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These are the user uploaded subtitles that are being translated: 1 00:00:04,793 --> 00:00:07,793 --Captions by VITAC-- www.vitac.com 2 00:00:07,793 --> 00:00:10,793 CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS 3 00:00:53,310 --> 00:00:56,034 Narrator: SURE, YOUR MOBILE PHONE WILL GIVE YOU THE TIME, 4 00:00:56,034 --> 00:00:57,896 BUT NOT NEARLY AS CONVENIENTLY 5 00:00:57,896 --> 00:01:00,482 OR FASHIONABLY AS A WRISTWATCH DOES. 6 00:01:00,482 --> 00:01:03,275 WATCHES COME IN A VARIETY OF MATERIALS, 7 00:01:03,275 --> 00:01:05,896 OFTEN COMBINED WITH STAINLESS STEEL. 8 00:01:05,896 --> 00:01:07,724 BUT ONE OF THE MORE CREATIVE PAIRINGS 9 00:01:07,724 --> 00:01:09,896 IS STAINLESS STEEL WITH WOOD. 10 00:01:12,896 --> 00:01:14,551 THIS COMPANY MAKES WRISTWATCHES 11 00:01:14,551 --> 00:01:18,206 WHICH FEATURE EXOTIC HARDWOOD ACCENTS. 12 00:01:18,206 --> 00:01:21,517 THIS PARTICULAR MODEL IS A LIMITED-EDITION SERIES 13 00:01:21,517 --> 00:01:24,586 DESIGNED FOR NEW YORK YANKEES BASEBALL FANS. 14 00:01:24,586 --> 00:01:28,241 THE BLUE-PAINTED MAPLE COMES FROM WOODEN SEATS SALVAGED 15 00:01:28,241 --> 00:01:29,931 FROM THE ORIGINAL YANKEE STADIUM, 16 00:01:29,931 --> 00:01:32,517 WHICH OPENED IN 1923. 17 00:01:34,896 --> 00:01:36,206 AT THE WATCH FACTORY, 18 00:01:36,206 --> 00:01:38,310 A WORKER FIRST CUTS A STRIP OF WOOD 19 00:01:38,310 --> 00:01:40,379 JUST OVER A THIRD OF AN INCH THICK, 20 00:01:40,379 --> 00:01:41,896 THEN CUTS IT INTO BLOCKS 21 00:01:41,896 --> 00:01:43,758 MEASURING AROUND THREE FOURTHS OF AN INCH 22 00:01:43,758 --> 00:01:45,862 BY A THIRD OF AN INCH EACH. 23 00:01:45,862 --> 00:01:47,965 MANUFACTURERS WILL ULTIMATELY USE 24 00:01:47,965 --> 00:01:50,448 THESE BLOCKS TO MAKE THE WOOD INLAYS 25 00:01:50,448 --> 00:01:52,000 IN THE LINKS OF THE WATCH BRACELET. 26 00:01:52,000 --> 00:01:53,827 THE WORKER THEN CUTS ANOTHER STRIP 27 00:01:53,827 --> 00:01:55,034 FROM A PIECE OF WOOD, 28 00:01:55,034 --> 00:01:57,551 THIS ONE NEARLY A QUARTER OF AN INCH THICK. 29 00:01:57,551 --> 00:01:59,413 THE WORKER THEN CUTS THIS STRIP 30 00:01:59,413 --> 00:02:01,931 INTO NEARLY 2-BY-2-INCH SQUARES. 31 00:02:01,931 --> 00:02:04,206 EACH ONE WILL BECOME A RING CALLED A BEZEL 32 00:02:04,206 --> 00:02:06,758 THAT GOES AROUND THE WATCH DIAL. 33 00:02:06,758 --> 00:02:09,068 ANOTHER WORKER MOUNTS ONE SQUARE AT A TIME 34 00:02:09,068 --> 00:02:12,103 ON A LATHE AND BORES A HOLE THROUGH THE MIDDLE. 35 00:02:14,551 --> 00:02:16,758 SHE MOUNTS SEVERAL BOARD SQUARES 36 00:02:16,758 --> 00:02:18,172 ONTO A STEEL MANDRILL 37 00:02:18,172 --> 00:02:22,482 THAT ATTACHES TO THE LATHE ALONG WITH THE BEZEL TEMPLATE. 38 00:02:22,482 --> 00:02:24,137 AS THE LATHE TURNS, 39 00:02:24,137 --> 00:02:26,655 A STEEL ROUGHING GOUGE ROUNDS THE SQUARES 40 00:02:26,655 --> 00:02:29,793 TO THE DIAMETER OF THE TEMPLATE. 41 00:02:29,793 --> 00:02:32,034 SHE TAKES ONE BEZEL AT A TIME 42 00:02:32,034 --> 00:02:34,310 AND CUTS IT TO THE REQUIRED THICKNESS, 43 00:02:34,310 --> 00:02:36,758 ABOUT A TENTH OF AN INCH. 44 00:02:36,758 --> 00:02:39,206 SHE THEN SHAVES WOOD FROM THE UNDERSIDE 45 00:02:39,206 --> 00:02:42,620 SO AS NOT TO REMOVE THE HISTORIC BLUE PAINT ON TOP. 46 00:02:43,931 --> 00:02:45,344 TO MAKE THE WATCH CASE, 47 00:02:45,344 --> 00:02:47,275 WHICH HOUSES THE DIAL AND MOVEMENT, 48 00:02:47,275 --> 00:02:50,448 THE MANUFACTURERS CUT A BLANK PIECE 49 00:02:50,448 --> 00:02:52,862 OF EXTRUDED STAINLESS STEEL, 50 00:02:52,862 --> 00:02:55,655 THEN PLACE IT IN A COMPUTER-GUIDED MACHINE. 