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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:02:25,493 --> 00:02:28,931 Man: I'VE GOT RUSSIA, EVIE. 4 00:02:29,540 --> 00:02:32,195 DID YOU HEAR ME, EVIE? 5 00:02:32,239 --> 00:02:34,719 I'VE GOT RUSSIA. 6 00:02:34,763 --> 00:02:37,505 GREAT, DADDY. 7 00:02:37,548 --> 00:02:42,205 WELL... I'M TURNING IN. 8 00:02:42,249 --> 00:02:44,773 GOOD NIGHT, DADDY. 9 00:02:44,816 --> 00:02:46,731 GOOD NIGHT. 10 00:02:48,124 --> 00:02:50,213 Man on radio: YOU'RE ON THE AIR WITH DICK DUNDAIR. 11 00:02:50,257 --> 00:02:54,130 THIS IS 89 SWEETHEART TIME, WWLV, LOVE. 12 00:02:54,174 --> 00:02:57,177 THAT WAS FROM BUDDY FOR HIS CAROLINA GAL TAMMY. 13 00:02:57,220 --> 00:02:59,179 HE LOVES HER VERY MUCH. 14 00:02:59,222 --> 00:03:00,397 THEN LAURA FROM DEXTER. 15 00:03:00,441 --> 00:03:02,660 HE BEGS HER TO FORGIVE HIM FOR LAST NIGHT. 16 00:03:02,704 --> 00:03:03,966 IT WON'T EVER HAPPEN AGAIN. 17 00:03:04,009 --> 00:03:06,490 YOU KNOW, I BELIEVE HIM. I THINK YOU SHOULD, TOO. 18 00:03:06,534 --> 00:03:08,318 IT'S MIDNIGHT HERE IN SWEETHEART LAND, 19 00:03:08,362 --> 00:03:12,627 AND THIS NEXT ONE GOES OUT TO EMILY FROM BILLY. 20 00:03:51,840 --> 00:03:54,408 COME ON OUT OF THERE. 21 00:03:54,451 --> 00:03:58,629 WHY YOU HAVE TO BUG ME SO? 22 00:04:00,588 --> 00:04:03,895 00. GET YOUR BUTT MOVING. 23 00:04:03,939 --> 00:04:05,723 LEAVE ME ALONE. 24 00:04:05,767 --> 00:04:08,073 AND TAKE OFF MY WALKMAN. 25 00:04:08,117 --> 00:04:10,598 COME ON. 26 00:04:48,984 --> 00:04:52,422 HEY, YOU KIDS. LOOK AT THIS SUNFLOWER. 27 00:04:52,466 --> 00:04:54,598 HEY, HEY, HEY. 28 00:04:54,642 --> 00:04:55,773 HEY! 29 00:05:08,612 --> 00:05:10,005 EVIE. 30 00:05:10,048 --> 00:05:11,528 EVIE DECKER. 31 00:05:11,572 --> 00:05:16,011 TAKE OFF YOUR HEAD WHEN I'M TALKING TO YOU. 32 00:05:19,536 --> 00:05:21,930 LET ME HAVE THOSE HEADPHONES. 33 00:05:21,973 --> 00:05:24,324 PRONTO, TONTO. 34 00:05:26,238 --> 00:05:27,718 LET'S SEE YOUR BUNS. 35 00:05:27,762 --> 00:05:28,589 WHAT? 36 00:05:28,632 --> 00:05:30,504 HOT-DOG BUNS. 37 00:05:36,248 --> 00:05:39,295 THESE BUNS ARE TO BE LAID OUT NEATLY, 38 00:05:39,339 --> 00:05:41,558 LIGHT SIDE UP, DARK SIDE DOWN, 39 00:05:41,602 --> 00:05:44,779 HAVE WARMTH, AND READY TO SERVE. 40 00:05:44,822 --> 00:05:47,434 PUT YOUR HEAD ON WHEN I'M TALKING TO YOU. 41 00:05:47,477 --> 00:05:50,698 THINK OF THE CHILDREN, FOR CHRIST'S SAKE. 42 00:05:56,138 --> 00:05:58,445 EVIE, I DIDN'T LIKE YOUR ATTITUDE 43 00:05:58,488 --> 00:06:00,664 BACK WHEN YOU WORKED AT THE GIFT SHOP. 44 00:06:00,708 --> 00:06:04,886 NOW, YOU SHAPE UP, OR YOU CAN HOP RIGHT OUT OF HERE... 45 00:06:04,929 --> 00:06:08,629 FOR GOOD. 46 00:06:10,108 --> 00:06:14,112 EVIE, YOU ARE WAY TOO QUALIFIED 47 00:06:14,156 --> 00:06:15,113 TO BE A RABBIT. 48 00:06:15,157 --> 00:06:16,811 HONEY, IF YOU HATE THE JOB SO MUCH, 49 00:06:16,854 --> 00:06:18,116 WHY DON'T YOU JUST QUIT? 50 00:06:18,160 --> 00:06:20,031 IT'S NOT JUST THE JOB, VIOLET. 51 00:06:20,075 --> 00:06:22,382 I FELT THIS WAY AT THE DAIRY QUEEN. 52 00:06:22,425 --> 00:06:23,557 HOW MUCH LONGER, VI? 53 00:06:23,600 --> 00:06:25,646 5 MORE MINUTES, HON. 54 00:06:25,689 --> 00:06:29,780 I'M TURNING IT UP TO BROIL. 55 00:06:31,695 --> 00:06:32,957 DON'T LOOK UP. DON'T LOOK UP. 56 00:06:33,001 --> 00:06:35,438 JUST KEEP YOUR EYES ON ME LIKE YOU WERE TALKING. 57 00:06:35,482 --> 00:06:37,658 I WAS TALKING. 58 00:06:37,701 --> 00:06:40,704 IT'S JEFF BRIGHT. CAN YOU BEAR TO SEE HIM? 59 00:06:40,748 --> 00:06:44,491 EVEN HE GOT OUT OF HERE. 60 00:06:48,451 --> 00:06:50,758 DO YOU EVER FEEL LIKE IT WOULDN'T MATTER 61 00:06:50,801 --> 00:06:52,803 IF YOU LIVED OR DIED? 62 00:06:52,847 --> 00:06:54,936 PARDON? 63 00:06:56,111 --> 00:07:01,116 HOW YOU COULD DISAPPEAR AND NO ONE WOULD NOTICE? 64 00:07:13,607 --> 00:07:15,435 1, 2, 65 00:07:15,478 --> 00:07:18,089 3, 4, 66 00:07:18,133 --> 00:07:19,961 5, 6, 67 00:07:20,004 --> 00:07:21,615 7, 8, 68 00:07:21,658 --> 00:07:23,530 9-- 69 00:07:23,573 --> 00:07:25,053 UH! 70 00:07:55,692 --> 00:07:57,781 IT'S EVIE. 71 00:07:59,304 --> 00:08:03,134 I MUST HAVE DOZED OFF. 72 00:08:12,666 --> 00:08:15,930 DID YOU PICK UP YOUR PRESCRIPTION? 73 00:08:16,757 --> 00:08:20,108 UH...I MEANT TO. 74 00:08:23,372 --> 00:08:27,289 THERE'S TOO MUCH SPANISH IN THE WORLD. 75 00:08:27,332 --> 00:08:30,771 I'LL GET IT AFTER WORK. 76 00:08:30,814 --> 00:08:35,079 THERE'S COCOA IN THE KITCHEN. 77 00:08:42,652 --> 00:08:44,698 Man on radio: THAT WAS BRUCE SPRINGSTEEN 78 00:08:44,741 --> 00:08:45,960 SINGING JERSEY GIRL. 79 00:08:46,003 --> 00:08:48,136 THAT'S FROM LYLE FOR HIS CAROLINA GIRL JANICE. 80 00:08:48,179 --> 00:08:50,051 HIS HEART IS ON HIS SLEEVE. 81 00:08:50,094 --> 00:08:52,706 AND ALSO FROM MARY CLINE TO GRADY. 82 00:08:52,749 --> 00:08:54,055 HER CUP RUNNETH OVER. 83 00:08:54,098 --> 00:08:57,014 BETTER GIVE HER A CALL, GRADY. DON'T WAIT TOO LONG. 84 00:08:57,058 --> 00:08:58,929 YOU'RE ON THE AIR WITH DICK DUNDAIR. 85 00:08:58,973 --> 00:09:03,107 THIS IS 89 SWEETHEART TIME, WWLV, LOVE. 86 00:09:03,151 --> 00:09:04,848 I'M SITTING HERE WITH MY GUEST, 87 00:09:04,892 --> 00:09:07,416 OUR OWN UP-AND-COMING BOSS MAN OF THE LOWLANDS, 88 00:09:07,459 --> 00:09:09,418 MR. BERTRAM CASEY, WHO WILL BE APPEARING LIVE 89 00:09:09,461 --> 00:09:12,726 THIS SATURDAY NIGHT AT THE PLAZA THEATER. 90 00:09:12,769 --> 00:09:14,902 WELCOME TO THE SHOW, BERT. 91 00:09:14,945 --> 00:09:16,599 Bert: DRUMSTRINGS. 92 00:09:16,643 --> 00:09:18,732 Dundair: I'M SORRY. SAY WHAT? 93 00:09:18,775 --> 00:09:20,647 Bert: I GO BY DRUMSTRINGS. 94 00:09:20,690 --> 00:09:22,518 Dundair: OK. SO, DRUMSTRINGS, 95 00:09:22,562 --> 00:09:24,607 IT SAYS HERE IN MY NOTES THAT YOU LIVE 96 00:09:24,651 --> 00:09:26,478 RIGHT HERE IN VIRINIA. IS THAT SO? 97 00:09:26,522 --> 00:09:29,220 Drumstrings: YOU DON'T LIVE IN VIRINIA. 98 00:09:29,264 --> 00:09:30,961 YOU DIE HERE. I'M GETTING OUT. 99 00:09:31,005 --> 00:09:33,355 Dundair: GOOD TO HEAR YOU HAVE SUCH HIGH HOPES. 100 00:09:33,398 --> 00:09:36,097 Drumstrings: HOPE'S GOT NOTHING TO DO WITH IT. 101 00:09:36,140 --> 00:09:38,012 Dundair: WELL, LET'S SEE, THEN. 102 00:09:38,055 --> 00:09:40,144 DONE MUCH RECORDING YET, DRUMSTICKS? 103 00:09:40,188 --> 00:09:42,538 Drumstrings: DRUMSTRINGS. NO. 104 00:09:42,582 --> 00:09:44,758 Dundair: WHAT IS IT YOU DO EXACTLY? 105 00:09:44,801 --> 00:09:47,630 Drumstrings: YOU WANT TO KNOW WHAT I DO? 106 00:09:47,674 --> 00:09:52,592 WE ALL GOT OUR OWN WAY OF FIGHTING OFF THE DEVIL. 107 00:09:52,635 --> 00:09:55,420 I WRITE, SING, PLAY GUITAR. 108 00:09:56,900 --> 00:10:00,904 Dundair: WHY NOT CALL YOU GUITARSTRINGS, THEN? HA HA. 109 00:10:29,454 --> 00:10:32,240 Dundair: YOU KNOW, I'M THINKING YOU DO, PAL. 110 00:10:32,283 --> 00:10:37,375 Drumstrings: YOU THINK YOU'RE INVISIBLE, BUT I SEE YOU. 111 00:10:37,419 --> 00:10:40,552 YOU BREAK. YOU BEND. 112 00:10:40,596 --> 00:10:43,686 YOU DISAPPEAR. EVERYBODY HERE STARES. 113 00:10:43,730 --> 00:10:45,470 MAYBE WE SHOULD GO FARTHER. 114 00:10:45,514 --> 00:10:48,038 Dundair: THEN AGAIN, MAYBE WE SHOULDN'T. 115 00:10:48,082 --> 00:10:51,128 NOW BACK TO MUSIC FROM THIS PLANET. 116 00:10:51,172 --> 00:10:52,695 WE'VE GOT SOME MICHAEL BOLTON. 117 00:10:52,739 --> 00:10:57,831 Drumstrings: YOU DON'T KNOW ME NOW, DICK, BUT YOU WILL. 118 00:11:07,318 --> 00:11:11,627 EXCUSE ME. EXCUSE ME. 119 00:11:19,591 --> 00:11:21,637 EXCUSE ME! 120 00:11:28,209 --> 00:11:31,299 HE'S NOT LIKE THESE PEOPLE. 121 00:11:48,620 --> 00:11:52,450 THAT'S A DIAPER PIN IN HER EAR. 122 00:11:57,281 --> 00:12:00,328 WAIT. 123 00:12:03,461 --> 00:12:06,116 IT'S HIM. 124 00:13:09,876 --> 00:13:12,617 UH. TAKE A DEEP BREATH. 125 00:13:12,661 --> 00:13:16,056 I GOT A MIRROR AND A GOOD IDEA. 126 00:13:16,099 --> 00:13:20,234 YOU SAY YOUR EYES ARE SPEAKING NOW. 127 00:13:20,277 --> 00:13:23,585 SHOULD I SAY WHAT YOU DID? 128 00:13:23,628 --> 00:13:28,459 ARE YOU MUTE? SHOULD I SAY WHAT YOU DID? 129 00:13:28,503 --> 00:13:31,027 ARE YOU MUTE? 130 00:13:31,071 --> 00:13:32,986 HA HA HA. 131 00:13:33,029 --> 00:13:36,076 I FEEL LIKE I'VE HEARD HIM BEFORE. 132 00:13:36,119 --> 00:13:37,947 YEAH, YOU DID, ON THE RADIO. 133 00:13:37,991 --> 00:13:40,602 IT'S WEIRD, BUT I FEEL LIKE I KNOW HIM. 134 00:13:40,645 --> 00:13:43,823 HAVE I GOT TO TELL YOU AGAIN? 135 00:13:43,866 --> 00:13:45,781 HAVE I GOT TO SAY IT? 136 00:13:45,825 --> 00:13:47,565 HAVE I GOT TO SAY IT? 137 00:13:47,609 --> 00:13:49,872 I WANT TO ANSWER HIM. 138 00:14:18,640 --> 00:14:20,250 OOH! 139 00:14:22,949 --> 00:14:26,126 HEY, EVIE. HA HA! 140 00:14:26,169 --> 00:14:28,041 I COULD HAVE SWORN I SAW YOU 141 00:14:28,084 --> 00:14:30,086 AND THAT PORKER FRIEND OF YOURS 142 00:14:30,130 --> 00:14:32,001 AT THE CONCERT THE OTHER NIGHT. 143 00:14:32,045 --> 00:14:35,048 WELL, MY FRIEND VIOLET AND I DID GO. 144 00:14:35,091 --> 00:14:36,745 NO SHIT! 145 00:14:36,788 --> 00:14:39,617 HEY, UNZIP ME, WILL YOU? 146 00:14:43,665 --> 00:14:46,450 GOD! WORKING AT THAT PUKE WHEEL 147 00:14:46,494 --> 00:14:49,149 MAKES ME SICK. 148 00:14:49,192 --> 00:14:51,934 UM...SO WHAT-- WHAT DID YOU-- 149 00:14:51,978 --> 00:14:55,416 OH, SWEET JESUS! 150 00:14:59,289 --> 00:15:01,422 SO, WHAT DID YOU THINK OF DRUMSTRINGS CASEY? 151 00:15:01,465 --> 00:15:04,642 WELL, I DON'T KNOW WHAT THE FUCK HE'S JABBERING ABOUT, 152 00:15:04,686 --> 00:15:08,081 BUT WITH A BODY LIKE THAT... 153 00:15:09,038 --> 00:15:10,387 WHO CARES? 