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These are the user uploaded subtitles that are being translated: 1 00:00:01,931 --> 00:00:04,827 --Captions by VITAC-- www.vitac.com 2 00:00:04,931 --> 00:00:07,896 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 3 00:00:52,689 --> 00:00:56,310 Narrator: THE FIRST ALUMINUM BOAT WAS LAUNCHED AS A SIMPLE SKIFF 4 00:00:56,413 --> 00:00:58,379 IN THE MIDDLE OF THE LAST CENTURY. 5 00:00:58,482 --> 00:01:00,310 FISHERMEN LOVED THE LIGHTWEIGHT HULL 6 00:01:00,413 --> 00:01:03,448 BECAUSE IT COULD BE PULLED IN AND OUT OF THE WATER MORE EASILY 7 00:01:03,551 --> 00:01:05,586 THAN THE WOODEN BOATS OF THE DAY. 8 00:01:05,689 --> 00:01:08,827 DECADES LATER, ALUMINUM BOATS HAVE GONE HIGH-END, 9 00:01:08,931 --> 00:01:11,862 BUT THEY STILL HAVE THAT LIGHTWEIGHT APPEAL. 10 00:01:16,344 --> 00:01:19,689 SINCE ALUMINUM HULLS AREN'T AS HEAVY AS OTHER TYPES, 11 00:01:19,793 --> 00:01:24,206 THESE BOATS WILL GO FARTHER ON A TANK OF GAS. 12 00:01:24,310 --> 00:01:26,586 THEY MAKE THEM FROM HIGH-GRADE ALUMINUM 13 00:01:26,689 --> 00:01:28,172 THAT'S CORROSION-RESISTANT. 14 00:01:28,275 --> 00:01:30,172 ROLLERS FLATTEN THE METAL, 15 00:01:30,275 --> 00:01:33,827 AND A BLADE CALLED A SLITTER CUTS IT TO LENGTH. 16 00:01:36,206 --> 00:01:38,827 A COMPUTER-GUIDED ROUTER THEN MAKES PRECISE CUTS 17 00:01:38,931 --> 00:01:41,862 TO PRODUCE PARTS THAT WILL FIT TOGETHER PERFECTLY, 18 00:01:41,965 --> 00:01:45,275 LIKE THIS BRACKET TO REINFORCE THE STERN. 19 00:01:48,586 --> 00:01:51,137 THEY CUT THE BOAT'S LARGER COMPONENTS 20 00:01:51,241 --> 00:01:53,620 WITH A COMPUTERIZED PLASMA TORCH. 21 00:01:53,724 --> 00:01:56,827 IT CAN CUT A WIDER PATH THAN THE ROUTER. 22 00:01:56,931 --> 00:02:00,310 THEY TRANSFER THE CUT PARTS TO A PALLET. 23 00:02:00,413 --> 00:02:03,379 THIS IS THE BOAT'S BOTTOM PANEL. 24 00:02:07,517 --> 00:02:10,620 A LONG PIECE OF ALUMINUM WILL BE THE GUNNEL, 25 00:02:10,724 --> 00:02:12,793 WHICH IS THE UPPER EDGE OF THE HULL. 26 00:02:12,896 --> 00:02:15,034 THEY BEND IT AROUND A WOODEN TEMPLATE 27 00:02:15,137 --> 00:02:17,896 TO GIVE IT THE CORRECT CURVATURE. 28 00:02:22,655 --> 00:02:26,448 NEXT, THEY REINFORCE THE BOW WITH AN EXTRA PLATE OF ALUMINUM 29 00:02:26,551 --> 00:02:28,310 TO WITHSTAND POUNDING WAVES. 30 00:02:28,413 --> 00:02:31,586 THEY BRACE THE OTHER END WITH NUMEROUS STIFFENERS 31 00:02:31,689 --> 00:02:33,862 AND SCREW THEM INTO PLACE. 32 00:02:33,965 --> 00:02:36,413 THE SCREWS ACT AS A CLAMPING SYSTEM, 33 00:02:36,517 --> 00:02:40,068 UNTIL THE PARTS OF THE BOAT CAN BE PERMANENTLY ATTACHED. 34 00:02:40,172 --> 00:02:42,931 A LINE OF CAULKING HELPS WATERPROOF THE SEAM 35 00:02:43,034 --> 00:02:45,655 BETWEEN THE HULL AND THE BACK OF THE BOAT, 36 00:02:45,758 --> 00:02:49,310 CALLED THE TRANSOM. 