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--Captions by VITAC--
www.vitac.com
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CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
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Narrator:
THE FIRST ALUMINUM BOAT
WAS LAUNCHED AS A SIMPLE SKIFF
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IN THE MIDDLE
OF THE LAST CENTURY.
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00:00:58,482 --> 00:01:00,310
FISHERMEN LOVED
THE LIGHTWEIGHT HULL
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00:01:00,413 --> 00:01:03,448
BECAUSE IT COULD BE PULLED IN
AND OUT OF THE WATER MORE EASILY
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THAN THE WOODEN BOATS
OF THE DAY.
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00:01:05,689 --> 00:01:08,827
DECADES LATER, ALUMINUM BOATS
HAVE GONE HIGH-END,
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00:01:08,931 --> 00:01:11,862
BUT THEY STILL HAVE
THAT LIGHTWEIGHT APPEAL.
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00:01:16,344 --> 00:01:19,689
SINCE ALUMINUM HULLS AREN'T
AS HEAVY AS OTHER TYPES,
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00:01:19,793 --> 00:01:24,206
THESE BOATS WILL GO FARTHER
ON A TANK OF GAS.
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00:01:24,310 --> 00:01:26,586
THEY MAKE THEM
FROM HIGH-GRADE ALUMINUM
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00:01:26,689 --> 00:01:28,172
THAT'S CORROSION-RESISTANT.
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ROLLERS FLATTEN THE METAL,
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AND A BLADE CALLED A SLITTER
CUTS IT TO LENGTH.
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00:01:36,206 --> 00:01:38,827
A COMPUTER-GUIDED ROUTER
THEN MAKES PRECISE CUTS
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TO PRODUCE PARTS THAT
WILL FIT TOGETHER PERFECTLY,
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00:01:41,965 --> 00:01:45,275
LIKE THIS BRACKET
TO REINFORCE THE STERN.
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THEY CUT THE BOAT'S
LARGER COMPONENTS
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00:01:51,241 --> 00:01:53,620
WITH A COMPUTERIZED
PLASMA TORCH.
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00:01:53,724 --> 00:01:56,827
IT CAN CUT A WIDER PATH
THAN THE ROUTER.
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THEY TRANSFER THE CUT PARTS
TO A PALLET.
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00:02:00,413 --> 00:02:03,379
THIS IS THE BOAT'S BOTTOM PANEL.
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A LONG PIECE OF ALUMINUM
WILL BE THE GUNNEL,
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00:02:10,724 --> 00:02:12,793
WHICH IS THE UPPER EDGE
OF THE HULL.
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00:02:12,896 --> 00:02:15,034
THEY BEND IT
AROUND A WOODEN TEMPLATE
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00:02:15,137 --> 00:02:17,896
TO GIVE IT
THE CORRECT CURVATURE.
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00:02:22,655 --> 00:02:26,448
NEXT, THEY REINFORCE THE BOW
WITH AN EXTRA PLATE OF ALUMINUM
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00:02:26,551 --> 00:02:28,310
TO WITHSTAND POUNDING WAVES.
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THEY BRACE THE OTHER END
WITH NUMEROUS STIFFENERS
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00:02:31,689 --> 00:02:33,862
AND SCREW THEM INTO PLACE.
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00:02:33,965 --> 00:02:36,413
THE SCREWS ACT
AS A CLAMPING SYSTEM,
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00:02:36,517 --> 00:02:40,068
UNTIL THE PARTS OF THE BOAT
CAN BE PERMANENTLY ATTACHED.
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00:02:40,172 --> 00:02:42,931
A LINE OF CAULKING
HELPS WATERPROOF THE SEAM
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BETWEEN THE HULL
AND THE BACK OF THE BOAT,
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CALLED THE TRANSOM.
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AGAIN,
SCREWS HOLD EVERYTHING TOGETHER,
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AS THE PAINSTAKING CLAMPING
CONTINUES.
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THEY JOIN THE TWO SIDES
OF THE BOW
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00:02:59,103 --> 00:03:01,517
AND HOLD THE ENDS TOGETHER
WITH A VISE GRIP.
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00:03:04,206 --> 00:03:07,896
THIS STRIP OF ALUMINUM WILL ACT
AS THE SPINE OF THE BOW.
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00:03:08,000 --> 00:03:09,827
IT'S CALLED THE BRACE PLATE.
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00:03:09,931 --> 00:03:12,655
MORE SCREWS TACK IT
INTO POSITION.
