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www.titlovi.com
Hiya, folks, this is me.
And me.
And me!
I'll tell you what these names mean so you can eat your popcorn in peace.
These two girls fought over me.
Arlene Dahl wanted me to marry Ann Miller, and Ann Miller wanted me to marry Arlene Dahl.
This is the title. Please tell your friends.
We'd like to make a little money with this picture.
These are the villains. They get paid for being bad.
Me, I'm different. I'm good for nothing.
We had 4 writers
on this picture.
3 of them could write,
and the other one was my wife's brother.
These are the men who control everything:
The sound, the photography, the costume, the scenery, the makeup.
They tell you what to do, and you do it.
They are the bosses. In movies, they call them technicians.
In the army, they're called sergeants.
The producer raved about my acting.
In fact, they took him away yesterday.
A director has to have 3 things:
Imagination, showmanship, and another job in case the picture's no good.
Well, welcome to Cammeron & Son & Son's Photographic Studios.
What can I do for you?
I'd like to buy a camera for $22.50.
Well, we have a $20 camera, and the price next to that is $25.
I'd like one for $22.50.
Oh. Well, I'll tell you what. We're having a sale today,
so I'll give you the $25 camera for $22.50.
Next I'd like 5 rolls of film at 95 cents a roll.
5 rolls of film.
Well, they come in a package of 6.
Can you use the extra one?
No, thanks. Just give me 5 rolls of film at 95 cents a roll.
Oh, well, you seem like a nice little boy.
I'll tell you what. I'll give you all 6 for the price of 5.
Fine. Next I'd like a camera case at $3.00.
Save your money. You don't need a camera case.
I'd like a $3.00 camera case.
Yeah.
Here's one I'll let you have for $3.00.
Thank you. How much does that all come to?
Well, let's find out.
Here we are. Camera, $22.50.
Film, 95...
$3.00.
That comes to $30.25.
Are you sure?
Well, this machine's never been wrong yet.
Thank you very much, mister. Good-bye.
Wait a minute. Don't you want to take your stuff?
No. I just wanted to make sure I had the total right.
That was my arithmetic lesson for tomorrow.
Oh.
What can I do for you?
Ohh!
Oh, welcome to Cammeron & Son & Son's Photographic Studio.
What can I do for you?
My name's Whittle. I'm from the Eagle Collection Agency.
Oh, well, there must be some mistake. I don't collect eagles.
My agency's been retained by your creditors
to collect the sum of $1,197.
Here's a list of what you owe.
Oh, well, I'll have to speak to my father about this.
How could we owe all of that money?
I'm only doing my duty, but if you can't pay this,
I'm afraid we'll have to close up your store.
Look, mister, all of my savings, all of my father's savings
went into opening this store.
Now, we're liable to take in the $1,197 on this sale alone.
Couldn't you give us a little more time? Please.
Well, let's say day after tomorrow.
But I can't give you one minute more. Now, that's final.
Thanks.
Good day.
Bye.
Oh, no!
Say, fellas, would you mind coming back tomorrow?
I'm having a sale today.
Why don't you write a letter to the newspapers?
Wait a minute! You just fixed this street last week.
Well, you can't expect things to last forever.
No.
Come on.
Hey, wait a minute!
Well, look...
Hey, get this stuff out of here!
Hey!
Help! Hey!
Yes, sir? What can I do for you?
I left my light meter here to be fixed.
Name's Tierson.
Tierson. Yes, sir.
That will be $5.00 even.
Say, we're having a sale today. Give you a nice trade-in on a new light meter.
Are you kidding? Brother, this is the sweetest little light meter in the business.
Only last week in the rain I grabbed a shot of a 5-star general.
Easiest $100 I ever made in my life.
$100 just for a little piece of film?
Sure. I'm a freelance newsreel cameraman.
They'll pay heavy for any hot footage.
They will?
Well, I've sold them so much stuff
that I'm going to take a nice two weeks' vacation.
Hey, wait a minute. Are you taking your cameras with you?
This is a vacation.
Oh, well, our firm makes a special offer
of air-conditioned storage space for cameras.
It's moth-proof, rust-proof, and burglar-proof.
No, I don't think I'd be interested.
It's only 35 cents a week. For new customers, 35 cents for two weeks.
Hey, what's up?
It's admiral battlevitz. He's coming out right now.
Oh, really? Admiral?
Careful, lady. This camera doesn't belong to me.
Will you call me a taxi, please?
I christen you destroyer!
Help! Help!
Help!
Help!
Woody!
Help!
