTO
THE STEEL .4 OF AN INCH DEEP.
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00:05:39,413 --> 00:05:41,103
AND NOW YOU HAVE A REPLICA
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THAT'S TRUE
TO THE MEDIEVAL ORIGINAL --
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A PIECE OF ART THAT TAKES YOU
BACK IN TIME AT SWORDPOINT.
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COMING UP, PUTTING TOGETHER
THE PIECES OF A PONTOON BOAT.
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Narrator: PARTY BARGE,
FLOATING BRIDGE, LUXURY RAFT --
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00:06:05,034 --> 00:06:08,034
JUST SOME OF THE MANY FUNCTIONS
OF PONTOON BOATS.
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00:06:08,034 --> 00:06:11,517
WHILE THEIR BASIC DESIGN HASN'T
CHANGED MUCH OVER THE YEARS,
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00:06:11,517 --> 00:06:15,068
NEW MATERIALS HAVE MADE PONTOONS
BIGGER, SLEEKER, STURDIER,
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AND FASTER.
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00:06:16,517 --> 00:06:20,310
AND WHAT BETTER WAY TO ENJOY
AN AFTERNOON THAN ON THE LAKE.
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00:06:22,206 --> 00:06:23,413
IN THE OLD DAYS,
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PONTOONS FLOATED ATOP
45-GALLON STEEL DRUMS.
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00:06:28,931 --> 00:06:32,275
TODAY, THEY RIDE ON
CUSTOM-BUILT FLOATING CHAMBERS
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00:06:32,275 --> 00:06:34,344
MADE OF SPECIAL ALUMINUM ALLOY.
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THESE FLOATING CHAMBERS
START OFF AS SHEETS OF ALUMINUM.
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THIS ROLLING MACHINE
FORMS THEM INTO TUBES,
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APPLYING PRESSURE EQUIVALENT
TO THE WEIGHT OF 26 ELEPHANTS.
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00:06:48,862 --> 00:06:52,793
A WORKER SLIDES EACH CYLINDER
ONTO A TRACK
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00:06:52,793 --> 00:06:55,241
TO STABILIZE IT FOR WELDING.
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00:06:55,241 --> 00:06:57,931
A PACING MACHINE REGULATES
THE SPEED OF THE WELDING TORCH
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00:06:57,931 --> 00:07:00,551
SO THAT IT CONNECTS
THE TUBE'S EDGES EVENLY,
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00:07:00,551 --> 00:07:02,724
PRODUCING A SOLID,
WATERTIGHT SEAL.
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00:07:06,793 --> 00:07:09,827
MEANWHILE, THIS ROLLING MACHINE
SHAPES ALUMINUM SHEETS
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00:07:09,827 --> 00:07:13,482
INTO TAPERED CYLINDERS
CALLED NOSE CONES.
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00:07:13,482 --> 00:07:15,241
BY VARYING
THE HYDRAULIC PRESSURE,
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THE OPERATOR
IS ABLE TO MOLD THE ALUMINUM
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00:07:17,310 --> 00:07:20,103
INTO THE SHAPE OF A LARGE CONE.
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00:07:20,103 --> 00:07:22,241
THEY USE
A SPECIAL ALUMINUM ALLOY
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00:07:22,241 --> 00:07:24,448
TO MAKE THE CHAMBERS SHOCKPROOF.
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NEXT STEP,
MAKING THIS PONTOON LEAKPROOF.
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00:07:31,655 --> 00:07:35,310
FIRST, THE WELDER CLAMPS
THE NOSE CONE SEAMS TOGETHER
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TO PREPARE FOR WELDING.
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00:07:38,310 --> 00:07:40,551
BECAUSE OF ITS UNIQUE SHAPE,
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00:07:40,551 --> 00:07:44,206
THE NOSE CONE HAS TO BE WELDED
COMPLETELY BY HAND.
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00:07:44,206 --> 00:07:46,931
THIS TYPE OF WELDING,
CALLED TIG WELDING,
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00:07:46,931 --> 00:07:52,103
GENERATES TEMPERATURES THAT CAN
REACH 9,000 DEGREES FAHRENHEIT.
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00:07:52,103 --> 00:07:54,724
THE NOSE CONES
WILL SIT AT THE BOW OF THE BOAT,
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00:07:54,724 --> 00:07:58,241
IN FRONT OF
THE OTHER FLOATING CHAMBERS.
