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--Captions by VITAC--
www.vitac.com
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CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS, LLC
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Narrator:
IN THE 18th CENTURY,
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ANATOMICAL MODELS BECAME WIDELY
USED FOR EDUCATIONAL PURPOSES.
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00:00:57,344 --> 00:01:00,241
HOWEVER, THEY WERE UNIQUE PIECES
CARVED IN WAX,
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WHICH MADE THEM
EXPENSIVE AND FRAGILE.
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00:01:02,758 --> 00:01:05,379
TODAY, THEY'RE MADE OF
PLASTIC-BASED RESIN
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AND ARE FOUND IN MEDICAL
SCHOOLS, DOCTORS' OFFICES,
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EVEN ART SCHOOLS.
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00:01:13,965 --> 00:01:17,965
THIS MODEL OF A HUMAN TORSO
HAS 20 REMOVABLE PARTS.
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THE FRONT, SIDES, AND BACK
ALL PROVIDE DIFFERENT VIEWS
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OF THE BODY'S INNER
AND OUTER STRUCTURE.
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WORKERS CAST
EACH PART OF THE MODEL
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USING A PLASTIC-BASED
POLYMER RESIN.
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THEY POUR THE RESIN INTO NICKEL
MOLDS OF THE DIFFERENT PARTS,
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00:01:38,758 --> 00:01:41,827
LIKE THIS SKULLCAP MOLD...
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OR THIS HEART MOLD.
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THEN THEY JOIN THE TWO MOLDS
THAT MAKE UP EACH PART
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AND CLAMP THEM SHUT.
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THE MOLDS GO INTO A GAS OVEN
SET TO 437 DEGREES FAHRENHEIT.
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00:02:01,172 --> 00:02:03,000
AS THE HEAT
PENETRATES THE MOLDS,
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THE RESIN EVENLY COATS
THE ENTIRE INNER SURFACE.
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00:02:06,310 --> 00:02:10,034
AFTER ABOUT 10 TO 12 MINUTES,
THEY COME OUT PIPING HOT.
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00:02:10,034 --> 00:02:12,413
WORKERS SPRAY THEM WITH WATER
TO COOL THEM DOWN
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BEFORE THEY UNCLAMP THE MOLD
AND RELEASE THE WARM CASTING.
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HERE ARE SOME SHOULDER MUSCLES
FRESH FROM THEIR MOLD...
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...THE CROSS-SECTION
OF A HEART...
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AN ARM...
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...AND A LEG THAT WORKERS
SET TO COOL INTO SHAPE
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ON A FORM
MADE OF HEAT-RESISTANT GYPSUM.
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USING A NEEDLE,
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A WORKER PUNCTURES THE RESIN
TO RELEASE TRAPPED AIR
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SO THE PART DOESN'T SHATTER.
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THEN HE DRILLS SMALL HOLES
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FOR THE PINS THAT WILL HOLD
THE PARTS TOGETHER.
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EACH PART IS HAND-PAINTED
TO SINGLE OUT KEY FEATURES.
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AN ARTIST CAREFULLY PAINTS IN
THE VEINS IN BLUE ON THIS LEG...
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AND THEN USES YELLOW
FOR THE NERVE ENDINGS...
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AND RED FOR THE ARTERIES.
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EVEN THE TOENAILS
GET SOME COLOR.
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BEFORE THEY CAN ASSEMBLE
THE MODEL,
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WORKERS MUST FIRST INSERT
METAL PINS INTO EACH PART.
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THEY HELP ATTACH THE PARTS
TO ONE ANOTHER.
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00:03:37,931 --> 00:03:40,517
NOW THE ARTIST CAN FINISH
PAINTING IN THE ARTERIES
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ON THIS SHOULDER MUSCLE.
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THE GRAY AREAS
INDICATE THE LIGAMENTS.
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NEXT, SHE TURNS HER ATTENTION
TO THE HEAD,
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PAINTING IN THE EYES FIRST
TO GIVE THE FIGURE SOME LIFE.
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IT'S ALL IN THE DETAILS.
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THIS FINAL TOUCH REALLY MAKES
THE EYES COME ALIVE.
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THE PARTS GO INTO A WARM OVEN
FOR ABOUT 15 MINUTES
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TO SOFTEN THE PLASTIC.
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THIS MAKES THEM
EASIER TO ASSEMBLE.