My camera. Where's my camera?
Oh, I'm sorry, but I'm afraid we lost that.
Oh, no. You should have saved the camera and let me drown.
That thing cost $1,200.
Oh, I'm sorry. It's all my fault.
All my life I've been doing things I couldn't afford,
but it's the first time I ever got any pleasure out of it.
I'll send your clothes in.
I'll be back in a minute.
Oh, pardon me, ma'am.
How much camera and photographic equipment
would a store have to sell to make a $1,200 profit?
Oh, I don't know. 'Bout, I'd guess, oh, $2,400.
Now, don't tell me we're going into the camera business.
No, but I want $2,400 worth of equipment
purchased from Cammeron & Sons anonymously.
Lucia!
Yes?
All right, it's your money.
I wonder if I broke those.
Better test them.
That's a good one.
That's a good one.
Aha! I knew I broke one.
Oh, pardon me. Welcome to Cammeron & Son & Son's Photographic...
Pardon me. I fell in the water yesterday and caught a little cold.
What can I do for you?
I want a camera. Anything costing $150.
$150! Right this way.
Well, now, let's see. Here's a nice little camera for exactly $150.
Course, I got another one for $49.
It takes much better pictures.
I'll take the $150 one.
Oh, I'll put it in a nice little box for you.
Gee, that makes over $2,000 today.
Pop! Hey, dad, will you come out here? I want to talk to you!
I was in here trying to retouch one of our customer's snapshots.
I think it's a little overdeveloped.
Poor girl. Little too fond of food.
Too bad she didn't hear your grandfather's poem.
Which one?
Oh, the one where grandpa says, um,
put that fork down, sister, this is for sure,
you can't have mashed potatoes and l'amour toujours.
What's up?
We did $2,200 worth of business today.
Last thursday we took in $4.12,
and this thursday we take in $2,200.
That's an increase of 60,000%!
Well, I told you business would gradually pick up.
At that rate, next thursday we'll take in $1,000,440,
and then the following thursday, we're going to take in $86 million.
Holy smoke!
Your grandfather would be pleased.
You know what he says about money.
Only two things in life are important, brother:
The first is money, and I don't remember the other.
Hello, Mr. Cammeron.
Gee, it's good to see you.
When I'm not all wet. I mean, when you're drier than when I'm wetter.
Say, I'd like for you to meet my pop.
Oh, I'd love to.
You would?
Yes.
Pop, this is miss Lucia Corlane.
How do you do?
I want to thank you for saving my boy's life.
Oh, it wasn't that serious. Besides, I felt responsible.
Rusty tried to tell me how lovely you were,
but unfortunately he's not a poet.
Thank you, Mr. Cammeron. You're very sweet.
You must visit our store more often.
I never realized how attractive it was until I saw you standing there.
Good-bye for now, miss Corlane.
Good-bye.
Your father's a darling.
I'm his only son.
You look so wonderful it's silly to ask,
but how are you?
I'm very well. I'm also a customer.
Oh, well, I'm rather disappointed.
You mean, you don't want to sell anything?
Well, no. When I look at you, I don't think of business.
That is, well, if I had a store, I would give you anything and...
Well, I do have a store. Here.
Take that as a souvenir. I was going to throw it away anyhow.
Thank you, but I couldn't.
I would like to buy a gift for a friend.
Say, something around $200.
Well, this camera with the carrying case and some film
will run around $200.
Fine. I'll take them.
Pardon me.
What are you taking for that cold?
Make me an offer. I mean, nothing. It's nothing at all.
It's slight.
Well, as soon as you've finished wrapping this,
I'm taking you right down to my doctor.
Well, I'd rather not. You see, he might cure me,
and then I'd never see you again.
Why don't we go to my doctor? He's not too good.
Bundle up, and I'll drive you right down.
I'll wrap this for you.
Uh, you're going to wait for me, aren't you?
I told you I have to get back to the office.
Oh, well, supposing I have an attack on the way home?
You just thought of that, didn't you?
Mm-hmm.
I'll do everything I'm told.
Fine.
Bye.
Bye.
"Not responsible for valuables left in dressing rooms."
Gee, thanks for the warning.
Hello!
Hi.
Bless you.
Thank you. Aah!
Aah! Aah!
Oh, pardon me.
I'm in an awful hurry. Do you mind?
Oh, no, it's all right. Go ahead.
You're on my coat down here.
Please... playboy.
Look what you did!
Well, I'm sorry. This was my room to begin with.
Ahhh!
Ohh!