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00:07:58,241 --> 00:08:00,586
THE WAFFLED COMPONENT
AT THE END OF EACH CHAMBER
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IS CALLED THE BAFFLE.
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00:08:01,724 --> 00:08:06,000
IT ADDS EXTRA PROTECTION
AGAINST LEAKS.
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00:08:06,000 --> 00:08:08,275
THIS HYDRAULIC PRESS
SQUEEZES THE SECTIONS TOGETHER
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FOR AN EXTRA-SNUG FIT.
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00:08:12,172 --> 00:08:15,517
CHAMBERS ARE WELDED TOGETHER
TO FORM FLOATS.
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00:08:15,517 --> 00:08:18,551
THE NUMBER OF
CHAMBERS PER FLOAT VARIES
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00:08:18,551 --> 00:08:21,551
DEPENDING ON
THE PONTOON'S LENGTH.
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00:08:21,551 --> 00:08:25,137
THESE RISERS WILL HOLD
THE PONTOON'S FLOOR IN PLACE.
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00:08:25,137 --> 00:08:27,310
EACH CHAMBER FLOATS ON ITS OWN,
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00:08:27,310 --> 00:08:31,310
SO EVEN WITH SEVERAL PUNCTURES,
THE BOAT WOULD STAY AFLOAT.
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00:08:35,896 --> 00:08:39,137
A WORKER SHOOTS COMPRESSED AIR
INTO EACH CHAMBER
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TO CHECK FOR LEAKS.
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00:08:44,862 --> 00:08:46,551
HE COATS THE WELDS
WITH A SOAPY SOLUTION,
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00:08:46,551 --> 00:08:49,758
WHICH WILL BUBBLE UP
IN THE CASE OF AN AIR LEAK.
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00:08:49,758 --> 00:08:51,206
THIS DEMONSTRATION SHOWS
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00:08:51,206 --> 00:08:53,862
THAT IF AIR CAN GET OUT
THROUGH THIS TINY HOLE,
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00:08:53,862 --> 00:08:57,206
THEN WATER CAN GET IN
THROUGH IT.
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00:08:57,206 --> 00:08:59,689
WORKERS INSTALL
ALUMINUM CROSS MEMBERS
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00:08:59,689 --> 00:09:03,413
TO SUPPORT ALL THE WEIGHT
THAT WILL BE ADDED ON TOP.
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00:09:03,413 --> 00:09:05,172
A PNEUMATIC TORQUE WRENCH
IS USED
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00:09:05,172 --> 00:09:09,862
TO BOLT THE CROSS MEMBERS INTO
THE RISERS WITH RUSTPROOF NUTS.
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00:09:09,862 --> 00:09:12,413
NEXT, THE BOAT'S FLOOR
IS CONSTRUCTED
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00:09:12,413 --> 00:09:15,413
FROM SHEETS
OF PRESSURE-TREATED PLYWOOD.
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00:09:15,413 --> 00:09:20,206
POP RIVETS ANCHOR IT SECURELY
TO THE CROSS MEMBERS.
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00:09:20,206 --> 00:09:23,724
WORKERS CUSTOM-CUT AND GLUE
DOWN A MARINE CARPET.
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00:09:23,724 --> 00:09:25,206
IT'S MADE OF PLASTIC,
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00:09:25,206 --> 00:09:29,068
SO EVEN WITH A LOT OF WATER
EXPOSURE, IT STILL WON'T ROT.
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00:09:29,068 --> 00:09:32,379
NOW FOR SOME
FADE-RESISTANT DECALS.
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00:09:32,379 --> 00:09:35,206
ROLLERS CRIMP
THE BOAT'S ALUMINUM SIDE PANELS
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00:09:35,206 --> 00:09:36,689
TO MAKE THEM STRONGER.
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00:09:36,689 --> 00:09:41,000
CORRUGATED PANELS DON'T WARP
OR WOBBLE AS MUCH AS FLAT ONES.
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00:09:41,000 --> 00:09:42,758
USING A POP-RIVET GUN,
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00:09:42,758 --> 00:09:46,793
A WORKER FASTENS THE PANELS
ONTO THE RAILING.
