All language subtitles for How Its Made S28E11 Collagen and Plier Staplers 1080p AMZN WEB-DL DDP2 0 H 264-SLAG_track4_[eng]

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranรฎ)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu

Original subtitles

--Captions by VITAC-- www.vitac.com

CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS

Narrator: ABALONE IS AN EDIBLE MOLLUSK.

ITS SHELL HAS A MULTICOLORED IRIDESCENT LINING

THAT'S BEEN USED SINCE ANCIENT TIMES

TO DECORATE JEWELRY AND OTHER PRIZED OBJECTS.

MORE RECENTLY, ABALONE HAS BEEN TAPPED

AS A SOURCE OF COLLAGEN,

A PROTEIN THAT SUPPORTS THE STRUCTURE OF BONES,

CONNECTIVE TISSUES, AND SKIN.

ABALONE COLLAGEN IS A POPULAR TREATMENT IN ASIA.

THIS FARM AND FACTORY RAISES THE ABALONES,

THEN EXTRACTS THEIR COLLAGEN TO ADD TO DRINKS,

COSMETICS, AND MEDICINE.

THE ABALONES SPEND THEIR FIRST SIX MONTHS

IN THE FARM'S HATCHERY AND NURSERY POND.

NOCTURNAL, THEY HIDE FROM DAYLIGHT UNDER CEMENT TILES

THAT SIMULATE THEIR NATURAL HABITAT

OF ROCKS AND CORAL.

THEIR SINGLE SHELL HAS PORES

THAT REGULATE VARIOUS BODILY FUNCTIONS

SUCH AS BREATHING AND REPRODUCTION.

THE MAIN INGREDIENT IN THEIR SPECIALLY FORMULATED FOOD

IS SEAWEED.

FEEDING TIME IS ONCE EVERY EVENING.

AT SIX MONTHS OF AGE,

THE ABALONES GRADUATE TO THE CULTIVATION POND.

THERE ARE TWO TYPES OF GROWING METHODS.

IN THIS ONE, BEFORE FILLING THE POND WITH SEAWATER,

WORKERS LAY CEMENT TILES AT THE BOTTOM,

ALONG WITH UNDERWATER PIPES THAT SUPPLY OXYGEN,

WHICH ABALONES NEED TO SURVIVE.

THE OTHER METHOD HOUSES THE ABALONES

IN STACKS OF POLYETHYLENE CRATES,

REFERRED TO AS CONDOMINIUMS.

WITH 50 TO 100 ABALONES IN EACH CONDO,

THE YIELD PER SQUARE FOOT IS SIGNIFICANTLY GREATER.

EVERY SECOND DAY, WORKERS REMOVE THE CONDOS

FROM THE CULTIVATION POND TO RINSE OUT THE CRATES,

CHECK THE ABALONES, AND FEED THEM.

RATHER THAN WASTEFULLY USING NEW SEAWATER,

THE POND WATER IS REGULARLY DRAINED,

CLEANED, AND RECIRCULATED.

THE CLEANING SYSTEM FILTERS OUT FECES

AND NEUTRALIZES AMMONIA.

AFTER SIX MONTHS TO A YEAR IN THE CULTIVATION POND,

THE ABALONES ARE MATURE AND READY FOR HARVESTING.

WORKERS REMOVE THEM FROM THE SHELL

AND REMOVE ORGANS TO BE USED FOR OTHER PRODUCTS.

THEN, THE WORKERS PREPARE TO EXTRACT COLLAGEN

FROM THE MEAT.

FIRST, THEY MASH THE MEAT IN AN INDUSTRIAL-SIZED BLENDER.

THE TRICK IS TO USE AN EXTRACTION METHOD

THAT DOESN'T DESTROY THE COLLAGEN

OR DIMINISH ITS EFFECTIVENESS.

ABALONE COLLAGEN MUST HAVE FULL POTENCY WHEN CONSUMED

IN ORDER TO STIMULATE THE HUMAN BODY

TO PRODUCE MORE OF ITS OWN COLLAGEN.