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THEY ATTACH THE SIDES
TO THE REST OF THE HULL.
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NOW THEY DRILL HUNDREDS OF HOLES
ALONG THE SEAMS
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AND PLUG THEM WITH RIVETS.
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THEY EXTRACT THE CLAMPING SCREWS
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AND FILL THEIR HOLES
WITH MORE RIVETS.
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00:03:32,103 --> 00:03:35,758
THEY INSTALL THE GUNNELS
ON THE RIM OF THE HULL.
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00:03:38,310 --> 00:03:40,344
AND NOW IT'S TIME
FOR THE TANK TEST.
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THEY LOWER THE BOAT INTO A TANK
TO CONFIRM THAT IT'S WATERTIGHT.
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IF THEY FIND ANY LEAKS
IN ALL THOSE RIVETS,
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THEY'LL MAKE
THE NECESSARY ADJUSTMENTS.
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THEY SPRAY FOAM
INTO THE BOTTOMS AND SIDES
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00:03:55,103 --> 00:03:56,137
TO KEEP THIS BOAT AFLOAT
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00:03:56,241 --> 00:03:58,172
IN THE EVENT
THAT SOMETHING PUNCTURES IT.
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00:04:01,862 --> 00:04:03,758
AND THEN THEY ROUGH UP
THE SURFACE
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00:04:03,862 --> 00:04:05,620
TO ALLOW PAINT TO BETTER ADHERE.
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THEY MOVE TO THE INTERIOR
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00:04:14,724 --> 00:04:17,206
AND INSTALL FELT
ON THE STORAGE PANELS
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00:04:17,310 --> 00:04:19,655
TO GIVE THEM
A MORE FINISHED LOOK.
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00:04:23,551 --> 00:04:26,827
THEN THEY LAY THE CARPETING
PORT TO STARBOARD.
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00:04:29,379 --> 00:04:32,655
NEXT COMES
THE PLASTIC FUEL TANK.
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00:04:32,758 --> 00:04:37,344
ALL THEY HAVE TO DO
IS CONNECT THE FUEL-LINE HOSES
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00:04:37,448 --> 00:04:42,241
AND SECURE THEM
WITH A STAINLESS STEEL COLLAR.
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00:04:42,344 --> 00:04:45,103
THE DASH PANEL FITS
ONTO THE FRONT.
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IT'S PRE-WIRED,
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00:04:46,689 --> 00:04:51,068
SO THEY SIMPLY CONNECT IT TO
THE BOAT'S MAIN WIRING HARNESS.
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00:04:51,172 --> 00:04:56,344
NEXT, THEY APPLY LUBRICANT
TO THE MOTOR'S PROPELLER SHAFT.
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00:04:56,448 --> 00:05:00,724
THIS ALLOWS THE PROPELLER
TO SLIDE ON EASILY.
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00:05:00,827 --> 00:05:03,310
THEY TIGHTEN IT
WITH A PNEUMATIC RATCHET.
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00:05:05,620 --> 00:05:08,689
THEN THEY HOIST THE MOTOR
ONTO THE STERN
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AND BOLT IT INTO POSITION.
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00:05:20,206 --> 00:05:23,034
WITH THE LUXURIOUS INTERIOR
NOW COMPLETE,
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00:05:23,137 --> 00:05:26,241
THIS METAL BOAT BEARS
VERY LITTLE RESEMBLANCE
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00:05:26,344 --> 00:05:28,482
TO ITS UTILITARIAN PREDECESSORS.
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00:05:31,965 --> 00:05:35,655
THIS PARTICULAR MODEL
DOUBLES AS A FISHING BOAT
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00:05:35,758 --> 00:05:37,448
AND A PLEASURE CRAFT.
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00:05:37,551 --> 00:05:40,103
AND IT PROVES
THAT ALUMINUM BOATS
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00:05:40,206 --> 00:05:43,724
ARE NO LONGER JUST
A BASIC FORM OF TRANSPORTATION.
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00:06:01,000 --> 00:06:04,103
Narrator: THE ALPINE HORN
DATES BACK SOME 2,000 YEARS
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00:06:04,206 --> 00:06:05,379
TO THE CELTIC TRIBES
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00:06:05,482 --> 00:06:08,241
THAT INHABITED
THE NORTHERN SLOPES OF THE ALPS.
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00:06:08,344 --> 00:06:11,103
TRADITIONALLY,
MOUNTAIN DWELLERS BLEW THE HORN
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00:06:11,206 --> 00:06:12,896
TO ANNOUNCED DAILY ACTIVITIES,
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00:06:13,000 --> 00:06:15,241
SUCH AS ROUND-UP TIME
FOR LIVESTOCK.