37 00:02:49,413 --> 00:02:52,586 AGAIN, SCREWS HOLD EVERYTHING TOGETHER, 38 00:02:52,689 --> 00:02:55,931 AS THE PAINSTAKING CLAMPING CONTINUES. 39 00:02:56,034 --> 00:02:59,000 THEY JOIN THE TWO SIDES OF THE BOW 40 00:02:59,103 --> 00:03:01,517 AND HOLD THE ENDS TOGETHER WITH A VISE GRIP. 41 00:03:04,206 --> 00:03:07,896 THIS STRIP OF ALUMINUM WILL ACT AS THE SPINE OF THE BOW. 42 00:03:08,000 --> 00:03:09,827 IT'S CALLED THE BRACE PLATE. 43 00:03:09,931 --> 00:03:12,655 MORE SCREWS TACK IT INTO POSITION. 44 00:03:16,379 --> 00:03:21,103 THEY ATTACH THE SIDES TO THE REST OF THE HULL. 45 00:03:21,206 --> 00:03:24,620 NOW THEY DRILL HUNDREDS OF HOLES ALONG THE SEAMS 46 00:03:24,724 --> 00:03:26,137 AND PLUG THEM WITH RIVETS. 47 00:03:26,241 --> 00:03:27,931 THEY EXTRACT THE CLAMPING SCREWS 48 00:03:28,034 --> 00:03:32,000 AND FILL THEIR HOLES WITH MORE RIVETS. 49 00:03:32,103 --> 00:03:35,758 THEY INSTALL THE GUNNELS ON THE RIM OF THE HULL. 50 00:03:38,310 --> 00:03:40,344 AND NOW IT'S TIME FOR THE TANK TEST. 51 00:03:40,448 --> 00:03:43,862 THEY LOWER THE BOAT INTO A TANK TO CONFIRM THAT IT'S WATERTIGHT. 52 00:03:46,448 --> 00:03:49,482 IF THEY FIND ANY LEAKS IN ALL THOSE RIVETS, 53 00:03:49,586 --> 00:03:52,344 THEY'LL MAKE THE NECESSARY ADJUSTMENTS. 54 00:03:52,448 --> 00:03:55,000 THEY SPRAY FOAM INTO THE BOTTOMS AND SIDES 55 00:03:55,103 --> 00:03:56,137 TO KEEP THIS BOAT AFLOAT 56 00:03:56,241 --> 00:03:58,172 IN THE EVENT THAT SOMETHING PUNCTURES IT. 57 00:04:01,862 --> 00:04:03,758 AND THEN THEY ROUGH UP THE SURFACE 58 00:04:03,862 --> 00:04:05,620 TO ALLOW PAINT TO BETTER ADHERE. 59 00:04:13,034 --> 00:04:14,620 THEY MOVE TO THE INTERIOR 60 00:04:14,724 --> 00:04:17,206 AND INSTALL FELT ON THE STORAGE PANELS 61 00:04:17,310 --> 00:04:19,655 TO GIVE THEM A MORE FINISHED LOOK. 62 00:04:23,551 --> 00:04:26,827 THEN THEY LAY THE CARPETING PORT TO STARBOARD. 63 00:04:29,379 --> 00:04:32,655 NEXT COMES THE PLASTIC FUEL TANK. 64 00:04:32,758 --> 00:04:37,344 ALL THEY HAVE TO DO IS CONNECT THE FUEL-LINE HOSES 65 00:04:37,448 --> 00:04:42,241 AND SECURE THEM WITH A STAINLESS STEEL COLLAR. 66 00:04:42,344 --> 00:04:45,103 THE DASH PANEL FITS ONTO THE FRONT. 67 00:04:45,206 --> 00:04:46,586 IT'S PRE-WIRED, 68 00:04:46,689 --> 00:04:51,068 SO THEY SIMPLY CONNECT IT TO THE BOAT'S MAIN WIRING HARNESS. 69 00:04:51,172 --> 00:04:56,344 NEXT, THEY APPLY LUBRICANT TO THE MOTOR'S PROPELLER SHAFT. 70 00:04:56,448 --> 00:05:00,724 THIS ALLOWS THE PROPELLER TO SLIDE ON EASILY. 71 00:05:00,827 --> 00:05:03,310 THEY TIGHTEN IT WITH A PNEUMATIC RATCHET. 72 00:05:05,620 --> 00:05:08,689 THEN THEY HOIST THE MOTOR ONTO THE STERN 73 00:05:08,793 --> 00:05:10,827 AND BOLT IT INTO POSITION. 74 00:05:20,206 --> 00:05:23,034 WITH THE LUXURIOUS INTERIOR NOW COMPLETE, 75 00:05:23,137 --> 00:05:26,241 THIS METAL BOAT BEARS VERY LITTLE RESEMBLANCE 76 00:05:26,344 --> 00:05:28,482 TO ITS UTILITARIAN PREDECESSORS. 