Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:01,600 --> 00:00:02,700
Andy:
PREVIOUSLY ON "NYPD BLUE"...
2
00:00:02,733 --> 00:00:04,633
YOU NEED TO HEAR THIS.
WHAT�S IT ABOUT?
3
00:00:04,666 --> 00:00:06,000
DANNY.
4
00:00:07,866 --> 00:00:09,733
[ SEA GULLS SQUAWKING ]
5
00:00:18,033 --> 00:00:19,400
LET HIM GO
AND LAY THE GUN DOWN!
6
00:00:19,433 --> 00:00:20,766
I�LL BLOW HIS HEAD OFF!
7
00:00:20,800 --> 00:00:21,700
DROP THE GUN!
8
00:00:26,233 --> 00:00:27,466
CHECK THIS OUT.
9
00:00:27,500 --> 00:00:29,166
GUESS I�LL BE
SEEING YOU AROUND, HUH?
10
00:00:29,200 --> 00:00:30,366
DON�T COUNT ON IT.
11
00:00:30,400 --> 00:00:32,133
HE�S GONNA RETHINK
GOING TO THE 15th.
12
00:00:32,166 --> 00:00:35,233
[ DRUMS PLAYING ]
13
00:01:02,500 --> 00:01:04,466
[ BAGPIPES PLAYING
"AMAZING GRACE" ]
14
00:01:12,833 --> 00:01:14,733
READY, UP.
15
00:01:39,266 --> 00:01:41,466
[ HELICOPTERS WHIRRING ]
16
00:01:41,500 --> 00:01:44,833
SO, AS WE COMMEND
TO THE GROUND
17
00:01:44,866 --> 00:01:51,166
THE EARTHLY REMAINS OF YOUR SON,
DETECTIVE DANIEL ERIC SORENSON,
18
00:01:51,200 --> 00:01:53,633
WE PRAY, LORD, THAT YOU
TAKE HIS SOUL ONTO YOUR BOSOM,
19
00:01:53,666 --> 00:01:56,500
AND MAY HIS SOUL AND THE SOULS
OF ALL THE FAITHFUL DEPARTED,
20
00:01:56,533 --> 00:02:00,366
THROUGH THE MERCY OF GOD,
REST IN PEACE.
21
00:02:00,400 --> 00:02:01,500
AMEN.
22
00:02:11,900 --> 00:02:13,966
Andy: DANNY WAS A GOOD COP.
23
00:02:14,000 --> 00:02:16,266
I WAS PROUD TO KNOW HIM.
24
00:02:16,300 --> 00:02:19,366
AND I WAS PROUD
TO WORK WITH HIM.
25
00:02:19,400 --> 00:02:21,466
AND I�M GONNA MISS HIM.
26
00:02:21,500 --> 00:02:24,700
WHAT HE MEANT TO ALL OF US ??
27
00:02:24,733 --> 00:02:27,333
HIS LOYALTY, HIS BRAVERY,
28
00:02:27,366 --> 00:02:33,700
HIS GOOD HEART,
HIS SENSE OF WRONG AND RIGHT ??
29
00:02:33,733 --> 00:02:37,066
ANYWAY, I HOPE HE�S
IN A BETTER PLACE.
30
00:02:37,100 --> 00:02:42,433
BUT I ALSO KNOW THAT A PART OF
HIM WILL ALWAYS BE HERE WITH US.
31
00:02:42,466 --> 00:02:45,533
ALL I REALLY
WANT TO SAY HERE IS ??
32
00:02:45,566 --> 00:02:49,600
FROM ME AND EVERYONE
AT THE 15th,
33
00:02:49,633 --> 00:02:51,166
GOD BLESS.
34
00:02:53,433 --> 00:02:57,933
AVE
35
00:02:57,966 --> 00:03:01,366
MARIA
36
00:03:07,700 --> 00:03:11,233
GRATIA
37
00:03:11,266 --> 00:03:16,233
PLENA
38
00:03:16,266 --> 00:03:18,966
MARIA
39
00:03:19,000 --> 00:03:26,000
GRATIA PLENA
40
00:03:26,033 --> 00:03:33,633
MARIA, GRATIA PLENA
41
00:03:33,666 --> 00:03:38,000
AVE
42
00:03:38,033 --> 00:03:44,033
AVE DOMINUS
43
00:03:44,066 --> 00:03:48,066
AVE
44
00:03:48,100 --> 00:03:53,100
MARIA
45
00:05:12,100 --> 00:05:14,600
SOME CEREMONY, HUH?
46
00:05:14,633 --> 00:05:17,566
THOSE, UH??THOSE BAGPIPES
ALWAYS GET ME CHOKED UP.
47
00:05:17,600 --> 00:05:18,633
ME TOO.
48
00:05:19,800 --> 00:05:21,133
John: DETECTIVE...
49
00:05:21,166 --> 00:05:23,700
THAT REALLY WAS BEAUTIFUL
OUT THERE.
50
00:05:23,733 --> 00:05:25,400
DEPARTMENT DOES A NICE JOB.
51
00:05:25,433 --> 00:05:27,700
ACTUALLY, I WAS REFERRING
TO WHAT YOU SAID.
52
00:05:27,733 --> 00:05:30,333
I THINK DETECTIVE SORENSON
WOULD�VE BEEN TOUCHED.
53
00:05:30,366 --> 00:05:32,266
YOU�VE ALL MET JOHN CLARK.
54
00:05:32,300 --> 00:05:35,733
AS YOU KNOW, HE�S BEEN
ASSIGNED TO OUR SQUAD,
55
00:05:35,766 --> 00:05:38,033
SO I�M SURE YOU�LL
MAKE HIM FEEL AT HOME. WELCOME ABOARD.
56
00:05:38,066 --> 00:05:40,033
THANKS.
I KNOW IT�S A TOUGH DAY.
57
00:05:40,066 --> 00:05:41,800
WHATEVER I CAN DO TO HELP.
HEY.
58
00:05:41,833 --> 00:05:43,500
Greg: HOW�S THE ARM?
Clark: IT�S GOOD.
59
00:05:43,533 --> 00:05:45,066
MIGHT NOT THROW
ANY NO?HITTERS.
60
00:05:45,100 --> 00:05:47,700
Tony: GOT TWO CALLS IN
OFF THE NIGHT WATCH.
61
00:05:47,733 --> 00:05:48,900
MEDAVOY, JONES,
62
00:05:48,933 --> 00:05:51,166
INVESTIGATE DOA IN A FIRE.
63
00:05:51,200 --> 00:05:52,800
ST. ANDREWS,
BETWEEN FIRST AND SECOND.
64
00:05:52,833 --> 00:05:54,433
LET�S GO CHANGE.
65
00:05:54,466 --> 00:05:56,066
ALSO ROBBERY ASSAULT ON 13th.
66
00:05:56,100 --> 00:05:58,066
VICTIM�S BEING TREATED
ON THE SCENE.
67
00:05:58,100 --> 00:05:59,666
WHO DO YOU WANT
WORKING THAT ONE?