Don't you know how to behave in public?
Look, this was my room.
You came in here. I didn't ask you to... bbbblllll!
You're walking all over...
Sorry.
I'm...
I'm sorry.
If I wasn't in such a hurry, I'd...
Look, you go ahead. Finish undressing. I'll wait.
Here let me help you.
Naturally, Mr. Farns,
the bank will want my report before granting the completion loan.
I imagine that money's rather important to you.
Important! Without that money, we can't finish this project.
You know that as well as we do.
And a bad report from you
might force miss Corlane to sell out,
probably at a big sacrifice.
You do work for miss Corlane, don't you?
Well, Mr. Shanway,
I guess I'm like every other smart man in the world.
I really work for me.
Isn't that your boss now?
You finish looking around. I'll see you later, buy you a drink.
A drink might be a good idea.
We have to drink a toast to my favorite subject:
Money.
Hello, Lucia.
Oh, Mr. Farns, I've been looking for you.
I want you to find a job for a nice young fellow,
a friend of mine.
Lucia, I hope you don't mean that young Cammeron.
Yes.
Things are bad enough around here.
Bad? In what way?
Well, that Shanway's going to be awful tough about what goes into his report,
and unfortunately what his report says, the bank acts on.
Well, we've got nothing to hide or to worry about.
Lucia, on a project like this, you can't...
Wait a minute!
Never mind about the job for young Cammeron.
I know exactly what I'm going to do.
Pop, I can't figure it out.
Yesterday we take in $2,400,
and today we take in $1.90.
Well, looks like we won't need that bigger store after all.
I was hoping that with a million dollars...
Well, even someone like me wouldn't be afraid to make up to a rich girl.
Oh, Mr. Cammeron.
Hmm? Ohh!
It's me again. Say, I hope you've got that $1,197.
No hard feelings, but they made me bring the sheriff with me.
He's out in the car.
Well, you can tell him to stay in the car.
I got the money in the cash register.
Well, I'll say.
There you are. $1,197.
Well, you don't know how pleased I am, Mr. Cammeron.
Now you've got nothing to worry about. Well, good luck.
Good-bye.
And I got $1,204.97 left.
Hello, may I please speak to miss Lucia Corlane?
Hi, Mr. Cammeron.
Here's your 35 cents.
Would you get my camera out of storage, please?
Your camera? Oh, well, Mr. Tierson.
Unfortunately, I lost your camera.
Will you take the one pop has over there?
It's not a newsreel camera, but it takes awfully good pictures.
Give me my camera or give me $1,200 in cash, or I call the police.
Ok, give him the $1,200, pop.
Hello?
No, I don't want to speak to miss Corlane.
I guess I was trying to call the wrong number.
Thank you, boys. I've been trying to sell that camera for 6 months.
Ha ha ha!
Well, thank goodness it wasn't a total loss.
We got 35 cents out of him.
Yeah.
I think I better go deposit this in the bank.
Oh, son, if any more customers come in,
don't wait on them, because we can't afford to lose any more money.
No wonder you're the head of a big construction company.
You're a walking example of good construction.
Hello.
Gee, miss Corlane.
I'm glad you're in because we have some business to discuss.
Business?
Of course. Aren't you a photographer?
Photograph you, miss Corlane?
I have nothing else to do the rest of my life.
That's very flattering, but what I had in mind is a real-estate project,
Lucky Vista.
I know! Here.
If all bosses looked like you, labor and management could really get together.
What I need is a pictorial record
of the construction as it progresses.
I just might want to prove that everything is being done right.
You don't expect any trouble, do you?
I can't take any chances.
You see, my father started this project just before he died.
It was his life's dream.
Well, I know you'll do it.
I have to for my own sake, too.
Every penny I inherited is in Lucky Vista.
If anything happens to it, the money dad left me,
my home, everything...
I'll lose it quicker than you lost that $1,200 camera.
Well, don't you worry. Nothing's going to happen.
Say, why don't we discuss this business at lunch?
I'm an awful good cook.
All right. We'll call it a businessman's lunch.
Right this way, miss Corlane.
Would you like to make the coffee while I start the eggs?
Uh, yes, yes.
Where do you keep the coffee pot?
Right here.
Um, don't you have a cook or a woman to take care of the place?
No. Sometimes I cook. Sometimes father cooks.
When grandfather's here, he makes a nice irish stew.
Oh, you men.
Well, now, let's see.
How do you like your eggs?
Sunny side up.
Boy, things get awful cold in this freezer.
