All language subtitles for La.Mujer.Dormida.AKA.The.Sleeping.Woman.2024.1080p.WEBRip.x264.AAC-[YTS.MX]

THE SLEEPING WOMAN

6 MONTHS EARLIER

We're here.

- Anything else, honey?
- No.

The next bus isn't

until tomorrow.

No, I'm here to work.

- Really?
- Yeah.

Where?

That's it, right?

- Yes.
- Thanks.

- Agustín?
- Yes.

- Is this yours?
- Yes.

- Hello, I'm Ana.
- Hi.

- Shall we?
- Sure.

I thought you lived in town.

We live nearby.

It's beautiful.

Where is she?

Let's settle you in first,
and then you can meet her.

This way.

Huh? Yeah, okay.

Agustín?

Hi, Sara.

My name is Ana.

I'm your nurse.

I'm here to look after you.

You'll see.

We'll be good friends.

By the way, thanks
for this opportunity.

No problem.

Your offer made me so happy.

It smells great.

I love cooking.

I used to do it more often.

- Hand me your plate.
- Sure.

I arrived in this island when I
was very young and I had to learn.

Let's see what you think.

So?

Yeah?

It tastes great.

I'm glad.

So, when you pass
your public exam...

Well.

Let's not get
ahead of ourselves.

What will you do?

I don't know.

I came to the island
because of my sister,

to help her with the kids.

I guess

if I pass the exams...

I'll stay here indefinitely

and live a quiet life.

I'm not such an
interesting person.

Well.

You're talking with someone who
hasn't left the house in two years.

I win in the
uninteresting stakes.

I have a question.

Why...

Why is Sara like that?

Sara had issues.

There's a history of mental
illness in her family.

Her mom has always had issues.

Now she wants Sara's custody,
so we've gone to court.

The thing is Sara became...

She became pregnant.

I was very excited about it.

But she wasn't.

She was always depressed.

Always sad. She said
she felt lonely.

We had a maid, Nieves, and
she fired her for no reason.

That's why I was always
at home, trying to...

help her.

Trying to, I don't know...

to make everything better.

One day, coming
back from town...

she had a severe episode.

She to the attic and
jumped out the window.

And the baby?

I'm really sorry.

Excuse me.

You scared me.

I'll close them

so they don't dry out.

SLEEPWALKING

DANGEROUS BEHAVIOR OR INJURIESS

IN THE SLEEPWALKER OR OTHERS

CONTRIBUTING FACTORS
TO SLEEPWALKING:

STRESS, CHANGE OF ROUTINE, NEW
WORK CHALLENGES, MENTAL ISSUES

Am I late?

No, no. It's okay. Don't worry.

I'll do it.

Go have breakfast
if you want to.

- Okay.
- Thanks.

I was going for a walk, I
didn't want to bother you.

- Sorry.
- Do you need anything?

Can I take a look?

Sure.

They're beautiful.

Thank you.

That's so cool.

Is it Sara?

Did you hurt yourself
earlier, at the entrance?

No.

There's some blood
next to the door.

Yeah, well,

I broke a glass.

I might not have cleaned it up.

But are you okay?

I'm glad.

I'll keep going, I have a
couple of urgent deadlines.

Right.

- Thanks.
- Sure.

I THINK I'M A SLEEPWALKER

I CAN'T REMEMBER FALLING ASLEEP

AND I WOKE UP IN THE CORRIDOR

REALLY?

FIRST READING 2002

THE LITTLE STRANGER WATERS

FIRST READING 2002 RE-READ 2010

"I used to play a game
when I went to the stores."

It was like one of those
children's board games

in which the player
moves through the squares

depending on the
roll of the die.

There were always dangers,

like, 'you miss a turn',

or 'go back four squares',

"or 'go back to the start'."

Sara was a big reader.

- Sorry, I was...
- No, no.

She used to read to me out loud.

I read less than I'd like to.

Maybe I could...

Yeah.

Sorry,

I moved it earlier.

- I'll put it back.
- No, it's better here.

Where we can see her.

I love Sara in this picture.

"There were always dangers,

like, 'you miss a turn',
or 'go back four squares'."

I'll get you out of here.

Don't worry.

Everything will be all right.

Who are you?

You can't do that.

I won't let them
take my daughter.

Listen,

I'm here to help your daughter.

To take care of her.
But if you do that,

you'll make things worse.

Move.

I won't let you take her.

