All language subtitles for Act.of.Violence.1949

'A light breeze is
whipping the flags of state and nation'

'while a warm
and bright sunshine'

'streams down
on the war veterans.'

'Yes, it's typical California
weather here in Santa Lisa'

'for these solemn rites
of Memorial Day.'

'And following the parade..'

- Yes, sir?
- You got a single room?

I think so, sir.

I can give you
a very nice single at 350.

How long will you be staying?

I don't know.

- Never mind that.
- Yes, sir.

Thank you.

'And now I wanna
call on a fellow veteran'

'who probably had more to do
with our finally getting'

'this housing project
than anyone else in town.'

'I mean Frank Enley.'

I guess you all know Frank

and I'm sure you know
how hard he's worked.

So let's get him up here
and make our thanks official.

'Come on up, Frank.'

- Come on, speak, Frank.
- Go on, big shot.

- You heard what the man said.
- Come on, attaboy.

On the double, captain.

First time I ever had a chance
to give orders to a captain.

- Nice work, Frank.
- Thanks.

You know, Frank didn't only help
to build this project

he's worked with us day and
night from the very beginning.

'He helped keep our spirits up
and believe me'

there were times when,
well, the flesh was willing

but the spirit was pretty low.

Go ahead, Frank, it's all yours.

Well, uh, as you all know

I was just one of the
contractors on this project.

I had to attend those meetings
to keep my job.

Now seriously,
what I want to say to you

is this that it was you fellas,
you and your families

that really put this thing over.

You stuck together and you
fought for what you wanted.

And if I gave you any help
at all, well, believe me

I am very happy and I am
very proud that I was able to.

- Thanks, Frank. Thanks.
- Thank you.

Edith! Edith!

- 'Yes?'
- I can't find that other rod.

- Well, it's in there.
- Well, it's not in here--

Back in the corner,
behind the table leaves.

I've looked
back of the table lea..

- Oh.
- Honestly, sometimes I wonder.

You know, the nights
are cold up there.

You forget your heavy army
jacket and your hip boots.

- I won't need 'em.
- Oh, no.

Well, if you think
you're gonna get your feet--

Look, I was going fishing

before you put on
your first pair of bobby socks.

I'm going out on a nice
little lake in a nice dry boat.

And get a nice fat cold..

- Ow!
- Be careful now.

- You get that--
- Oh.

Say, you're getting kind of
fresh lately, aren't you?

Getting used to you, that's all.
You've lost your glamor.

- Oh, I have, have I?
- Certainly have.

- I've lost my glamor, huh?
- Uh-huh.

- Lost all my glamor, huh?
- Mm-hmm.

Hey, why don't you go out
and tell Fred that, uh

I had to go to the convention.
You want to?

- You think he'd fall for that?
- Sure.

Oh, no, oh, no,
you wanted to go fishing.

You're going fishing.

He'll be right out, Fred.

Bye-bye, Georgie.
Take care of your mother now.

You be a good boy now, Georgie.
Mommy will be right back.

- 'Hello, youngster.'
- Hi.

Finally let him
out of your clutches, eh?

It was a battle, Fred,
but I got away from her.

- Ha-ha!
- Say, Edith.

Why don't you and I
go up to the lake?

We'll leave him
to do the housekeeping.

Why, you old goat,
aren't you ashamed?

No, guess it's not a good idea.

'I don't think
I can trust Frank with Martha.'

'Listen to him, will ya?'

We'll only be
gone a couple of days.

Probably be back tomorrow night.

Oh, don't hurry on my account.

We're gonna paint the town,
aren't we, Martha?

Well,
don't call us up to bail you out.

Bye. Have fun.

Say, is that your phone or mine?

- Oh, it's mine. Bye.
- Bye.

Hello.

Hello?

'Hello? Hello, who is it?'

Wait here.

'Just a minute!'

Yes?

Is this where
Frank Enley lives?

Yes.
Is there something I can do?

- I'm his wife.
- No, I want to see him.

Oh, I'm sorry.
Mr. Enley's out of town.

Perhaps I could..
Well, is it business or..

Not exactly.

Some other time.

Is there any message?
Can I tell him who called?

- Where did you say he went?
- Redwood Lake.

If it's important,
I think they have a phone--

No, thank you.

Some other time.

Now the number's
in the glove compartment.

If you have any trouble,
just call us up.

We'll send a man out to you.

If you're out of town, we'll put
you in touch with the auto club.

Now if you leave the state,
you're supposed to notify us.

Here, you gotta sign this one,
too, right there.

That's a boy.

Now if you wanna keep the car
out another week

just send us a money order.
The boss don't like checks.

We'll check your mileage..

Got a fellow named Enley
stayin' here?

Yeah, Frank Enley.
Santa Lisa man.