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00:06:15,344 --> 00:06:18,448
AS MODERN COMMUNICATIONS
REACHED THOSE ALTITUDES,
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00:06:18,551 --> 00:06:21,137
THE HORN'S ROLE
BECAME STRICTLY MUSICAL.
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00:06:26,344 --> 00:06:29,689
AN ALPINE HORN'S SOUND
TRAVELS ABOUT 5 MILES,
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00:06:29,793 --> 00:06:33,137
THANKS TO THE INSTRUMENT'S
LENGTH AND SHAPE.
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00:06:35,655 --> 00:06:37,862
FOLLOWING
A CENTURIES-OLD TRADITION,
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00:06:37,965 --> 00:06:39,689
THE HORN MAKER HARVESTS SPRUCE
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AT A SPECIFIC TIME
IN THE LUNAR CALENDAR,
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WHEN TREE WOOD
IS SUPPOSEDLY MOST RESONANT.
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00:06:48,379 --> 00:06:53,241
ONCE THE SPRUCE LOGS DRY OUT,
WHICH TAKES AT LEAST NINE YEARS,
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00:06:53,344 --> 00:06:56,000
HE SAWS THEM INTO PLANKS.
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00:06:58,413 --> 00:07:01,206
THEN HE TRACES
AND CUTS OUT THE SHAPE
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00:07:01,310 --> 00:07:03,827
OF THE HORN'S CURVED BELL
TWICE --
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00:07:03,931 --> 00:07:05,310
ONCE FOR EACH HALF.
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00:07:05,413 --> 00:07:09,172
HE MEASURES AND MARKS
HOW MUCH WOOD HE MUST HOLLOW OUT
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00:07:09,275 --> 00:07:11,034
WITH HIS DRILL PRESS.
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00:07:14,965 --> 00:07:17,793
IT'S TRICKY
BECAUSE FROM TOP TO BOTTOM,
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00:07:17,896 --> 00:07:19,551
THE BELL'S INSIDE CAVITY
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00:07:19,655 --> 00:07:22,172
PROGRESSIVELY WIDENS
AND DEEPENS.
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00:07:28,793 --> 00:07:30,310
NEXT, HE RUNS GLUE
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00:07:30,413 --> 00:07:33,758
ALONG THE PERIMETER
OF BOTH BELL HALVES,
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00:07:33,862 --> 00:07:37,206
THEN JOINS THEM WITH A SHEET
OF NEWSPAPER IN BETWEEN
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TO PREVENT A PERMANENT BOND.
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00:07:39,206 --> 00:07:40,862
HE'LL HAVE TO
PRY THEM APART LATER
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00:07:40,965 --> 00:07:43,827
TO FINALIZE THEIR SHAPE.
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00:07:43,931 --> 00:07:47,103
ONCE DRY, HE TEARS OFF
EXCESS NEWSPAPER,
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00:07:47,206 --> 00:07:51,862
TRACES THE CIRCUMFERENCE OF THE
BELL'S TOP AND BOTTOM OPENINGS,
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00:07:51,965 --> 00:07:54,034
THEN MEASURES
AND DRAWS THE BELL'S SHAPE
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00:07:54,137 --> 00:07:55,517
BETWEEN THOSE TWO OPENINGS.
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00:08:01,275 --> 00:08:03,724
ONCE AGAIN,
FOLLOWING THE LINES HE DREW,
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00:08:03,827 --> 00:08:05,241
HE CUTS OUT THE SHAPE.
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00:08:15,000 --> 00:08:19,862
TO CHECK HIS WORK, HE USES
A SERIES OF SIZING TEMPLATES.
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00:08:19,965 --> 00:08:22,413
HE LINES THEM WITH CHARCOAL,
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00:08:22,517 --> 00:08:25,862
THEN SLIPS THE FIRST TEMPLATE
ONTO ITS DESIGNATED POSITION
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00:08:25,965 --> 00:08:27,344
AT THE TOP OF THE BELL.
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00:08:27,448 --> 00:08:29,137
THE CHARCOAL MARKS ANY WOOD
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00:08:29,241 --> 00:08:31,482
THAT HE STILL NEEDS
TO SHAVE OFF.