What is it?

- Sara's mother!
- What?

- Sara's mother!
- Let go!

- Out!
- No!

- Out!
- No!

No.

No.

- Get out!
- No.

Are you all right?

Yeah.

What about you?

I'm fine.

As soon as I leave, I'll
present the claim in court.

Will there be a trial?

That woman came into my house.

It's proof she's crazy

It's not that easy, Agustín. The
process has to run it's due course.

With this, and the fact you've
finally hired a nurse, we can win.

So, Social Services
still has to visit?

Yes, just be yourself around
them. You've taken good care

- of Sara, and they'll love the nurse.
- Her name is Ana.

Come in.

Hi.

Hello.

- Agustín says they've given you a scare.
- Yeah.

- What do we do if she comes back?
- No, that won't happen.

I'll change the locks.

- It was my fault.
- She has a key?

So it seems.

I guess Sara gave it to her years
ago, when they got along, who knows.

I don't know.

Could you wash Sara
while we finish here?

Of course.

That's it. Done.

It will look better on you.

"The bedroom

is enveloped in a
bone chilling cold

and a thick darkness.

From the bedroom next door,

"the room where..."

Hi?

I'm scared, let's go.

What are you doing here?

You're a scaredy-cat.

Clara, what are you doing?

I'm going to talk with her.

Why are you reading
to her? Can she hear?

Yes, in her own way.

She can also walk, right?

No. She can't walk.

See?

Yes she can. I saw her
last night from my window.

Don't be silly, you
didn't see anything.

It's true. The sleeping woman

haunts the town every night, looking
for children who aren't asleep

-to steal their soul
-Don't be stupid.

You fall for everything,
you're little.

Am I right?

Even if Sara could walk, she
would never take anyone away.

Why not?

Well, because...

Because Sara is...

She's Sara.

And when she was awake,

she was a nice, kind woman

who painted beautiful pictures.

Right?

Would you like to
read to her too?

No, Lucas. We have to go.

Bye.

- See how she moves?
- Run, it's scary!

What is it?

Is everything all right?

Yes.

It's too hot.

We were going inside.

Why don't you take a break?
I'll stay with her, okay?

Sure.

Come.

I want to show you
something, can you hold on?

Yeah.

This is for you.

I thought you might use it.

- Can I try it?
- Of course.

I love it!

I love it, thanks.

You're welcome.

- I have to practice.
- I see.

- Be careful.
- Okay.

Here's the iron supplement.

And this.

You're Ana, right?

- Welcome.
- Thanks.

- Would you like copy?
- No.

- And a bag?
- No, I'll put it in here.

How is everything
going, are you happy?

Yeah.

Don't pester her, she'll think
this town is full of nosy people.

We know Sara is very
well taken care of.

Poor Agustín.

Sorry, sweetheart,

everybody knows each
other around here.

Sure.

Bye. Good afternoon.

- Good bye.
- See you.

- So, what will it be?
- I'm taking this.

- You don't say.
- I mean...

MARTA, ARE YOU BUSY?

I'M A BIT TIED UP, BUT GO AHEAD.

NO, IT'S JUST THAT
I'M A BIT WORRIED.

ARE YOU STILL HAVING
TROUBLE SLEEPING?

DID YOU GET THE IRON SUPPLEMENT?

YEAH, BUT THAT'S NOT IT.

I THINK THERE'S SOMETHING IN THE
HOUSE THAT DOESN'T WANT ME THERE.

IT'S THE EXAM, I'M WAY BEHIND.

Hi.

Look what I brought you.

You'll love it.

It's about two girls
who are so different

you'd never imagine they
have anything in common.

But

at the end of the day
they become good friends.

This one.

I like this one a lot.

- You can take anything you like.
- Oh, I'm sorry.

No, no...

Sara always had great
taste in clothes.

It's a shame nobody uses it.

Yeah.

Well, my style isn't so...

Like that.

But thank you.

- Maybe one day I'll take your word.
- Okay.

- How were things in town?
- Fine.

I really enjoyed taking
the bike, thanks.

They're here.

I'll be right down.

Hi.

- Good morning.
- Good morning.

- I assume you know who we are.
- Yes, sure, come in.

- This is Ana, Sara's carer.
- Hi.

- Hello.
- Her room is at the end.

When she was depressed, were you
the only one in charge of Sara?

Yes, of course.

You had no help?