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00:09:46,793 --> 00:09:50,758
THIS SHAPING MACHINE CURVES THE
RAILING IN ALL THE RIGHT PLACES,
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00:09:50,758 --> 00:09:53,965
BENDING THE MALLEABLE METAL
WITH VARYING PRESSURE.
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00:09:58,586 --> 00:10:01,620
NEXT, WORKERS
BRING THE ASSEMBLED PIECES
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TO THE PLATFORM.
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00:10:07,862 --> 00:10:10,931
SCREWS AND BOLTS SECURE
EVERYTHING TO THE BOAT'S FLOOR,
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00:10:10,931 --> 00:10:12,931
INCLUDING THE FURNITURE.
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00:10:14,275 --> 00:10:17,206
THE PONTOON'S CAPTAIN
WILL COMMAND THE CRAFT
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00:10:17,206 --> 00:10:18,551
USING THIS CONSOLE.
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00:10:23,379 --> 00:10:25,931
THE BUTTONS FOR THE HORN,
LIGHTS, AND MUSIC
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00:10:25,931 --> 00:10:29,310
SIT AT THE TOP OF THE CONSOLE
FOR EASY ACCESS.
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00:10:31,000 --> 00:10:35,724
EXTRA TOUCHES BRING SOME OF THE
COMFORTS OF HOME TO THIS CRAFT.
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00:10:38,068 --> 00:10:41,137
WIRES AND CONTROL CABLES
CONNECT THE CAPTAIN'S CONSOLE
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00:10:41,137 --> 00:10:44,482
TO THIS 50-HORSEPOWER MOTOR.
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00:10:44,482 --> 00:10:46,827
IT'S BY NO MEANS
A HIGH-SPEED ENGINE,
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00:10:46,827 --> 00:10:49,758
BUT IT GIVES A PONTOON BOAT
ALL THE POWER IT NEEDS
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00:10:49,758 --> 00:10:51,655
FOR A LEISURELY SPIN
ON THE LAKE.
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00:11:00,310 --> 00:11:04,137
WHEN WE RETURN, CLOCKING IN AT
A FACTORY WHERE TIME IS MONEY.
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00:11:09,586 --> 00:11:11,275
Narrator:
INVENTED CENTURIES AGO,
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00:11:11,275 --> 00:11:13,034
GRANDFATHER CLOCKS
RUN ON GRAVITY.
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00:11:13,034 --> 00:11:16,724
WHEN YOU WIND THE CLOCK, WEIGHTS
INSIDE ARE DRAWN UPWARDS.
164
00:11:16,724 --> 00:11:19,724
GRAVITY THEN PULLS THE WEIGHTS
DOWN GRADUALLY,
165
00:11:19,724 --> 00:11:23,344
UNWINDING THE CABLES AND
TURNING THE HANDS OF THE CLOCK.
166
00:11:23,344 --> 00:11:27,310
THE PROPER TERM FOR THIS TYPE OF
TIMEPIECE IS A LONG-CASE CLOCK.
167
00:11:30,931 --> 00:11:32,689
THE NICKNAME "GRANDFATHER CLOCK"
168
00:11:32,689 --> 00:11:35,965
CAME FROM A POPULAR SONG
FROM THE 1800s.
169
00:11:40,793 --> 00:11:42,827
THIS LONG-ESTABLISHED COMPANY
170
00:11:42,827 --> 00:11:45,689
MAKES ITS CLOCK CASES
OUT OF QUALITY HARDWOODS,
171
00:11:45,689 --> 00:11:48,620
SUCH AS MAPLE AND OAK.
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00:11:48,620 --> 00:11:51,689
TO CONSTRUCT FRAMES
FOR THE FOUR SIDES AND DOOR,
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00:11:51,689 --> 00:11:53,586
WORKERS FIT DOWELS INTO HOLES,
174
00:11:53,586 --> 00:11:57,000
THEN SECURE THE PIECES TOGETHER
WITH SCREWS AND GLUE.
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00:11:57,000 --> 00:11:59,758
THEY LAY EACH FRAME
IN THIS CURING MACHINE
176
00:11:59,758 --> 00:12:03,241
THAT USES HIGH-FREQUENCY
RADIO WAVES TO GENERATE HEAT,
177
00:12:03,241 --> 00:12:06,793
DRYING THE GLUE IN SECONDS.