51 00:02:59,413 --> 00:03:01,758 UNDER A CONTINUOUS SHOWER OF LUBRICANT, 52 00:03:01,758 --> 00:03:03,689 THE MACHINE'S 12 DIFFERENT TOOLS 53 00:03:03,689 --> 00:03:07,310 TAKE TURNS SHAPING THE PIECE INTO A WATCH CASE. 54 00:03:10,068 --> 00:03:11,275 THE FIRST TOOLS BORE 55 00:03:11,275 --> 00:03:14,068 A HOLE IN THE MIDDLE FOR THE MOVEMENT 56 00:03:14,068 --> 00:03:18,172 AND CARVE A GROOVE AROUND THE HOLE FOR THE WOOD BEZEL. 57 00:03:18,172 --> 00:03:21,310 THE NEXT TOOLS CUT THE OUTSIDE PROFILE OF THE CASE 58 00:03:21,310 --> 00:03:24,793 AND THE LUGS FOR ATTACHING THE WATCH BAND. 59 00:03:24,793 --> 00:03:27,482 THEN, THE FINAL TOOL DRILLS HOLES IN THE LUGS 60 00:03:27,482 --> 00:03:29,034 FOR THE SPRING-LOADED PINS 61 00:03:29,034 --> 00:03:31,724 THAT ATTACH THE WATCH BAND TO THE CASE. 62 00:03:33,724 --> 00:03:36,724 ANOTHER COMPUTER-GUIDED MACHINE MAKES THE WATCH BAND 63 00:03:36,724 --> 00:03:39,931 AND LINKS OUT OF A BAR OF STAINLESS STEEL. 64 00:03:39,931 --> 00:03:43,482 THIS MACHINE REDUCES THE BAR AND WIDTH, CARVES OUT THE LINKS 65 00:03:43,482 --> 00:03:46,517 AND BORES HOLES FOR THE CONNECTING PINS. 66 00:03:46,517 --> 00:03:49,689 A PROCESS CALLED ION PLATING PUTS A BLACK FINISH 67 00:03:49,689 --> 00:03:52,241 ON ALL THE STAINLESS-STEEL PARTS. 68 00:03:52,241 --> 00:03:54,758 THEN, A WORKER ASSEMBLES TWO BANDS 69 00:03:54,758 --> 00:03:57,965 AND CONNECTS ONE TO THE WATCH CLASP. 70 00:03:57,965 --> 00:04:01,172 NEXT, HE ATTACHES THE WATCH CASE WINDOW. 71 00:04:01,172 --> 00:04:03,344 IT'S MADE OF SAPPHIRE GLASS, 72 00:04:03,344 --> 00:04:06,172 A CRYSTAL THAT'S EXCEPTIONALLY DURABLE. 73 00:04:06,172 --> 00:04:08,827 HE INSERTS THE SELF-WINDING MOVEMENT AND DIAL. 74 00:04:08,827 --> 00:04:11,896 THE DIAL IS A SHEET OF BRASS WITH CUT-OUT NUMBERS 75 00:04:11,896 --> 00:04:14,137 AND INDICES OVER A BASE. 76 00:04:14,137 --> 00:04:19,034 COATED IN LUMINESCENT PAINT, THE WATCH GLOWS IN THE DARK. 77 00:04:19,034 --> 00:04:21,000 HE SECURES THE MOVEMENT TO THE CASE 78 00:04:21,000 --> 00:04:22,517 WITH A RETAINING RING, 79 00:04:22,517 --> 00:04:26,586 THEN INSERTS THE CROWN, WHICH SETS THE DIAL'S HANDS. 80 00:04:26,586 --> 00:04:30,034 THE WORKER SCREWS ON THE STAINLESS-STEEL CASE BACK. 81 00:04:30,034 --> 00:04:32,068 THE WATCH'S WINDOW OF SAPPHIRE GLASS 82 00:04:32,068 --> 00:04:34,482 ALLOWS YOU TO SEE THE WORKING MOVEMENT INSIDE. 83 00:04:34,482 --> 00:04:37,241 THE CASE BACK IS ENGRAVED 84 00:04:37,241 --> 00:04:39,724 WITH THE NAME OF THE LIMITED-EDITION COLLECTION 85 00:04:39,724 --> 00:04:42,517 AND THIS WATCH'S NUMBER IN THE SERIES. 86 00:04:42,517 --> 00:04:47,310 HE ATTACHES THE WATCH BAND TO THE CASE WITH SPRING PINS. 87 00:04:50,137 --> 00:04:52,482 WITH THE WATCH NOW FULLY ASSEMBLED, 88 00:04:52,482 --> 00:04:57,448 IT'S TIME TO INLAY THE YANKEE STADIUM WOODEN CHAIR ACCENTS. 89 00:04:57,448 --> 00:04:59,482 USING A TOOTHPICK, 90 00:04:59,482 --> 00:05:01,344 A WORKER APPLIES EPOXY GLUE 91 00:05:01,344 --> 00:05:04,482 TO THE RECTANGULAR RECESS IN EACH LINK. 92 00:05:08,275 --> 00:05:12,689 THEN HE PLACES A WOODEN LINK PIECE IN EACH RECESS. 93 00:05:24,379 --> 00:05:27,827 HE FOLLOWS THE SAME PROCESS FOR THE DIAL'S WOODEN BEZEL. 