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Talent
to lms
this movie was it came from a very successful play
that
those brought and i have independent me see the lump
both.
Loved and we'd love to for pharmacist the waste so friend.
This is a great fight
so so what.
How can we not ruin the play but make it to the match
you know
what we know the story we all knew the story
so what new what nuke new things could happen what could Hoffman
and then
lots of new things
and i
thought it was really interesting enough thought it said a lot about.
It never talk down to us because we're so
it always stayed at a
at a level that you bought the
movie making to stay at all of a play to stay at you know it was
it was thrilling and was a boxing match without
anybody ever putting on the gloves it was.
You know.
That a consistently stay tough
i thought
what was really interesting
just
from a musical pint of us
that
neither off the characters are particularly likable in fact that not likeable that
toilet if i ever make them likable
which is such a tendency
you know we we all have we all have that tendency but trying to.
Trying to make things
you know a little bit more likable a little bit much you may not a little bit both
and pathetic.
Then sometimes they deserve and
pizza just
you know it has writing just went for he didn't do that
he just
maintained
that sort of.
Colds detail touched
here tests.
The
white house counsel testify today that president Nixon knew about the Watergate.
I'd actually it's interesting for me to watch the
opening of the movie again because
you know
yesterday we were talking about the suites
that i write
that stuff my diary of you know every day writing
a little bit further
by
a statement character
president
with easily outrage.
Up until you actually get to
the actor playing which next
it's all just the original sweet
just laid up against it
and it wasn't time
the editor
cup to it
but it gives you the right
mode it gives you the right propulsion
suddenly for Veronica
gave him the right fearing for for the way she wanted to tell the story.
All the
as
mate or whole
bunch of synthesizers and been cellos
so the whole school that that was the lineup for the school.
So it starts a bit crooked or
with a good riff
and it's just the variations on that ref all the way through
the that became.
Of gold
class materials.
And i i never knew i was writing the opening to the film.
White house.
Today
that the president by the pool house.
I thought we should we we we should have a breathless quality about the whole thing.
Pepper was
offered.
The year.
I think there should be a
sense of panic for all the characters everything is at stake for them you know
i'm
Richard Nixon.
He's going to lose the country's going to lose
the presidency he's going to be found out.
Fifteen seconds mr president.
And.
For David frost
things weren't going so well this this was the this was a huge gamble
life wasn't
you know
he he
he was i think he was pretending but life was a lot better than was
that his jobs but a lot better than they were
mean i think at that moment in time he was during a game show in Australia
and
so.
Face you wanted to have the sentence of these two.
Rather odd adversaries
Nietzsche
and you wanted to have a sense that
you wanted to if a sense it will be held swelled that we were talking about things
which i.
The events had taken place not all the events in
as depicted in the movie have taken place but the you know
the the the big historical shift that
you know that really have taken place
and the one thing i didn't want to tourists i didn't wanted to be sort of.
History
big history notes you know big sur strings big bra spic you know
that
there's a
way of scoring movies such as like two ways of going movies
either one as fate objects
for instance.
Star was just very objective your starts off with the
bomb
you know the big fan for i'm not going to sing it and get.
John Williams to buy my house don't
i
am not
sing at you all know how star wars
ghosts but it's it's a big orchestra was a big sound
and it's sort of
it nearly looks down on the axe.
While this is sort of like inside and it's a bit
crooked as a bit broken it's a bit like
it's it's very low tech and of you know
typewriters and.
Bad pianos and
things which i
just
suck suck so it's it's
it's more the mystery of the characters are feeling and
the
the slight.
Everything is too fast.
Front of the things you can do of costs.
Cinema which come to in a place you can do the closer.
So all these sort of.
Things for which
which were talking about is.
That
for instance
if a close up i can go
and musically.
Sort of hint at what the character as thinking of the subtext of us
and we started to get really excited
and then some of these coast
to caves of.
If you just did this one's close up in slow motion just just crank to the bet
you know all sorts of interesting by them as what start happening.
So.
We're coming back on camera three and four
three
two and.
I love doing this movie step i make the
audience to lean forward a little bit you know
just just.
Leads you
closer to the characters suck so you know
the those those were some of the things that
you no.
Run and i were talking about and then you
know those shots were come back and i would up
okay now i gotta figure out a quick clever way of
making you lean that.
If the American people though.
Always knew that
was supposed
to be.
You know the the loudest silence you have a hot
we saw
how people would watch the season there'll be wanted them to hold their breath and if
you're hurt people breathing and but
cinema
you know
we knew we had failed.
Political life for over.
Because part of it as
how
the first of all
the writing is really good peaches writing is pretty good
performance is a really good
and sometimes
just letting the
actress hang in silence was
you know was.
Very powerful
Europe to to keep the edge
growing
to not soft on anything
was.
Great to check the music out
I'll just dumped to do music except but.
You know the the first and greatest sin
or deception of television is that it simplifies.
It diminishes
great complex.
This is actually the peace the
you know when i wrote it and i played it.
It was.
Like i could not
make it not sound.
Romantic and sympathetic and empathetic towards the character.
It's just not in my fingers to play
cold and so a friend of mine had to go to be played complete guide precisely
or cold.
All the piano studying all the time has just throwing on question
every note as a
question
i
just took that out that would be you know and energy a beautiful energy
left
it's just want to color.
If i took the piano down and you to
him off the strings.
You're automatically tired to help
especially you know he's he's got the sad eyes
you know you you know that thing was the dog.
Getting into the cost slowly all everything
everything everything everything in the way it's shot.
You know lets you.
Basically set up a perfect.
For the composer to go and paw.
Frequently sugary empathy over the whole thing.
That happens
the game us lost.
A Mexican director of such be
just as a very good description she said
she wanted a piece of music
like a beautiful cake
with a knife for that.
Get up and
this is a beautiful cake
with a knife in it.
The notes themselves up.
Awkward a little classy a little.
The symptom you've got to
for buff like.
Quality tried
and.
And it's it's just
it's it's really more that the notes of
fighting each other
than
about supporting each other
and at the same time i bay gently try to
put in the idea.
Of tragedy but not tragedy for Richard Nixon about the tragedy of
you know
our
the people's betrayal by
you know by by by a system we believed and by politics by
whatever that is
you know the
you know
that the American dream sort of.
Gone wrong.
We had a the modest budget
and
but
when those conversations first started out
by going to be all eat enough bike
song licensing
and then.
It's sort of turned out we didn't need all those songs
are the we found
we found a
different way of telling it.
But
it it
was just fun.
You know rushing with and of you know
for very limited means
and i you know you never noticed that.
Yeah that that's like a
like a shot in the movie.
Which i
i sort of a door which as.
It's.
David frost office building.
I'm looking at it when
or sun comes back and i'm i'm suddenly realize
oh it's the production office somebody just
painted a big seventy five onto it quickly you know so
we we went wasteful
and
it's very important to always be in a position where you have to go and make
something because your you know your
fervently believe and that this movie now needs to be made as opposed to
thinking it's going to be a box office success
you know
Peter Morgan
had given us a script
that.
Seduced us enabled us
was a gift to us to go and and
and
do something we hadn't done before
and and
to try to work really well and and and and tried to be as good as his once.
So
i.
You know
that that's the stuff that makes you get up in the morning.
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