68
00:05:59,700 --> 00:06:01,366
YOU�RE UP.
69
00:06:01,400 --> 00:06:04,333
LET�S TALK FIRST.
70
00:06:04,366 --> 00:06:06,700
CONNIE, WHY DON�T YOU
SHOW JOHN AROUND?
71
00:06:06,733 --> 00:06:09,333
COME ON. I�LL SHOW YOU
THE V. I. P. TOUR.
72
00:06:09,366 --> 00:06:11,700
THANKS AGAIN FOR WHAT YOU DID
OUT ON THE STREET.
73
00:06:11,733 --> 00:06:12,900
THIS AIN�T ONE OF THOSE
74
00:06:12,933 --> 00:06:15,933
"PULL A THORN OUT OF THE OTHER
GUY�S PAW" TYPE DEALS.
75
00:06:15,966 --> 00:06:17,833
YOU DON�T OWE ME NOTHING,
OKAY?
76
00:06:17,866 --> 00:06:20,000
OKAY.
77
00:06:25,933 --> 00:06:28,466
I�D APPRECIATE YOU
TAKING CLARK OUT TODAY.
78
00:06:28,500 --> 00:06:30,366
I NEED AN EXPERIENCED
DETECTIVE TO SHOW HIM THE ROPES.
79
00:06:30,400 --> 00:06:32,166
LOOK, HE�S A GOOD KID,
80
00:06:32,200 --> 00:06:35,866
BUT IT�S NOT EVEN TWO HOURS
SINCE I BURIED ONE,
81
00:06:35,900 --> 00:06:38,700
AND THAT�S BESIDES
THIS ONE�S OLD MAN BEING A FLAT?OUT DICKHEAD,
82
00:06:38,733 --> 00:06:41,600
NOT TO MENTION I ALREADY
HAD A PARTNER NAMED JOHN ??
83
00:06:41,633 --> 00:06:43,133
FOR SIX YEARS.
84
00:06:43,166 --> 00:06:45,766
ANDY, WE GOTTA PULL
THE SQUAD BACK TOGETHER.
85
00:06:45,800 --> 00:06:47,200
I NEED YOUR HELP.
86
00:06:49,133 --> 00:06:51,366
WE�LL TAKE IT DAY TO DAY.
87
00:06:51,400 --> 00:06:54,200
WELL,
TODAY IT�S ME AND CONNIE.
88
00:06:54,233 --> 00:06:57,500
JUNIOR CAN TAG ALONG,
IF YOU WANT.
89
00:06:57,533 --> 00:06:58,600
DONE.
90
00:07:12,900 --> 00:07:14,266
Mike: APARTMENT
GOT TORCHED.
91
00:07:14,300 --> 00:07:16,400
SO DID THE FEMALE ??
UNIDENTIFIED.
92
00:07:16,433 --> 00:07:18,233
YEAH? DO WE KNOW
WHO LIVED THERE?
93
00:07:18,266 --> 00:07:21,033
TWO GIRLS. I�M STILL TRYIN�
TO FIND OUT WHO. WHO CALLED IT IN?
94
00:07:21,066 --> 00:07:24,900
NEXT?DOOR NEIGHBOR ??
WHACK JOB.
95
00:07:24,933 --> 00:07:26,566
UH, EXCUSE ME, MA�AM.
96
00:07:26,600 --> 00:07:28,733
DO YOU KNOW THE NAMES OF
THE GIRLS WHO LIVE HERE?
97
00:07:28,766 --> 00:07:30,133
NO, I DON�T KNOW THEM.
98
00:07:30,166 --> 00:07:32,733
YOUNG WOMEN LIKE THAT
BEHAVING LIKE THAT. BEHAVING LIKE WHAT?
99
00:07:32,766 --> 00:07:34,700
THE CRY OF SODOM
AND GOMORRAH IS MULTIPLIED,
100
00:07:34,733 --> 00:07:37,666
AND THEIR SIN HAS BECOME
EXCEEDINGLY GRIEVOUS.
101
00:07:37,700 --> 00:07:39,933
MA�AM, ONE
OF THE GIRLS IS DEAD.
102
00:07:39,966 --> 00:07:42,733
SO IF THERE�S ANYTHING, LIKE,
CONCRETE YOU CAN GIVE US
103
00:07:42,766 --> 00:07:45,200
ABOUT WHAT HAPPENED LAST NIGHT,
WE�D REALLY APPRECIATE IT.
104
00:07:45,233 --> 00:07:50,033
SINNERS SHALL RECEIVE
THEIR RECOMPENSE FOR THEIR WRONGDOING.
105
00:07:50,066 --> 00:07:52,633
ALL RIGHT.
THANKS FOR YOUR HELP.
106
00:08:00,666 --> 00:08:03,066
CRUCIFIX, BELLY RING.
107
00:08:04,666 --> 00:08:07,933
NO WAY SHE GOT DRUNK AND PASSED
OUT WITH A CANDLE GOING?
108
00:08:07,966 --> 00:08:09,833
NO, IT LOOKS LIKE
IT WAS SET.
109
00:08:09,866 --> 00:08:11,033
BOY, SHE LOOKS YOUNG.
110
00:08:11,066 --> 00:08:12,666
HEY, GUYS,
I GOT A GIRL OUT HERE
111
00:08:12,700 --> 00:08:14,700
SAYS SHE LIVES
IN THIS APARTMENT.
112
00:08:22,966 --> 00:08:24,333
SALLY JONES.
113
00:08:24,366 --> 00:08:26,866
YOU LIVE IN 6B, SALLY?
114
00:08:26,900 --> 00:08:29,133
YEAH. WHAT HAPPENED?
115
00:08:29,166 --> 00:08:31,133
WHAT�S GOING ON?
116
00:08:31,166 --> 00:08:32,933
WHAT�S YOUR ROOMMATE�S NAME?
117
00:08:32,966 --> 00:08:34,900
CHRISSY NOLAN.
WHERE IS SHE?
118
00:08:34,933 --> 00:08:36,833
DOES SHE WEAR A CRUCIFIX
AROUND HER NECK?
119
00:08:36,866 --> 00:08:38,133
DOES SHE HAVE A BELLY RING?
120
00:08:38,166 --> 00:08:39,600
YEAH. IS SHE OKAY?
121
00:08:39,633 --> 00:08:40,800
OH, MY GOD.
122
00:08:40,833 --> 00:08:41,900
Baldwin: THERE WAS A FIRE.
123
00:08:41,933 --> 00:08:43,300
WHERE�S CHRISSY?
124
00:08:43,333 --> 00:08:45,866
SHE DIDN�T MAKE IT.
I�M SORRY.
125
00:08:45,900 --> 00:08:46,900
[ CRIES ]
126
00:08:46,933 --> 00:08:48,800
LET�S GET HER OUT OF HERE.
127
00:08:48,833 --> 00:08:50,233
IT�S OKAY.
128
00:08:52,933 --> 00:08:54,733
ARE YOU A FRIEND OF HERS?