178
00:12:06,793 --> 00:12:10,413
WORKERS CONNECT THE FOUR FRAMES
WITH SCREWS AND GLUE.
179
00:12:10,413 --> 00:12:14,034
THEY'LL LATER ATTACH
THE DOORFRAME WITH HINGES.
180
00:12:18,482 --> 00:12:21,103
THE NEXT STEP
IS TO ASSEMBLE A BASE --
181
00:12:21,103 --> 00:12:23,689
AGAIN, WITH DOWELS, GLUE,
AND SCREWS.
182
00:12:28,034 --> 00:12:29,413
ONCE THE GLUE IS DRY,
183
00:12:29,413 --> 00:12:31,931
THE ASSEMBLED FRAME
GOES INTO THE BASE.
184
00:12:36,965 --> 00:12:38,827
NOW FOR SOME EMBELLISHMENT.
185
00:12:38,827 --> 00:12:42,310
COMPUTER-GUIDED ROUTERS
CARVE ELEGANT WOOD MOLDINGS
186
00:12:42,310 --> 00:12:46,103
THAT GIVE THIS PARTICULAR MODEL
A TRADITIONAL FEEL.
187
00:12:46,103 --> 00:12:50,448
TODAY'S GRANDFATHER CLOCKS COME
IN STYLES TO SUIT ANY DECOR.
188
00:12:53,655 --> 00:12:55,310
WORKERS CAREFULLY SAND
189
00:12:55,310 --> 00:12:58,000
EVERY SINGLE PIECE OF WOOD
IN THE CLOCK CASE.
190
00:12:58,000 --> 00:13:00,068
THE SURFACE
MUST BE FLAWLESSLY SMOOTH
191
00:13:00,068 --> 00:13:03,034
FOR IT TO ABSORB COLOR EVENLY.
192
00:13:03,034 --> 00:13:07,000
THE MOLDINGS ARE ATTACHED WITH
A COMBINATION OF GLUE AND NAILS.
193
00:13:12,724 --> 00:13:17,000
THESE LONG PIECES OF WOOD
BECOME CURVED, FLUTED MOLDINGS.
194
00:13:21,551 --> 00:13:24,655
THEY ADORN THE SIDE
OF THE DOORFRAME.
195
00:13:24,655 --> 00:13:27,586
THIS MODEL ALSO FEATURES
A PAIR OF STATELY COLUMNS
196
00:13:27,586 --> 00:13:30,862
ABOVE AND BELOW THE FLUTES.
197
00:13:30,862 --> 00:13:33,275
A WORKER FIRST
POSITIONS THEM WITH GLUE,
198
00:13:33,275 --> 00:13:38,172
THEN SCREWS THEM SECURELY
INTO THE FRAME FROM BEHIND.
199
00:13:38,172 --> 00:13:40,931
THE NEXT STEP
IS TO STAIN THE WOOD,
200
00:13:40,931 --> 00:13:43,896
HAND-RUBBING IT
TO BRING OUT THE GRAIN.
201
00:13:43,896 --> 00:13:45,655
A COAT OF LACQUER
PROTECTS THE WOOD
202
00:13:45,655 --> 00:13:48,931
AND GIVES IT A DEGREE OF SHEEN,
FROM MATTE TO GLOSSY,
203
00:13:48,931 --> 00:13:50,448
DEPENDING ON THE MODEL.
204
00:13:50,448 --> 00:13:52,827
AFTER INSTALLING
THE GLASS AND DOOR,
205
00:13:52,827 --> 00:13:55,655
IT'S TIME TO INSTALL
THE CLOCK'S COMPONENTS.
206
00:13:55,655 --> 00:13:58,137
WORKERS START WITH LONG,
METAL BARS CALLED CHIME RODS,
207
00:13:58,137 --> 00:14:00,620
8 TO 12 OF THEM,
DEPENDING ON THE MODEL.
208
00:14:00,620 --> 00:14:03,896
EACH CHIME ROD PRODUCES
A CERTAIN DIFFERENT MUSICAL NOTE
209
00:14:03,896 --> 00:14:05,103
WHEN STRUCK.
210
00:14:05,103 --> 00:14:08,000
NEXT COMES A MECHANISM
CALLED THE MOVEMENT.