77 00:05:31,965 --> 00:05:35,655 THIS PARTICULAR MODEL DOUBLES AS A FISHING BOAT 78 00:05:35,758 --> 00:05:37,448 AND A PLEASURE CRAFT. 79 00:05:37,551 --> 00:05:40,103 AND IT PROVES THAT ALUMINUM BOATS 80 00:05:40,206 --> 00:05:43,724 ARE NO LONGER JUST A BASIC FORM OF TRANSPORTATION. 81 00:06:01,000 --> 00:06:04,103 Narrator: THE ALPINE HORN DATES BACK SOME 2,000 YEARS 82 00:06:04,206 --> 00:06:05,379 TO THE CELTIC TRIBES 83 00:06:05,482 --> 00:06:08,241 THAT INHABITED THE NORTHERN SLOPES OF THE ALPS. 84 00:06:08,344 --> 00:06:11,103 TRADITIONALLY, MOUNTAIN DWELLERS BLEW THE HORN 85 00:06:11,206 --> 00:06:12,896 TO ANNOUNCED DAILY ACTIVITIES, 86 00:06:13,000 --> 00:06:15,241 SUCH AS ROUND-UP TIME FOR LIVESTOCK. 87 00:06:15,344 --> 00:06:18,448 AS MODERN COMMUNICATIONS REACHED THOSE ALTITUDES, 88 00:06:18,551 --> 00:06:21,137 THE HORN'S ROLE BECAME STRICTLY MUSICAL. 89 00:06:26,344 --> 00:06:29,689 AN ALPINE HORN'S SOUND TRAVELS ABOUT 5 MILES, 90 00:06:29,793 --> 00:06:33,137 THANKS TO THE INSTRUMENT'S LENGTH AND SHAPE. 91 00:06:35,655 --> 00:06:37,862 FOLLOWING A CENTURIES-OLD TRADITION, 92 00:06:37,965 --> 00:06:39,689 THE HORN MAKER HARVESTS SPRUCE 93 00:06:39,793 --> 00:06:42,275 AT A SPECIFIC TIME IN THE LUNAR CALENDAR, 94 00:06:42,379 --> 00:06:45,034 WHEN TREE WOOD IS SUPPOSEDLY MOST RESONANT. 95 00:06:48,379 --> 00:06:53,241 ONCE THE SPRUCE LOGS DRY OUT, WHICH TAKES AT LEAST NINE YEARS, 96 00:06:53,344 --> 00:06:56,000 HE SAWS THEM INTO PLANKS. 97 00:06:58,413 --> 00:07:01,206 THEN HE TRACES AND CUTS OUT THE SHAPE 98 00:07:01,310 --> 00:07:03,827 OF THE HORN'S CURVED BELL TWICE -- 99 00:07:03,931 --> 00:07:05,310 ONCE FOR EACH HALF. 100 00:07:05,413 --> 00:07:09,172 HE MEASURES AND MARKS HOW MUCH WOOD HE MUST HOLLOW OUT 101 00:07:09,275 --> 00:07:11,034 WITH HIS DRILL PRESS. 102 00:07:14,965 --> 00:07:17,793 IT'S TRICKY BECAUSE FROM TOP TO BOTTOM, 103 00:07:17,896 --> 00:07:19,551 THE BELL'S INSIDE CAVITY 104 00:07:19,655 --> 00:07:22,172 PROGRESSIVELY WIDENS AND DEEPENS. 105 00:07:28,793 --> 00:07:30,310 NEXT, HE RUNS GLUE 106 00:07:30,413 --> 00:07:33,758 ALONG THE PERIMETER OF BOTH BELL HALVES, 107 00:07:33,862 --> 00:07:37,206 THEN JOINS THEM WITH A SHEET OF NEWSPAPER IN BETWEEN 108 00:07:37,310 --> 00:07:39,103 TO PREVENT A PERMANENT BOND. 109 00:07:39,206 --> 00:07:40,862 HE'LL HAVE TO PRY THEM APART LATER 110 00:07:40,965 --> 00:07:43,827 TO FINALIZE THEIR SHAPE. 111 00:07:43,931 --> 00:07:47,103 ONCE DRY, HE TEARS OFF EXCESS NEWSPAPER, 112 00:07:47,206 --> 00:07:51,862 TRACES THE CIRCUMFERENCE OF THE BELL'S TOP AND BOTTOM OPENINGS, 113 00:07:51,965 --> 00:07:54,034 THEN MEASURES AND DRAWS THE BELL'S SHAPE 114 00:07:54,137 --> 00:07:55,517 BETWEEN THOSE TWO OPENINGS. 