Now, Mr. Cammeron, I want you to start taking pictures tomorrow
at the groundbreaking ceremony.
I'll be there, miss Corlane. And I'll do a good job for you, too.
How about scrambled eggs?
Looks like we have no choice.
Can't scramble a hammer.
Will you settle for ham?
Nothing I like better than ham.
Ham it will be.
There will be plenty to photograph tomorrow.
There will be a speech by the mayor,
miss Lucky Vista, turkey raffle, just everything.
That will soften it up for the frying pan.
Let's see, we'll need cream for the coffee.
You know, what you need is a woman around the house.
Maybe I can do something about that.
What did you say?
Oh, look!
Guess we'll have to have our coffee black.
Cream we've got, cream you'll get.
What will you have, one or two slices?
I'll take two slices.
Ok.
Thank you.
I'll only take one. I'm on a diet.
I'll keep my eyes open. Maybe I can find a nice girl for you.
Oh. I'll get the bread, and you dig up some butter.
Yeah. Dig is right.
Ooh!
My goodness.
There's your butter.
Hey, pop! Hold it!
Stay right here, pop. I'm going over to talk to miss Corlane a minute.
Oh, well, give her my regards.
Ok, pop.
Miss Corlane. Hiya, boss.
Gee, it's all so big and so wonderful,
I hardly know what to do first.
Well, do what you want to do, rusty.
Oh?
I think you better start by photographing the mayor's speech.
Now, here's an example.
Supposing the bank thought that some of the lumber we used
was green and unseasoned.
Just for the sake of argument, making no promises,
put that into words.
Well, you can get yourself $10,000 cash by having your report show green lumber,
bad concrete, anything that will delay the bank from making the final loan.
10,000?
10 and 10 more when miss Corlane loses this place to some friends of mine.
I can't say you didn't put it into words.
I'll put it into money any time you say.
No time like this afternoon.
Pop, drive over to the platform.
Hey, pop, did you turn on the camera?
No, I didn't, son.
I guess I must have turned it on.
Ok.
It always gives me great pleasure to officiate at a meeting of this kind.
It is really wonderful to look around and see so many fair faces.
Right here, pop!
It's...
Pop, pull forward!
As the first item on the program,
it is my privilege to present the winner
of the hale beauty contest, miss Lucky Vista herself!
Having been chosen the most beautiful girl in the city by over 5,000 folk,
I wish to thank everybody, including my mother and father.
Oh, yes.
And I hereby officially present this silver shovel to Mrs. Hugh Shanway,
the beautiful wife of our bank inspector.
Oh, and thank you again for your votes.
You can find me every evening at the rosewood dance hall, where I'm hostess.
Wow!
Hiya, sailor.
It is my privilege to turn the first spadeful of earth of the second unit of Lucky Vista.
Lucia, why don't you sell out so I can get some sleep?
You better start taking sleeping tablets
because I'm going to finish this project myself.
In honored memory of that estimable, that foresighted,
that public-spirited industrialist,
the late, lamented Cornelius Schuyler Corlane,
whose lifelong dream was the completion of this project.
I hereby dedicate this ceremonial moment
to Mr. Corlane's daughter, who will carry on the work.
Miss Lucia Corlane!
Thank you, ladies and gentlemen.
They told me that a girl couldn't carry on this project.
That's all I needed to hear.
We're having a big turkey raffle at 4:00.
I hope you will all participate.
Turkeys are courtesy of the lenard-vulty turkey ranch.
Oh, and here they come now!
Rusty, I promised the turkey people we'd take pictures of their truck.
Will you take miss Lucky Vista with you?
Right on the job, miss Corlane.
Hey, miss Lucky Vista, get in the car.
Hey, pop, follow that turkey truck!
Hey, pop, back up!
Hey, miss Lucky Vista,
get over there with the turkeys, and I'll take your picture.
Pop, move forward.
Hey, pop! Come back!
Hey, pop!
What is it, son?
Quarter after 7:00. Is that film ready?
I just finished fixing it.
There you are, my boy.
Is it any good?
I fixed it myself.
Were you careful with that soundtrack?
Now, don't worry, son. I told you, I fixed it.
Well, wish me luck, pop. I see her in 10 minutes.
Oh?
You going to her house?
Yes, sir.
You going empty-handed?
Why, yes, sir.
What's the matter?
Well, remember grandfather's poem?
Which one?
He who calls without a present may get in,
but it won't be pleasant.
Well, uh, what do you think I ought to take?
Many a man has parlayed a box of chocolates into a wife and 4 children.
Is this miss Corlane's house?