SINCE PROLONGED HEATING TURNS COLLAGEN INTO GELATIN,

WORKER USE A PROCESS CALLED COLD EXTRACTION,

STIRRING THE MEAT IN REFRIGERATED TANKS

FOR UP TO SEVEN DAYS

UNTIL THE COLLAGEN SEPARATES

AND RISES TO THE TOP.

WORKERS SKIM OFF THE COLLAGEN,

THEN, TO MAKE THIS PARTICULAR PRODUCT,

BLEND IT WITH MIXED FRUIT JUICES.

THEN THEY HEAT THE DRINK IN PASTEURIZATION TANKS

FOR THREE MINUTES TO KILL OFF ANY BACTERIA.

THE DRINK CONTAINS 20% COLLAGEN

AND 80% JUICE.

WHEN IT'S TIME TO PACKAGE THE PRODUCT,

THE CONVEYOR BELT MOVES GLASS BOTTLES

TO THE CLEANING STATION,

WHICH WASHES THEM OUT WITH PRESSURIZED BOILING WATER.

AFTER WASHING, THE BOTTLES MOVE TO THE NEXT MACHINE

WHICH FILLS THEM WITH THE DRINK.

THE NEXT MACHINE SEALS THE BOTTLES

WITH AN ALUMINUM TWIST CAP.

CONTROLLED BY A SENSOR,

AN INKJET PRINTER APPLIES THE LOT NUMBER ON THE CAP

ALONG WITH THE PRODUCT'S EXPIRATION DATE,

A YEAR AWAY.

A WORKER VISUALLY INSPECTS THE BOTTLES

AS THEY MAKE THEIR WAY TO THE LABELING MACHINE.

THE FACTORY'S ON-SITE LABORATORY CONDUCTS A SERIES

OF QUALITY CONTROL TESTS ON RANDOM SAMPLES.

IN THIS TEST, THE TECHNICIAN USES

A pH METER TO ENSURE THE PRODUCT'S ACIDITY

IS WITHIN A SPECIFIC TARGET RANGE.

IN ANOTHER TEST, SHE PLACES A FEW DROPS

ON A DEVICE CALLED A REFRACTOMETER.

IT MEASURES TO WHAT EXTENT

LIGHT PASSING THROUGH THE LIQUID IS BENT,

WHICH GIVES A READING OF THE SWEETNESS.

WHILE THIS DRINK IS A SKIN ENHANCEMENT PRODUCT,

OTHER ABALONE COLLAGEN FORMULATIONS

ARE DESIGNED FOR WEIGHT LOSS, BOOSTING IMMUNITY,

INCREASING BONE DENSITY, AND STRENGTHENING CARTILAGE.

Narrator: AN ESSENTIAL COMPONENT OF AN AUDIO SYSTEM

IS THE DIGITAL-TO-ANALOG CONVERTER.

IT RECEIVES DATA FROM A DIGITAL DEVICE

SUCH AS A COMPUTER, TV, OR DISC PLAYER

AND CONVERTS THAT SIGNAL TO ANALOG,

AN ELECTRICAL AUDIO SIGNAL

THAT THE SOUND SYSTEM CAN AMPLIFY

AND PLAY THROUGH SPEAKERS.

THIS DIGITAL-TO-ANALOG CONVERTER,

PART OF A PRODUCT LINE OF HIGH-END AUDIO COMPONENTS,

HAS FOUR INPUTS FOR DIFFERENT DIGITAL DEVICES.

IT ALSO HAS A BUILT-IN CD DRIVE.

MANY OF THE CONVERTER'S STRUCTURAL PARTS

ARE MADE BY COMPUTER-GUIDED MACHINES.

THIS COMPUTER-GUIDED LATHE, FOR EXAMPLE,

ROTATES AN ALUMINUM BAR,

WHICH A CUTTING TOOL FORMS INTO ONE OF FOUR LEGS

THAT SUPPORT THE CD DRIVE.

THIS MILLING MACHINE CUTS

AND SHAPES MOST OF THE ALUMINUM PARTS

THAT MAKEUP THE CONVERTER'S CHASSIS,

THE BOX THAT CONTAINS ALL THE ELECTRONIC COMPONENTS.