94 00:05:29,965 --> 00:05:32,862 A WORKER SETS THE WATCH ASIDE FOR 24 HOURS 95 00:05:32,862 --> 00:05:37,034 TO LET THE ADHESIVE SET. 96 00:05:37,034 --> 00:05:39,758 THEN THE WORKER BUFFS THE ENTIRE SURFACE 97 00:05:39,758 --> 00:05:41,862 ON A CLOTH POLISHING WHEEL. 98 00:05:41,862 --> 00:05:44,068 THIS PROCESS REMOVES THE FINGERPRINTS 99 00:05:44,068 --> 00:05:47,482 AND DUST AND SMOOTHES THOSE HISTORIC WOOD ACCENTS. 100 00:05:47,482 --> 00:05:50,793 THE WATCH AUTOMATICALLY WINDS WITH WRIST MOVEMENT 101 00:05:50,793 --> 00:05:53,068 TO RELIABLY TELL THE TIME 102 00:05:53,068 --> 00:05:56,586 WHILE NOSTALGICALLY GOING BACK IN TIME. 103 00:06:07,896 --> 00:06:09,896 Narrator: IF YOU'RE LOOKING FOR AN AFFORDABLE BICYCLE 104 00:06:09,896 --> 00:06:13,793 THAT'S DURABLE AND HAS GREAT SHOCK ABSORPTION CAPABILITIES, 105 00:06:13,793 --> 00:06:16,310 THEN A BIKE MADE OF STEEL IS FOR YOU. 106 00:06:16,310 --> 00:06:18,586 IT'S A BIT HEAVIER THAN A HIGH-END BICYCLE 107 00:06:18,586 --> 00:06:20,896 MADE OF ALUMINUM OR CARBON FIBER, 108 00:06:20,896 --> 00:06:23,965 BUT THIS RUGGED MATERIAL BUYS YOU A SMOOTHER RIDE 109 00:06:23,965 --> 00:06:27,000 AT A SIGNIFICANTLY LOWER PRICE. 110 00:06:29,034 --> 00:06:32,000 THIS THREE-SPEED STEEL BICYCLE IS STURDY 111 00:06:32,000 --> 00:06:34,482 AND COMFORTABLE ENOUGH TO RIDE RECREATIONALLY 112 00:06:34,482 --> 00:06:37,379 OR DAILY TO SCHOOL OR WORK. 113 00:06:37,379 --> 00:06:39,793 A CARGO RACK IN THE REAR CAN HOLD YOUR PURSE, 114 00:06:39,793 --> 00:06:43,793 BACKPACK OR BRIEFCASE. 115 00:06:43,793 --> 00:06:46,310 THE BIKE IS MADE OF CHROMOLY STEEL, 116 00:06:46,310 --> 00:06:49,724 WHICH IS, POUND-FOR-POUND, STRONGER THAN STANDARD STEEL. 117 00:06:49,724 --> 00:06:51,862 TO PREPARE THE BIKE'S TUBULAR PARTS 118 00:06:51,862 --> 00:06:53,620 INCLUDING THE FRAME, 119 00:06:53,620 --> 00:06:57,620 A WORKER CUTS STEEL TUBE WITH A HORIZONTAL BAND SAW 120 00:06:57,620 --> 00:06:59,827 INTO SPECIFIC-LENGTH PIECES. 121 00:07:01,793 --> 00:07:03,689 HE THEN CLAMPS CERTAIN FRAME PIECES 122 00:07:03,689 --> 00:07:05,137 INTO A MILLING MACHINE, 123 00:07:05,137 --> 00:07:07,689 WHICH WILL CUT A CURVE INTO ONE OR BOTH ENDS 124 00:07:07,689 --> 00:07:09,517 DEPENDING ON THE PIECE'S LOCATION 125 00:07:09,517 --> 00:07:12,000 IN THE FINAL ASSEMBLY. 126 00:07:15,379 --> 00:07:17,413 THIS NOTCH, AS IT'S CALLED, 127 00:07:17,413 --> 00:07:18,827 WILL LET THE TUBE BUTT UP 128 00:07:18,827 --> 00:07:20,896 AGAINST THE SIDE OF AN ADJACENT TUBE 129 00:07:20,896 --> 00:07:23,310 WHEN THE BIKE'S FRAME IS ASSEMBLED. 130 00:07:23,310 --> 00:07:26,344 THE NOTCHED EDGE IS RAGGED, 131 00:07:26,344 --> 00:07:30,517 SO THE WORKER SMOOTHES IT OUT WITH A SMALL BELT SANDER. 132 00:07:32,172 --> 00:07:34,724 CERTAIN FRAME PARTS ARE STRAIGHT, OTHERS BENT. 133 00:07:34,724 --> 00:07:36,517 TO MAKE THE BENT ONES, 134 00:07:36,517 --> 00:07:37,724 ANOTHER WORKER PLACES 135 00:07:37,724 --> 00:07:40,068 THE PIECE OF TUBE IN A TUBE BENDER, 136 00:07:40,068 --> 00:07:44,517 A PRESS THAT FORCES THE TUBE AGAINST A CURVED DYE. 137 00:07:44,517 --> 00:07:47,000 ONCE ALL THE FRAME PARTS ARE READY, 138 00:07:47,000 --> 00:07:49,034 A WELDER CLAMPS THEM IN A FIXTURE, 139 00:07:49,034 --> 00:07:52,000 WHICH CORRECTLY POSITIONS THEM FOR ASSEMBLY. 140 00:07:55,413 --> 00:07:58,172 HE WORKS WITH A WELDING TORCH IN ONE HAND 141 00:07:58,172 --> 00:08:00,896 AND A ROD OF FILLER METAL IN THE OTHER. 