Yes, sir.
Well, I'm Mr. Cammeron. She's expecting me.
Please come in.
Oh, uh, I won't need a check, will I?
Good evening, rusty.
Oh, good evening.
Say, it was nice of Mr. Farns to arrange to show the picture.
You seem nervous.
Well, I'm in a lot of trouble.
What kind of trouble?
Well, when a fellow calls on his girl...
That is, a girl... For the first time,
well, he knows 8:00 is the right time to get there.
Well, here's his trouble. Should the guy show up exactly at 8:00
to prove to the girl that he's reliable and steady,
or should he show up maybe at 8:30
and show her that he's carefree and nonchalant?
What time is it now?
Half past 7:00.
Shall we go in?
This is Mr. Cammeron.
Good evening, everybody.
Good evening.
Mr. Farns, who do I give the film to?
To the operator.
Oh. Excuse me.
Say, how'd my pictures turn out?
You'll see for yourself in a minute.
Oh, good!
Here's the film.
Ok, thanks.
Oh, miss Corlane...
Oh, pardon me.
Miss Corlane, I happen to have a box of candy for you.
Oh, thank you very much.
Oh! Oh!
Is he all right?
Are you hurt?
No. I'm ok.
That's a silly place to put furniture.
I'm sorry.
Now, if you'll all sit down,
we'll get started right away.
Mr. Shanway, you and your wife sit up front.
All right, go ahead.
Thank you.
Ladies and gentlemen,
they told me...
Pretty good, huh?
Yes.
Hey, buddy, it's backwards.
You're running it backwards.
I am not!
That's the way you must have put it together.
Well, I didn't. You've got...
Oh, I'm sorry.
That's much better.
I don't remember doing that.
Hey, stop the film. It's all mixed up.
Oh, let it go. I think it's very funny.
You do? Well, it's not supposed to be.
Well, that's the way it's supposed to be.
I'm sorry. It didn't...
It is my privilege to turn the first spadeful of earth
of the second unit of Lucky Vista.
That's my speech!
That horrible turkey is making my speech!
Well, Mrs. Shanway, it's not the film's fault.
It's... it's that projector.
Nothing wrong with my projector.
There must be. We didn't shoot anything like...
In honored memory of that estimable, that foresighted,
that public-spirited industrialist,
the late lamented Cornelius...
Oh!
That's the most humiliating thing I've ever seen.
You stop this picture at once!
Me? I didn't have anything to do with it!
Wait a minute, folks. I think I know what happened.
That's me!
Oh! That's me!
Oh, Mr. Cammeron, it's a beautiful picture!
But you can't see my eyes.
Now, there's an example.
Mr. Farns, we were being photographed.
Yes, and it's a good thing
they can't hear what we were saying.
I was telling you that story about the 3 sailors, remember?
Oh, yeah, the 3 sailors.
Hey, I know what's the matter.
The soundtrack's in backwards.
I can fix that.
Well, I...
Oh! There I am again!
But you still can't see my eyes.
Oh, why, Mr. Shanway,
I had no idea you were so strong.
I wouldn't be surprised if you weren't
the prettiest girl I ever saw.
You shouldn't say that. You're a married man.
Let's forget about the old battle-ax.
Oh! Oh!
Please turn it off.
Hugh Shanway! You worm! You viper!
But, honey, it...
Old battle-ax, huh? You know very well I'm only 29.
Honey, use some sense.
That film's all mixed up.
You know you didn't talk like a turkey to those people.
You didn't talk like a married man to that skin tomato.
Oh, honey, that dialogue was from another scene.
And as for you. Trying to steal my husband!
I ought to have you arrested for petty larceny.
Well, but...
I don't know why she's so jealous of me.
I'm not jealous of her.
Well, young fella, you fixed everything and everybody good.
I'm afraid our young friend bit off more than he can chew.
Uh, excuse me.
There's nothing wrong with that film.
It just got all gummed up.
I'll tell you what I'll do for you.
Give me the film. I'll get it straightened out.
There you are, rusty. What could be fairer than that?
Well, I'd like to do it myself, if you don't mind.
Why don't you give it to them, rusty?
Sure, rusty. We're all on your side.
By tomorrow, you won't know that film.
Miss Corlane, you're the boss.
If you tell me to give the film to Mr. Farns,
I will, but...
Well, I'd like to prove that I can do one thing right.
Please.
All right, rusty.
You take care of it and call me when you've got it fixed.
Thanks, miss Corlane.
I'll prove that I know what I'm doing.