115 00:08:01,275 --> 00:08:03,724 ONCE AGAIN, FOLLOWING THE LINES HE DREW, 116 00:08:03,827 --> 00:08:05,241 HE CUTS OUT THE SHAPE. 117 00:08:15,000 --> 00:08:19,862 TO CHECK HIS WORK, HE USES A SERIES OF SIZING TEMPLATES. 118 00:08:19,965 --> 00:08:22,413 HE LINES THEM WITH CHARCOAL, 119 00:08:22,517 --> 00:08:25,862 THEN SLIPS THE FIRST TEMPLATE ONTO ITS DESIGNATED POSITION 120 00:08:25,965 --> 00:08:27,344 AT THE TOP OF THE BELL. 121 00:08:27,448 --> 00:08:29,137 THE CHARCOAL MARKS ANY WOOD 122 00:08:29,241 --> 00:08:31,482 THAT HE STILL NEEDS TO SHAVE OFF. 123 00:08:31,586 --> 00:08:34,517 HE REPEATS THIS PROCEDURE WITH EACH TEMPLATE, 124 00:08:34,620 --> 00:08:37,620 WORKING HIS WAY DOWN UNTIL THE BELL IS ROUNDED 125 00:08:37,724 --> 00:08:40,068 TO THE PROPER EXTERNAL DIMENSIONS. 126 00:08:42,620 --> 00:08:45,517 NOW FOR THE BELL'S INTERNAL DIMENSIONS. 127 00:08:45,620 --> 00:08:48,482 THE HORN MAKER DETACHES THE HALVES. 128 00:08:48,586 --> 00:08:52,551 HE SCORES A LINE RUNNING THE LENGTH OF THE BELL HALF 129 00:08:52,655 --> 00:08:53,758 ON EACH SIDE. 130 00:08:53,862 --> 00:08:56,793 THIS MARKS THE INNER-WALL THICKNESS 131 00:08:56,896 --> 00:08:58,586 HE'S GOING TO CREATE. 132 00:08:58,689 --> 00:09:01,793 USING A GRINDER WITH A ROUGH GRIT ABRASIVE, 133 00:09:01,896 --> 00:09:05,482 HE WEARS AWAY THE WOOD RIGHT UP TO THE SCORE LINES. 134 00:09:05,586 --> 00:09:09,310 THE HOLES HE MADE EARLIER TELL HIM HOW DEEP TO GRIND. 135 00:09:09,413 --> 00:09:12,379 THEN HE SWITCHES TO A FINER GRIT ABRASIVE 136 00:09:12,482 --> 00:09:15,655 TO GRIND THE WALLS DOWN ANOTHER MILLIMETER. 137 00:09:15,758 --> 00:09:18,862 HE CHECKS HIS WORK WITH A MEASURING GAUGE, 138 00:09:18,965 --> 00:09:23,172 THEN GLUES THE HALVES TOGETHER AGAIN, THIS TIME PERMANENTLY. 139 00:09:23,275 --> 00:09:26,482 THE HORN MAKER CONSTRUCTS THE BELL'S OTHER SECTION 140 00:09:26,586 --> 00:09:30,413 IN HALVES, AS WELL, ROUNDING THEM OFF ON A LATHE. 141 00:09:34,137 --> 00:09:38,310 HE COATS THEM IN GLUE AND WRAPS THEM IN RATTAN. 142 00:09:38,413 --> 00:09:42,344 THE RATTAN SOLIDIFIES THE STRUCTURE SOMEWHAT 143 00:09:42,448 --> 00:09:45,000 BUT IS PRIMARILY FOR DECORATION. 144 00:09:51,413 --> 00:09:53,172 ONCE THE GLUE DRIES, 145 00:09:53,275 --> 00:09:57,827 HE'LL GLUE ALUMINUM CONNECTING DOWELS TO EACH SECTION. 146 00:09:57,931 --> 00:09:59,827 THESE WILL ENABLE THE MUSICIAN 147 00:09:59,931 --> 00:10:02,827 TO ASSEMBLE AND DISASSEMBLE THE HORN PARTS. 148 00:10:06,448 --> 00:10:10,344 THE BELL IS TRULY THE ALPINE HORN'S SHOWPIECE. 149 00:10:10,448 --> 00:10:12,689 HORN MAKERS TYPICALLY EMBELLISH IT 150 00:10:12,793 --> 00:10:14,758 WITH PAINTED SCENES OR MOTIFS. 151 00:10:14,862 --> 00:10:17,551 THIS HORN WILL BOAST A COLORFUL BOUQUET 152 00:10:17,655 --> 00:10:21,172 OF TRADITIONAL SWISS FLOWERS. 