- Where is he?
- Cabin number 4.

- Where is that?
- Across the road.

He ain't there now though.

Where is he now?

Boat number 14.

They're fishing over
in the inlet now.

Give me a boat.

You want bait and tackle
I suppose?

$5 deposit, 75 cents an hour.

Get your deposit back
if the boat ain't damaged.

You take this one.

Wait a minute,
let me give you a hand there.

Some lake.
Swarming with them, huh?

Patience, lad, patience.

Can I give you a hand
with your fish?

That's very funny.

Let's have
a couple of beers, Pop.

Where's your fish?

Go on, tell the man
where your fish are!

Where is our fish?
Well, how do you like that?

We ought to be asking
for our money back.

Don't let him throw you, Pop.

He's just preserving
his dignity.

Say, if I can't catch 'em,
they ain't there.

That fellow find you?

- Who's that?
- Fella was lookin' for you.

Hired a boat,
went out after you.

Didn't tell me his name.
He's a young fellow.

Walked with sort of a limp.

That's another thing.
I've fished every lake--

- Come on, let's go.
- Morning, noon and night.

- And it's been my experience--
- Let's go, Fred.

Well, aren't you gonna
finish your beer?

While you're out there
in the afternoon

they're biting in the morning.
You're out there in the--

Look, Fred, I think
I'd better go on back to town.

Going back to town?
You mean tonight?

No, I mean now.

But we just got here.
I thought--

I'm sorry, Fred,
but I've got to.

- What are you sore about?
- I'm not sore.

- Well, you sound sore.
- I'm not sore.

It's just that I, I remembered
something, that's all.

Bread and butter.

Well, let's get some chow
and then we can--

No, I want to go back now.

Well, if that's the way
you feel about it

I guess I don't have much
to say one way or the other.

Look, Fred, uh, throw that stuff
in the car, will you

and I'll, uh, settle up
with Pop.

Okay, but I don't get it.

You come all the way up here,
turn around and go back.

Pop. Pop.

We gotta leave.
What's the damage?

Leavin'? Why don't you wait
till mornin'--

Come on, let's have the bill.

Let's see.

There's the cabin, $3.
Boat, 2.25

the bait, $1,
and two beers is 40 cents--

Let's go, Pop, what is it?

$3, 5.25, 6.25, 6.65.

You don't wanna talk, you don't
wanna talk, that's all.

- See you tomorrow.
- Goodnight, kid.

'Martha?'

No, it's me.

'Well, hey, what are you doing
back so soon?'

- Something go wrong?
- No, no.

Well, you're alright,
aren't you?

Yeah, sure, the fishing
wasn't very good

and got kind of chilly.

The big outdoor man!

I remembered a couple of things

that I ought to take care of
at the office tomorrow

so I just decided
to come on back.

Did you get something to eat?

What? Oh, no.

Well, nails or no nails,
I guess I better fix something.

- You must be starved.
- Yeah, I am, a little bit.

Well, don't expect
anything fancy.

I didn't get a chance
to shop today.

Anybody been around
while I was gone?

'No, but I've been away myself.'

Oh, wait a minute. There was
a man here just after you left.

- What did he look like?
- 'Oh, he was just average.'

'He was, he was lame.'

'Do you know anybody like that?'

No.

'Guess he'll be back
if it's anything important.'

You can set the table
if you want.

What do you say, let's, um

let's eat in the kitchen
tonight. Do you want to?

We could go out if you'd rather.

No, no, no, I don't feel
like going out.

Alright. Come on
out and talk to me then.

'I'll see what I can whip up.'

'Wait till I tell you
about that Martha.'

'We almost wound up
in the clink.'

'If I hadn't talked like a Dutch
uncle, we probably would have.'

'Frank?'

- I'll be right there.
- 'Oh, alright.'

How about a tomato omelet?
That sound good?

Yeah, that sounds great.

You know, honestly,
that Martha is a menace.

First, she breezed right through
a boulevard stop and..

Oh, open this for me,
will you, hon?

Of course, there would be
a police car there.

- Hey, open it.
- Oh, okay.

'Anyway, Martha tried
to get them an argument.'

'Of course, she didn't have
a leg to stand on.'

'Still, the way
they were talking to her'

I was getting so mad
that I could have..

Oh, answer it, will you, hon?

Oh, let's let it ring,
shall we?

Why are you so lazy
all of a sudden?

Honey, it might be mother
long distance--

Oh, it couldn't be your mother.

Your mother called last week.

She wouldn't call again so soon.

Well, if you're gonna be
stubborn about it..

...I'll get it myself.

No, don't answer it.

- Frank, what's the matter?
- Nothing's the matter.

Then what is it? Tell me--

I just don't want to talk
to anybody or listen to anybody.