Now, you understand, don't you?
Don't worry about me. I just act dumb
'cause I found out most men don't like smart girls.
Swell. Well, you get the film from Cammeron,
bring it to me, and you get a beautiful diamond bracelet.
Well, there's nothing wrong with your eyes in that shot, lady.
Oh, I knew that would be good.
Say, where's that shot where miss Lucky Vista was...
There it is.
Getting those gripping pains again.
Here!
Get out of here!
Poor little me.
Always interrupting some busy man.
Look, what are you doing here?
I came to get some publicity pictures taken.
Well, we're closed for the night.
Look, you're a nice girl,
but please take your business somewhere else.
You make me nervous.
Come on. Outside.
Come on. Go home.
Here. Get out of here!
Take your little camera and I'm yours to command.
Now, look, you can't stay here.
Why not?
Well, because you're young and I'm young,
and youth calls to youth and...
Well, I'm afraid to listen.
Call me ducky, lover-poo.
Ok, ducky, waddle out of here.
I mean, you can't stay. It's not nice.
It'll get nicer... Lover-poo.
Huh?
I saw the way you looked at me this afternoon.
The invitation in your eyes.
The way you winked at me.
I winked?
Well, that's a big...
I did not.
You mustn't resist me, lover-poo.
Aw, you can't resist me.
Well, I got to resist you.
You need a woman... A woman like me...
Warm, tender, affectionate... weak,
a woman to adore you...
To take care of you...
Wait a minute!
I'm wise to your little game.
I know what you're up to, and I know who sent you.
You do?
Yeah. She threatened to do this.
Well, you get this straight.
Nobody's going to pick out a wife for me.
Aw, of course not, lover-poo.
Imagine her saying I need a woman like you for my wife.
I know what I need.
And it's not a scalp treatment.
Put your arms around me.
Will you do something for me first?
Anything.
Get off my foot.
And I ain't gonna marry you.
Now, get out.
Darling...
Don't be mean to me.
I need you, and you need me.
I need you like I need a hole in the head.
Kiss me.
Kiss me!
What's wrong with a hole in the head?
Excuse me.
We're closed.
Oh, miss Corlane!
The door was open so I came in.
Oh, you're not interrupting anything
because I'm not going to marry this girl.
That's between you and your conscience.
The only reason I came here is because I thought
the film wasn't your fault.
It wasn't my fault. Honestly. I can prove it.
I'm no longer interested.
Well, wait...
I won't let you go.
You're going to stay until I prove I'm not a screwball.
I won't let you go.
Drop in and see us anytime.
Thank you, I will.
I can't understand it.
I'm so beautiful, and everybody's always slugging me.
Grandpa!
What was that scream?
Ecstasy, my boy, sheer ecstasy.
Warmed myself, and why shouldn't I?
Let the ladies beware, let the music begin,
there's many a good tune in an old violin.
How are you, son?
I'm glad you're here, father.
Rusty's got a problem.
Oh? Well, speak freely, my boy.
You're amongst a friend.
Uh, not too freely.
He's at the age where he picks things up.
Well, it's a terrible problem, grandpa,
and she's such a wonderful girl.
Oh, a dame, huh? You got no problem.
So you got a girl, huh?
Well... junior, you better get back to bed.
There's gonna be a lot of boy talk floating around here.
Now, you take it easy, pop.
I've met miss Corlane,
and she's a very sweet girl.
All girls are sweet.
Now, uh, get lost. Go cheat yourself at solitaire.
Can't I stay up?
You heard me!
My goodness, grandpa. What happened to you? You've changed.
I had to. For years I sat around
in a rocking chair and carpet slippers
while the rest of the world went on without me.
You look younger than pop.
Sure I do now.
I've gone modern, up-to-date,
turned over a new page, rusty,
and it's mighty nice reading.
I never would have believed it.
Well, never mind about me.
Tell me about your troubles,
you poor, foolish-looking,
broken-hearted creature.
Well, grandpa, it's terrible.
Everything's gone wrong since our first meeting.
She saved my life instead of me saving hers.
She practically supports our business.
Now, how can I ever hope to get anywhere with a girl like that?
Now, you listen carefully to me, rusty.
I'm going to tell you about the new facts of life.
For thousands of years,
women have been delicate, sheltered creatures,
covered from stem to stern.
That's right.
Then came the new era.
And the french bathing suit,
the average woman has to put something on to take a bath.
Things certainly have changed.
Yes, sir, they certainly have.
Why, a fella used to see his girl
in the moonlight looking at roses.