153 00:10:27,724 --> 00:10:29,206 FULLY ASSEMBLED, 154 00:10:29,310 --> 00:10:33,413 AN ALPINE HORN IS BETWEEN 10 AND 13 FEET LONG -- 155 00:10:33,517 --> 00:10:36,758 THE LENGTH DETERMINING THE PITCH OF THE INSTRUMENT. 156 00:10:39,103 --> 00:10:40,793 MUSICIANS USE LIP MOVEMENTS 157 00:10:40,896 --> 00:10:44,103 TO MODULATE THE VIBRATION OF THE AIR COLUMN INSIDE. 158 00:10:44,206 --> 00:10:46,931 DIFFERENT VIBRATIONS PRODUCE DIFFERENT NOTES. 159 00:11:09,241 --> 00:11:12,310 Narrator: THROUGHOUT MOST OF THE 19th CENTURY, 160 00:11:12,413 --> 00:11:15,827 THE WRISTWATCH WAS A PIECE OF JEWELRY WORN BY WOMEN. 161 00:11:15,931 --> 00:11:17,689 MEN CARRIED POCKET WATCHES. 162 00:11:17,793 --> 00:11:20,103 IT WAS DURING THE BOER WAR IN 1899 163 00:11:20,206 --> 00:11:23,172 THAT BRITISH SOLDIERS DECIDED FUMBLING AROUND 164 00:11:23,275 --> 00:11:27,137 FOR A POCKET WATCH DURING BATTLE WAS A SERIOUS WASTE OF TIME. 165 00:11:33,344 --> 00:11:36,689 THE TOOLS OF THE TRADE HAVEN'T CHANGED MUCH 166 00:11:36,793 --> 00:11:39,551 SINCE POCKET WATCHES RULED THE DAY. 167 00:11:39,655 --> 00:11:41,241 IN THIS SWISS WORKSHOP, 168 00:11:41,344 --> 00:11:44,379 THE MECHANISMS ARE METICULOUSLY HANDCRAFTED, 169 00:11:44,482 --> 00:11:47,000 JUST LIKE THEY WERE CENTURIES AGO. 170 00:11:49,275 --> 00:11:50,793 THE WATCHMAKER STARTS 171 00:11:50,896 --> 00:11:53,655 BY POLISHING PARTS TO A MIRROR FINISH. 172 00:11:53,758 --> 00:11:57,827 HE MIXES HIS LAVENDER AND ALMOND OILS WITH A DIAMOND PASTE. 173 00:11:57,931 --> 00:12:00,482 HE EXTRACTS A PART CALLED THE CAGE 174 00:12:00,586 --> 00:12:02,448 FROM ITS STORAGE SOLUTION, 175 00:12:02,551 --> 00:12:03,689 SETS IT IN THE PASTE, 176 00:12:03,793 --> 00:12:06,379 AND POLISHES IT AGAINST A ZINC BLOCK. 177 00:12:12,793 --> 00:12:18,241 HE BRUSHES THE DUST OFF THE CAGE WITH A SOFT PIECE OF WOOD. 178 00:12:18,344 --> 00:12:22,103 ANOTHER WATCHMAKER POLISHES ITS EDGES, 179 00:12:22,206 --> 00:12:26,413 REMOVING TINY BITS OF MATERIAL SO OTHER PARTS CAN FIT TO IT. 180 00:12:26,517 --> 00:12:30,551 THE TECHNICIAN ATTACHES GEARS TO THE CAGE. 181 00:12:30,655 --> 00:12:35,000 THESE GEARS ARE THE BALANCE AND ESCAPE WHEELS. 182 00:12:35,103 --> 00:12:37,344 HE FIXES THE GEARS ON TINY RUBIES 183 00:12:37,448 --> 00:12:39,862 BECAUSE THEY DON'T WEAR DOWN EASILY. 184 00:12:39,965 --> 00:12:43,275 THE SECOND HALF OF THE CAGE COMPLETES THIS MECHANISM, 185 00:12:43,379 --> 00:12:45,689 CALLED THE TOURBILLION. 186 00:12:45,793 --> 00:12:49,310 INVENTED IN 1789, THESE ROTATING GEARS IN A CAGE 187 00:12:49,413 --> 00:12:52,896 COUNTERACT THE EFFECT OF GRAVITY ON TIMEKEEPING 188 00:12:53,000 --> 00:12:55,551 FOR MORE ACCURATE RESULTS. 