All language subtitles for Devil.2010.1080p.BluRay.REMUX.ENG.LATINO.HINDI.FRE.ITA.DTS-HD.Master.H264-BEN.THE.MEN.mkv

Devil - Horror 2010 English

[RAMIREZ]
When I was a child,

my mother would tell me a story

about how the Devil roams the Earth.

Sometimes, she said,
he would take human form

so he could punish the damned on
Earth before claiming their souls.

The ones he chose
would be gathered together

and tortured as he hid amongst
them, pretending to be one of them.

I always believed my mother was
telling me an old wives' tale.

My mother's story would
always begin the same way,

with a suicide paving the
way for the Devil's arrival.

And it would always end with
the deaths of all those trapped.

[BOWDEN] I am good. I feel
good. I feel amazing.

[HENRY CHUCKLES]

You know the main reason why
people go back to drinking?

No.

Guess.

The Eagles.

Resentment.

Are we seriously
talking about this again?

It's important.

Your ability to forgive
is going to determine

the quality of the rest of your
life more than anything else.

Look, some things
are beyond forgiveness.

You're already on your way.

You have taken responsibility
for your actions.

That's more than half
the battle right there.

But to truly feel free,

you may need to
finally start believing

in something greater than yourself.

That sounds good.

It does.

But when I think about the
guy that killed my family,

I have a tough time believing
in much of anything.

I am just saying,
leave yourself open to it.

Can we just have breakfast for once?

Talk about normal stuff.

I am your sponsor.
You can talk about normal stuff...

with everybody else.

[WOMAN CHATTERING ON DISPATCH]

Hey. Got a good one for you.

Yeah?

[MARKOWITZ]
Yeah, it doesn't make sense, right?

A guy hits a truck with this kind
of force from a two-storey building?

Definitely a jumper.

Are you sure he wasn't thrown?

He's got a rosary in his hand.

Not the kind of thing
you grab in a panic.

Right.

Elsa.
Bowden.

Hi.

There's no glass on the ground.

The truck wasn't here when he
made impact. It must have rolled.

Uh-huh.

[BOWDEN]
Your guy jumped from that building.

And what? Your dead guy
turned the corner, here?

These things are made
to bounce trucks off.

You got to be kidding me.

Let's walk it.

Yeah.

Larson.

Hey. Hey, lady,
you got to sign in.

Oh. Where's Ramsey?
He knows me.

Ramsey's out sick.
You got me.

And that means you got to sign in.

I mean, do I look like such a threat?

Don't blame me.
They got procedures.

Keep dreaming, dawg.

You have to cover the sign in.

Some lawyers on 39 need this right away.

[DONNELLY]
You're not taking the stairs again.

What else am I going to
do to stay in shape?

To 39? Just get on the damn elevator.

Come in.

It's too tight for me.

You can squeeze in.

No.

[ELEVATOR BELL DINGS]

[SARAH]
Hold, please.

Thank you.

Forty-two, please.

You bet.

Now, see, this I can do.

[TONY]
Could you hold that?

Uh. Sorry.

Thanks for your help.

Don't mention it.

[ELEVATOR MUSIC PLAYING]

[RUMBLING]

Uh-uh, this is not good.

Oh, come on, man.

Don't do this.

[ANNOUNCER CHATTERING ON TV]

Come on,
Timonen, put a stick on it.

How we doing?

Same score.

Thanks.
Yeah.

Why is elevator six in inspection mode?

[LUSTIG] Huh?
Elevator six.

A full house.
Two queens, three jacks.

Call Dwight.
Yeah.

Yo, Dwight, you got a problem.

Tell me about it.
I am already up on 35 fixing it.

The elevator?

No, the broken window.

You're not fixing the elevator?

Screen says six is on inspection mode.

We got people stuck in there.

Are you sure you're reading that right?

Your eyes ain't
what they used to be.

You know what? I will ask
your mom to read it for me

next time I got her
bent over the console.

My mom's 78.
Have at it.

Ooh.

Yeah. Listen, buddy, just
go up to the machine room

and check it out, okay?

On my way.

[HITTING BUTTONS]

Just trying to get
something to jump-start it.

[OLD WOMAN]
Don't you have emergency procedures?

I don't know, I am just a temp.
I just started working here.

Well, don't you service these things?

Try hitting the emergency button.

[ALARM RINGING]

[OLD WOMAN]
Don't you keep up your equipment?

I don't know.
Like I said...

Don't you have a walkie-talkie?

No. I didn't think I'd need it.

Don't you think it would have
been... Won't you shut up?

[TONY]
Yeah, take it easy.

I mean, seriously.

[VINCE]
You don't have a walkie-talkie?

