Original subtitles

♪♪

♪ Love ♪

♪ exciting and new ♪

♪ come aboard ♪

♪ we're expecting you ♪

♪ and love ♪

♪ life's sweetest reward ♪

♪ let it flow ♪

♪ it floats back to you ♪

♪ the love boat ♪

♪ soon will be making another run ♪

♪ the love boat ♪

♪ promises something for everyone ♪

♪ set a course for adventure ♪

♪ your mind on a new romance ♪

♪ and love ♪

♪ won't hurt anymore ♪

♪ it's an open smile ♪

♪ on a friendly shore ♪

♪ it's love ♪

♪ welcome aboard, it's l-o-o-o-ove ♪

♪♪

No, no, no, no.

See, no. No. Look.

Make -- make your moves more like this.

One and two, three, four, five,

six, seven, eight.

Anything you say, darling.

One and two, three, four, five,

six, seven, eight. -Look.

Now, with me. -Okay.

I don't believe it.

That tigress has become a real pussycat.

Thanks to our favorite animal trainer.

Now the lift -- up, drop.

Perfect. Now dance off to wardrobe.

Right away, darling.

Oh, there he is!

Listen, everyone. I want you all to know

that I have never, ever been this happy.

And I owe it all to this wonderful man right here,

Dr. Adam bricker.

-Oh, Faye, please... -Ah, ah, ah.

Now, Adam, this is my speech. And I haven't finished yet.

[ Chuckles nervously ]

I have an announcement to make.

Adam and I are gonna be married.

Hmm?

Well, off to wardrobe.

Faye. Faye!

-Doc, congratulations! -That's terrific!

-I think that's great. -Yes, it is great.

No. No, it's better than great. It's very good.

Isn't that better?

Look, I'll say. Look. Think of the publicity on this.

"Star finds seventh heaven and seventh husband..."

-Uh-huh. -"...On the dream boat."

-It'll work. -Ho-- no, hold -- ho-- hold it. Hold it.

E-E-Excuse me. Now, I'd -- don't get me wrong.

I think that Faye is a terrific lady and everything...

-Ah! -...But I never asked her to marry me.

-What? -As -- as a matter of fact,

she never asked me to marry her.

So this whole thing is -- is -- is very...

No, I'd -- I'd better find her

and just straighten this whole thing out.

Whoa, whoa, whoa, whoa, whoa.

Uh, look, uh, we understand how you feel.

Believe me. We do.

But if you have to turn her down...

Couldn't you wait till the movie's over?

-No. -Yeah. You see, if Faye gets upset...

-Then she'll be impossible. -I-Impossible?

More than impossible, she'll walk.

-And no Faye means... -No movie.

-And no movie means... -No job for me!

Oh, please, doc! Don't tell her yet!

Arnold isn't the only one whose job is on the line.

If I have to close down this movie,

that means I'll have to fire the cameramen...

-Makeup artists. -The grips.

You see, these people have families.

Okay, okay, okay. I guess I can wait.

But just till you've finished filming.

Thanks, doc. Thanks.

We'll never forget this.

♪♪

Am I wrong, or do I detect a little romance building

between Johnny and Vicki?

-Could be. -[ Chuckles ]

You know, it's funny. Beginning of this cruise,

they could hardly stand each other...

Well, you know how kids are today.

They move a lot faster than we did at their age.

I guess.

But, you know, faster doesn't always mean better.

♪ I am not such a clever one ♪

♪ about the latest fads ♪

♪ I admit I was never one ♪

♪ adored by local lads ♪

♪ not that I ever tried ♪

♪ to be a Saint ♪

♪ I'm the type ♪

♪ that they classified as quaint ♪

Really?

♪ I'm old-fashioned ♪

♪ I love the moonlight ♪

♪ I love the old-fashioned things ♪

♪ the sound of rain ♪

♪ upon a windowpane ♪

Right.

♪ The starry song ♪

♪ that April sings ♪

Right.

♪ This year's fancies ♪

♪ are passing fancies ♪

♪ but sighing sighs ♪

♪ holding hands ♪

♪ these my heart understands ♪

♪ I'm old-fashioned ♪

♪ but I don't mind it ♪

♪ it's how I long to be ♪

♪ as long as you'll agree ♪

♪ to stay old-fashioned with me ♪

♪♪

Shelley: [ Singing scales ]

La-la-la-la-la-la-la-la-la-la- la-la-la-la-la-la-la!