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HERE, A WORKER LOWERS
THE MODEL'S HEAD
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ONTO A METAL PIN
SET IN THE TORSO.
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SHE PUTS THE BRAIN INSIDE
THE MODEL'S SKULL
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AND COVERS IT WITH THE SKULLCAP.
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NEXT, SHE ADDS MUSCLES
TO AN ARM,
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00:04:43,344 --> 00:04:47,000
GUIDING THE PIN INTO A HOLE
ON THE ADJOINING PART.
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SHE ADDS THE BICEP, A MUSCLE
THAT HELPS FLEX THE HAND...
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AND, FINALLY, THE DELTOID,
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THE MUSCLE THAT LIFTS THE ARM
AT THE SHOULDER JOINT.
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00:05:06,241 --> 00:05:08,655
SHE TAPES UP THE ARM
TO KEEP ALL PARTS TOGETHER
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AS SHE ATTACHES IT TO THE TORSO.
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NICKEL-PLATED HOOKS
AND FASTENERS
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HOLD THE REMOVABLE PARTS
IN PLACE ON THE ASSEMBLED MODEL.
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THIS LIFE-SIZE MUSCULAR FIGURE
MEASURES IN AT 4 1/2 FEET.
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IT HAS 45 SEPARATE PARTS,
ALL ANATOMICALLY CORRECT.
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THE HUMAN BODY -- TRULY
AN EXTRAORDINARY STRUCTURE.
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Narrator:
THE JUKEBOX ACTUALLY STARTED OUT
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AS A MEMO-RECORDING DEVICE
FOR EXECUTIVES.
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00:05:57,517 --> 00:06:00,137
THAT PHONOGRAPH RECORDER
WAS INVENTED BY THOMAS EDISON
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BACK IN THE 19th CENTURY.
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IT EVOLVED INTO
A COIN-OPERATED MUSIC MACHINE
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00:06:04,310 --> 00:06:07,000
BECAUSE MUSIC
IS A LOT MORE FUN TO DANCE TO
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THAN THE BOSS' ORDERS --
"TAKE A MEMO."
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00:06:16,689 --> 00:06:21,965
PUT A COIN IN THE SLOT AND
PEOPLE WILL DANCE TO YOUR TUNE.
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00:06:21,965 --> 00:06:24,517
RECORDS REPLACED
THE PHONOGRAPHIC CYLINDER
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00:06:24,517 --> 00:06:27,206
EARLY IN THE 20th CENTURY.
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00:06:30,896 --> 00:06:34,379
AMPLIFIERS WERE ADDED
IN THE 1930s
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00:06:34,379 --> 00:06:38,241
AND GAVE THE BIG BOX
A BIG SOUND.
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00:06:38,241 --> 00:06:40,931
IN THE 1980s,
COMPACT DISCS CAME ALONG,
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00:06:40,931 --> 00:06:43,620
PUTTING A DIFFERENT SPIN
ON THE JUKEBOX.
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00:06:43,620 --> 00:06:45,620
WITH THOSE SMALLER DISCS,
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00:06:45,620 --> 00:06:49,620
MANUFACTURERS COULD PACK
A LOT MORE MUSIC INTO A MACHINE.
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00:06:52,965 --> 00:06:56,103
NOW COMPACT-DISC TECHNOLOGY
IS BECOMING OUTDATED,
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00:06:56,103 --> 00:06:58,758
AND THE LATEST JUKEBOXES
CONTAIN COMPUTERS
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00:06:58,758 --> 00:07:01,482
THAT DOWNLOAD SONGS
FROM THE INTERNET.
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00:07:10,034 --> 00:07:13,413
TO MAKE A MODERN JUKEBOX,
THEY START WITH THE DOOR.
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00:07:13,413 --> 00:07:16,827
THEY SANDWICH A RED PANEL
WITH SWIRLED DESIGNS ON IT
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00:07:16,827 --> 00:07:20,000
BETWEEN LAYERS OF PLASTIC.
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00:07:20,000 --> 00:07:24,000
THE ASSEMBLER ALIGNS THEM,
THEN SCREWS THEM TOGETHER.
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HE SNAPS THE JUKEBOX NAME
INTO A SNAZZY PIECE OF PLASTIC,
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00:07:34,896 --> 00:07:36,413
THEN FITS IT
IN ONE OF THE CUTOUTS
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00:07:36,413 --> 00:07:38,241
IN THE FRONT OF THE DOOR.