Nobody told me I needed help

- or whatever.
- No, no. I was just curious.

We'd also like to
talk with you, Miss.

Of course.

- When I arrived at the house...
- Sorry.

Could you excuse
us for a second?

Certainly.

Thank you.

So,

when I arrived at the house

and saw Sara's condition,

the first thing I thought was that she
had been receiving professional care.

I was surprised to know he had
taken care of her on his own.

Agustín is absolutely
devoted to Sara.

Now we have to
wait for the trial.

Everything will be fine.

I'm very grateful, Ana.

All I told them was the truth.

It suits you.

Thank you.

I'll get dressed for work.

"Especially in class."

Maybe because she realized
Oliviero no longer praised her.

Sometimes she even appeared
vexed by her heightened ability.

"Anyway, for the contest..."

I thought you would be studying.

You two look good.

Are you nervous?

For better or for worse,

this will be over soon.

Right, my love?

I promise I won't
let them take you.

I'll be back tomorrow morning.

Will you be okay?

Perfect.

Good luck!

Let's see, where were we?

No, Marta, that's what I
thought, but it isn't that.

- Are you taking the iron supplement?
- No, listen.

- I'm worried about you.
- Marta, no, listen.

- I don't get it...
- It's not me, Marta. It's something else.

Ana, what else?

Why won't you tell me?

Because if I tell you,
you'll think I'm crazy.

CHRONICLE OF AN ASTRAL TRIP

So?

- We've won.
- Really?

You deserve it.

We've won.

Thank you, Ana.

Thanks.

- This calls for a celebration, right?
- Sure.

- We can go into town.
- No way.

Where will you find a better
seafood pasta than mine?

I'll take care of it.

I can get all the
ingredients for you.

I prefer this one because
it's more natural.

- Natu...
- Hi.

- Hi.
- Hello.

- What are you doing here?
- Hi.

I'm Manuela, these two
troublemakers are mine.

- Hey, did you get the cookies?
- No.

You didn't? Then go get them.

- I hope they haven't bothered you again.
- No.

I gave them a good
scolding when they told me.

I don't mind. Your
kids are very nice.

And very nosy too.

It's just that all the kids are
worked up with that stupid notion

of the sleeping woman.

Since they know you're there...

It's okay, really.

I'm glad Agustín finally
let someone near him.

Until recently

he wouldn't let anyone help him,

not even those of
us close to him.

Yeah. He's had a tough time.

I know, believe me.

Do you know him well?

Well, I used to.

Agustín was different back then.

Before...

Before her.

The first one wins.

Anyway,

if you ever feel like it, come
around the bar for a drink, okay?

These?

Done. We're leaving, come on.

- Look.
- Bye.

Not those. Bye!

So, on a scale from one to ten,
what's your score for dinner?

A fourteen.

I like that. That's good.

- What's this?
- Here.

- It's a bit chilly.
- Thanks.

- What is it?
- This is wonderful.

- Are you trying to get me drunk?
- It's just a shot,

a digest if, to
help with digestion.

Let's see.

Slow down!

Hold on, you're reckless.

You have to drink much less.

It's awful!

It isn't! You can't drink so
much in one go. Here, listen.

Look, there's a technique to it.

Just a sip and you
hold it in your mouth.

- Do it like me.
- Let's see.

Just a sip, like this.

It's great.

- It's awful.
- No. Use my technique.

Go on.

Come on.

Stop!

There! Hold on, hold on.

Stop.

Hold on, hold on. A bit longer.

There, that's the good one.

There.

All good?

- I like it.
- Of course.

Yeah.

To Sara.

To Sara.

And to uninteresting people.

And to uninteresting people.

I'm sorry.

It's okay.

Sorry.

No, don't worry. Thank you.

I'm really sorry.

I don't want you to leave.

Ana!

Ana!

Ana.

Ana!

Calm down.

Calm down.

Are you okay?

Are you okay?

It's okay.

Okay, okay.

Yeah, open up. That's it.

Okay, relax.

That's it. That's it.

Wait.

Just a second. Wait.

What happened?

I was standing here and...

I don't know.

Hold on. This is going
to sting. There, hold on.

Very good.

You don't remember anything?

What's that?

.Nothing Did I do that?

It's a scratch. It's
okay, no harm done.

Hey, look at me.

I'm sorry.

Hey.

I'll get the bandages.

I know it's you.

I know it's you.

What are you doing to me?