[LUSTIG] [OVER INTERCOM] Hey,
people, we see you in there.

[OLD WOMAN] We're stuck.

Hang tough, we got the
building engineer on his way.

When was the last time you
heard somebody say hang tough?

What did you say?
Nothing.

[WOMAN]
Is he picking a fight?

Can one of you look towards the camera

and say something
loud and clear, please?

Your building sucks.

[LUSTIG]
I can't hear you.

The speaker in the car is
supposed to let us talk both ways,

but you can hear me?

It's working on this end, yeah.

[OLD WOMAN]
He just said he can't hear us,

didn't say we should talk louder.

[LUSTIG]
Okay, um, give us a sec.

[SARAH]
Well, this is reassuring.

I got to be somewhere.

[VINCE] You're not going to
get a signal in here.

I just need to call my job so
I don't get fired over this.

Typical bullshit.

Do any of you all have a signal?

I have got one bar.

[DIALING CELL PHONE]

Hello? This is Larson.

Can you please connect me to
my job at the security desk?

Can you hear me?

[OLD WOMAN]
Tell them to get us out of here.

[BEN]
Hello?

[ELEVATOR MUSIC RESUMES]

They will just have to deal.

[VINCE]
Well, at least we got tunes.

[VOCALIZING]

Don't sit under that apple
tree with anyone else but me

Come on, grandma, you know the words.

Anyone else but me

[SARAH]
Don't be a jerk.

I am sorry.
I am sorry, Miss Manners.

Did I offend your noble sensibilities?

Why don't you lay off, pal?

Why don't you suck a butt?

[VINCE]
This is great.

Let's just pick on the nice guy
for bringing a little levity.

Maybe we should all just
stop talking for a while.

Sure.

[VINCE VOCALIZING]

Okay, I was just joking.
I am joking.

[LUSTIG] [OVER RADIO] Hey,
Dwight, are you there yet?

Almost.

Hey, look, man, I am just
glad you're dating again.

I am just glad you're glad.

You know what I meant. You
know, after all your troubles...

I know what you meant.

So, how's that been going for you?

Good.

Ninety days tomorrow.

Wow, 90 days.

It seems like just
yesterday since we...

Not to me, it doesn't.

You wouldn't happen to have a
broken window up there, would you?

Yeah.

Facing this direction?

[JANITOR]
Mmm-hmm.

Big enough to fit a person through it?

I suppose.

Please stop sweeping.

I am declaring this a crime scene.

Car 602.

What the hell is that?

Look out.

You might want to secure that better.

Okay, okay.

[RAMIREZ]
In her story, innocent people always die.

Poor souls just trying to help out,

who didn't realize what
they were dealing with.

He doesn't take kindly to
those who stand in his way.

Hey, old man.

It doesn't say inspection
mode here. Circuits look fine.

[LUSTIG] Okay.
Try flipping elevator six.

I will tell the people in the
car. You count to 20, then do it.

Cool.

Inspected and certified
August 12 by G. Carson.

Hey, what do you say we go visit
G. Carson when we're out of here?

Tell him what we think
of his inspecting prowess.

[LUSTIG] [OVER INTERCOM] People, we're
going to flip off the lights for one sec

to see if there's
a short in the breaker.

[VINCE]
You're going to cut off the power?

Does that mean we could drop?

You will be fine. I just
didn't want you to...

[OLD WOMAN] What's happening?
[VINCE] Come on.

[TONY]
Nothing. Nothing. Just relax.

[BEN BREATHING HEAVILY]

[VINCE]
Come on.

[OLD WOMAN]
Get off me.

Get off me.

[BEN]
Sorry.

What's wrong with you, man?

[BEN CONTINUES BREATHING HEAVILY]

When I was younger, my
brother locked me in a trunk...

for six hours.

I have trouble with tight spaces.

[VINCE]
Oh, great.

Come on.

[AIR WHOOSHING]

Can we get out through that?

What are you going to do?
Shimmy up the cables?

You will be a lot safer in here.

[VINCE] Anybody know where the
bathroom is in this thing?

Did it work?

[LUSTIG]
Nope, they're still stuck.

Let me go check the
mains in the basement.

All right, thanks a lot. Wow.

What's going on?

You know that window on 35?

Yeah.

Looks like somebody might
have jumped through it.

Today?

Yeah.
This morning.

[LUSTIG] [OVER INTERCOM] Thanks
for bearing with us, people.

We should get you back
on line in a few minutes.

It's been minutes.

[TONY]
How long is it going to take?

When we get out of here,
you're going to need a good rest.

Mattress Mania?

That's us. Everybody's had their
mattress too long. Am I right?

