Original subtitles

Andy: PREVIOUSLY ON "NYPD BLUE"...

YOU NEED TO HEAR THIS. WHAT�S IT ABOUT?

DANNY.

[ SEA GULLS SQUAWKING ]

LET HIM GO AND LAY THE GUN DOWN!

I�LL BLOW HIS HEAD OFF!

DROP THE GUN!

CHECK THIS OUT.

GUESS I�LL BE SEEING YOU AROUND, HUH?

DON�T COUNT ON IT.

HE�S GONNA RETHINK GOING TO THE 15th.

[ DRUMS PLAYING ]

[ BAGPIPES PLAYING "AMAZING GRACE" ]

READY, UP.

[ HELICOPTERS WHIRRING ]

SO, AS WE COMMEND TO THE GROUND

THE EARTHLY REMAINS OF YOUR SON, DETECTIVE DANIEL ERIC SORENSON,

WE PRAY, LORD, THAT YOU TAKE HIS SOUL ONTO YOUR BOSOM,

AND MAY HIS SOUL AND THE SOULS OF ALL THE FAITHFUL DEPARTED,

THROUGH THE MERCY OF GOD, REST IN PEACE.

AMEN.

Andy: DANNY WAS A GOOD COP.

I WAS PROUD TO KNOW HIM.

AND I WAS PROUD TO WORK WITH HIM.

AND I�M GONNA MISS HIM.

WHAT HE MEANT TO ALL OF US ??

HIS LOYALTY, HIS BRAVERY,

HIS GOOD HEART, HIS SENSE OF WRONG AND RIGHT ??

ANYWAY, I HOPE HE�S IN A BETTER PLACE.

BUT I ALSO KNOW THAT A PART OF HIM WILL ALWAYS BE HERE WITH US.

ALL I REALLY WANT TO SAY HERE IS ??

FROM ME AND EVERYONE AT THE 15th,

GOD BLESS.

AVE

MARIA

GRATIA

PLENA

MARIA

GRATIA PLENA

MARIA, GRATIA PLENA

AVE

AVE DOMINUS

AVE

MARIA

SOME CEREMONY, HUH?

THOSE, UH??THOSE BAGPIPES ALWAYS GET ME CHOKED UP.

ME TOO.

John: DETECTIVE...

THAT REALLY WAS BEAUTIFUL OUT THERE.

DEPARTMENT DOES A NICE JOB.

ACTUALLY, I WAS REFERRING TO WHAT YOU SAID.

I THINK DETECTIVE SORENSON WOULD�VE BEEN TOUCHED.

YOU�VE ALL MET JOHN CLARK.

AS YOU KNOW, HE�S BEEN ASSIGNED TO OUR SQUAD,

SO I�M SURE YOU�LL MAKE HIM FEEL AT HOME. WELCOME ABOARD.

THANKS. I KNOW IT�S A TOUGH DAY.

WHATEVER I CAN DO TO HELP. HEY.

Greg: HOW�S THE ARM? Clark: IT�S GOOD.

MIGHT NOT THROW ANY NO?HITTERS.

Tony: GOT TWO CALLS IN OFF THE NIGHT WATCH.

MEDAVOY, JONES,

INVESTIGATE DOA IN A FIRE.

ST. ANDREWS, BETWEEN FIRST AND SECOND.

LET�S GO CHANGE.

ALSO ROBBERY ASSAULT ON 13th.

VICTIM�S BEING TREATED ON THE SCENE.

WHO DO YOU WANT WORKING THAT ONE?

YOU�RE UP.

LET�S TALK FIRST.

CONNIE, WHY DON�T YOU SHOW JOHN AROUND?

COME ON. I�LL SHOW YOU THE V. I. P. TOUR.

THANKS AGAIN FOR WHAT YOU DID OUT ON THE STREET.

THIS AIN�T ONE OF THOSE

"PULL A THORN OUT OF THE OTHER GUY�S PAW" TYPE DEALS.

YOU DON�T OWE ME NOTHING, OKAY?

OKAY.

I�D APPRECIATE YOU TAKING CLARK OUT TODAY.

I NEED AN EXPERIENCED DETECTIVE TO SHOW HIM THE ROPES.

LOOK, HE�S A GOOD KID,

BUT IT�S NOT EVEN TWO HOURS SINCE I BURIED ONE,

AND THAT�S BESIDES THIS ONE�S OLD MAN BEING A FLAT?OUT DICKHEAD,

NOT TO MENTION I ALREADY HAD A PARTNER NAMED JOHN ??

FOR SIX YEARS.

ANDY, WE GOTTA PULL THE SQUAD BACK TOGETHER.

I NEED YOUR HELP.

WE�LL TAKE IT DAY TO DAY.

WELL, TODAY IT�S ME AND CONNIE.

JUNIOR CAN TAG ALONG, IF YOU WANT.

DONE.

Mike: APARTMENT GOT TORCHED.

SO DID THE FEMALE ?? UNIDENTIFIED.

YEAH? DO WE KNOW WHO LIVED THERE?

TWO GIRLS. I�M STILL TRYIN� TO FIND OUT WHO. WHO CALLED IT IN?

NEXT?DOOR NEIGHBOR ?? WHACK JOB.

UH, EXCUSE ME, MA�AM.

DO YOU KNOW THE NAMES OF THE GIRLS WHO LIVE HERE?

NO, I DON�T KNOW THEM.

YOUNG WOMEN LIKE THAT BEHAVING LIKE THAT. BEHAVING LIKE WHAT?

THE CRY OF SODOM AND GOMORRAH IS MULTIPLIED,

AND THEIR SIN HAS BECOME EXCEEDINGLY GRIEVOUS.

MA�AM, ONE OF THE GIRLS IS DEAD.

SO IF THERE�S ANYTHING, LIKE, CONCRETE YOU CAN GIVE US

ABOUT WHAT HAPPENED LAST NIGHT, WE�D REALLY APPRECIATE IT.

SINNERS SHALL RECEIVE THEIR RECOMPENSE FOR THEIR WRONGDOING.

ALL RIGHT. THANKS FOR YOUR HELP.

CRUCIFIX, BELLY RING.

NO WAY SHE GOT DRUNK AND PASSED OUT WITH A CANDLE GOING?

NO, IT LOOKS LIKE IT WAS SET.

BOY, SHE LOOKS YOUNG.

HEY, GUYS, I GOT A GIRL OUT HERE

SAYS SHE LIVES IN THIS APARTMENT.

SALLY JONES.

YOU LIVE IN 6B, SALLY?

YEAH. WHAT HAPPENED?

WHAT�S GOING ON?

WHAT�S YOUR ROOMMATE�S NAME?

CHRISSY NOLAN. WHERE IS SHE?