I don't want to see anybody.
I want to spend a quiet evening

in my own home.
Is that asking too much?

No.

No, of course not.

- More coffee?
- No, thanks.

Can I give you a hand
with the dishes?

No, they won't take a minute.

- What in--
- Shh.

Frank, that's the man
that was here this afternoon.

Yes, I know.

But who is he?
Why do we have to hide?

He's somebody
I don't want to see.

Frank, this is our house,
our own house.

- You just don't talk so loud.
- I was only whispering.

He followed me up to the lake.
I didn't want to tell you.

I thought
maybe he wouldn't come back.

- He asked me where you were.
- Why did you tell him--

I didn't know.

It's alright.

It doesn't matter.

- What does he want?
- Nothing.

He's a guy
that I knew in the army.

He's not right.
They've had him in the hospital.

What does he want?
Help or money? Is that it?

No, no. I was his CO
and he's got some crazy idea

that everything that ever
happened to him is my fault.

If I see him,
there will just be a scene.

- I don't want to see him.
- What are we going to do?

- We just can't hide--
- Just forget about it.

Baby, go on to bed, please.

He'll go away if he thinks
we're not at home.

- He's still there.
- He'll go away after a while.

But, Frank,
I still don't understand why--

Edith, a lot of things
happened in the war

that you wouldn't understand.

Why should you?
I don't understand them myself.

Come on, let's go on up.

It's alright, Georgie.

It was just a bad dream.

It's alright, honey.

Go to sleep now.

Go on to sleep.

Yes, baby.

Is he still there?

Yeah.

He won't come back again.

Look, baby, go on back to bed.

It's alright now.
There's nothing to worry about.

Where are you going?

Just downstairs.
I'll be up in a minute.

'Frank.'

Oh, I was just.

I want to ask you something.

When we packed up
all of a sudden

and came out here from Syracuse

3000 miles across the country

was that on account of him?

Not collecting
your terminal leave pay

dropping all our friends
back east.

Oh, it was, wasn't it, Frank?

Oh, I know you went through
some bad times in the war.

I know some things must have
happened that hurt you.

I never asked.

But I am asking now, Frank.
I want to know.

'You recognize him?'

"Joe Parkson." Was he--'

'You saw him this afternoon--'

But I remember him
from your letters.

He was your friend.

Yes, he was my bombardier.

Frank, I think I know now.

What do you mean?

He was with you
all the time you were flying.

- Twenty five missions.
- No, it was 21.

And a year in the prison camp.
Was that it?

Was that what did it to him?
The strain he went through?

Things like that
happen sometimes.

What did you mean
when you said he'd make a scene?

Did you mean
he might be violent?

He might be.

What happened at the lake
this afternoon?

- Nothing. He came up there--
- Frank, look at me.

He tried to kill you, didn't he?

No, no, he was nowhere near me.

- I just left, that's all.
- Oh, this has gone far enough.

What do you think you're doing?

- I'm calling the police.
- No, he's sick.

He doesn't know
what he is doing.

- What if he comes back?
- He won't come back.

How do you know?
How do you know what he'll do?

Well, I know he wouldn't
hurt you or the baby.

You saw that yourself.

- I'm not thinking about myself.
- I know, Edith, I know--

I don't care how sick he is
or what a great pal he was.

I'm not gonna let you get killed

because you think you owe
something to some lunatic.

This is not a thing
you can go to the police about.

Well, then call the army,
an army hospital.

Tell them what he's tried to do

and tell them
to come and get him.

No.

Frank.

You don't know what made him
the way he is.

I do.

'What are you going to do?'

I don't know.

Frank!

- Now get out of here.
- Back in the house.

He's gone. He's left town.

Look, if you don't believe me,
the garage, he took the car.

Ow!

- Where is he?
- I told you, he's gone.

I don't know where he is.
I don't know when he'll be back.

Upstairs.

He's got it nice here,
hasn't he?

Real nice.

It's alright, Georgie,
don't cry.

Just so there won't be
any misunderstanding

tell him I'll be back.

If you are, the police
will be here to meet you.

Better check with your husband.
I don't think he'd like that.

Why don't you leave us alone?
Why don't you go away?

He never did anything to you.

I know all about you.
He told me all about you.

He thinks he has to protect you,
but I'm not going to.

I don't care what you went
through together, you're just--

What did he tell you about me?

What did he tell you?

Did he tell you that
I'm a cripple because of him?

Did he tell you about the men
that are dead because of him?

Did he tell you what happened
to them before they died?

Mike Garvey.
He had a wife and a kid too.

Made a nuisance out of himself
showing everybody their picture.

Afterwards,
somebody got the picture back.

It was so covered with blood,
you couldn't tell what it was.

And the other men were moaning
outside the wire all night long.

I was lucky.