You didn't follow that advice
about flipping it every few months

and now you have
worn a groove into it,

and you think,
Well, I am used to it.

So, hey. But I do
miss the way it felt

when it came
fresh out of that bag.

Look at those shoes, they have
been through the mill.

They're saying, Someone deserves
a better place to lie down.

Are you insulting my shoes?

The point is, a new mattress will
cost a lot less than you think.

You don't have to be
as well-off as this one.

I am not that well-off.

What makes me good at selling mattresses

is I can look at a person's clothes

and know exactly how much
they can afford to spend.

And you, lady,
you're no Super Sleeper.

[ELEVATOR MUSIC PLAYING]

Oh, my God. They keep playing
this song over and over and over.

Can't they just turn the music off?

Did you just touch my ass?

What?
You wish, sweetheart.

I don't know who you think you
are, but keep your hands off me.

Whatever.

Oh.

They must be working
on the lights again.

Hey, Dwight.

Dwight.

I am here.
I am heading into the pit.

They just lost power in
number six again. Is that you?

[DWIGHT]
No, you can't do that from here, D.L.

[LUSTIG]
Huh. That's strange.

[DWIGHT]
I am looking at elevator six right now.

I can't see anything wrong with it.

The lights keep shorting out. The
passengers are getting scared.

See if this helps.

[BEN]
Come on, come on.

Oh, God.

[BEN]
Come on, come on.

Anything?

No. No change.

The only other thing
I can think to do

would be going back up
to the roof, climbing down

and resetting the car manually.

Yeah, yeah. Good. Do that, do
that. Call me when you get there.

All right.

Hey.

What?

All right.

Get out of here.

Off you go. Off you go.
There you go.

[EXHALES]

[OLD WOMAN]
Oh.

[VINCE]
Shit.

Inspected by G. Carson.

[LOW RUMBLING]

[BEN]
What was that?

[VINCE]
What?

[BEN]
I thought I heard...

[SARAH]
Ah.

[VINCE]
Shit.

[RUMBLING]

[RUMBLING STOPS]

[ELEVATOR MUSIC PLAYING]

[TONY]
Are you all right?

I am just...

I think someone pulled my blouse.
I am... I am...

[OLD WOMAN] You're bleeding.
[TONY] Here. Here. Stand up.

Let me help you.

I think I got cut.

What's going on in there?

I don't know.
They're just scared.

I think that lady got hurt.

[LUSTIG]
Did she?

Yeah, see that?

[OLD WOMAN]
What in the world?

[TONY]
Oh, my God.

What's he saying?

I can't tell what he's saying.

I can't tell what
you're trying to say.

Turn off the...
Turn off the music.

Maybe they don't like the music.

The music's still on?
Yeah.

Turn it off.
It's probably driving them nuts.

Okay. How?

There's a kill switch right behind the...

Right under the key box.

[MUSIC STOPS]

Thank you.

[LUSTIG]
What happened to her?

It feels like something bit me.

[TONY] Wait, wait. Does anybody
have anything sharp on them

that might have cut her,

she might have cut herself on?
[OLD WOMAN] No.

Why you got blood on you, man?

She fell into me.

[OLD WOMAN]
So you cut her?

What? No. No, something
must have happened to her

and then she fell into me.

She probably did it to herself.

[TONY] Come on.
[BEN] Bit her own back?

[OLD WOMAN]
You think this is a bite?

[TONY]
No, nobody got bit.

What else could have done that?

I will tell you.
[OLD WOMAN] I don't know.

A serrated blade could have.

You wouldn't happen to have a knife with

a serrated blade on you, would you?

No.

[TONY]
Okay. You mind if we search your pockets?

Yes, I do mind.
You mind if we search yours?

Go right ahead.

Maybe she has a serrated blade on her.

Are you seriously suggesting
that I would do this to myself?

I don't know.

Give me another reason to kick your ass.

Please, bro, take it easy, okay?

[BEN]
Bro?

I am not your bro.

Can you turn towards the camera

and show us what
happened to you, please?

Oh, my God.
Whoa.

Okay, we got to call the police.

[THUNDER RUMBLING]

[MALE POLICE DISPATCHER] We have a
possible 240 at 333 Locust Street.

333 Locust?
That's got to be right around...

here.

Strange.

602 responding. Happen to be
right outside. Put me on it.

[FEMALE POLICE DISPATCHER]
Copy that, 602.

That's convenient.

I don't make the calls,
they just come for me.

Go.

Markowitz.

Hey, how's your girlfriend?

Shut up.

[LAUGHING]

What are you doing?

I thought I saw something.

What do you mean?
Like what?

Something.

Okay.
You see it?

Yeah, yeah.
Look, that's just...