Leave me alone!

Ana!

What is it?

Sara.

Don't you ever get the feeling

something's wrong with Sara?

What do you mean?

This.

Agustín,

I know it sounds weird,

but strange things have been
happening since I got here.

Ana.

It's not the first time.

The other day, when you left,
I almost had a car accident.

What?

I fall asleep and
suddenly wake up in places

- I don't understand.
- Ana.

You should see a doctor.
Maybe you're stressed.

No. That's what I thought, too.

But that's not it,
Agustín. It's her.

It's Sara.

It's her?

Her?

Are you hearing yourself?

Like the stories
the town kids tell?

Is that it?

Ana.

We're going to the doctor's
first thing tomorrow.

I'm sure there's a simple
explanation for all of this, okay?

All right?

Modafinil.

This is quite strong.
You know that, right?

Did the doctor tell you?

I'll pay by card.

Here you go.

Do you want a copy?

- No.
- Okay.

Sorry, could I
ask you something?

- You said everyone knows each other here.
- Sure.

Do you happen to know Nieves?

Nieves? Nieves.

- She cleaned at the house I'm working in.
- Oh, Nieves.

Sure, yeah. But she
doesn't live here anymore.

- If you need a cleaner, Toñi could go.
- No, no, no.

She left some stuff at the house
and I wanted to give it back.

Oh, okay. Wait. Let's see.

I might have her
number. Hold on a sec.

Let's see, Nieves. Look.

Here it is.

- I'll write it down for you, okay?
- Okay.

Let's see.

Nieves.

Here you go.

- I'm Lourdes, okay? If you ever need me.
- Thanks.

- What is it?
- I can't find my phone.

Here it is.

- Are you finished?
- Almost.

- Almost?
- Enough.

Okay.

If you think what we're doing is
wrong, maybe we should let it go.

It's not that.

Then what is it?

You think she would
be against it?

Agustín...

Sara won't wake up.

You think I don't know that?

You think I don't find myself
thinking she would be better off dead?

But she isn't.

I can't act like she's dead.

- What about you?
- What about me?

I know there was a different Agustín
before Sara, before everything.

Before Sara?

Have you been talking
to people in town?

Those people don't know
a thing about Sara.

Or about me.

They enjoy making things
up. Want to know why?

Because they never knew her.

And neither did you.

Ana?

Ana?

Ana.

Oh my God, what's this?

I love you too, asshole.

You look fabulous!

I can't believe it.

Come, I want you
to meet Agustín.

Agustín?

- Is she studying?
- Yes.

- Are you sure?
- What are you saying?

Nothing.

I'm so sad the
kids haven't come.

- Yeah.
- I wanted to see them.

And they would have
loved to run around here.

- But it's their dad's weekend.
- Shall I taste it?

- Let's see.
- Let's see how it is.

Yeah?

- You made this?
- Yeah.

Seriously?

You bet.

- Do you like it?
- It's very good.

- Let's see.
- Let's see.

- This is good.
- Thanks.

You've blown my mind.

Agustín made the main
course, he's a great cook.

How is the exam going?

Fine.

It's the first
public exam in years.

Ana has been
waiting a long time.

- Yeah.
- This is the perfect place to study.

It's quieter than a library.

That's true.

Excuse me, I have
to go to the toilet.

Where is it?

- Second door on the left.
- Okay.

I think she likes you.

I like her too.

But I got the pretty sister.

It's a bit spicy.

- You don't like it?
- I do, but it's a bit spicy.

Nothing else.

It's such a shame my
nephews couldn't come.

You have to meet Jorge.
He loves everything...

Doesn't he love all the
archeological stuff?

He loves wood, every time we
go to the beach it's like...

Castles, everything.

Yeah, he loves it.

And how's Simón?

Good, he's fine.

How's judo going? It's a bit
tough, he's in a weird phase.

But he's fine, right?

Yeah, he's in a weird phase.

- Will you tell me what's wrong?
- What's wrong with you?

I haven't heard a word
from you in weeks,

and I arrive here to find this.

- You've been very unpleasant.
- Ana, I've seen her pictures.

This is sick.

I love him.

- And he loves me.
- So?

- Why do you have to dress up like her?
- I'm not dressed up.

Ana, listen to me.

She's his wife. He's clearly
still in love with her.

Marta, she's no longer here.

I am.

In the end it's true
you're wrong in the head!

Fuck off.