142 00:08:02,689 --> 00:08:05,413 THE TORCH MELTS ADJACENT TUBES AT THEIR MEETING POINT 143 00:08:05,413 --> 00:08:08,862 SO THAT THEY FUSE TOGETHER. 144 00:08:08,862 --> 00:08:10,379 THE WELDER ALSO MELTS 145 00:08:10,379 --> 00:08:12,931 IN SOME FILLER METAL TO STRENGTHEN THE JOINT. 146 00:08:22,034 --> 00:08:25,758 THE BICYCLE FRAME IS MADE UP OF NINE MAJOR PARTS. 147 00:08:28,448 --> 00:08:31,448 AND THE WELDER WELDS THEM TO EACH OTHER IN TWO SECTIONS, 148 00:08:31,448 --> 00:08:35,275 FORMING THE REAR TRIANGLE AND THE FRONT TRIANGLE. 149 00:08:35,275 --> 00:08:36,586 THIS IS THE REAR ONE, 150 00:08:36,586 --> 00:08:40,862 WHICH ALONE REQUIRES NINE METICULOUS WELDS. 151 00:08:46,586 --> 00:08:49,206 ONCE EACH TRIANGLE IS SEPARATELY ASSEMBLED, 152 00:08:49,206 --> 00:08:51,172 HE WELDS THEM TOGETHER. 153 00:08:53,379 --> 00:08:55,103 ANOTHER WORKER SPRAYS THE FRAME 154 00:08:55,103 --> 00:08:58,413 WITH POWDER-COAT PRIMER, THEN COLOR. 155 00:08:58,413 --> 00:09:00,551 POWDER COAT IS AN INDUSTRIAL-GRADE, 156 00:09:00,551 --> 00:09:02,931 PAINT-LIKE FINISH, 157 00:09:02,931 --> 00:09:04,586 WHICH HE BAKES ONTO THE METAL 158 00:09:04,586 --> 00:09:08,482 AT ALMOST 400 DEGREES FAHRENHEIT FOR 20 MINUTES. 159 00:09:13,206 --> 00:09:15,068 WHEN THE FRAME COMES OUT OF THE OVEN, 160 00:09:15,068 --> 00:09:17,034 ANOTHER WORKER PRESSES STEEL CAPS 161 00:09:17,034 --> 00:09:18,827 INTO WHAT'S CALLED THE HEAD TUBE, 162 00:09:18,827 --> 00:09:21,482 THAT VERTICAL TUBE AT THE FRONT OF THE FRAME 163 00:09:21,482 --> 00:09:24,310 WHICH HOLDS THE HANDLEBARS ON TOP 164 00:09:24,310 --> 00:09:26,103 AND THE FORK FOR THE FRONT WHEEL AT THE BOTTOM. 165 00:09:26,103 --> 00:09:28,689 BEARINGS INSIDE THE CAPS LET THE HANDLEBARS 166 00:09:28,689 --> 00:09:31,896 AND FORK TURN LEFT AND RIGHT WITH EASE. 167 00:09:34,827 --> 00:09:36,655 TO PUT THE BICYCLE TOGETHER, 168 00:09:36,655 --> 00:09:39,137 THE WORKER SUSPENDS THE FRAME IN AN ASSEMBLY STAND 169 00:09:39,137 --> 00:09:41,103 AND THEN INSERTS THE BOTTOM BRACKET, 170 00:09:41,103 --> 00:09:44,965 WHICH WILL ULTIMATELY SUPPORT THE BIKE'S DRIVETRAIN SYSTEM. 171 00:09:44,965 --> 00:09:47,448 THE BIKE'S FENDERS ARE MADE OF SHEET STEEL 172 00:09:47,448 --> 00:09:50,965 THAT'S SHAPED WITH PRESSURE-APPLYING ROLLERS. 173 00:09:50,965 --> 00:09:54,137 THE REAR FENDER ATTACHES TO THE REAR DROPOUT 174 00:09:54,137 --> 00:09:56,206 AND AT FENDER MOUNTS AT TWO OTHER LOCATIONS 175 00:09:56,206 --> 00:09:58,482 ON THE FRAME'S REAR TRIANGLE. 176 00:10:00,965 --> 00:10:02,724 HE SCREWS THE CARGO RACK TO MIDDLE 177 00:10:02,724 --> 00:10:05,034 AND REAR RACK SUPPORTS. 178 00:10:05,034 --> 00:10:06,448 THEN, HE INSERTS AND BOLTS 179 00:10:06,448 --> 00:10:09,517 THE REAR WHEEL INTO THE REAR DROPOUT. 180 00:10:09,517 --> 00:10:11,620 THE WHEEL HUB HAS THREE BUILT-IN GEARS. 181 00:10:11,620 --> 00:10:13,862 THE HUB AND RIM ARE MADE OF ALUMINUM, 182 00:10:13,862 --> 00:10:16,413 WHICH IS LIGHTWEIGHT AND DOESN'T RUST. 183 00:10:16,413 --> 00:10:20,827 THE WHEEL SPOKES ARE STAINLESS STEEL. 184 00:10:20,827 --> 00:10:23,586 NEXT, THE WORKER INSTALLS THE DRIVETRAIN SYSTEM, 185 00:10:23,586 --> 00:10:25,241 INSERTING THE CRANK ARMS, 186 00:10:25,241 --> 00:10:26,965 ALREADY MOUNTED TO THE CHAIN RING, 187 00:10:26,965 --> 00:10:29,931 ONTO THE BOTTOM BRACKET. 