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00:08:31,586 --> 00:08:34,517
HE REPEATS THIS PROCEDURE
WITH EACH TEMPLATE,
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00:08:34,620 --> 00:08:37,620
WORKING HIS WAY DOWN
UNTIL THE BELL IS ROUNDED
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00:08:37,724 --> 00:08:40,068
TO THE PROPER
EXTERNAL DIMENSIONS.
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00:08:42,620 --> 00:08:45,517
NOW FOR THE BELL'S
INTERNAL DIMENSIONS.
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00:08:45,620 --> 00:08:48,482
THE HORN MAKER DETACHES
THE HALVES.
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00:08:48,586 --> 00:08:52,551
HE SCORES A LINE RUNNING
THE LENGTH OF THE BELL HALF
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00:08:52,655 --> 00:08:53,758
ON EACH SIDE.
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00:08:53,862 --> 00:08:56,793
THIS MARKS
THE INNER-WALL THICKNESS
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00:08:56,896 --> 00:08:58,586
HE'S GOING TO CREATE.
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00:08:58,689 --> 00:09:01,793
USING A GRINDER
WITH A ROUGH GRIT ABRASIVE,
133
00:09:01,896 --> 00:09:05,482
HE WEARS AWAY THE WOOD
RIGHT UP TO THE SCORE LINES.
134
00:09:05,586 --> 00:09:09,310
THE HOLES HE MADE EARLIER
TELL HIM HOW DEEP TO GRIND.
135
00:09:09,413 --> 00:09:12,379
THEN HE SWITCHES
TO A FINER GRIT ABRASIVE
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00:09:12,482 --> 00:09:15,655
TO GRIND THE WALLS DOWN
ANOTHER MILLIMETER.
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00:09:15,758 --> 00:09:18,862
HE CHECKS HIS WORK
WITH A MEASURING GAUGE,
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00:09:18,965 --> 00:09:23,172
THEN GLUES THE HALVES TOGETHER
AGAIN, THIS TIME PERMANENTLY.
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00:09:23,275 --> 00:09:26,482
THE HORN MAKER CONSTRUCTS
THE BELL'S OTHER SECTION
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00:09:26,586 --> 00:09:30,413
IN HALVES, AS WELL,
ROUNDING THEM OFF ON A LATHE.
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00:09:34,137 --> 00:09:38,310
HE COATS THEM IN GLUE
AND WRAPS THEM IN RATTAN.
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00:09:38,413 --> 00:09:42,344
THE RATTAN SOLIDIFIES
THE STRUCTURE SOMEWHAT
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00:09:42,448 --> 00:09:45,000
BUT IS PRIMARILY FOR DECORATION.
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00:09:51,413 --> 00:09:53,172
ONCE THE GLUE DRIES,
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00:09:53,275 --> 00:09:57,827
HE'LL GLUE ALUMINUM CONNECTING
DOWELS TO EACH SECTION.
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00:09:57,931 --> 00:09:59,827
THESE WILL ENABLE THE MUSICIAN
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00:09:59,931 --> 00:10:02,827
TO ASSEMBLE AND DISASSEMBLE
THE HORN PARTS.
148
00:10:06,448 --> 00:10:10,344
THE BELL IS TRULY
THE ALPINE HORN'S SHOWPIECE.
149
00:10:10,448 --> 00:10:12,689
HORN MAKERS
TYPICALLY EMBELLISH IT
150
00:10:12,793 --> 00:10:14,758
WITH PAINTED SCENES OR MOTIFS.
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00:10:14,862 --> 00:10:17,551
THIS HORN WILL BOAST
A COLORFUL BOUQUET
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00:10:17,655 --> 00:10:21,172
OF TRADITIONAL SWISS FLOWERS.
153
00:10:27,724 --> 00:10:29,206
FULLY ASSEMBLED,
154
00:10:29,310 --> 00:10:33,413
AN ALPINE HORN IS BETWEEN
10 AND 13 FEET LONG --
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00:10:33,517 --> 00:10:36,758
THE LENGTH DETERMINING
THE PITCH OF THE INSTRUMENT.
156
00:10:39,103 --> 00:10:40,793
MUSICIANS USE LIP MOVEMENTS
157
00:10:40,896 --> 00:10:44,103
TO MODULATE THE VIBRATION
OF THE AIR COLUMN INSIDE.
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00:10:44,206 --> 00:10:46,931
DIFFERENT VIBRATIONS
PRODUCE DIFFERENT NOTES.
159
00:11:09,241 --> 00:11:12,310
Narrator: THROUGHOUT
MOST OF THE 19th CENTURY,
160
00:11:12,413 --> 00:11:15,827
THE WRISTWATCH WAS A PIECE
OF JEWELRY WORN BY WOMEN.