Ana.

Ana.

Ana, listen to me,
please. Ana, please.

Listen to me, please.

Okay, all right.

That's it.

Thanks.

The courier guys.

They came early.

Can you take care of Sara?

Yes.

Thank you.

No problem.

IMAGES SARA ARIAS

WIKIPEDIA SARA
ARIAS CANARY ARTIST

PAINTER SARA ARIAS TRIES TO
KILL HERSELF AND IS IN A COMA.

HER LAST EXHIBITION WAS IN 2017.

SHE DISAPPEARED FROM
PUBLIC LIFE IN 2018.

LAST EXHIBITION 2017.

The number you're
calling isn't available.

Please leave your message.

Hi, Nieves. I'm
Ana, we haven't met.

I'm working at Agustín and
Sara's where you used to work,

and I'm calling because
I'd like to talk to you.

Please call me.

Bye.

Manuela.

- Hi.
- Can I talk to you for a minute?

It looks like you're
staying, right?

You look different.

I thought you would
only be around

- until the trial was over.
- Yeah.

Well, things have changed.

I'm working right now.

Manuela.

I just want to help Agustín.

What happened in 2018?

In 2018?

Yes. Sara stopped painting then.

Everybody loved Agustín
in town, you know?

She came here as his newlywed

and they seemed happy.

We were all very happy for them.

But since she got here

they started to
isolate themselves.

We stopped seeing Sara in town and
Agustín just came to do the shopping

every now and then.

He didn't speak to anyone.

Not even with those of us
who had been his friends.

People still remember the last
time we saw them together.

It was at the end of that year.

They came to dinner, and Sara...

Sara lost it.

She berated him on front
of everybody and they left.

From that day on, we
stopped seeing Agustín.

He called me that night.

He was drunk, crying.

Devastated.

He didn't say a bad word about
her, but we all knew Sara...

Sara gave him a hard time.

Is that what you wanted?

You're not helping him.

I wish she had died.

That was in the brochure
for the exhibition.

My biography read,

"An artist that won't
leave you indifferent

to his special spitting style."

Where did that come from?

But...

Are you okay?

Ana.

Ana, are you okay? Ana.

Ana.

Hey.

What happened?

Take it easy.

Agustín, what is it?

Nothing bad.

You're pregnant.

Doctor Fernández,
doctor Fernández,

please go to room
45, Pavilion 4.

Hi.

How are you feeling?

I've brought you a
couple of things.

And I made this for you.

Food is usually terrible
in these places. Look.

Do you want some?

- Okay.
- Thanks.

Is everything fine?

Agustín.

I'm not going back.

What do you mean by that?

Home. With you.

I can't do it.

Why not?

Are you okay? Have
they said anything?

Yeah, I'm fine. They still
have to run some tests.

But the pregnancy is fine.

Don't worry.

- You know I'll take good care of you.
- You don't understand.

I can't be near Sara.

If I stay, I'll end up badly.

I love you...

but I have to think
about the baby.

I'm going to call Marta.

Wait.

Wait.

Wait.

What if I take her
to a nursing home?

You're right.

I have to start
on a clean slate.

I'm going to be a father.

I want to raise
that child with you.

Where is she?

In a nice place. Near here.

HAVE YOU DROPPED OFF
THE FACE OF THE EARTH?

- Your sister again?
- Yes.

I've delayed telling
her for too long now.

You need peace and quiet.

I'm sure she won't
think it's wrong.

That's because you
don't know her.

I have to tell her.

Come. I want to
show you something.

Come.

I love it.

Great.

What is it?

I hurt myself.

I still haven't
sanded that part.

I like it a lot. A lot.

I'll take it to the workshop
and finish it there.

Thanks.

I'm glad you like it.

MISSED CALL 5:11 PM

AT LEAST TELL ME YOU'VE
SIGNED UP FOR THE EXAM

No. You're not here
anymore. You can't.

What are you doing here?

Are you going to stay here long?

No.

I'll finish it tomorrow.

Let's go.

MOM - SARA, ARE YOU OKAY?

I'M SCARED. I'M AFRAID
AGUSTÍN MIGHT HURT YOU.

IF YOU DON'T ANSWER,
I'll CALL THE POLICE.

Ana?

I CAN'T TALK NOW. I'll
CALL YOU AS SOON AS I CAN.

YOU WERE RIGHT. HE
ENDED UP DOING IT.