129
00:08:54,766 --> 00:08:57,366
YEAH. I CAN�T BELIEVE
THIS IS HAPPENING.
130
00:08:57,400 --> 00:09:00,200
OKAY, STAY WITH HER,
AND WE�LL HAVE AN OFFICER
131
00:09:00,233 --> 00:09:02,200
BRING YOU DOWN
TO THE STATION LATER.
132
00:09:04,333 --> 00:09:06,866
ANGUISH SHALL BE
VISITED UPON THE SOULS
133
00:09:06,900 --> 00:09:09,633
OF ALL THOSE
WHO WORK EVIL!
134
00:09:09,666 --> 00:09:10,700
YEAH, WE GOT IT. THANKS.
135
00:09:10,733 --> 00:09:12,733
ANGUISH SHALL BE VISITED
136
00:09:12,766 --> 00:09:14,666
UPON THE SOULS OF ALL THOSE
137
00:09:14,700 --> 00:09:16,233
WHO WORK EVIL!
138
00:09:21,166 --> 00:09:22,166
NIGHT WATCH HERE?
139
00:09:22,200 --> 00:09:23,766
IN THE BEDROOM.
RUN IT.
140
00:09:23,800 --> 00:09:27,166
SECURITY COMPANY RESPONDED
TO A PANIC ALARM AT 6:15 A. M.
141
00:09:27,200 --> 00:09:29,266
FOUND THE OCCUPANT,
NANCY CARLSON,
142
00:09:29,300 --> 00:09:32,100
IN THE BEDROOM ??
COMATOSE, ALL SLASHED UP.
143
00:09:32,133 --> 00:09:33,533
SHE GO DOA?
144
00:09:33,566 --> 00:09:35,633
BEEN MOVED TO BELLEVUE,
BUT IT DON�T LOOK GOOD.
145
00:09:36,800 --> 00:09:38,233
ANDY.
146
00:09:38,266 --> 00:09:40,033
SORRY
ABOUT MISSING THE FUNERAL.
147
00:09:40,066 --> 00:09:41,733
THIS JUMPED OFF AT THE END
OF MY TOUR.
148
00:09:41,766 --> 00:09:44,366
HOW�D IT GO?
HOW�D IT GO? THEY BURIED HIM.
149
00:09:44,400 --> 00:09:47,066
BUT THE SERVICE WAS NICE?
NICE FLOWERS?
150
00:09:47,100 --> 00:09:49,833
THAT�S NOT WHAT I
WAS PAYING ATTENTION TO. IT WENT FINE.
151
00:09:49,866 --> 00:09:51,066
WAS THE VICTIM MARRIED?
152
00:09:51,100 --> 00:09:52,366
HUSBAND�S NAMED PHIL.
153
00:09:52,400 --> 00:09:54,333
SECURITY COMPANY
HAD HIS PAGER. HE�S ON THE WAY.
154
00:09:54,366 --> 00:09:55,466
Clark: HE SAY FROM WHERE?
155
00:09:55,500 --> 00:09:57,333
GUY WHO LIVES LIKE THIS
DOESN�T WORK NIGHTS.
156
00:09:57,366 --> 00:09:58,800
NAH, HE�S GOT
AN ARCHITECTURE DIPLOMA.
157
00:09:58,833 --> 00:10:01,100
WHERE WAS HE?
HE SAID AN EARLY GOLF GAME.
158
00:10:01,133 --> 00:10:02,866
YOU CLARK?
159
00:10:02,900 --> 00:10:04,966
EDDIE GIBSON.
HEY.
160
00:10:05,000 --> 00:10:06,933
READ ABOUT YOU IN THE PAPER.
161
00:10:06,966 --> 00:10:08,600
KID�S GOT BALLS.
162
00:10:08,633 --> 00:10:12,000
WHICH HE�LL LOSE IF HE LEAVES
ANOTHER PAW PRINT IN THIS ROOM.
163
00:10:12,033 --> 00:10:13,766
HUSBAND�S HERE.
164
00:10:13,800 --> 00:10:18,633
YOU TRY AND KEEP YOUR HANDS OFF
UNTIL CRIME SCENE GETS THROUGH.
165
00:10:21,133 --> 00:10:23,433
MR. CARLSON,
I�M DETECTIVE SIPOWICZ.
166
00:10:23,466 --> 00:10:25,500
DETECTIVES McDOWELL AND CLARK.
167
00:10:25,533 --> 00:10:27,833
I GOT A CALL TO COME HOME,
BUT THE COP DIDN�T SAY WHY.
168
00:10:27,866 --> 00:10:29,833
WELL, IT LOOKS LIKE YOU�VE BEEN
ROBBED, MR. CARLSON.
169
00:10:29,866 --> 00:10:31,433
WHY DON�T YOU TAKE A SEAT?
170
00:10:31,466 --> 00:10:33,433
WHERE�S MY WIFE?
WHERE�S NANCY?
171
00:10:33,466 --> 00:10:34,666
Connie: SHE�S AT BELLEVUE.
172
00:10:34,700 --> 00:10:36,566
SHE�S BEING TREATED
FOR A STAB WOUND.
173
00:10:36,600 --> 00:10:37,766
IS SHE ALL RIGHT?
174
00:10:37,800 --> 00:10:39,933
I SHOULD BE WITH HER.
SHE�S GETTIN� GOOD CARE.
175
00:10:39,966 --> 00:10:42,733
THE THING TO DO NOW IS TO HELP
GET THE INVESTIGATION GOING.
176
00:10:42,766 --> 00:10:45,733
YOU TOLD THE COP YOU WERE
PLAYING GOLF. WHERE?
177
00:10:45,766 --> 00:10:47,433
QUAKER RIDGE IN WESTCHESTER.
178
00:10:47,466 --> 00:10:49,233
Sipowicz: YOU ALWAYS
PLAY SO EARLY?
179
00:10:49,266 --> 00:10:50,600
EVERY TUESDAY.
180
00:10:50,633 --> 00:10:53,366
ALWAYS THE SAME GROUP?
181
00:10:53,400 --> 00:10:55,600
WHAT DOES THAT HAVE TO DO WITH
MY WIFE BEING STABBED?
182
00:10:55,633 --> 00:10:59,366
MAYBE NOTHING, BUT YOU START OUT
GENERAL AND YOU GET SPECIFIC.
183
00:10:59,400 --> 00:11:02,266
YOU�RE SPECIFICALLY
ASKING QUESTIONS ABOUT ME.
184
00:11:02,300 --> 00:11:05,200
GETTING EXCITED ISN�T GONNA HELP
FIND OUT WHO DID THIS.
185
00:11:05,233 --> 00:11:07,633
I DON�T THINK ASKING STUPID
QUESTIONS WILL, EITHER.
186
00:11:07,666 --> 00:11:10,066
SO, EXCUSE ME, I�M
GONNA GO BE WITH MY WIFE.
187
00:11:10,100 --> 00:11:11,700
WE�LL BE IN TOUCH.
188
00:11:14,500 --> 00:11:15,666
SWEET GUY.