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00:11:15,931 --> 00:11:17,689
MEN CARRIED POCKET WATCHES.
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00:11:17,793 --> 00:11:20,103
IT WAS DURING THE BOER WAR
IN 1899
163
00:11:20,206 --> 00:11:23,172
THAT BRITISH SOLDIERS DECIDED
FUMBLING AROUND
164
00:11:23,275 --> 00:11:27,137
FOR A POCKET WATCH DURING BATTLE
WAS A SERIOUS WASTE OF TIME.
165
00:11:33,344 --> 00:11:36,689
THE TOOLS OF THE TRADE
HAVEN'T CHANGED MUCH
166
00:11:36,793 --> 00:11:39,551
SINCE POCKET WATCHES
RULED THE DAY.
167
00:11:39,655 --> 00:11:41,241
IN THIS SWISS WORKSHOP,
168
00:11:41,344 --> 00:11:44,379
THE MECHANISMS
ARE METICULOUSLY HANDCRAFTED,
169
00:11:44,482 --> 00:11:47,000
JUST LIKE THEY WERE
CENTURIES AGO.
170
00:11:49,275 --> 00:11:50,793
THE WATCHMAKER STARTS
171
00:11:50,896 --> 00:11:53,655
BY POLISHING PARTS
TO A MIRROR FINISH.
172
00:11:53,758 --> 00:11:57,827
HE MIXES HIS LAVENDER AND ALMOND
OILS WITH A DIAMOND PASTE.
173
00:11:57,931 --> 00:12:00,482
HE EXTRACTS A PART
CALLED THE CAGE
174
00:12:00,586 --> 00:12:02,448
FROM ITS STORAGE SOLUTION,
175
00:12:02,551 --> 00:12:03,689
SETS IT IN THE PASTE,
176
00:12:03,793 --> 00:12:06,379
AND POLISHES IT
AGAINST A ZINC BLOCK.
177
00:12:12,793 --> 00:12:18,241
HE BRUSHES THE DUST OFF THE CAGE
WITH A SOFT PIECE OF WOOD.
178
00:12:18,344 --> 00:12:22,103
ANOTHER WATCHMAKER
POLISHES ITS EDGES,
179
00:12:22,206 --> 00:12:26,413
REMOVING TINY BITS OF MATERIAL
SO OTHER PARTS CAN FIT TO IT.
180
00:12:26,517 --> 00:12:30,551
THE TECHNICIAN ATTACHES GEARS
TO THE CAGE.
181
00:12:30,655 --> 00:12:35,000
THESE GEARS ARE THE BALANCE
AND ESCAPE WHEELS.
182
00:12:35,103 --> 00:12:37,344
HE FIXES THE GEARS
ON TINY RUBIES
183
00:12:37,448 --> 00:12:39,862
BECAUSE THEY DON'T
WEAR DOWN EASILY.
184
00:12:39,965 --> 00:12:43,275
THE SECOND HALF OF THE CAGE
COMPLETES THIS MECHANISM,
185
00:12:43,379 --> 00:12:45,689
CALLED THE TOURBILLION.
186
00:12:45,793 --> 00:12:49,310
INVENTED IN 1789,
THESE ROTATING GEARS IN A CAGE
187
00:12:49,413 --> 00:12:52,896
COUNTERACT THE EFFECT OF GRAVITY
ON TIMEKEEPING
188
00:12:53,000 --> 00:12:55,551
FOR MORE ACCURATE RESULTS.
189
00:13:00,482 --> 00:13:03,241
THE WATCHMAKER
NOW MAGNIFIES THE ASSEMBLY
190
00:13:03,344 --> 00:13:05,551
AND PROJECTS THE IMAGE
ONTO A SCREEN
191
00:13:05,655 --> 00:13:07,793
TO CONFIRM
THAT THE GEARS AND LEVERS
192
00:13:07,896 --> 00:13:11,793
ARE INTERACTING CORRECTLY.
193
00:13:11,896 --> 00:13:15,103
NEXT, HE SECURES
A WOUND-UP SPRING IN A BARREL.
194
00:13:15,206 --> 00:13:19,137
THIS IS THE MAIN SPRING THAT
POWERS THE GEARS OF THE WATCH.
195
00:13:23,448 --> 00:13:25,275
HE DIPS A PIN IN SOME GREASE
196
00:13:25,379 --> 00:13:28,965
AND USES IT TO LUBRICATE
THE SPRING.