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00:07:40,517 --> 00:07:44,310
NEXT, HE INSTALLS ALUMINUM
FRAMEWORK AROUND THE DOOR.
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00:07:45,586 --> 00:07:49,103
HE SUPPORTS IT AT THE CORNERS
WITH METAL BRACKETS.
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00:07:54,793 --> 00:07:56,551
HE SCREWS A LITTLE METAL WHEEL
ON THE LATCH
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00:07:56,551 --> 00:07:59,551
SO THE DOOR
WILL OPEN AND CLOSE SMOOTHLY.
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00:07:59,551 --> 00:08:04,310
HE MOUNTS THE TOUCH SCREEN
IN THE BIG CUTOUT ON THE DOOR.
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00:08:04,310 --> 00:08:08,172
HE STRINGS WIRING FOR LIGHTING
AROUND THE PERIMETER OF THE DOOR
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00:08:08,172 --> 00:08:10,931
AND FASTENS TWO LONG PANELS
EQUIPPED WITH L.E.D. LIGHTS
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00:08:10,931 --> 00:08:13,103
TO THE BACK.
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00:08:21,344 --> 00:08:24,172
HE PLUGS IN THE LIGHTS
FOR A TEST,
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00:08:24,172 --> 00:08:26,862
AND IT PROVES THIS DOOR
IS FLASHY ENOUGH
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00:08:26,862 --> 00:08:28,758
FOR THE ENTERTAINMENT BIZ.
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HE RUNS PLASTIC TRIM
ALONG THE PERIMETER OF THE DOOR
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00:08:34,379 --> 00:08:38,965
AND SCREWS A LONG METAL HINGE
TO ONE SIDE OF IT.
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00:08:38,965 --> 00:08:42,172
THIS JUKEBOX DOOR
IS NOW COMPLETE,
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00:08:42,172 --> 00:08:46,689
AND THE REST IS AN INSIDE JOB.
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00:08:46,689 --> 00:08:48,896
THE ASSEMBLER INSTALLS
AN EXHAUST FAN
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00:08:48,896 --> 00:08:50,862
IN THE JUKEBOX CABINET.
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00:08:53,724 --> 00:08:56,103
HE SCREWS AN AUDIO AMPLIFIER
TO THE BACK WALL.
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00:08:58,689 --> 00:09:01,172
THE WIRELESS ROUTER
THAT ALLOWS THE JUKEBOX
TO CONNECT TO THE INTERNET
115
00:09:01,172 --> 00:09:03,172
GOES IN NEXT.
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00:09:03,172 --> 00:09:05,172
HE MOUNTS
THE POWER-SUPPLY SYSTEM
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00:09:05,172 --> 00:09:07,620
TO THE SIDEWALL OF THE CABINET.
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00:09:07,620 --> 00:09:11,379
HE TUCKS THE COMPUTER
INTO A LOWER CORNER OF THE BOX.
119
00:09:11,379 --> 00:09:15,689
THE POWER TRANSFORMER FOR THE
AMPLIFIER GOES ON THE BACK WALL.
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00:09:17,862 --> 00:09:19,931
HE INSTALLS
AN AUDIO-CONTROL SYSTEM
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00:09:19,931 --> 00:09:21,448
JUST BELOW THE TRANSFORMER.
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00:09:24,896 --> 00:09:28,137
HE CONNECTS THE AMPLIFIER
TO THE AUDIO-CONTROL SYSTEM,
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00:09:28,137 --> 00:09:32,896
AND THEN HE WIRES
THE COMPUTER TO THE ROUTER.
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00:09:32,896 --> 00:09:35,310
HE HOOKS UP
A COMMUNICATION SYSTEM
125
00:09:35,310 --> 00:09:39,275
THAT PASSES INFORMATION BETWEEN
ALL THE DEVICES IN THE JUKEBOX.
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00:09:42,965 --> 00:09:46,931
AND HE INSTALLS A TRANSFORMER
FOR THE SPEAKER SYSTEM.
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00:09:48,137 --> 00:09:50,689
NOW THE JUKEBOX
IS READY FOR THE SHOWPIECE --
128
00:09:50,689 --> 00:09:53,689
THAT LIGHT-STUDDED DOOR
WITH THE TOUCH SCREEN.