That's just grain in the image.

That's, you know...
It's a mistake.

It's like when people see Jesus
in a pancake or something.

No. No. No.

[SPEAKING IN SPANISH]

Ramirez. Ramirez, you're
freaking me out. Come on.

[MUTTERING INDISTINCTLY]

Hey, hey.
Hey, listen to me.

We need to convey calm. These
people are relying on us, okay?

So stop this shit right now.

Come on.

Come on.

[TONY] I don't even know
why we're trying this.

We're in the express shaft.

There's not going to be another
opening till the 23rd floor.

Maybe we're close.

[OLD WOMAN]
Could this elevator fall?

[TONY]
I doubt it.

Because we got to be 20 floors
up, just dangling over nothing.

Can we stop talking about this, please?

One more time.

On three. One...

Oh, no, no, no.

Stay away from me, man.

I can help.
I want to get out of here, too.

Why don't you sit your creepy ass
down in the corner over there?

We can all keep an eye on you.

Are you ready? On three.

One, two...

Three.

I am just over here.

And why do you think
this might be an assault?

She seemed to be having words
with one of the other passengers

just before it happened,

and now it looks like they're
all keeping an eye on him.

Which guy?
That guy, right there.

Do we have communication?

Yeah, we have an open line here.

You can talk, but we can't hear.

Hello, everyone. This is Detective
Bowden, Philadelphia P.D.

We're working hard to get you out
of there. Shouldn't be much longer.

Please just remain calm.

How soon till we get in?

Engineer's working on it now.

Usually, we get these
things going pretty quick.

This engineer work for you
guys or the elevator company?

Works for us.

Okay.
Call the elevator company

and have them send someone, okay?

And have the Fire Department
send some guys.

You got it.

At least one of your staff is aboard.

[LUSTIG] Oh, yeah, the guard
there, he's a temp, actually.

Ben something. I don't know.
He started yesterday.

Okay. Call the temp agency and
get all the info they have on him.

And the others?

We don't have names for the others.

What?
He should see the face.

[LUSTIG] No.
What face?

No. Nothing. I saw a face.

Look, there's no face.
Tell him about the face.

No. Look, Ramirez is kind of religious.
Just ignore him. Trust me.

I'd like to get a sense
of who you all are.

Stop it right now, comprende?

One at a time,
I'd like you to hold up

your driver's license to the camera

so I know who I am talking to.

That's a good idea.

Thank you.

Yeah.

Try and get it closer to the camera.

The letters are too small.

Is there a sharpness
setting on this thing?

No, that's as good as
it gets, right there.

You can put your ID's away.
Thanks.

Do any of you have a pen on you?

No one?

Here you go.

I want you to account for
everyone on the visitors log.

Find out which of these people

didn't show up for their appointment.

You got it.

You sure?

Okay.

[INHALES DEEPLY]

[ELEVATOR MUSIC RESUMES]

Keep him away from me.

Must be working on the power again.

[VINCE] The geniuses have
done a bang-up job so far.

[SARAH BREATHING HEAVILY]

[GLASS SHATTERING]
[SCREAMING]

[ALL PANICKING]

[THUMPING SOUNDS]

[ALL EXCLAIMING]

[ALL CLAMOURING]

Any other exits?

No, sir, that's everything.

[MARKOWITZ]
Hey. I got some info on your guard.

What have you got?

Check this out.
We got...

Hey. Something else is happening.

Is he dead?

602, we have a possible 187.
I need backup.

How do you rewind this thing?

Rewind, fast forward
and that's frame-to-frame.

Frame-to-frame.

Everyone, just keep breathing.

We're going to get you through
this. Just take it easy, okay?

[RAMIREZ]
So today, someone committed suicide,

a woman got hurt, now a man is dead.

Yeah, what are you trying to say?

Look, how many times
have you seen a child fall

and barely miss the edge of
the table with their head?

Why is it so rare that they hit it?

Get to your point.

Look.

What are you doing?
You're embarrassing yourself.

When he's near,
everything goes wrong.

Toast falls jelly-side down,
children hit tables

and people get hurt.

Hey. The police do not want to
hear this stuff, Ramirez. Okay?

So just stop. Now.

Sometimes he takes human form

and torments the damned on
Earth before stealing them away.

Where I come from, we call it

The Devil's Meeting.

Is this guy for real?

Look, I am sorry. Ramirez.

You must consider
that one of those people

might be the Devil.
All right. Come on.

I need you to stop
telling campfire stories

and get your head in the game.

It's okay.
It's all right.

Markowitz,
look at this guy right here.

Yeah.

Lights go down,
they come back up,

he's closer,
but he's moving away.