They thought I was dead
and left me there.

But it's not his fault.
He had nothing to do with it.

He was a stool pigeon
for the Nazis.

You're lying. You're crazy.
He told me you were crazy.

They even had to put you in the
hospital because you were crazy.

Sure, I was in the hospital,
but I didn't go crazy.

I kept myself sane.

You know how?

I kept saying to myself

"Joe, you're the only one alive
that knows what he did.

You're the one that's got
to find him, Joe."

I kept remembering.

I kept thinking back
to that prison camp.

One of them lasted till morning.

By then, you couldn't tell
his voice belonged to a man.

He sounded like a dog
that got hit by a truck

and left in the street.

Get out.

Get out of here
and leave us alone!

Save it. He isn't worth it.

You be good now, Georgie.

Mommy's gotta go next door

and she'll get your breakfast
right away.

Hi, Edith.

Martha, would you mind terribly?

Could you take care
of Georgie for me?

I have to go to Los Angeles.

- Why? What's the matter?
- Nothing's the matter.

I've just gotta see Frank.
Something's come up, that's all.

Well, Frank go to Los Angeles?

Must have left in sort
of a hurry, didn't he?

Yes, he decided to go
to the convention after all.

Oh, look, honey,
I've been married for 35 years

and believe me,
these things are never serious.

It's nothing like that, Martha.

Please, Martha,
I can't talk about it.

Can you take care of Georgie
for me?

Well, yeah, sure.

I have a dentist appointment
this morning

but you can bring him over
after lunch though, huh?

Well, alright.

Thanks, Martha.

'Frank.'

Edith.

Oh, Frank.

What's the matter now?
What's happened?

- Frank, I--
- Edith, get a hold of yourself.

What is it?

He came back.
He was in the house.

- He forced his way in.
- What do you mean?

What did he do? He didn't do
anything to hurt you?

No, nothing like that.
He just frightened me.

Oh, Frank.
The awful things he said.

What did he tell you?

Oh, what difference does that
make now? Frank, he had--

Tell me what he said.
What did he tell you?

Some crazy stuff
about something that you did

in that prison camp.

Oh, darling, I know it isn't
true, but he believed it.

That's why he's so dangerous.
Frank, he had a gun.

He wanted to kill you.

You've got to think of yourself.

Frank,
we've got to do something.

There's nothing to do.

Frank, a man's
trying to murder you.

Of course,
there's something you can do.

And if you won't do it, I will.

No.

There's nothing you can do.
There's nothing anybody can do.

But why not?

Because..

...I told you he was crazy.

Well, he's not.

No.

I didn't want to tell you.
I, I didn't want you to know it.

Why should you carry it too?

Alright.

Suppose there is a grain
of truth to it.

Suppose you did have
some kind of trouble with him.

I can understand
how something like that

could happen in a prison camp.

No, you, you don't know
what happened.

What was it, Frank?

Whatever you did,
you must have had reasons.

You can always find reasons.

Even the Nazis had reasons.

I did it to save lives.
That was my reason.

Did what? What did you do?

Tell me what happened, Frank,
please.

After we were shot down,
we were sent to a prison camp.

Joe, myself,
some other officers.

- I wrote you about that.
- I know.

I was the senior officer
in my bunkhouse.

I was responsible
for the rest of the men.

Toward the end, it got..

We were all starving to death
and going crazy.

One day, Joe came to me.
They'd dug a tunnel.

He and some of the others.
They were gonna try to escape.

I told him not to do it.
I begged him.

A week before
in the British section

12 men had been shot
for the same thing.

I told him
that they didn't have a chance.

They'd be dead
before they started.

He wouldn't listen to me.

I lay awake all night
trying to think

trying to figure up
some way of stopping them.

The next morning,
I went to the prison commandant.

He was an SS colonel.

I made a deal with him.

Frank.

I said that I'd tell him
if he'd go easy on the men.

He promised.

Word of an officer.

So I waited. I waited all day.

I thought that the guards
would close up

the tunnel or something,
but they didn't.

They, they acted as though
they didn't even know about it.

That night, I tried to talk
to Joe again, but..

...he wouldn't, he wouldn't pay
any attention to me.

The men were getting desperate.
Anything to get out.

So they started through.

And then I heard the guards
at the other end of the tunnel.

They'd set a trap for them.

They bayoneted them.
They set dogs on them.

And when it was over,
they didn't even shoot them.

They just left them there.

Oh, Frank.

You only did
what you thought was right.

You made a mistake, an awful one

but you can't suffer
all your life for one mistake.

We can do something now.
We'll go to Washington if we--

And have it in every paper
in the country?

We can save the clippings
for Georgie

when he's old enough to read.

But, Frank, they wouldn't listen
to Parkson.

