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Talent
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to lms
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this movie was it came
from a very successful play
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that
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those brought and i have
independent me see the lump
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both.
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Loved and we'd love to for
pharmacist the waste so friend.
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This is a great fight
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so so what.
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How can we not ruin the
play but make it to the match
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you know
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what we know the story
we all knew the story
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so what new what nuke new things
could happen what could Hoffman
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and then
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lots of new things
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and i
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thought it was really interesting
enough thought it said a lot about.
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It never talk down to
us because we're so
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it always stayed at a
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at a level that you bought the
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movie making to stay at all of
a play to stay at you know it was
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it was thrilling and was
a boxing match without
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anybody ever putting
on the gloves it was.
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You know.
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That a consistently stay tough
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i thought
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what was really interesting
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just
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from a musical pint of us
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that
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neither off the characters are particularly
likable in fact that not likeable that
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toilet if i ever
make them likable
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which is such a tendency
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you know we we all have we all
have that tendency but trying to.
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Trying to make things
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you know a little bit more likable a little
bit much you may not a little bit both
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and pathetic.
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Then sometimes they deserve and
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pizza just
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you know it has writing
just went for he didn't do that
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he just
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maintained
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that sort of.
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Colds detail touched
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here tests.
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The
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white house counsel testify today that
president Nixon knew about the Watergate.
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I'd actually it's interesting
for me to watch the
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opening of the
movie again because
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you know
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yesterday we were
talking about the suites
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that i write
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that stuff my diary of you
know every day writing
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a little bit further
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by
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a statement character
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president
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with easily outrage.
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Up until you actually get to
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the actor playing which next
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it's all just the original sweet
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just laid up against it
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and it wasn't time
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the editor
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cup to it
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but it gives you the right
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mode it gives you
the right propulsion
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suddenly for Veronica
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gave him the right fearing for for
the way she wanted to tell the story.
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All the
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as
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mate or whole
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bunch of synthesizers
and been cellos
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so the whole school that that
was the lineup for the school.
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So it starts a bit crooked or
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with a good riff
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and it's just the variations
on that ref all the way through
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the that became.
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Of gold
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class materials.
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And i i never knew i was
writing the opening to the film.
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White house.
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Today
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that the president
by the pool house.
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I thought we should we we we should have
a breathless quality about the whole thing.
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Pepper was
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offered.
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The year.
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I think there should be a
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sense of panic for all the characters
everything is at stake for them you know
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i'm
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Richard Nixon.
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He's going to lose the
country's going to lose
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the presidency he's
going to be found out.
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Fifteen seconds mr president.
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And.
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For David frost
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things weren't going so well this
this was the this was a huge gamble
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life wasn't
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you know
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he he
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he was i think he was pretending
but life was a lot better than was
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that his jobs but a lot
better than they were
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mean i think at that moment in time
he was during a game show in Australia
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and
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so.
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Face you wanted to have
the sentence of these two.
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Rather odd adversaries
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Nietzsche
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and you wanted to
have a sense that
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you wanted to if a sense it will be held
swelled that we were talking about things
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which i.
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The events had taken
place not all the events in
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as depicted in the movie have
taken place but the you know
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the the the big
historical shift that
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you know that really
have taken place
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and the one thing i didn't want to
tourists i didn't wanted to be sort of.
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History
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big history notes you know big
sur strings big bra spic you know
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that
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there's a
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way of scoring movies such
as like two ways of going movies
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either one as fate objects
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for instance.
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Star was just very objective
your starts off with the
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bomb
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you know the big fan for i'm
not going to sing it and get.
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John Williams to
buy my house don't
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i
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am not
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sing at you all
know how star wars
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ghosts but it's it's a big
orchestra was a big sound
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and it's sort of
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it nearly looks down on the axe.
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While this is sort of
like inside and it's a bit
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crooked as a bit
broken it's a bit like
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it's it's very low
tech and of you know
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typewriters and.
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Bad pianos and
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things which i
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just
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suck suck so it's it's
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it's more the mystery of the
characters are feeling and
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the
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the slight.
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Everything is too fast.
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Front of the things
you can do of costs.
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Cinema which come to in a
place you can do the closer.
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So all these sort of.
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Things for which
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which were talking about is.
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That
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for instance
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if a close up i can go
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and musically.
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Sort of hint at what the character
as thinking of the subtext of us
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and we started to
get really excited
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and then some of these coast
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to caves of.
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If you just did this one's close up in
slow motion just just crank to the bet
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you know all sorts of interesting
by them as what start happening.
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So.
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We're coming back on
camera three and four
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three
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two and.
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I love doing this
movie step i make the
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audience to lean forward
a little bit you know
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just just.
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Leads you
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closer to the characters
suck so you know
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the those those were
some of the things that
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you no.
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Run and i were talking
about and then you
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know those shots were
come back and i would up
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okay now i gotta figure
out a quick clever way of
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making you lean that.
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If the American people though.
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Always knew that
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was supposed
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to be.
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You know the the loudest
silence you have a hot
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we saw
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how people would watch the season there'll
be wanted them to hold their breath and if
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you're hurt people
breathing and but
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cinema
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you know
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we knew we had failed.
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Political life for over.
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Because part of it as
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how
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the first of all
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the writing is really good
peaches writing is pretty good
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performance is a really good
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and sometimes
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just letting the
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actress hang in silence was
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you know was.
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Very powerful
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Europe to to keep the edge
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growing
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to not soft on anything
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was.
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Great to check the music out
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I'll just dumped to
do music except but.
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You know the the
first and greatest sin
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or deception of television
is that it simplifies.