DOES SHE WEAR A CRUCIFIX AROUND HER NECK?

DOES SHE HAVE A BELLY RING?

YEAH. IS SHE OKAY?

OH, MY GOD.

Baldwin: THERE WAS A FIRE.

WHERE�S CHRISSY?

SHE DIDN�T MAKE IT. I�M SORRY.

[ CRIES ]

LET�S GET HER OUT OF HERE.

IT�S OKAY.

ARE YOU A FRIEND OF HERS?

YEAH. I CAN�T BELIEVE THIS IS HAPPENING.

OKAY, STAY WITH HER, AND WE�LL HAVE AN OFFICER

BRING YOU DOWN TO THE STATION LATER.

ANGUISH SHALL BE VISITED UPON THE SOULS

OF ALL THOSE WHO WORK EVIL!

YEAH, WE GOT IT. THANKS.

ANGUISH SHALL BE VISITED

UPON THE SOULS OF ALL THOSE

WHO WORK EVIL!

NIGHT WATCH HERE?

IN THE BEDROOM. RUN IT.

SECURITY COMPANY RESPONDED TO A PANIC ALARM AT 6:15 A. M.

FOUND THE OCCUPANT, NANCY CARLSON,

IN THE BEDROOM ?? COMATOSE, ALL SLASHED UP.

SHE GO DOA?

BEEN MOVED TO BELLEVUE, BUT IT DON�T LOOK GOOD.

ANDY.

SORRY ABOUT MISSING THE FUNERAL.

THIS JUMPED OFF AT THE END OF MY TOUR.

HOW�D IT GO? HOW�D IT GO? THEY BURIED HIM.

BUT THE SERVICE WAS NICE? NICE FLOWERS?

THAT�S NOT WHAT I WAS PAYING ATTENTION TO. IT WENT FINE.

WAS THE VICTIM MARRIED?

HUSBAND�S NAMED PHIL.

SECURITY COMPANY HAD HIS PAGER. HE�S ON THE WAY.

Clark: HE SAY FROM WHERE?

GUY WHO LIVES LIKE THIS DOESN�T WORK NIGHTS.

NAH, HE�S GOT AN ARCHITECTURE DIPLOMA.

WHERE WAS HE? HE SAID AN EARLY GOLF GAME.

YOU CLARK?

EDDIE GIBSON. HEY.

READ ABOUT YOU IN THE PAPER.

KID�S GOT BALLS.

WHICH HE�LL LOSE IF HE LEAVES ANOTHER PAW PRINT IN THIS ROOM.

HUSBAND�S HERE.

YOU TRY AND KEEP YOUR HANDS OFF UNTIL CRIME SCENE GETS THROUGH.

MR. CARLSON, I�M DETECTIVE SIPOWICZ.

DETECTIVES McDOWELL AND CLARK.

I GOT A CALL TO COME HOME, BUT THE COP DIDN�T SAY WHY.

WELL, IT LOOKS LIKE YOU�VE BEEN ROBBED, MR. CARLSON.

WHY DON�T YOU TAKE A SEAT?

WHERE�S MY WIFE? WHERE�S NANCY?

Connie: SHE�S AT BELLEVUE.

SHE�S BEING TREATED FOR A STAB WOUND.

IS SHE ALL RIGHT?

I SHOULD BE WITH HER. SHE�S GETTIN� GOOD CARE.

THE THING TO DO NOW IS TO HELP GET THE INVESTIGATION GOING.

YOU TOLD THE COP YOU WERE PLAYING GOLF. WHERE?

QUAKER RIDGE IN WESTCHESTER.

Sipowicz: YOU ALWAYS PLAY SO EARLY?

EVERY TUESDAY.

ALWAYS THE SAME GROUP?

WHAT DOES THAT HAVE TO DO WITH MY WIFE BEING STABBED?

MAYBE NOTHING, BUT YOU START OUT GENERAL AND YOU GET SPECIFIC.

YOU�RE SPECIFICALLY ASKING QUESTIONS ABOUT ME.

GETTING EXCITED ISN�T GONNA HELP FIND OUT WHO DID THIS.

I DON�T THINK ASKING STUPID QUESTIONS WILL, EITHER.

SO, EXCUSE ME, I�M GONNA GO BE WITH MY WIFE.

WE�LL BE IN TOUCH.

SWEET GUY.

I�LL START A CANVASS.

[ CLEARS THROAT ]

[ KNOCK ON DOOR ]

WHAT�D YOU GET?

NO FORCED ENTRY, NO BROKEN WINDOWS.

CRIME SCENE�S STILL PROCESSING.

DID YOU PUT IN A CALL TO THE HUSBAND�S COUNTRY CLUB?

HE OCCASIONALLY PLAYS TUESDAYS, BUT HIS GROUP DIDN�T COME TODAY.

WHERE IS HE NOW?

PRETENDING TO MOPE OVER HIS WIFE.

WHY AREN�T WE GRABBING THIS GUY UP?

HE WAS HINKY AT THE SCENE.

I FIGURED GIVE HIM AN HOUR,

THEN BRING HIM IN EASY.

SO WE�VE GONE FROM "MAYBE HE�S GOT SOMETHING TO HIDE"

TO CONVINCED HE DID IT?

FOR NOW, HE�S OUR TOP CANDIDATE.

THAT MAKES SENSE.

YEAH? WHY?

HE HAS ACCESS, OPPORTUNITY ??

A REAL PRICK ??

K.I.S.S. ?? "KEEP IT SIMPLE, STUPID."

YOUR DAD TEACH YOU THAT?

YOU�RE SO SHARP, WHAT DO WE DO NOW?

LOOK INTO HIM FOR A MOTIVE.

SO WE GO TO THE MOTIVE STORE, SEE WHICH ONE HE BOUGHT?

WE COULD SEE WHO HE�S BEEN CALLING.

MAYBE HE�S GOT A GIRLFRIEND.

I�LL CALL T. A. R. U., GET A DUMP ON HIS PHONES.

I�D LIKE TO SEE HOW MUCH LIFE INSURANCE HE�S GOT ON HIS WIFE.

DO IT.

THERE�S NO WAY TO GET INFORMATION ON LIFE INSURANCE.

MAYBE HE KNOWS SOMETHING WE DON�T.

MORNING. JOHN CLARK. LOOKING FOR MY SON.

I�M JOHN IRVIN.

NICE TO MEET YOU.

HE�S RIGHT AROUND THE CORNER.

SIPOWICZ.

CLARK.

Your dad�s here.

POP, WHAT ARE YOU DOING HERE?

MY DAY OFF ?? THOUGHT I�D STOP IN.

HOW�S IT GOING?

I WAS WORKING A CASE.

WHAT�D YOU GET?

