All language subtitles for Deceptions 1985

[music playing]

Stephanie?

Stephanie, can you hear me?

Oh.

How are you feeling?

Who are you?

It's me, Grant.

Oh.

Shh, shh, shh, shh.

[sighs] Where am I?

We had an accident, Stephanie.

We're in the hospital.

[moans] Why are you
calling me Stephanie?

Because that's
your name, honey.

No.

Not Stephanie.
No.

Not--

Don't try to talk anymore.

Just relax.

No, I'm not--

She's had a bit
of a concussion.

She'll be coming around soon.

Here are the
rest of the X-rays.

NURSE [OVER
INTERCOM]: Dr. Ingall.

Calling Dr. Alan Ingall.

It's been over an hour.

Yes, I know.

Is she all right?

Well, it doesn't seem
too serious, thank god.

Thank you for coming down.

But it's late.

You should be going home.

You've got school tomorrow.

Well, are you all right?

Oh, yeah, sure.

I-- I'm indestructible.

Grant, you're not Superman.

You should try to
take a few days rest.

Howard can write that
research report for you

and give it to
Chancellor Webster.

Can't you, Harold?

Really, I don't
think I should do that.

No, thanks, really.

DOCTOR: Professor Roberts?
- Hm?

Yes?
- I've checked those new X-rays.

Excuse me.
How are they?

They're encouraging.

Now, the right
wrist is fractured,

but it should mend perfectly.

You can take your home any time.

Great.

But I want to see her in a few
days to check that concussion,

just to be safe.

She's got some bad bruises.

She's going to be black and
blue for quite some time.

Mm.

Ah.

I want to X-ray that wrist
of hers in a couple of weeks,

just to see how the
healing is progressing.

OK.

Hopefully, in a month,
she'll be as good as new.

And that was
pretty good, Doctor.

Thank you very much.

You take care of
that back of yours too.

Right.

Mommy, we were so
worried when Dad called.

- Hey, kiddos.
- Are you all right?

I'm fine.

Mom, you look awful.

So would you if you'd
almost been hit by a truck.

Now it's time to go to bed.

No, wait a minute.

I'm going to carry
you up these steps.

I always wanted to
play Rhett Butler.

Oh.

Oh.

Um, maybe we should--

Walk.

--walk.

Be careful.

Talk to your mom in
the morning, kids.

Let's go.

Mom, will you be
able to come to school

soon to talk to Mrs. Wadsworth?
- Sure.

In the morning, Penny.

Can I sign your cast, Mom?

In the morning.

As soon as you
learn how to write.

- Ha ha ha ha ha ha.
- Everything's all right.

Just go to sleep.

Go to bed, kids.

Go on.

Everything will be fine.

You OK?

Yeah.

Let me take your coat.

Thank you.

[grunts] Cold.

I love you.

Steph.

STEPHANIE [ON PHONE]:
Breeny, how are you?

I'm afraid the roof caved in.

We've got to tell
Grant everything.

What happened?

On the way home from
the faculty party,

we had an accident.

Are you all right?

Oh, well, yes and no.

I broke my wrist.

My arm's in a cast.

It's got to be that
way for a month.

Oh, Breeny.

How's Grant?

He's fine.

But the game is over.

I'll tell him everything
in the morning.

No, you can't!

Breeny, our marriage
was shaky enough before!

This will finish it!

Believe me.

I wish there was another way.

But there isn't.

He'll probably take
the kids away from me!

Breeny, you were
the one who always

thought up all the games!

You've got to figure
out something!

Just a few more weeks.

You don't seem to
understand, Steph.

It's gotten a lot
more complicated.

I wore your pretzel necklace
tonight by accident.

Grant took it as a sign.

And?

And we had the accident.

But if I have to stay
here another month--

You've got to
think of something.

I know you can do it.

Please!

I don't want him to take
my kids away from me.

Please!

All right.

I'll try.

[sighs] I knew you would.

I knew you would.

Thank you.

Thank you.

Oh, by the way, um,
I saw Rita Macmillan.

What did you think?

I think she's quite a number.

You could probably handle
her better than I couldn't.

Speaking of that, how
did you handle Carlo?

He's a very persistent man.

Don't you dare get me
into something I'll regret.

Well, I had to promise him
something to get rid of him.

So I promised him I'd go to--

to Rome next week to
decorate his villa.

I thought you'd be back!

No, you tell him no.

He doesn't
understand that word!

Well, if you have to go,
then you just be very careful

you don't get me involved again.

I won't.

I won't.

I promise.

Listen, Breeny, I know this
is not going to be easy.

I'll do my best to handle Carlo.

You do your best
to handle Grant.

If anybody can, you can.

I certainly hope so.

I'll call you in
a couple of days.

Good luck.

I'll need it.

STEPHANIE: It's breathtaking.

You sound as if you're
seeing it for the first time.

Well, every time you see
Rome, it's like seeing it

for the first time, isn't it?

Look, Sabrina.

Look.

STEPHANIE: It's unbelievable.

And tonight will
be unbelievable too.

Carlo, I came here to see
about decorating your villa.

But you came.

That is the most
important thing.

Look, amore.

Look.

To fly solo over
Rome is forbidden.

But it is the only
way to see its beauty.

Be careful.

Don't worry.

I'm here.

Oh, Carlo.

This is beautiful.

What fabulous statues.

There is a story
about these statues.

The emperor Nero, you know--

- Buongiorno, signore.
- Oui.

Ciao, Mario.

Ciao.

He once entertained
a very beautiful

woman in this very garden.

And she refused him.

And as you can see, she
was turned to stone.

It's a true story.

[chuckles]

Mm.

The dinner was delicious.

And I think the
villa is beautiful.

I wouldn't change a thing.

Everything's perfect--
the painting, the lamps.

Don't change anything.

And the bedroom?

Uh, I wouldn't change
anything in there either.

I won't.

I want everything the
way it is right now.

Carlo, we can't.

We can't?

[laughs] It is not the first
time we will make love.

I wish I could explain.
I really do.

But I don't know how to.

No capisce.

Really, I don't understand.

I'm not playing
games with you.

I know you are not.

You have never been
one to play games.

But then why do you
come all the way to Rome

to say no like a schoolgirl?

Why didn't you send me
away at the first date?

What's happened to you?

For some reason I do not
understand, suddenly, you--

you, who was always so alive--

is now afraid to live.

I know.

I am afraid to live.