197
00:13:29,068 --> 00:13:32,000
THEN HE CAPS THE MAINSPRING
WITH A COVER
198
00:13:32,103 --> 00:13:34,931
AND TAMPS IT DOWN
WITH A SPECIAL TOOL.
199
00:13:35,034 --> 00:13:38,517
HE CAREFULLY POSITIONS
THE BARREL IN ITS SLOT
200
00:13:38,620 --> 00:13:40,172
ON THE MAIN PLATE.
201
00:13:44,793 --> 00:13:48,724
THE WATCHMAKER NOW INSTALLS
ANOTHER SERIES OF GEARS
202
00:13:48,827 --> 00:13:50,034
ON THE MAIN PLATE.
203
00:13:50,137 --> 00:13:51,310
THEY'LL TRANSFER POWER
204
00:13:51,413 --> 00:13:53,448
FROM THE SPRING
TO THE TOURBILLION.
205
00:14:04,344 --> 00:14:06,758
HE ATTACHES THE BRIDGE
TO THE GEARS
206
00:14:06,862 --> 00:14:08,931
TO ACT AS A PIVOT AS THEY TURN.
207
00:14:15,413 --> 00:14:17,724
ANOTHER SPOT OF GREASE
208
00:14:17,827 --> 00:14:20,931
KEEPS THESE WHEELS
TURNING EFFICIENTLY.
209
00:14:23,620 --> 00:14:25,137
WITH THE SPRING BARREL
210
00:14:25,241 --> 00:14:27,000
AND ITS TRANSMISSION GEARS
ASSEMBLED,
211
00:14:27,103 --> 00:14:29,034
PRODUCTION NOW REACHES
A CRITICAL MOMENT.
212
00:14:29,137 --> 00:14:33,275
HE PLACES THE MECHANISM
IN A HOLDER
213
00:14:33,379 --> 00:14:36,379
THAT MAKES IT EASIER
TO INSTALL THE TOURBILLION.
214
00:14:41,862 --> 00:14:43,206
IT'S A TRICKY JOB.
215
00:14:43,310 --> 00:14:46,034
THE CAGE MUST BE
PRECISELY POSITIONED
216
00:14:46,137 --> 00:14:49,000
FOR ITS GEARS TO RECEIVE POWER
FROM THE SPRING.
217
00:14:52,862 --> 00:14:56,137
HE NOW TRANSFERS THE MECHANISM
TO ANOTHER HOLDER
218
00:14:56,241 --> 00:14:58,137
TO INSERT THE WINDING STEM.
219
00:15:06,758 --> 00:15:10,655
NEXT, HE ENGRAVES THE CIRCULAR
PATTERN ONTO A BRIDGE PLATE.
220
00:15:10,758 --> 00:15:13,586
THIS HIGH-END FINISH
IS CALLED PERLAGE.
221
00:15:20,689 --> 00:15:23,793
THE TECHNICIAN ATTACHES
THE TEXTURED BRIDGE
222
00:15:23,896 --> 00:15:26,068
TO THE DIAL SIDE OF THE WATCH.
223
00:15:32,344 --> 00:15:33,482
HE ASSEMBLES MORE GEARS
224
00:15:33,586 --> 00:15:35,448
AND A NUMBERED WHEEL
TO THE BRIDGE.
225
00:15:35,551 --> 00:15:39,137
THESE GEARS WILL PROVIDE
THE DATE INFORMATION
226
00:15:39,241 --> 00:15:40,896
FOR THIS TIMEPIECE.
227
00:15:42,862 --> 00:15:47,551
ANOTHER BRIDGE SECURES THE GEARS
THAT LEAD TO THE DATE WHEEL.
228
00:15:47,655 --> 00:15:50,000
HE FASTENS IT WITH TINY SCREWS.
229
00:15:50,103 --> 00:15:54,793
HE SLIDES THE SECOND DATE WHEEL
ONTO ITS AXLE
230
00:15:54,896 --> 00:15:58,689
AND CHECKS
THE SETTING MECHANISM.
231
00:15:58,793 --> 00:16:00,793
WE'LL HAVE
THE UP-TO-THE-MINUTE DETAILS
232
00:16:00,896 --> 00:16:02,931
AS THIS WATCH
GETS A BEAUTIFUL FACE.