They'd listen to you.
They know the truth.

Sure, they'd know,
just like the Nazis knew.

They knew before I did.
Even before Joe did.

Do I have to spell it out
for you?

Do I have to draw you a picture?
I was an informer.

It doesn't make any difference
why I did it.

I betrayed my men.
They were dead.

The Nazis even paid me a prize.
They gave me food and I ate it.

I ate it.

Oh, Frank, no.

I hadn't done it
just to save their lives.

I'd talked myself into believing
it that he'd keep his word

but in my guts from the start,
I think I knew he wouldn't.

Maybe I didn't even care.

They were dead and I was eating.

And maybe that's all I did it
for, to save one man, me.

There were six widows.

There were ten men dead
and I couldn't even stop eating.

Go on.

Go on home.
You don't have to say anything.

We were in the same outfit
together

and I thought as long as
I was passing through town

I'd look him up.

But he seems to be
kind of hard to find.

Sorry to bother you
like this, but..

Oh, it's no bother at all.

Only I'm afraid
I can't help you much.

Yeah, he's out of town.

Yes, he's gone to Los Angeles.

Builders and Contractors
Convention?

Well, that shouldn't be too hard
to find.

Thanks for the information,
Mrs. Finney.

Thank you very much.

- Yes, ma'am?
- Excuse me.

Do you have a Mr. Parkson
registered?

- Joseph Parkson.
- Just a minute, madam.

Never mind. Joe.

How much do I owe you?

Well, you could be
more enthusiastic.

Do I look that bad?

I haven't seen a mirror
since I got off the plane.

Seven dollars, sir.

Thank you.

- How did you find me?
- It was nothing much.

Once I got out here, I just
asked people and described you.

Oh.

No, Joe, it had nothing to do
with that. I just--

Well, you can't stay here now.
I'm leaving.

Why? Where are you going?
Joe, I wanna talk to you.

I haven't got time now.
Anyway, you've got to go back.

Joe.

Ann, you shouldn't
have come here.

- You need any money?
- No. No, listen--

Then get on a train.
Get back to New York.

- Right now. Quick.
- Why? What's going to happen?

Joe, you promised me.

Alright, I promised you.
What more do you want?

Anyway, it's got nothing
to do with that.

I, I got an offer of a job
out here.

I was gonna wire you
when I got set.

Don't lie to me. Don't you think
I know that look on your face?

I thought
I'd seen the last of it.

Here, I found this
in your room in New York.

Joe, you can't do it.
Don't you know that?

Don't you understand that yet?

Joe, do you love me
or don't you?

- You can't do it--
- Maybe I don't love you enough.

Joe.

Joe!

- Mrs. Enley?
- Yes?

I have a message
for your husband.

- Do you know where--
- He's not here.

Has a man been here to see him?
A man named Parkson?

'Wait.'

Listen, I'm his girl.
Joe Parkson's girl.

Do you think I want him
to be a murderer?

I took him next door.

He's two years old.

What's this for?

I don't even know
how to shoot it.

Thought maybe I could find him.
Parkson.

Try to scare him off.

He won't scare.
I wish it were that simple.

Where is your husband,
Mrs. Enley?

You must trust me.

Why should I?
You don't care about Frank.

Look, I've come a long way
to stop this.

Maybe nobody can, but I'm
the only one that has a chance.

What can you do? I've seen him.

- He's vicious. He's a killer.
- Is he?

What about your husband?
Do you call him a murderer?

No.

He didn't mean it.

He's been sick with it.

They're both sick with it

and I want Joe to be well.

- Where is your husband?
- I don't know.

Tell me. I'll call the police
if I have to.

- No.
- Would you rather see him dead?

He won't kill Frank.
He doesn't know where he is.

- He's found out.
- No.

I just saw him.
He was leaving town.

I've come 3000 miles

and he couldn't wait
five minutes to talk to me.

He was in a hurry, Mrs. Enley

because he knew
where he was going.

I want the Blake Hotel,
Los Angeles.

Mr. Frank Enley,
person to person.

Who?

No, I.. Some..

Hello? I can't hear you.

Parkson's found out where
you are. He's coming there.

I can't.

Be quiet a minute, I've got..

I-I can't hear you.

Ah, how could you have heard
what he said?

- You wasn't there.
- Well, I was there.

You was not there.
You was drunk.

- 'I was drunk but I was there.'
- 'Where?'

- Goodnight, Tim.
- So long, Harry.

We're closed, Jack.

- Look, I've got money.
- Yeah, but we're closed.

Jack, for you, I don't lose
a license. Sorry, no-go.

Put it away, will you?
Don't coax me.

Tim.

What are you doing down here,
handsome?

Looking for some kicks?

No place to go?

Huh.

Hey, you really need that drink.