STABBING.

I RECOGNIZE GREG MEDAVOY.

YOU KNOW EACH OTHER?

YEAH, WE�VE CROSSED PATHS. HOW ARE YOU?

GOOD.

THERE�S YOUR JACKET.

THIS MUST BE YOUR DESK.

WHO ARE YOU WORKING WITH?

CONNIE McDOWELL...

HI.

...AND ANDY.

IS THAT SO?

YEAH, I FIGURE WORK WITH YOUR KID,

MAYBE YOU AND ME GET TO HANG OUT.

PEOPLE CONSIDER SARCASM THE OUTLET OF A WEAK MIND.

YOU HAVE BUSINESS HERE, DUTCH BOY?

POP, HOW ABOUT I BUY YOU SOME COFFEE, HUH?

LET�S GO.

COME ON.

OVER HERE.

SO, SHOULD I DUST OFF THE GLOVES,

OR YOU TWO WILL JUST SETTLE THIS IN THE ALLEY? I HATE TO SAY, "I TOLD YOU SO."

REGARDING WHAT? WHAT HAVE I BEEN WARNING ABOUT ALL WEEK?

THE SARCASM, THE INSULTS. THERE�S NO CHANCE THAT HE WAS REACTING TO YOU?

MEETING YOUR SQUAD, SITTING AT YOUR DESK?

MAYBE IT WAS YOU SHOWING UP IN THE FIRST PLACE.

I MEAN, YOU DON�T LIKE HIM, WHY COME TO HIS SQUAD?

�CAUSE I BEEN ON THIS JOB 26 YEARS,

AND I CAN WALK INTO ANY PRECINCT I DAMN WELL PLEASE,

ESPECIALLY THE ONE MY SON IS WORKING IN.

FINE.

DAD, IF I�M GONNA WORK HERE, YOU GOTTA EASE UP WITH HIM.

WHAT WOULD HELP THAT

IS IF YOU DECLINED TO WORK WITH THIS BUM.

I KNOW YOU DON�T LIKE HIM,

BUT EVERYONE I�VE TALKED TO SAYS THAT HE�S A GREAT DETECTIVE.

DECLINE TO WORK WITH HIM.

JUST CALL MY BOSS, LIEUTENANT CROMWELL.

I GOT A CASE.

WHICH I WOULD LIKE TO HEAR A BIT ABOUT.

WHAT�D YOU GET?

IT�S A POSSIBLE BREAK?IN, BUT THE HUSBAND�S ALIBI DOESN�T CHECK.

TELL ME ABOUT THE HUSBAND.

YEAH, THAT�S RIGHT ?? �56 LES PAUL.

I�M VERY INTERESTED IN BUYING ONE.

THANKS.

HEY, GREG, I DIDN�T KNOW YOU WORKED WITH MY FATHER.

YEAH, A FEW TASK FORCES.

NEVER THE SAME SQUAD.

YOU KNOW WHAT, UH, "DUTCH BOY" MEANS?

IT WAS A MINOR THING, YEARS AGO,

WHEN HE WAS ON A FOOT POST.

LIKE WHAT?

I GUESS HE SORT OF...

[ CHUCKLES ]

SHOT UP A HARDWARE STORE.

SO "DUTCH BOY"?

ABOUT 2:00 IN THE MORNING,

YOUR FATHER SAW THE BACKDOOR OPEN

TO MILLER PAINT AND HARDWARE ON FLATBUSH. I�VE DRIVEN BY IT.

SO, IT�S A 2?STORY PLACE, STREET LEVEL AND BASEMENT.

HE CREEPS IN, GUN DRAWN, CALLS OUT ??

NOTHING.

THEN HE MOVES DOWNSTAIRS.

IT�S PITCH DARK. HE ROUNDS A CORNER.

AND THERE�S A GUY STANDING WITH A GUN.

"DROP IT!" HE YELLS.

"DROP IT!"

BUT THE GUY DON�T MOVE, SO CLARK OPENS FIRE.

HE HITS THE DECK, SCRAMBLES FOR HIS RADIO,

AND CALLS IN BACKUP.

[ CHUCKLES ]

AFTER A MINUTE SITTING IN THE DARK,

HE FINDS THE LIGHT,

AND HE SEES THE AIR IS FULL OF WHITE POWDER,

LIKE HE SHOT UP A BAG OF FLOUR...

BUT IT WASN�T FLOUR.

IT WAS A LIFE?SIZE PLASTER STATUE

ADVERTISING DUTCH BOY PAINT,

BUT THE LITTLE BRUSH HAD BEEN EXPLODED OUT OF ITS HAND,

AND THERE WAS TWO BULLET HOLES IN THE CROTCH!

[ LAUGHS ]

[ CLEARS THROAT ]

HE GOT HIS BALLS BROKE BUT GOOD.

IT COULD HAVE HAPPENED TO ANYONE.

OH, SURE, YEAH. SIMPLE MISTAKE.

Greg: OH, FRIENDS OF THE DOA.

WE BETTER TALK TO THEM.

YOU BET.

ARE YOU FREE TO TAKE THE DOA�s ROOMMATE?

SURE. UH, SALLY, RIGHT?

YEAH, AND HIT HER UP ABOUT THAT GUITAR.

JUST TAKE A MINUTE. THIS WAY.

SO, UH, WE�LL TAKE CANDY?

YEP.

[ SIGHS ]

THE KID ASKED.

HI, SALLY. I�M DETECTIVE McDOWELL.

HI.

I�M SORRY WHAT HAPPENED TO YOUR FRIEND.

HOW LONG WERE YOU ROOMMATES?

A YEAR OUT HERE,

BUT WE�VE BEEN BEST FRIENDS SINCE JUNIOR HIGH.

WHEN DID YOU LAST SEE CHRISSY?

[ Voice breaking ] LAST NIGHT.

ME AND HER RODE WITH CANDY IN THE VAN

TO CANDY�S GIG IN HOBOKEN.

WE WERE ALL GONNA GO TO A PARTY AFTER.

BUT CHRISSY GOT ONE OF HER MIGRAINES,

SO SHE TOOK A CAB HOME.

DO YOU KNOW HOW THE FIRE STARTED YET?

NO, WE DON�T.

CHRISSY EVER HAVE A BEEF

WITH ANYONE MIGHT WANT TO SEE HER HURT?

NO.

WE�RE LIKE NOBODIES OUT HERE.

WE DON�T HAVE ENEMIES.

HOW ABOUT A JEALOUS BOYFRIEND?

NO.

CHRISSY DIDN�T WANT TO GET SERIOUS WITH ANYONE.

SHE WAS TOO FOCUSED ON MAKING IT.

WE TALKED TO CHRISSY�S DAD.