189
00:11:15,700 --> 00:11:17,700
I�LL START A CANVASS.
190
00:11:22,966 --> 00:11:24,466
[ CLEARS THROAT ]
191
00:11:30,533 --> 00:11:31,733
[ KNOCK ON DOOR ]
192
00:11:31,766 --> 00:11:32,966
WHAT�D YOU GET?
193
00:11:33,000 --> 00:11:35,266
NO FORCED ENTRY,
NO BROKEN WINDOWS.
194
00:11:35,300 --> 00:11:36,866
CRIME SCENE�S
STILL PROCESSING.
195
00:11:36,900 --> 00:11:38,866
DID YOU PUT IN A CALL TO THE
HUSBAND�S COUNTRY CLUB?
196
00:11:38,900 --> 00:11:41,700
HE OCCASIONALLY PLAYS TUESDAYS,
BUT HIS GROUP DIDN�T COME TODAY.
197
00:11:41,733 --> 00:11:42,933
WHERE IS HE NOW?
198
00:11:42,966 --> 00:11:44,500
PRETENDING TO MOPE
OVER HIS WIFE.
199
00:11:44,533 --> 00:11:46,233
WHY AREN�T WE
GRABBING THIS GUY UP?
200
00:11:46,266 --> 00:11:47,366
HE WAS HINKY AT THE SCENE.
201
00:11:47,400 --> 00:11:49,100
I FIGURED GIVE HIM AN HOUR,
202
00:11:49,133 --> 00:11:50,733
THEN BRING HIM IN EASY.
203
00:11:53,333 --> 00:11:55,766
SO WE�VE GONE FROM "MAYBE HE�S
GOT SOMETHING TO HIDE"
204
00:11:55,800 --> 00:11:57,133
TO CONVINCED HE DID IT?
205
00:11:57,166 --> 00:11:58,133
FOR NOW, HE�S
OUR TOP CANDIDATE.
206
00:11:58,166 --> 00:11:59,100
THAT MAKES SENSE.
207
00:11:59,133 --> 00:12:00,900
YEAH? WHY?
208
00:12:00,933 --> 00:12:03,100
HE HAS ACCESS, OPPORTUNITY ??
209
00:12:03,133 --> 00:12:05,000
A REAL PRICK ??
210
00:12:05,033 --> 00:12:07,200
K.I.S.S. ??
"KEEP IT SIMPLE, STUPID."
211
00:12:07,233 --> 00:12:09,500
YOUR DAD TEACH YOU THAT?
212
00:12:09,533 --> 00:12:11,233
YOU�RE SO SHARP,
WHAT DO WE DO NOW?
213
00:12:11,266 --> 00:12:14,466
LOOK INTO HIM FOR A MOTIVE.
214
00:12:14,500 --> 00:12:17,900
SO WE GO TO THE MOTIVE STORE,
SEE WHICH ONE HE BOUGHT?
215
00:12:17,933 --> 00:12:19,266
WE COULD SEE WHO
HE�S BEEN CALLING.
216
00:12:19,300 --> 00:12:21,400
MAYBE HE�S GOT A GIRLFRIEND.
217
00:12:21,433 --> 00:12:24,033
I�LL CALL T. A. R. U.,
GET A DUMP ON HIS PHONES.
218
00:12:24,066 --> 00:12:26,800
I�D LIKE TO SEE HOW MUCH LIFE
INSURANCE HE�S GOT ON HIS WIFE.
219
00:12:26,833 --> 00:12:28,733
DO IT.
220
00:12:34,400 --> 00:12:38,133
THERE�S NO WAY TO GET
INFORMATION ON LIFE INSURANCE.
221
00:12:38,166 --> 00:12:40,400
MAYBE HE KNOWS
SOMETHING WE DON�T.
222
00:12:40,433 --> 00:12:43,066
MORNING. JOHN CLARK.
LOOKING FOR MY SON.
223
00:12:43,100 --> 00:12:45,000
I�M JOHN IRVIN.
224
00:12:45,033 --> 00:12:46,400
NICE TO MEET YOU.
225
00:12:46,433 --> 00:12:47,766
HE�S RIGHT AROUND THE CORNER.
226
00:12:50,033 --> 00:12:51,833
SIPOWICZ.
227
00:12:51,866 --> 00:12:53,333
CLARK.
228
00:12:53,366 --> 00:12:55,166
Your dad�s here.
229
00:12:55,200 --> 00:12:58,333
POP, WHAT ARE YOU DOING HERE?
230
00:12:58,366 --> 00:12:59,900
MY DAY OFF ??
THOUGHT I�D STOP IN.
231
00:12:59,933 --> 00:13:00,966
HOW�S IT GOING?
232
00:13:01,000 --> 00:13:02,033
I WAS WORKING A CASE.
233
00:13:02,066 --> 00:13:03,000
WHAT�D YOU GET?
234
00:13:03,033 --> 00:13:04,066
STABBING.
235
00:13:04,100 --> 00:13:06,133
I RECOGNIZE GREG MEDAVOY.
236
00:13:06,166 --> 00:13:07,566
YOU KNOW EACH OTHER?
237
00:13:07,600 --> 00:13:10,466
YEAH, WE�VE CROSSED PATHS.
HOW ARE YOU?
238
00:13:10,500 --> 00:13:11,466
GOOD.
239
00:13:12,766 --> 00:13:14,066
THERE�S YOUR JACKET.
240
00:13:14,100 --> 00:13:15,766
THIS MUST BE YOUR DESK.
241
00:13:17,633 --> 00:13:19,800
WHO ARE YOU WORKING WITH?
242
00:13:19,833 --> 00:13:21,633
CONNIE McDOWELL...
243
00:13:21,666 --> 00:13:22,766
HI.
244
00:13:22,800 --> 00:13:24,566
...AND ANDY.
245
00:13:24,600 --> 00:13:26,266
IS THAT SO?
246
00:13:26,300 --> 00:13:28,500
YEAH, I FIGURE
WORK WITH YOUR KID,
247
00:13:28,533 --> 00:13:30,200
MAYBE YOU AND ME
GET TO HANG OUT.
248
00:13:30,233 --> 00:13:33,066
PEOPLE CONSIDER SARCASM
THE OUTLET OF A WEAK MIND.
249
00:13:33,100 --> 00:13:34,533
YOU HAVE BUSINESS HERE,
DUTCH BOY?
250
00:13:34,566 --> 00:13:38,033
POP, HOW ABOUT I BUY YOU
SOME COFFEE, HUH?
251
00:13:38,066 --> 00:13:39,033
LET�S GO.
252
00:13:39,066 --> 00:13:40,466
COME ON.
253
00:13:40,500 --> 00:13:42,600
OVER HERE.
254
00:13:53,217 --> 00:13:54,984
SO, SHOULD I DUST OFF
THE GLOVES,
255
00:13:55,017 --> 00:13:58,184
OR YOU TWO WILL JUST
SETTLE THIS IN THE ALLEY? I HATE TO SAY, "I TOLD YOU SO."
256
00:13:58,217 --> 00:14:01,451
REGARDING WHAT?