Now when you see a girl in the moonlight,
she's playing first base for a softball team.
I don't follow you.
My boy, you're really in trouble.
Let me ask you something.
Who rents these Clark Gable and Robert Taylor films?
Mostly women.
Aah! Magnetism, my boy. Magnetism!
The female woman is magnetically drawn to the male man.
Do you get it?
Grandpa, I can't tell a lie. I'm all mixed up.
My boy, this calls for a practical demonstration.
Where's the projector?
Why?
I'm going to teach you how to project.
He never had a dog when he was a boy.
Hey, grandpa...
Shhh!
Pay attention.
I don't worry about what I missed when I was a kid.
I'm getting all those things now.
Hold onto your hat, rusty, here we go!
Darling, where do we get off?
What's to become of us?
Oh, now, don't turn ordinary on me.
I get tired of ordinary dames.
And I don't ever want to get tired of you.
I didn't mean to turn ordinary on you, Johnny.
It was just an approach to get you to say you loved me.
He's lighting the fuse right now.
Listen, anytime you start doubting I love you,
just tote up the score.
This town's full of women, and I have to pick the most dangerous one in town,
the one woman most likely to upset my apple cart.
No, this time it might not be the woman who pays.
I might wind up back in a cell.
Johnny.
Rusty, we're now coming to your special problem.
You got to beat it. Will you beat it?
No, Johnny! I'm staying here with you
because I know you're lying to me!
This time I know because you can't look at m...
I couldn't do that.
That's enough of that one.
Take it off. Put on that Clark Gable film.
Boom town.
Pay particular attention when he lowers the boom.
Well, thank you. It's been awfully nice.
I'll see you some more, won't I?
No, I'm afraid not.
I just realized I have to take the bus in the morning.
Now, wait a minute. Is there another guy?
Yes.
You love him, huh?
No, not th...
Not that way, but...
Then what are you leaving for?
Because...
Good-bye.
- Hey, grandpa. - She left him!
She ain't coming back.
He ain't told her to yet.
Come down here.
Well, how about that?
He made up his mind she was coming back, and she did.
I make up my mind quick.
I made it up when I first saw you, I guess.
You aren't ever going to leave.
You watch the picture 50 times, she always does that.
You're not getting away from me.
You know that, don't you?
What?
I'm not blaming you, baby.
But you aren't walking out with him
or anybody else. Understand?
You're my girl, see, and you always will be.
Even if I have to lick you to prove it.
Why, he'll never get away with that.
Get away with it? She'll invite him to slap her.
I'm your girl.
You can lick me if it'll help.
I'll save it for when you need it.
Grandpa, I couldn't bring myself to slap a woman.
In your case, it's a necessity.
Well, supposing they don't go for it?
You've got to assert your masculine dominance.
If she takes it, that's love.
Well, what if she slaps back?
That, my boy, is marriage.
Yoo-hoo!
I'm not late, am I, honey?
I ran all the way.
That's all right, sugar loaf.
You were a half-hour early the last time.
Oh, you're so good to me.
Yes.
Don't rush me, don't rush me.
Uh, shall we?
Oh, uh, junior,
don't wait up on me.
You're my girl and always will be, see?
Even if I have to slug you to prove it.
Hey.
Rusty, what are you doing here?
I came here to tell you something.
What's the matter with you?
Now, look, baby, you're my girl, see?
And you always will be, even if I got to lick you to prove it.
Rusty, please!
Well, go ahead, lick me if it will help.
Oh, that's your line.
Wait a minute. Do you feel all right?
Aw, don't turn ordinary on me.
I'm tired of ordinary dames.
Rusty, will you stop?!
All the women in this town
now, look, baby...
Please!
Oh, no!
Hey, what happened?
You fell overboard again.
Well, don't tell me she did it again?
Yeah.
Getting so a guy can't fall overboard
that she doesn't dive in and save his life.
Where is she?
She told me to tell you that she's gone to South America.
South America?
Yeah.
Boy, what a swimmer.
It's not here.
What about you?
No. Not a trace of it.
A fine thief you are.
You brought all the wrong film.
Look, I copped every foot of film in that store.
This wasn't my first job, you know, pal.
All right, get out.
What do we do now?
Well, I'm not gonna spend 10 years in jail.
What are you gonna do?
We're going to find Cammeron.
If the film wasn't in the store, he must have it on him.
Yeah, but how are you gonna get it?
Any way we can, but we are gonna get it.
Hello. Is that you, miss Corlane?
I've got to show you this film right away.