233
00:16:17,655 --> 00:16:22,206
Narrator:
EVEN IN THE AGE OF DIGITAL
AND ELECTRONIC WRISTWATCHES,
234
00:16:22,310 --> 00:16:25,793
THE MECHANICAL WATCH HAS
AN APPEAL THAT'S TIMELESS.
235
00:16:25,896 --> 00:16:29,172
SOME ARE AMONG
THE MOST COMPLEX IN THE WORLD
236
00:16:29,275 --> 00:16:32,103
AND CAN COST
IN THE SIX-FIGURE RANGE.
237
00:16:32,206 --> 00:16:35,793
AT THAT PRICE,
TIME IS TRULY A LUXURY.
238
00:16:41,586 --> 00:16:44,896
IN A FACTORY NESTLED
IN THE SCENIC SWISS COUNTRYSIDE,
239
00:16:45,000 --> 00:16:48,344
A HIGHLY-SKILLED TEAM HAS
ASSEMBLED THE INNER WORKINGS
240
00:16:48,448 --> 00:16:51,000
OF A LUXURIOUS
TOURBILLION WRISTWATCH.
241
00:16:53,517 --> 00:16:56,896
NOW A WATCHMAKER FITS
THE HANDCRAFTED FACE
242
00:16:57,000 --> 00:16:58,586
ONTO THE MECHANISMS.
243
00:16:58,689 --> 00:17:01,000
USING A SPECIAL TOOL,
244
00:17:01,103 --> 00:17:05,413
HE PRESSES THE HANDS ONTO AN
AXLE AT THE CENTER OF THE WATCH.
245
00:17:05,517 --> 00:17:08,655
THIS ENABLES HIM
TO SET THE TIME AND DATE.
246
00:17:18,896 --> 00:17:22,689
THE WATCH WILL BE ENCASED
WITH 18-KARAT RED-GOLD BEZELS
247
00:17:22,793 --> 00:17:28,068
SEALED AGAINST THE ELEMENTS
WITH RUBBER RINGS.
248
00:17:28,172 --> 00:17:31,482
HE NOW FASTENS THE MIDDLE CASING
TO THE MECHANISM,
249
00:17:31,586 --> 00:17:35,620
THEN COMPLETES THE INSTALLATION
OF THE WINDING STEM AND CROWN.
250
00:17:41,206 --> 00:17:43,482
THE WATCHMAKER
LUBRICATES THE BRIDGE
251
00:17:43,586 --> 00:17:45,206
FOR THE AUTO-WINDING SYSTEM,
252
00:17:45,310 --> 00:17:50,000
THEN ENGRAVES A PARALLEL-RIBBED
PATTERN ONTO IT.
253
00:17:50,103 --> 00:17:53,413
THIS ADDS VISUAL INTEREST
TO THE BRIDGE,
254
00:17:53,517 --> 00:17:57,551
MAKING THIS LUXURY WATCH
LOOK GOOD INSIDE AND OUT.
255
00:18:02,448 --> 00:18:05,068
AFTER THE BRIDGE
HAS BEEN SET WITH JEWELS,
256
00:18:05,172 --> 00:18:08,379
IT'S READY TO BE INSTALLED
AT THE CENTER OF THE WATCH,
257
00:18:08,482 --> 00:18:12,241
WHERE ITS JEWELS WILL KEEP PARTS
FROM RUBBING AGAINST EACH OTHER,
258
00:18:12,344 --> 00:18:13,724
CAUSING WEAR AND TEAR.
259
00:18:21,172 --> 00:18:23,482
AN ARTIST NOW ENGRAVES THE ROTOR
260
00:18:23,586 --> 00:18:26,379
THAT'S TO BE ATTACHED
TO THE BRIDGE.
261
00:18:26,482 --> 00:18:29,586
IT'S THIS PART THAT WILL
AUTOMATICALLY WIND THE WATCH.
262
00:18:29,689 --> 00:18:31,000
IT'S A SIGNATURE PIECE
263
00:18:31,103 --> 00:18:34,068
THAT CAN REFLECT
THE CUSTOMER'S INDIVIDUAL TASTE.
264
00:18:43,586 --> 00:18:45,448
THIS STYLISH-LOOKING ROTOR
265
00:18:45,551 --> 00:18:48,724
IS NOW READY TO BE SECURED
TO THE BRIDGE.
266
00:18:51,862 --> 00:18:53,206
ONCE INSTALLED,
267
00:18:53,310 --> 00:18:56,655
EVEN THE SLIGHTEST MOVEMENT WILL
CAUSE THIS ROTOR TO OSCILLATE,
268
00:18:56,758 --> 00:19:00,724
AND THAT ACTION WINDS UP
THE MAINSPRING OF THE WATCH.