Don't be.

I'm here.

I'll always be here.

Like Rome.

Like you.

But I may be gone soon.

So may we all.

That's why-- why we are here.

It is best to grab life
quickly, and eat of it

until you can eat no more.

[sighs]

Take what you want.

I want you.

You want me too.

I feel it.

[moans] Carlo.

Take life with both hands.

Well, hello.

Um--

I'll see you tonight, hm?

Tonight.

Hello.

LADY CHASSON: Hello.

Well, now we know what
she was doing in Rome.

What that Romans do.

Oh, Breeny.

Where have you been?

I've been lost without you.

I'm sorry, Bryan.

I got carried away.

You know how it is.

No, I don't know how it is.

But I can guess.

All right, now, let's
get down to business.

I want to sell
something very expensive

to make up for being late.

You can.

I want you to find a
match for that Roman vase

I bought from you.

The Roman vase?

See how stunning it would
look if I had the pair.

You know, I think
I've seen one of these

in our new consignment.

I think I'll just
go have a look.

No, no, lover, you stay here.

I'll go have a look.

But I tell you, it's
a wild goose chase.

That's Attila the Hun, no?

Who?

Richard.

I thought he regarded you as,
uh, his personal property.

Well, after all,
England is a free country.

Oh, really?

Anne Boleyn had her
head chopped off.

I'm sorry, Lady Chasson.

Nothing even similar.

Oh.

And I was in the mood
for spending money.

Oh, I'm sure, at that price,
Sabrina will find something,

or have something aged.

[laughs]

Believe me.

I will find something.

Thank you.

Give my best to Carolo.

I'm sure you're
already getting yours.

Ciao.

Uh, Bryan, wasn't there
a vase in that shipment

you brought from Venice?

No, it's just knickknacks.

Well, I think I'll
just have another look.

Um--

Let me see if I
can find that vase.

Oh, Breeny,
you're so impulsive!

[laughs]

It doesn't hurt
to have a look.

No, I'm telling you,
Lady Chasson, I mean,

she's a complete idiot.

But I'm not going to try
and find her a pair just

because we can make
money out of her.

Isn't this it?

[grunts] Let's just have a look.

No, no, my dear.

Listen, please.

Honestly, I promise you.

I promise you.

It's not even the
right century, my dear.

- Well, it looks the same to me.
- This isn't the right century.

I tell you, put it back in the--
- Bryan!

[vase shatters]
What have I done?

It's all right.

It was an accident.

We're covered.

Lloyd's of London.

It's all right.

We're insured.

Of course we are.

I-- I forgot.

Sure.

You all right?

Yeah, I'm fine.

Bryan?

BRYAN: Mm-hmm?

STEPHANIE: What's that?

Should we call the police?

No, we better not involve
the gallery until we've

had this checked out.

Can you do that?

Yes.

I'd like you to
leave this to me.

Take an early lunch.

I don't want to
leave you alone.

Please.

Really.

You are a treasure.

What would I do
without you, Bryan?

[chuckles]

WOMAN [ON PHONE]: Waldorf
Towers, can I help you?

Richard Blackwell,
please, penthouse suite.

RICHARD [ON PHONE]: Hello?

Richard?

RICHARD [ON PHONE]: Yeah?

Better get a seat on Concorde.

RICHARD [ON PHONE]: Now?

Uh-huh.

Everything's just hit the fan.

RICHARD [ON PHONE]: Damn.

CHILDREN: --strong
as iron bands.

His hair is crisp
and black and long.

His face is like the tan.

[screaming]

Boys!

Girls!

That's my little Andrew.

Although I wish his father
had more of that in him.

Girls!

Boys!

Any further disturbance and you
will all get an F. Penny, why

are you such a troublemaker?

I didn't do a
thing, Mrs. Wadsworth.

It was Andrew who
started it all.

He keeps on pushing and
shoving and yelling.

What in the world are these?

And I didn't do nothing.

They're string puppets
from Venice, Italy.

My mom got them for us.

I've been running a
little play for them.

I thought you might like it.

Where are the puppets from
last year that gave you?

I wanted to try something new.

Fantasy, sort of.

Piro and Pirette.

I've been working for days.

I'm sure you'd like
what I've been doing.

You are to get
rid of those puppets

and use the ones I gave you.

PENNY: But these are beautiful.

If you'd only watch once
what I've been trying to do--

Don't talk back to me.

You're to do what you're told.

Just listen, please.
All I ask--

That's enough out of you.

You're out of the program.

[sobbing]

MRS. WADSWORTH: All
right, children.

Once again.

Under the spreading
chestnut tree,

the village smithy stands.

CHILDREN: Under the
spreading chestnut tree,

the village smithy stands.

Children, excuse me.

Uh, Mrs. Wadsworth.

Oh, Mrs. Roberts.

That's right.

Uh, Mrs. Wadsworth, I
thought that this school

encouraged originality.

Originality, Mrs. Roberts,
but not insubordination.

Oh.

That's why I agreed to talk
about Penny with you today.

She has to be taught respect.

Hm.

I did want to have this
conversation in private.

But under the circumstances,
you give me no choice.

You're not a teacher,
Mrs. Wadsworth.

You're a tyrant.

This is hardly the time to--

My daughter is
over there, crying.

Can you think of a better time?

Well, I can certainly
see where your daughter

gets her attitude from.

Please leave the
stage, Mrs. Roberts.

I have work to do.

Mrs. Wadsworth, uh, I
believe that some of my taxes

help to pay your
salary, isn't that so,

along with all the other
parents in this auditorium?

So in effect, you work
for us, don't you?

Will you get off this stage?

SABRINA: I want to
settle this now.

Penny has created an
entire play all on her own,

and you haven't even
been curious enough

to take a look at it.

Her mind is open.

Yours is not.

Mrs. Roberts--

SABRINA: I'm not through.

I want Penny to grow up
feeling good about herself,

feeling free to learn and
create all on her own.

Now, if you can't give her
that little bit of freedom

to go her own way,
perhaps I can convince

the principal of this school
to allow you to go yours.

Hm?

No, no, no, no.

Until you're completely
healed, you're going to sit

there and let us serve you.

Ta-da!

A gastronomic delight.

I helped make that.

You did?

I think he baked it
in ceramics course.

- Ah.
- Ah.

There we are.

Well, it looks wonderful.

Ah.

Eat it all, Mom, or Penny will
think you don't really like it.