Isaac, hurry this up before somebody comes down here.

[ Humming ]

Are you sure this is gonna work?

Relax. Now, I know what I'm doing.

[ Static, warbling ]

And now, from the fabulous purser's lobby,

overlooking the beautiful, blue pacific,

we bring you the scintillating stylings

of the great star of the future miss shelley rush,

who will ask the musical question "fine and dandy."

Shelley: ♪ gee, it's all fine and dandy ♪

♪ sugar candy when I'm with you ♪

♪ then I only see the funny side ♪

♪ even trouble has a sunny side ♪

♪ when you're gone, sugar candy ♪

[ Electricity crackles ] Aah!

I think we've been disconnected.

Buenos tardes, and welcome to fabulous acapulco.

It's a sunny 83 degrees

and a perfect day to enjoy all this glamorous seaport

has to offer, from windsurfing to bargain hunting.

There are plenty of happy memories

awaiting you in acapulco.

So don't forget your cameras. Bien tiempo!

-Excuse me, sir? -Yes?

Is it okay with you if I go into town this afternoon?

Marty needs some props for his movie,

and I know where to find them.

Sure. Go right ahead. I wish I could go.

-Well, you have my permission. -[ Chuckles ]

Thank you, sir.

There something else?

Well, if you've got a minute,

I'd kind of like to talk to you about something.

Marty?

I noticed you were becoming fond of him.

I really don't know what to do.

I'm feeling the same feelings for Marty I felt for Jack.

It scares me.

Feelings are nothing to be afraid of, Julie.

They are if you don't understand them.

I don't know if I'm falling in love with Marty

or just reliving my love for Jack.

Give yourself time.

I'm sure you'll figure it out.

I hope so.

Can I give you a little friendly advice?

Oh, please.

When you do know how you feel, act on it.

As I remember, you lost Jack because you were indecisive.

Well, I'm not going to be indecisive this time.

Am I?

Thank you.

That's -- that's not enough, Johnny.

I need anger.

Anger!

Remember, you've run away from your father

because he doesn't want you in show business.

And now you think Faye is double-crossing you

to keep you out of the show.

You're furious. Furious!

Do you understand?

Okay. All right, son.

Let's, uh... Let's try it again.

Let's have a rehearsal.

And action!

Oh, Tommy. Listen to me.

I -- I can explain everything.

Why -- why should I listen to you?

You've done nothin' but lie to me.

Just do me a favor -- stay out of my life.

I never want to see you again.

Okay. Uh, let's take a short break.

Short break!

Johnny wasn't very convincing, was he?

Not like he is when he sings.

Yeah, well, I guess the difference is

singing comes naturally to him; Acting doesn't.

Well, maybe we can change that.

You mind if I try something?

Oh, my god, am I in trouble.

[ Sighs ] What does Bennett want from me?

I'm doin' my best.

Well, if that was your best, I'd had to see your worst.

You think acting's easy?

Oh, is that what you call what you were doing?

I never would've guessed.

Since when did you become a big drama critic, huh?

Oh, come on, Johnny.

I know lousy acting when I see it.

You can't act to save your life.

-Oh, yeah? -Yeah!

-Everybody settle down. -Settle down, everybody!

All right, everybody. We're gonna shoot this one.

Faye?

Roll 'em.

Action! -Oh, Tommy.

Listen to me. I can explain everything.

Why should I listen to you?

You've done nothin' but lie to me.

Do me a favor -- stay out of my life.

I never want to see you again.

Cut! Print!

[ Murmuring ]

Excellent! -Johnny, that's just marvelous.

Excellent!

Oh, Johnny, w-w-where did you find

all this wonderful anger all of a sudden?

Uh, I don't know.

Or maybe I do.

♪♪

Guys, you did your best.

I'm sorry our best wasn't good enough.

You know, Isaac, maybe we shouldn't have been so tricky.

You're right. When you've got a great product to sell,

you don't need deceptive advertising.

This was our fault.

We should've used the direct approach.

Maybe it's not too late.

Come on, gopher.

I'm a happy man.

Sound like a happy director.

[ Both chuckle ]

-Evening, gentlemen. -Whoops!

-No, please, please... -Please, gentlemen.

We've just come over to apologize.

Yeah. We have been a pain in the neck.

And we're very sorry, really.

Hey, I'm sorry you been a pain in the neck too.