269
00:19:12,862 --> 00:19:17,620
THE WATCHMAKER NOW SHIELDS
THIS TIMEPIECE WITH A GLASS DOME
270
00:19:17,724 --> 00:19:20,344
AND THEN VACUUMS DUST
FROM THE NEXT GOLD BEZEL.
271
00:19:20,448 --> 00:19:23,000
HE CAREFULLY CLEANS
THIS CLEAR SAPPHIRE WINDOW
272
00:19:23,103 --> 00:19:26,551
BECAUSE EVEN THE TINIEST SPECK
OF DIRT
273
00:19:26,655 --> 00:19:29,172
COULD CAUSE THE WATCH TO FAIL.
274
00:19:29,275 --> 00:19:32,379
HE SNAPS THE FRONT BEZEL
ONTO THE WATCH,
275
00:19:32,482 --> 00:19:34,793
THEN, USING A SPECIAL DEVICE,
276
00:19:34,896 --> 00:19:37,862
HE PRESSES THE BEZEL
TO SECURE IT.
277
00:19:37,965 --> 00:19:40,965
THIS ACTION ALSO SQUEEZES
THE RUBBER RING
278
00:19:41,068 --> 00:19:43,034
BETWEEN THE BEZEL AND THE WATCH
279
00:19:43,137 --> 00:19:48,034
TO CREATE WATERPROOF SEAL.
280
00:19:48,137 --> 00:19:50,517
THIS WATCH WILL NOW
BE WATER-RESISTANT
281
00:19:50,620 --> 00:19:53,068
TO A DEPTH OF NEARLY 330 FEET.
282
00:19:55,517 --> 00:19:58,172
THE BACK CASING
SCREWS INTO PLACE
283
00:19:58,275 --> 00:20:01,448
SO IT CAN BE REMOVED
FOR MAINTENANCE WORK
284
00:20:01,551 --> 00:20:03,655
DURING THE LIFE OF THE WATCH.
285
00:20:03,758 --> 00:20:05,793
USING A SPECIAL TOOL,
286
00:20:05,896 --> 00:20:10,448
HE TIGHTENS THE CASING
TO JUST THE RIGHT TENSION.
287
00:20:10,551 --> 00:20:12,413
HE THEN INSPECTS THE WATCH
288
00:20:12,517 --> 00:20:16,517
TO CONFIRM THAT THE ROTOR MOVES
FREELY WITHIN THE CASE.
289
00:20:20,758 --> 00:20:24,482
NEXT UP IS A COMPUTER ANALYSIS
OF THE MECHANISM.
290
00:20:24,586 --> 00:20:28,344
A DEVICE HOLDS THE WATCH
AND SIMULATES WRIST MOVEMENTS,
291
00:20:28,448 --> 00:20:31,482
WHILE THE COMPUTER EVALUATES
ITS ACCURACY.
292
00:20:40,275 --> 00:20:42,862
THAT'S THE SOUND
OF A MINUTE REPEATER,
293
00:20:42,965 --> 00:20:44,793
WHICH IS A FEATURE
ON SOME MODELS.
294
00:20:44,896 --> 00:20:49,931
WHEN TRIGGERED,
IT CHIMES THE TIME.
295
00:20:50,034 --> 00:20:52,413
AND NOW THIS WATCH
TAKES THE PLUNGE
296
00:20:52,517 --> 00:20:54,172
INTO A CONTAINER OF WATER.
297
00:20:54,275 --> 00:20:57,103
IF BUBBLES APPEAR,
IT WOULD SIGNIFY A LEAK.
298
00:20:57,206 --> 00:21:02,034
BUT THERE ARE NONE,
SO THIS WATCH IS WATERPROOF.
299
00:21:02,137 --> 00:21:07,103
THIS INCREDIBLE WATCH
WILL SET YOU BACK $150,000.
300
00:21:07,206 --> 00:21:12,172
BUT IT WILL BE AN HEIRLOOM PIECE
THAT STANDS THE TEST OF TIME.
301
00:21:21,655 --> 00:21:24,137
IF YOU HAVE ANY COMMENTS
ABOUT THE SHOW,
302
00:21:24,241 --> 00:21:27,379
OR IF YOU'D LIKE TO SUGGEST
TOPICS FOR FUTURE SHOWS,
303
00:21:27,482 --> 00:21:29,689
DROP US A LINE AT...
24150
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