Mm.

Do you like it?

Mm.

Oh, yeah.

Delicious.

MARK: Eat it all, Mom.

Um, you know something?

I'm not really all that hungry.

Do you mind?

And I'm a little tired anyway,
because I was out all day.

It's my first day.

You didn't overdo
it, did you, hon?

No, I'm fine.

Maybe you should go
upstairs, pour a nice bath,

lie down, relax.

Hm.

Sounds like a great idea.

I think I will.
- No, no.

Leave that.

Are you sure?

Positive.

[laughs] OK.

Good night.

Thanks again, Mom, for
telling off Mrs. Wadsworth.

Aw.

Every person in my school
wishes you could be their mom.

[sighs] Good night.

Aren't you going
to kiss Mr. Cat?

You always used to.

Oh, sure.

Sure, Mr. Cat.
[cat howls]

Ow!

What's wrong with him?

Oh, you know something?

I think he was out
very late last night.

I heard him howling
on the backyard fence.

No, that was me.

Hm?

[imitates meowing]

[chuckles] Good night.

Are you and Mom making up?

Well, there are
straws in the wind.

Is that divorce
thing finished?

Well, I certainly hope so.

Do you and Mom love
each other again?

We're working on it.

Boy, that's great.

And the garage can fix
the station wagon too.

Well, thank you
for putting things

in their proper perspective.

Are you finished?

Pick up, pick up the plates.

Pick up the plates.

Save this for tomorrow
night's dinner.

Got it?

[imitates trumpet]

[knocking]

Need some help?

[laughs] Oh, I
think I can manage.

Yeah, let me get
your back at least, hm?

OK.

Forward.

There we are.

How's that?
- Mm.

Nice.

Um, a little higher.

Right there.
- Right there?

Yes.

Oh, did I tell you
that, um, Chancellor

Webster called and wanted to,
uh, have a meeting with you?

Mm-hmm.

I did?

Good dinner?

I forgot.

I think I can--

I can manage.

Are you sure?

Mm-hmm.

You're on.

You know, you do have
a beautiful body, Steph.

Good night.

Good night.

Grant, we have to talk.

I'm not doing that.

Red.

[inaudible]

DEALER: 23, red.

STEPHANIE: We won!

We won!

Are you always this lucky?

Do you want to play some more?

Mm-hmm.

At home.

Get your chips.

[giggles]

Cash please.

[sighs] Carlo, thank you.

For what?

For everything.

Thank you.

Beautiful.

- Who the hell is this bloke?
- What are you doing?

CARLO: Let her go.

Shut up.

I'm taking you home.

I said, let her go.

Oh.

Take your filthy hands off me.

Who are you?

Explain to this
gentleman who I am.

[grunting]

- How do you do?
- Carlo!

Come on.

Tiresome.

Get him out of my club.

It'd be my pleasure,
Mr. Blackwell.

Come on, lovey.

We're going home.

Come on.

Please.

Please, Richard.

Come on.

STEPHANIE: Mrs.
Thirkell, please!

Mrs. Thirkell!

Mrs. Thirkell!

Don't ever embarrass me in
front of other people again!

That's the last time that
Italian romeo comes sniffing

around, I can promise you.
- Get out of here.

Ah, shut up and listen to me.

[whimpers]

You and Bryan have been prying
into things at the gallery

that don't concern you.

I wanted it stopped.
Got it?

Now.

Got it?

Yes!

Good.

I've come all the way
back from New York

to retrieve my property and
to give you a little warning.

You know far too much
about me already.

You'll be a lot safer if
you don't know any more.

[grunting]

I'll collect the rent
some other time, ducky.

Are you all right, madam?

Lover's quarrel.

Good night, Mrs. Thirkell.

I'll be back later, dear one.

STEPHANIE: Inspector, I'm sure.

Richard's hiding the
drugs in the antiques

we bought from Italy.

There's no duty.

So nobody ever checks.

MCGRATH: Very neat.

I like it.

Do you think it's
enough to arrest him?

He'll simply say he didn't
know they were in there.

He'll be out within 24 hours.

No, we need more evidence,
from the Italian side.

The mafia is very
strong, very powerful.

But I have friends in
the Italian government--

important friends.

I will ask them to help.

Thank you.

We need all the help we can get.

And thank you both for
having the courage to come in

and see me.

Shall I arrange
protection them, sir?

That will not be necessary.

We are leaving this afternoon.

We'll be in my yacht
until you need us.

Carlo, I'd feel a lot
better if we had protection,

at least to the plane.

Sergeant, will
you take care of it?

OWENS: Right, sir.

Thank you very much
for all your help.

Thank you.

We'll do our best.

Thank you.

Goodbye.

BRYAN: Richard.

I'll never forget him.

Carlo and I are
leaving the country.

Do you want to come with us?

No.

No, I'll stay here,
pretend I know nothing.

Bryan.

You've gone on holiday.

Why you being so brave?

I'm not brave.

I'm scared to death!

Now, where can I
reach you if I need you?

Uh, it's called the Romano--

the yacht Romano.

And you can get it to the
International Marine Order.

We'll be in Italy--

Portofino.

Well, I guess that's it.

Goodbye.

Be careful.

Well, you take of yourself.

Sabrina?

Oh.

Oh.

How To Get Good
Grades, Continued--

get close to Professor Grant
Roberts in a double bed.

Signed, an A student.

Right.

Well, you know me well enough,
Bill, to know these notes

are just a pack of lies.

It's just some co-ed
with a sick mind.

Probably.

Well, if you know
that these are lies,

you don't have to bring these
up to the board of trustees.

Unless you force me to.

How can you live
with yourself?

This is not an easy job.

I have to do a lot of
things I don't like doing.

Well, I don't have to
and I'm not going to,

just because some moron
on the board of trustees

sees communists
underneath his bed.

James L. Nolan is the
chairman of the board.

I want this university to get
the research center grant.

And you know as well as I,
unless you get rid of Professor

Skolnikoff, there's
not a chance in hell

Nolan will give us the
millions we want to build it.

You're not going to stop that.

I want to see it
built too, but not

at the expense of
losing the best

research mind I've ever met!

I'm asking you
for the last time.

Get rid of him, Grant.

Please.

Dimitri stays.

Or we both go.

That might be arranged.

A lot of people are going
to believe these notes.

And if you're fired from
here because of them,

you're going to find it very
difficult to go on breaking

through, with or without
your brilliant Russian ally,

at any other university.