WHAT HAVE I BEEN WARNING ABOUT ALL WEEK?
257
00:14:01,484 --> 00:14:03,784
THE SARCASM, THE INSULTS.
THERE�S NO CHANCE THAT HE WAS REACTING TO YOU?
258
00:14:03,817 --> 00:14:05,884
MEETING YOUR SQUAD,
SITTING AT YOUR DESK?
259
00:14:05,917 --> 00:14:08,651
MAYBE IT WAS YOU SHOWING UP
IN THE FIRST PLACE.
260
00:14:08,684 --> 00:14:11,984
I MEAN, YOU DON�T LIKE HIM,
WHY COME TO HIS SQUAD?
261
00:14:12,017 --> 00:14:13,517
�CAUSE I BEEN
ON THIS JOB 26 YEARS,
262
00:14:13,551 --> 00:14:15,884
AND I CAN WALK
INTO ANY PRECINCT I DAMN WELL PLEASE,
263
00:14:15,917 --> 00:14:17,584
ESPECIALLY THE ONE MY SON
IS WORKING IN.
264
00:14:17,617 --> 00:14:18,984
FINE.
265
00:14:21,417 --> 00:14:24,784
DAD, IF I�M GONNA WORK HERE,
YOU GOTTA EASE UP WITH HIM.
266
00:14:24,817 --> 00:14:26,151
WHAT WOULD HELP THAT
267
00:14:26,184 --> 00:14:28,751
IS IF YOU DECLINED
TO WORK WITH THIS BUM.
268
00:14:30,684 --> 00:14:32,317
I KNOW YOU DON�T LIKE HIM,
269
00:14:32,351 --> 00:14:35,184
BUT EVERYONE I�VE TALKED TO SAYS
THAT HE�S A GREAT DETECTIVE.
270
00:14:35,217 --> 00:14:36,751
DECLINE TO WORK WITH HIM.
271
00:14:36,784 --> 00:14:38,784
JUST CALL MY BOSS,
LIEUTENANT CROMWELL.
272
00:14:38,817 --> 00:14:40,084
I GOT A CASE.
273
00:14:40,117 --> 00:14:42,484
WHICH I WOULD LIKE TO HEAR
A BIT ABOUT.
274
00:14:43,751 --> 00:14:44,951
WHAT�D YOU GET?
275
00:14:46,751 --> 00:14:51,151
IT�S A POSSIBLE BREAK?IN,
BUT THE HUSBAND�S ALIBI DOESN�T CHECK.
276
00:14:51,184 --> 00:14:52,751
TELL ME ABOUT THE HUSBAND.
277
00:14:59,284 --> 00:15:02,317
YEAH, THAT�S RIGHT ??
�56 LES PAUL.
278
00:15:02,351 --> 00:15:04,584
I�M VERY INTERESTED
IN BUYING ONE.
279
00:15:04,617 --> 00:15:05,751
THANKS.
280
00:15:07,284 --> 00:15:11,451
HEY, GREG, I DIDN�T KNOW YOU
WORKED WITH MY FATHER.
281
00:15:11,484 --> 00:15:13,351
YEAH, A FEW TASK FORCES.
282
00:15:13,384 --> 00:15:15,151
NEVER THE SAME SQUAD.
283
00:15:15,184 --> 00:15:17,684
YOU KNOW WHAT, UH,
"DUTCH BOY" MEANS?
284
00:15:17,717 --> 00:15:20,384
IT WAS A MINOR THING,
YEARS AGO,
285
00:15:20,417 --> 00:15:22,551
WHEN HE WAS ON A FOOT POST.
286
00:15:22,584 --> 00:15:23,484
LIKE WHAT?
287
00:15:23,517 --> 00:15:25,151
I GUESS HE SORT OF...
288
00:15:25,184 --> 00:15:26,084
[ CHUCKLES ]
289
00:15:26,117 --> 00:15:27,884
SHOT UP A HARDWARE STORE.
290
00:15:27,917 --> 00:15:29,351
SO "DUTCH BOY"?
291
00:15:29,384 --> 00:15:32,117
ABOUT 2:00 IN THE MORNING,
292
00:15:32,151 --> 00:15:35,617
YOUR FATHER SAW
THE BACKDOOR OPEN
293
00:15:35,651 --> 00:15:38,117
TO MILLER PAINT AND HARDWARE
ON FLATBUSH. I�VE DRIVEN BY IT.
294
00:15:38,151 --> 00:15:41,217
SO, IT�S A 2?STORY PLACE,
STREET LEVEL AND BASEMENT.
295
00:15:42,784 --> 00:15:46,684
HE CREEPS IN, GUN DRAWN,
CALLS OUT ??
296
00:15:46,717 --> 00:15:47,817
NOTHING.
297
00:15:47,851 --> 00:15:50,984
THEN HE MOVES DOWNSTAIRS.
298
00:15:51,017 --> 00:15:53,984
IT�S PITCH DARK.
HE ROUNDS A CORNER.
299
00:15:54,017 --> 00:15:56,984
AND THERE�S A GUY
STANDING WITH A GUN.
300
00:15:57,017 --> 00:15:58,484
"DROP IT!" HE YELLS.
301
00:15:58,517 --> 00:15:59,517
"DROP IT!"
302
00:15:59,551 --> 00:16:03,417
BUT THE GUY DON�T MOVE,
SO CLARK OPENS FIRE.
303
00:16:03,451 --> 00:16:06,551
HE HITS THE DECK,
SCRAMBLES FOR HIS RADIO,
304
00:16:06,584 --> 00:16:08,017
AND CALLS IN BACKUP.
305
00:16:09,417 --> 00:16:11,617
[ CHUCKLES ]
306
00:16:11,651 --> 00:16:13,317
AFTER A MINUTE
SITTING IN THE DARK,
307
00:16:13,351 --> 00:16:15,417
HE FINDS THE LIGHT,
308
00:16:15,451 --> 00:16:19,117
AND HE SEES THE AIR
IS FULL OF WHITE POWDER,
309
00:16:19,151 --> 00:16:22,017
LIKE HE SHOT UP A BAG
OF FLOUR...
310
00:16:22,051 --> 00:16:23,917
BUT IT WASN�T FLOUR.
311
00:16:23,951 --> 00:16:26,884
IT WAS A LIFE?SIZE
PLASTER STATUE
312
00:16:26,917 --> 00:16:29,084
ADVERTISING DUTCH BOY PAINT,
313
00:16:29,117 --> 00:16:33,384
BUT THE LITTLE BRUSH HAD BEEN
EXPLODED OUT OF ITS HAND,
314
00:16:33,417 --> 00:16:36,551
AND THERE WAS TWO BULLET HOLES
IN THE CROTCH!
315
00:16:36,584 --> 00:16:37,517
[ LAUGHS ]
316
00:16:37,551 --> 00:16:39,484
[ CLEARS THROAT ]
317
00:16:41,184 --> 00:16:44,217
HE GOT HIS BALLS BROKE
BUT GOOD.