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00:09:55,896 --> 00:09:59,724
HE SCREWS THE DOOR'S LONG HINGE
TO THE CABINET.
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00:10:06,689 --> 00:10:09,206
HE INSPECTS HIS INSTALLATION JOB
131
00:10:09,206 --> 00:10:12,655
AND DETERMINES
NO ADJUSTMENTS ARE NEEDED.
132
00:10:12,655 --> 00:10:16,931
SO HE FASTENS THE BILL BOX
TO THE BACK OF THE DOOR...
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00:10:16,931 --> 00:10:21,620
AND INSTALLS THE COMPUTER
HARD DRIVE IN THE CABINET.
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00:10:21,620 --> 00:10:24,827
AND, FINALLY, THE MONEY TEST.
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00:10:24,827 --> 00:10:27,344
HE FEEDS THE JUKEBOX SOME CASH
136
00:10:27,344 --> 00:10:30,896
AND MAKES MUSICAL SELECTIONS
TO CHECK ITS FUNCTION.
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00:10:32,379 --> 00:10:34,310
AT THE JUKEBOX FACTORY,
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00:10:34,310 --> 00:10:38,103
WHEN THE JOB IS DONE,
IT REALLY IS PARTY TIME.
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00:10:54,103 --> 00:10:56,620
Narrator: ON THEIR OWN,
DIPPED IN SALSA OR GUACAMOLE,
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00:10:56,620 --> 00:10:58,586
OR TOPPED WITH CHILI
AND MELTED CHEESE,
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TORTILLA CHIPS ARE THE
QUINTESSENTIAL MEXICAN SNACK,
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00:11:01,103 --> 00:11:03,620
EVEN THOUGH THEY'RE ACTUALLY
AN AMERICAN INVENTION.
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00:11:03,620 --> 00:11:06,827
IN THE LATE 1940s,
A LOS ANGELES TORTILLA FACTORY
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00:11:06,827 --> 00:11:09,758
BEGAN CUTTING AND FRYING
LEFTOVER TORTILLAS,
145
00:11:09,758 --> 00:11:12,068
SELLING
THE FIRST TORTILLA CHIPS.
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00:11:15,793 --> 00:11:19,448
WHEN THE CHIPS ARE DOWN,
THEY USUALLY GO FAST.
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00:11:19,448 --> 00:11:23,000
TORTILLA CHIPS
START OUT AS RAW YELLOW CORN.
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00:11:23,000 --> 00:11:25,413
THE SUPPLIER CLEANS THE KERNELS
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00:11:25,413 --> 00:11:28,931
AND DRIES THEM
TO A MOISTURE CONTENT OF 14%,
150
00:11:28,931 --> 00:11:31,413
THEN SHIPS THEM
TO THE CHIP FACTORY.
151
00:11:33,275 --> 00:11:37,413
THERE, THE CORN GOES INTO LARGE
STAINLESS-STEEL COOKING KETTLES
152
00:11:37,413 --> 00:11:40,620
FILLED WITH
ALMOST-BOILING WATER.
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00:11:40,620 --> 00:11:42,689
WORKERS THEN ADD LIME,
154
00:11:42,689 --> 00:11:44,793
AN INGREDIENT THAT DOES
MANY THINGS.
155
00:11:44,793 --> 00:11:49,448
IT'S ANTIBACTERIAL, IT GIVES
THE CORN A PARCHED FLAVOR,
156
00:11:49,448 --> 00:11:52,241
IT HELPS LOOSEN THE HULL --
THE KERNEL'S SHELL --
157
00:11:52,241 --> 00:11:54,827
SO IT WILL COME OFF LATER ON,
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00:11:54,827 --> 00:11:57,620
AND LETS MOISTURE
PENETRATE THE KERNEL.
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00:12:01,827 --> 00:12:05,689
EACH COOK KETTLE CONTAINS
MORE THAN 650 POUNDS OF CORN
160
00:12:05,689 --> 00:12:10,103
AND ALMOST 200 POUNDS
OF WATER AND LIME COMBINED.
161
00:12:10,103 --> 00:12:12,379
NEXT STOP IS A SOAK TANK.
162
00:12:12,379 --> 00:12:15,206
THE COOKED CORN
SITS THERE FOR 12 HOURS
163
00:12:15,206 --> 00:12:17,034
TO FURTHER ABSORB WATER.