Yes. And just because we've been a pain in the neck

doesn't mean that shelley isn't

the most talented, beautiful girl on the ship.

And if you guys will just listen to her, just once...

-Just once. -Really.

We'll never bother you again.

Promise.

You know, it's [Clears throat]

Almost worth it just for that alone.

Hmm. Yeah, I see what you mean.

You know, gopher did give us pretty nice cabins.

-Yeah, and, um... -Isaac.

Yes, Isaac, uh, makes a nice Margarita.

-One song. -All right!

-Hey! -Okay. Thank you.

-Thank you very much. -Won't regret it. 'Scuse us.

Shelley, they want to hear you sing.

-Really? -Yes, really.

Okay, go get 'em.

And this time, just keep it simple, okay?

Okay, okay.

Gopher: Uh, ladies and gentlemen,

you are in for a treat -- miss shelley rush.

[ Piano plays softly ]

♪ Please forgive this platitude ♪

♪ but I like your attitude ♪

♪ you are just the kind I had in mind ♪

♪ never could find ♪

♪ honey, I'm so keen on you ♪

♪ I could come to lean on you ♪

♪ honor and obey ♪

♪ give you your way ♪

♪ do what you say ♪

♪ gee, it's all ♪

♪ fine and dandy ♪

♪ sugar candy ♪

♪ when I'm with you ♪

♪ then I only see the sunny side ♪

♪ even trouble has its funny side ♪

♪ when you're gone ♪

♪ my sugar candy ♪

♪ I get so lonesome ♪

♪ I get so blue ♪

♪ but when you're handy ♪

♪ it's fine and dandy ♪

♪ but when you're gone ♪

♪ what c-a-a-an i-i-i-i-i

d-o-o-o-o-o-o? ♪

[ Applause ] -Wonderful!

Where have you been hiding this girl?

I think we can find a place for you in "dreamboat,"

don't you, Bennett? -Find a place?

I've already got one picked out.

Uh, guys, guys, guys. Wait a minute, wait a minute.

We got to talk some terms here.

We got to have our name above the title.

We got to have a dressing room with f--

what gopher means is, uh, thank you very much.

You're welcome.

You know, Angela, watching a motion picture

actually being made is a fascinating experience.

Have you ever had any regrets about giving up your career?

Never.

Oh, well, that's not quite true.

Any actress who sees one of her old movies

always thinks she could've done it a touch better.

And I had to bring up Johnny by myself.

What happened to his father?

Oh, he left us when Johnny was 3.

We've never heard from him again.

That's terrible.

You gave up your career for him?

Well, I didn't give it up for him.

I -- I gave it up for me because I adored him.

There is a difference.

Yes. I suppose there is.

Tell me, have you adored anyone since?

No.

Do you have any suggestions?

We hope you enjoyed your stay

in acapulco, ladies and gentlemen.

Tomorrow, the motion picture company will be filming

more scenes from its exciting musical, "dreamboat."

And they again will be using

the ship's passengers as volunteer extras.

If you want to be in the movie, now's your chance.

But please, don't have your agents call us.

[ Knock on door ] -'Scuse me, darling.

-Of course. -I'm coming!

I brought you these changes, miss marsh,

for your, uh, big number "I'm still in this race."

-Fine. -I better stay

while you, uh, read it over. All right?

Hi, doc! -Arnold.

"And I can do more than spout,

I may be down but not out."

Oh, that's much better. -I think that's good, too.

-Good night, Arnold. -All right, now, remember --

tomorrow your call is at 6:30 in the morning.

I won't forget. Good night, Arnold.

Do not forget, it's 6:30 ante meridian.

I have been able to tell time since the age of 3.

Good night, Arnold! -Oh.

All right. Good night. -[ Groans ]

Remember, that's 6:30, dear.

You know, just because I'm a movie star

they all treat me as if I were a child.

Well, you look like a grown woman to me.

Well, you realize that, darling. That's why I adore you.

I am an adult.

And I want to be treated as such.

Good, because I have something to tell you.

-Hmm? -Adult to adult.

Faye, I want you to know that I --

you must know that I do care for you.

-Mm. -But I just feel

that we haven't had enough time

to really get to know one another.

-No. -So, I'm sorry,

but I'm really not ready to marry you right now.

Right now. Now.

[ Both laugh ]

I don't think I heard you right.

Oh, Faye. You're a sensational woman.

But marriage at this time...

Nobody dumps Faye marsh.