318
00:16:46,217 --> 00:16:48,151
IT COULD HAVE HAPPENED
TO ANYONE.
319
00:16:48,184 --> 00:16:50,484
OH, SURE, YEAH.
SIMPLE MISTAKE.
320
00:16:51,684 --> 00:16:53,584
Greg: OH, FRIENDS
OF THE DOA.
321
00:16:53,617 --> 00:16:55,284
WE BETTER TALK TO THEM.
322
00:16:55,317 --> 00:16:56,851
YOU BET.
323
00:17:00,851 --> 00:17:02,984
ARE YOU FREE TO TAKE
THE DOA�s ROOMMATE?
324
00:17:03,017 --> 00:17:04,684
SURE. UH, SALLY, RIGHT?
325
00:17:04,717 --> 00:17:07,317
YEAH, AND HIT HER UP
ABOUT THAT GUITAR.
326
00:17:07,351 --> 00:17:10,084
JUST TAKE A MINUTE.
THIS WAY.
327
00:17:14,184 --> 00:17:16,484
SO, UH, WE�LL TAKE CANDY?
328
00:17:16,517 --> 00:17:17,717
YEP.
329
00:17:17,751 --> 00:17:19,284
[ SIGHS ]
330
00:17:19,317 --> 00:17:20,984
THE KID ASKED.
331
00:17:25,984 --> 00:17:28,384
HI, SALLY.
I�M DETECTIVE McDOWELL.
332
00:17:28,417 --> 00:17:29,417
HI.
333
00:17:29,451 --> 00:17:32,084
I�M SORRY WHAT HAPPENED
TO YOUR FRIEND.
334
00:17:32,117 --> 00:17:33,717
HOW LONG WERE YOU ROOMMATES?
335
00:17:33,751 --> 00:17:35,017
A YEAR OUT HERE,
336
00:17:35,051 --> 00:17:37,784
BUT WE�VE BEEN BEST FRIENDS
SINCE JUNIOR HIGH.
337
00:17:37,817 --> 00:17:40,651
WHEN DID YOU
LAST SEE CHRISSY?
338
00:17:40,684 --> 00:17:42,451
[ Voice breaking ]
LAST NIGHT.
339
00:17:42,484 --> 00:17:44,851
ME AND HER RODE WITH CANDY
IN THE VAN
340
00:17:44,884 --> 00:17:46,351
TO CANDY�S GIG IN HOBOKEN.
341
00:17:46,384 --> 00:17:49,251
WE WERE ALL GONNA GO TO
A PARTY AFTER.
342
00:17:49,284 --> 00:17:52,817
BUT CHRISSY GOT
ONE OF HER MIGRAINES,
343
00:17:52,851 --> 00:17:55,017
SO SHE TOOK A CAB HOME.
344
00:17:55,051 --> 00:17:58,684
DO YOU KNOW HOW THE FIRE
STARTED YET?
345
00:17:58,717 --> 00:18:00,451
NO, WE DON�T.
346
00:18:00,484 --> 00:18:03,251
CHRISSY EVER HAVE A BEEF
347
00:18:03,284 --> 00:18:05,417
WITH ANYONE MIGHT WANT TO SEE
HER HURT?
348
00:18:05,451 --> 00:18:06,884
NO.
349
00:18:06,917 --> 00:18:08,717
WE�RE LIKE NOBODIES OUT HERE.
350
00:18:08,751 --> 00:18:10,184
WE DON�T HAVE ENEMIES.
351
00:18:10,217 --> 00:18:12,051
HOW ABOUT
A JEALOUS BOYFRIEND?
352
00:18:12,084 --> 00:18:13,184
NO.
353
00:18:13,217 --> 00:18:16,184
CHRISSY DIDN�T WANT
TO GET SERIOUS WITH ANYONE.
354
00:18:16,217 --> 00:18:19,551
SHE WAS TOO FOCUSED
ON MAKING IT.
355
00:18:19,584 --> 00:18:20,884
WE TALKED TO CHRISSY�S DAD.
356
00:18:20,917 --> 00:18:23,084
SOUNDS LIKE HER FAMILY
WAS PRETTY WELL OFF.
357
00:18:23,117 --> 00:18:24,151
YEAH.
358
00:18:24,184 --> 00:18:26,484
HE FAXED US OVER A LIST
OF HER BELONGINGS.
359
00:18:26,517 --> 00:18:28,517
LOOKS LIKE ONE GUITAR
MISSING WAS WORTH 8 GRAND.
360
00:18:28,551 --> 00:18:31,284
THAT WAS A GRADUATION
PRESENT FROM HER DAD.
361
00:18:31,317 --> 00:18:33,351
WHO�D KNOW
SHE HAD EXPENSIVE GEAR?
362
00:18:33,384 --> 00:18:34,851
LOTS OF PEOPLE, I GUESS.
363
00:18:34,884 --> 00:18:36,984
WE HAD PARTIES ALL THE TIME.
364
00:18:37,017 --> 00:18:40,851
ANYONE BESIDES YOU AND CHRISSY
HAVE KEYS TO THE APARTMENT?
365
00:18:40,884 --> 00:18:42,317
JUST CANDY.
366
00:18:42,351 --> 00:18:45,917
CHRISSY LET HER COME BORROW
GUITAR PEDALS AND STUFF,
367
00:18:45,951 --> 00:18:48,284
LET HER USE
OUR REHEARSAL SPACE.
368
00:18:48,317 --> 00:18:50,051
SO YOU GUYS ARE TIGHT
WITH CANDY?
369
00:18:50,084 --> 00:18:52,484
YEAH. WE HANG OUT.
370
00:18:52,517 --> 00:18:54,151
WHAT�S WITH ALL THESE
WEIRD QUESTIONS?
371
00:18:54,184 --> 00:18:56,751
CHRISSY WAS MURDERED
LAST NIGHT.
372
00:18:56,784 --> 00:18:59,617
THE FIRE WAS SET TO MAKE IT
LOOK LIKE THAT�S HOW SHE DIED.
373
00:18:59,651 --> 00:19:00,651
WHAT?
374
00:19:00,684 --> 00:19:02,384
[ SOBS ]
375
00:19:02,417 --> 00:19:03,717
OH!
376
00:19:03,751 --> 00:19:06,117
I NEED YOU TO WRITE DOWN
THE NAMES OF PEOPLE
377
00:19:06,151 --> 00:19:08,051
WHO HUNG OUT AT YOUR PLACE,
378
00:19:08,084 --> 00:19:09,951
PEOPLE WHO KNEW CHRISSY
HAD THAT GUITAR.
379
00:19:09,984 --> 00:19:12,817
[ Sobbing ]
I CAN�T BELIEVE SHE�S DEAD!
380
00:19:14,917 --> 00:19:16,584
Greg: SO, HOW LONG YOU
KNOWN SALLY AND CHRISSY?
381
00:19:16,617 --> 00:19:18,184
SINCE RIGHT AFTER
THEY MOVED HERE.