Well, I got influence.
Want me to use it?

Come on, Tim,
give us one for the road.

A quickie. Just one.

Okay?

Hey, stick around.
He'll give it to you.

Hey, what's your hurry,
handsome?

Gee, you ought to have a coat.
It's a terrible night.

- What's your name, handsome?
- Frank.

I had a better place,
but it got too expensive.

You know, it's terrible nowadays
trying to find a decent place.

Go on, drink it.
Make you feel better.

Cheer up, Frankie.

So you got troubles.

There's plenty else
to think about.

Laughs. Kicks.

So you're unhappy. Relax.

No law says you gotta be happy.

Look at me, I'm not happy

but I get my kicks.

Gee, how could anybody stand it
if they didn't get their kicks?

That bad, huh?

What is it?
Love trouble or money trouble?

Listen, Frankie,
I've seen them all.

I've seen all the troubles
in the world

and they boil down
to just those two.

You're broke or you're lonely.

Or both.

But you look like the kind that
probably has a nice little wife

nice little house, some kids.

- I have.
- 'Yeah?'

'Now no more?'

'What happened? Somebody else
come along for you?'

'For her, maybe?'

'So it's money.'

No.

Well, then what have you got
to worry about?

Listen, Frankie boy,
if you've got money

nothing can be too bad.

'With money,
you can fix anything.'

'Get out of town
if you have to.'

'Go someplace else
and start all over again.'

'You're free.'

'Money.'

Money.

Yes, I've got money.

What, are they paging him now?

What makes you so sure
he'll be there?

Oh, he'll be there, alright.

I hope you know
what you're doing.

How much is this business
of yours worth, anyway?

Oh, I don't know.
20,000, maybe more.

Are you crazy?

Hey, what kind of a jam
are you in?

Go ahead now.
Do like I told you.

Is this Mr. Parkson?

Uh, I'm speaking for Frank.

Yeah, Enley.

He says he wants
to make things right with you.

He says he's got a business.
It's worth a lot of money.

He says if you'll go back east
and forget it

he'll give it to you.

The whole thing.

He says he'll sell it and give..

What is it? What is it?

He's laughing.

'Where is he?'

Hey, where are you going?

Hey, Frankie, listen.

Hey, wait.

I know a guy we can go to.

We'll figure out something.

It can't be that bad.
You'll see.

It'll be alright, you just see.

'He's okay.
Is Gavery here tonight?'

Yeah.

'Stop it.'

'Threw a nine.
Who likes to field the come?'

'Nine's a field number.
Who likes to field the come?'

'Who wants the big six or eight?
Well, there'll be a number.'

Good evening, Mr. Gavery.

Hello, girl.
You got troubles again?

No, i-it's him.

Can he pay?

He's got a business
worth 20,000.

- Oh.
- That's what he said, honest.

Bring him over.

If you can do him good, remember

it was me
that brought him to you.

Go get him.

This is Mr. Gavery,
the attorney I told you about.

- This is Frank.
- Sit down, Frank.

Don't be nervous.
You're in good hands.

Here.

I understand you've got yourself
in a little trouble.

No, i-it isn't.
Uh, i-it was a friend of mine.

It was a close friend of mine.

Sure.
Now suppose you go ahead

and tell us
about this friend of yours?

Tell him, sugar. Be smart.

He's a lawyer, no kidding.

They got all kinds of laws.

They got laws
to help people too.

Go on, tell him.

Well, I was in.. I-I mean,
this, this friend of mine.

It was during the war.

It was during
the last few months..

- Hiya, Johnny.
- 'Hello.'

Alright, go ahead.

Come on then.

Now we have privacy.

'It was in the last
few months of the war.'

'We were flying over Germany.'

'Our plane was hit..'

'I moved away from Syracuse
and came out here.'

'And now it's finally
caught up with me.'

He didn't mean it,
what happened over there.

He just made a mistake.

One mistake in his whole life,
that's all.

Everybody makes mistakes.

- Did you hear it?
- All of it.

Here.

Drink it.

You got yourself
in a tough situation, Frank.

Really bad.

I'm very sorry for you.

Shame.

If it weren't for the papers,
you could talk to the police.

Have them scare this fellow
out of town.

- No, no, I--
- Of course not.

You have a position to think of.

You made a new life
for yourself, didn't you?

And you're entitled
to protect it.

'And if we can't get protection
from the cops'

we'll get our own cop.

- A private policeman.
- What did I tell ya?

Not just an ordinary
private detective.

This job will be dangerous.

We need someone
who can handle himself.

Take chances if he has to.

And he won't be cheap, mind you.

Might cost as high
as 8, 10,000 dollars.

That's alright.

Well, then, take that boy
outside, for instance.

- Johnny?
- Good boy, Johnny.