154 00:15:10,431 --> 00:15:13,651 HA HA HA. 155 00:15:14,739 --> 00:15:18,613 I'VE GOT SOMETHING FOR YOU. 156 00:15:27,535 --> 00:15:28,666 WHAT'S THIS? 157 00:15:28,710 --> 00:15:31,582 IT'S DRUMSTRINGS CASEY. WHO DO YOU THINK? 158 00:15:31,626 --> 00:15:35,021 I DID IT ONE NIGHT AT THE UNICORN. 159 00:15:35,064 --> 00:15:39,590 IT'S A PRETTY GOOD LIKENESS, DON'T YOU THINK? 160 00:15:41,027 --> 00:15:42,550 EASY, PEANUT. 161 00:15:43,638 --> 00:15:45,509 FUCKING SPAZ. 162 00:15:48,295 --> 00:15:51,124 Evie: SEE. WHAT DID I TELL YOU? THERE SHE IS. 163 00:15:51,167 --> 00:15:53,953 Violet: YEAH. CRABS AND ALL. 164 00:15:53,996 --> 00:15:56,564 LOOK WHO'S HERE. 165 00:15:56,607 --> 00:15:59,828 WHERE DO YOU THINK YOU'RE GOING? 166 00:15:59,871 --> 00:16:03,614 I'LL SHOW YOU AROUND. 167 00:16:23,069 --> 00:16:25,636 FOLLOW ME. 168 00:16:55,623 --> 00:16:58,060 WHOO! 169 00:16:58,582 --> 00:17:02,369 I'LL SEE YOU IN MY WET DREAMS, BABY! 170 00:17:05,285 --> 00:17:08,114 RRR RRR RRR! 171 00:17:10,986 --> 00:17:12,335 HE IS SO HOT. 172 00:17:12,379 --> 00:17:18,602 IT'S LIKE HE'S PACKING A SUMMER SQUASH IN THEM PANTS. 173 00:17:19,473 --> 00:17:22,171 OOH. GIVE ME, GIVE ME, GIVE ME, GIVE ME. 174 00:17:43,149 --> 00:17:44,411 WAIT. 175 00:17:44,454 --> 00:17:45,542 OH... 176 00:17:45,586 --> 00:17:47,631 Drumstrings: YOU SAY YOU WANT TO WAKE UP, 177 00:17:47,675 --> 00:17:50,721 BUT YOU JUST SLEEP IN YOUR DREAMS. 178 00:17:50,765 --> 00:17:54,160 CAN YOU SLEEP IN YOUR DREAMS? 179 00:17:54,203 --> 00:17:57,467 IF I BECAME FIRE, WOULD YOU BURN UP WITH ME? 180 00:17:57,511 --> 00:18:00,775 WOULD YOU BURN DOWN WITH ME? HA HA HA. 181 00:18:00,818 --> 00:18:01,993 I THINK IT'S A CODE. 182 00:18:02,037 --> 00:18:04,431 WAKE UP, BABY. COME OUT OF YOUR DREAM. 183 00:18:04,474 --> 00:18:05,736 SURE. WHY NOT? 184 00:18:05,780 --> 00:18:06,998 IT'S NOT JUST THE WORDS. 185 00:18:07,042 --> 00:18:10,089 IT'S LIKE THERE'S SOMETHING UNDERNEATH THEM. 186 00:18:47,126 --> 00:18:48,997 CASEY! 187 00:18:57,962 --> 00:18:59,921 I GAVE YOU HIS PICTURE. 188 00:18:59,964 --> 00:19:01,618 OH, YES, YOU DID, 189 00:19:01,662 --> 00:19:05,144 AND I REMEMBER IT SO CLEARLY. 190 00:19:07,798 --> 00:19:11,106 YOU FROM SOME NEWSPAPER? 191 00:19:11,150 --> 00:19:13,108 NO. 192 00:19:14,153 --> 00:19:16,111 OH. 193 00:19:22,378 --> 00:19:24,685 Evie: DID HE SAY "OH" OR "WELL"? 194 00:19:24,728 --> 00:19:26,513 Violet: EVIE, DO YOU MIND? 195 00:19:26,556 --> 00:19:29,559 I SHOULD HAVE HAD AN ANSWER PLANNED. 196 00:19:29,603 --> 00:19:30,908 IN CODE? 197 00:19:30,952 --> 00:19:32,214 NO, I'M SERIOUS. 198 00:19:32,258 --> 00:19:33,563 LOOK, IT'S NOT SOMETHING 199 00:19:33,607 --> 00:19:36,523 YOU COULD HAVE EXPECTED, AFTER ALL. 200 00:19:36,566 --> 00:19:39,787 OH, SHIT! 201 00:19:40,440 --> 00:19:42,093 OH! GODDAMN IT! 202 00:19:42,877 --> 00:19:44,183 WHAT ARE YOU DOING? 203 00:19:44,226 --> 00:19:45,923 I WANT TO FINISH UP THE ROLL 204 00:19:45,967 --> 00:19:48,230 SO I CAN TAKE IT IN TOMORROW. 205 00:19:53,801 --> 00:19:57,065 IT WASN'T SOMETHING I THOUGHT UP FIRST, YOU KNOW. 206 00:19:57,108 --> 00:19:59,372 I THOUGHT "WHY NOT?" AND DID IT. 207 00:19:59,415 --> 00:20:02,157 JUST STOOD UP AND DID IT. 208 00:20:02,201 --> 00:20:05,073 IMPULSE. THAT'S WHAT IT WAS. 209 00:20:05,116 --> 00:20:06,117 RIGHT. 210 00:20:06,161 --> 00:20:07,423 IF I'D HAVE THOUGHT ABOUT IT FIRST, 211 00:20:07,467 --> 00:20:09,295 I MIGHT HAVE FALLEN ON MY FACE 212 00:20:09,338 --> 00:20:10,731 OR BROKEN THE CAMERA. 213 00:20:10,774 --> 00:20:12,385 YOUR HANDS WERE SHAKING. 214 00:20:12,428 --> 00:20:13,821 YOU MEAN YOU SAW? 215 00:20:13,864 --> 00:20:16,171 VIOLET, I COULDN'T EVEN THINK WHAT NAME TO CALL HIM. 216 00:20:16,215 --> 00:20:19,087 GIVE ME THAT. GIVE ME THAT. 217 00:20:19,130 --> 00:20:20,567 LOOK. 218 00:21:08,223 --> 00:21:13,097 Man: WHOA. WHOA. EASY. EASY. 219 00:21:13,141 --> 00:21:15,361 Drumstrings: I CAN PLAY THIS STUFF IN MY SLEEP. 220 00:21:15,404 --> 00:21:17,101 WE'VE GOT TO FUCKING REHEARSE. 221 00:21:17,145 --> 00:21:18,320 ALL THIS TALKING OUT. 222 00:21:18,364 --> 00:21:19,452 WHERE'S THAT GONNA GET US? 223 00:21:19,495 --> 00:21:20,757 MAYBE YOU'RE INTO DODGING GOLF BALLS, 224 00:21:20,801 --> 00:21:22,542 BUT THIS PEDDLING LIFE INSURANCE IS KILLING ME! 225 00:21:22,585 --> 00:21:23,978 IF WHAT I DO IS HOLDING YOU BACK, 226 00:21:24,021 --> 00:21:26,197 MAYBE YOU SHOULD GET SOMEONE ELSE. 227 00:21:26,241 --> 00:21:28,504 I'M JUST TRYING TO FIGURE A WAY TO GET THINGS GOING. 228 00:21:28,548 --> 00:21:31,594 FIGURE A WAY WITHOUT SELLING ME OUT. 229 00:21:34,771 --> 00:21:37,034 Man: IN A MINUTE. 230 00:21:50,439 --> 00:21:52,354 GET BACK TO WORK. 231 00:21:52,398 --> 00:21:54,617 THIS AIN'T NO FOTOMAT. 232 00:21:54,661 --> 00:21:58,621 THE HEAD GOES ON IN 5 MINUTES. 233 00:22:27,258 --> 00:22:29,783 Evie: HI. I'M EVIE DECKER. 234 00:22:29,826 --> 00:22:33,047 I KNOW YOU DON'T KNOW... YOU DON'T KNOW ME, 235 00:22:33,090 --> 00:22:34,570 BUT, UH... 236 00:22:38,792 --> 00:22:40,533 HELLO. I'M EVIE DECKER. 237 00:22:40,576 --> 00:22:43,884 I KNOW YOU DON'T KNOW ME, BUT... 238 00:22:43,927 --> 00:22:45,451 HELLO. I'M EVIE-- 239 00:22:47,583 --> 00:22:49,063 OK. OK. 240 00:22:49,106 --> 00:22:52,458 Man: WELL, NICE OF YOU TO SHOW UP. 241 00:23:07,560 --> 00:23:09,300 Woman: HEY, BABY, LET'S GO. 242 00:23:09,344 --> 00:23:14,436 GET YOUR ASS BACK HERE, BOY. WE GOT A CUSTOMER. 243 00:23:36,110 --> 00:23:38,852 IF I CALLED YOUR NAME WRONG, 244 00:23:38,895 --> 00:23:40,897 WOULD YOU STILL SAY YES? 245 00:23:40,941 --> 00:23:44,423 YOU BET I WOULD. 246 00:24:06,923 --> 00:24:10,100 Evie: I COULDN'T GO UP LIKE THOSE OTHER GIRLS. 247 00:24:10,144 --> 00:24:11,798 I'D BE PLANNING IT ALL OUT AHEAD OF TIME, 248 00:24:11,841 --> 00:24:14,627 SAYING SOMETHING, MEMORIZE IT, IT WOULD COME OUT BACKWARDS. 249 00:24:14,670 --> 00:24:16,237 HE WOULDN'T NOTICE, HONEY-- 250 00:24:16,280 --> 00:24:18,021 BACKWARDS OR FORWARDS. 251 00:24:23,549 --> 00:24:26,421 OPEN THAT WINDOW IN MY HEAD. 252 00:24:26,465 --> 00:24:28,423 WOULD YOU DARE LIKE ME? 253 00:24:28,467 --> 00:24:32,383 NAMES DON'T STICK WITH ME HALF AS MUCH AS FACES. 254 00:24:34,211 --> 00:24:35,343 TAKE THAT STEP, 255 00:24:35,386 --> 00:24:37,737 FROM NOTHING TO ONE. 256 00:24:37,780 --> 00:24:40,043 1, 2, 3, GO! 257 00:25:46,022 --> 00:25:48,590 TASTE THIS. 258 00:27:09,802 --> 00:27:12,674 Man: GET THE FUCK OUT OF THE WAY. 259 00:27:12,718 --> 00:27:15,372 OH, MY GOD! WHAT HAPPENED? 260 00:27:20,029 --> 00:27:23,729 "C-A-S-E-Y." 261 00:27:23,772 --> 00:27:26,732 IS CASEY HER BOYFRIEND? 262 00:27:26,775 --> 00:27:27,646 NO. 263 00:27:27,689 --> 00:27:29,648 WELL, WHO THEN? 264 00:27:29,691 --> 00:27:31,737 HE'S A SINGER. 265 00:27:31,780 --> 00:27:34,043 ROCK-AND-ROLL, I SUPPOSE. 266 00:27:34,087 --> 00:27:35,566 OH... 267 00:27:35,610 --> 00:27:36,698 DON'T MOVE. 268 00:27:36,742 --> 00:27:38,831 HE HAS HIS OWN STYLE. 269 00:27:42,835 --> 00:27:44,227 WELL... THAT SETS 270 00:27:44,271 --> 00:27:45,707 SOME KIND OF A RECORD. 271 00:27:45,751 --> 00:27:47,317 AREN'T THERE ANY SINGERS 272 00:27:47,361 --> 00:27:50,059 NAMED AL OR ED? 273 00:27:50,103 --> 00:27:51,931 WELL, HIS FIRST NAME IS DRUMSTRINGS. 274 00:27:51,974 --> 00:27:54,194 I SUPPOSE SHE DID THE BEST SHE COULD. 275 00:27:54,237 --> 00:27:56,283 YOU KNOW, IT'S BACKWARDS. 276 00:27:56,326 --> 00:27:58,111 BACKWARDS? 277 00:27:58,154 --> 00:28:00,896 YOU CUT HIS NAME BACKWARDS. 278 00:28:00,940 --> 00:28:03,420 OH... 279 00:28:03,464 --> 00:28:07,424 I BELIEVE THIS MIGHT BE THE BEST THING I'VE EVER DONE-- 280 00:28:07,468 --> 00:28:09,426 SOMETHING OUT OF CHARACTER, 281 00:28:09,470 --> 00:28:11,254 DEFINITE, NOT LIKE ME AT ALL. 282 00:28:11,298 --> 00:28:13,561 THEY'LL BRING YOU BREAKFAST IN BED, I SUPPOSE-- 283 00:28:13,604 --> 00:28:16,433 EGGS AND HOME FRIES OR SOMETHING. 284 00:28:16,477 --> 00:28:18,609 Father: EVIE. 285 00:28:25,355 --> 00:28:28,576 I BROUGHT YOU SOME CLOTHES. 286 00:28:30,099 --> 00:28:31,144 YOU DID? 287 00:28:31,187 --> 00:28:34,408 I THOUGHT YOU MIGHT NEED THEM. 288 00:28:36,236 --> 00:28:40,327 DOES THAT HAVE TO BE SO.... SO, UH...BIG? 289 00:28:40,370 --> 00:28:42,503 IT HAS TO COVER MY WHOLE FOREHEAD. 290 00:28:42,546 --> 00:28:44,244 DIDN'T THE DOCTOR TELL YOU? 291 00:28:44,287 --> 00:28:45,941 WELL, YES, BUT IT TAKES 292 00:28:45,985 --> 00:28:47,508 SOME GETTING USED TO. 293 00:28:47,551 --> 00:28:48,683 DO YOU WANT TO SEE IT? 294 00:28:48,727 --> 00:28:54,645 NO. THAT'S ALL RIGHT. I KNOW WHAT IT SAYS. 295 00:28:57,866 --> 00:28:59,650 I DON'T UNDERSTAND. 296 00:28:59,694 --> 00:29:03,306 WHO IS THIS "YESAC" TO YOU? 297 00:29:03,350 --> 00:29:05,395 YOU MEAN "CASEY." 298 00:29:05,439 --> 00:29:06,701 HE'S A SINGER. 299 00:29:06,745 --> 00:29:10,574 YES, I KNOW. CASEY. I KNOW. 300 00:29:10,618 --> 00:29:12,533 YOU KNOW HIM? 301 00:29:12,576 --> 00:29:14,883 I MEAN, I KNOW THAT'S... 302 00:29:14,927 --> 00:29:16,624 WHAT THE NAME IS. 303 00:29:16,667 --> 00:29:20,889 I NEVER HEARD OF CASEY BEFORE. 304 00:29:20,933 --> 00:29:25,415 WE'LL HAVE TO GET A GOOD PLASTIC SURGEON. 305 00:29:25,459 --> 00:29:27,809 I DON'T WANT ONE. 306 00:29:27,853 --> 00:29:29,115 EVIE-- 307 00:29:29,158 --> 00:29:31,813 THIS IS ONE THING I'M NEVER GONNA BACK DOWN ON. 308 00:29:31,857 --> 00:29:33,946 YOU KNOW, WHILE I WAS WALKING THROUGH THAT CROWD, 309 00:29:33,989 --> 00:29:37,819 I KEPT THINKING OF MY NAME--EVIE DECKER. 