Oh, I wouldn't dream of dumping you, Faye.

I'm just talking postponement.

Nobody postpones fay marsh.

-Easy, easy. [ Glass shatters ]

Hey, now, Faye, that's your good luggage! Faye!

-Get out! -Oh! Faye!

Get out of here!

Faye, remember, you're the one

who wanted to talk adult-to-adult.

I am gonna bounce this right off your adult skull!

Here, I don't want to break up the set!

And I'm through with that lousy picture!

♪♪

-Marty, hi! -Julie.

Wait till you see what I bought today.

This is the first time I ever went shopping for movie props.

I hope I got what you wanted.

Yeah, well, you couldn't have bought more beautiful flowers.

They're artificial.

Oh, uh, it's okay. I have a cold.

[ Chuckles ]

-Did you get the ring? -Yes.

I found a really cute little Mexican souvenir ring.

Perfect.

-That what you wanted? -Ooh, yeah. Yeah, yeah.

Yeah, how 'bout the pillow?

Good, good. -Okay?

Oh, yeah. Yeah, this is fine.

Now, you, uh, you sit right here.

-Okay. -Okay.

These props are very important

because they are for a big scene.

You see, first the leading man

gives the leading lady the flowers.

Then he kneels on this pillow.

And he asks her to marry him because he loves her very much.

What does she say?

Well, we haven't written the script that far yet.

Julie, the answer's up to you.

I want you to be the leading lady of my life.

Marty, how can you do this to me?

I say somethin' wrong? [ Chuckles ]

Well, I'm not prepared for this.

You send me into town to buy props for your movie...

-Well, uh, I mean... -And now you want to go --

this may be a make-believe prop, this -- this little ring,

but -- but the proposal...

That's real.

I don't know how this movie ends,

but the middle is certainly very exciting.

"The love boat" will continue in a moment.

♪♪

Ladies and gentlemen,

for those of you who have been inquiring,

there will be no filming today

due to unforeseen circumstances.

However, we know you'll enjoy all of our other activities.

Shelley, you finally get your big break to be in a movie,

and the star quits.

Yeah.

Why couldn't doc have held off telling Faye

he didn't want to marry her?

Oh, well, I wouldn't want the doctor

ruining his whole life just so I could be in the movies.

Well, maybe half his life.

We might as well say goodbye to "the dreamboat."

I'm afraid you're right, Bennett.

This time it could take Faye weeks to get out of her mood.

And the budget can't stand that.

And the ship isn't available.

We're fully booked for the season.

And we've run out of vases.

-Marty, Bennett... -Angela.

...i think I know how to get Faye back in the picture.

-How? -Well [ Laughs ]

Well, it's a rotten thing to do... -Well, come on!

But I know her role and I think it'll work.

Now, merrill, we're gonna need your help.

Anything for you, Angela...

And for the movie. -Good.

Now, here's my plan.

Connect me with miss marsh's cabin, please.

Faye: Yes?

Hello, miss marsh? This is captain stubing.

I was wondering if you might do me the honor

of joining me at the early seating for dinner tonight.

Oh, well, thank you, captain,

but I'm planning to dine alone in my cabin.

Oh, well, I hate to have you do that.

I was hoping you'd be there to beautify my table.

Oh, well, now,

how can I turn down an invitation like that?

Wonderful. I'll pick you up at 6:30.

Ciao.

Early seating dinner is

now being served at the coral dining room.

And in the purser's lobby, the film company

is shooting a scene.

Take your pick!

[ Elevator bell dings ]

-Quiet on the set! [ Indistinct conversations ]

Come on! Work with me, people!

Bennett: All right, folks. This is it.

Arnold: Quiet on the set, please!

Sorry, no one is allowed through while we're shooting.

Come on, I'm sure the last thing you want to do

is watch them shoot. -Well, shoot what?

What on earth is there to shoot? -Roll 'em!

Lights! Cue the music!

[ Dramatic music plays ]

-Hold it! -That's my number.