189 00:13:00,482 --> 00:13:03,241 THE WATCHMAKER NOW MAGNIFIES THE ASSEMBLY 190 00:13:03,344 --> 00:13:05,551 AND PROJECTS THE IMAGE ONTO A SCREEN 191 00:13:05,655 --> 00:13:07,793 TO CONFIRM THAT THE GEARS AND LEVERS 192 00:13:07,896 --> 00:13:11,793 ARE INTERACTING CORRECTLY. 193 00:13:11,896 --> 00:13:15,103 NEXT, HE SECURES A WOUND-UP SPRING IN A BARREL. 194 00:13:15,206 --> 00:13:19,137 THIS IS THE MAIN SPRING THAT POWERS THE GEARS OF THE WATCH. 195 00:13:23,448 --> 00:13:25,275 HE DIPS A PIN IN SOME GREASE 196 00:13:25,379 --> 00:13:28,965 AND USES IT TO LUBRICATE THE SPRING. 197 00:13:29,068 --> 00:13:32,000 THEN HE CAPS THE MAINSPRING WITH A COVER 198 00:13:32,103 --> 00:13:34,931 AND TAMPS IT DOWN WITH A SPECIAL TOOL. 199 00:13:35,034 --> 00:13:38,517 HE CAREFULLY POSITIONS THE BARREL IN ITS SLOT 200 00:13:38,620 --> 00:13:40,172 ON THE MAIN PLATE. 201 00:13:44,793 --> 00:13:48,724 THE WATCHMAKER NOW INSTALLS ANOTHER SERIES OF GEARS 202 00:13:48,827 --> 00:13:50,034 ON THE MAIN PLATE. 203 00:13:50,137 --> 00:13:51,310 THEY'LL TRANSFER POWER 204 00:13:51,413 --> 00:13:53,448 FROM THE SPRING TO THE TOURBILLION. 205 00:14:04,344 --> 00:14:06,758 HE ATTACHES THE BRIDGE TO THE GEARS 206 00:14:06,862 --> 00:14:08,931 TO ACT AS A PIVOT AS THEY TURN. 207 00:14:15,413 --> 00:14:17,724 ANOTHER SPOT OF GREASE 208 00:14:17,827 --> 00:14:20,931 KEEPS THESE WHEELS TURNING EFFICIENTLY. 209 00:14:23,620 --> 00:14:25,137 WITH THE SPRING BARREL 210 00:14:25,241 --> 00:14:27,000 AND ITS TRANSMISSION GEARS ASSEMBLED, 211 00:14:27,103 --> 00:14:29,034 PRODUCTION NOW REACHES A CRITICAL MOMENT. 212 00:14:29,137 --> 00:14:33,275 HE PLACES THE MECHANISM IN A HOLDER 213 00:14:33,379 --> 00:14:36,379 THAT MAKES IT EASIER TO INSTALL THE TOURBILLION. 214 00:14:41,862 --> 00:14:43,206 IT'S A TRICKY JOB. 215 00:14:43,310 --> 00:14:46,034 THE CAGE MUST BE PRECISELY POSITIONED 216 00:14:46,137 --> 00:14:49,000 FOR ITS GEARS TO RECEIVE POWER FROM THE SPRING. 217 00:14:52,862 --> 00:14:56,137 HE NOW TRANSFERS THE MECHANISM TO ANOTHER HOLDER 218 00:14:56,241 --> 00:14:58,137 TO INSERT THE WINDING STEM. 219 00:15:06,758 --> 00:15:10,655 NEXT, HE ENGRAVES THE CIRCULAR PATTERN ONTO A BRIDGE PLATE. 220 00:15:10,758 --> 00:15:13,586 THIS HIGH-END FINISH IS CALLED PERLAGE. 221 00:15:20,689 --> 00:15:23,793 THE TECHNICIAN ATTACHES THE TEXTURED BRIDGE 222 00:15:23,896 --> 00:15:26,068 TO THE DIAL SIDE OF THE WATCH. 223 00:15:32,344 --> 00:15:33,482 HE ASSEMBLES MORE GEARS 224 00:15:33,586 --> 00:15:35,448 AND A NUMBERED WHEEL TO THE BRIDGE. 225 00:15:35,551 --> 00:15:39,137 THESE GEARS WILL PROVIDE THE DATE INFORMATION 226 00:15:39,241 --> 00:15:40,896 FOR THIS TIMEPIECE. 227 00:15:42,862 --> 00:15:47,551 ANOTHER BRIDGE SECURES THE GEARS THAT LEAD TO THE DATE WHEEL. 228 00:15:47,655 --> 00:15:50,000 HE FASTENS IT WITH TINY SCREWS. 229 00:15:50,103 --> 00:15:54,793 HE SLIDES THE SECOND DATE WHEEL ONTO ITS AXLE 230 00:15:54,896 --> 00:15:58,689 AND CHECKS THE SETTING MECHANISM. 