THE PARTS COME OFF THE MILL WITH SHARP BURRS

ALONG THEIR EDGES,

SO THE NEXT STEP IS TO TRIM THEM WITH A DE-BURRING TOOL.

WORKERS SPRAY THE TRIMMED CHASSIS PARTS

WITH BLACK POWDER PAINT,

THEN BAKE THE PAINT IN AN OVEN TO MAKE IT MORE DURABLE.

THEN THEY PRINT LABELING ON THE CHASSIS'S FRONT

AND BACK PANELS BY SQUEEGEEING WHITE EPOXY PAINT

THROUGH A SILKSCREEN STENCIL.

THEN WORKERS PUT THE PANELS

IN THE OVEN TO BAKE THE PAINT.

WORKERS INSTALL THEM IN BETWEEN

THE CD DRIVE SUPPORT BASE AND EACH OF THE FEET

TO CREATE A FLOATING SUSPENSION SYSTEM

THAT PROTECTS THE DRIVE FROM VIBRATION.

NEXT, WORKERS INSTALL THE CD DRIVE

ONTO THE SUPPORT BASE.

THEY INSTALL THE DRIVE'S PROTECTIVE COVER.

IT PREVENTS DUST FROM GETTING INTO THE CD OPTICAL READER.

MEANWHILE, A TECHNICIAN TESTS

EACH OF THE CONVERTER'S FIVE CIRCUIT BOARDS

TO MAKE SURE THEY FUNCTION PERFECTLY.

THIS BOARD RUNS THE L.E.D. DISPLAY

WHICH SHOWS THE SELECTED INPUT

AND OTHER PLAYBACK INFORMATION.

ONCE ALL THE CIRCUIT BOARDS PASS INSPECTION,

WORKERS SOLDER THE L.E.D. BOARD TO THE FRONT PANEL CIRCUIT BOARD

WHICH RUNS THE CONVERTER'S USER CONTROLS.

THE WORKER INSERTS BRUSHED ALUMINUM PUSH BUTTONS

INTO THE FRONT PANEL'S LABELED HOLES.

THEN THEY ATTACH THE FRONT PANEL CIRCUIT BOARD.

THIS ALIGNS THE PUSH BUTTONS WITH THE CORRESPONDING CONTACTS

ON THE BOARD.

THE WORKER ASSEMBLES THE CHASSIS BOTTOM,

SIDE, AND BACK PANELS.

THEY ATTACH THE FRONT PANEL WITH ITS PUSH BUTTON CONTROLS,

AND IN THE CENTER, AN OPENING FOR THE CD DRIVE.

THE TECHNICIAN VISUALLY INSPECTS

THE CONVERTER'S MAIN CIRCUIT BOARD,

WHICH CONVERTS THE DIGITAL SIGNAL TO ANALOG.

IF THE MAIN CIRCUIT BOARD PASSES INSPECTION,

THEY INSTALL IT IN THE BACK OF THE CONVERTER

NEXT TO THE POWER SUPPLY BOARD.

NEXT, A WORKER INSTALLS THE CD DRIVE.

THIS REQUIRES CONNECTING THREE CABLES

INTO THE MAIN BOARD --

ONE FOR THE OPTICAL READER,

AND TWO FOR THE MOTORS THAT OPEN AND CLOSE THE LOADING TRAY

AND SPIN THE COMPACT DISC.

BEFORE COMPLETING THE CONVERTER BY CLOSING UP THE TOP,

A WORKER TESTS THE CD DRIVE

AS WELL AS THE FOUR OTHER DIGITAL INPUTS,

WHICH ARE DESIGNED FOR CONNECTING DEVICES

SUCH AS AUDIO COMPONENTS,

DVD OR BLU-RAY PLAYERS,

TVs, AND COMPUTERS.

THE TESTING MACHINE TAKES ALL KINDS OF MEASUREMENTS

TO ENSURE THE CONVERTER PERFORMS

TO A LIST OF TECHNICAL SPECIFICATIONS.

IF THE UNIT PASSES INSPECTION,

THEY COMPLETE THE ASSEMBLY BY ATTACHING THE TOP COVER.