♪ If he thinks he can steal the ship out from under me ♪

♪ he's got another thing comin' ♪

♪ before any bum ♪

♪ can steal this from under me ♪

♪ I'm gonna do that bum in ♪

♪ and I can do more than spout ♪

♪ I may be down but not out ♪

♪ I may be bruised ♪

♪ I may be battered ♪

♪ they tell me, "hey, you ♪

♪ you're finished, you're through" ♪

♪ as if that mattered ♪

♪ well, some dreams are shot ♪

♪ and some just shattered ♪

♪ but I'm still in this race ♪

♪ ain't got a cent ♪

♪ or a subway token ♪

♪ my credit ain't great ♪

♪ my financial state ♪

♪ is best unspoken ♪

♪ well, I may be broke ♪

♪ but I ain't broken ♪

♪ I'm still in this race ♪

♪ I've got friends ♪

♪ friend's who'll stick by me ♪

♪ that's more than some can say ♪

♪ and, friends ♪

♪ I ain't cryin' "why me?" ♪

♪ startin' right here ♪

♪ I'm gettin' in gear ♪

♪ I'm on my way ♪

♪ may land flat on my duff ♪

♪ but I'm no duffer ♪

♪ I know when it's rough ♪

♪ the track may be tough ♪

♪ but I'm much tougher ♪

♪ let others say die ♪

♪ but this is where I begin ♪

♪ 'cause, mister ♪

♪ I'm a pro ♪

♪ I'm an ace ♪

♪ and I ain't settlin' for second place ♪

♪ I'm still in this race to w-i-i-i-in ♪

♪ to w-i-i-in ♪

♪ to w-i-i-i-in ♪

♪ to win ♪

[ Music ends ]

Bennett: Cut and print it!

[ Cheers and applause ]

Beautiful. That was beautiful.

Darling, oh, I hope you don't know...

Wonderful!

Angela! Darling!

I not only applaud you and your performance,

but I also applaud dear Marty

and darling Bennett for their cute little act.

F-Faye, darling... What are you talking about?

Now, any fool can see that that camera has no film in it

because if it had film in it, the wheels would be turning.

-Apparently, your wheels weren't turning either

when you thought up this ridiculous ploy.

All right, Faye. All right.

I-I admit it was a foolish thing to do.

But listen... -Foolish?

Foolish is an understatement.

Did you think for a moment that this cheap, little trick

would have me crawling back to you

and your film? -Oh, now, Faye...

Just who do you think Faye marsh is anyway?

Did you honestly believe for a moment

that I would be jealous of some has-been?

[ Murmuring ] -Faye!

Faye!

Save the routines, Angela.

I'm sick and tired of being treated like a child.

Why? That's exactly what you are,

and a spoiled, selfish one at that.

Nothing matters to you except your damned ego.

My ego? And what about yours?

I think the only reason you're so upset

is because I called you a has-been.

I couldn't care less what you call me.

All I care about is that there's a whole group of people

in there whose careers are at your mercy

and one of them happens to be my son.

[ Sighs ]

Well, my apologies, Faye.

How rude of me to waste your time

with something as trivial as other people's lives.

[ Murmuring ]

Angela, what happened out there?

I'm sorry, Marty. She makes me so mad.

I just couldn't control my temper.

Well, I guess this means Faye is not coming back to the picture.

That's exactly what it means.

Unless, of course, you write in a part for Angela.

Well, I mean, anyone who can give a performance

like that twice in one day deserves to be a star.

I love you! Mwah, mwah, mwah, mwah, mwah!

[ Cheers and applause ]

Terrific! Now, will you trust me?

-I trust you! -All right!

Ladies and gentlemen, we hope you've enjoyed your cruise.

The producers of "dreamboat"

would like to thank the passengers and the crew

for all their help during the filming

and ask that you watch for the release date coming soon.

Please have your passports ready when debarking

and, again, thanks for sailing with us.

And, captain, Marty and I truly want to thank

you and your wonderful crew for all the cooperation

that you gave us in filming a major part of "dreamboat"

on this fabulous ship.

Well, you're more than welcome. And, in fact,

we were all so caught up with the movie, we hate to see you go.

[ Laughs ] Well, I tell ya,

we hate to go, too, 'cause it has been fun.

See you Thursday.

-See you Thursday. -Thursday?

Yes. Oh. Hey, uh, wait. We forgot to tell ya.

We're shooting the finale at the studio.

We want all of you to be in it.

Oh, Marty, really? In the movie.

[ All talking at once ]

We'll see you there. Let's go. Ciao!

[ Talking continues ]

Vicki: Hollywood! I'm so excited!

I hope I don't break out in hives.

Merrill: Here it is, gopher -- the imperial studios.

Gopher: This is it, kids -- the big time.

Julie: Tinseltown, here we come.

