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Couple of surprising things going on
for a blockbuster Batman movie i think.
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One of the things are stopped.
3
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But button and the
Morgan Freeman character
4
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obviously during the wrong things
were start surveillance thing you know
5
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they are now doing
the immoral thing
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and then Chris quite.
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Overtly.
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Uses the African American
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president are who you
know like he shoots semester
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masterpiece the skies
a really bad guy etc
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and
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the other guy on the other
side the the businessman
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with the with the gentle face
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and.
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Basically it
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times our expectations
upside down
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that the
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that the big actions seen
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that is going to
happen right now
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is not an action scene that
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somebody we don't
expect to make a Mark
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a morally correct
choice will make
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all the correct choice
24
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at that
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and i i was i was to Chris i love
that our actions seen as about.
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The non event of the bombs going
off to the non event you know that
27
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the
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the
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the not the expect
to thing that it's.
30
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You know you're.
31
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You're telling the truth
by playing against type
32
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and
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do.
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Know the other piece of
baggage that comes with
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the scene us that was
he's that just last seen.
36
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So.
37
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It's tough to look at
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do.
39
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The
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the.
41
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The idea is
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the the seen a full
of ideas the idea
43
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of
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surveillance isn't mall
is it immoral as it's as
45
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if we can go and save
the world by using.
46
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Get our cell phones and
the nfc and all that stuff's of
47
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eavesdropping on us is that.
48
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Your
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it is that the way
to save the world
50
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all
51
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is relying on.
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You know simple
something as simple as the
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goodness of once you
and being in this case.
54
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A guy who who
55
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you know the way Christmas
framed it's the way he stressed of the
56
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prison
57
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orange
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you know he's kept the
tattoos he's got all that stuff
59
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and and and and our
instincts ah yes he's going to go
60
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on what he goes give me
that thing you know it's it's
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as he threatening and
he's he's the most moral
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he knows how to make the right
mall choice so so the seen as the
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is about ideas as opposed to.
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You know the mathematics
of an action scene
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all of the Connecticut system of
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you know hey we can make
this really exciting bye bye
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pumping a lot of fast
paced music underneath it.
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I'm actually trying to create
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an enormous amount of space
but she does create tension
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and slow everything down
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so you're really take
a Buddhist going on.
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Die
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but you don't know
how to take a life.
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Give it.
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Demand for kill you
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and take it anyway
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i don't want you
to miss the seen
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by me.
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During action.
80
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Fine.
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I'll do it
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for that that was really.
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Software i was coming
from one i set to Chris
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you know
85
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is it okay if i told by
the system actions.
86
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To make any sense
for us to have to die too.
87
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And i understand why Chris waters
do this as an ecstasy you know that.
88
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You know the adrenalin
is high etc it's and it's in the
89
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in that place of the movie
where you would have actual see
90
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you know geographically that's
where the action scene will take
91
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place but by by actually
92
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making a swell other and
but what's going on the screen
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you know it added
from attention kind of.
94
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It was a bit more elegant to do
95
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to.
96
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Give it to me.
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You can tell them
98
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i take it by force.
99
00:04:04,980 --> 00:04:08,010
Give it to and under
what you should it did
100
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ten minutes ago
101
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but i wanted the bus
102
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and now we're getting technical
103
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that it's really a big caught
104
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and as the.
105
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Scene.
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Focus this itself i mean
that's the story focuses
107
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self
108
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all these different notes
converge onto one note
109
00:04:27,150 --> 00:04:29,470
and then spread apart again.
110
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Apparently should
satisfy the whole night on
111
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the fire.
112
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Prairie power
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and.
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We.
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Go.
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It took me awhile to
figure out how to do this.
117
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Which
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i kept hearing in my head and.
119
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You know a a lot of
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what happens to
my face is a speed
121
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but i hear something in my head and it
doesn't exist we have people died as a chuckle
122
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wary.
123
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Who
124
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just build me a sampler
that could do that
125
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so that i could
126
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literally take the strings
127
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take all the different notes
128
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and just convert
them into this one
129
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focal point and toward
really slowly made
130
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a pot of
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hot a foot
132
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i think people
don't understand as
133
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to play really slowly
134
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it's really difficult.
135
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And but there's a beauty church
136
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as
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you know i i don't see this as.
138
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I mean
139
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i
140
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it might be dissonant
but to meet beautiful.
141
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Converged thing makes
everything unstable
142
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until it
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lands on that note and
even though note doesn't
144
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necessarily say everything
is going to be good.
145
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Scene isn't over yet
146
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nah i'm letting the act of to
147
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i'm sort of letting the altitude
148
00:06:02,700 --> 00:06:06,910
and i'm sort of letting the
audience start your again that's why.
149
00:06:07,140 --> 00:06:07,556
Even though
150
00:06:07,721 --> 00:06:09,673
press chrysoprase music.
151
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Really loudly and that's
152
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you know.
153
00:06:13,440 --> 00:06:16,559
Electronic been mathematically
something fairly complex Greg on
154
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i still think it's it's
155
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it's
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done in a way
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that
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that makes you think.
159
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I quite like it
160
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if you don't treat your audience
like sheep but you'll make them think
161
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we've worked with a
very good music editor
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called Alex Gibson and
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Alex is to so far.
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I sometimes i
just i just give him.
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It's like i just give them Clay i just give
a few notes will give him some stuff and.
166
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We have things
start happening where
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oh
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where i'm going oh wow i'd never
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would have thought of
using the also notes in that
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way and sometimes it works
and sometimes it doesn't
171
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sometimes it doesn't work
because it was a really bad idea
172
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in the first place but you have to go
all the way through to prove that are bus
173
00:07:00,180 --> 00:07:01,649
sometimes it doesn't
work because you
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you're not actually
good enough yet
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to.
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Execute
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the
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intellectual conceit of an idea
179
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and sometimes it doesn't work
180
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because the original idea
181
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comes can you just go
and play action scene
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is the right idea
183
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and
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i don't think we can tell until
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we do it and i
think we can't tell.
186
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Until
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you know and and and and
188
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the cause one process
is very different where
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we don't really preview.
190
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So it at the
191
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made maiden great
192
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privacy
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you know and.
194
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People always think about being secretive
but but not being secretive for just being
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you know.
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By by being very private
we can try things like that.
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I'm not.
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Let the fear failure.
199
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Cloud our judgment
200
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you know
201
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so if we like it
202
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be like it
203
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you know and.
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Why would i want to put something
in front of an audience that i didn't
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like.
13953
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