SOUNDS LIKE HER FAMILY WAS PRETTY WELL OFF.

YEAH.

HE FAXED US OVER A LIST OF HER BELONGINGS.

LOOKS LIKE ONE GUITAR MISSING WAS WORTH 8 GRAND.

THAT WAS A GRADUATION PRESENT FROM HER DAD.

WHO�D KNOW SHE HAD EXPENSIVE GEAR?

LOTS OF PEOPLE, I GUESS.

WE HAD PARTIES ALL THE TIME.

ANYONE BESIDES YOU AND CHRISSY HAVE KEYS TO THE APARTMENT?

JUST CANDY.

CHRISSY LET HER COME BORROW GUITAR PEDALS AND STUFF,

LET HER USE OUR REHEARSAL SPACE.

SO YOU GUYS ARE TIGHT WITH CANDY?

YEAH. WE HANG OUT.

WHAT�S WITH ALL THESE WEIRD QUESTIONS?

CHRISSY WAS MURDERED LAST NIGHT.

THE FIRE WAS SET TO MAKE IT LOOK LIKE THAT�S HOW SHE DIED.

WHAT?

[ SOBS ]

OH!

I NEED YOU TO WRITE DOWN THE NAMES OF PEOPLE

WHO HUNG OUT AT YOUR PLACE,

PEOPLE WHO KNEW CHRISSY HAD THAT GUITAR.

[ Sobbing ] I CAN�T BELIEVE SHE�S DEAD!

Greg: SO, HOW LONG YOU KNOWN SALLY AND CHRISSY?

SINCE RIGHT AFTER THEY MOVED HERE.

MY BAND WAS HEADLINING AT CB�s,

AND THEY CORNERED ME AFTER A GIG,

WANTING TO KNOW HOW I GOT TO WHERE I AM.

CHRISSY GOT ANYONE YOU KNOW MIGHT WANT TO HURT HER?

NO, THOUGH SHE PISSED A LOT OF PEOPLE OFF.

PEOPLE WHO PAID THEIR DUES?

YEAH. MADE HER FOR A WANNABE �CAUSE SHE NEVER LIVED IT.

ME, IF I HAD A RICH DAD, SCREW IT, I�D GET A LOFT.

BUT CHRISSY WANTED TO KEEP IT REAL.

SHE WAS A COOL CHICK. IT REALLY SUCKS WHAT HAPPENED.

WE HEARD SHE HAD A GUITAR WORTH A LOT OF MONEY ??

A 1956 GIBSON LES PAUL.

YEAH, SEE, THAT�S THE KIND OF CRAP I�M TALKING ABOUT.

SHE�S GOT AN ORIGINAL �56 GOLDTOP PAUL,

BUT SHE CAN ONLY PLAY THREE DAMN CHORDS.

WHEN DID YOU SEE HER LAST?

IN HOBOKEN LAST NIGHT.

MY DRUMMER LIVES OUT THERE.

WE PARTIED AFTER AT HIS CRIB, CRASHED THERE.

CHRISSY DIDN�T FEEL GOOD, SO SHE SPLIT.

SO, THERE�S NOBODY IN PARTICULAR YOU CAN THINK OF

THAT REALLY HAD IT OUT FOR HER?

NO, BUT YOU GOTTA WATCH YOURSELF.

IT�S LIKE A LITTLE KID LIVING ON A BUSY STREET.

THAT�S A LINE I WROTE IN A SONG ABOUT NEW YORK.

IT�S A TOUGH TOWN.

[ SIGHS ]

GOT ANYTHING ON THE ROOMMATE?

NO, AND YOUR POOL OF SUSPECTS

INCLUDES EVERY BROKE AND JEALOUS MUSICIAN IN NEW YORK.

GREAT.

HEY.

HOW�S IT GOING?

UH, SURFING FOR INFO ON A LIFE INSURANCE POLICY.

I�VE DONE A LAWMAN SEARCH, AND I RAN A CREDIT CHECK. BUT I GOT NOTHIN� YET.

YOU CAN�T GET ANYTHING ON LIFE INSURANCE

UNLESS THE INSURED PARTY TELLS YOU THEMSELVES. SAY WHAT?

EVEN IF YOU GOT A POLICY NUMBER,

THE PRIVACY ACT WON�T ALLOW THE INSURANCE COMPANY

TO GIVE OUT SPECIFICS WITHOUT A SUBPOENA.

LEAVE ME OUT OF THIS.

THANKS FOR THE TIP.

SO, WHAT�S NEXT? YOU GONNA SHORT?SHEET MY BED?

WHAT ARE YOU TALKING ABOUT?

LIFE INSURANCE POLICY. YOU KNEW I COULDN�T GET THAT INFORMATION WITHOUT A SUBPOENA.

I FIGURED MAYBE YOU HAD AN IN WITH THE GOOD HANDS PEOPLE.

YEAH, WELL, I�M FLATTERED. MAYBE NEXT TIME YOU COULD SAVE ME THE TRIP.

ROBERT HOROWITZ. I REPRESENT PHILLIP CARLSON.

DETECTIVES SIPOWICZ AND McDOWELL.

Connie: WHAT CAN WE DO FOR YOU?

MR. CARLSON INFORMED ME THAT THERE IS AN INVESTIGATION

GOING ON REGARDING THE ATTACK ON HIS WIFE, AND HE�S A SUSPECT.

WE NEVER IDENTIFIED HIM AS A SUSPECT.

BUT IF YOU�RE HERE TO TELL US SOMETHING ??

I�M ABSOLUTELY HERE TO TELL YOU SOMETHING.

STOP SLANDERING MY CLIENT�S NAME BY CALLING HIS CO?WORKERS

AND ASKING ABOUT AFFAIRS THAT DON�T EXIST.

WHAT ARE YOU TALKING ABOUT?

A DETECTIVE�S BEEN CALLING MY CLIENT�S WORKPLACE

AND ASKING SEVERAL INDIVIDUALS ABOUT INFIDELITIES AND AFFAIRS

BASED ON INNOCENT CELL PHONE CALLS

MY CLIENT MADE TO HIS PERSONAL ASSISTANT.

NOBODY HERE HAS BEEN MAKING THOSE CALLS.

THEY MOST CERTAINLY HAVE BEEN, AND IT�S IN EXTREMELY POOR TASTE

AS MRS. CARLSON IS CURRENTLY FIGHTING FOR HER LIFE

AND MY CLIENT IS AT HER SIDE.

MY CLIENT WANTS TO KNOW WHO DID THIS HORRIBLE THING,

BUT THIS IS NO WAY TO GET COOPERATION FROM HIM.

IT�S AN ONGOING INVESTIGATION.

WHEN WE WANT A STATEMENT FROM YOUR CLIENT, WE�LL CONTACT HIM.