164
00:12:17,034 --> 00:12:19,655
ONCE THE MOISTURE CONTENT
HITS 45%
165
00:12:19,655 --> 00:12:22,206
AND THE HULLS
ARE SOFT AND LOOSE,
166
00:12:22,206 --> 00:12:26,724
A PUMPING SYSTEM
MOVES THE CORN TO THE WASHER.
167
00:12:26,724 --> 00:12:28,000
THIS MACHINE STRAINS THE WATER
168
00:12:28,000 --> 00:12:30,724
SO THAT WHAT'S LEFT
IS JUST SOFT, HYDRATED CORN.
169
00:12:34,758 --> 00:12:36,931
THE NEXT STOP IS THE TUMBLER,
170
00:12:36,931 --> 00:12:39,931
A ROTATING DRUM
WITH PERFORATED WALLS.
171
00:12:39,931 --> 00:12:43,241
WATER JETS
BLOW OFF THE LOOSE HULLS.
172
00:12:45,448 --> 00:12:48,793
THE CORN TRAVELS ON A CONVEYOR
FROM THE TUMBLER TO THE MILL.
173
00:12:52,413 --> 00:12:55,724
AN AUGER FEEDS THE CORN
INTO A STONE GRINDER.
174
00:12:55,724 --> 00:12:59,931
IT LITERALLY PULVERIZES THE
CORN KERNELS BETWEEN TWO STONES,
175
00:12:59,931 --> 00:13:03,000
PRODUCING A SOFT CORN DOUGH
CALLED MASA.
176
00:13:03,000 --> 00:13:06,068
THE MASA EXITS THE MILL
THROUGH A NARROW NOZZLE
177
00:13:06,068 --> 00:13:08,724
THAT SHAPES THE DOUGH
INTO A THIN SHEET.
178
00:13:08,724 --> 00:13:11,103
THE SHEET
THEN RUNS THROUGH ROLLERS
179
00:13:11,103 --> 00:13:13,965
THAT HAVE TRIANGULAR DIES
ON THEIR SURFACE.
180
00:13:26,827 --> 00:13:29,068
THE TRIANGLES MOVE INTO AN OVEN
181
00:13:29,068 --> 00:13:31,758
HEATED TO
644 DEGREES FAHRENHEIT.
182
00:13:31,758 --> 00:13:34,482
THEY SPEND JUST
16 SECONDS INSIDE,
183
00:13:34,482 --> 00:13:36,241
BUT THAT'S ENOUGH TIME
TO DRY THE DOUGH
184
00:13:36,241 --> 00:13:38,448
TO THE POINT WHERE IT WON'T
BREAK APART WHEN HANDLED.
185
00:13:38,448 --> 00:13:41,620
THE HEAT ALSO TRAPS TINY POCKETS
OF MOISTURE IN THE DOUGH,
186
00:13:41,620 --> 00:13:43,517
CREATING LITTLE BLISTERS.
187
00:13:43,517 --> 00:13:47,344
THIS GIVES THE TORTILLA CHIPS
THEIR TRADEMARK BUMPY TEXTURE.
188
00:13:49,310 --> 00:13:50,689
FROM THE OVEN,
189
00:13:50,689 --> 00:13:54,689
A CONVEYOR BELT TRANSPORTS
THE TRIANGLES TO THE FRYER.
190
00:13:54,689 --> 00:13:58,379
THE CORN OIL
IS 360 DEGREES FAHRENHEIT.
191
00:13:58,379 --> 00:14:02,517
THEY TAKE JUST 55 SECONDS
TO FRY INTO CHIPS.
192
00:14:06,620 --> 00:14:09,068
A MESH CONVEYOR BELT
THEN LIFTS THEM OUT.
193
00:14:09,068 --> 00:14:13,896
AS THEY LEAVE, THE EXCESS OIL
DRAINS BACK INTO THE FRYER.
194
00:14:13,896 --> 00:14:15,517
AT THE NEXT STOP,
195
00:14:15,517 --> 00:14:18,655
AUGERS FEED NACHO-FLAVOR
SEASONING INTO A TUMBLER.
196
00:14:18,655 --> 00:14:22,034
THE SEASONING'S MAIN INGREDIENTS
ARE POWDERED CHEDDAR,
197
00:14:22,034 --> 00:14:25,896
PARMESAN AND ROMANO CHEESES,
AND SPICES.