Ana?

- You're here.
- I couldn't sleep.

- Another episode?
- No.

No, it's not that.

Right.

Let's get back to bed.

I have to wake up early,
the courier is coming.

Come on.

What is it?

I need to ask you
some questions.

- There's nothing I want to say to you.
- Please.

Sara had a second phone.

Agustín didn't know
about this, right?

Where did you find it?

I need you to help me
understand this message.

YOU WERE RIGHT. HE
ENDED UP DOING IT.

That was the day

- she...
- What?

The day she lost her baby.

But... didn't she lose it when
she jumped out the window?

What?

My daughter would never do that.

She loved that baby
with all her soul.

She was going to call
her Sofía, like me.

Then how did she lose it?

That was earlier.

An accident. Or so they said.

An accident.

That's how she lost her baby.

But you don't believe
that's what happened.

Of course not.

She sent me this message
from the hospital.

She called me when she could,

she had decided to
report him this time.

Did she report him?

She did.

But he convinced her to
retract, and go back to him.

From that moment on,

she never got in touch again,
she stopped calling me.

Until, I assume,

she couldn't stand it any
longer and then it happened.

Is my daughter all right?

She no longer lives with us.

She's in a nursing home.

I'm glad she's not
with him anymore.

Where did he send her?

I don't know.

But I'll find out.

Go now.

And be careful.

How did you find me?

Don't believe a word
that crazy bitch says.

She's a liar.

How did Sara lose her baby?

It was an accident.

I didn't tell you because I was
afraid you'd think it was my fault.

People didn't like
our relationship.

But when you came along,

you saw Sara and
me with clean eyes.

That helped me.

That's why I didn't
say anything.

I know I don't deserve you.

I'll try to do better.

I promise.

I'll be right back.

My wallet.

- Do you want anything?
- No.

Are you hungry?

No. I'm off to bed.

Do you want some warm milk?

It's Marta.

Aren't you answering?

No, I'd rather call her

tomorrow, it's late.

Hello?

Nieves, this is Ana.

I called you, I work
at Agustín and Sara's.

Sure, yes, I just
returned your call.

I called because I found out
Sara went through a depression

and that's why she fired you,

- but I wanted to know why...
- Sara?

No, her husband fired me.

Agustín?

That's right.

Why did he fire you?

He never liked having me there.

She insisted they needed me.

Then she was left bedridden,

and soon after he said...

What? What did he say?

Just today

I've spoken with Sara's mother and
she told me things about Agustín I...

I don't know what
to think any more.

Nieves?

Look, I'm sorry, but I don't
want to get in trouble.

I'm in a complicated
situation already.

- I hope you understand.
- Yes.

Yes.

- I know, but things are happening to me...
- I know.

I experienced things in
that house, strange things.

- I guess you have too.
- Yes.

Since I arrived, all sorts
of things have happened.

At first I thought it was Sara,
that she wanted to kick me out.

No, no, no. Sara wants
to communicate with you.

She already tried with
me, but there was no time.

I'd advise you

not to fight against Sara.

Let her guide you, don't resist.

All she wants is to...

You haven't changed?

No.

Agustín.

I don't feel right.

The baby kicked me earlier

and now I think it's sleeping.

Want to try to feel it tomorrow?

Sure.

Rest.

- I'm going to work a while.
- Okay.

I'll put this away for you.

I won't leave you here.

No.

- No.
- Ana.

Let me go.

Go?

Where?

I'll go back home.

To your home?

Ana, you said you
weren't feeling right.

Do you want to go
back to the doctor?

No. I'm leaving.

Ana, you can't go.

You won't separate
me from my child.

Can't you see you'll
also hurt our child?

Ana, come back home.

Don't make me do
something I'll regret.

Like what you did to Sara?

Agustín, you're the
one who's not well.

I told you to go back inside.

Get out.

Ana, open.

Ana, come on, please,
I'm not angry.

I promise.

Come on, let's talk.

Ana, can you hear me?

Ana!

Ana, open.

Ana, open!

Ana!

- Ana!
- I'm sorry.

- Ana, I told you to open!
- I'm sorry. Now I'm listening.

I'm listening.

Ana, open!

I said to open the door!

Ana!

Sara!

I'm sorry.

Forgive me.

FIVE MONTHS LATER

The name, sweetheart.
What will she be called?

Sofía.

Like her grandmother.

THE SLEEPING WOMAN