YOU�LL CONTACT ME.

I AM NOTIFYING YOU NOW

THAT MY CLIENT HAS RETAINED ME AS COUNSEL.

[ SIGHS ]

CELL?PHONE CALLS?

DID YOU GET THE PHONE DUMP BACK YET FROM CARLSON�S CELL?

NO.

DID ANYBODY CALL ON THE PHONE DUMP?

TELL ME NOW BEFORE I RIP THIS GUY A NEW ONE.

GILMORE, SIPOWICZ.

YOU GET ANY RESULTS YET ON OUR PHONE DUMP?

WELL, WHEN THE HELL WERE YOU GONNA TELL US?!

OH, YEAH?

ALL RIGHT.

I�M SORRY FOR THE MIX?UP.

WHAT, YOU FIGURE YOU WERE GONNA CLEAR THIS CASE ON YOUR OWN?!

WHAT ARE YOU TALKING ABOUT?!

GILMORE AT T. A. R. U. SAYS DETECTIVE CLARK

CALLED TELEPHONE SECURITY ON OUR PHONE DUMP!

WELL, GILMORE IS FULL OF IT!

I NEVER CALLED ANYONE!

OH, MAN.

[ GROANS ]

[ SIGHS ]

LET ME CALL YOU BACK.

WHAT THE HELL HAPPENED OUT THERE?

OUR WHOLE CASE IS SCREWED UP, AND THIS KID HAS GOT TO GO.

LET HIM WORK WITH HIS DAD UP IN THE BRONX.

WHAT HAPPENED?

THE KID�S OLD MAN, DUTCH BOY ??

THIS MORON, HE GOES BACKDOOR,

CALLS TELEPHONE SECURITY DIRECT ON OUR PHONE DUMP.

HE STARTS CONTACTING THE SUSPECT�S CO?WORKERS.

NOW CARLSON HAS LAWYERED UP!

CLARK�S FATHER MADE CALLS ON YOUR CASE?

YEAH, HE MADE CALLS ON OUR CASE

TRYING TO SHOW HIS KID WHAT A GREAT DETECTIVE HE IS,

WHICH HE AIN�T, AND HE NEVER WAS.

THAT�S WHY HE�S SUCH A PRICK ?? �CAUSE HE KNOWS IT!

YOU WANT ME TO CALL THE CHIEF OF DETECTIVES?

JUST GET HIM OUT OF HERE AND WE�LL CALL IT EVEN.

THERE�S NO WAY UNLESS I GO THROUGH THE CHIEF.

LOOK, I�M NOT LOOKING TO HURT NOBODY�S CAREER,

BUT THIS ?? I�M NOT GONNA DEAL WITH THIS.

LET ME TALK TO CLARK. I�LL PUT A STOP TO IT.

YEAH, BRINGING HIM IN IS REALLY PULLING THE SQUAD TOGETHER.

[ SIGHS ]

BOSS, THIS IS ON ME.

MY DAD ASKED ME ABOUT THE CASE, AND I TOLD HIM.

BUT NOT IN A MILLION YEARS DID I THINK THAT HE WOULD ??

IT WAS ME WHO SCREWED UP.

I WON�T HAVE THIS IN MY SQUAD. YOU�RE NOT GONNA.

YOUR DAD�S ON THE JOB, I RESPECT THAT.

THAT IS THE FIRST TIME AND THE LAST TIME.

I�M GONNA LOOK LIKE A REAL ASS

IF I TRUST YOU AND IT DOESN�T STOP.

YOU WON�T.

IT�S JUST THAT HE ALWAYS THOUGHT

THAT SOMEDAY WE�D BE WORKING TOGETHER.

IT HIT HIM HARD THAT I PICKED HERE.

TELL HIM TO GET OVER IT.

YOU�RE RIGHT, YOU�RE RIGHT.

IS HE GONNA TAKE A HIT ON THIS?

NOT IF IT DOESN�T HAPPEN AGAIN.

YOU NEED TO REMEDY THIS SITUATION

BEFORE IT PUTS A STINK ON YOU YOU CAN�T GET OFF.

McDowell: OKAY.

THANKS.

[ SIGHS ]

Connie: MRS. CARLSON JUST WENT DOA.

I�LL GO CHECK WITH THE UNIFORMS, SEE IF THEY GOT ANYTHING.

DON�T GET LOST.

[ SIGHS ]

WHAT, I�M THE BAD GUY?

DID I SAY ANYTHING?

A �56?

NOW, YOU�RE SURE?

THAT�S GREAT.

AND WHAT�S YOUR NAME?

DID I HEAR RIGHT?

POOCH?

POOCH IT IS.

I�M GREG.

HOLD THE GUITAR. I�LL SEE YOU IN A BIT.

INVASION GUITAR GOT ONE IN THIS MORNING.

ALL RIGHT. LET�S DO IT.

[ TELEPHONE RINGS ]

15th SQUAD.

John: MAY I HELP YOU?

HIT ON A GUITAR STOLEN FROM OUR DOA.

DID I ASK?

WELL, YOU WERE JUST SORT OF STARING.

He just stepped out for a moment.

Would you like to leave a message?

JOHN, PUT IT ON HOLD. PUT IT ON HOLD.

IS THAT FOR THE KID?

WHO IS IT?

HIS FATHER.

I DON�T KNOW IF YOU WERE LOOKING TO BUTT IN OR TRYING TO HELP

OR YOU�RE STILL THE SAME LOUSY DETECTIVE YOU�VE ALWAYS BEEN,

BUT YOUR ASSHOLE MOVE DAMN NEAR SUNK OUR CASE.

IF YOU EVER COME NEAR THIS SQUAD AGAIN

OR IF YOU EVER WALK THROUGH THIS DOOR,

I DON�T CARE WHOSE FATHER YOU ARE

OR IF YOU�RE ESCORTING THE MAYOR,

I WILL STUFF YOUR HEAD IN A TRASH CAN

AND I WILL KICK YOU DOWN THE STAIRS!

I KNOW WHAT MY DAD DID WAS WRONG,

BUT IF YOU EVER TALK LIKE THAT TO HIM AGAIN,

YOU�RE GONNA HAVE TO DEAL WITH ME.

Baldwin: [ CLEARS THROAT ] COME ON, LET�S GO.

Andy: AREN�T YOU SUPPOSED TO BE KEEPING YOURSELF BUSY SOMEWHERE?

YEAH, I GOT SOMETHING FROM UNIFORM.

IS IT A SECRET?

RADIO RUN, JUST AFTER 6:00 ??

A DOG?WALKER REPORTED A SUSPICIOUS GUY IN THE AREA.

SHE GOT THE PLATES ON HIS CAR.