211
00:14:08,000 --> 00:14:10,137
IT CONTAINS
TIMEKEEPING COMPONENTS
212
00:14:10,137 --> 00:14:13,137
THAT TRIGGER THE CHIME HAMMERS
TO HIT THE CHIME RODS
213
00:14:13,137 --> 00:14:16,275
ON THE HOUR, HALF-HOUR,
OR QUARTER-HOUR.
214
00:14:16,275 --> 00:14:19,137
THIS COMPANY
USES ONLY TOP-QUALITY,
215
00:14:19,137 --> 00:14:22,379
ALL-BRASS MOVEMENTS
IMPORTED FROM GERMANY.
216
00:14:22,379 --> 00:14:25,551
THE CHIME HAMMERS
ARE ALSO MADE OF BRASS,
217
00:14:25,551 --> 00:14:27,586
BUT THEY HAVE PLASTIC TIPS,
218
00:14:27,586 --> 00:14:29,344
SO YOU ONLY HEAR
THE MUSICAL NOTE,
219
00:14:29,344 --> 00:14:32,206
NOT THE SOUND
OF METAL STRIKING METAL.
220
00:14:32,206 --> 00:14:34,137
THESE BRASS PULLEYS
221
00:14:34,137 --> 00:14:36,827
HANG FROM CABLES
CONNECTED TO THE MOVEMENT.
222
00:14:36,827 --> 00:14:39,931
THE PULLEYS WILL SUPPORT
THE CLOCK'S THREE WEIGHTS.
223
00:14:44,310 --> 00:14:47,551
AFTER CONNECTING THE MOVEMENT
TO THE CLOCK DIAL,
224
00:14:47,551 --> 00:14:50,827
A WORKER INSERTS
A DECORATIVE DETAIL --
225
00:14:50,827 --> 00:14:53,310
A WOOD PANEL TO FRAME THE DIAL.
226
00:14:57,448 --> 00:15:00,206
THEN SHE INSTALLS
THE CLOCK'S SECOND HAND
227
00:15:00,206 --> 00:15:04,137
INTO THE CENTER
OF A MINIATURE DIAL.
228
00:15:04,137 --> 00:15:08,275
ON THE MAIN DIAL, THE HOUR AND
THE MINUTE HANDS ARE ATTACHED.
229
00:15:08,275 --> 00:15:10,103
DEPENDING ON THE MODEL,
230
00:15:10,103 --> 00:15:13,758
THESE ALUMINUM HANDS ARE PAINTED
EITHER BLACK OR GOLD.
231
00:15:16,275 --> 00:15:18,793
A DECORATIVE NUT SECURES THEM.
232
00:15:29,586 --> 00:15:33,896
FINALLY, THE ALL-IMPORTANT
WEIGHTS AND PENDULUM.
233
00:15:33,896 --> 00:15:36,551
THE WEIGHTS ARE BRASS CANISTERS
FILLED WITH LEAD.
234
00:15:36,551 --> 00:15:38,448
EACH ONE
WEIGHS ALMOST 9 POUNDS.
235
00:15:40,586 --> 00:15:44,896
THE PENDULUM SWAYS FROM
SIDE TO SIDE AT AN EVEN PACE.
236
00:15:44,896 --> 00:15:48,034
THIS ENSURES THAT THE CLOCK
KEEPS ACCURATE TIME.
237
00:15:48,034 --> 00:15:50,965
IT ALSO DRIVES THE CLOCK
TO CHIME ON THE HOUR
238
00:15:50,965 --> 00:15:52,586
OR FRACTION OF THE HOUR.
239
00:15:54,896 --> 00:15:57,137
ALL YOU HAVE TO DO
TO KEEP THIS CLOCK TICKING
240
00:15:57,137 --> 00:16:00,103
IS WIND IT UP ABOUT ONCE A WEEK.
241
00:16:07,241 --> 00:16:11,000
UP NEXT, BEHIND THE SCENES
AT A FUSE FACTORY.
242
00:16:16,724 --> 00:16:17,758
Narrator:
INVENTED IN THE 19th CENTURY,
243
00:16:17,758 --> 00:16:19,689
FUSES ARE DESIGNED TO BLOW
244
00:16:19,689 --> 00:16:22,344
WHENEVER THERE'S
A POWER OVERLOAD.