310 00:29:37,863 --> 00:29:41,780 ME...TAKING SOMETHING IN MY OWN HANDS FOR ONCE. 311 00:29:41,823 --> 00:29:45,914 IF I HAD STARTED ACTING LIKE THIS A LONG TIME AGO, 312 00:29:45,958 --> 00:29:48,264 MY WHOLE LIFE MIGHT HAVE BEEN DIFFERENT. 313 00:29:48,308 --> 00:29:49,526 YEAH. YOU WOULD HAVE 314 00:29:49,570 --> 00:29:51,790 WHITTLED OFF YOUR WHOLE HEAD BY NOW. 315 00:29:51,833 --> 00:29:53,139 HA HA HA! 316 00:30:30,393 --> 00:30:33,614 "CASEY." 317 00:30:37,618 --> 00:30:40,360 YOU KNOW, YOU'RE GONNA BE FAMOUS. 318 00:30:40,403 --> 00:30:42,318 PHOTOGRAPHER'S HERE. 319 00:30:42,362 --> 00:30:43,798 WHAT PHOTOGRAPHER? 320 00:30:43,842 --> 00:30:45,060 THEY HEARD WHAT YOU DID. 321 00:30:45,104 --> 00:30:48,107 THEY WANT TO PUT YOU IN THE PAPERS. 322 00:30:51,545 --> 00:30:53,068 YOU HUNGRY? 323 00:30:53,112 --> 00:30:54,156 MM-HMM. 324 00:30:54,200 --> 00:30:57,638 BREAKFAST IS GONNA BE HERE IN A MINUTE. 325 00:30:59,683 --> 00:31:01,642 OW. 326 00:31:03,078 --> 00:31:07,082 WE'LL LET IT BREATHE FOR A WHILE. 327 00:31:07,691 --> 00:31:10,477 THAT SINGER GUY-- HE'S HERE. 328 00:31:10,520 --> 00:31:11,870 WHAT SINGER? 329 00:31:11,913 --> 00:31:13,001 YOU KNOW..."YESAC." 330 00:31:13,045 --> 00:31:16,483 HE'S AT THE NURSES STATION RIGHT NOW. 331 00:31:49,603 --> 00:31:51,561 MAY I HELP YOU? 332 00:31:51,605 --> 00:31:55,435 DAVID ELLIOT. I'M MR. CASEY'S DRUMMER AND MANAGER. 333 00:31:55,478 --> 00:31:59,918 PAUL OGLE, COURIER. 334 00:32:00,396 --> 00:32:04,226 OW. THAT'S A GREAT THING YOU DID FOR US. 335 00:32:04,270 --> 00:32:07,838 I DID IT FOR MYSELF. 336 00:32:15,934 --> 00:32:19,763 Ogle: SHADES OFF, CASEY. I NEED A REACTION HERE. 337 00:32:19,807 --> 00:32:23,115 YOU THE NEWSPAPER LADY? 338 00:32:23,158 --> 00:32:24,203 NO. 339 00:32:24,246 --> 00:32:26,031 YOU SURE DO LOOK LIKE HER. 340 00:32:26,074 --> 00:32:28,381 Ogle: DON'T YOU KNOW HOW TO SMILE? 341 00:32:28,424 --> 00:32:31,471 LOOK THIS WAY, MISS. 342 00:32:32,602 --> 00:32:35,866 I NEED SOME WITH YOUR ARM AROUND HER. 343 00:32:35,910 --> 00:32:37,738 COME ON, MAN. YOU GOT ENOUGH. 344 00:32:37,781 --> 00:32:39,653 WE'RE ALMOST DONE, DRUM. 345 00:32:42,786 --> 00:32:47,226 BREATHE, MISS. BREATHE. 346 00:32:49,054 --> 00:32:51,404 NOW, EVIE... 347 00:32:51,447 --> 00:32:53,710 IT'S EVIE DECKER. IS THAT RIGHT? 348 00:32:53,754 --> 00:32:55,408 Evie: YES. 349 00:32:55,451 --> 00:32:57,279 AND YOUR OCCUPATION? 350 00:32:57,323 --> 00:32:59,586 I WORK AT KIDDIE ACRES. 351 00:32:59,629 --> 00:33:01,066 REALLY? 352 00:33:01,109 --> 00:33:02,241 REALLY. 353 00:33:02,284 --> 00:33:04,765 AND COULD YOU TELL ME 354 00:33:04,808 --> 00:33:08,073 WHAT END YOU HAD IN MIND? 355 00:33:08,116 --> 00:33:09,074 END? 356 00:33:09,117 --> 00:33:10,901 WHAT WAS YOUR GOAL IN DOING THIS? 357 00:33:10,945 --> 00:33:14,035 YOUR REASON. DID YOU HAVE A REASON? 358 00:33:14,079 --> 00:33:16,124 SHE DID IT AS A PERSONAL TRIBUTE 359 00:33:16,168 --> 00:33:18,387 TO DRUM'S MUSICAL AND PHYSICAL CHARISMA. 360 00:33:18,431 --> 00:33:19,736 HA HA. EXCELLENT. 361 00:33:19,780 --> 00:33:22,783 CAN I QUOTE YOU ON THAT? 362 00:33:23,958 --> 00:33:25,133 SURE. 363 00:33:25,177 --> 00:33:26,830 DO YOU MIND TELLING US 364 00:33:26,874 --> 00:33:28,528 WHAT YOU DID IT WITH? 365 00:33:28,571 --> 00:33:30,269 I DON'T REMEMBER. 366 00:33:30,312 --> 00:33:31,792 HAD YOU PLANNED IT? 367 00:33:31,835 --> 00:33:34,403 GIVE HER A BREAK. 368 00:33:34,447 --> 00:33:37,232 IT'S HARD TO SAY. 369 00:33:37,276 --> 00:33:39,017 WELL, I THINK I GOT IT ALL. 370 00:33:39,060 --> 00:33:41,193 IT'S ONLY A CAPTION ANYWAY. 371 00:33:41,236 --> 00:33:42,237 A CAPTION? 372 00:33:42,281 --> 00:33:44,152 YOU KNOW, THE WRITING UNDER A PHOTO. 373 00:33:44,196 --> 00:33:46,067 HE KNOWS WHAT A CAPTION IS. 374 00:33:46,111 --> 00:33:48,200 THIS WAS SUPPOSED TO BE AN ARTICLE. 375 00:33:48,243 --> 00:33:50,637 NOW WE'RE JUST GONNA GET A NEWSPAPER PHOTO? 376 00:33:50,680 --> 00:33:53,335 DON'T TALK TO ME. TALK TO MY BOSS. SEE YOU, FOLKS. 377 00:33:53,379 --> 00:33:57,035 I'M GONNA STRAIGHTEN THIS OUT. 378 00:34:01,430 --> 00:34:04,129 WHY'D YOU GO AND CUT IT BACKWARDS? 379 00:34:04,172 --> 00:34:06,392 IT JUST WORKED OUT THAT WAY. 380 00:34:06,435 --> 00:34:08,481 CAN'T YOU READ IT? 381 00:34:08,524 --> 00:34:09,699 SURE, I CAN. 382 00:34:09,743 --> 00:34:12,920 I CAN SEE NOW IT'S UNEVEN. 383 00:34:12,963 --> 00:34:15,575 THE "Y" DROOPS. 384 00:34:15,618 --> 00:34:17,490 WHY'D YOU MAKE IT "CASEY"? 385 00:34:17,533 --> 00:34:19,405 WHY NOT MY FIRST NAME? 386 00:34:19,448 --> 00:34:20,754 WHAT? "DRUMSTRINGS"? 387 00:34:20,797 --> 00:34:23,104 I DON'T HAVE THAT BIG A FOREHEAD. 388 00:34:23,148 --> 00:34:25,585 "DRUM." JUST "DRUM." 389 00:34:25,628 --> 00:34:27,456 THEY CALL YOU DRUM? 390 00:34:27,500 --> 00:34:29,632 THAT'S RIGHT. 391 00:34:30,111 --> 00:34:33,027 I CERTAINLY WISH I'D HAVE KNOWN. 392 00:34:33,071 --> 00:34:35,551 YEAH. WELL... 393 00:34:37,249 --> 00:34:41,079 IT'S FUNNY. I NEVER WOULD HAVE TAKEN YOU FOR A GROUPIE. 394 00:34:41,122 --> 00:34:42,993 I'M NOT. 395 00:34:45,605 --> 00:34:49,087 YOU'RE GONNA BE FAMOUS SOMEDAY. 396 00:35:00,707 --> 00:35:03,188 SURE IS A PECULIAR FEELING. 397 00:35:03,231 --> 00:35:07,714 KIND OF LIKE MEETING UP WITH YOUR OWN FACE SOMEWHERE. 398 00:35:07,757 --> 00:35:10,760 YOU KNOW, LIKE IN A DREAM. 399 00:35:11,979 --> 00:35:16,201 SEE YOU. 400 00:35:21,858 --> 00:35:26,428 OH, BERTHA! WATCH OUT! 401 00:35:27,777 --> 00:35:29,301 NOW, WHAT I WANT TO KNOW 402 00:35:29,344 --> 00:35:32,478 IS WHEN THAT DR. MENTHE IS SUCH A STUCK-UP WAY, 403 00:35:32,521 --> 00:35:34,567 IS IT HIS WAY, OR DO HE 404 00:35:34,610 --> 00:35:36,569 JUST ACT LIKE THAT FOR THE PLAY? 405 00:35:40,268 --> 00:35:41,226 HELLO. 406 00:35:41,269 --> 00:35:42,140 WHO IS IT? 407 00:35:42,183 --> 00:35:44,403 ANOTHER FRIEND OF YOUR DADDY'S. 408 00:35:44,446 --> 00:35:46,579 YOU TALK TO THEM. 409 00:35:46,622 --> 00:35:48,755 HONEY, THERE AIN'T NOTHING I CAN SAY 410 00:35:48,798 --> 00:35:50,148 TO EXPLAIN YOU TO NOBODY. 411 00:35:50,191 --> 00:35:54,413 SHE DON'T WANT TO TALK TO YOU. 412 00:35:55,065 --> 00:35:56,241 WHY DON'T YOU GET DRESSED? 413 00:35:56,284 --> 00:35:59,157 STOP PARADING YOUR MOPEY SELF AROUND HERE. 414 00:35:59,200 --> 00:36:01,637 WHY? I'M NOT GOING ANYWHERE. 415 00:36:01,681 --> 00:36:03,596 WELL, I CAN SEE THAT, MISS, 416 00:36:03,639 --> 00:36:06,599 AND IT SURE DO TWIST MY HEART. 417 00:36:20,526 --> 00:36:23,442 THOSE BILLS. 418 00:36:24,051 --> 00:36:27,141 NOW, WHERE IS THAT BEER AT? 419 00:37:23,763 --> 00:37:28,333 OK. OK. 420 00:37:41,389 --> 00:37:44,000 Evie: HELLO. HELLO. 421 00:37:44,044 --> 00:37:46,438 THIS IS...HELLO. 422 00:37:46,481 --> 00:37:47,569 Woman: HELLO. 423 00:37:47,613 --> 00:37:50,746 HELLO. I'D LIKE TO SPEAK TO DRUM, PLEASE. 424 00:37:50,790 --> 00:37:55,142 WHO? OH. JUST A SECOND. 425 00:37:56,622 --> 00:37:58,580 BERTRAM! 426 00:37:58,624 --> 00:38:01,888 PHONE! 427 00:38:01,931 --> 00:38:04,456 HE'S COMING. 428 00:38:04,499 --> 00:38:06,196 Drum: HELLO. 429 00:38:06,240 --> 00:38:09,069 HELLO. THIS IS EVIE DECKER. 430 00:38:09,112 --> 00:38:10,810 YOUR NAME IS ON MY FOREHEAD. 431 00:38:10,853 --> 00:38:14,727 THERE'S SOMETHING I'D LIKE TO DISCUSS WITH YOU. 432 00:38:14,770 --> 00:38:15,945 WHAT'S THAT? 433 00:38:15,989 --> 00:38:19,427 WELL, I'LL HAVE TO TELL YOU WHEN I SEE YOU. 434 00:38:19,471 --> 00:38:21,211 WHERE ARE YOU? 435 00:38:21,255 --> 00:38:22,691 I LIVE IN FULQUAY. 436 00:38:22,735 --> 00:38:28,436 MY ADDRESS IS 205 ENSHAW. 437 00:38:44,278 --> 00:38:48,064 WELL, MY BEETLE SPRAY SEEMS TO BE WORKING. 438 00:38:48,108 --> 00:38:50,110 GOOD. 439 00:38:53,766 --> 00:38:57,900 WELL, YOU BEEN OUT MUCH? 440 00:38:57,944 --> 00:39:00,468 TALK TO ANYONE? 441 00:39:00,512 --> 00:39:03,123 JUST VIOLET. 442 00:39:05,386 --> 00:39:09,608 WHAT? WAS THERE SOMETHING YOU WANTED TO SAY? 443 00:39:10,130 --> 00:39:14,613 NO. NOT THAT I CAN THINK OF. NO. 444 00:40:05,577 --> 00:40:08,580 I DIDN'T KNOW YOU WORE GLASSES. 445 00:40:16,283 --> 00:40:20,766 I THOUGHT YOU COULD DRIVE ME TO WORK WHILE WE TALK. 446 00:40:20,809 --> 00:40:22,724 I DON'T HAVE MUCH TIME. 447 00:40:22,768 --> 00:40:24,291 I WORK AT KIDDIE ACRES. 448 00:40:24,334 --> 00:40:27,773 I CAN TELL YOU THE FASTEST WAY. 449 00:40:34,606 --> 00:40:38,218 I THOUGHT YOU'D HAVE A MOTORCYCLE. 450 00:40:38,261 --> 00:40:40,350 NO. THEY'RE TOO DANGEROUS. 451 00:40:40,394 --> 00:40:44,093 WHAT WAS IT YOU WANTED TO TELL ME ABOUT? 452 00:40:45,138 --> 00:40:47,401 HOW DO YOU USUALLY GET PUBLICITY? 453 00:40:47,445 --> 00:40:49,229 DO YOU ADVERTISE? 454 00:40:49,272 --> 00:40:51,492 MY MANAGER DOES ALL THAT. 455 00:40:51,536 --> 00:40:54,234 WOULDN'T HE LIKE IT IF YOU GOT MORE? 456 00:40:54,277 --> 00:40:56,802 WHY? WHAT ARE YOU GETTING AT? 457 00:40:56,845 --> 00:41:00,196 I THOUGHT IF I STARTED COMING TO YOUR SHOWS, 458 00:41:00,240 --> 00:41:02,590 YOU KNOW, AT THE UNICORN, 459 00:41:02,634 --> 00:41:05,027 WHERE PEOPLE COULD SEE ME, 460 00:41:05,071 --> 00:41:07,856 I COULD PULL THE HAIR OFF MY FACE 461 00:41:07,900 --> 00:41:10,468 AND SHOW YOUR NAME. 462 00:41:10,859 --> 00:41:15,603 PEOPLE WOULD TALK. YOU KNOW THIS TOWN. 463 00:41:16,822 --> 00:41:19,433 YOU KNOW WHAT I MEAN? 464 00:41:20,260 --> 00:41:22,523 ARE YOU GONNA HAVE, UM... 465 00:41:22,567 --> 00:41:25,134 SCARS. 466 00:41:26,309 --> 00:41:28,834 SO, WHAT DO YOU THINK? 