TURNS OUT THIS GUY JUST GOT OUT OF THE JOINT ??

KEITH CASEY.

THIS IS HIS SHEET.

FOUR COLLARS FOR BURGLARY, ONE FOR AGGRAVATED ASSAULT.

HE DID TWO YEARS UPSTATE.

THE ADDRESS ON THERE? MMM.

LET�S GO.

NO, YOU�RE STAYING.

PUSH YOUR PENCIL AROUND YOUR DESK OR SOMETHING. MAKE PATTERNS.

WHO DID WHAT HERE, ANDY, HUH? IT WASN�T HIS FAULT.

I DON�T WANT HIM AROUND!

HE CAME UP WITH THIS, HE DESERVES TO BE IN ON IT.

COME ON.

[ BELL RINGS ]

YOU POOCH?

YOU GUYS CALL ABOUT THE LES PAUL? YEAH.

WADE.

WE�RE HERE ABOUT THE �56 LES PAUL.

COPS, RIGHT?

Greg: HOW�D YOU GUESS?

YEAH, JUST YOUR BASIC �56 LES PAUL GOLDTOP.

SINGLE?COIL PICKUPS, TUNE?O?MATIC BRIDGE.

IS THAT AN INSTRUMENT OR A CAR?

IT�S A GUITAR ?? A NICE ONE ??

WORTH A LOT OF MONEY.

HOW MANY TIMES I GOT TO APOLOGIZE?

Baldwin: WHERE�S THE SERIAL NUMBER?

RIGHT HERE, UP ON TOP ON THE BACK SIDE OF THE HEAD ??

RARE.

WILL YOU STEP OFF MY NUTS ALREADY?

HOW�D YOU GET IT?

I OPEN UP, THERE�S THIS JUNKIE TYPE HANGING OUT.

HE�S GOT THIS BABY, HE WANTS TO DEAL.

DIDN�T CROSS YOUR MIND MAYBE IT WAS STOLEN ??

WHICH IS WHY YOU�RE PISSED OFF AT POOCH HERE?

THIS AIN�T A PAWN SHOP. DUDE�S A MUSICIAN.

SOMETIMES MUSICIANS NEED CASH, DOPE, RENT, YOU KNOW.

DID YOU DO ANY PAPERWORK ON THIS TRANSACTION?

YEAH.

COPIED HIS DRIVER�S LICENSE.

CHARLES PRICE ?? 2407 WEST 9th.

GOES BY SPIDER. PLAYS TENOR SAX.

I�VE SEEN HIM AROUND THE CLUBS.

I FIGURE IF SPIDER�S OFF?LOADING HIS AX,

HE MUST BE DESPERATE, SO I GAVE HIM 1,500.

STOLEN PROPERTY, WADE.

SO, I�M OUT 1,500, BASICALLY.

WELL, NEXT TIME, BE MORE CAREFUL.

[ CLEARS THROAT ] MY DAD WAS A COP.

HE WAS CHIEF IN SARATOGA SPRINGS. OH, YEAH?

YOU�D THINK HIM BEING UPSTATE

WOULD STOP HIM BUTTING IN IN MY WORK,

BUT HE ALWAYS HAD AN OPINION.

HE EVER BLOW ONE OF YOUR CASES?

NO, ANDY, HE DIDN�T.

STILL, WHEN HE BUTTED IN, I�M SURE HE MEANT WELL.

TELL THAT TO A VICTIM�S MOTHER ??

"THE CASE GOT BLOWN OUT OF STUPIDITY,

BUT ALL INTENTIONS WERE GOOD."

Man over Radio: 15th SQUAD ON THE AIR.

15th SQUAD STANDING BY.

PERSON AND OTHERS YOU�RE TRYING TO LOCATE

ARE OUTSIDE BILL�S TAVERN.

10th AND 2nd.

THANKS.

15th SQUAD, 10?4.

[ POUNDS, DOOR UNLOCKS ]

HEY...CANDY.

WHAT�S GOING ON?

IS SPIDER HERE?

HE�S CRASHED OUT. WAKE HIM UP.

WHY? �CAUSE I SAID SO!

WHAT�S GOING ON? WHY ARE YOU GUYS SO AGGRO?

GET UP.

WHAT? HEY!

YOU CAN�T JUST COME IN HERE AND DO THAT!

SPIDER, WHAT�S GOING ON?

I DON�T KNOW WHAT THESE GUYS WANT.

DON�T YOU HAVE TO HAVE A WARRANT OR SOMETHING?

YOU�RE COMING, TOO.

WHAT, FOR THE POT?

COME ON, LET�S GO!

THIS IS UNBELIEVABLE.

IT�S A TOUGH TOWN, HUH, CANDY?

COME ON, MOVE IT!

POLICE. WHAT�S YOUR NAMES?

WHY, WHAT�S THE PROBLEM?

I JUST WANTED TO KNOW YOUR NAME.

FRANKIE, LIKE SINATRA.

WHAT ARE YOU GONNA DO, POP US FOR A FEW BEERS?

STAND UP, CASEY.

WE GOTTA TALK.

TAKE A HIKE, FRANKIE.

I�M NOT GOING ANYWHERE. THIS IS MY STREET.

DO YOURSELF A FAVOR.

I�M NOT GOING ANYWHERE.

YOU�RE TAKING A COLLAR ??

INTERFERING WITH A POLICE INVESTIGATION.

YOU TOO, KEITH.

LET�S GO.

SO LONG, FELLAS.

[ CHUCKLES ]

SO...WHAT�S GOING ON?

DO YOU KNOW WHAT FLASH BURNS ARE, SPIDER? NAH.

IT�S WHAT HAPPENS WHEN YOU LIGHT A FIRE USING ACCELERANTS LIKE GAS.

IT�S A QUICK, SUPERFICIAL BURN ??

VERY DISTINCTIVE.

I DON�T UNDERSTAND ??

PUT YOUR HANDS BACK ON THE TABLE!

WHAT?

THESE ARE FLASH BURNS.

SEE HOW THE HAIR ON YOUR RIGHT ARM�S SINGED OFF?

YEAH, I WAS ??

NO, YOU WEREN�T.

FLASH BURNS ON YOUR ARMS,

YOU SOLD CHRISSY�S GUITAR THIS MORNING ??

IT�S OVER WITH, SPIDER.

YOU�RE ON THE HOOK NOW.

SO THE REST OF OUR TIME IN THIS ROOM TOGETHER

SHOULD BE SPENT ON HOW YOU CAN MINIMIZE

THE YEARS YOU�RE GONNA SPEND IN JAIL.

AND YOU SHOULD START WITH HOW YOU DIDN�T MEAN TO KILL CHRISSY,

�CAUSE ANYBODY THIS SLOPPY AND STUPID DIDN�T PREMEDITATE IT

I DIDN�T.