I don't want to
ruin your career.

Take a look at your
own, Bill, if you

have a strong enough stomach.

I got a message.

Sounded like life and death.

Miss Hot Pants is here.
Go right in.

Professor?

Hello, Rita.

Come in.

Well, to what do I owe
the honor, Mrs. Roberts?

I wanted to talk to you.

About what?

About you and my husband.

If it's about that
stupid anonymous note,

I told your husband
I didn't write it.

So there's nothing
to talk about.

SABRINA: Sit down, Rita.

I think we have a
lot to talk about.

I would like to ask
you a few questions.

Please.

Why isn't your husband here?

Because I want to talk
to you, woman to woman.

Don't you trust
the all-American boy?

Of course, if I have a
husband that handsome,

I might feel the same way.

This isn't a kid's game.

You wrote notes.

You're still writing notes,
this time to Chancellor Webster.

You're playing with
a man's career, Rita.

And I won't let you do that.

I didn't write any notes.

You're lying.

I swear to you!

Then what did happen?

Nothing.

I tried, Mrs. Roberts.

I tried my best.

Right here in this office.

Peeled right down
to the bare facts

and offered myself
to him on a platter

for a measly A in Genetics.

And you know what he gave me?

A lecture.

Can you believe it?

He showed me the door and
suggested I study more.

Mrs. Roberts, don't you
really know what you have?

Possibly the only
one in captivity.

Last of the breed.

A faithful husband.

He belongs in the Smithsonian.

Well, if you didn't write
those notes, somebody did.

Carlo, are there
other people coming?

Just a few friends.

Some music before
we start the cruise.

Oh.

I wanted you to
forget everything else.

STEPHANIE: Thank you, darling.

[gasps]

Marco!

Marco, don't be jealous.

This is Sabrina.

And no matter what you say, we
are going to enjoy ourselves.

[GIGGLING] Oh, he's wonderful.

We certainly are.

And I'm going to drink
a lot of champagne.

CARLO: Do you like it?

STEPHANIE: Yes, I do.

We're absolutely going
to enjoy ourselves.

[giggling]

[ON PHONE] So you can see
why he had to leave London.

Oh my god, Steph.

Are you all right?

Listen.

Don't worry.

We told the police everything,
at least everything I knew.

And don't worry about
the gallery either.

Bryan's is handling
everything and he

knows exactly where we are.

I'm not so sure that
was such a good idea.

Bryan and Richard
go back a long way.

I'd better come back.

No, no, no!

It's too dangerous.

You're safer in America.

Well, you'd be safer here too.

Steph, aren't you
ever coming home?

[sighs] It's not that.

It's just that--

[sighs] --I'm living.

I'm living for the
first time in my life.

And what about Grant?

Chancellor Webster
is having a hearing.

He's going to get
everything out in the open.

Grant's job could be at stake.

Don't you want to be
back here for that?

I found out there was nothing
between him and Rita Macmillan.

I'm sure of it.

Oh.

Steph, don't you care?

The only thing I care about
is living the life you led.

Me?

Are you sleeping with Carlo?

[LAUGHING] Oh, we
can't sleep very much.

Steph!

Oh, Breeny.

Don't be so righteous.

What about you and Grant?

I understand.
I do.

Believe me.

Now you listen to me.

I'm going to tell Grant
everything after the hearing,

unless you agree
to come back now.

So?

Tell him the truth.

Do you know what you're saying?

[sighs] I do, I don't.

I don't know.

I'm going to tell
him, Stephanie.

I'm going to tell
him everything!

Stephanie?

Are you there?

Steph?

Carlo.

Is everything all right?

We will be soon.

Oh, Carlo.

Hold me.

Please.

[bell ringing]

My goal and Mr. Nolan's
goal as chairman of the board

of trustees are the same--

to protect this
university's good name,

to make it the finest
in the country--

the world.

And to have one damn
year when our football

team has a winning season.

BILL: That too.

The scandal that has developed
around Professor Roberts--

You developed it, Bill.

Let me finish, please.

Unless it is proven false,
it will be impossible

for him to continue his
work and retain the respect

of the scientific community.

But you know it's a lie.

BILL: I'm not so sure.

You also defy my
authority by continuing

to work on sensitive research
with a Russian scientist--

It's a hell of a lot more
boring than all of this "sex

for grades" garbage.

Do you have any proof
that it's just garbage?

My word and my reputation.

[chuckles] Hell,
we had a president

of the United States
who asked us to believe

his word and his reputation.

He had to resign too.

No, I need more proof than that.

Mr. Nolan, if you
need more proof,

isn't the fact that
I'm here proof enough?

I believe in my husband.

I believe he's dedicated
to the work he does,

and to his family.

And I don't think
he had anything

to do with that scandal.

Mr. Nolan, would your wife
stand by you if she thought

you were cheating on her?

My wife died a year ago
last June, young lady.

I'm sorry.

So am I. She was
a wonderful woman.

Mrs. Roberts, I
appreciate your coming

to your husband's assistance,
but it proves nothing

but your loyalty to him.

I hardly call that nothing.

It's a lot more than
just nothing, Chancellor.

Yes.

Well, I still have the good
of the university to consider.

Have you considered the
importance of the research

that Dimi and I are doing?

I mean, do you really
understand what DNA is, Bill?

It's the key that unlocks the
mysteries of all human life.

And every day,
Harold, Dimi, and I

are learning a little
bit more about why

it influences certain
cells to multiply,

for no apparent reason--

insidious cells that attack
and ravage the human body.

Some people call it cancer.

DNA determines why your hair
is brown, your eyes are blue,

your mind is closed.

Grant, I'm asking
you to resign.

And I'm asking Professor Harold
Adams to head the department

and to assume the chairmanship
of the coming research center.

Congratulations,
Professor Adams.

You've worked very hard.

Not as hard as my wife.

Harold.

I don't want the job.

I don't deserve it.
- Harold shut up.

Damn it, Helen, why
don't you shut up?

And why don't you stop
writing those poison pen

letters about Grant to try and
get me a job I don't even want?

You idiot.

I should have
spoken up sooner.

I'm sorry.

Well, quite a
lively little meeting.

And I thought all
the action was going

to be at the football game.

Jim, I had no idea those
were being written by Helen.

No, but I have a feeling
that you had a pretty

good idea they were lies.