What were you saying about the guard?

All right. Yeah.
He's a real piece of work.

Assault, assault, assault.

Beat a guy into a coma with
a baseball bat. That's great.

These the kind of guys
you hire for security?

Like I said, he's just a temp.

Some temp.

Could that mirror break
from him hitting it?

Then how did...

[BEN]
What's that cop doing out there?

He's probably trying to figure out

which one of us is the murderer.

[RAMIREZ] In the story, men would
always try to fight him with force,

but some battles
can't be fought with weapons.

Will you all please clear a space

between the camera and the body

so I can see him?

Don't touch the body.
This is a crime scene now.

Though I know
you're stuck in there,

I expect you to
do as little damage to it

as humanly possible, got it?

Any luck with the elevator company?

[RAMIREZ]
They're out of business.

I guess that figures.

A shard of glass sliced
up and into the jugular.

This is definitely not an accident.

Who chooses a contained room with
three witnesses for a killing?

Unless they're so worked up,
they can't control themselves.

These people are shook up,
but they don't look murderous.

I am missing something here.

I need a volunteer to help me out.

There's a piece of paper
hanging out of his pocket.

Very carefully, I want you to take
it out and hold it up to the camera.

Vince.
It looks like McCormick.

[LUSTIG] The return address is
for the Better Business Bureau.

They have an office on 35.

You got a freight elevator? Yeah.

I have never seen a person die.

Neither have I.

It's pretty awful, huh?

So, what, you have?

Yeah, I spent some time in Afghanistan.

You see some things you wish you hadn't.

Wait,
so you have been trained to kill people?

Ooh-rah.

[THUNDER RUMBLING]

How's your jumper shaping up?

Hey.

Can you take a look at this suicide
note? Most of it makes sense,

but then it ends with, I can hear
the Devil's footsteps draw near.

Usually, suicide notes are
either all crazy or all rational,

but this one's both.

It's strange, isn't it?

Yeah, it is.

This one?
Elevator key.

Key's not catching.

All right.
Try the Halligan.

Something's jamming it.

[TONY]
Look, if I can...

If I can get up there, I can maybe
figure out what's wrong with this thing.

I am a mechanic. I am pretty
good with this sort of thing.

[SARAH] He's trying to escape.
He's trying to escape.

He's trying to escape.

He's trying to escape.
Stop. Stop.

Stop it.
Stop. What are you doing?

What the hell are you doing?

We're all going to stay right
here until this thing is over.

You knew what I was doing.
I told you what I was doing.

[BEN]
I don't know you.

It's not our policy to
discuss cases under review.

It kind of damages the reputations
of our member businesses.

Look, someone just killed him
on his way here.

I need to know who knew he was
coming here and who wanted him dead.

The line would
stretch around the block.

The guy was a real scumbag.

Three years ago, he started
one of those Ponzi schemes

and when it collapsed, a lot
of people lost their asses.

One guy even killed himself over it.

Do you have a list of people
that got burned by him?

Yeah, the ones that filed.
I am going to need it.

So, what do you say we get to know
each other a little bit better?

Here. Come on.
Frisk me. Search me.

See that I am not carrying
anything suspicious.

Come on.

You're next.

There's a good chance one
of our people didn't sign in.

How's that?

Because that person
might be on this list.

What's this?

Our victim lost a lot
of people a lot of money.

These are the ones
that filed complaints.

The killer's probably smart
enough not to be on both lists.

Look for the one
that didn't sign in.

Did you just want video
of the guy who died,

or also the girl that got hurt?

All of it since they got in the car.

Okay.

Detective.

You see?

That's what you're talking about?

[RAMIREZ]
Everybody believes in him a little bit,

even guys like you
who pretend they don't.

What's this?

[BOWDEN] An apology note left
at the site of a hit-and-run.

My wife and son were killed down
on Bethlehem Pike five years ago,

but that's okay, because
whoever did it is sorry.

You can tell
by the heartfelt apology

on the back of a car wash coupon.

So, no, I don't believe in the Devil.
We don't need him.

People are bad enough by themselves.

Stop the tape.

Back it up.

Faster, faster.

There. Now, play it.

She was acting like he grabbed her.

What is she up to?

Folks, do me a favour, keep
your hands off each other.

Leave the police work to me.
I will be in there any moment.

Won't I?

Stop it.

I don't like him touching me.
He's touching me.

I don't like it.

Stop pushing him onto me.

Stand back.

Hell, no.
I know you're not doing

what it looks like you're doing.

Spray that in here,
you're going to blind all of us.

I will do it.
[TONY] Seriously, put it down.

Lady...

Dwight, where are you? You got to
stop disappearing, seriously.