198
00:14:25,896 --> 00:14:28,068
NOZZLES SPRAY THE CHIPS
WITH CORN OIL
199
00:14:28,068 --> 00:14:29,724
TO MAKE THE SURFACE ADHESIVE.
200
00:14:29,724 --> 00:14:32,793
THEN THE SEASONING TUMBLES ON
AND STICKS.
201
00:14:39,827 --> 00:14:41,655
AFTER EXITING THE TUMBLER,
202
00:14:41,655 --> 00:14:44,275
THE CHIPS TRAVEL
TO THE PACKAGING DEPARTMENT.
203
00:14:48,137 --> 00:14:51,758
CHUTES ROUTE THEM
TO DIFFERENT PACKAGING MACHINES.
204
00:14:56,137 --> 00:14:57,827
THE PACKAGING EQUIPMENT
205
00:14:57,827 --> 00:15:01,310
REPRESENTS TECHNICAL
CHOREOGRAPHY AT ITS FINEST.
206
00:15:04,379 --> 00:15:07,586
EACH MACHINE
HAS 14 BUCKET-SHAPED SCALES.
207
00:15:07,586 --> 00:15:11,655
WHEN THERE'S ENOUGH FOR
ONE PACKAGE, A TRAP DOOR OPENS.
208
00:15:11,655 --> 00:15:13,827
THE CHIPS DROP
JUST AS A FORMING DEVICE
209
00:15:13,827 --> 00:15:17,034
SHAPES A PIECE OF FOIL
AND PLASTIC FILM INTO A BAG.
210
00:15:22,379 --> 00:15:24,931
THE CHIPS LAND IN THE BAG.
211
00:15:24,931 --> 00:15:28,379
THEN A HEAT SEALER IMMEDIATELY
CLOSES THE TOP AND CUTS IT FREE
212
00:15:28,379 --> 00:15:32,310
WHILE SIMULTANEOUSLY SEALING
THE BOTTOM OF THE NEXT BAG.
213
00:15:37,310 --> 00:15:41,103
FROM BUCKET TO BAG TO BOWL.
214
00:15:54,758 --> 00:15:57,413
Narrator: IT TAKES A SPARK
TO GET YOUR MOTOR RUNNING.
215
00:15:57,413 --> 00:15:59,827
THE SPARK PLUG WAS INVENTED
IN THE 19th CENTURY
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00:15:59,827 --> 00:16:01,965
TO FIRE
THE INTERNAL-COMBUSTION ENGINE.
217
00:16:01,965 --> 00:16:04,241
THERE ARE USUALLY SEVERAL
IN AN ENGINE,
218
00:16:04,241 --> 00:16:06,413
AND THEY FIT
INTO THE CYLINDER HEAD.
219
00:16:06,413 --> 00:16:08,137
WHEN THE PLUGS ARE ALL WORKING,
220
00:16:08,137 --> 00:16:11,068
IT MEANS YOUR TRIP
WILL HAVE A GOOD START.
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00:16:15,655 --> 00:16:19,068
THE SPARK PLUG PRODUCES WHAT
LOOKS LIKE A MINI LIGHTNING BOLT
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00:16:19,068 --> 00:16:22,586
TO IGNITE THE GAS
THAT RUNS YOUR CAR.
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00:16:24,206 --> 00:16:25,586
TO MAKE SPARK PLUGS,
224
00:16:25,586 --> 00:16:29,000
THEY BLEND ALUMINA CERAMIC
POWDER AND OTHER INGREDIENTS
225
00:16:29,000 --> 00:16:30,137
WITH WATER.
226
00:16:30,137 --> 00:16:32,241
AFTER A THOROUGH MIXING,
227
00:16:32,241 --> 00:16:34,793
THE MILKY-LOOKING BREW
DRAINS INTO A BIG DRYER,
228
00:16:34,793 --> 00:16:37,241
WHICH CONVERTS IT
BACK TO POWDER.
229
00:16:39,379 --> 00:16:41,068
THE POWDER FUNNELS INTO A MOLD.
230
00:16:41,068 --> 00:16:42,689
IT CLOSES TO PRESS THE POWDER
231
00:16:42,689 --> 00:16:45,034
INTO THE SHAPE
OF SPARK-PLUG INSULATORS,
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00:16:45,034 --> 00:16:48,862
AND A BINDING INGREDIENT IN THE
MIX HELPS THEM KEEP THEIR SHAPE.