But you preferred
to ignore that,

because you thought
I wouldn't finance

your research center if there
was a Russian working in it.

You've never made any secret
about your hatred for them.

No.

Well, I don't have
to like them, do I?

I learned a lot here today.

I hope my wife loved me as
much as you love your husband.

I don't mind telling
you, I was very touched.

Thank you, sir.

Hell, they only
call you "sir" when

they know you've got money.

The name's Jim.

Bill, you're going
to get your building.

And I want it to be the biggest,
finest of any university

in the country.

Because it's going to be
called The Harriet Nolan

Center for Cancer Research.

If it had been built sooner,
she might still be around.

I'm going to the football game.

Anybody care to join me?

I've got a box.

Oh, thanks, Jim,
but my wife and I

have some celebrating to do.

It's just as well.

We're going to lose anyway.

GRANT: Thank you.

SABRINA: For what?

GRANT: For believing in me.
SABRINA: Oh.

GRANT: No, no.

You were the one that made
the difference, you know,

with old Jim Nolan.

SABRINA: Oh, I didn't.

It was his wife.

She must have been
quite a woman.

GRANT: He must have
loved her very much.

SABRINA: Mm.

Almost as much as I
love you, as much as I'm

going to love you forever.

Nothing lasts forever, Grant.

What?

We will.

When we're 90 years old,
we'll still be tottering

into each other's arms.

And when we're
106, maybe the kids

will finally believe
that we're not

going to be getting a divorce.

Right?

Grant, we--

Shh.

[MUSIC - THE POINTER SISTERS,
"I'M SO EXCITED"]

I'm so excited.

And I just can't hide it.

I know, I know, I know, I
know, I know I want you.

We shouldn't even
think about tomorrow.

Sweet memories will
last a long, long time.

We'll have a good time, baby.

Don't you worry.

And if we're still playing
around, boy, that's just fine.

Let's get excited.

'Cause we just can't hide it.

No, no, no.

I'm about to lose control
and I think I like it.

I'm so excited.

And I just can't hide it.

I know, I know, I know, I
know I want you, I want you.

Lovely party.

Ooh, boy, I want
to love you, feel

you, wrap myself around you.

I want to squeeze
you, please you.

No, I just can't get enough.

And if you move real
slow, I'll let it go.

I'm so excited.

And I just can't hide it.

No, no, no, no, no.

I'm about to lose control
and I think I like it.

I'm so excited.

And I just can't hide it.

And I know, I know, I know,
I know, I know I want you.

[squeals] [giggles]

I love you, Sabrina.

I love you too, Carlo.

Ooh, boy, I want
to love you, feel

you, wrap myself around you.

I want to squeeze
you, please you.

No, I just can't get enough.

And if you move real
slow, I'll let it go.

I'm so excited.

I just can't hide it.

I'm about to lose control
and I think I like it.

Oh, yeah.

I'm so excited.

And I just can't hide it.

And I know, I know, I know,
I know, I know I want you.

I want you.

[explosion]

[phone ringing]

Hello?

MRS. THIRKELL [ON PHONE]:
Hello, this is Mrs. Thirkell.

What?

MRS. THIRKELL [ON PHONE]: Mrs.
Thirkell, calling from London.

Who?

MRS. THIRKELL [ON PHONE]: Is
Mrs. Roberts there please?

[sighs] Yeah, she's here.

Hold on, hold on.

Who's calling you from London?

"Threlkill--" Mrs.
"Threlkill," is it?

What?

Oh, yes, I'll take it.

Hello, Mrs. Thirkell.

Thirkell, yes.

MRS. THIRKELL [ON PHONE]:
Is this Mrs. Roberts?

Mm-hmm.

MRS. THIRKELL [ON PHONE]:
I'm afraid your sister

has been killed in an accident.

What?

MRS. THIRKELL [ON PHONE]:
There was an explosion

on the yacht she was on.

Oh, my god.

What's the matter?

Oh, my god.

There's been an accident,
and Steph is dead.

You mean Sabrina?

What?

Sabrina, yes.

Sabrina.

Oh, my god.

MRS. THIRKELL [ON
PHONE]: Mrs. Roberts?

Mrs. Roberts?

Are you there?

[sobbing]

MRS. THIRKELL [ON
PHONE]: Mrs. Roberts?

VICAR: Listen, then,
Lord, in your mercy,

to our prayers, that
the gates of paradise

may be open to your servant,
and that we who are left

may console one another
with words of faith.

The Lord giveth and the
Lord hath taken away.

Blessed be the name of the Lord.

In spite of this tragic
accident, in death, as in life,

the spirit of Sabrina Longworth
will be with us always.

Through Christ our Lord.

Amen.

ALL: Amen.

--resurrection, in whose
bodies are subject to decay,

grant we pray that your servant
may rest at peace in this

grave, until that day when you,
the resurrection and the life,

enrich her with life made new.

May she, in the light
of your countenance,

behold eternal light in heaven,
you who live and reign forever.

Amen.

Oh, I'm so sorry.

We never should have done it.

Steph.

I thought this might
help you sleep.

I don't want to sleep.

I want to talk.

Well, you should at least
try to get some rest, hon.

Would you please
sit down, Grant?

I have something to tell you.

[laughs] All right.

All right.

What's so important?

I'm not Stephanie.

Right.

Come to bed.

Grant.

Stephanie's dead.

I'm Sabrina.

Why are you joking
around like this?

Stephanie, come on.

I'm not joking.

It happened in Venice.

She was unhappy with her life.

I was unhappy with mine.

It was going to be just
like when we were kids.

We'd just trade places
in each other's lives

for a little while-- a week.

Are you serious?

I'm telling you the truth.

We didn't mean to hurt anyone.

We weren't hurting anyone.

It's just that everything
started to go wrong.

When we had the
accident, I couldn't

go back without you knowing.

And then she wouldn't
let me tell you,

because she didn't want it to
destroy everything between you.

You're Sabrina?

Yes.

My god.

You stood by that grave
and you never told me.

You never told me that my
wife was lying in that coffin.

What kind of game is this that
you two girls were playing?

[laughs] It must have been a
hell of a lot of fun though,

huh?

Lying to me and the kids.

I never dreamed it would
all turn out like this.

But you know what happened?

I fell in love with you.

I didn't want it to happen.

Believe me.

God knows I didn't
want it to happen.

I fell in love with
the children too.

If there was any way to
bring their mother back,

I would do anything!