I've got it all straightened out,
and I can prove that your manager Mr. Farns is a crook.
Oh, thank you. I'll be over as fast as I can make it.
Morning.
Where's miss Corlane's office?
Last building on your right.
Thank you.
Come in.
What's that you say about Farns being a crook?
I can prove it. Come here.
What you said on the phone is very interesting
because I was beginning to get suspicious.
He was talking very strangely last night.
Well, the proof's right here.
Right here on this film.
Wait till you see it.
You can get yourself $10,000 cash
by having your reports show green lumber or bad concrete...
Anything that will make the bank delay its making the final loan.
10,000?
10, and 10 more
when miss Corlane loses this place to some friends of mine.
There. That's why Farns wants the film.
Just wait until I take this to the district attorney.
I'm sorry.
That's all right.
Oh...
Hello, Mr. Farns.
It was nice of you to drop in.
Now, uh, miss Corlane, about this projector,
it's considered one of the best on the market,
and sells for $208 and has a built-in...
Oh, that reminds me, rusty.
Where's that piece of film where I tell the story about the two sailors?
Oh, that's back at the store.
I'd like to see that, too.
Oh, anytime. How about tomorrow?
You'll both have a chance to see it at the trial.
Oh, now, that makes everything very clear.
Yes, it does.
Shanway, suppose you take miss Corlane upstairs
and keep her there until I get back from rusty's store.
Well, when that film goes up in smoke,
it'll be just your word against ours.
Well...
Go ahead.
Thank you.
Go ahead.
Yes, sir.
My car is right outside.
You'll drive.
Hey!
What... hey!
You feel better after your bath?
Yeah.
Now, come on. We're wasting time.
No smart tricks. There's still a bullet left.
All right, stick 'em up.
Don't move. Don't come near me.
Oh, rusty!
Sorry I've only got one bullet.
If I had two, I could shoot you twice.
And I'd do it, too. I'm a crack shot.
Watch.
Oh, that was my last bullet!
Oh!
Hurry! Get on the phone!
Call the police!
Farns, where are you?
Here.
The phone! Get the phone!
Rusty! The phone is dead!
Oh, no.
Come here! Help me!
Hey, maybe we can get out the window.
We're only on the second floor.
Hey, there's a car out here.
There can't be. This is the second floor.
Maybe it's a second-hand car.
Come on. Oh!
Come on. We'll get them.
Which way is the nearest police station?
That way.
They must have taken the lower road.
Can't this thing go any faster?
Look!
Oh, they're chasing us in your car.
Here. You drive. I'll stop them.
They can run rings around us on the straightaway.
Don't forget Farns has that gun.
Yeah, well, hold on tight.
I'm gonna make the next turn.
There must be a rear entrance to this place.
Come on, hurry up!
Hurry up, they'll get away.
Look!
That should stop them.
That takes care of Mr. Farns.
We've lost them.
Good. Now, which way is the police station?
That way.
Rusty! There they are!
Ooh!
Hey!
Hey!
No.
Let's follow the river road.
Say, there's someone following us.
Well, that's a silly way to go fishing.
Rusty, look!
Ah, just...
Hey, get away! Get away!
Hey!
Oh, I'm sorry.
Here, grab ahold of the steering wheel
while I get rid of that branch.
Ow!
Hey, come back here!
Come here!
Hurry up, rusty, we've got...
Lucia!
Get back here!
I'll shoot their tires. That'll stop them.
Save your shots. We'll catch them on the next turn.
Look, rusty!
Hmm?
Oh!
Look, I make up my mind in a hurry.
You're never gonna leave me.
We're gonna get married as soon as we get out of this mess.
Do you understand?
Of course I do. Anything you say, Clark.
I-I mean rusty.
Well, then slide over here and give me a kiss.
Gee, grandpa and Clark Gable would be mighty proud of me.
Oh!
Faster! Faster!
No. I'll go slower.
Are you crazy?
Stop, or I'll shoot.
You do, and we'll all be killed.
Hey, which way's the police station?
What did he say?
I didn't hear him,
but it must be up this way.
Hey, try getting up there.
Hey!
Hey, fellas!
Hey! Where's the police station?
Go straight ahead to the next stoplight and turn right.
Thanks.
You're welcome.
Officers, don't let these two men get away!
Ok, miss.
Oh, officer, I want those two men arrested.
They're guilty, and we've got the film to prove it.
Now wait a minute, young lady.
If I hadn't of straightened out that soundtrack,
we'd never have known what happened.
What soundtrack are you talking about?
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