233
00:16:50,551 --> 00:16:54,275
AN AUTOMATED SYSTEM
LOADS THEM ONTO MANDRELS
234
00:16:54,275 --> 00:16:58,137
THAT SPIN THE CERAMIC INSULATORS
AGAINST A GRINDING WHEEL.
235
00:16:58,137 --> 00:17:00,689
IT GRINDS THEM
INTO A MORE GRADUATED SHAPE
236
00:17:00,689 --> 00:17:03,758
AND DOES A VERY PRECISE JOB.
237
00:17:05,586 --> 00:17:08,068
THESE CERAMIC SHAPES
ARE QUITE FRAGILE,
238
00:17:08,068 --> 00:17:11,000
AND THEY'LL NEED TO BE BAKED
IN ORDER TO HARDEN.
239
00:17:13,172 --> 00:17:16,724
BUT FIRST, A TESTER
DOUBLE-CHECKS THE MEASUREMENTS
240
00:17:16,724 --> 00:17:18,793
WITH A LASER TOOL.
241
00:17:21,482 --> 00:17:23,586
THEN THEY BAKE
IN THIS VERY HOT KILN
242
00:17:23,586 --> 00:17:25,172
UNTIL THEY'RE EXTREMELY HARD.
243
00:17:25,172 --> 00:17:28,000
THIS TAKES UP TO 24 HOURS.
244
00:17:28,000 --> 00:17:30,586
WHILE THE INSULATORS
ARE IN THE KILN,
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00:17:30,586 --> 00:17:34,000
TOOLS RAM STEEL THROUGH
SHAPED CAVITIES CALLED DIES.
246
00:17:34,000 --> 00:17:36,241
THEY'RE ESSENTIALLY
PUNCHING OUT SHELLS
247
00:17:36,241 --> 00:17:38,793
THAT WILL BE
THE SPARK-PLUG CASINGS.
248
00:17:42,793 --> 00:17:45,689
OTHER TOOLS BORE INTO
THE UPPER PART OF THE SHELLS
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00:17:45,689 --> 00:17:47,758
TO GIVE THEM
A HEXAGONAL PROFILE.
250
00:17:47,758 --> 00:17:49,586
THIS WILL LATER ENABLE MECHANICS
251
00:17:49,586 --> 00:17:53,793
TO WRENCH THEM
INTO A VEHICLE'S ENGINE BLOCK.
252
00:17:53,793 --> 00:17:56,689
MORE TOOLING
CONTOURS THE SPARK-PLUG SHELLS,
253
00:17:56,689 --> 00:17:59,689
AND THE RESULT
IS QUITE A TRANSFORMATION.
254
00:18:01,206 --> 00:18:04,965
A CONVEYOR NOW SHUTTLES
THE SPARK-PLUG SHELLS FORWARD,
255
00:18:04,965 --> 00:18:07,689
AS NICKEL-ALLOY WIRE
UNWINDS OVERHEAD.
256
00:18:07,689 --> 00:18:11,068
AN AUTOMATED WELDER
FUSES THE WIRE TO THE SHELLS.
257
00:18:11,068 --> 00:18:14,241
THIS WIRE WILL SERVE AS THE
SPARK PLUG'S GROUND ELECTRODE,
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00:18:14,241 --> 00:18:16,896
AND IT WILL BE BENT TOWARDS
A FIRING ELECTRODE LATER.
259
00:18:16,896 --> 00:18:19,758
THE SPACE BETWEEN THEM
WILL CONTAIN THE SPARK.
260
00:18:26,413 --> 00:18:29,827
RIDGED ROLLERS CARVE THREADS
IN THE STEEL SHELLS
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00:18:29,827 --> 00:18:32,655
SO THEY CAN BE SCREWED
INTO THE ENGINE BLOCK.
262
00:18:35,241 --> 00:18:40,103
THE SHELL THEN GETS
A PROTECTIVE SILVERY FINISH.
263
00:18:40,103 --> 00:18:42,620
THE CERAMIC INSULATORS
ARE NOW OUT OF THE KILN,
264
00:18:42,620 --> 00:18:46,137
AND IT'S TIME
TO ROLL ON THE INSIGNIA.
265
00:18:46,137 --> 00:18:48,586
THE INSULATORS THEN BRUSH BY
A RUBBER WHEEL
266
00:18:48,586 --> 00:18:53,310
THAT COATS THEM WITH GLAZE
AS A PROTECTIVE FINISH.