Hey, look who's in that car up there!

It's Linda Evans! -Where? Where?

-Mornin', miss Evans. -Morning, Ron.

I'd know her anywhere. That's Linda Evans.

No, it is. It's Linda Evans.

Well, it's not too late for everybody to change their mind

if they don't want to be in the movie. -I don't want to be in the movie.

I want to leave a love letter

in Linda Evans' parking space. -[ Laughs ] I'm captain stubing.

We've been expecting you. Stage two.

-Thank you. -Thank you. Stage two.

Linda's way.

Isaac: There's John Forsythe and Ernest borgnine!

[ All talking at once ]

Hey, I watch you all the time on "dynasty"!

-They're just people, man. -Yeah, but...

-How you doin'? -Hi.

Gopher: Doing a picture over here.

-Look at that. -All the equipment.

Gopher: Very impressive, huh?

Everybody here has lights and everything, too.

Woman: Light up your backing.

-This is exactly like our ship. -Not exactly.

Our ship has more water around it.

Shelley, if you need anything, you let us know.

Okay? You're gonna be just great.

It's a good bit. And you're gonna be wonderful.

[ Chuckles ]

Oh, Isaac!

-Shelley! -Isaac!

Oh, boy. I can't believe it. I'm on a real movie set!

Told ya I'd get ya here, babe.

We told you we'd get you here.

You okay?

I just don't know what to tell Marty.

Maybe you ought to tell him that.

Ignore all the others. And have that girl's hair done.

Better think of something, here he comes.

-Hi, everybody. -Hi, Marty.

Marty: Vicki, doc, captain...

Well, what do you think? -It's fabulous.

The ss dreamboat.

Hi, dreamboat. -Hi.

Uh, would you excuse us for just a minute?

Come here.

Have you -- have you written

that next momentous line of dialogue yet?

I know I love you, Marty. But...

But you don't know if you love me for myself

or because I remind you of Jack?

No, it's not that.

-Then what is it? -It's that.

Maybe I can't make up my mind,

but I can't lie, either.

Well, I've got time.

But would you let me have your answer

before this movie's in its 10th run on television?

[ Chuckles ]

[ Indistinct conversations ] -Quiet on the set, please!

They're all yours.

Ladies and gentlemen,

I want to thank you, first of all, for all of your hard work.

To the captain and his crew, welcome aboard. -Thank you, Bennett.

And we're about to shoot the finale.

Now, every number in the show has been leading up to this one.

Now, I don't want to make you nervous,

but, please, give it all you got.

But most of all, have fun. Let's make it!

-Places, people! -All right.

Light it!

Arnold: And roll 'em.

-Action! [ Dramatic upbeat music plays ]

♪ Welcome to the dreamboat ♪

♪ I am proud to be the captain of the ship ♪

♪ it's no ordinary schooner ♪

♪ or a steamboat ♪

♪ it's a prize, it's a peach ♪

♪ it's a Pearl, it's a pip ♪

♪ and I say that 'cause it's true ♪

♪ not because they told me to ♪

♪ or because I am the captain of the ship ♪

♪ welcome to the dreamboat ♪

♪ I'm the most important member of the crew ♪

♪ as the chief bartender on the dreamboat ♪

♪ I'm the guy gets ya high with a highball or two ♪

♪ so if, god forbid, we sink,

well, at least you've got a drink ♪

♪ I'm the most important member of the crew ♪

♪ as cruise director, I organize the fun ♪

♪ as your purser, I organize the rest ♪

♪ but you're free to turn your stateroom

into an everyday room ♪

♪ 'cause the fun that we don't organize

turns out to be the best ♪

♪ I'm the dreamboat medic ♪

♪ and I specialize in troubles of the heart ♪

♪ as a medic, I'm very sympathetic ♪

♪ treating missus with kisses ♪

♪ now, that's quite an art ♪

♪ I'm just the captain's daughter ♪

♪ and you may think that my clout amounts to zip ♪

♪ but when the daughter gives an order,

it's an order ♪

♪ when you're the daughter of the captain of the ship ♪

♪ as captain and crew of the dreamboat ♪

♪ your pleasure is our reward ♪

♪ so welcome to the ss dreamboat ♪

♪ welcome ab-o-o-oard ♪♪

[ Music continues ]