He wouldn't just sit around.

He'd get in touch
with this fellow.

Make a date with him,
someplace quiet.

What are you trying to sell him?

He talks to him.

He tells him to get lost.

Nothing wrong in that, is there?

No.

So maybe he takes the hint
and leaves town.

- He wouldn't.
- Or he's hot-headed.

He gets sore and plays rough.

Well, Johnny has a gun too.

You'll forget all about it.

'That's worth 10,000, isn't it?'

Frank, you don't want
any part of this.

You don't want murder.

- It's alright, Frank.
- Let him go, Mr. Gavery.

- He don't wanna do it.
- Doesn't he?

No. What do you think I am?

You're the same man
you were in Germany.

You did it once,
you can do it again.

What do you care
about one more man?

You sent ten along already.

Sure, you're sorry they're dead.

That's the respectable way
to feel.

Get rid of this guy
and be sorry later.

It's up to you.
He dies or you die.

It's him or you.

He'll go for it.

Might need a little persuading.

You better take her.

You're the same
man you were in Germany.

You did it once,
you'll do it again.

What do you care
about one more man?

You've sent ten along already.

Tonight the tunnel's through.

The north corner.
We make the break tonight.

You haven't got a chance.

Remember what happened
to the Others?

We're not gonna
starve any longer.

Don't do it, Joe. Don't do it.

You have nothing to
be ashamed of, Captain Enley.

An officer's responsible
for his men.

They'll be treated
with all possible leniency.

Tonight,
the north corner. You'll find the tunnel.

They'll try tonight.

Don't do it, Joe. Don't do it.

Don't do it, Joe!

No! No, don't!

No, don't!

No, don't, Joe!

No, don't! Joe!

What's the matter with you?

What are you trying to do?
Are you crazy or something?

Johnny, you leave him alone now.

He don't know what he's doing.
He's sick or something.

No, I'm alright. I'm alright.

- Come on.
- Where?

With me.

Get him a drink or something.
He's out on his feet.

Why did you have to come here?

You know
I don't want any trouble.

There ain't gonna be
any trouble.

Oh, leave him alone, Johnny.

He hasn't gotten any dough on..

Here.

Put hair on your chest.

Who are you?

Me? I'm a businessman.

You and me are gonna do
a little business.

You got dough, friend.

That's why
they're all hanging around.

On the chisel.

But not me, I'm gonna earn it.

You get out of here.

Take it easy, friend.

You ain't thinking right.

You're in a jam.

This joker's
gonna give it to you.

You got a wife, a kid.

You want them
to stand around crying

when they put you down
in that big hole

just 'cause you ain't got
what it takes?

You've got nothing
to worry about.

It's easy. A stakeout job.

Come on. Where can we talk
to this guy?

Johnny, please, leave him alone.
Cut it out, will ya?

Come on, sucker.

I'm tellin' you,
it's your only out.

Where do we talk to him?

The hotel's no good.

You live in a little town,
don't you?

That's the kind of place.

Quiet, them hick cops.

He'd go there, too,
if we asked him.

Wouldn't he?

Wouldn't he?

Where is he, friend?
Where do I talk to him?

Where is he?

Blake Hotel.

What are you doing here?
I told you to go back.

I'm not gonna
walk out on this--

Shh.

I went to his house.
He has a wife and a baby.

Yeah, I saw 'em.

Didn't you feel anything?
Anything at all?

Joe, she's just a kid.

Haven't you hurt them enough?

He's got too much to pay for.

Has she done anything
to pay for?

She'd be better off
without him.

Are you the judge of that?
Are you the law?

What makes you think you're
so much better than he is?

Whatever he's done,
he's trying to make up for it.

He's lived a decent,
useful life ever since.

But what have you done?
What are you gonna prove, anyway

with your vengeance,
your violence?

You aren't gonna bring
those men back.

You're just gonna smash
a few more lives.

Enley, his wife, his son, me.

I'm sorry about you, Ann.

I warned you about getting
mixed up in this.

Alright, forget about me.

Sure, there are things I wanted.

But that's not what
I'm fighting for now.

- I'm fighting for you.
- I can take care of myself.

How? Do you think
you can kill a man

in cold blood
and just forget it?

Don't you know what that means?

'You'll have to live
with hate day and night'

for the rest of your life.

And look what it's done
to you already.

Joe, I made you forget it
for a while. I could again.

You were happy, weren't you?

If you go through with this

no matter whether they kill you
or put you in jail

even if they say you're sick
and half-crazy

and let you off easy,
you're finished, Joe.

You're washed up.

'As crippled in your mind
as in your..'

Joe, I didn't mean it that way.

It's alright.

Ann.

Ann, I..

Hello?

Yeah, this is Parkson.

Johnny?

Johnny who?