But there is nothing I can do!

All I can do is try
to talk to them.

You're not going to
tell those kids anything.

Now get out of here.

Get out!

The plane is here!

They're-- they're here!

They're here!

Let's go!

There they are!

It's just Dad.

[laughs] Hey, kiddo.

How you doing?
- Hi, Dad.

Where's Mom?
- Welcome back, Grant.

Where's Mom?

She's, um-- she's
still in London.

How long is she
going to be gone.

For a while.

Settling her sister's estate?

Yeah, sort of.

Yeah.

Dad, when's she coming home?

Does that mean Mom won't
be home for a little while?

You know, I am starved.

What do you say we go home
and I'll make you some

of my special hamburgers, huh?

Your hamburgers are awful!

Dad, when's Mom
going to be back?

We'll talk about it later.

How are things at the lab?

All right, who's ready
for another burger?

The last one I had
wasn't very good.

[blows] Here.

- Are these--
- Oh.

Dropped.

We're good.

- Are these even better?
- What?

They're just the way I like
them-- burned on the outside,

charred on the inside.

Penny, you want one?

I wanted mine rare.

Oh, well, you had to
put your order in 24

hours in advance for that one.

I can't eat any more,
even with ketchup.

Neither can I.

OK.

Um, come here.

I want to show you something.

Whatever it is, I
hope you didn't cook it.

Um, I set this thing up here--

come here-- so that, um, you
could see something here, Mark.

What do-- what do--
what do you see?

Nothing.

Oh.

Uh, now what do you see?

Just a bunch of white stuff.

That white stuff,
uh, it's nebulae.

It's new stars that
are being born.

What you don't see are
the black holes, which are

the old stars, which are dying.

You see now, there's
a pattern to nature.

For everything that dies,
something else is born again.

So nothing-- nothing
ever really dies.

Are you trying to
tell us something, Dad?

Because if you are,
you can just say it.

[sighs] This is
going to be very

hard for you to understand.

It wasn't your mom who came back
from her birthday in Venice.

Yes, it was.

She brought us presents.

Yeah, she bought
me those neat puppets

and she told off Mrs. Wadsworth.

She was wonderful.

Well, it wasn't your mom.

That was your Aunt
Sabrina from London.

No, she died.

You and Mom went to the funeral.

She died.

Come here, pal.

When they were in London,
your mother and Aunt Sabrina

decided to play a little game.

They decided that they would
just change places for a while.

Huh?

Why would they do that?

Well, maybe because they
were unhappy with their lives.

So they just changed
with each other.

You mean, it's, like, a joke?

Our real mom's waiting in London
to come home and surprise us?

No.

Oh, I know-- [sighs] No.

I want to know
where my real mom is.

Well, when your--
when your mom was

taking Aunt Sabrina's
place in London,

something terrible happened.

A boat that she was taking
a trip on had an accident.

Oh, no.

That was Mom?

Yeah.

Yes.

Mark, your mother's in heaven.

And maybe right now,
like one of those stars,

she's being born again.

You're lying to us!

Nobody get born again!

When you're dead, you're just
a bunch of bones in a box!

Our mom is dead!

Our real mom is dead!

Mark-- Mark.

I'm going to do my very
best to take her place.

You're no good as a mother!

You can't even cook
a good hamburger!

You couldn't be a mother
in a million years!

Dad?

Is Mom really gone?

Yeah.

Why do people have to die?

It's just not fair.

I know it's not, honey.

But there's a reason for life.

And there's a reason for death.

Of course, we don't
know what it is yet.

Maybe we never will.

Maybe it's part of the
plan of the universe.

Sounds like a pretty
stupid plan to me.

Whatever happens, you die.

There's no way to win.

Who thought that up?

[sighs] I wish I
could have thought

of a better way to tell you.

I'm sorry.

I wish I felt like crying.

You will.

We've been informed
by the Italian police

about their investigations
of the explosion

on the yacht Romano.

It seems your sister's
death may not have

been an accident, Mrs. Roberts.

It looks like murder.

We're not 100%
certain, of course.

But the explosion on the yacht
took place in shallow water.

So divers were able to examine
a great deal of the wreckage.

What we believe is that either
the bomb went off prematurely,

or whoever was responsible
for it had expected the yacht

to sink without trace.

Your sister came
to see us shortly

before they left, frightened
by threats from Mr. Blackwell.

Did you question him?

He conveniently dropped
out of sight as soon

as the investigation began.

OWENS: Unfortunately,
he has a lot

of friends in Italy, one of whom
may have done this job for him.

The missing piece is,
how could Blackwell

have known exactly where
your sister was going to be?

Bryan Foxworth.

We questioned him.

He said he didn't know
where they were going.

He was lying.

I talked to my
sister from the boat.

She told me that the
only other person

who knew where she was Bryan.

I may be able to help you.

How?

Well, I'm not exactly
who you think I am.

But more important, I'm not
who Richard thinks I am.

And when he finds out, I assure
you he'll come out of hiding.

I'm Sabrina, and alive.

[chuckles]

Oh, darling, I'm
so sorry to have

to break it to you this way,
but there was no other choice.

Is it really my Breeny?

Yes.

Breeny.

Oh.

Oh, my dove.

Bryan.

Oh, darling.

My treasure, you're alive.

How did this happen?

Well, you see, uh, Stephanie
and I decided to trade places

for a while, as a lark.

Oh, Breeny.

I know.

Naughty.

[clucks]

The theory is that Richard
murdered Stephanie because he

thought she knew too much.

Did you know about
the drugs he was

running through our gallery?

Yes, yes, you told me.

I mean, Steph-- oh, this is
just like being in [inaudible]..

I don't know who I'm talking to.

Listen to me, Bryan.

Hm?

If we work
together, we can find

enough evidence
around here to put

Richard away for a long time.

Will you help me?

Of course I will.

Now all we have to
do is hope that Richard

doesn't find out who I am.

[phone ringing]

MAN [ON PHONE]:
Hello, Royal Towers.

Richard?

MAN [ON PHONE]: Royal
Towers, can I help you?

Uh, please, Richard
Blackwell, penthouse suite.

MAN [ON PHONE]: Thank you.

SABRINA: I don't know.

Maybe it was Venice--

the masks, carnival.

It was supposed to be fun.

We weren't very happy
with our own lives.

It's funny, the grass always
seems greener, doesn't it?

And to keep something
like that from me,

as if I were a person
who would talk.