188 00:10:29,931 --> 00:10:33,517 HE TIGHTENS THE BOLT SECURELY WITH A TORQUE WRENCH. 189 00:10:35,896 --> 00:10:39,275 WORKERS THEN INSERT THE FORK INTO THE BOTTOM OF THE HEAD TUBE 190 00:10:39,275 --> 00:10:42,103 AND CHROME-PLATED STEEL HANDLEBARS INTO THE TOP MOUNT, 191 00:10:42,103 --> 00:10:44,241 THE FRONT FENDER AND FRONT WHEEL, 192 00:10:44,241 --> 00:10:45,931 THEN INSTALL THE PEDALS, 193 00:10:45,931 --> 00:10:49,379 VINYL SEAT, CHAIN AND CHAIN GUARD. 194 00:10:49,379 --> 00:10:50,896 WITH THE GEAR SHIFTER 195 00:10:50,896 --> 00:10:53,241 AND FRONT BRAKE LEVER ON THE HANDLEBARS, 196 00:10:53,241 --> 00:10:57,000 THIS STEEL BICYCLE IS READY TO HIT THE ROAD. 197 00:11:06,758 --> 00:11:08,000 Narrator: FOR SOME PET OWNERS, 198 00:11:08,000 --> 00:11:11,586 FEEDING RAW FOOD TO FIDO IS A NATURAL CHOICE. 199 00:11:11,586 --> 00:11:13,724 IT HARKENS BACK TO THE COMMON ANCESTOR 200 00:11:13,724 --> 00:11:15,655 OF ALL DOG BREEDS, THE WOLF. 201 00:11:15,655 --> 00:11:18,034 IN THE WILD, WOLVES EAT RAW MEAT 202 00:11:18,034 --> 00:11:19,931 AND OCCASIONALLY SOME GREENS, 203 00:11:19,931 --> 00:11:23,379 SO THE THEORY GOES THAT DOGS ARE GENETICALLY PREDISPOSED 204 00:11:23,379 --> 00:11:25,862 TO THRIVE ON A RAW-MEAT DIET. 205 00:11:28,310 --> 00:11:31,413 DOGS HAVE BEEN DOMESTICATED FOR THOUSANDS OF YEARS, 206 00:11:31,413 --> 00:11:33,137 BUT WHEN IT COMES TO THEIR DIET, 207 00:11:33,137 --> 00:11:35,103 THEY CAN STILL GO A LITTLE WILD. 208 00:11:35,103 --> 00:11:36,965 RAW CANINE CUISINE MAY BE 209 00:11:36,965 --> 00:11:39,206 A FOREIGN CONCEPT TO SOME PET OWNERS, 210 00:11:39,206 --> 00:11:41,965 BUT IT'S BECOMING MORE MAINSTREAM. 211 00:11:41,965 --> 00:11:45,310 THE MAKERS OF RAW DOG FOOD OFTEN MIX FRUITS 212 00:11:45,310 --> 00:11:48,000 AND VEGETABLES WITH MEAT TO PROVIDE FIBER 213 00:11:48,000 --> 00:11:50,655 AND CREATE A BALANCED MEAL. 214 00:11:50,655 --> 00:11:52,655 THE PROCESS STARTS 215 00:11:52,655 --> 00:11:56,413 WITH A LOT OF SLICING AND DICING. 216 00:11:56,413 --> 00:12:00,000 A FOOD WORKER CHOPS THE FRUITS AND VEGGIES INTO SMALLER PIECES 217 00:12:00,000 --> 00:12:03,448 SO THEY'LL BE ABLE TO GO THROUGH A GRINDER MORE EASILY. 218 00:12:06,034 --> 00:12:09,586 HE ALSO REMOVES THE SEEDS FROM THE APPLES AND THE SQUASH 219 00:12:09,586 --> 00:12:12,172 BECAUSE THE SEEDS AREN'T AS EASILY DIGESTED 220 00:12:12,172 --> 00:12:13,551 AS THE REST OF THE FRUIT 221 00:12:13,551 --> 00:12:15,896 AND PROVIDE NO ADDITIONAL NUTRITION. 222 00:12:20,206 --> 00:12:22,137 THIS RAW PET FOOD RECIPE CALLS 223 00:12:22,137 --> 00:12:24,620 FOR A VARIETY OF FRUITS AND VEGETABLES. 224 00:12:24,620 --> 00:12:25,793 THOUGH, IN TOTAL, 225 00:12:25,793 --> 00:12:28,965 THEY WILL COMPRISE JUST 5% OF THE MEAL. 226 00:12:28,965 --> 00:12:33,137 THE REST OF THE RAW BLEND WILL CONSIST OF MEAT, BONES, 227 00:12:33,137 --> 00:12:35,655 ORGANS AND FISH. 228 00:12:38,482 --> 00:12:40,689 ANOTHER FOOD WORKER CHOPS UP THE CHICKEN, 229 00:12:40,689 --> 00:12:43,103 WHICH HAS BEEN ORGANICALLY RAISED 230 00:12:43,103 --> 00:12:47,862 AND HAS EVEN BEEN APPROVED FOR HUMAN CONSUMPTION. 231 00:12:47,862 --> 00:12:50,482 EXCEPT FOR THE BREASTS, ALL THE PARTS OF THE CHICKEN 232 00:12:50,482 --> 00:12:52,448 WILL BE USED IN THE MAIN RECIPE. 233 00:12:52,448 --> 00:12:56,931 THIS INCLUDES THE HEART, LIVER, GIZZARDS AND THE BONES. 