♪ Who's got those deep-as-ocean eyes ♪

♪ that sail me straight to paradise ♪

♪ my baby, my honey, my sugar ♪

♪ my dreamboat ♪

♪ who takes me on a thousand trips ♪

♪ with one touch of those tender lips? ♪

♪ My baby, my honey, my sugar ♪

♪ my dreamboat ♪

♪ one kiss, and off I am whisked ♪

♪ to some tropical shore ♪

♪ one look at that face ♪

♪ is my passport to places ♪

♪ I've never, ever been before ♪

♪ I'm really sorry she'll stay at home ♪

♪ but, ooh, two can play at home ♪

♪ and hey, my baby ♪

♪ she plays it right ♪

♪ I can't wait for the one ♪

♪ that I adore to call ♪

♪ 'cause love land ♪

♪ is our next port of call ♪

♪ when I go sailing off ♪

♪ with my dreamboat ♪

♪ ton-i-i-ight ♪♪

[ Music continues ]

[ Music continues ]

[ Up-tempo music plays, feet tapping ]

♪ I'm takin' the dreamboat ♪

♪ to have me some fun ♪

♪ no formality, no reality ♪

♪ every gal I'd see is the gal for me ♪

[ Tapping ]

♪ And then, when it's time to go, when I've had my fun ♪

♪ I just tell them, no, the fun's just begun ♪

♪ then I'll sail that dreamboat ♪

♪ never fail with that dreamboat ♪

♪ gonna sail with that dreamboat again ♪

♪ yeah ♪♪

[ Mid-tempo music plays ]

♪ Let's do the dreamboat samba ♪

♪ it's a rhythm all but new ♪

♪ what a time we'll have ♪

♪ ay caramba ♪

♪ every move of the ship ♪

♪ puts a sway in your hip ♪

♪ keep your tango, keep your rumba ♪

♪ no, a cha-cha-cha won't do ♪

♪ 'cause when the moon is bright ♪

♪ and you hold me tight ♪

♪ and the rhythm's right ♪

♪ then it's out of sight ♪

♪ that's in the dreamboat samba, the dreamboat samba ♪

♪ dreamboat samba with you ♪♪

[ Whimsical music plays ]

Both: ♪ we're dear friends ♪

♪ nothing can tear us apart ♪

♪ sincere friends ♪

♪ always been there from the start ♪

♪ two ships on the sea of life ♪

♪ if I'm in a mess, I never lose hope ♪

♪ just one s.O.S., and she throws me a rope ♪

♪ pals, chums, friends ♪

♪ don't ever lose 'em ♪

♪ each on the other depends ♪

♪ what a twosome ♪

♪ if I hit a rock and I'm starting to sink ♪

♪ who helps me out? ♪

♪ Let me think ♪

♪ that's why we're dear friends ♪

♪ So what if we have the occasional fight? ♪

♪ It's over as soon as you say that I'm right ♪

♪ that's why we're dear friends ♪

[ Ting! ]

[ Dramatic upbeat music plays ]

♪ Let's chase those blahs and blues away ♪

♪ let's pack our bags and cruise away ♪

♪ let's hope there's a trip on the ship called the dreamboat ♪

♪ the moment that you step aboard ♪

♪ you'll find a world that's unexplored ♪

♪ oh, heaven on earth is a berth on the dreamboat ♪

♪ each night beneath the light of a million stars ♪

♪ adrift on the blue, with romance in view ♪

♪ we'll dance to the music of soft guitars ♪

♪ and as the dawn begins to glow ♪

♪ back to our cabin we will go ♪

♪ we'll know the course we chart, and it's right ♪

[ Indistinct singing ]

♪ As we go sailing off on our dreamboat ♪

♪ ton-i-i-i-ight ♪

[ Music ends ]

♪♪

[ Light laughter ]

I can't believe we were actually in a movie!

Acting in front of a camera...

Next time, I hope to direct.

You know, those lights were hotter than I thought.

Any decision?

I don't want to direct.

[ Chuckles softly ]

I still don't know.

It may mean I'm not emotionally mature enough for marriage.

Or that you're wise enough not to be pressured into an answer.

[ Horn honks ]

They're waiting.

[ Indistinct conversations ]

One, two, three, four, five, six.

Wow. I've never seen so many movie stars in one car!

-♪ What actors ♪ -♪ what troupers ♪

-♪ no boners ♪ -♪ no bloopers ♪

Together: ♪ we sure make one heck of a team ♪

♪ we really were in the movies ♪

♪ it wasn't a dream ♪