231 00:15:58,793 --> 00:16:00,793 WE'LL HAVE THE UP-TO-THE-MINUTE DETAILS 232 00:16:00,896 --> 00:16:02,931 AS THIS WATCH GETS A BEAUTIFUL FACE. 233 00:16:17,655 --> 00:16:22,206 Narrator: EVEN IN THE AGE OF DIGITAL AND ELECTRONIC WRISTWATCHES, 234 00:16:22,310 --> 00:16:25,793 THE MECHANICAL WATCH HAS AN APPEAL THAT'S TIMELESS. 235 00:16:25,896 --> 00:16:29,172 SOME ARE AMONG THE MOST COMPLEX IN THE WORLD 236 00:16:29,275 --> 00:16:32,103 AND CAN COST IN THE SIX-FIGURE RANGE. 237 00:16:32,206 --> 00:16:35,793 AT THAT PRICE, TIME IS TRULY A LUXURY. 238 00:16:41,586 --> 00:16:44,896 IN A FACTORY NESTLED IN THE SCENIC SWISS COUNTRYSIDE, 239 00:16:45,000 --> 00:16:48,344 A HIGHLY-SKILLED TEAM HAS ASSEMBLED THE INNER WORKINGS 240 00:16:48,448 --> 00:16:51,000 OF A LUXURIOUS TOURBILLION WRISTWATCH. 241 00:16:53,517 --> 00:16:56,896 NOW A WATCHMAKER FITS THE HANDCRAFTED FACE 242 00:16:57,000 --> 00:16:58,586 ONTO THE MECHANISMS. 243 00:16:58,689 --> 00:17:01,000 USING A SPECIAL TOOL, 244 00:17:01,103 --> 00:17:05,413 HE PRESSES THE HANDS ONTO AN AXLE AT THE CENTER OF THE WATCH. 245 00:17:05,517 --> 00:17:08,655 THIS ENABLES HIM TO SET THE TIME AND DATE. 246 00:17:18,896 --> 00:17:22,689 THE WATCH WILL BE ENCASED WITH 18-KARAT RED-GOLD BEZELS 247 00:17:22,793 --> 00:17:28,068 SEALED AGAINST THE ELEMENTS WITH RUBBER RINGS. 248 00:17:28,172 --> 00:17:31,482 HE NOW FASTENS THE MIDDLE CASING TO THE MECHANISM, 249 00:17:31,586 --> 00:17:35,620 THEN COMPLETES THE INSTALLATION OF THE WINDING STEM AND CROWN. 250 00:17:41,206 --> 00:17:43,482 THE WATCHMAKER LUBRICATES THE BRIDGE 251 00:17:43,586 --> 00:17:45,206 FOR THE AUTO-WINDING SYSTEM, 252 00:17:45,310 --> 00:17:50,000 THEN ENGRAVES A PARALLEL-RIBBED PATTERN ONTO IT. 253 00:17:50,103 --> 00:17:53,413 THIS ADDS VISUAL INTEREST TO THE BRIDGE, 254 00:17:53,517 --> 00:17:57,551 MAKING THIS LUXURY WATCH LOOK GOOD INSIDE AND OUT. 255 00:18:02,448 --> 00:18:05,068 AFTER THE BRIDGE HAS BEEN SET WITH JEWELS, 256 00:18:05,172 --> 00:18:08,379 IT'S READY TO BE INSTALLED AT THE CENTER OF THE WATCH, 257 00:18:08,482 --> 00:18:12,241 WHERE ITS JEWELS WILL KEEP PARTS FROM RUBBING AGAINST EACH OTHER, 258 00:18:12,344 --> 00:18:13,724 CAUSING WEAR AND TEAR. 259 00:18:21,172 --> 00:18:23,482 AN ARTIST NOW ENGRAVES THE ROTOR 260 00:18:23,586 --> 00:18:26,379 THAT'S TO BE ATTACHED TO THE BRIDGE. 261 00:18:26,482 --> 00:18:29,586 IT'S THIS PART THAT WILL AUTOMATICALLY WIND THE WATCH. 262 00:18:29,689 --> 00:18:31,000 IT'S A SIGNATURE PIECE 263 00:18:31,103 --> 00:18:34,068 THAT CAN REFLECT THE CUSTOMER'S INDIVIDUAL TASTE. 264 00:18:43,586 --> 00:18:45,448 THIS STYLISH-LOOKING ROTOR 265 00:18:45,551 --> 00:18:48,724 IS NOW READY TO BE SECURED TO THE BRIDGE. 