467 00:41:41,063 --> 00:41:45,111 I CAN'T PLAY UNDER THOSE CONDITIONS. 468 00:41:46,155 --> 00:41:48,244 TALK TO YOUR MANAGER ABOUT IT. 469 00:41:48,288 --> 00:41:50,943 LOOK, I'M REAL SORRY ABOUT WHAT HAPPENED TO YOU, 470 00:41:50,986 --> 00:41:55,730 AND I APPRECIATE EVERYTHING YOU'VE DONE, BUT... 471 00:41:55,774 --> 00:41:57,776 I HAVE MY OWN LIFE TO LEAD. 472 00:41:57,819 --> 00:41:59,386 NO ONE SAID YOU DIDN'T. 473 00:41:59,429 --> 00:42:03,608 YOU CAN LEAD YOUR OWN LIFE ALL YOU WANT TO. 474 00:42:09,439 --> 00:42:10,702 WAIT. 475 00:42:38,643 --> 00:42:39,948 Man: HERE WE GO, EVIE. 476 00:42:39,992 --> 00:42:42,429 MAKE SURE YOUR FATHER TAKES ONE OF THESE 477 00:42:42,472 --> 00:42:44,083 IN THE MORNING NOW, TOO. 478 00:42:44,126 --> 00:42:45,606 OK. THANKS A LOT. 479 00:42:45,650 --> 00:42:46,999 THANK YOU, EVIE. 480 00:42:47,042 --> 00:42:49,523 HEY, HOW YOU DOING, EVIE? 481 00:42:49,567 --> 00:42:51,569 HEY, JOE. 482 00:42:53,919 --> 00:42:55,573 I'M DAVID ELLIOT. 483 00:42:55,616 --> 00:42:57,226 YES, I KNOW. 484 00:42:57,270 --> 00:43:01,927 LISTEN, ABOUT DRUM-- HANG ON. 485 00:43:11,153 --> 00:43:13,286 DRUM IS AN AMAZING TALENT. 486 00:43:13,329 --> 00:43:17,812 I THINK HE DESERVES A BIGGER AUDIENCE. DON'T YOU? 487 00:43:17,856 --> 00:43:20,641 THAT'S WHY, WHEN I HEARD WHAT YOU SUGGESTED, 488 00:43:20,685 --> 00:43:23,209 I WAS NATURALLY INTERESTED. 489 00:43:23,252 --> 00:43:25,080 WELL, HE'S NOT. 490 00:43:25,124 --> 00:43:26,212 WHAT DOES HE KNOW? 491 00:43:26,255 --> 00:43:28,431 HE KNOWS WHETHER HE CAN SING OR NOT. 492 00:43:28,475 --> 00:43:30,085 DO YOU WANT TO TRY IT? 493 00:43:30,129 --> 00:43:31,913 IF PEOPLE NOTICE. YOU CAN STAY. 494 00:43:31,957 --> 00:43:33,480 IF NOT, YOU GO. ALL RIGHT? 495 00:43:33,523 --> 00:43:35,743 WHAT? JUST TRY SITTING THERE? 496 00:43:35,787 --> 00:43:36,962 THAT'S RIGHT. 497 00:43:37,005 --> 00:43:39,878 BE READY TOMORROW NIGHT. I'LL PICK YOU UP. 498 00:43:40,182 --> 00:43:42,184 WELL... I DON'T FEEL RIGHT, 499 00:43:42,228 --> 00:43:44,404 RIDING OVER WHAT HE SAID. 500 00:43:44,447 --> 00:43:47,233 YOU CAN'T LISTEN TO HIM. HE SAYS NO TO EVERYTHING. 501 00:43:47,276 --> 00:43:48,626 WHERE'S THAT LEAVE HIM? 502 00:43:48,669 --> 00:43:50,715 PLAYING IN A ROOM TO HIMSELF, 503 00:43:50,758 --> 00:43:52,499 WASTING ALL THAT TALENT? 504 00:43:52,542 --> 00:43:56,285 I HATE TO SEE THINGS WASTED. 505 00:43:59,549 --> 00:44:04,119 WHICH YOU LIKE BETTER-- TOP OR BOTTOM? 506 00:44:06,861 --> 00:44:09,603 UM...THEY BOTH LOOK GOOD. 507 00:44:09,647 --> 00:44:11,300 YEAH? 508 00:44:13,694 --> 00:44:17,045 HE DIDN'T HAVE TO BRING IT UP. 509 00:44:17,089 --> 00:44:20,222 YOU MUST HAVE GOTTEN TO HIM SOMEHOW. 510 00:44:27,752 --> 00:44:30,624 CAN I HEAL YOU? 511 00:44:33,888 --> 00:44:36,717 TOMORROW'S NOTHING. 512 00:44:36,761 --> 00:44:39,764 I'LL SEE ABOUT YESTERDAY. 513 00:44:39,807 --> 00:44:43,115 DON'T FORGET YOUR KEYS. 514 00:44:46,031 --> 00:44:54,126 TAKE YOUR TINY LOAD OF LA LA LA LA LA! 515 00:45:03,701 --> 00:45:08,270 WHO SHALL I SAY IS CALLING? 516 00:45:17,323 --> 00:45:19,151 SPEAK IT. 517 00:46:13,553 --> 00:46:15,598 WHOA! OOPS. 518 00:46:15,642 --> 00:46:16,904 YOU OK? 519 00:46:16,948 --> 00:46:19,515 IT'S ALL RIGHT. IT DIDN'T GET THAT DIRTY. 520 00:46:19,559 --> 00:46:21,387 YOU SURE? 521 00:46:21,430 --> 00:46:23,824 YEAH. IT'S FINE. 522 00:46:23,868 --> 00:46:28,394 MAN, MAN, MAN. OH, I AM HUNGRY. 523 00:46:28,437 --> 00:46:32,354 HUNGRY, HUNGRY. 524 00:46:36,445 --> 00:46:37,403 OH. 525 00:46:37,446 --> 00:46:40,014 DID THE LENS GO DOWN? 526 00:46:40,058 --> 00:46:41,233 OH, SHIT. 527 00:46:41,276 --> 00:46:42,451 I'M SORRY. ARE YOU OK? 528 00:46:42,495 --> 00:46:44,584 HEY, YEAH. I'M INSURED. I SWALLOW THE LENS, 529 00:46:44,627 --> 00:46:47,195 I ONLY HAVE TO PAY THE DEDUCTIBLE. 530 00:46:47,239 --> 00:46:48,457 YOU OK? 531 00:46:48,501 --> 00:46:49,807 YOU ALL RIGHT? 532 00:46:49,850 --> 00:46:52,113 EXCUSE ME. 533 00:46:55,769 --> 00:46:57,945 OH, LOOK. SIT UP. SIT UP. 534 00:46:57,989 --> 00:47:01,427 YOU GOT FOOD ALL OVER YOURSELF HERE. 535 00:47:01,470 --> 00:47:02,994 YOU'RE A MESS. 536 00:47:03,037 --> 00:47:04,038 THANK YOU. 537 00:47:04,082 --> 00:47:06,998 THANK YOU. I'LL JUST TAKE IT OFF. 538 00:47:07,041 --> 00:47:09,609 THANK YOU. 539 00:47:24,319 --> 00:47:26,582 SOMEDAY THE RIGHT PEOPLE ARE GONNA HEAR YOUR MUSIC, 540 00:47:26,626 --> 00:47:28,584 AND EVERYTHING WILL CHANGE FOR YOU. 541 00:47:28,628 --> 00:47:30,717 YOU THINK SO, HUH? 542 00:47:30,760 --> 00:47:31,892 WHEN YOU'RE SPEAKING OUT, 543 00:47:31,936 --> 00:47:34,939 IT'S LIKE YOU'RE TALKING STRAIGHT TO PEOPLE. 544 00:47:34,982 --> 00:47:36,810 IT'S LIKE YOU KNOW SOMETHING. 545 00:47:36,854 --> 00:47:38,072 HOW DO YOU KNOW ALL THIS? 546 00:47:38,116 --> 00:47:40,074 WELL, I KNOW IF IT SOUNDS GOOD. 547 00:47:40,118 --> 00:47:44,731 I DON'T KNOW THAT. HOW DO YOU KNOW? 548 00:47:44,774 --> 00:47:48,039 A FEEL A LOT BETTER ABOUT LIFE, THOUGH, WHEN I'M PLAYING. 549 00:47:48,082 --> 00:47:52,870 IT'S ABOUT THE ONLY TIME THAT THINGS FEEL RIGHT. 550 00:47:53,609 --> 00:47:56,090 AM I MAKING ANY SENSE? 551 00:48:01,617 --> 00:48:05,099 GOD, YOU HAVE THE PRETTIEST EYES. 552 00:48:05,970 --> 00:48:09,016 HEY, Y'ALL. WELL, IT'S NOT A TOTAL LOSS. 553 00:48:09,060 --> 00:48:10,757 I MET THIS GUY IN THE JOHN 554 00:48:10,800 --> 00:48:13,325 WHO WANTS TO USE US FOR A PROM. 555 00:48:13,368 --> 00:48:14,935 A PROM? 556 00:48:14,979 --> 00:48:17,285 ELVIS DID PROMS. 557 00:49:11,905 --> 00:49:13,385 Woman: OH, BERTRAM. 558 00:49:13,428 --> 00:49:17,345 I JUST HAD A FEELING SOMETHING WOULD HAPPEN. 559 00:49:17,389 --> 00:49:19,608 YOU WANT TO DANCE? 560 00:49:19,652 --> 00:49:20,566 OH. 561 00:49:20,609 --> 00:49:21,784 COME ON. 562 00:49:25,049 --> 00:49:26,572 HA HA HA HA! 563 00:49:26,615 --> 00:49:29,227 ATHENS, GA., IS THE HOTTEST PLACE TO PLAY. 564 00:49:29,270 --> 00:49:30,663 WHAT ABOUT THE UNICORN? 565 00:49:30,706 --> 00:49:32,708 WHAT ABOUT IT? COME ON, EVIE. 566 00:49:32,752 --> 00:49:34,275 GIVE ME A CONGRATULATIONS. 567 00:49:34,319 --> 00:49:36,538 CONGRATULATIONS. I'M GONNA GET A SIP OF WATER. 568 00:49:36,582 --> 00:49:39,715 HEY, YOU WANT TO DANCE? CUT THE RUG? 569 00:49:39,759 --> 00:49:41,369 GOT A SCISSORS. 570 00:49:41,413 --> 00:49:45,547 PARDONNEZ-MOI, S'IL VOUS PLAIT. 571 00:49:45,591 --> 00:49:47,201 I'M SORRY. 572 00:49:47,245 --> 00:49:50,770 I JUST HOPE HE DOESN'T GET SO FAMOUS 573 00:49:50,813 --> 00:49:52,728 HE FORGETS ABOUT THE LITTLE PEOPLE 574 00:49:52,772 --> 00:49:54,034 WHO DID HIM A GOOD TURN. 575 00:49:54,078 --> 00:49:56,036 THEY WOULD HAVE HIRED HIM ANYWAY. 576 00:49:56,080 --> 00:49:58,038 HE'S THE BEST MUSICIAN I KNOW OF. 577 00:49:58,082 --> 00:50:00,780 HONEY, EVIE'S GOING, TOO, ISN'T SHE? 578 00:50:00,823 --> 00:50:02,042 AS A MATTER OF FACT, 579 00:50:02,086 --> 00:50:04,001 EVIE'S BEEN THINKING OF QUITTING. 580 00:50:04,044 --> 00:50:05,437 SHE FEELS THE POINT'S BEEN MADE BY NOW. 581 00:50:05,480 --> 00:50:09,832 BESIDES WHICH, THE SCARS ARE STARTING TO FADE. 582 00:50:09,876 --> 00:50:10,877 OH, I SEE. 583 00:50:10,920 --> 00:50:13,619 OF COURSE, SHE MIGHT JUST WANT TO GO 584 00:50:13,662 --> 00:50:16,056 AND SIT AT HER LITTLE TABLE AND WATCH. 585 00:50:16,100 --> 00:50:17,449 SHE DOESN'T. 586 00:50:17,492 --> 00:50:20,974 WELL, YOU...YOU LET HER SPEAK FOR HERSELF, BERTRAM. 587 00:50:21,018 --> 00:50:22,062 I DON'T KNOW. 588 00:50:22,106 --> 00:50:24,021 IF IT WAS UP TO ME, I MIGHT WANT TO 589 00:50:24,064 --> 00:50:26,980 DRIVE ON DOWN AND HEAR HIM PLAY. 590 00:50:27,024 --> 00:50:28,460 SEE? 591 00:50:28,503 --> 00:50:29,504 YOU DON'T KNOW WHAT IT'S LIKE PLAYING NIGHT AFTER NIGHT 592 00:50:29,548 --> 00:50:31,071 WITH THOSE LETTERS STARING BACK AT YOU. 593 00:50:31,115 --> 00:50:32,899 WHOA. WAIT A MINUTE. WE'RE GETTING WORKED UP OVER NOTHING. 594 00:50:32,942 --> 00:50:36,207 IF YOU DON'T WANT EVIE THERE, SHE WON'T COME. 595 00:50:36,250 --> 00:50:37,643 RIGHT, EVIE? 596 00:50:37,686 --> 00:50:41,386 RIGHT. I WON'T COME. NOT IF THAT'S THE WAY HE FEELS. 597 00:50:42,213 --> 00:50:44,389 ALL THAT YOU'VE GOT GOING 598 00:50:44,432 --> 00:50:46,043 IS THE SPEAKING OUT ON ME. 599 00:50:46,086 --> 00:50:47,653 SPEAKING OUT DOESN'T MAKE ANY SENSE, 600 00:50:47,696 --> 00:50:49,350 AND I'M NOT GONNA BE AROUND. 601 00:50:49,394 --> 00:50:51,309 WE'LL SEE HOW FAR YOU GO! 602 00:50:51,352 --> 00:50:55,617 OH, BOOHOO. WHAT A BONEHEAD. 603 00:50:56,662 --> 00:50:58,620 HEY! 604 00:50:59,708 --> 00:51:01,188 NO WONDER NO ONE UNDERSTANDS 605 00:51:01,232 --> 00:51:02,755 WHAT YOU'RE TALKING ABOUT. 606 00:51:02,798 --> 00:51:04,104 YOU JUST HAMMER OUT NOISE 607 00:51:04,148 --> 00:51:06,106 LIKE ANY OLD FOOL AT A ROADHOUSE. 608 00:51:06,150 --> 00:51:08,848 THAT'S A LIE. YOU DON'T MEAN THAT. 609 00:51:08,891 --> 00:51:10,023 YOU'RE JUST PISSED OFF 610 00:51:10,067 --> 00:51:12,373 BECAUSE I'M NOT TAKING YOU TO ATHENS. 611 00:51:12,417 --> 00:51:14,593 HEY, I WAS WORKING AT THE UNICORN 612 00:51:14,636 --> 00:51:16,595 BEFORE I EVER HEARD YOUR NAME. 613 00:51:16,638 --> 00:51:18,292 I DIDN'T NOTICE ANYONE ASKING 614 00:51:18,336 --> 00:51:23,602 HOW COME NO GIRL HAD CUT "CASEY" IN HER FOREHEAD. 615 00:51:24,124 --> 00:51:28,259 HOW LONG DID YOU THINK IT WAS GONNA LAST? 616 00:51:29,303 --> 00:51:34,091 IT WAS A WASTE. IT WAS ALL FOR NOTHING. 