THIS DIGITAL-TO-ANALOG CONVERTER

IS NOW READY TO PLAY ITS CRITICAL ROLE

IN THIS HIGH-END AUDIO SYSTEM,

REPRODUCING SOUND FOR THE DISCERNING EAR.

Narrator: EMBOSSED WOOD TRIM

CAN MAKE FACTORY FURNITURE LOOK HANDCRAFTED.

THE TECHNIQUE WAS DEVELOPED OVER A CENTURY AGO

TO MIMIC CARVINGS ON FANCIER FURNISHINGS

THAT WERE ONLY AVAILABLE TO THE WEALTHY.

TODAY, THIS TRIM IS STILL GIVING FURNITURE AND CABINETRY

THE LOOK OF HAND CARVING.

THE PURPOSE OF EMBOSSED WOOD TRIM

IS PURELY AESTHETIC.

IT CAN TRANSFORM A PIECE OF FURNITURE

AND MAKE IT A BEAUTIFUL THING.

MAKING EMBOSSED MOULDING STARTS WITH A ROUGH PIECE OF MAPLE.

USING A RIP SAW,

A WOODWORKER SLICES THE BOARD INTO STRIPS.

THE FIRST CUT STRAIGHTENS

THE EDGE OF THE WOOD TO CORRECT WARPS,

AND THE SECOND ONE TRIMS THE STRIPS

TO THE CORRECT DIMENSION.

HE THEN CARVES THROUGH THE CENTER OF EACH STRIP

TO GET TWO PIECES OF TRIM FROM ONE BOARD.

EACH STRIP IS ABOUT 1/2 INCH THICK.

THE STRIPS ARE READY TO BE FED TO THE MOULDER,

A MACHINE THAT SHAPES THE FLAT SURFACE TO A SPECIFIC PROFILE.

THE MOULDER HAS FIVE CUTTER HEADS.

TO PREPARE THEM, HE INSERTS A SPACER

AND A BLADE INTO THE STEEL HEAD.

HE USES A MAGNET TO PULL THEM INTO ALIGNMENT.

THE WORKER LOCKS THE BLADE AND SPACER

TO THE CUTTER HEAD WITH BOLTS.

HE SLIDES THE CUTTER HEAD ONTO A SPINDLE IN THE MOULDER.

THE WORKER SECURES IT WITH A NUT,

USING A SPECIAL TOOL FOR THE JOB.

ONCE ALL THE CUTTER HEADS ARE IN PLACE,

HE TURNS THE SWITCH ON THE MACHINE.

AS THE CUTTERS SPIN, THE OPERATOR FEEDS

THE LONG STRIPS OF WOOD TO THEM.

RUBBER AND STEEL WHEELS MOVE THE BOARD

FROM ONE CUTTER TO THE NEXT.

THE CUTTER PROGRESSIVELY PROFILES THE AREA

THAT'S TO BE EMBOSSED

AND CREATES DECORATIVE RAISED BORDERS.

HERE'S A SIDE VIEW OF THE CONTOURING.

THIS TRIM IS NOW READY FOR EMBOSSING.

SOME OF THE EMBOSSING WHEELS AT THIS SHOP DATE BACK TO 1908.

THE OLDEST WHEELS ARE MADE OF BRONZE,

AND THE NEWER ONES ARE MADE OF STEEL.

THERE ARE HUNDREDS OF PATTERNS TO CHOOSE FROM.

THE WORKER SELECTS THE WHEEL WITH THE DESIRED PATTERN.

HE MOUNTS IT TO AN EMBOSSING MACHINE

THAT WAS BUILT IN 1908.

THE WORKER LOCKS THE EMBOSSING WHEEL ONTO THE SHAFT.

HE IGNITES TORCHES THAT HEAT THE EMBOSSING WHEEL.

AS THE HOT WHEEL REVOLVES,

IT PRESSES THE PATTERN INTO THE MOULDED STRIP OF WOOD.

THE HEAT RELEASES MOISTURE FROM THE WOOD,

PREVENTING SPLINTERING DURING EMBOSSING.