Dwight.

Hang on a sec.

Dwight, you got to get us in that
car right now. Where are you?

I can't.

Dwight, I need you to stay on walkie.

Man...

[SCREAMING]

Can you see this?
Huh? You see this?

Use by October 21, 1987.

[TONY]
She was scared. Relax.

She tried to pepper spray me, man.

[RUMBLING]

[LUSTIG] [OVER RADIO]
Dwight, where are you?

We're being saved.

Dwight, where are you?

Come on, pick up.
Pick up.

[BOWDEN]
They hear something.

They hear your guy moving in the shaft.

Then how come he's not answering?

[LUSTIG] Dwight? Dwight, this is
serious. You need to pick up, Dwight.

Thank you.

Pick up, Dwight. Pick up.

[TONY]
Oh, no.

No, no. Hey. Hey.
Hey. Oh, no. Hey.

Hey. You all right?

Hey.
Come on.

[TONY]
Come on. Hey.

[LUSTIG] Dwight, where the
hell are you, man? Come on.

What floor did Dwight
enter the shaft from?

He entered from the roof.

What are they looking at?

Dwight. Dwight, pick up.

Looks like he fell. He's impaled
right on top of the elevator.

Hurt real bad.
Possibly dead.

[MARKOWITZ] Hey, Bowden, I think
the people in the elevator

can hear our radios.

Yeah, that's confirmed.

[BOWDEN]
Can you switch to channel eight?

The car's stuck on 21.

Markowitz, tell the Fire
Department looks like they have to

go through the wall on 21.

This is Lustig. You can't
just go through the wall.

Sure we can.

That's why you have insurance.

[MARKOWITZ]
Fire command, go to eight, please.

[BOWDEN]
There she is.

[MARKOWITZ]
Sarah Caraway.

We know the security temp
is Benjamin Larson

and we know McCormick.

What other names are unaccounted for?

Jane something. Looks like
Kowski. The older woman.

Find me footage of this guy.

This way, ma'am.

[CAPTAIN] Let's go.
[FIREMAN] All clear.

[BOWDEN]
Okay, this time slow.

You got to be kidding me.

Did she just steal that lady's wallet?

So Vince was a scam artist,
this woman Jane's a thief,

Sarah there is a liar
and our guard is a thug.

Quite the crew we have here.

I still haven't seen this guy here.

What was that?

It's okay.
Hard drive crash.

I got it.
Number 2.

Here we go.

Any other angle on the lobby?

[LUSTIG]
Just the main entrance.

There.

Okay, rewind back.

Faster.

There he is. Stop it.

Where's that satchel?

He doesn't... There's no
satchel in the elevator.

Whoa. Whoa. Whoa.

[BOWDEN]
Shit.

Oh, no.

[MARKOWITZ]
What's happening?

I can't take this any more.

Don't come near me, any of you.

[TONY] Maybe, if I could
just check the wiring...

[SARAH BREATHING HEAVILY]

[RUMBLING]

[BEN]
What the hell's going on?

[BEN EXCLAIMS]

[LOUD THUMPING]

[SARAH] [WHIMPERING] Please.
Please turn on the light.

Turn on the lights.

[EXCLAIMS]

[SARAH SCREAMING]

That's it.
Shut down the building.

Bring everyone down to the lobby.

Nobody comes in or out but us.

Which guy do you think is doing this?

[BOWDEN] There are three people
in there and they're all capable.

Well, she's not doing it.

I am ruling nobody out.

Fire Department wants to know
if you have a shut-off valve

before they get through
the wall, just in case.

Yeah, it's in the basement.

I will go.

[RAMIREZ] They're bad people,
that's why they're here.

No, two of them are here because
they just got on the wrong elevator.

Yeah, and I just happened
to have the wrong job

and you just happened to
take the wrong call.

He never does this in secret.

There's a reason we're the audience.

Whoa, whoa, whoa.
Hold on, hold on.

No one's getting in
this building right now.

I know. I am supposed to
meet somebody upstairs.

You're going to have to call them
and tell them you can't make it.

Can you just tell me what's happening?

[RAMIREZ]
He always kills the last victim

in front of the person they love most

to make cynics of us all.

No, no, no.
Don't touch her.

I am not going to leave her
just hanging there.

Where you going to put her?

I haven't thought that far ahead.

Funny how all this
stuff starts happening

right after you start working here.

Seems to me, you're the only one

who knew where the cables are.

What are you doing?

Trying to close her eyes.

That doesn't work, not until
they're dead for a few hours.

Okay, you enter the
building with a satchel.

You see a sign-in desk you
want to avoid. Where do you go?

Restroom.
Yep.

Got it.