234 00:13:00,655 --> 00:13:03,862 RAW, WHOLE SARDINES, ANCHOVIES AND MACKEREL 235 00:13:03,862 --> 00:13:05,655 WILL ADD ESSENTIAL FATTY ACIDS 236 00:13:05,655 --> 00:13:07,482 TO THE RAW CHICKEN BLEND. 237 00:13:10,586 --> 00:13:12,862 ALL THE INGREDIENTS HAVE BEEN PREPARED 238 00:13:12,862 --> 00:13:15,586 AND ARE NOW READY FOR GRINDING. 239 00:13:15,586 --> 00:13:17,793 A WORKER FEEDS THE COMPONENTS TO THE GRINDER 240 00:13:17,793 --> 00:13:20,793 IN SMALL BATCHES INTERSPERSING THE MEAT, 241 00:13:20,793 --> 00:13:23,137 FISH AND THE VEGETABLES. 242 00:13:27,172 --> 00:13:29,758 THIS ENSURES EVEN DISTRIBUTION, 243 00:13:29,758 --> 00:13:33,827 AS THE GRINDER MINCES EVERYTHING TO A UNIFORM PARTICLE SIZE. 244 00:13:37,275 --> 00:13:39,275 THE RESULT IS A THICK EMULSION 245 00:13:39,275 --> 00:13:41,068 OF FINELY GROUND CHICKEN MEAT, 246 00:13:41,068 --> 00:13:44,000 BONES, VEGETABLES, FRUITS AND FISH. 247 00:13:47,137 --> 00:13:51,172 SHE TRANSFERS THE MINCED RAW INGREDIENTS TO A MIXER. 248 00:13:53,862 --> 00:13:56,655 THE REVOLVING PADDLES FURTHER BLEND THE FOOD. 249 00:13:59,793 --> 00:14:02,103 AFTER ABOUT 5 MINUTES IN THE MIXER, 250 00:14:02,103 --> 00:14:04,000 ALL THE INGREDIENTS HAVE BEEN COMBINED 251 00:14:04,000 --> 00:14:06,586 INTO ONE HOMOGENEOUS RAW MASS. 252 00:14:08,724 --> 00:14:11,724 THIS CHICKEN BLEND IS NOW COMPLETE. 253 00:14:11,724 --> 00:14:14,689 THE WORKER DIVIDES IT INTO 5-POUND BATCHES 254 00:14:14,689 --> 00:14:16,689 AND SCOOPS IT INTO BAGS. 255 00:14:21,103 --> 00:14:23,758 SHE VACUUM SEALS THE BAG. 256 00:14:23,758 --> 00:14:25,448 REMOVING ALL THE AIR INSIDE 257 00:14:25,448 --> 00:14:29,379 WILL ALLOW THE RAW BLEND TO STAY FRESH LONGER. 258 00:14:29,379 --> 00:14:33,413 REFRIGERATED, IT SHOULD LAST FOR UP TO 10 DAYS AND, 259 00:14:33,413 --> 00:14:37,103 IF FROZEN, IT SHOULD BE GOOD FOR SEVERAL MONTHS. 260 00:14:37,103 --> 00:14:39,586 FOR THE FURRY MEMBERS OF THE FAMILY, 261 00:14:39,586 --> 00:14:41,793 DINNER IS READY TO BE SERVED. 262 00:14:44,758 --> 00:14:46,689 TO MAKE SOME RAW PET SNACKS, 263 00:14:46,689 --> 00:14:48,586 A WORKER DE-SHELLS NEW ZEALAND 264 00:14:48,586 --> 00:14:50,103 GREEN-LIPPED MUSSELS, 265 00:14:50,103 --> 00:14:53,137 A SPECIES THAT IS BELIEVED TO HAVE FAST-ACTING 266 00:14:53,137 --> 00:14:56,793 ANTI-INFLAMMATORY PROPERTIES. 267 00:14:56,793 --> 00:14:59,896 AFTER SHE CUTS THE MUSSELS FREE FROM THE SHELLS, 268 00:14:59,896 --> 00:15:02,896 SHE PLACES THEM ON RACKS FOR AIR-DRYING. 269 00:15:05,758 --> 00:15:08,379 SHE TRANSFERS THE RACK INTO A DRYING TENT 270 00:15:08,379 --> 00:15:11,586 WHERE FANS KEEP AIR CIRCULATING 24 HOURS A DAY. 271 00:15:11,586 --> 00:15:16,931 AS THE MUSSELS DRY, THEY SHRINK. 272 00:15:16,931 --> 00:15:18,965 AFTER 72 HOURS IN THE TENT, 273 00:15:18,965 --> 00:15:23,655 THE MOISTURE CONTENT IS SUBSTANTIALLY REDUCED. 274 00:15:23,655 --> 00:15:26,206 AIR DRYING HAS PRESERVED THE FLESH OF THE MUSSELS 275 00:15:26,206 --> 00:15:27,413 IN THE RAW STATE 276 00:15:27,413 --> 00:15:29,689 WHILE PREVENTING DAMAGE TO THE NUTRIENTS 277 00:15:29,689 --> 00:15:31,793 AND ENZYMES THEY CONTAIN. 278 00:15:33,793 --> 00:15:35,172 NOW PRESERVED, 279 00:15:35,172 --> 00:15:37,586 SHE PACKS THE MUSSELS INTO PLASTIC BAGS 280 00:15:37,586 --> 00:15:40,724 AND ADDS AN IRON OXIDE PACKET TO ABSORB OXYGEN 281 00:15:40,724 --> 00:15:42,551 AND PREVENT SPOILAGE. 