A DRIVE WHEEL BELOW WORKS IN CONCERT

WITH THE EMBOSSING WHEEL TO MOVE THE WOOD FORWARD.

NEXT UP ARE ROSETTES

THAT ARE USED TO ACCENTUATE THE CORNERS OF FURNITURE,

WINDOWS, AND DOORS.

USING A SLIDING APPARATUS KNOWN AS A SLED,

THE WOODWORKER DELIVERS A BOARD TO THE TEETH OF A SAW.

HE MAKES STRAIGHT CUTS AND SQUARES

TO THE DESIRED DIMENSIONS.

THE WORKER DRAWS LINES FROM ONE CORNER

OF THE WOOD SQUARE TO ANOTHER,

AND FROM THE OPPOSITE SIDES.

THE LINES INTERSECT AT THE EXACT CENTER OF THE SQUARE.

THE WORKER CLAMPS THE SQUARE IN A MILLING MACHINE

WITH THE CUTTING TOOL AIMED DIRECTLY AT THE CENTER.

HE ACTIVATES THE TOOL TO MAKE THE FIRST CIRCULAR CUT.

HE REMOVES THE WOOD SQUARE TO CHECK OUT THE CUT.

THE WORKER MEASURES IT TO CONFIRM

THAT IT IS IN FACT, DEAD CENTER.

HE RETURNS THE SQUARE TO THE PLATFORM

UNDER THE MILLING TOOL.

THIS TIME THE CUTTER SPINS INTO THE WOOD

TO MAKE A WIDER AND DEEPER CIRCULAR CUT.

THIS FURTHER EXPANDS THE PATTERN IN A RADIAL FASHION.

AND IT COMPLETES THE ROSETTE PATTERN.

THE WORKER EXAMINES THE QUALITY OF THE CUT

AND MEASURES THE DISTANCE TO THE EDGE OF THE WOOD

TO VERIFY THAT IT'S TO SPEC.

FROM A SIMPLE WOOD SQUARE TO AN ELEGANT ROSETTE,

THIS JOB IS DONE.

THE TRIM CAN NOW BE USED

TO MAKE FURNITURE LOOKED HAND CARVED

WITHOUT ALL THE EFFORT.

Narrator: A STAPLER CAN INSTANTLY TRANSFORM

A PILE OF PAPERS INTO A DOCUMENT.

ITS STORY BEGINS WITH THE RAPID

INCREASE IN THE USE OF PAPER

IN THE MIDDLE OF THE 19th CENTURY.

THE STAPLER WAS DEVELOPED

BECAUSE PEOPLE NEEDED SOMETHING BETTER THAN STRING OR PINS

TO HOLD THE PAGES TOGETHER.

PLIER STAPLERS OPEN AND CLOSE LIKE PLIERS

TO TACKLE FASTENING JOBS WITH QUICK PRECISION.

MAKING THESE STAPLERS STARTS WITH THE COVER PLATE.

A PRESS WIELDS UP TO 176 TONS OF FORCE

TO SHAPE STEEL BLANKS TO A SLOPPED PROFILE.

A ROBOT INSERTS TRACKS INTO NICKEL STEEL CASINGS.

THESE ARE THE VERTICAL STAPLE TRACKS

FOR THE FRONT OF THE STAPLER.

TOOLS BEND TABS ON THE ENDS OF THE CASINGS

TO FASTEN THE TWO PARTS.

ANOTHER ROBOT SERVES UP COVERS FOR THE STAPLER'S MAGAZINES

TO AN AUTOMATED WELDER.

THE WELDER FUSES AN ASSEMBLY ATTACHMENT

TO EACH COVER.

A WORKER IMMERSES SOME OF THE STAPLER'S INTERIOR PARTS

IN A SOLUTION OF WATER AND ZINC PHOSPHATE.

THIS SOLUTION FORMS AN ANTI-CORROSION COATING

ON THE SURFACE OF THE STEEL.

THESE PARTICULAR PARTS ARE PUSHER GUIDES.

THE TOP PART HAS THE PROTECTIVE COATING.

THE PARTS THEN TAKE A RIDE

WITH CERAMIC STONES AND POLISHING SOLUTION.