I'm sorry.

That's the whole story,
except that I feel so guilty.

If I thought everything which
happened to me was my fault,

I would have thrown myself into
that freezing lake long ago.

[chuckles] With Carlo, she
was having, uh, an affair?

Well then, you and her husband--

how do you feel about him, eh?

As bad as that?

Worse.
I love him.

He hates me.

Probably the
children hate me too.

[sighs] Twins taking
the place of each other.

Shakespeare, "The
Comedy of Errors."

I wish I could
laugh it off like you.

Like me?

Don't you know
this is a mask too?

Alexandra the Great,
principessa of nowhere.

You know what is somewhere?

[inaudible]

Beautiful, dripping [inaudible].

And the poor, desparate
pianist who loved me so.

I should have married
him instead of my prince.

Am I boring you?

I know I'm boring myself.

[chuckles]

No, I'm sorry, Sandy.

I'm just not very
good company today.

Maybe I should be alone.

I'll-- I'll go take a walk.

Of course.

Sabrina!

But don't throw
yourself in that lake.

I thought of it first!

Mark, Penny, we have the tree!

[whistling]

Mark, Penny, come
help me with the tree!

Let's put it right here.

Uh-huh, uh-huh, uh-huh, uh-huh.

Ah!

[laughter]

- That much to spare, huh?
- Perfect.

Yeah.

Mark doesn't feel like
trimming the tree tonight.

Aw, come on, Mark!

It's tree trimming time!

Won't be long until Santa
comes down that chimney, am I

right, Dimi

In my country, it is the KGB.

Oh!

All right.

Let's take it from the top.

Dimi, you have the hazardous
job of putting the angel right

on top of the tree.

And Penny, why don't
you give a hand, OK?

Oh, come on!

I can still climb a ladder!

Thanks, God.

God?

I'll deny I ever said that.

Do you want to
take one of these

and put it on the other side?

Mom always used to put the
angel on the top of the tree.

You know that.

Yeah.

I know that.

You know what?

Santa Claus wants you to
open one gift tonight.

Yeah.

He told me that he had to
hunt all over the North Pole

just to find it for you,
and he hopes you like it.

I think I saw him put it
right in here someplace.

Let's see here.

Oh, yes.

Uh-oh.

He forgot to wrap it.

But I know he hopes
you'll like it.

And so do I.

It's just like the puppet
Mom brought me from Venice.

Yeah!

She didn't, though, did she?

No.

That wasn't Mom at all.

That was Aunt Sabrina.

Maybe it would be better I go.

No, no, no, no.

You know, Santa, he
left a present for you.

- For me?
- Yeah, sure!

Oh, no, he shouldn't have.

It's in the closet somewhere.

But if he did, I hope
it is one bottle of vodka!

[laughs]

Ah, he put your name
on it and he spelled

it right and everything.

Excuse me.

Maybe it's upstairs.

Mark, did you take
Dimi's present?

What present?

The one I had downstairs in
the closet with his name on it.

I didn't take anything.

Mark.

I know where you keep
things, young man.

Mark, I know how you feel.

But it's not going to do any
good to start stealing again.

It's not going to
bring your mom back.

Now tell me the truth.

Did you take Dimi's present?

Dad, did Aunt Sabrina
tell you the truth?

What?

Did she tell you
who she really was,

or did you have to make her?

I don't think that
matters now, young man.

Yes, it does.

We want to know what she said.

Come on, Dad.

We really want to know.

She told me the truth.

Was she sorry?

Did she want to tell us?

Yes.

Dad, did Aunt Sabrina
really want to leave us?

Or did you make her go?

Look, we're not talking
about Aunt Sabrina or me.

We're talking about you
stealing things, young man.

What did you do
with Dimi's present.

Answer me.

I don't have to.

You won't answer us.

You know, Mark, I swear
to you, you're starting--

Grant, I find my present.

It was under your
coat in the closet.

I think I'm glad
I am a bachelor.

[phone ringing]

Hello?

MCGRATH [ON PHONE]:
Professor Grant Roberts?

Yes.

MCGRATH [ON PHONE]: I'm
sorry to call you so early.

This is the police in London.

Who?

Detective Chief
Inspector McGrath.

It's about your wife.

My wife?

MCGRATH [ON PHONE]: The
explosion on the yacht.

We now have positive
confirmation

that it was murder.

What?

MCGRATH [ON PHONE]:
A plastic explosive.

I'm sorry, Mr. Roberts.

My god.

Why would anybody
want to kill my wife?

MCGRATH [ON PHONE]: They
didn't know she was your wife.

I understand you do
know about the sisters

switching identities.

Uh, yes.

MCGRATH [ON PHONE]: You
sister-in-law is now

working very closely with us.

What, Sabrina?

What's she doing?

She's letting
the man we suspect

is the murderer find
out her true identity

to bring him out of hiding.

Well, that sounds
awfully dangerous.

We've explained to her
that, if she persists,

it could mean a life.

She won't listen to you?
MCGRATH [ON PHONE]: No.

She's very headstrong.

She has a mind of
her own, you know.

Yes, I know.

Uh, well, why
don't you stop her?

Well, unfortunately,
without her, we wouldn't

be making any progress.

And she is.

Yes, well, uh, what
do you want me to do?

What can-- how can I help you?

We need you to come to London.

Did she ask for me?

MCGRATH [ON PHONE]: No.

Would I have to meet with her?

MCGRATH [ON PHONE]:
Oh, that's up to you.

We'd like you to
make a statement.

We'll arrange transportation.

Can you come immediately?

Yeah, all right.

MCGRATH [ON PHONE]: Fine.

We'll call you back
with the flight number.

Thank you, Professor.

Goodbye.

Grant Roberts?

Yes.

Please see the
gentleman over there, sir.

Thank you.

Chief Inspector McGrath.

Sounds much grander
than the salary.

I know what you mean.

Now, if you like, we can stop
off at your hotel on the way

there.
- No, no, no.

That's fine.

I've got clothes.

SABRINA: Bryan,
we've just got to try

to get Richard out of hiding.

BRYAN: Darling, it's
the festive season.

For once, let's
forget about Richard.

SABRINA: All.
Right.

Agreed.

Can you buy every toy in
the store in 60 minutes?

I'll do my best.

Meet us here in
exactly one hour.

Right, sir.

Do you think I'm
doing the right thing

buying Christmas presents?