282 00:15:44,620 --> 00:15:50,000 THIS RAW PET FOOD IS NOW READY TO NOURISH THE WOLF IN YOUR DOG. 283 00:16:02,620 --> 00:16:04,827 Narrator: BEFORE THE INVENTION OF ELECTRICITY, 284 00:16:04,827 --> 00:16:07,482 CRIMINAL ACTS WERE HIDDEN BY DARKNESS. 285 00:16:07,482 --> 00:16:09,724 POLICE OFFICERS CARRIED SPECIAL LANTERNS 286 00:16:09,724 --> 00:16:12,000 AS THEY PURSUED SUSPECTS. 287 00:16:12,000 --> 00:16:15,206 TODAY, CRAFTSMEN REPLICATE THESE LANTERNS FOR THE MOVIE 288 00:16:15,206 --> 00:16:17,137 AND TELEVISION INDUSTRIES. 289 00:16:17,137 --> 00:16:18,931 THESE PROPS ARE AUTHENTICALLY 290 00:16:18,931 --> 00:16:21,965 REPLICATED PIECES OF POLICE HISTORY. 291 00:16:21,965 --> 00:16:25,068 WITH A THICK BULL'S-EYE LENS 292 00:16:25,068 --> 00:16:27,206 TO MAGNIFY THE LIGHT FROM THE FLAME, 293 00:16:27,206 --> 00:16:29,344 THE 19th-CENTURY POLICE LANTERN 294 00:16:29,344 --> 00:16:33,758 HELPED FIND BAD GUYS ON SHADOWY STREETS. 295 00:16:33,758 --> 00:16:37,000 TO REPLICATE A VINTAGE POLICE LANTERN, 296 00:16:37,000 --> 00:16:40,000 THE CRAFTSMAN STARTS WITH A PIECE OF STEEL. 297 00:16:40,000 --> 00:16:42,965 USING A SCRIBE, HE TRACES AROUND A PATTERN 298 00:16:42,965 --> 00:16:45,482 TO TRANSFER THE OUTLINE TO THE BLANK. 299 00:16:45,482 --> 00:16:49,379 HE MARKS NOTCHES FOR HINGES AND FOR THE LATCH 300 00:16:49,379 --> 00:16:53,448 AND ETCHES THE SHAPE OF THE LENS HOLE IN THE CENTER. 301 00:16:53,448 --> 00:16:57,379 HE DRAWS TWO DIAGONAL LINES IN THE LENS HOLE AREA. 302 00:16:57,379 --> 00:16:59,931 THE POINT WHERE THE LINES INTERSECT DETERMINES 303 00:16:59,931 --> 00:17:02,482 THE EXACT CENTER. 304 00:17:02,482 --> 00:17:06,517 HE PUNCHES A DIVOT INTO THE STEEL AT THIS CROSS POINT. 305 00:17:10,620 --> 00:17:12,482 HE SCRIBES LINES ALONG THE EDGES 306 00:17:12,482 --> 00:17:16,379 FOR BENDING INTO A REINFORCED BORDER LATER ON. 307 00:17:17,517 --> 00:17:20,517 HE CUTS OUT THE HINGE AND LATCH NOTCHES FOLLOWING 308 00:17:20,517 --> 00:17:23,275 THE TRANSFERRED PATTERN LINES. 309 00:17:25,758 --> 00:17:30,137 NEXT, HE ALIGNS THE CENTER DIVOT WITH A PUNCH 310 00:17:30,137 --> 00:17:32,620 AND THEN ACTIVATES THE PUNCH TO CUT OUT THE HOLE 311 00:17:32,620 --> 00:17:35,482 FOR THE LANTERN LENS. 312 00:17:35,482 --> 00:17:37,517 THE CRAFTSMAN NOW BENDS WIRE 313 00:17:37,517 --> 00:17:41,103 TO MATCH THE PROFILE OF THE LANTERN DOOR. 314 00:17:41,103 --> 00:17:45,000 HE ALIGNS THE WIRE WITH THE SCRIBED LINES 315 00:17:45,000 --> 00:17:47,379 ON THE EDGE OF THE DOOR 316 00:17:47,379 --> 00:17:49,965 AND FOLDS THE METAL OVER IT. 317 00:17:49,965 --> 00:17:54,931 BENDING THE DOOR TO THE CORRECT CURVATURE COMPLETES THE PART. 318 00:17:54,931 --> 00:17:56,448 FOLLOWING ANOTHER PATTERN, 319 00:17:56,448 --> 00:17:58,413 THE CRAFTSMAN MARKS THE LOCATION 320 00:17:58,413 --> 00:18:00,172 FOR VENT HOLES IN THE BLANK 321 00:18:00,172 --> 00:18:04,517 THAT WILL BECOME THE LANTERN'S MAIN STRUCTURE. 322 00:18:04,517 --> 00:18:07,137 HE CUTS OUT THE VENT HOLES WHERE HE'S MADE THE MARKS 323 00:18:07,137 --> 00:18:09,310 USING A HAND-OPERATED PUNCH. 324 00:18:12,241 --> 00:18:15,034 HE THEN ROLLS THE BLANK INTO A CYLINDER. 325 00:18:15,034 --> 00:18:18,068 IT TAKES A COUPLE OF PASSES 326 00:18:18,068 --> 00:18:20,655 TO ACHIEVE THE CORRECT CURVATURE. 327 00:18:22,862 --> 00:18:26,034 MOVING ON TO THE LANTERN'S LENS HOLDER, 328 00:18:26,034 --> 00:18:29,482 THE CRAFTSMAN CRIMPS A BEAD AROUND ONE END. 329 00:18:29,482 --> 00:18:31,137 THIS BEAD HELPS TO RETAIN 330 00:18:31,137 --> 00:18:33,758 THE BULL'S-EYE LENS IN THE HOLDER. 