THIS SMOOTHES ROUGH BITS AND MAKES THEM SHINE.

NEXT UP IS THE DIE PLATE.

THIS IS THE PART THAT SHAPES

AND CLOSES THE STAPLE DURING STAPLING.

AN AUTOMATED SYSTEM SCREWS AN IRON "U"-BOLT ATTACHMENT

TO THE DIE PLATE.

A ROBOT THEN INSERTS THE SPRING BLOCK,

THE PART THAT ALLOWS THE STAPLER

TO SPRING BACK TO ITS ORIGINAL POSITION AFTER USE.

MEANWHILE AT THE NEXT STATION,

A ROBOT PLACES A PIECE OF PRECISION-CUT STEEL

ON A MOLD.

A PRESS DRIVES IT INTO THE MOLD

TO SHAPE IT INTO THE STAPLER BODY

THAT HOLDS ALL THE WORKING COMPONENTS.

MORE ROBOTS THEN WORK IN PERFECT SEQUENCE,

TO INSTALL THICK METAL PINS ACROSS THE STAPLER BODY.

THESE PINS BRACE THE STAPLER'S STRUCTURE,

BUT THAT'S NOT ALL.

SOME OF THE STAPLER'S WORKING PARTS

WILL HOOK ONTO THESE PINS.

OTHER ROBOTS NOW FASTEN THE DIE PLATE

TO ONE END OF THE STAPLER BODY USING RIVET HINGE.

IN THE PROCESS, THEY ALSO FASTEN

THE SPRING BLOCK SECURELY TO THE DIE PLATE.

AFTER CLEANING AND DEGREASING,

THE STAPLER BODIES HEAD INTO A PAINT BOOTH.

SPRAY GUNS APPLY PRIMER,

AND A CURTAIN OF WATER BEHIND THE PARTS PREVENTS EMISSIONS

FROM ESCAPING FROM THE BOOTH.

THE NEXT SPRAYERS COAT THE PARTS WITH GREEN PAINT.

WITH THE PAINT DRY ON THE STAPLER BODY,

WORKERS ARE READY TO ASSEMBLE ALL THE WORKING PARTS.

THE ASSEMBLER SLIDES THE FRONT STAPLE TRACK INTO PLACE

AND INSERTS THE STAPLE PUSHER GUIDE INTO THE BODY.

SHE POSITIONS A METAL PLATE OVER THE GUIDE

AND SCREWS EVERYTHING IN PLACE

THROUGH HOLES IN THE BODY OF THE STAPLER.

THE ASSEMBLER CLIPS A RETAINING RING AROUND EACH SCREW.

NEXT UP IS THE DRIVER.

THIS PART DETACHES STAPLES

ONE AT A TIME DURING STAPLING.

AFTER INSTALLING IT, THE ASSEMBLER INSERTS

THE SPRING LOADED PUSHER

AND HOOKS THE END ON THE STAPLE GUIDE.

ANOTHER WORKER ASSEMBLES THE HANDLE

THAT ALLOWS THE STAPLER

TO BE WIELDED WITH PLIER-LIKE ACCURACY.

HE SECURES THE HANDLE WITH A ROLLING FASTENER.

THIS ROLLING FASTENER INDIRECTLY BEARS DOWN

ON THE STAPLES TO APPLY PRESSURE DURING STAPLING.

ANOTHER TEAM MEMBER THEN INSPECTS THE STAPLER.

SATISFIED WITH ITS FABRICATION,

SHE REACHES FOR THE COVER PLATE

AND HAMMERS THE WINGS TO BEND THEM FOR A BETTER FIT.

SHE SLIDES THE COVER PLATE INTO THE GROOVES OF THE STAPLER

AND LOADS THE STAPLES TO GIVE IT A TRIAL RUN.

SHE STAPLES PAPER REPEATEDLY TO CONFIRM

THAT IT'S FULLY OPERATIONAL.

THESE PLIER STAPLERS ARE NOW READY FOR THE WORKPLACE,

WHERE WITH A FEW QUICK CRUNCHES,

THEY'LL HELP KEEP THE PAPERWORK IN ORDER.

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.