Well, who are you,
his bodyguard?

Santa Lisa?

Where in Santa Lisa?

Okay.

I'll be there.

Wake up.'

Wake up.
I gotta get out of here.'

What time is it?

Nearly 4:00.
You slept all day.

Look, here's your money.

Nobody touched a cent of it
except what you spent yourself.

There's about $8.

You better hurry up.
I wanna get out of here.

Out of town.

Save Joe, maybe.

Six years I've been here
in this hole..

...but it wasn't so bad.

I got my kicks.

I got along.

Now what?

Snap it up, will you?
I'm in a hurry.

I don't wanna have
anything to do with this.

With What?

You know what.

Listen, you gotta let me
have some money.

I found your checkbook.

Hundred dollars.
All you have to do is sign it.

You can spare $100.

It isn't much compared
to what you're gonna have

to give Johnny.

- Johnny? Who's John..
- Oh, come on.

- Where is he?
- Look, I wouldn't ask--

- Where did he go?
- All I want is--

What happened?
What did I tell him?

So you told him. What difference
does it make now?

I've got to know this, please.
What did I tell him?

Johnny called him
on the phone.

- The other man.
- Parkson?

Yeah. He made a date for you
to meet him.

- Where?
- Little town where you live.

- Santa Lisa?
- Yeah, at the railroad station.

Only you weren't gonna be there.

What time?

Nine o'clock,
so it would be dark.

Only you weren't gonna be there.
Just Johnny.

He was gonna be there.

Where do I find him?
Where does he live?

- I don't know. Nobody knows.
- Well, there must be somebody--

Guys like him don't tell people
where they live.

Hey, where are you going?

Look, could you come back here
and pick me up a little later?

- Where are you going?
- The station, 9 o'clock.

Uh, be here at 8:30 sharp.

Uh, don't come to the door.
Just wait out here.

Okeydoke.

Oh, Frank.

- You don't have to do that.
- Oh, he's back.

- He's here in town.
- I know.

He's got a girl. She called me.
She said she'd go to the police.

It doesn't matter.
It's all settled.

Edith, she doesn't know.

But she said that he'd gone
somewhere to see you.

I saw him.

You talked with him?

Yes, on the phone.

He's leaving town.

Believe me, it's all over.

Don't worry about it, please.

Then you're safe?

You're safe.

Don't, baby, please.

I-I'm sorry.

Here.

Thanks.

Your suit's going to have
to go to the cleaners.

You look tired.

You must.

Why don't I run you
a nice hot bath?

'Okay.'

- Well, come on.
- 'Yeah.'

- How's the baby?
- Oh, fine.

'He was a little tired
and had a runny nose'

'so I put him to bed early.'

'Probably out like a light
by this time.'

Well, that looks
a little better.

- Frank, I want to--
- Edith..

Frank..

...you said it was all settled.

Does that mean
that you had to see him or--

No, it's over.

It's all over.

That's true, isn't it?
You wouldn't--

Lie to you? No.

No.

Alright.

- Edith--
- Sit down, Frank.

It isn't that I don't want
to talk about it.

I-I just don't know how.

I know.

Neither do I.

But I've thought a lot
about a lot of things

since I saw you.

Ever since
I first knew you, Frank

and up until yesterday..

...I thought you were the finest

most wonderful man
in the whole world.

Just that.

Now I know that you,
like everybody else

you have faults
and weaknesses.

If I hadn't been so young
and silly

I would have known it all along.

It wouldn't have been
such a shock to find it out now.

But that doesn't mean
that I don't love you

or that I don't
wanna be your wife

because I do.

You wanna see the paper?

Thank you, Edith.

'Let's not try to think
about it anymore. Not tonight.'

No. Alright.

- Edith.
- Yes?

I think I heard the baby cry.

I didn't hear anything.

Go up and look,
will you, please?

Alright.

Frank!

This will be okay here.

You're still two blocks
from the station.

Yeah, I know.

- Hi, Mr. Enley.
- Hello.

All you can do now, Miss Sturges

is wait right here.

We'll let you know
if we find him.

Thank you.

No, wait.

I've come to warn you
about something, Joe.

After that,
I don't care what you do.

- 'Come on, please get back.'
- 'There's nothing you can do.'

- 'Now stay back, please.'
- 'It's dangerous.'

- Joe.
- I didn't do it, Ann.

I didn't do it.

Call the emergency hospital.

Never mind.

- 'It's Frank Enley.'
- 'What happened?'

'There was
some kind of accident.'

'They were
coming from the station.'

'and he was hanging
on the side of the car.'

'Looks like a hold-up.'

- 'Is he dead?'
- 'Well, I saw him drop there..'

- 'Well, you were here, right?'
- 'Yeah.'

'Who's going to tell his wife?'

I will.