617 00:51:46,973 --> 00:51:50,107 THAT'S MY GIRL. 618 00:51:50,585 --> 00:51:53,240 I ALWAYS KNEW YOU'D COME OUT OF THIS 619 00:51:53,284 --> 00:51:57,114 IF I JUST LET YOU BE. 620 00:52:09,604 --> 00:52:12,912 Man: IS EVERYBODY DOING ALL RIGHT? 621 00:52:15,393 --> 00:52:19,962 LET'S GIVE IT UP FOR MR. DRUMSTRINGS CASEY! 622 00:53:17,411 --> 00:53:22,024 NOW THEY ARE GRAY. AND WHEN WERE THEY PINK? 623 00:53:22,068 --> 00:53:27,116 BUT THE LETTERS WERE CUT BACKWARDS. 624 00:53:27,421 --> 00:53:32,252 YOU KNOW HOW I DO IT. BREAK INTO SILENCE. 625 00:53:32,557 --> 00:53:36,865 IF I TELL YOU AGAIN, WILL YOU LISTEN THIS TIME? 626 00:53:36,909 --> 00:53:38,563 NO! 627 00:53:44,177 --> 00:53:46,397 I DO NOT WANT WHAT I HAVE GOT. 628 00:53:46,440 --> 00:53:49,617 Man: AND WE DON'T GOT WHAT WE WANT EITHER! 629 00:53:49,661 --> 00:53:51,663 I DO NOT WANT WHAT I HAVE GOT. 630 00:53:51,706 --> 00:53:53,926 HEY, YEAH, BUDDY, NEITHER DO I, ALL RIGHT? 631 00:53:53,969 --> 00:53:55,101 COME ON! LET'S GO! 632 00:53:55,144 --> 00:53:57,321 I FEEL YOUR PAIN AND ALL THAT CRAP, 633 00:53:57,364 --> 00:53:59,888 BUT YOU'RE KILLING MY BUZZ! 634 00:54:20,648 --> 00:54:21,954 UH! 635 00:54:21,997 --> 00:54:24,609 I GOT COFFEE. 636 00:54:25,653 --> 00:54:26,741 HEY. 637 00:54:26,785 --> 00:54:28,308 I TALKED TO CRAIG. 638 00:54:28,352 --> 00:54:29,918 THE REST OF THE GIG, 639 00:54:29,962 --> 00:54:33,531 HE JUST WANTS OUR SONGS, NO TALKING OUT. 640 00:54:33,574 --> 00:54:35,881 FUCK HIM. 641 00:54:35,924 --> 00:54:37,448 I PLAY WHAT I PLAY. 642 00:54:37,491 --> 00:54:40,320 IT'S HIS CLUB WE WERE HIRED TO OPEN. 643 00:54:40,364 --> 00:54:42,235 WE WERE HIRED TO PLAY. 644 00:54:42,279 --> 00:54:44,890 WE WERE HIRED TO OPEN. 645 00:54:44,933 --> 00:54:49,460 CHECK THIS OUT. THIS IS GOOD. 646 00:54:49,503 --> 00:54:50,809 ONE MOMENT. 647 00:54:50,852 --> 00:54:53,377 "THE CAT'S CAVE, THE HUB OF THE ATHENS CLUB SCENE, 648 00:54:53,420 --> 00:54:55,379 "PRIDES ITSELF ON MIXING THE OLD AND THE NEW, 649 00:54:55,422 --> 00:54:57,468 "CRISSCROSSING RABBLE-ROUSING ROCK-AND-ROLL 650 00:54:57,511 --> 00:54:59,078 "WITH CUTTING-EDGE MUSICAL DISCOVERIES. 651 00:54:59,121 --> 00:55:00,645 "IT'S A HIT-AND-MISS PROPOSITION, 652 00:55:00,688 --> 00:55:01,907 "AND DRUM CASEY, THE OPENER, 653 00:55:01,950 --> 00:55:04,388 "DEFINITELY FALLS INTO THE MISS CATEGORY. 654 00:55:04,431 --> 00:55:06,520 THIS UNORTHODOX--" 655 00:55:06,564 --> 00:55:10,132 JUST PLAY THE FUCKING SONGS TONIGHT! 656 00:55:13,005 --> 00:55:14,354 FUCKING BABY. 657 00:55:14,398 --> 00:55:15,921 YOU BETTER GIVE TEED-OFF A CALL, 658 00:55:15,964 --> 00:55:19,620 LET HIM KNOW YOU'RE COMING BACK! 659 00:55:33,547 --> 00:55:36,550 Woman: EVIE, YOU'RE WANTED OUT HERE. 660 00:55:36,594 --> 00:55:37,725 WHAT? 661 00:55:37,769 --> 00:55:41,381 COME ON OUT, I TOLD YOU. 662 00:56:07,146 --> 00:56:09,583 HEY. 663 00:56:10,149 --> 00:56:13,587 I THOUGHT YOU WERE IN ATHENS. 664 00:56:16,895 --> 00:56:19,854 I GUESS I SHOULD HAVE CALLED OR SOMETHING. 665 00:56:19,898 --> 00:56:21,900 DAMN STRAIGHT. 666 00:56:28,036 --> 00:56:30,778 IT'S SO HOT. 667 00:56:30,822 --> 00:56:33,390 I GOT FIRED. 668 00:56:33,433 --> 00:56:36,001 WHAT? 669 00:56:36,436 --> 00:56:38,569 EVIE, THERE'S A DRINK HERE FOR ELVIS 670 00:56:38,612 --> 00:56:41,136 IF HE WANTS IT. 671 00:56:44,444 --> 00:56:46,968 IS THIS YOUR MOTHER? 672 00:56:48,013 --> 00:56:51,233 YOU HAVE THE SAME EYES. 673 00:56:51,277 --> 00:56:54,454 SHE DIED WHEN I WAS BORN. 674 00:57:09,556 --> 00:57:13,342 TELL ME WHAT HAPPENED. 675 00:57:36,017 --> 00:57:39,281 YOU THINK I COULD SLEEP ON YOUR COUCH? 676 00:57:46,375 --> 00:57:51,946 NO. I DON'T THINK SO. 677 00:58:20,105 --> 00:58:23,064 Evie: HAVE YOU BEEN TO DAVID'S? 678 00:58:23,108 --> 00:58:24,413 NOT YET. 679 00:58:24,457 --> 00:58:28,026 HOW ABOUT YOUR PARENTS'? HAVE YOU BEEN HOME? 680 00:58:28,069 --> 00:58:29,114 WHAT FOR? 681 00:58:29,157 --> 00:58:32,726 WHY THE HELL WOULD I GO THERE? 682 00:58:35,773 --> 00:58:39,603 WHY WAS IT ME YOU CAME TO? 683 00:58:41,213 --> 00:58:45,434 YOU AND ME REALLY HAD SOME FIGHT THAT NIGHT. 684 00:58:45,478 --> 00:58:47,175 I ASKED YOU A QUESTION. 685 00:58:47,219 --> 00:58:48,350 I HEARD YOU. 686 00:58:48,394 --> 00:58:49,917 HAVE YOU EVER ANSWERED ONE, 687 00:58:49,961 --> 00:58:51,310 HAD A REAL CONVERSATION, 688 00:58:51,353 --> 00:58:55,532 ONE THAT GOES BACK AND FORTH LIKE IT'S SUPPOSED TO? 689 00:58:57,838 --> 00:59:00,101 DON'T YOU EVER SMILE? 690 00:59:00,145 --> 00:59:02,539 OF COURSE I DO. 691 00:59:03,365 --> 00:59:06,020 YOU WEIGH ON MY HEAD. 692 00:59:06,064 --> 00:59:07,892 BUT YOU BRING ME LUCK, TOO. 693 00:59:07,935 --> 00:59:09,633 WHAT DO YOU MEAN? 694 00:59:09,676 --> 00:59:11,852 IF I HAD TAKEN YOU TO ATHENS, 695 00:59:11,896 --> 00:59:13,506 LIKE YOU ASKED... 696 00:59:13,550 --> 00:59:17,597 IT MIGHT HAVE WORKED OUT DIFFERENT. 697 00:59:19,556 --> 00:59:22,689 I SEE YOU CUT YOURSELF SOME BANGS. 698 00:59:22,733 --> 00:59:25,083 I THOUGHT IT WAS TIME TO. 699 00:59:25,126 --> 00:59:27,868 DOES THAT MEAN YOU WERE SERIOUS? 700 00:59:27,912 --> 00:59:30,262 SERIOUS ABOUT WHAT? 701 00:59:30,305 --> 00:59:32,264 WHAT YOU SAID ABOUT MY MUSIC. 702 00:59:34,919 --> 00:59:37,356 THAT'S MY FATHER. 703 00:59:37,399 --> 00:59:41,752 WELL, I'LL SEE YOU. 704 00:59:42,753 --> 00:59:43,841 I WAS JUST ANGRY. 705 00:59:43,884 --> 00:59:46,844 I COULD LISTEN ALL DAY WHEN YOU PLAY. 706 00:59:51,022 --> 00:59:53,720 I SHOULD HAVE SAID, "I DON'T LIKE YOU ANYMORE. 707 00:59:53,764 --> 00:59:54,895 "I DON'T LIKE YOUR MUSIC. 708 00:59:54,939 --> 00:59:56,897 "I DON'T EVEN REMEMBER WHAT IT SOUNDS LIKE. 709 00:59:56,941 --> 00:59:59,596 AND I DON'T WANT YOU SLEEPING ON MY PORCH." 710 00:59:59,639 --> 01:00:01,162 MAYBE YOU SHOULD HAVE LEANED OVER 711 01:00:01,206 --> 01:00:02,686 AND PLANTED A BIG, WET KISS 712 01:00:02,729 --> 01:00:05,602 ON THOSE SPEAKING-OUT LIPS. 713 01:00:10,215 --> 01:00:13,131 GUESS WHO. 714 01:00:15,350 --> 01:00:19,093 I HEARD ABOUT ATHENS. 715 01:00:21,487 --> 01:00:26,797 I'VE BLOWN SOME BIG ONES MYSELF. 716 01:00:26,840 --> 01:00:28,755 SORRY I'M LATE. I WAS WITH A CLIENT. 717 01:00:28,799 --> 01:00:31,366 J.J., CAN I GET A BEER AND A SHOT OF BUSHMILLS, PLEASE? 718 01:00:31,410 --> 01:00:34,065 AND WHATEVER DRUM'S HAVING THERE. 719 01:00:35,153 --> 01:00:37,068 OH, I'M SORRY. BRING FAYE-JEAN 720 01:00:37,111 --> 01:00:39,113 A GLASS OF WATER, NO ICE. 721 01:00:39,157 --> 01:00:41,072 HONEY, DO YOU MIND? 722 01:00:41,115 --> 01:00:42,508 WORKING ON KIND OF A TIGHT SCHEDULE. 723 01:00:42,551 --> 01:00:45,467 THAT'S ALL RIGHT. YOU'RE OFFENDING ME. 724 01:00:45,511 --> 01:00:47,252 THAT'S RIGHT. 725 01:00:47,295 --> 01:00:50,603 SO, STRANGER... 726 01:00:50,647 --> 01:00:53,040 WHAT YOU BEEN DOING? 727 01:00:53,084 --> 01:00:55,303 NOT MUCH. 728 01:00:59,612 --> 01:01:01,527 FUCK OFF. 729 01:01:01,570 --> 01:01:02,963 HA HA HA. 730 01:01:03,007 --> 01:01:05,400 HA HA HA HA! 731 01:01:05,444 --> 01:01:08,186 HE'LL PASS. HA HA! 732 01:01:08,229 --> 01:01:10,231 COME ON, MAN. LIGHTEN UP. 733 01:01:10,275 --> 01:01:12,146 WE'LL GET ANOTHER SHOT. 734 01:01:12,190 --> 01:01:13,757 OH, LISTEN. WE GO ON TONIGHT 735 01:01:13,800 --> 01:01:14,888 00, 10:30. 736 01:01:14,932 --> 01:01:17,369 I STILL GOT YOUR GEAR OUT IN MY TRUCK. 737 01:01:39,130 --> 01:01:42,437 I WISH YOU WOULD GO. I MEAN IT. 738 01:01:42,481 --> 01:01:45,876 AS SOON AS I GET USED TO YOU BEING GONE, 739 01:01:45,919 --> 01:01:47,442 YOU TURN UP AGAIN. 740 01:01:47,486 --> 01:01:51,751 WHY DON'T YOU JUST GET OUT AND STAY OUT? 741 01:02:04,111 --> 01:02:06,070 EVIE. 742 01:02:06,113 --> 01:02:08,115 WHAT? 743 01:02:13,120 --> 01:02:15,122 WHAT? 744 01:02:17,124 --> 01:02:20,519 I WAS THINKING ABOUT HOW YOU ARE. 745 01:02:20,562 --> 01:02:23,087 HOW AM I? 746 01:02:26,568 --> 01:02:28,614 DIFFERENT. 747 01:02:40,495 --> 01:02:42,236 SAY SOMETHING. 748 01:02:42,280 --> 01:02:43,760 ABOUT WHAT? 749 01:02:43,803 --> 01:02:45,500 I DON'T CARE. ANYTHING. 750 01:02:45,544 --> 01:02:50,114 I CAN'T THINK UP THINGS JUST LIKE THAT. 751 01:02:51,289 --> 01:02:53,987 I LIKE TO HEAR YOU TALK. 752 01:03:00,820 --> 01:03:04,128 YOUR FACE IS SO SOFT. 753 01:03:06,391 --> 01:03:11,091 IT WAS THE FIRST THING I NOTICED ABOUT YOU. 754 01:03:13,441 --> 01:03:17,619 I DIDN'T KNOW SKIN COULD FEEL THIS SOFT. 755 01:03:19,752 --> 01:03:21,841 I WORK AT THE LIBRARY NOW. 756 01:03:21,885 --> 01:03:24,626 I QUIT KIDDIE ACRES. 757 01:04:26,558 --> 01:04:29,082 HEY, BABY. 758 01:04:42,617 --> 01:04:46,795 I LOOKED FOR YOU. YOU DISAPPEARED. 759 01:04:52,584 --> 01:04:55,108 I SAW IN THIS MAGAZINE ONCE 760 01:04:55,152 --> 01:04:57,632 ABOUT THIS PLACE IN NASHVILLE. 761 01:04:57,676 --> 01:04:59,591 A COMPUTER PICKS OUT A HAIRCUT 762 01:04:59,634 --> 01:05:04,596 TO GO WITH THE SHAPE OF YOUR FACE. 763 01:05:05,205 --> 01:05:07,120 WHAT? 764 01:05:09,427 --> 01:05:13,779 WHAT BUSINESS IS IT OF YOURS HOW I LOOK? 765 01:05:13,822 --> 01:05:16,434 I WANT TO MARRY YOU. 766 01:05:18,740 --> 01:05:21,569 WHAT? DON'T YOU WANT TO? 767 01:05:21,613 --> 01:05:23,789 WELL... 768 01:05:29,055 --> 01:05:33,930 NO, I DON'T. 769 01:05:35,888 --> 01:05:38,369 EVIE, I CAN'T STOP THINKING ABOUT YOU. 770 01:05:38,412 --> 01:05:41,415 WHY? WHAT DO YOU LIKE ABOUT ME? 771 01:05:41,459 --> 01:05:45,289 NO, I MEAN IT. NAME ONE THING. 