Original subtitles

A slightly misleading about by by talking about now you know you know the second

it looks up at like a real studio.

Or something like that

but it's just a computer or a bunch of screens

and a couple of

not very good speakers

so

we we can just picked us up and.

You know off week out

the thing that i don't think rocks as to try a movie

to try to make a movie if you're not in the same town as the people

i don't think

i think you you never get the subtlety of the

conversation if you try to do these things over Skype or

any of this

and.

The that

the hottest thing i mean

the hottest thing i think we ever did was.

The

on inception.

We were supposed to record the score London

and the volcano Iceland blew up so we

couldn't get to the planes about flying.

Which wasn't actually strictly true we could have gotten to London but we were

worried about not being able to come back

so.

We used.

All technology artist spousal i mean we literally put.

More cameras the new guys

half right now

we put i think six cameras in amongst the orchestra we might the orchestra

in a way

i had.

I had control over the talkback back from here so i could speak to them

and we knew all the players so if i heard a voice asking

something in the orchestra i knew it was Mary the basis

of somebody you know because

but.

During these sessions starting at

two am our time.

Watching them take their lunch break

at

i dunno six am our time watching them

file out and.

It was just brutal

and and

you don't get the communication you don't get the subtlety you don't get the.

Music happens in real time

and performance happens in real time

and and.

Even that slight delay just

it just throws to our natural rhythms of.

So

and

and i think everything

that we do is about communicating with each other.

And.

The i mean it's just that it's just the way i like

workings i like i i like making direct the director

and the editor

be part of the band

and.

Locked

i play a computer you know the editor place a computer you know

i so it's not about that it's about the conversation it's about about.

Feeling but you know

and and and instantly feeling but they are feeling when you play them the piece of

music i mean again it's this thing about.

You need to listen but sometimes it's not even with your as you just need to.

Feel

what they're feeling they don't need to say anything

and.

It's really amazing but

what happens how you can.

Start with a piece

were all the notes up

played well and it's all.

It's old musically correct

but

the emotion isn't quite there

and you can brag on that i mean you can really

work and then he can really get that to.

Blossom and suddenly you get these moments where.

It is undeniable

that the story is being told in the correct way.

That everybody's on the same page and everybody know

why they're playing the note i mean.

It's it's a weird thing when you have a

when you have a large orchestra.

Here are the front row is going to be praying exact and passionate etc

and the

you know as it goes down the line

it might not be.

Your best players that doesn't mean that not necessarily technically proficient

but they might not

have a great tone or something like this

and

might yeah

doesn't go to the guy who play place the loud wrong out my ear always picks up the

one person who doesn't quite know

why they're playing the note they don't know what story to tell

so that's like an indifference and their sound

my ear gas than and i know okay

gotta have a bit of attach here you know and and and and figure out how to

how to encourage and help

and get

everybody to understand but water test about trying to do

and and the great thing

about these

sessions i mean.

They are so you know they're so used to storytelling mr instruments that they get it.

Hm directors are envious

when when they come to the orchestra session

cause.

You know that one hundred plus people sitting there.

And first of all

they're not chatting.

The paying attention

and imagine you have a scene with one hundred plus extras it's

you know

it's

quite hard to go and

wrangled them

you know what i mean it's close to one hundred and

plus puppies or something sometimes

but.

Here are these people they're sitting there

and

you can tell them what to do

and they will

they will dirt beautifully the experts at.

Picking up their instruments and making a beautiful

sound if you want to beautiful south

if you want a scary sound.

They could scare you to death

so

you

you have this

each one of them isn't isn't complete expert

and

and they're experts as being human beings

are

expressing humanity

so.

Figure out how to get that you know

figure out how to get your

self some of that

get that out of that

i mean that that that's the part you know and and.

Okay here's here's a good one.

The thing you're doing us

you're making a recording you're not doing a live performance.

At the beginning i used to get caught out all the time

you know

sitting behind the glass looking at the fabulous

orchestra and as passion and their faces and oppose the

doing everything in the guys are hitting things and it's you look so exciting.

And two days later and blessing back to it and it's really boring

when making a recording but not during

a live performance and there's a big difference between

making a recording and during a live performance and there's there's

something not bad about not actually getting seduced

by the.

The smiles and the

energy and the bright eyes you know this

so

listen

listen to the thing

you're

and and help them to make the best recording as opposed

to make the best.

Theater pray for you.