Could those be used
to rig an elevator?

I have no idea, but he doesn't
sign in and then he hides these?

[SPEAKING IN SPANISH]

What the hell is that?

I wish he'd stop.

I don't even know your name.

I am Ben.

I am Sarah.

I am Tony.

[TONY]
So where'd your claustrophobia go?

[BEN]
Excuse me?

I have never seen claustrophobia
come and go like that.

You trying to say something?
Then say it. Yeah, yeah.

Okay, I am saying I didn't do this,

and I very much doubt that
she did, so that leaves you.

I am saying I think this
claustrophobia thing...

I think it's an act.

Yeah, I am saying
I think you're a liar.

[YELLING]

Kill him, Ben.

Kill him before he kills us.

Kill him.

Stop it. Stop.

Stop it. Get us out.
Get us out. Get us out.

Back away from each other now.
Get off.

We're going to keep you safe
and here's how,

everyone get to a corner and
place your hands on the wall

so everyone can see that
you're not up to anything.

Go ahead. Do it.

You won't have to.
Keep this up long.

The building is surrounded by police.

In a hypothetical conversation
that I am not really having,

how would this story of yours end?

They all die.

That's it?

Yeah.

This is not your fault.

They made the choices
that brought them here.

Hey. You're going to love this.

What have you got?

She has a criminal record, too.

Three counts of blackmailing
rich married men.

Now where this gets interesting,

is couple of years ago, the
arrests stopped. Guess why.

Tell me.

Well, her name is Sarah Caraway.

Caraway Caraway?

Yeah. She married into the family.

So she shoplifted an heir.

Yeah, something like that, I guess.

What's she doing here?

According to the sign-in sheet,

she was going to see a lawyer
on 42 named Wayne Kazan.

Excuse me. Excuse me.

Hey, listen up.
Quiet down. Quiet down.

[CROWD CONTINUES CHATTERING]

Hey, quiet.

Philadelphia P.D.

I am looking for a Wayne Kazan.

Is there a Wayne Kazan down here?

Yeah.

Excuse me.

Heads up. Did you have a meeting
today with a Sarah Caraway?

I don't know.
Do you have a subpoena?

Come on,
you can tell me that much.

I might have. Why?

She was attacked.
Who has motive to hurt her?

Well, you know I can't
divulge personal information.

Come on, man.
Give me something.

Give me something to work with here.

I am trying to save your client's life.

Come here.

I guess I'd do what
you guys normally do

and start with
the person closest to her.

Thanks.
And just so you know,

my speciality is forensic accounting.

Markowitz, get Mrs. Caraway's
husband on the phone.

Should be okay now.

All right, get in there.

[ELECTRICITY CRACKLES]

[LUSTIG] I might have found
the problem. It's a bad wire.

Looks like it could be
shorting out the circuits.

Okay.

Easy. Easy.

That's it.

Yeah, I am fine.

Vasquez, we're going to need
the large Target saw up here

as fast as you can bring it.

[MARKOWITZ] Look, we need
two more on 21, okay, guys?

Any luck getting hold of the husband?

No, not yet.

I called his office and his secretary
said he'd call me right back.

[CROWD SCREAMING]

Back up. Heads up,
heads up. Come on.

Heads up. Back up.

Move out of the way.
Get away. Back up.

What happened?
Anybody see what happened?

Medic.

[MAN]
He came through the door.

Breathe. Breathe.

Lustig.

Back away.
Back away. Move back.

Get everybody back.
Back away.

Put your hands back up on the wall.

It hurts.

Put your hands back up on that wall.

Or what?

Just leave her alone.
She's in pain.

Don't you see what she's doing?

Chick's a twist.

What are you talking about?

Yeah, that's what we used to call
people like her in the Marines.

Suddenly out of the blue, everybody
would start fighting with each other.

Tempers would flare, people
would start getting hurt.

But then we realized
it's just the new guy

telling everybody
what other people said,

stirring shit up where there wasn't any.

Until one night when we beat the
living shit out of that twist.

And then, just like that,

everything would go back to normal.

Are you threatening me?

I just want you to know that I know.

Why don't you just shut up and
keep your hands on the wall?

[MARKOWITZ] [OVER RADIO] Sarah
Caraway's husband won't talk to us.

He lawyered up.

Her lawyer told me
she's locating all his money.

I bet she's about to leave
him and he might know it.

That would definitely
give him motive to kill her.

But if he's trying to kill his wife,

why are Jane Kowski
and Vince McCormick dead?

This is Matt with Caraway Security.

I need someone from maintenance

to come down and shut the bay doors.

Sarah Caraway's husband doesn't
own Caraway Security, does he?

Meet me in the office.