772 01:05:46,725 --> 01:05:49,510 I LIKE HOW YOU LISTEN TO ME. 773 01:05:49,554 --> 01:05:52,078 WHAT ELSE? 774 01:05:52,731 --> 01:05:55,212 I LIKE HOW I FEEL WITH YOU. 775 01:05:55,255 --> 01:05:57,040 YOU DON'T EVEN KNOW ME. 776 01:05:57,083 --> 01:06:02,610 YOU MAKE ME FEEL LIKE I CAN BE MYSELF. 777 01:06:04,351 --> 01:06:07,224 I WANT TO GET MARRIED. 778 01:06:07,964 --> 01:06:12,620 I WANT US TO HAVE A HOME, SOMEPLACE SAFE. 779 01:06:13,273 --> 01:06:19,062 A CHANGE. MAKE A CHANGE. 780 01:06:20,237 --> 01:06:25,633 DIDN'T YOU EVER WANT TO CHANGE YOUR LIFE AROUND SOME? 781 01:06:26,286 --> 01:06:29,986 HOW CAN YOU ASK ME THAT? 782 01:06:36,427 --> 01:06:41,606 I THINK YOU NEED SOMEONE TO CARE ABOUT YOU. 783 01:07:06,674 --> 01:07:08,589 HONEY, I DO THINK THAT THIS IS 784 01:07:08,633 --> 01:07:11,636 THE MOST EXCITING DAY OF MY LIFE. 785 01:07:15,031 --> 01:07:16,815 YEAH, RIGHT. YOU KIDDING ME? 786 01:07:16,858 --> 01:07:18,077 DON'T YOU TOUCH THAT. 787 01:07:18,121 --> 01:07:21,385 NOW, ALL WE NEED IS SOMETHING BLUE. 788 01:07:21,428 --> 01:07:23,735 WHAT THE HELL DO YOU THINK YOU'RE DOING? 789 01:07:23,778 --> 01:07:25,476 I'M WITHSTANDING BY TRADITION! 790 01:07:25,519 --> 01:07:26,520 SOMETHING OLD, SOMETHING NEW, 791 01:07:26,564 --> 01:07:27,826 SOMETHING BORROWED, SOMETHING BLUE. 792 01:07:27,869 --> 01:07:29,828 THIS WHOLE THING IS AGAINST MY BETTER JUDGMENT. 793 01:07:29,871 --> 01:07:31,525 I JUST WANT YOU ALL TO KNOW THAT. 794 01:07:31,569 --> 01:07:32,700 YEAH, WE KNOW. 795 01:07:32,744 --> 01:07:34,572 HE THINKS WE SHOULDN'T BE GETTING MARRIED? 796 01:07:34,615 --> 01:07:35,616 IT'S ABOUT THE FIRST TIME 797 01:07:35,660 --> 01:07:36,835 I'VE SEEN YOU TWO ON SPEAKING TERMS, 798 01:07:36,878 --> 01:07:38,619 AND HERE WE ARE, DRIVING TO YOUR WEDDING, 799 01:07:38,663 --> 01:07:39,707 BUT OTHER THAN THAT... 800 01:07:39,751 --> 01:07:42,275 YOU'RE WRONG. IT'S NOT THE FIRST TIME. 801 01:07:42,971 --> 01:07:46,584 I DON'T SEE ANYONE ASKING FOR YOUR ADVICE. 802 01:07:46,627 --> 01:07:48,064 AH-AH. 803 01:07:56,115 --> 01:07:57,769 I'M DRIVING MY OWN HEARSE WAGON. 804 01:07:57,812 --> 01:07:59,031 INSIDE THE MONTH, YOU'LL BE 805 01:07:59,075 --> 01:08:00,424 A FULL-TIME GAS STATION ATTENDANT, 806 01:08:00,467 --> 01:08:03,818 AND WE CAN KISS WHAT'S LEFT OF OUR CAREER GOOD-BYE. 807 01:08:03,862 --> 01:08:05,429 HEY, DON'T LOOK AT ME THAT WAY, EVIE. 808 01:08:05,472 --> 01:08:08,345 I'M SAYING THIS FOR YOUR OWN GOOD, TOO. 809 01:08:09,085 --> 01:08:10,347 WHERE IS YOUR TACT? HERE WE ARE. 810 01:08:10,390 --> 01:08:12,436 WE'RE ABOUT TO GET MY BEST GIRLFRIEND MARRIED, 811 01:08:12,479 --> 01:08:14,133 AND YOU ARE TALKING ABOUT HEARSE WAGONS. 812 01:08:14,177 --> 01:08:16,309 YOU KNOW WHAT? PULL OVER AND LET US OUT. 813 01:08:16,353 --> 01:08:18,181 WE WILL WALK THE REST OF THE WAY. 814 01:08:18,224 --> 01:08:20,226 BE MY GUEST, TWINKLE TOES. 815 01:08:23,099 --> 01:08:26,841 HEY, THINGS ARE GETTING OUT OF HAND HERE. 816 01:08:26,885 --> 01:08:28,495 NOW'S THE TIME TO BACK OUT. 817 01:08:28,539 --> 01:08:29,627 WILL YOU JUST SHUT UP? 818 01:08:29,670 --> 01:08:31,063 EVIE, CLIMB OUT. WE'RE WALKING. 819 01:08:31,107 --> 01:08:33,021 WAIT. WE ARE NOT WALKING ANYWHERE. 820 01:08:33,065 --> 01:08:35,154 I PLAN TO HAVE A NORMAL, ORDINARY WEDDING 821 01:08:35,198 --> 01:08:36,677 WITH WITNESSES. NO FIGHTING. 822 01:08:36,721 --> 01:08:39,115 WE'RE GONNA DO THIS ONE THING THE WAY IT OUGHT TO BE DONE, 823 01:08:39,158 --> 01:08:42,640 AND AFTERWARDS WE CAN CELEBRATE WITH A BOTTLE OF CHAMPAGNE. 824 01:08:42,683 --> 01:08:45,425 NOW, IS THAT TOO MUCH TO ASK? 825 01:08:45,469 --> 01:08:46,470 NOPE. 826 01:08:46,513 --> 01:08:50,430 THAT SOUNDS GOOD TO ME. 827 01:09:16,978 --> 01:09:20,156 CASEY-DECKER. 828 01:09:22,288 --> 01:09:25,596 THIS IS WHAT I WANT. 829 01:09:59,412 --> 01:10:02,198 I GUESS I'LL CHANGE. 830 01:10:46,503 --> 01:10:50,768 DRUM. DRUM. 831 01:11:16,054 --> 01:11:20,014 OH, MY SEAL. 832 01:11:21,015 --> 01:11:23,148 I CAN SEE WHY THEY WRAP THE GLASSES, 833 01:11:23,191 --> 01:11:25,106 BUT WHAT IS THIS PAPER BAND 834 01:11:25,150 --> 01:11:27,239 ON THE TOILET SUPPOSED TO DO? 835 01:11:27,283 --> 01:11:28,458 DO YOU KNOW WHAT I MEAN? 836 01:11:28,501 --> 01:11:31,112 WHAT HAPPENS WHEN YOU BREAK THE SEAL? 837 01:11:31,156 --> 01:11:32,679 IS IT LIKE WHEN YOU'RE NOT SUPPOSED 838 01:11:32,723 --> 01:11:34,551 TO TAKE THE TAG OFF YOUR PILLOW? 839 01:11:34,594 --> 01:11:36,074 YOU KNOW THOSE GUYS ON THE RAFT 840 01:11:36,117 --> 01:11:37,902 IN THE TIDY BOWL COMMERCIAL? 841 01:11:37,945 --> 01:11:39,556 EVIE. 842 01:11:39,599 --> 01:11:41,166 WHAT? 843 01:11:41,209 --> 01:11:44,300 TAKE OFF YOUR JACKET. 844 01:11:56,137 --> 01:11:57,922 I'VE ALWAYS WONDERED HOW PEOPLE GET 845 01:11:57,965 --> 01:12:01,578 TO THIS PART OF TAKING OFF THEIR CLOTHES. 846 01:12:03,144 --> 01:12:06,104 COME HERE. 847 01:12:22,076 --> 01:12:25,123 I LIKE THIS SONG. 848 01:12:25,906 --> 01:12:28,387 YOU'RE SO LITTLE. 849 01:12:28,431 --> 01:12:31,608 WHAT DO YOU MEAN? 850 01:12:34,437 --> 01:12:36,221 YOU'RE SO PRETTY. 851 01:12:36,264 --> 01:12:39,311 YOU DON'T HAVE TO SAY THAT. 852 01:12:41,661 --> 01:12:45,622 WHY DO YOU THINK I MARRIED YOU? 853 01:12:56,154 --> 01:12:58,112 HMM. 854 01:13:00,637 --> 01:13:04,597 WILL YOU LIE DOWN NEXT TO ME? 855 01:13:13,954 --> 01:13:16,087 EVIE ELIZABETH. 856 01:13:16,130 --> 01:13:18,132 WHAT? 857 01:13:31,102 --> 01:13:33,104 CASEY. 858 01:13:34,714 --> 01:13:37,761 THAT'S YOUR NAME NOW, TOO. 859 01:13:45,072 --> 01:13:48,598 WOULD YOU LIKE TO MAKE LOVE WITH ME? 860 01:13:49,642 --> 01:13:51,601 YES. 861 01:13:55,953 --> 01:13:59,130 I'M NOT A VIRGIN. 862 01:14:08,139 --> 01:14:09,488 DRUM. 863 01:14:09,532 --> 01:14:12,622 WHAT, BABY? 864 01:14:16,103 --> 01:14:18,584 DRUM. 865 01:15:10,593 --> 01:15:11,768 COME HERE. 866 01:15:11,811 --> 01:15:13,378 I CAN'T. I GOT TO GO. 867 01:15:13,421 --> 01:15:14,510 IT WON'T TAKE LONG. 868 01:15:14,553 --> 01:15:16,468 NO. I CAN'T BE LATE FOR WORK...AGAIN. 869 01:15:16,512 --> 01:15:17,991 WELL, I'LL ZAP A FEW MORE BUGS. 870 01:15:18,035 --> 01:15:19,993 AREN'T YOU SUPPOSED TO BE PLAYING WITH THE GUYS AT PIM'S? 871 01:15:20,037 --> 01:15:22,256 I'D RATHER STAY HERE AND PLAY WITH YOU. 872 01:15:22,300 --> 01:15:23,519 NO, I MEAN IT. I MEAN IT. 873 01:15:23,562 --> 01:15:25,738 AREN'T YOU SUPPOSED TO BE PRACTICING? 874 01:15:25,782 --> 01:15:27,566 JESUS, EVIE, LIGHTEN UP. 875 01:15:27,610 --> 01:15:29,612 COME HERE. 876 01:15:38,490 --> 01:15:41,319 MY, MY. THE HAPPY COUPLE. 877 01:15:41,362 --> 01:15:44,061 CAN'T YOU EVER KNOCK? 878 01:15:44,104 --> 01:15:45,715 DON'T TALK TO ME ABOUT KNOCKING. 879 01:15:45,758 --> 01:15:48,239 I'M MISSING MY STORIES. 880 01:15:48,848 --> 01:15:52,069 I EXPECT I'LL BE TEACHING YOU HOW TO USE IT. 881 01:15:52,112 --> 01:15:54,680 DID YOU GET MY BISCUIT RECIPE YET? 882 01:15:54,724 --> 01:15:57,422 LOOK IT UP IN THE COOKBOOK. 883 01:15:57,465 --> 01:15:58,902 YOU KNOW A COOKBOOK WON'T DO. 884 01:15:58,945 --> 01:16:01,382 DRUM HAS A SPECIAL RECIPE IN MIND. 885 01:16:01,426 --> 01:16:02,383 OH, SURE. 886 01:16:02,427 --> 01:16:04,734 HIS KIND USES BACON DRIPPINGS. 887 01:16:04,777 --> 01:16:06,126 NOTHING SPECIAL TO THAT. 888 01:16:06,170 --> 01:16:08,215 WHY ARE YOU TALKING LIKE THAT? 889 01:16:08,259 --> 01:16:09,695 I THOUGHT YOU LIKED DRUM. 890 01:16:09,739 --> 01:16:13,743 I'LL TELL YOU WHY. GO SEE YOUR DADDY. 891 01:16:13,786 --> 01:16:16,572 YOU BROKE HIS HEART. 892 01:16:20,271 --> 01:16:23,579 KILLS ME TO SEE SOMEBODY SO SHOOK UP. 893 01:16:23,622 --> 01:16:28,105 JUST WANDERS AROUND LIKE A GHOST. 894 01:16:28,758 --> 01:16:29,976 WHEN YOU GONNA VISIT HIM? 895 01:16:30,020 --> 01:16:32,762 IF I INVITE HIM TO DINNER, WILL YOU HELP OUT? 896 01:16:32,805 --> 01:16:34,590 I EXPECT YOU'LL BE WANTING 897 01:16:34,633 --> 01:16:38,811 MY TUNA CASSEROLE RECIPE NOW, TOO. 898 01:16:40,726 --> 01:16:42,685 Father: WELL, THAT, UH... 899 01:16:42,728 --> 01:16:45,339 THAT LOOKS DELICIOUS, EVIE. 900 01:16:45,383 --> 01:16:46,776 WHAT IS IT? 901 01:16:46,819 --> 01:16:49,256 TUNA SUPREME. 902 01:16:49,300 --> 01:16:51,955 UH... JUST A SMIDGE. 903 01:16:51,998 --> 01:16:54,784 I'M ALLERGIC TO ARTIFICIAL COLORING. 904 01:16:54,827 --> 01:16:57,961 EXCEPT IN YOUR HAIR. 905 01:16:58,614 --> 01:17:00,572 GIVE ME A LOT, EVIE. 906 01:17:00,616 --> 01:17:01,921 OK. 907 01:17:01,965 --> 01:17:03,662 IT'S A LITTLE COLD IN HERE, ISN'T IT? 908 01:17:03,706 --> 01:17:06,404 FOR CRYING OUT LOUD, MOM. IT'S NOVEMBER. 909 01:17:06,447 --> 01:17:11,888 I HAVE TO TEACH YOU HOW TO MAKE BISCUITS. 910 01:17:11,931 --> 01:17:16,544 DRUM IS VERY PARTICULAR ABOUT HIS BISCUITS. 911 01:17:16,588 --> 01:17:18,242 I LOVE YOU. 912 01:17:19,417 --> 01:17:23,290 DO YOU BOWL, MR. DECKER? 913 01:17:23,334 --> 01:17:25,466 WELL, I HAVE BOWLED, 914 01:17:25,510 --> 01:17:27,947 BUT NEVER REGULARLY. 915 01:17:27,991 --> 01:17:32,125 YOU MEAN YOU HAVE IRREGULAR BOWL MOVEMENTS? 916 01:17:32,169 --> 01:17:36,521 DEAR GOD. WILL YOU SPARE US? 917 01:17:36,564 --> 01:17:39,524 SPARE US? YEAH, I'LL SPARE US, ALL RIGHT. 918 01:17:39,567 --> 01:17:41,482 WELL, I'M SO GLAD YOU ALL COULD COME 919 01:17:41,526 --> 01:17:44,485 BECAUSE WE NEVER HAD A REAL RECEPTION. 920 01:17:44,529 --> 01:17:46,879 UM...EVIE, DRUM, 921 01:17:46,923 --> 01:17:49,708 I'D LIKE TO GIVE YOU TWO YOUNG PEOPLE 922 01:17:49,752 --> 01:17:52,145 A BELATED WEDDING PRESENT. 923 01:17:52,189 --> 01:17:55,235 I'M, UH... BUYING A NEW CAR. 924 01:17:55,279 --> 01:17:58,456 ANYWAY, WOULD THE OLD VW 925 01:17:58,499 --> 01:18:01,111 BE OF ANY HELP? 926 01:18:01,764 --> 01:18:03,635 THANK YOU SO MUCH, DADDY. 