245
00:16:22,344 --> 00:16:24,689
THIS STOPS
THE FLOW OF ELECTRICITY
246
00:16:24,689 --> 00:16:26,379
AND PREVENTS A WIRING FIRE.
247
00:16:26,379 --> 00:16:28,689
WE MAY NEVER SEE FUSES
IN ACTION,
248
00:16:28,689 --> 00:16:31,517
BUT THEY'RE CONSTANTLY
WORKING TO PROTECT US
249
00:16:31,517 --> 00:16:33,862
WHEREVER
ELECTRICAL CURRENT FLOWS.
250
00:16:38,275 --> 00:16:42,379
CHOOSING THE RIGHT FUSE DEPENDS
ON THE AMOUNT OF CURRENT.
251
00:16:45,206 --> 00:16:49,103
TO MAKE A HIGH-VOLTAGE FUSE FOR
USE IN ELECTRICAL SUBSTATIONS,
252
00:16:49,103 --> 00:16:52,448
THIS MACHINE CUTS NOTCHES
INTO A LONG, SILVER STRIP,
253
00:16:52,448 --> 00:16:54,931
WHICH WILL SERVE AS
THE FUSE'S ELEMENT.
254
00:16:54,931 --> 00:16:58,137
THE NOTCHES WILL HELP CONTROL
THE WAY THE FUSE BLOWS.
255
00:16:58,137 --> 00:17:00,896
BITS OF SOFT METAL
ARE MELTED ONTO THE STRIP.
256
00:17:00,896 --> 00:17:05,793
THESE WILL BE THE POINTS WHERE
THE FUSE BLOWS.
257
00:17:05,793 --> 00:17:07,413
ONE END OF THE SILVER ELEMENT
258
00:17:07,413 --> 00:17:10,034
IS WELDED TO THE TOP
OF A CERAMIC CORE...
259
00:17:11,931 --> 00:17:15,275
...AND THE ELEMENT
IS WOUND AROUND IT.
260
00:17:25,137 --> 00:17:28,655
WORKERS SLIDE THE ELEMENT CORE
INTO THE FUSE CASING
261
00:17:28,655 --> 00:17:32,206
AND BEND BACK METAL TABS.
262
00:17:32,206 --> 00:17:35,103
THEN, USING A SOLDERING
TECHNIQUE CALLED BRAZING,
263
00:17:35,103 --> 00:17:37,655
THEY SEAL EVERYTHING TOGETHER.
264
00:17:43,413 --> 00:17:48,310
THEY TAKE A BRASS WASHER AND
WIND IGNITION WIRE AROUND IT.
265
00:17:48,310 --> 00:17:50,413
THEY'RE ASSEMBLING
THE STRIKER PIN --
266
00:17:50,413 --> 00:17:52,551
THE DEVICE THAT INDICATES
A BLOWN FUSE
267
00:17:52,551 --> 00:17:54,137
AND SHUTS DOWN THE POWER.
268
00:17:56,137 --> 00:17:58,724
THE STRIKER PIN
IS FITTED TO THE WASHER,
269
00:17:58,724 --> 00:18:00,517
AND WITH THE WIRE PROTRUDING,
270
00:18:00,517 --> 00:18:04,344
IT'S PLACED
INTO A HOLDING DEVICE.
271
00:18:04,344 --> 00:18:08,758
EXPLOSIVE POWDER IS ADDED
TO EACH STRIKER PIN.
272
00:18:13,344 --> 00:18:16,896
THEN THE BOTTOM OF THE PIN IS
PLUGGED WITH A RUBBER STOPPER.
273
00:18:24,620 --> 00:18:27,931
NEXT, THE STRIKER PIN
IS PRESSED INTO A BRASS CAPSULE.
274
00:18:27,931 --> 00:18:30,241
THIS WILL CONTAIN
THE MINI-EXPLOSION
275
00:18:30,241 --> 00:18:33,034
THAT PUSHES OUT THE PIN
WHEN THE FUSE IS BLOWN.
276
00:18:36,931 --> 00:18:40,068
THIS TEST RUN
SHOWS HOW IT ALL HAPPENS.