GOOD. THAT�S BIG WHEN IT�S ACCIDENTAL.

IT WAS.

EVERYBODY WAS SUPPOSED TO BE AT THE GIG,

AND I WENT IN THERE JUST TO GRAB UP THE JEWELRY.

CHRISSY WALKS IN.

YEAH, AND IT�S 5:00 A. M.

AND I�M TEARING THROUGH HER NIGHTSTAND.

SHE STARTS SCREAMING.

"SON OF A BITCH! SON OF A BITCH!"

SOMEBODY HEARS THAT,

THEY�RE GONNA CALL THE COPS,

SO I WAS JUST TRYING TO SHUT HER UP,

AND THEN, THE NEXT THING I KNOW, SHE AIN�T BREATHING.

PLUS, YOU GOTTA REALIZE

THAT I�M LIKE OUT OF MY MIND WASTED THROUGH ALL THIS.

WHAT�D YOU USE TO START THE FIRE?

JUST SOME NEWSPAPER AND LIGHTER FLUID.

I KNEW THAT THEY COULD PROBABLY TRACE THE GUITAR.

I JUST DIDN�T GIVE A DAMN. I NEEDED A FIX.

OKAY, SO WHAT ABOUT ??

YOU WERE SAYING ABOUT KNOCKING TIME OFF,

�CAUSE I CAN�T DO ANY MORE THAN I HAVE TO.

WELL, THERE WAS NO FORCED ENTRY,

SO IF YOU KNOW ANYBODY WHO HAD ACCESS TO THE APARTMENT

AND GAVE YOU A KEY,

TELL US, �CAUSE THAT�LL HELP YOU.

MAN!

DID CANDY GIVE YOU THE KEY?

[ SIGHS ]

SALLY.

THE ROOMMATE.

YEAH.

LISTEN...

I WAS ABUSED AS A KID, TOO.

MM?HMM.

AND I�VE HAD A REAL SERIOUS DRUG PROBLEM FOR, LIKE, 10 YEARS.

YOU THINK THAT�S GONNA HELP ME?

OH, YEAH. YEAH, THAT�S ALWAYS A PLUS.

YEAH.

Tony: WHAT HAPPENED?

THIS SPIDER, HE DID IT.

HIS GIRLFRIEND SET HIM UP?

NO, THE DOA�s ROOMMATE, SALLY.

YEAH, SHE GAVE HIM A KEY,

ARRANGED FOR THE DOA TO BE OUT OF THE APARTMENT,

BUT CHRISSY CAME HOME EARLY, WALKED IN ON IT.

HEY, CONNIE, YOU BUILD A RAPPORT WITH SALLY?

YEAH.

ALL RIGHT, I�LL PAGE HER.

SO, SHOULD WE KICK CANDY?

UH, AS SOON AS WE GET SALLY ON THE WAY IN.

SO, HOW ARE WE GONNA GO AT THIS GUY?

YOU�RE RESPONSIBLE FOR FINDING HIM, YOU TAKE THE INTERVIEW.

OKAY.

UNLESS YOU FEEL YOU�RE NOT READY OR YOU CAN�T HANDLE IT ??

I�M READY.

GOOD, THEN TAKE IT.

YOU�RE NOT SETTING THIS KID UP TO FAIL, ARE YOU?

I�M GIVING HIM THE OPPORTUNITY TO DO HIS JOB,

OR IS THIS A DETECTIVE TRAINING SCHOOL HERE?

YOU GONNA BE LOOKING IN? YEAH.

HE STUMBLES, GET YOUR ASS IN THERE.

ISN�T THIS OVERKILL FOR DRINKING A BEER IN PUBLIC?

YOU THINK THAT�S WHAT THIS IS ABOUT?

HAVE A SEAT.

WHERE WERE YOU THIS MORNING?

I DIDN�T GET UP TILL NOON.

OKAY, NOW THAT�S BAD.

�CAUSE I KNOW YOU WERE AT 13th STREET THIS MORNING.

WHAT WE GOTTA FIGURE OUT IS WHAT WENT WRONG

WHEN YOU WENT IN THAT APARTMENT.

MAYBE WE SHOULD FIGURE OUT WHAT THE HELL YOU�RE TALKING ABOUT.

YOU KNOW YOU WERE THERE, KEITH.

THE NEXT STEP WOULD BE TO PULL SOME HAIR SAMPLES

AND GET SOME FINGERPRINTS,

BUT WE GOT A MUCH BIGGER PROBLEM AT HAND.

OH, YEAH?

LAY IT ON ME.

THE WOMAN ?? WHO LAST I HEARD IS RECOVERING AT BELLEVUE ??

HER BROTHER IS A COP.

AND HE�S ON HIS WAY DOWN HERE FROM THE BRONX.

HE�S THE BIGGER PROBLEM I�M TALKING ABOUT.

YOU KNOW, THIS IS ?? I MEAN, I DIDN�T DO NOTHING!

KEITH, IF YOU KEEP DICKING WITH ME,

I GOT NO CHOICE BUT TO PUT YOU BACK IN THE CAGE,

GO OUTSIDE, AND WAIT FOR HIM TO SHOW UP.

THEN EVERY COP ON DUTY IS GONNA TAKE AN EARLY DINNER,

AND HE�S GONNA COME IN HERE WITH A COUPLE OF HIS BOYS

AND PULL THE SHADE.

NOW, I KNOW YOU�VE DONE TIME,

BUT HE�LL PUT YOU THROUGH SOMETHING

YOU�VE NEVER BEEN THROUGH BEFORE, BELIEVE ME.

NOW, WHAT I CAN DO FOR YOU RIGHT NOW

IS GET YOUR STATEMENT HOW THIS WAS A ROBBERY,

AND HIS SISTER, YOU KNOW, CAME AT YOU OR I DON�T KNOW WHAT,

BUT IT WENT BAD, AND YOU REACTED,

AND YOU DIDN�T WANT IT TO GO THAT FAR.

AND IF I CAN GET YOUR STATEMENT, I CAN GET YOU OUT OF HERE.

DOWN TO CENTRAL BOOKING WHERE YOU�LL BE IN FRONT OF OTHER PEOPLE.

AND THIS COP WON�T HAVE ACCESS TO YOU.

UNTIL THEN, YOU�RE MARKED.

WHAT�S IT GONNA BE?

ANYBODY TOUCHES ME, I�LL SUE THE CITY.

HE�LL SAY YOU RESISTED.

HE�LL PLANT A SHANK IN YOUR HAND.

THAT�S WHAT I�D DO IF IT WAS MY SISTER.

