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Body can learn how to use
a computer and the how to make
sounds and.
Anybody can learn how to orchestrate you can go to music
school you can run our to play these are all things.
That are being taught constantly
but
i think one of the great things that the missing as.
How do you have to conversation
you know
how not to be afraid you're
at it actually take ks.
Takes a bit of getting used to
like you and me right now having the simple conversation
while there's a huge crew floating around be
behind us
and.
We're pretending they're not here
but
that's not what we're doing but we're actually doing the opposite were doing
everybody's here to support us making doing something great
and thus the same
with the was
composing so when you stand in front of the orchestra.
Know that they're are there
to support you and make make it the best
you know as opposed to.
Being worried about
all that but
it takes up at a time
you know and and and
you have to sort of earn their respect to smell.
So i mean i i remember the first few times.
Having the orchestra and then it was literally like lion taming you know you'd like
you walk off when you walk out there
and
and they're just looking at you're going
so what do you know you know and
and and the only way you can prove it is this by
writing a decent tune are having a decent idea.
You know and go.
That these to percussionist and love.
Frank rijkaard three.
And Gary could tell
their played pretty much on every movie that ever existed i think from you know
before star was on
i played on everything
and
secretly my ambition every time i recall the score there
as to just
find one thing.
That they haven't done but fall
and usually it's like you know
if you were to hit the temps with brushes
and at first you get.
Doesn't never work
and then if you're lucky they go out there and they took Nick oh wow
that sounds really good we've never done this before
so
you know
you.
Every time just push it forward a bit and if you put shit forward a bit.
They love you thought
you know that because the the
the musicians are your.
Are your biggest allies i mean they're the ones ultimately.
You know
this is just me
playing around on a computer.
Ultimately you know
the real musicians
give it
something ing
that no machine can do.
When you get to the orchestra
sessional.
And this is partly why why do these stamos by to the sweets why we mock the whole
movie up why we have showed it to an audience
so but by the time we go to the August session
we are very very solid ground
because but
when i first got to Hollywood people but just writing on paper
and
and.
The first time the director really would hear the thing but the either
somebody have played it to him on piano
and then
which is not quite the same as when you have one hundred and twenty piece orchestra
blasting away at you
some people can do some people can do it brilliantly
obviously John Williams control brilliantly because he is
an amazing pianist
and
the relationship yes with
Steven Spielberg.
Allows that you know what John can
play and gas and this is where the French homes come in etc and
Stephen has it because he's incredibly musical.
But
was most direct us this
rock special but by.
They hear.
At least the weights and the density of the school you know
all this is where the strengths i have platoon
and this is what goes to the French horns
and.
So then when you get to the orcas
session at
this is this is the most things
become.
Super expensive
you know it's i i can remember i i want to watch it out how much a sec and costs so.
What's important that a couple of things which are very important.
That you can make a decision.
All
and every
of
let me think about this
not only costs a fortune but it stops the momentum
and i think the aka secession that's about one thing and one thing only
and as to get a performance out of the guys because.
I can make all those notes sounds pretty
convincing and pretty
spiffy in the computer
but but what
the computer lacks as.
The the the soft cohesive musicality
the.
Feel
you know and
energy and the danger
that
realm efficient spring tour it you know
virtuoso playing
and.
The you know the the the end
the interpretation of each note.
So
once i get to the orchestra actually worked very efficiently because.
We aren't going to do any changes.
We've all signed off on these notes it's just
so
it's not like in the old days where
you know after the director hard it for the first time was the big orchestra
what go
you know something
i don't really like it all i don't like the spit can we change the spit
and.
Something i took maybe weeks to go and aka you're right and orchestrate and
be very refined Boston now going to be changed
and ten minutes
life understand that had to become a compromise
and i'm just not willing to make that compromise.
The thing that i found out as.
If you make them into your co-conspirators if you treat them as colleagues if you
treat them as brothers and sisters in arms.
They're going to give you the best do.
If you.
Don't do that
they'll eat you alive.
And if you're not clear about the emotional intention of the music.
Do.
It'll sound like shit
and.
For instance i mean on pirates it was
very important face that the orchestra what sounded a certain way
and about
they
they've
i dunno what they came from but let's say they just came from playing a John Williams
session or or something like this
so they must still in the mode off.
Whatever the movie was saving private Ryan i dunno
know
but.
That's not the sound i want i want to.
Drunk and pirates so
your.
Since the musicians on my actors
they have to learn the attitude
and so
we just Mark an attitude for a little bit on prefer farmers attitude what is this you
know what is the sound we are looking for
you
do
because.
I mean.
A c is a c
a c
c right
but.
You know
what differentiates it you know
that there's there's a
the so many.
There's so many
as soon as i stopped playing i stopped talking
not because i can't do both at the same time
but just because i automatically feel.
Get up by.
By
playing i can be more articulate
and i just have to i have to give my players the chance
because i know
they can play anything and they can cite wheat
they could cite me the whole school we could do on mom take
but
to learn
what's behind the notes that's the important thing.
This is actually where it's.
Weirdly
helpful that i never went to music school.
Because
i'm a little vague with my Italian and since
August are usually get spoken to
with get of
can we do a Richard
do here and can we
be a bit more
al dente know that's cooking.
That the duty me as
i
i just
i i tried to speak to them
from a story point of view i tried to tell them about the seen us about.
Are
very often
get out
if if i can after that i you know
director go out and
just ok
guys let me tell you about the seen us all about.
You know
rather than say.
Play pianissimo
say play more internal i dunno find emotional words of suggest
but you're trying to
what you're asking them to convey
but if you can say to them
what you know
what this piece is about.
Not in technical terms.
Technical term stuff
that you know written down you know it's like
play a see
you know
fortissimo.
Do.
That just tells you that you're supposed to play that see loud but it doesn't tell
you why as a person pray that see loud
and you know.
This sounds
so daft but i'm just i'm just gonna give you all the
dumb things which helped me.
Sometimes when the orchestration is really dense
noble you know
because remember
the orchestra that like the violas have only their part in front of the violence only
have their part in front of them.
Etc etc etc.
They are they are all just.
You know
this is the armed as the leg you know
they don't know how the body fits together.
So sometimes it's really good to
literally
whoever has the tune
just right on top of their part
the tune
so they know okay
we got the tune
been a play out in little bit
everybody else just
just right.
Simple.
You know.
Stop being technical stop being scientific you know communicate to them
commitment
and in the simplest possible way.
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