266 00:18:51,862 --> 00:18:53,206 ONCE INSTALLED, 267 00:18:53,310 --> 00:18:56,655 EVEN THE SLIGHTEST MOVEMENT WILL CAUSE THIS ROTOR TO OSCILLATE, 268 00:18:56,758 --> 00:19:00,724 AND THAT ACTION WINDS UP THE MAINSPRING OF THE WATCH. 269 00:19:12,862 --> 00:19:17,620 THE WATCHMAKER NOW SHIELDS THIS TIMEPIECE WITH A GLASS DOME 270 00:19:17,724 --> 00:19:20,344 AND THEN VACUUMS DUST FROM THE NEXT GOLD BEZEL. 271 00:19:20,448 --> 00:19:23,000 HE CAREFULLY CLEANS THIS CLEAR SAPPHIRE WINDOW 272 00:19:23,103 --> 00:19:26,551 BECAUSE EVEN THE TINIEST SPECK OF DIRT 273 00:19:26,655 --> 00:19:29,172 COULD CAUSE THE WATCH TO FAIL. 274 00:19:29,275 --> 00:19:32,379 HE SNAPS THE FRONT BEZEL ONTO THE WATCH, 275 00:19:32,482 --> 00:19:34,793 THEN, USING A SPECIAL DEVICE, 276 00:19:34,896 --> 00:19:37,862 HE PRESSES THE BEZEL TO SECURE IT. 277 00:19:37,965 --> 00:19:40,965 THIS ACTION ALSO SQUEEZES THE RUBBER RING 278 00:19:41,068 --> 00:19:43,034 BETWEEN THE BEZEL AND THE WATCH 279 00:19:43,137 --> 00:19:48,034 TO CREATE WATERPROOF SEAL. 280 00:19:48,137 --> 00:19:50,517 THIS WATCH WILL NOW BE WATER-RESISTANT 281 00:19:50,620 --> 00:19:53,068 TO A DEPTH OF NEARLY 330 FEET. 282 00:19:55,517 --> 00:19:58,172 THE BACK CASING SCREWS INTO PLACE 283 00:19:58,275 --> 00:20:01,448 SO IT CAN BE REMOVED FOR MAINTENANCE WORK 284 00:20:01,551 --> 00:20:03,655 DURING THE LIFE OF THE WATCH. 285 00:20:03,758 --> 00:20:05,793 USING A SPECIAL TOOL, 286 00:20:05,896 --> 00:20:10,448 HE TIGHTENS THE CASING TO JUST THE RIGHT TENSION. 287 00:20:10,551 --> 00:20:12,413 HE THEN INSPECTS THE WATCH 288 00:20:12,517 --> 00:20:16,517 TO CONFIRM THAT THE ROTOR MOVES FREELY WITHIN THE CASE. 289 00:20:20,758 --> 00:20:24,482 NEXT UP IS A COMPUTER ANALYSIS OF THE MECHANISM. 290 00:20:24,586 --> 00:20:28,344 A DEVICE HOLDS THE WATCH AND SIMULATES WRIST MOVEMENTS, 291 00:20:28,448 --> 00:20:31,482 WHILE THE COMPUTER EVALUATES ITS ACCURACY. 292 00:20:40,275 --> 00:20:42,862 THAT'S THE SOUND OF A MINUTE REPEATER, 293 00:20:42,965 --> 00:20:44,793 WHICH IS A FEATURE ON SOME MODELS. 294 00:20:44,896 --> 00:20:49,931 WHEN TRIGGERED, IT CHIMES THE TIME. 295 00:20:50,034 --> 00:20:52,413 AND NOW THIS WATCH TAKES THE PLUNGE 296 00:20:52,517 --> 00:20:54,172 INTO A CONTAINER OF WATER. 297 00:20:54,275 --> 00:20:57,103 IF BUBBLES APPEAR, IT WOULD SIGNIFY A LEAK. 298 00:20:57,206 --> 00:21:02,034 BUT THERE ARE NONE, SO THIS WATCH IS WATERPROOF. 299 00:21:02,137 --> 00:21:07,103 THIS INCREDIBLE WATCH WILL SET YOU BACK $150,000. 300 00:21:07,206 --> 00:21:12,172 BUT IT WILL BE AN HEIRLOOM PIECE THAT STANDS THE TEST OF TIME. 301 00:21:21,655 --> 00:21:24,137 IF YOU HAVE ANY COMMENTS ABOUT THE SHOW, 302 00:21:24,241 --> 00:21:27,379 OR IF YOU'D LIKE TO SUGGEST TOPICS FOR FUTURE SHOWS, 303 00:21:27,482 --> 00:21:29,689 DROP US A LINE AT... 24150

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