331 00:18:33,758 --> 00:18:37,000 RETURNING TO THE LANTERN BODY, 332 00:18:37,000 --> 00:18:40,241 HE HAMMERS THE TOP RIM AROUND THE CAP. 333 00:18:40,241 --> 00:18:43,482 HE PREPS THE SURFACE FOR SOLDERING 334 00:18:43,482 --> 00:18:47,965 WITH A CHEMICAL CLEANING AGENT KNOWN AS FLUX. 335 00:18:47,965 --> 00:18:49,689 HE THEN SOLDERS THE JOINT 336 00:18:49,689 --> 00:18:52,000 TO SECURE THE TOP TO THE LANTERN. 337 00:18:54,724 --> 00:18:57,482 HE ALSO SOLDERS A RAISED PANEL TO THE BACK. 338 00:18:57,482 --> 00:19:01,689 THIS SUBSTANTIAL PANEL SERVES AS SUPPORT FOR HANDLES. 339 00:19:05,862 --> 00:19:08,862 HE THEN CLEANS THE SOLDER JOINTS WITH ACETONE. 340 00:19:11,517 --> 00:19:14,517 NEXT, HE WRAPS METAL HINGES AROUND THE WIRE 341 00:19:14,517 --> 00:19:17,517 THAT RUNS THROUGH THE NOTCHES IN THE DOOR. 342 00:19:17,517 --> 00:19:20,034 HE CRIMPS THE HINGES TOGETHER AT THE ENDS 343 00:19:20,034 --> 00:19:23,034 AND POSITIONS THE DOOR ON THE LANTERN BODY. 344 00:19:23,034 --> 00:19:24,310 HE ADJUSTS THE HINGES 345 00:19:24,310 --> 00:19:28,241 SO THE ENDS SIT LEVEL ON THE LANTERN. 346 00:19:28,241 --> 00:19:31,793 HE SOLDERS THE HINGES TO THE STEEL STRUCTURE. 347 00:19:37,103 --> 00:19:39,000 THE CRAFTSMAN INSERTS THE BULL'S-EYE LENS 348 00:19:39,000 --> 00:19:40,689 ASSEMBLY INTO THE HOLE 349 00:19:40,689 --> 00:19:42,793 IN THE CENTER OF THE LANTERN DOOR, 350 00:19:42,793 --> 00:19:45,482 AND HE SOLDERS THE JOINT. 351 00:19:45,482 --> 00:19:46,793 HE PINS AND SOLDERS 352 00:19:46,793 --> 00:19:49,000 THE TWO TIERS OF A COPPER CHIMNEY. 353 00:19:49,000 --> 00:19:52,000 HE PLACES THE CHIMNEY OVER THE HOLE IN THE TOP 354 00:19:52,000 --> 00:19:53,482 OF THE LANTERN 355 00:19:53,482 --> 00:19:57,413 AND TUCKS MORE PINS INTO HOLES IN THE CHIMNEY. 356 00:19:57,413 --> 00:20:00,241 THE CRAFTSMAN INSTALLS A DECORATIVE PART IN THE TOP, 357 00:20:00,241 --> 00:20:03,206 ONE THAT WON'T OBSTRUCT THE CHIMNEY HOLE. 358 00:20:03,206 --> 00:20:05,758 HE ASSEMBLES THE HANDLES TO THE RAISED PANEL 359 00:20:05,758 --> 00:20:07,448 AT THE BACK OF THE LANTERN. 360 00:20:10,275 --> 00:20:14,241 ONCE THE SOLDERED SEAM HARDENS, HE FILES IT DOWN. 361 00:20:14,241 --> 00:20:18,793 THE CRAFTSMAN TESTS THE LATCH ON THE DOOR AND CONFIRMS 362 00:20:18,793 --> 00:20:20,862 THAT IT OPERATES PERFECTLY. 363 00:20:23,758 --> 00:20:26,103 AFTER TAPING UP THE LENS AND HANDLES, 364 00:20:26,103 --> 00:20:28,551 HE SPRAY PAINTS THE LANTERN BLACK. 365 00:20:30,896 --> 00:20:34,275 NOW IT'S TIME TO ASSEMBLE THE OIL-BURNING MECHANISM. 366 00:20:34,275 --> 00:20:36,137 FIRST, THE CRAFTSMAN MELTS 367 00:20:36,137 --> 00:20:38,551 SOLDER ONTO A THREADED BRASS COLLAR 368 00:20:38,551 --> 00:20:41,620 AND TRANSFERS IT TO THE OIL TANK. 369 00:20:41,620 --> 00:20:44,655 HE REHEATS THE SOLDER TO MELT IT INTO THE JOINT. 370 00:20:47,517 --> 00:20:49,413 HE INSERTS THE WICK IN THE TANK 371 00:20:49,413 --> 00:20:51,793 AND SCREWS THE BURNER TO THE COLLAR. 372 00:20:55,241 --> 00:20:58,931 AND THAT COMPLETES THE LANTERN'S LIGHT SOURCE. 373 00:20:58,931 --> 00:21:03,000 THIS REPLICA POLICE LANTERN WILL BE A WORKING PROP 374 00:21:03,000 --> 00:21:06,793 DESIGNED TO SHINE ON TV AND THE MOVIES. 29110

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