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00:18:53,310 --> 00:18:57,310
THEY INSTALL CENTER ELECTRODES
IN THE INSULATORS,
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00:18:57,310 --> 00:18:58,896
AND POWDER FUNNELS INTO THEM
269
00:18:58,896 --> 00:19:01,310
TO FILL THE SPACE
AROUND THE ELECTRODES.
270
00:19:01,310 --> 00:19:04,793
THE POWDER IS A MIX
OF GLASS AND METAL.
271
00:19:04,793 --> 00:19:08,379
AUTOMATED PRONGS
COMPRESS IT IN THE INSULATORS.
272
00:19:12,068 --> 00:19:14,137
GRIPPERS THEN INSERT
THE TERMINAL STUDS
273
00:19:14,137 --> 00:19:16,172
INTO THE INSULATOR.
274
00:19:16,172 --> 00:19:18,517
THE STUD WILL ACT
AS THE ELECTRICAL CONNECTION
275
00:19:18,517 --> 00:19:21,448
TO THE CENTER ELECTRODE.
276
00:19:21,448 --> 00:19:23,965
THE INSULATORS
NOW GO INTO AN OVEN.
277
00:19:23,965 --> 00:19:27,931
THE BLACK POWDER MELTS AROUND
THE STUDS AND CENTER ELECTRODES
278
00:19:27,931 --> 00:19:30,758
TO SEAL THEM
INSIDE THE INSULATOR CAVITY.
279
00:19:34,965 --> 00:19:39,310
NOZZLES SQUIRT OIL ONTO THE
METAL SHELLS TO LUBRICATE THEM.
280
00:19:39,310 --> 00:19:42,206
THE INSULATORS FUNNEL
INTO THE GRIP OF ROBOTS
281
00:19:42,206 --> 00:19:44,241
WHICH WILL INSTALL THEM
IN THE SHELLS.
282
00:19:44,241 --> 00:19:47,551
THEY SLIDE IN EASILY
BECAUSE OF THE LUBRICATION JOB.
283
00:19:50,517 --> 00:19:52,137
TOOLS CALLED SHRINKING PUNCHES
284
00:19:52,137 --> 00:19:54,379
APPLY AN ELECTRICAL CURRENT
TO EACH SHELL
285
00:19:54,379 --> 00:19:57,206
TO FIT IT TIGHTLY
TO THE INSULATOR.
286
00:20:01,275 --> 00:20:03,724
A ROBOT POSITIONS THE ASSEMBLY
RIGHT SIDE UP
287
00:20:03,724 --> 00:20:05,724
WITH THE SIDE ELECTRODE
PROTRUDING,
288
00:20:05,724 --> 00:20:09,137
THEN BENDS THAT SIDE ELECTRODE
TOWARDS THE CENTER ONE.
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00:20:14,758 --> 00:20:16,758
THE ROBOT
THEN COLLECTS THE SPARK PLUGS
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00:20:16,758 --> 00:20:19,172
AND SENDS THEM DOWN THE LINE.
291
00:20:22,482 --> 00:20:24,517
IT'S TIME FOR AN INSPECTION.
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00:20:24,517 --> 00:20:28,620
SHE LOOKS FOR IMPERFECTIONS
IN THE GLAZE, THE INSCRIPTION,
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00:20:28,620 --> 00:20:30,724
AND THE NICKEL PLATING.
294
00:20:30,724 --> 00:20:33,551
SHE MEASURES THE SPACE
BETWEEN THE TWO ELECTRODES
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00:20:33,551 --> 00:20:36,206
BEFORE SENDING THEM OVER
TO THE PACKAGING DEPARTMENT.
296
00:20:38,379 --> 00:20:40,379
AND NOW THESE SPARK PLUGS
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00:20:40,379 --> 00:20:44,551
ARE READY TO KEEP YOUR ENGINE
FIRING ON ALL CYLINDERS.
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00:20:54,137 --> 00:20:56,275
IF YOU HAVE ANY COMMENTS
ABOUT THE SHOW
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00:20:56,275 --> 00:20:59,000
OR IF YOU'D LIKE TO SUGGEST
TOPICS FOR FUTURE SHOWS,
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00:20:59,000 --> 00:21:01,482
DROP US A LINE AT...
24512
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