BRYAN [ON SPEAKER]: She
always bought the presents.

Now, come on.

Where's your Christmas spirit?

SABRINA [ON SPEAKER]:
I'm working on it.

BRYAN: Come on, move yourself.

Come on.

And you were unable to
detect the difference?

Well, sometimes, you
just lose sight of those

that are closest to you.

So another woman
was able to step

forward and take her place?

Well, she's not
just another woman.

And she fooled
the children too?

Well, she was kind, caring.

She, um-- she
charmed-- yes, she--

she fooled them.

She fooled me too.

Have you had any contact with
her at all since the funeral?

No.

No, I haven't.

You really miss those
children, don't you?

More than I can say.

I want to send
them these packages

whether they open them or not.

I just them to know
I'm thinking of them.

Now, come on, jingle bells.

Where's the Christmas spirit?

Hello, ducky.

You look very much
alive for a corpse.

Richard.

the One and only

Bryan, what did you--

I loathe Christmas.

We're going to have a
nice, quiet little ride

to some lonely,
picturesque spot, away

from all these awful crowds.

Move.

[ON SPEAKER] Quite
a little scheme you

and your sister devised.

Had me fooled right
to the very end.

However, Bryan here--

OWENS: Stay close.

RICHARD [ON SPEAKER]: --might
not have known who you were.

That transmitter
on her doesn't have

much range from inside a car.

Listen to me, Bryan.

You know he's
going to try to lay

this whole thing on your head.

He doesn't care for you.

Did you ever get your
fair sure of the drugs

he ran through the gallery?

RICHARD [ON SPEAKER]: Oh.

We give everyone
their fair share.

Even Stephanie?

You sister should
have had more sense

than to run to the police.

So should you.

I hate doing things twice.

Don't you, dear?

We've got him.

Heading west on Bronson Road.

All units, move in.

HQ, this is Owens.

We're jammed in traffic,
behind the Albert Hall.

What a waste.

Oh, Richard, please.

There won't even be enough
time to collect the rent.

Richard.

You're making it very
easy for me, ducky.

They must have found it!

I may go, but I'll
take you with me.

They've got to be following.

Well, come on, come on.

Move it!

[tires screeching]

OWENS: Quick, get after them!

[car horn honks]

Well, that's great.

We've lost them!

Aerial unit, are
you receiving me?

Over.

AERIAL OFFICER [ON RADIO]:
Receiving you loud and clear.

Receiving you loud and clear.

Aerial unit over.

Have you spotted them?

Over.

Yes, we see them.

They're going around the Albert
Hall towards Hyde Park Corner.

All cars, delta operation.

Keep on lookout for a
suspect car proceeding

east towards Hyde Park corner.

OFFICER 1 [ON RADIO]: Aerial
unit, this is B bravo.

I've spotted him.

I'm in a position to follow.

B bravo now in pursuit.

[police sirens]

Owens, do you read me?

OWENS [ON RADIO]: Yes, sir.

We've lost radio
contact with them.

Something must have
happened to the wire.

Damn.

He may have found it on her.

My god.

Foolish, foolish.

I told her this was foolish.

AERIAL OFFICER [ON
RADIO]: Suspect car

is now at Hyde Park Corner.

They're heading for
Belgrave Square.

Aerial unit to police car
two, please make your way

to Belgrave Sqaure and assist.

OFFICER 2 [ON RADIO]: Will do.

[police sirens]

[car horn honks]

AERIAL OFFICER [ON
RADIO]: Suspect car

has left Belgrave Square.

Vehicle now proceeding
down Consitution

Hill towards Buckingham Palace.

[inaudible] bravo
unit from aerial unit.

Please converge your suspect
car at Victoria Memorial.

Now in pursuit.

[police sirens]

AERIAL OFFICER [ON RADIO]:
Suspect car passing [inaudible]

Parade towards [inaudible].

He's rounding Trafalgar
Sqaure and he's

going to take off on the--
no, no, he's not.

He's going down Whitehall.

Heading left towards the river.

All units, head for
Westminster Bridge,

Waterloo Bridge, Tower Bridge.

If he tries to cross the
river, we've got him.

[police sirens]

AERIAL OFFICER [ON
RADIO]: Suspect car

still following embankment.

Suspect car still
keeping to river bank.

It could be he's heading
towards Tower Bridge.

I think we've got him.

All units, block
off Tower Bridge.

Block off Borough High Street.

[police sirens]

AERIAL OFFICER [ON RADIO]:
Yes, he's definitely

turning towards Tower Bridge.

We've got him.

Yeah, but he's got her.

All of you!

Come out with your
hands on your head.

All of you come out with
your hands on your head.

We are armed police.

It's all over.

All of you come out with
your hands on your head.

It's your only chance.

Keep moving forward.

Come right away from the car.

All good things
come to an end.

And the rest of you,
come out of the car now.

Out you go, love.

Wait!

Stay back.

OWENS: Blackwell,
put the gun down.

We have you
completely surrounded.

Blackwell, you
haven't got a chance.

Now put that gun down.

Do you hear me?

You haven't got a chance.

Then neither does she!

Can we work a deal?

Free passage out of the country!

Put down the gun, Blackwell,
and we'll talk about it.

Not on on your life, ducky!

It's free passage out of
the country or she's dead!

Blackwell, put down the gun!

I told you, you
don't have a chance.

Blackwell, listen to me.

I'll give you just
10 seconds to agree.

One, two, three, four, five,
six, seven, eight, nine--

One, two, three, four, five,
six, seven, eight, nine--

[gunshot]

[screams]

Are you all right?

- [sighs] I don't know.
- You get into my car.

Um, I don't think so.

I think I'd rather walk.

Don't you ever do anything
the police tell you to do?

That depends on what
it is they tell me to do.

Well, will you at
least accept my thanks?

Only if you'll except mine.

I do.

Goodbye.

Goodbye.

Are you sure you're all right?

What are you doing in London?

Uh, well, the
police sent for me.

Oh.

And that's the real reason you
came, because of the police?

Ah, damn it.

I'm-- I'm willing to
give it a try if you are.

A try?

Yeah, a try.

Yeah.

But you said you came
London for the police.

You didn't come here to see me.

That's what I
tried to tell myself,

even though I knew I was lying.

You lie?

Yes.

I realized I love you.

Oh.

Well, maybe we ought
to find a telephone.

What for?

Call the kids and tell
them we're coming home.

[music playing]