927 01:18:03,679 --> 01:18:05,419 THAT WOULD BE GREAT. 928 01:18:05,463 --> 01:18:07,117 YEAH, THAT'S REALLY GREAT. 929 01:18:07,160 --> 01:18:09,728 WELL, I'M GLAD TO HEAR IT. 930 01:18:09,772 --> 01:18:12,862 WHAT DO YOU NEED A CAR FOR? 931 01:18:12,905 --> 01:18:14,690 YOU'RE NOT GOING ANYWHERE. 932 01:18:14,733 --> 01:18:18,563 LORD KNOWS, WE DON'T HAVE ANY EXTRA CARS TO HAND OUT. 933 01:18:18,606 --> 01:18:24,656 I DO HAVE A LITTLE HOUSEWARMING GIFT. 934 01:18:32,925 --> 01:18:35,406 I KNOW THIS ONE WAS ALWAYS YOUR FAVORITE. 935 01:18:35,449 --> 01:18:39,627 OH, MY GOSH. WE USED TO DANCE TO LES BROWN. 936 01:18:39,671 --> 01:18:43,588 AND I USED TO SING WITH HIM. THAT'S ME. 937 01:18:43,631 --> 01:18:46,722 WHAT DID YOU HAVE TO DRAG THAT OUT FOR? 938 01:18:49,855 --> 01:18:52,553 THIS IS, UH... IT'S A LOVELY PARTY. 939 01:19:07,525 --> 01:19:13,096 EVIE, WOULD YOU CARE TO DANCE? 940 01:19:36,989 --> 01:19:40,123 OUT OF MY WAY. 941 01:19:41,124 --> 01:19:42,473 LUTHER. 942 01:19:42,516 --> 01:19:43,779 SIT DOWN, YOU. 943 01:19:43,822 --> 01:19:45,215 KEEP YOUR HANDS OFF HER. 944 01:19:45,258 --> 01:19:48,479 BERTRAM, JUST IGNORE HIM. HE'S SPOILING FOR A FIGHT. 945 01:19:48,522 --> 01:19:50,960 WHY'D YOU HAVE TO GO AND PLAN THIS FOR? 946 01:19:51,003 --> 01:19:52,613 I WAS JUST TRYING TO PATCH THINGS UP. 947 01:19:52,657 --> 01:19:54,877 WELL, QUIT TRYING TO PLAN MY LIFE OUT, WILL YOU? 948 01:19:54,920 --> 01:19:56,966 IT'S OUR LIFE, DRUM. 949 01:19:57,009 --> 01:19:59,229 DON'T REMIND ME! 950 01:19:59,272 --> 01:20:03,842 UH...WELL... I'LL JUST... 951 01:20:03,886 --> 01:20:07,150 USE THE POWDER ROOM 952 01:20:07,193 --> 01:20:10,370 IT'S IN THROUGH THE BEDROOM. 953 01:20:10,414 --> 01:20:13,634 PUT PAPER DOWN. 954 01:20:14,418 --> 01:20:15,898 WHERE'S THE TV? 955 01:20:15,941 --> 01:20:16,986 WE DON'T HAVE ONE. 956 01:20:17,029 --> 01:20:19,466 ALL RIGHT, GET GOING IN THERE, THEN. 957 01:20:19,510 --> 01:20:21,642 WE'RE LEAVING. 958 01:20:25,733 --> 01:20:27,257 YOU KNOW, IT WOULD HAVE BEEN 959 01:20:27,300 --> 01:20:28,867 A HELL OF A LOT MORE SACRIFICE 960 01:20:28,911 --> 01:20:32,088 IF SHE'D BEEN PRETTIER TO BEGIN WITH. 961 01:20:41,097 --> 01:20:45,928 I'LL...I'LL JUST CLEAR THESE AWAY. 962 01:20:45,971 --> 01:20:48,626 THERE'S JELLO. 963 01:20:56,242 --> 01:21:00,638 THAT'S OK. SIT DOWN, DADDY. 964 01:21:02,945 --> 01:21:05,077 YOU AND DRUM... 965 01:21:05,121 --> 01:21:07,906 COULD COME TO SUPPER SOME NIGHT. 966 01:21:07,950 --> 01:21:10,039 WOULD YOU DO THAT? 967 01:21:10,082 --> 01:21:12,084 THANKS. 968 01:21:17,785 --> 01:21:21,093 THANK YOU FOR THE DANCE. 969 01:22:04,267 --> 01:22:08,619 COME TALK TO ME, BABY. 970 01:22:09,707 --> 01:22:13,102 WHAT ARE YOU DOING OUT THERE? 971 01:22:22,589 --> 01:22:25,114 COME HERE. 972 01:22:38,954 --> 01:22:43,088 I SHOULDN'T HAVE TALKED TO YOU LIKE THAT. 973 01:22:46,700 --> 01:22:50,617 I DON'T KNOW WHAT'S GOING ON. 974 01:22:51,749 --> 01:22:53,794 FEELS LIKE I'M NOT LEADING 975 01:22:53,838 --> 01:22:55,753 MY OWN LIFE ANYMORE. 976 01:22:55,796 --> 01:22:59,104 THEN WHOSE LIFE IS IT? 977 01:23:01,541 --> 01:23:05,154 JUST SOME KIND OF SLIPPING-DOWN MESS. 978 01:23:05,197 --> 01:23:07,417 YOU NEED TO GET YOUR MUSIC 979 01:23:07,460 --> 01:23:10,072 OUT TO PEOPLE WHO WILL APPRECIATE IT. 980 01:23:10,115 --> 01:23:11,073 EVIE. 981 01:23:11,116 --> 01:23:13,162 HOW ARE YOU GONNA GET OUT, THEN, 982 01:23:13,205 --> 01:23:14,728 IF NOBODY KNOWS YOUR NAME? 983 01:23:14,772 --> 01:23:16,295 WELL, THAT'S MY BUSINESS, ISN'T IT? 984 01:23:16,339 --> 01:23:18,645 IT'S MY BUSINESS, TOO. IT'S ME YOU'RE TALKING TO. 985 01:23:18,689 --> 01:23:21,474 YOU'RE NOT LISTENING. YOU'RE THINKING ABOUT PUBLICITY, 986 01:23:21,518 --> 01:23:22,910 WHICH MAKES ME TIRED. 987 01:23:22,954 --> 01:23:26,914 I'M TIRED, TOO, OF GETTING NAGGED AT ALL THE TIME... 988 01:23:26,958 --> 01:23:29,613 AND HAVING TO FACE THAT NAGGING FOREHEAD OF YOURS. 989 01:23:29,656 --> 01:23:33,182 I DON'T KNOW WHY YOU DON'T WEAR BANGS ANYMORE. 990 01:23:33,225 --> 01:23:35,097 I DON'T WEAR BANGS BECAUSE I DON'T 991 01:23:35,140 --> 01:23:36,707 BACK DOWN ON THINGS I'VE DONE, 992 01:23:36,750 --> 01:23:39,927 AND I'VE NEVER SAID A NAGGING WORD TO YOU IN MY LIFE. 993 01:23:39,971 --> 01:23:41,016 ALL RIGHT. 994 01:23:41,059 --> 01:23:42,060 HAVE I? 995 01:23:42,104 --> 01:23:44,628 RIGHT. 996 01:23:47,587 --> 01:23:52,114 LOOK. FORGET IT. I WAS JUST TALKING. 997 01:23:52,940 --> 01:23:55,465 TAKE YOUR COAT OFF. 998 01:23:55,508 --> 01:23:59,077 COME ON, TAKE YOUR COAT OFF. 999 01:24:18,357 --> 01:24:21,621 WHERE'S MY LUCK GONE? 1000 01:24:33,459 --> 01:24:38,638 I FEEL LIKE I'VE HIT MY PEAK AND PASSED IT... 1001 01:24:39,117 --> 01:24:43,600 LIKE I'M JUST WAITING TO GROW OLD. 1002 01:24:49,954 --> 01:24:52,130 YOU STILL AWAKE? 1003 01:24:52,174 --> 01:24:54,089 NO. 1004 01:24:54,698 --> 01:24:56,395 DON'T FALL ASLEEP BEFORE ME. 1005 01:24:56,439 --> 01:24:59,442 I WON'T. I'LL TELL YOU THE SECOND I DO. 1006 01:24:59,485 --> 01:25:02,793 YOU KNOW I HATE LYING ALONE IN THE DARK. 1007 01:25:02,836 --> 01:25:04,447 BUT YOU'RE NOT ALONE. 1008 01:25:04,490 --> 01:25:06,971 I'M HERE, TOO, DRUM. 1009 01:25:23,640 --> 01:25:25,076 HMM. 1010 01:25:49,622 --> 01:25:51,755 Evie's voice: IT'S FOR HIM, DAVID. 1011 01:25:51,798 --> 01:25:53,191 I KNOW HE WON'T LIKE IT, 1012 01:25:53,235 --> 01:25:57,064 BUT I CAN'T STAND WATCHING HIM CURL UP AROUND THE EDGES. 1013 01:25:57,108 --> 01:25:58,675 IT'LL NEVER FLY. 1014 01:25:58,718 --> 01:26:00,720 I'LL ARRANGE THE WHOLE THING. 1015 01:26:00,764 --> 01:26:04,202 YOU CAN'T ARRANGE DRUM. 1016 01:26:10,904 --> 01:26:12,689 Evie: HI, DRUM. 1017 01:26:12,732 --> 01:26:14,734 Drum: HEY, WHAT'S GOING ON? 1018 01:26:14,778 --> 01:26:17,607 WOULD YOU LIKE A CRACKER? 1019 01:26:17,650 --> 01:26:19,696 UM...NO. 1020 01:26:19,739 --> 01:26:21,741 I GOT HIM! 1021 01:26:21,785 --> 01:26:23,221 WHAT'S GOING ON? 1022 01:26:23,265 --> 01:26:24,266 IT'S A KIDNAPPING. 1023 01:26:24,309 --> 01:26:26,224 IT'LL BE ON ALL THE RADIO STATIONS. 1024 01:26:26,268 --> 01:26:29,227 Drum: EVIE, CALL THEM OFF! 1025 01:26:29,271 --> 01:26:30,881 IT'S FOR PUBLICITY, DRUM. 1026 01:26:30,924 --> 01:26:32,361 WE'RE JUST GONNA TELL THE POLICE 1027 01:26:32,404 --> 01:26:33,753 A BUNCH OF CRAZY FANS GOT YOU. THEN WE'LL BRING YOU BACK. 1028 01:26:33,797 --> 01:26:35,233 JUST THINK OF IT AS A FIELD TRIP. 1029 01:26:35,277 --> 01:26:38,454 WATCH HIS ARM. WATCH HIS ARM. 1030 01:26:38,497 --> 01:26:42,066 UH! LET'S GO! 1031 01:26:42,109 --> 01:26:43,807 EVIE! 1032 01:26:45,287 --> 01:26:47,245 EVIE! 1033 01:26:48,290 --> 01:26:50,596 EVIE! 1034 01:26:58,300 --> 01:26:59,562 EVIE, IT'S ME-- MR. HARRISON. 1035 01:26:59,605 --> 01:27:01,390 OH, MR. HARRISON. I'M JUST ON MY WAY OUT. 1036 01:27:01,433 --> 01:27:03,740 DRUM'S BEEN KIDNAPPED. WELL, NOT FOR REAL. 1037 01:27:03,783 --> 01:27:04,958 A BUNCH OF FANS GOT HIM. 1038 01:27:05,002 --> 01:27:06,656 WELL, DRUM CAN WAIT. YOUR FATHER'S SICK, 1039 01:27:06,699 --> 01:27:08,484 AND I WANT TO TAKE YOU WITH ME RIGHT NOW. 1040 01:27:08,527 --> 01:27:09,920 BUT DRUM'S BEEN KIDNAPPED. 1041 01:27:09,963 --> 01:27:11,226 WE DON'T HAVE TIME FOR THAT. 1042 01:27:11,269 --> 01:27:13,663 YOUR FATHER HAS HAD ANOTHER HEART ATTACK, EVIE. 1043 01:27:13,706 --> 01:27:16,143 HE'S DYING. 1044 01:27:17,057 --> 01:27:19,451 HE'S DYING. 1045 01:27:20,017 --> 01:27:21,584 IT'S IN...THERE? 1046 01:27:21,627 --> 01:27:23,455 IN THERE. 1047 01:27:25,065 --> 01:27:26,589 HOW IS HE? 1048 01:27:26,632 --> 01:27:30,593 OH, EVIE DEAR. HE PASSED, DEAR. 1049 01:28:44,144 --> 01:28:46,930 OH, I KNOW HE'S NOT. THIS IS EVIE DECKER. 1050 01:28:46,973 --> 01:28:49,889 I NEED YOU TO HAVE HIM GET A MESSAGE TO DRUM. 1051 01:28:49,933 --> 01:28:52,457 HE'S AT THE BEAUTY PARLOR ON RYAN-A. 1052 01:28:52,501 --> 01:28:55,547 HAVE HIM TELL DRUM THAT MY FATHER DIED. 1053 01:28:55,591 --> 01:29:01,118 HAVE HIM...HAVE HIM COME TO MY FATHER'S HOUSE. 1054 01:30:58,148 --> 01:31:00,585 DAD. 1055 01:31:09,289 --> 01:31:11,509 Faye-Jean: HEY! HEY! 1056 01:31:11,553 --> 01:31:16,471 WHAT THE FUCK ARE YOU DOING OUT HERE? 1057 01:31:16,514 --> 01:31:20,649 GET IN, YOU SORRY PIECE OF SHIT. 1058 01:31:21,780 --> 01:31:24,130 WHOO! 1059 01:31:29,135 --> 01:31:31,137 EVIE. 1060 01:31:33,139 --> 01:31:35,141 EVIE? 1061 01:31:44,934 --> 01:31:50,113 LORD, I STILL CAN'T TAKE IT IN. 1062 01:31:51,636 --> 01:31:54,117 WHERE'S YOUR BANGS, MAY I ASK? 1063 01:31:54,160 --> 01:31:57,599 I'M PINNING THEM BACK NOW. 1064 01:32:12,614 --> 01:32:16,618 I GOT TO USE THE LITTLE GIRL'S ROOM. 1065 01:32:29,369 --> 01:32:33,330 YOU DON'T LOOK GOOD. HOW FAR ALONG ARE YOU? 1066 01:32:33,373 --> 01:32:35,071 WHAT? 1067 01:32:35,114 --> 01:32:37,508 ONE MONTH? 2? 1068 01:32:37,552 --> 01:32:39,205 3 ALMOST. 1069 01:32:39,249 --> 01:32:41,947 AND NEVER TOLD YOUR DADDY. 1070 01:32:41,991 --> 01:32:46,212 WHAT IS IT MAKES YOU ACT LIKE THAT? 1071 01:32:46,256 --> 01:32:49,999 DRINK YOUR COCOA. GOOD FOR THE BABY. 1072 01:32:50,042 --> 01:32:54,481 Evie's voice: IN ROLLING STONE, AT THE LIBRARY, A LOT-- 1073 01:32:57,397 --> 01:32:58,921 DRUM, THIS IS FOR YOU 1074 01:32:58,964 --> 01:33:01,053 SO YOU CAN HEAR HOW GOOD YOUR SONGS ARE. 1075 01:33:01,097 --> 01:33:03,752 I READ ABOUT IN IN ROLLING STONEAT THE LIBRARY. 