WHY DO YOU EVEN GIVE A DAMN IF I GET TORTURED OR NOT?

I�M NOT GONNA LIE TO YOU.

I�M DOING THIS AS MUCH FOR HIM AS I AM FOR YOU.

HE DOESN�T NEED TO RISK HIS CAREER OVER THIS.

I OWE A FELLOW COP THAT MUCH.

WHAT WOULD I BE LOOKING AT

IF IT WAS A ROBBERY THAT GOT OUT OF HAND?

I KNOW WHAT YOU�LL BE LOOKING AT IN 15 MINUTES

IF YOU DON�T MEET ME HALFWAY.

OKAY, OKAY.

THAT�S WHAT IT WAS.

I?I DIDN�T MEAN TO STAB HER.

I WAS JUST OUT LOOKING FOR A PLACE TO TAKE OFF.

I SAW THIS GUY SPLIT.

I TRIED THE DOOR, HE LEFT IT OPEN.

I?I WENT IN.

THIS LADY, SHE CAME AT ME, YOU KNOW?

I DID WHAT I HAD TO DO.

THAT�S THE WHOLE THING.

ALL RIGHT.

WHERE ARE YOU GOING?

I�M GONNA GET YOU A PAD AND PEN SO YOU CAN WRITE IT DOWN.

LET�S GO.

DID YOU FIND OUT ANYTHING?

A COUPLE THINGS, YEAH.

LIKE WHAT?

LIKE HOW YOU GAVE SPIDER YOUR KEY.

I NEVER GAVE HIM A KEY.

AT THIS POINT, LYING ABOUT WHAT YOU DID,

THAT�S LIKE SPITTING ON YOUR FRIEND�S GRAVE.

DON�T DO IT.

AM I GONNA GO TO JAIL?

HOW�D YOU GET HOOKED UP WITH SPIDER?

I MET HIM THROUGH CANDY.

AND...I WAS LONELY.

WHOSE IDEA WAS THIS? HIS.

THE MONEY I SAVED RAN OUT.

ME AND CHRISSY THOUGHT WE�D MAKE IT RIGHT AWAY ??

BE STARS BY NOW, YOU KNOW?

AND CHRISSY�S DAD PAID MY SHARE FOR A FEW MONTHS,

BUT THEN, A FEW WEEKS AGO,

HE TOLD CHRISSY TO TELL ME I HAD TO SUPPORT MYSELF.

THAT PISS YOU OFF?

NO. I MEAN, MAYBE A LITTLE, BUT I DIDN�T BLAME HER.

SHE�S MY BEST FRIEND.

BUT I DIDN�T HAVE ANY MONEY,

AND SPIDER�S LIKE,

"CHRISSY�S DAD�S RICH. HE�LL NEVER MISS IT."

THEN WE WERE GONNA HEAD DOWN TO RALEIGH.

I GUESS THERE�S A COOL SCENE THERE,

�CAUSE IT WASN�T WORKING HERE, FOR EITHER ONE OF US.

DID SPIDER SAY WHY HE KILLED HER?

HE TELL YOU WHY HE WAS GOING TO?

HE TOLD ME HE WAS JUST GONNA TAKE HER JEWELRY AND PAWN IT!

I DIDN�T KNOW IT WAS GONNA GO THIS FAR.

[ SOBS ]

ALL RIGHT.

I�LL GET YOU A LEGAL AID ATTORNEY WHO CAN HELP YOU OUT.

I�D DO ANYTHING TO TAKE ALL THIS BACK!

CENTRAL BOOKING�S BACKED UP,

SO A UNIFORM IS GONNA LODGE HIM OVERNIGHT.

SO I GUESS WE�LL HOLD OFF ON PAPERWORK UNTIL TOMORROW.

YEAH.

SO WE�RE DONE.

HOW�D YOU DO?

SHE WENT.

JOSH IS SITTING WITH HER,

BUT I GOTTA MAKE SURE SHE�S KEPT ON A SUICIDE WATCH.

I�LL TAKE CARE OF IT.

[ SIGHS ]

NEXT TIME, KEEP THAT OUT OF THE ROOM.

THE PAD?

MAKES A SUSPECT NERVOUS, AND IF YOU WRITE,

HE�LL THINK EVERYTHING HE�S SAYING IS CARVED IN GRANITE.

OKAY.

UH, WE WERE GONNA STOP AT MAC�S BEFORE HEADING HOME.

WHY DON�T YOU JOIN US?

YEAH, MAYBE I WILL.

COMING, ANDY?

NO, MEDAVOY.

WE WERE THINKING ABOUT TOASTING DANNY,

AND SINCE IT�S BEEN A ROUGH DAY,

WE THOUGHT IT MIGHT BE GOOD TO HAVE A LAUGH.

[ GRUNTS ]

HERE WE GO.

GREAT.

BEER FOR ME, DRAFT FOR YOU.

THANK YOU.

THANKS.

SO, INSTEAD OF JUST TOASTING DANNY,

WE GO AROUND THE TABLE AND RECOUNT FOND MEMORIES.

JOHN EXEMPT, OF COURSE.

LET�S TOAST HIM AND RECOUNT IN PRIVATE.

TO DANNY.

AND A FRESH START.

AND HOW ABOUT SOMEONE�S FIRST HOMICIDE COLLAR, HUH?

YEAH. HEAR, HEAR.

[ CLEARS THROAT ] EXCUSE ME.

I�M SORRY TO INTERRUPT.

POP... WHAT ARE YOU DOING HERE?

WE�RE GOING HOME. LET�S GO.

WHAT ARE YOU TALKING ABOUT?

DAD, I JUST GOT HERE.

NOW YOU�RE LEAVING.

OKAY, WHAT�S THE PROBLEM?

YOU�RE NOT A DRUNK. I WON�T LET HIM TURN YOU INTO ONE.

GET OUT OF HERE, CLARK.

SHUT YOUR MOUTH.

IF YOUR KID WANTS TO FOLLOW, HE WILL, BUT YOU LEAVE NOW.

SHUT UP, YOU MISERABLE DRUNK.

YOU GOTTA GO NOW.

GET AWAY FROM ME, JOHN.

GET YOUR HANDS OFF ME. WE�LL TALK AT HOME.

GET YOUR JACKET. GET OUTTA HERE.

BACK OFF.

DAD, GET OUTTA HERE!

THAT�S IT! IT�S OVER, ALL RIGHT!

DAD, GET OUTTA HERE NOW

BEFORE I DO SOMETHING I�M GONNA REGRET.

[ SIGHS ]

I HOPE YOU�RE HAPPY.

I HOPE YOU�RE PLEASED WITH YOURSELF.

I�M SORRY.

[ SIGHS ]

THIS IS GREAT.

THIS IS REALLY GREAT.

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