382
00:19:18,217 --> 00:19:20,584
MY BAND
WAS HEADLINING AT CB�s,
383
00:19:20,617 --> 00:19:22,717
AND THEY CORNERED ME
AFTER A GIG,
384
00:19:22,751 --> 00:19:24,684
WANTING TO KNOW
HOW I GOT TO WHERE I AM.
385
00:19:24,717 --> 00:19:27,684
CHRISSY GOT ANYONE YOU KNOW
MIGHT WANT TO HURT HER?
386
00:19:27,717 --> 00:19:29,651
NO, THOUGH SHE
PISSED A LOT OF PEOPLE OFF.
387
00:19:29,684 --> 00:19:31,051
PEOPLE WHO PAID THEIR DUES?
388
00:19:31,084 --> 00:19:34,451
YEAH. MADE HER FOR A WANNABE
�CAUSE SHE NEVER LIVED IT.
389
00:19:34,484 --> 00:19:38,117
ME, IF I HAD A RICH DAD,
SCREW IT, I�D GET A LOFT.
390
00:19:38,151 --> 00:19:41,017
BUT CHRISSY
WANTED TO KEEP IT REAL.
391
00:19:41,051 --> 00:19:43,517
SHE WAS A COOL CHICK.
IT REALLY SUCKS WHAT HAPPENED.
392
00:19:43,551 --> 00:19:46,151
WE HEARD SHE HAD A GUITAR
WORTH A LOT OF MONEY ??
393
00:19:46,184 --> 00:19:48,217
A 1956 GIBSON LES PAUL.
394
00:19:48,251 --> 00:19:50,951
YEAH, SEE, THAT�S THE KIND OF
CRAP I�M TALKING ABOUT.
395
00:19:50,984 --> 00:19:53,117
SHE�S GOT AN ORIGINAL �56
GOLDTOP PAUL,
396
00:19:53,151 --> 00:19:55,617
BUT SHE CAN ONLY PLAY
THREE DAMN CHORDS.
397
00:19:55,651 --> 00:19:57,351
WHEN DID YOU SEE HER LAST?
398
00:19:57,384 --> 00:19:58,984
IN HOBOKEN LAST NIGHT.
399
00:19:59,017 --> 00:20:00,917
MY DRUMMER LIVES OUT THERE.
400
00:20:00,951 --> 00:20:02,784
WE PARTIED AFTER AT HIS CRIB,
CRASHED THERE.
401
00:20:02,817 --> 00:20:05,451
CHRISSY DIDN�T FEEL GOOD,
SO SHE SPLIT.
402
00:20:05,484 --> 00:20:08,284
SO, THERE�S NOBODY
IN PARTICULAR YOU CAN THINK OF
403
00:20:08,317 --> 00:20:10,184
THAT REALLY
HAD IT OUT FOR HER?
404
00:20:10,217 --> 00:20:12,317
NO, BUT YOU GOTTA WATCH
YOURSELF.
405
00:20:12,351 --> 00:20:15,184
IT�S LIKE A LITTLE KID
LIVING ON A BUSY STREET.
406
00:20:15,217 --> 00:20:17,917
THAT�S A LINE I WROTE
IN A SONG ABOUT NEW YORK.
407
00:20:17,951 --> 00:20:20,384
IT�S A TOUGH TOWN.
408
00:20:25,384 --> 00:20:26,484
[ SIGHS ]
409
00:20:26,517 --> 00:20:27,784
GOT ANYTHING ON THE ROOMMATE?
410
00:20:27,817 --> 00:20:29,284
NO, AND YOUR POOL OF SUSPECTS
411
00:20:29,317 --> 00:20:32,417
INCLUDES EVERY BROKE
AND JEALOUS MUSICIAN IN NEW YORK.
412
00:20:32,451 --> 00:20:34,184
GREAT.
413
00:20:36,417 --> 00:20:37,384
HEY.
414
00:20:37,417 --> 00:20:38,517
HOW�S IT GOING?
415
00:20:38,551 --> 00:20:41,917
UH, SURFING FOR INFO
ON A LIFE INSURANCE POLICY.
416
00:20:41,951 --> 00:20:45,284
I�VE DONE A LAWMAN SEARCH,
AND I RAN A CREDIT CHECK. BUT I GOT NOTHIN� YET.
417
00:20:45,317 --> 00:20:47,317
YOU CAN�T GET ANYTHING
ON LIFE INSURANCE
418
00:20:47,351 --> 00:20:49,784
UNLESS THE INSURED PARTY
TELLS YOU THEMSELVES. SAY WHAT?
419
00:20:49,817 --> 00:20:51,251
EVEN IF YOU
GOT A POLICY NUMBER,
420
00:20:51,284 --> 00:20:53,184
THE PRIVACY ACT WON�T
ALLOW THE INSURANCE COMPANY
421
00:20:53,217 --> 00:20:55,117
TO GIVE OUT SPECIFICS
WITHOUT A SUBPOENA.
422
00:20:55,151 --> 00:20:58,417
LEAVE ME OUT OF THIS.
423
00:20:58,451 --> 00:21:00,084
THANKS FOR THE TIP.
424
00:21:05,151 --> 00:21:07,784
SO, WHAT�S NEXT?
YOU GONNA SHORT?SHEET MY BED?
425
00:21:07,817 --> 00:21:09,851
WHAT ARE YOU TALKING ABOUT?
426
00:21:09,884 --> 00:21:12,751
LIFE INSURANCE POLICY.
YOU KNEW I COULDN�T GET THAT INFORMATION WITHOUT A SUBPOENA.
427
00:21:12,784 --> 00:21:15,684
I FIGURED MAYBE YOU HAD AN IN
WITH THE GOOD HANDS PEOPLE.
428
00:21:15,717 --> 00:21:18,917
YEAH, WELL, I�M FLATTERED.
MAYBE NEXT TIME YOU COULD SAVE ME THE TRIP.
429
00:21:20,351 --> 00:21:24,051
ROBERT HOROWITZ.
I REPRESENT PHILLIP CARLSON.
430
00:21:24,084 --> 00:21:26,051
DETECTIVES SIPOWICZ
AND McDOWELL.
431
00:21:26,084 --> 00:21:27,484
Connie: WHAT CAN WE
DO FOR YOU?
432
00:21:27,517 --> 00:21:30,384
MR. CARLSON INFORMED ME
THAT THERE IS AN INVESTIGATION
433
00:21:30,417 --> 00:21:33,784
GOING ON REGARDING THE ATTACK
ON HIS WIFE, AND HE�S A SUSPECT.
434
00:21:33,817 --> 00:21:35,551
WE NEVER IDENTIFIED
HIM AS A SUSPECT.
435
00:21:35,584 --> 00:21:38,017
BUT IF YOU�RE HERE
TO TELL US SOMETHING ??
436
00:21:38,051 --> 00:21:39,951
I�M ABSOLUTELY HERE
TO TELL YOU SOMETHING.
437
00:21:39,984 --> 00:21:43,351
STOP SLANDERING
MY CLIENT�S NAME BY CALLING HIS CO?WORKERS
438
00:21:43,384 --> 00:21:45,984
AND ASKING ABOUT AFFAIRS
THAT DON�T EXIST.