1076 01:33:03,795 --> 01:33:07,016 A LOT OF MUSICIANS USE THEM WHEN THEY'RE WRITING. 1077 01:33:07,059 --> 01:33:09,714 I KNOW YOU WON'T WANT TO HEAR THIS-- 1078 01:33:09,758 --> 01:33:11,716 WHERE THE FUCK IS SHE? 1079 01:33:13,457 --> 01:33:15,459 SHE'S IN THERE! 1080 01:33:15,502 --> 01:33:18,375 HA HA HA! 1081 01:33:18,418 --> 01:33:20,159 WHAT A KISS-ASS! I'M SORRY. 1082 01:33:20,203 --> 01:33:22,814 IT LOOKS LIKE I'M LATE FOR THE PARTY. 1083 01:33:22,858 --> 01:33:25,817 GIVE ME THAT. GET OUT. 1084 01:33:25,861 --> 01:33:28,385 YOU'RE SEPARATED, TOO, AIN'T YOU? 1085 01:33:28,428 --> 01:33:29,734 I AM NOT. 1086 01:33:29,778 --> 01:33:32,084 WELL, WHERE'S HE AT, THEN, IN YOUR TIME OF TROUBLE? 1087 01:33:32,128 --> 01:33:35,000 HE'LL BE HERE. IT'S COMPLICATED. 1088 01:33:35,044 --> 01:33:37,524 NO POINT IN A HUSBAND IF YOU AIN'T GOT HIM 1089 01:33:37,568 --> 01:33:40,136 TO LEAN ON DURING STRESS. 1090 01:33:50,799 --> 01:33:52,670 IF I'D HAVE THOUGHT, 1091 01:33:52,714 --> 01:33:55,412 I'D HAVE BROUGHT MY MOTHER. 1092 01:33:55,455 --> 01:33:57,240 SHE'S A CONSOLER 1093 01:33:57,283 --> 01:33:59,677 AT THE BAPTIST CHURCH. 1094 01:33:59,721 --> 01:34:01,113 SHE CONSOLES THE MOURNERS 1095 01:34:01,157 --> 01:34:02,811 TILL THEY GET CHEERED UP. 1096 01:34:02,854 --> 01:34:04,726 HOW DOES SHE DO THAT? 1097 01:34:04,769 --> 01:34:06,162 OH, SHE JUST HUGS THEM 1098 01:34:06,205 --> 01:34:07,816 AND PAT THEM ON THE SHOULDER, 1099 01:34:07,859 --> 01:34:09,426 OFFER THEM KLEENEX. 1100 01:34:09,469 --> 01:34:11,907 HOW ELSE WOULD SHE DO? 1101 01:34:30,752 --> 01:34:33,015 Evie's voice: THERE'S SOMETHING I'VE GOT TO TELL YOU. 1102 01:34:33,058 --> 01:34:35,104 I'M AFRAID YOU WON'T WANT TO HEAR IT. 1103 01:34:35,147 --> 01:34:37,584 AT LEAST, THAT'S THE WAY I FEEL WHENEVER I TRY TO TELL YOU. 1104 01:34:37,628 --> 01:34:40,587 I KEEP LOOKING FOR THE RIGHT TIME-- 1105 01:34:40,631 --> 01:34:41,806 SHUT UP! 1106 01:34:45,549 --> 01:34:47,856 BUT THERE NEVER SEEMS TO BE ONE. 1107 01:34:47,899 --> 01:34:53,122 I BELIEVE I'M HAVING A BABY IN ABOUT 6 MONTHS. 1108 01:34:53,688 --> 01:34:55,559 ANYWAY, MERRY CHRISTMAS, DRUM. 1109 01:34:55,602 --> 01:34:58,214 CAN YOU BELIEVE THAT NEXT CHRISTMAS, 1110 01:34:58,257 --> 01:35:02,000 WE'LL HAVE OUR OWN FAMILY? 1111 01:35:31,638 --> 01:35:36,643 NICE OF YOU TO SHOW UP. 1112 01:35:45,000 --> 01:35:47,872 THINK YOU CAN JUST STAY AWAY ALL NIGHT 1113 01:35:47,916 --> 01:35:52,616 THEN POP BACK IN HERE LIKE NOTHING'S HAPPENED? 1114 01:35:54,618 --> 01:35:57,490 EVIE. 1115 01:35:59,928 --> 01:36:01,277 OH... 1116 01:36:01,320 --> 01:36:03,932 EVIE! 1117 01:36:11,113 --> 01:36:13,289 MOVE IT. 1118 01:36:20,687 --> 01:36:22,689 WELL, EXCUSE ME FOR BEING HERE, 1119 01:36:22,733 --> 01:36:25,301 BUT YOU WERE AWAY, AFTER ALL. 1120 01:36:25,344 --> 01:36:28,086 ZIP ME UP, WOULD YOU? 1121 01:36:30,132 --> 01:36:31,916 OW! 1122 01:36:32,482 --> 01:36:35,050 HOW DO I GET OUT OF HERE? 1123 01:36:35,093 --> 01:36:37,704 THINK MY CAR'S GONNA EVEN START? 1124 01:36:37,748 --> 01:36:40,185 WALK TO THE HIGHWAY AND CATCH A BUS. 1125 01:36:40,229 --> 01:36:41,447 IN THESE SHOES? 1126 01:36:41,491 --> 01:36:43,406 CAN'T YOU JUST GIVE ME A RIDE? 1127 01:36:43,449 --> 01:36:46,452 I DON'T HAVE THE TIME. 1128 01:36:54,547 --> 01:36:59,117 I'VE BEEN HOME. MY FATHER DIED. 1129 01:37:11,260 --> 01:37:15,873 EVIE, I'M SORRY ABOUT YOUR FATHER. 1130 01:37:19,398 --> 01:37:21,923 NOTHING HAPPENED WITH HER. 1131 01:37:32,672 --> 01:37:34,152 WILL YOU SAY SOMETHING? 1132 01:37:34,196 --> 01:37:36,024 WHAT ARE YOU THINKING ABOUT? 1133 01:37:36,067 --> 01:37:38,069 WE'VE GOT TO GET ORGANIZED. 1134 01:37:38,113 --> 01:37:39,941 HAVE YOU EVER LOOKED AT THIS PLACE? 1135 01:37:39,984 --> 01:37:41,507 IT'S A PIGPEN. AND I'M FREEZING TO DEATH. 1136 01:37:41,551 --> 01:37:44,684 THAT'S WHAT YOU WANT TO TALK ABOUT--HOUSEKEEPING? 1137 01:37:44,728 --> 01:37:46,773 NOT HOUSEKEEPING! JUST EVERYTHING! 1138 01:37:46,817 --> 01:37:47,905 LOOK AT YOURSELF, DRUM! 1139 01:37:47,949 --> 01:37:49,733 YOU'VE GOT TO PULL YOURSELF TOGETHER! 1140 01:37:49,776 --> 01:37:53,389 YOU'RE THE ONE THAT HAD ME KIDNAPPED LAST NIGHT. 1141 01:37:54,564 --> 01:37:57,306 I CAN'T LIVE UP TO THIS DREAM OF YOURS. 1142 01:37:57,349 --> 01:37:59,134 IT'S LIKE YOU'RE PUSHING ME TO LIFT SOMETHING 1143 01:37:59,177 --> 01:38:00,570 I DON'T HAVE THE MUSCLES FOR. 1144 01:38:00,613 --> 01:38:02,833 I'M NOT TALKING ABOUT YOUR CAREER, DRUM. 1145 01:38:02,877 --> 01:38:04,052 I'M TALKING ABOUT YOU. 1146 01:38:04,095 --> 01:38:05,488 WELL, WHAT IS IT YOU DON'T LIKE? 1147 01:38:05,531 --> 01:38:07,055 YOU DON'T WRITE ANYMORE. YOU DON'T PLAY. 1148 01:38:07,098 --> 01:38:09,448 YOU'VE JUST GIVEN UP. YOU DON'T EVEN TRY ANYMORE. 1149 01:38:09,492 --> 01:38:11,755 YOU WANT ME TO BE MORE LIKE YOU? 1150 01:38:11,798 --> 01:38:13,278 CRAWL THROUGH THE BATHROOM WINDOW 1151 01:38:13,322 --> 01:38:16,238 EVEN WHEN THE FRONT DOOR'S OPEN? 1152 01:38:16,281 --> 01:38:19,415 YOU'RE RIGHT, EVIE. YOU'RE ALWAYS RIGHT. 1153 01:38:19,458 --> 01:38:22,897 YOU WANT TO CHANGE THINGS? 1154 01:38:22,940 --> 01:38:24,246 YOU WANT ME TO CHANGE? 1155 01:38:24,289 --> 01:38:26,248 BECAUSE GETTING MARRIED SURE DIDN'T DO IT, DID IT? 1156 01:38:26,291 --> 01:38:30,600 I DON'T KNOW WHY I THOUGHT ANYTHING WOULD BE DIFFERENT! 1157 01:38:30,643 --> 01:38:33,385 YOU'RE RIGHT, EVIE! THIS STINKS! 1158 01:38:33,429 --> 01:38:34,996 IT'S NO FUCKING GOOD! 1159 01:38:35,039 --> 01:38:37,912 IS THIS IT?! IS THIS WHAT YOU WANT?! 1160 01:38:37,955 --> 01:38:40,436 I WANT TO PACK UP AND LEAVE! WE CAN START OVER! 1161 01:38:40,479 --> 01:38:42,917 WE CAN MOVE INTO MY FATHER'S HOUSE TODAY! 1162 01:38:42,960 --> 01:38:45,920 YOU MEAN LIVE THERE, IN HIS HOUSE? 1163 01:38:45,963 --> 01:38:46,964 IT'S OUR HOUSE NOW. 1164 01:38:47,008 --> 01:38:48,052 THIS IS OUR FUCKING HOUSE! 1165 01:38:48,096 --> 01:38:49,706 IT DOESN'T FEEL LIKE IT. 1166 01:38:49,749 --> 01:38:51,403 SHIT, EVIE. 1167 01:38:51,447 --> 01:38:53,928 I CAN'T JUST TRAIL AFTER YOU LIKE THAT. 1168 01:38:53,971 --> 01:38:54,929 OH, HEY. 1169 01:38:54,972 --> 01:38:56,756 MY GLOBE BROKE. 1170 01:38:56,800 --> 01:39:01,587 OH, THEN I'LL GO ALONE. 1171 01:39:03,763 --> 01:39:05,548 IF WE MOVE INTO THAT HOUSE, 1172 01:39:05,591 --> 01:39:07,854 WE'LL BE STUCK IN THIS TOWN FOREVER. 1173 01:39:07,898 --> 01:39:09,073 WE'LL DIE HERE. 1174 01:39:09,117 --> 01:39:11,902 IF YOU DON'T COME, THEN IT'S YOU LEAVING ME. 1175 01:39:11,946 --> 01:39:13,991 THE CHOICE IS YOURS. 1176 01:39:19,910 --> 01:39:22,043 AND WHAT ABOUT THIS? 1177 01:39:22,086 --> 01:39:26,221 HOW WILL YOU SUPPORT OUR BABY ALL ALONE? 1178 01:39:26,264 --> 01:39:27,613 AND HOW DO YOU EXPLAIN TO STRANGERS 1179 01:39:27,657 --> 01:39:29,876 HAVING "CASEY" WRITTEN ACROSS YOUR FACE? 1180 01:39:29,920 --> 01:39:34,403 I'LL TELL THEM IT'S MY NAME. IT IS MY NAME. 1181 01:39:34,446 --> 01:39:35,839 EVIE, DON'T GO. 1182 01:39:35,882 --> 01:39:37,319 Evie's voice: THERE'S SOMETHING I'VE GOT TO TELL YOU. 1183 01:39:37,362 --> 01:39:39,582 I'M AFRAID YOU WON'T WANT TO HEAR IT... 1184 01:39:39,625 --> 01:39:40,757 COME WITH ME THEN. 1185 01:39:40,800 --> 01:39:42,715 AT LEAST, THAT'S THE WAY I FEEL 1186 01:39:42,759 --> 01:39:44,326 WHENEVER I TRY TO TELL YOU. 1187 01:39:44,369 --> 01:39:45,980 I KEEP LOOKING FOR THE RIGHT TIME 1188 01:39:46,023 --> 01:39:50,375 OR THE RIGHT WAY, BUT THERE NEVER SEEMS TO BE ONE. 1189 01:39:50,419 --> 01:39:54,423 I BELIEVE I'M HAVING A BABY IN ABOUT 6 MONTHS. 1190 01:39:56,642 --> 01:39:59,036 ANYWAY, MERRY CHRISTMAS, DRUM. 1191 01:39:59,080 --> 01:40:01,169 CAN YOU BELIEVE THAT NEXT CHRISTMAS, 1192 01:40:01,212 --> 01:40:03,606 WE'LL HAVE OUR OWN FAMILY? 1193 01:40:03,649 --> 01:40:05,782 IN MY MIND, I SEE HIM CLEARLY. 1194 01:40:05,825 --> 01:40:09,612 HE LOOKS JUST LIKE YOU. 1195 01:40:33,114 --> 01:40:35,638 HMM-MM. 1196 01:40:43,037 --> 01:40:44,560 YOU LIKE IT? 1197 01:40:44,603 --> 01:40:46,257 MM-HMM. 1198 01:41:30,301 --> 01:41:33,043 Man on radio: YOU'RE ON THE AIR WITH DICK DUNDAIR. 1199 01:41:33,087 --> 01:41:35,089 TONIGHT I'M BROADCASTING TO YOU LIVE 1200 01:41:35,132 --> 01:41:36,742 FROM THE FOX THEATER IN ATLANTA. 1201 01:41:36,786 --> 01:41:39,963 SO, WHEN MIGHT WE BE SEEING YOU BACK AT THE UNICORN? 1202 01:41:40,006 --> 01:41:42,400 Drum: WELL, I DON'T KNOW, BUT RIGHT NOW, 1203 01:41:42,444 --> 01:41:44,924 ME AND THE GUYS ARE HEADED OVER TO NASHVILLE 1204 01:41:44,968 --> 01:41:46,012 TO MAKE A RECORD. 1205 01:41:46,056 --> 01:41:47,971 Dundair: WELL, THAT SOUNDS GOOD TO ME. 1206 01:41:48,014 --> 01:41:49,712 I NEVER DID KNOW WHAT YOU WERE ALL ABOUT, 1207 01:41:49,755 --> 01:41:52,932 BUT THE CROWD OUT THERE TONIGHT SURE SEEMED TO LIKE IT. 1208 01:41:52,976 --> 01:41:55,283 Drum: YOU THINK YOU'RE INVISIBLE, BUT I SEE YOU. 1209 01:41:55,326 --> 01:41:58,677 Dundair: IS THAT MORE OF THAT SPEAKING-OUT YOU DO? 1210 01:41:58,721 --> 01:42:01,245 Drum: NO. THAT'S ME TALKING. 1211 01:42:01,289 --> 01:42:04,118 Dundair: NOW, THIS ONE GOES OUT TO EVIE FROM DRUM. 1212 01:42:04,161 --> 01:42:06,381 HE LOVES HER VERY MUCH. 1213 01:42:06,424 --> 01:42:10,298 I BELIEVE HIM, EVIE. I THINK YOU SHOULD, TOO. 1214 01:44:41,318 --> 01:44:44,016 CAPTIONING MADE POSSIBLE BY LIONS GATE ENTERTAINMENT 1215 01:44:44,060 --> 01:44:48,630 CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE --www.ncicap.org-- 76824

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