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It diminishes
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great complex.
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This is actually the peace the
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you know when i
wrote it and i played it.
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It was.
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Like i could not
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make it not sound.
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Romantic and sympathetic and
empathetic towards the character.
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It's just not in
my fingers to play
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cold and so a friend of mine had to go
to be played complete guide precisely
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or cold.
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All the piano studying all the
time has just throwing on question
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every note as a
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question
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i
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just took that out that would be you
know and energy a beautiful energy
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left
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it's just want to color.
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If i took the piano
down and you to
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him off the strings.
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You're automatically
tired to help
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00:09:55,680 --> 00:09:57,565
especially you know
he's he's got the sad eyes
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you know you you know
that thing was the dog.
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00:10:00,929 --> 00:10:04,960
Getting into the cost
slowly all everything
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00:10:05,130 --> 00:10:08,226
everything everything
everything in the way it's shot.
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00:10:08,580 --> 00:10:10,398
You know lets you.
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Basically set up a perfect.
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00:10:13,722 --> 00:10:16,378
For the composer to go and paw.
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Frequently sugary empathy
over the whole thing.
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00:10:20,781 --> 00:10:21,642
That happens
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the game us lost.
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A Mexican director of such be
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00:10:27,195 --> 00:10:29,172
just as a very good
description she said
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she wanted a piece of music
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like a beautiful cake
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with a knife for that.
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Get up and
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this is a beautiful cake
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with a knife in it.
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The notes themselves up.
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Awkward a little
classy a little.
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The symptom you've got to
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00:10:47,443 --> 00:10:48,892
for buff like.
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Quality tried
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and.
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00:10:52,302 --> 00:10:53,292
And it's it's just
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00:10:53,772 --> 00:10:56,082
it's it's really more
that the notes of
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fighting each other
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than
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about supporting each other
257
00:11:01,303 --> 00:11:04,242
and at the same
time i bay gently try to
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00:11:04,362 --> 00:11:05,932
put in the idea.
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00:11:06,912 --> 00:11:10,842
Of tragedy but not tragedy for
Richard Nixon about the tragedy of
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you know
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00:11:12,072 --> 00:11:12,642
our
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00:11:12,942 --> 00:11:15,162
the people's betrayal by
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00:11:15,372 --> 00:11:18,852
you know by by by a system
we believed and by politics by
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whatever that is
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you know the
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00:11:21,522 --> 00:11:21,912
you know
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that the American dream sort of.
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Gone wrong.
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We had a the modest budget
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and
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00:11:29,562 --> 00:11:29,982
but
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00:11:30,582 --> 00:11:32,712
when those conversations
first started out
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by going to be all
eat enough bike
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song licensing
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00:11:37,902 --> 00:11:38,991
and then.
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It's sort of turned out we
didn't need all those songs
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are the we found
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00:11:43,092 --> 00:11:43,639
we found a
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different way of telling it.
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00:11:46,692 --> 00:11:46,932
But
281
00:11:47,292 --> 00:11:47,815
it it
282
00:11:47,963 --> 00:11:49,342
was just fun.
283
00:11:51,012 --> 00:11:52,542
You know rushing
with and of you know
284
00:11:52,812 --> 00:11:54,312
for very limited means
285
00:11:54,582 --> 00:11:56,963
and i you know you
never noticed that.
286
00:11:56,991 --> 00:11:58,002
Yeah that that's like a
287
00:11:58,273 --> 00:11:59,502
like a shot in the movie.
288
00:12:00,132 --> 00:12:00,822
Which i
289
00:12:00,925 --> 00:12:03,922
i sort of a door which as.
290
00:12:04,632 --> 00:12:05,632
It's.
291
00:12:05,712 --> 00:12:08,332
David frost office building.
292
00:12:08,822 --> 00:12:09,822
I'm looking at it when
293
00:12:09,942 --> 00:12:11,802
or sun comes back and
i'm i'm suddenly realize
294
00:12:12,072 --> 00:12:14,382
oh it's the production
office somebody just
295
00:12:14,862 --> 00:12:18,402
painted a big seventy five
onto it quickly you know so
296
00:12:18,911 --> 00:12:20,632
we we went wasteful
297
00:12:21,072 --> 00:12:21,372
and
298
00:12:21,672 --> 00:12:25,332
it's very important to always be in a
position where you have to go and make
299
00:12:25,332 --> 00:12:26,952
something because
your you know your
300
00:12:27,222 --> 00:12:31,362
fervently believe and that this movie
now needs to be made as opposed to
301
00:12:31,662 --> 00:12:34,152
thinking it's going to
be a box office success
302
00:12:34,512 --> 00:12:34,842
you know
303
00:12:35,022 --> 00:12:35,952
Peter Morgan
304
00:12:36,222 --> 00:12:37,902
had given us a script
305
00:12:38,052 --> 00:12:39,052
that.
306
00:12:39,432 --> 00:12:41,652
Seduced us enabled us
307
00:12:41,802 --> 00:12:44,040
was a gift to us to go and and
308
00:12:44,232 --> 00:12:44,832
and
309
00:12:44,982 --> 00:12:46,512
do something we
hadn't done before
310
00:12:46,902 --> 00:12:47,382
and and
311
00:12:47,622 --> 00:12:52,462
to try to work really well and and
and and tried to be as good as his once.
312
00:12:52,602 --> 00:12:53,142
So
313
00:12:53,502 --> 00:12:54,502
i.
314
00:12:55,602 --> 00:12:55,992
You know
315
00:12:56,126 --> 00:12:58,882
that that's the stuff that makes
you get up in the morning.
21260
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