277
00:18:40,068 --> 00:18:42,068
THE PIN'S IGNITION WIRE
278
00:18:42,068 --> 00:18:45,551
IS WRAPPED AROUND
AN ELECTRICAL POST.
279
00:18:45,551 --> 00:18:47,724
WORKERS CLAMP DOWN THE PIN
280
00:18:47,724 --> 00:18:49,724
AND POSITION THE PENDULUM
THAT SWINGS
281
00:18:49,724 --> 00:18:54,379
TO INDICATE THE AMOUNT OF FORCE
WITH WHICH THE PIN FIRES.
282
00:18:54,379 --> 00:18:58,000
A JOLT OF POWER
DETONATES THE EXPLOSIVE.
283
00:18:58,000 --> 00:19:02,655
THIS CAUSES THE PIN TO PROTRUDE,
SIGNIFYING A BLOWN FUSE.
284
00:19:07,344 --> 00:19:11,068
NOW, A METAL EYELET SLIDES ONTO
THE STRIKER PIN'S IGNITION WIRE,
285
00:19:11,068 --> 00:19:13,517
AND THEN A WIRE COIL
IS ATTACHED TO IT,
286
00:19:13,517 --> 00:19:16,275
COMPLETING THE STRIKER PIN'S
IGNITION SYSTEM.
287
00:19:21,689 --> 00:19:26,206
A SNARE PULLS THE WHOLE ASSEMBLY
INTO THE FUSE.
288
00:19:30,344 --> 00:19:35,551
THE END OF THE COIL
IS TIED TO THE FUSE'S CAP.
289
00:19:35,551 --> 00:19:39,655
AND AN OUTER CAP IS PRESS-FITTED
OVER THE INNER ONE.
290
00:19:42,586 --> 00:19:46,689
NEXT, THE FUSE
IS FILLED WITH SAND.
291
00:19:46,689 --> 00:19:48,655
THIS SAND WILL ABSORB ENERGY
FROM THE ELEMENT
292
00:19:48,655 --> 00:19:50,517
WHEN THE FUSE BLOWS.
293
00:19:58,206 --> 00:20:03,137
AUTOMATED RODS TAP THE FUSES
TO COMPACT THE SAND INSIDE.
294
00:20:05,793 --> 00:20:08,862
NEXT, AN OUTER CAP
IS LUBRICATED...
295
00:20:12,758 --> 00:20:15,793
...AND IT'S PRESSED ONTO
THE OTHER END OF THE FUSE.
296
00:20:22,862 --> 00:20:25,724
THIS MACHINE SPINS GROOVES
ONTO THE CAP,
297
00:20:25,724 --> 00:20:28,551
PINCHING IT TIGHTLY
TO THE FUSE CASING.
298
00:20:33,965 --> 00:20:36,586
A CURRENT IS RUN THROUGH
EACH ONE OF THESE FUSES,
299
00:20:36,586 --> 00:20:38,310
CHECKING THE VOLTAGE
300
00:20:38,310 --> 00:20:41,655
TO CONFIRM THAT THEY'RE
IN GOOD WORKING ORDER.
301
00:20:43,689 --> 00:20:46,551
SEALANT IS THEN PUMPED AROUND
THE CAP'S RIMS
302
00:20:46,551 --> 00:20:48,758
TO MAKE THEM
COMPLETELY AIRTIGHT.
303
00:20:50,758 --> 00:20:55,862
FINALLY, THE SAFETY INFORMATION
IS AFFIXED TO THE FUSE.
304
00:20:57,482 --> 00:20:59,551
AND SOME
ELECTRICAL SPECIFICATIONS
305
00:20:59,551 --> 00:21:02,103
ARE STAMPED ONTO THE CAPS.
306
00:21:03,620 --> 00:21:06,965
NOW THESE FUSES ARE READY TO GO
WITH THE ELECTRICAL FLOW
307
00:21:06,965 --> 00:21:09,655
AND BLOW AT THE FIRST SIGN
OF TROUBLE.
308
00:21:12,862 --> 00:21:14,931
IF YOU HAVE ANY COMMENTS
ABOUT THE SHOW,
309
00:21:14,931 --> 00:21:17,689
OR IF YOU'D LIKE TO SUGGEST
TOPICS FOR FUTURE SHOWS,
310
00:21:17,689 --> 00:21:20,413
DROP US A LINE AT...
25232
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