He's not done yet.

It's the Kensington sniper
all over again.

[RAMIREZ]
What's a Kensington sniper?

A few years ago, a guy shot four
strangers and then his own wife,

trying to make a personal
killing look like a serial.

The guard works
for the woman's husband.

I think the two victims
were just a decoy.

The guard is going to kill her.

I need to be in that elevator right now.

Move.
Right.

Please don't let him kill me, Ben.

[BEN]
I won't.

Come over here next to me
and I will keep you safe.

Don't worry. Come on.

[BOWDEN] [OVER INTERCOM]
Hold up your cell phones.

Use the screens as flashlights.

Don't let it go dark in there.

Keep the light on each other.

Keep shining it all around the elevator.

[ALL EXCLAIM]

[THUMPING SOUND]

[BEN] Don't you do it.
Don't you do it.

It just doesn't make any sense.

Oh, my God. It is you.

Please, lady.

They can't hear you.
You don't have to pretend any more.

We both know who did this.

Yeah, we do.

[BOWDEN] Put down the glass and
get your hands on the wall now.

I should kill you right now.

I should kill you right now
before you try anything else.

I should cut you right now.

And what will be your defence? Huh?

She killed them all,
so I had to kill her?

Yeah, something like that.

You take me down,

they're pinning all of
this on you and you know it.

A big, tough guy like yourself.

[RAMIREZ]
This is what he does.

He wants us to doubt everything.

Markowitz.

Markowitz?
We're getting close, boss.

Hurry up.

How would I do it?

Do what?

According to your story,
how would I save them?

There's no easy answer.

You're never going to get these people

to see themselves as they really are

because it's the lies
that we tell ourselves,

they introduce us to him.

Look at what you're doing.

Don't think just because I am a cop

I don't know what you're going
through right now.

I have been to hell.

Six months ago, I...

checked into a hotel and I
nearly drank myself to death.

The thing is,
when you're self-destructing,

it looks like
it's the world's fault.

Like you're dealt a series of
shit hands, but that's not real.

Okay?
It was all on me. All of it.

I realized my only way out of
hell was to take responsibility

for what I had become.

You are responsible for this.

You realize that, don't you?

Take responsibility
for what you're doing.

Put down the glass.

Put down the glass.

I will put this down if you do, too.

Okay?

We will call a truce.

[BOWDEN]
Good.

You're doing the right thing.

Sir, we found a woman who thinks
she knows someone in the elevator.

Send her in.

No.

Get in there.
Get in there. Now.

[FIREMAN]
We're through.

[SCREAMING]

[WHEEZING]

CHOl: This is the woman
I was telling you...

[BOWDEN]
Hold her outside.

Tony.

[SARAH WHEEZING]

You know him?

He's my fiancé. He had a
job interview here today

and he didn't want to
bring his tools in with him.

I was late picking them up.

Tony what?

Janekowski.
Tony Janekowski.

Jane Kowski is Janekowski?

He signed in.
Then who is...

Come on, breathe. Right
there. Come on, breathe.

Breathe. Come on,
come on. Please breathe.

[EXCLAIMING]

[EXCLAIMING IN SPANISH]

It's her. It's her.

Get in there already.

Who are you?
[OLD WOMAN] Today?

I am an old woman.

Grab her the moment you get in.

Are you ready for your turn, Anthony?

[WHEEZING]

[CAR ENGINE STARTING UP]

[TONY]
I am sorry.

I am sorry.

The whores, the liars,
the cheats and the deserters,

it's always the same thing.

You know who I am now.

Yes?

Take me.

[OLD WOMAN]
I intend to.

No, take me instead.
I deserve this.

You don't believe that.

Yes. Yeah, I do.

I should never have left.

It's my fault.
It's all my fault.

You think you can make
some kind of bargain?

Take me instead. Please.

Stop saying that.

You think this will make you good?

You're not good.

I know.

You think you can make up
for the choices you made?

No.

You think you can be forgiven?

No.

Channel eight.

I killed a mother and her son
on Bethlehem Pike

five years ago.

Uh.

It was a hit-and-run
and I was never caught.

I am so sorry.

[SARAH WHEEZING]

[TONY]
No.

Damn.

I really wanted you.

[BOWDEN]
Come on, come on, come on.

Where is she?

Where'd she go?

[INAUDIBLE]

[EXHALES]

I will take him in.

That was my family on Bethlehem Pike.

That was my son.

I have been waiting for
this moment for five years.

All the things I'd say to you

and what I'd do.

The thing is...

I forgive you.

[RAMIREZ] After my mother would finish
her story, she would always comfort us.

Don't worry, she'd say.

If the Devil is real,
then God must be real, too.