439
00:21:46,017 --> 00:21:47,684
WHAT ARE YOU TALKING ABOUT?
440
00:21:47,717 --> 00:21:50,717
A DETECTIVE�S BEEN CALLING
MY CLIENT�S WORKPLACE
441
00:21:50,751 --> 00:21:53,651
AND ASKING SEVERAL INDIVIDUALS
ABOUT INFIDELITIES AND AFFAIRS
442
00:21:53,684 --> 00:21:55,317
BASED ON
INNOCENT CELL PHONE CALLS
443
00:21:55,351 --> 00:21:57,151
MY CLIENT MADE
TO HIS PERSONAL ASSISTANT.
444
00:21:57,184 --> 00:21:59,851
NOBODY HERE HAS BEEN
MAKING THOSE CALLS.
445
00:21:59,884 --> 00:22:02,451
THEY MOST CERTAINLY HAVE BEEN,
AND IT�S IN EXTREMELY POOR TASTE
446
00:22:02,484 --> 00:22:04,184
AS MRS. CARLSON IS CURRENTLY
FIGHTING FOR HER LIFE
447
00:22:04,217 --> 00:22:05,617
AND MY CLIENT
IS AT HER SIDE.
448
00:22:05,651 --> 00:22:08,451
MY CLIENT WANTS TO KNOW WHO
DID THIS HORRIBLE THING,
449
00:22:08,484 --> 00:22:10,617
BUT THIS IS NO WAY TO GET
COOPERATION FROM HIM.
450
00:22:10,651 --> 00:22:11,884
IT�S AN ONGOING INVESTIGATION.
451
00:22:11,917 --> 00:22:14,751
WHEN WE WANT A STATEMENT FROM
YOUR CLIENT, WE�LL CONTACT HIM.
452
00:22:14,784 --> 00:22:15,851
YOU�LL CONTACT ME.
453
00:22:15,884 --> 00:22:17,284
I AM NOTIFYING YOU NOW
454
00:22:17,317 --> 00:22:20,117
THAT MY CLIENT
HAS RETAINED ME AS COUNSEL.
455
00:22:22,451 --> 00:22:24,817
[ SIGHS ]
456
00:22:24,851 --> 00:22:27,484
CELL?PHONE CALLS?
457
00:22:27,517 --> 00:22:29,784
DID YOU GET THE PHONE DUMP
BACK YET FROM CARLSON�S CELL?
458
00:22:29,817 --> 00:22:31,084
NO.
459
00:22:31,117 --> 00:22:34,084
DID ANYBODY CALL
ON THE PHONE DUMP?
460
00:22:34,117 --> 00:22:36,951
TELL ME NOW BEFORE I
RIP THIS GUY A NEW ONE.
461
00:22:38,784 --> 00:22:40,317
GILMORE, SIPOWICZ.
462
00:22:40,351 --> 00:22:44,117
YOU GET ANY RESULTS YET
ON OUR PHONE DUMP?
463
00:22:45,217 --> 00:22:47,284
WELL, WHEN THE HELL
WERE YOU GONNA TELL US?!
464
00:22:50,251 --> 00:22:51,784
OH, YEAH?
465
00:22:51,817 --> 00:22:53,151
ALL RIGHT.
466
00:22:53,184 --> 00:22:55,784
I�M SORRY FOR THE MIX?UP.
467
00:22:55,817 --> 00:22:59,151
WHAT, YOU FIGURE YOU WERE GONNA
CLEAR THIS CASE ON YOUR OWN?!
468
00:22:59,184 --> 00:23:01,384
WHAT ARE YOU TALKING ABOUT?!
469
00:23:01,417 --> 00:23:03,984
GILMORE AT T. A. R. U.
SAYS DETECTIVE CLARK
470
00:23:04,017 --> 00:23:06,451
CALLED TELEPHONE SECURITY
ON OUR PHONE DUMP!
471
00:23:06,484 --> 00:23:08,684
WELL, GILMORE IS FULL OF IT!
472
00:23:08,717 --> 00:23:10,217
I NEVER CALLED ANYONE!
473
00:23:10,251 --> 00:23:12,951
OH, MAN.
474
00:23:13,884 --> 00:23:16,551
[ GROANS ]
475
00:23:16,584 --> 00:23:19,117
[ SIGHS ]
476
00:23:22,584 --> 00:23:23,751
LET ME CALL YOU BACK.
477
00:23:23,784 --> 00:23:25,617
WHAT THE HELL HAPPENED
OUT THERE?
478
00:23:25,651 --> 00:23:29,017
OUR WHOLE CASE IS SCREWED UP,
AND THIS KID HAS GOT TO GO.
479
00:23:29,051 --> 00:23:31,417
LET HIM WORK WITH HIS DAD
UP IN THE BRONX.
480
00:23:31,451 --> 00:23:32,217
WHAT HAPPENED?
481
00:23:32,251 --> 00:23:34,817
THE KID�S OLD MAN,
DUTCH BOY ??
482
00:23:34,851 --> 00:23:37,117
THIS MORON,
HE GOES BACKDOOR,
483
00:23:37,151 --> 00:23:39,884
CALLS TELEPHONE SECURITY DIRECT
ON OUR PHONE DUMP.
484
00:23:39,917 --> 00:23:42,117
HE STARTS CONTACTING
THE SUSPECT�S CO?WORKERS.
485
00:23:42,151 --> 00:23:44,251
NOW CARLSON HAS LAWYERED UP!
486
00:23:44,284 --> 00:23:46,217
CLARK�S FATHER MADE CALLS
ON YOUR CASE?
487
00:23:46,251 --> 00:23:48,851
YEAH,
HE MADE CALLS ON OUR CASE
488
00:23:48,884 --> 00:23:52,817
TRYING TO SHOW HIS KID
WHAT A GREAT DETECTIVE HE IS,
489
00:23:52,851 --> 00:23:54,784
WHICH HE AIN�T,
AND HE NEVER WAS.
490
00:23:54,817 --> 00:23:57,917
THAT�S WHY HE�S SUCH A PRICK ??
�CAUSE HE KNOWS IT!
491
00:23:57,951 --> 00:23:59,551
YOU WANT ME TO CALL
THE CHIEF OF DETECTIVES?
492
00:23:59,584 --> 00:24:02,117
JUST GET HIM OUT OF HERE
AND WE�LL CALL IT EVEN.
493
00:24:02,151 --> 00:24:04,151
THERE�S NO WAY UNLESS I GO
THROUGH THE CHIEF.
494
00:24:04,184 --> 00:24:06,784
LOOK, I�M NOT LOOKING TO HURT
NOBODY�S CAREER,
495
00:24:06,817 --> 00:24:09,251
BUT THIS ?? I�M NOT GONNA
DEAL WITH THIS.
496
00:24:09,284 --> 00:24:11,984
LET ME TALK TO CLARK.
I�LL PUT A STOP TO IT.
497
00:24:12,017 --> 00:24:16,017
YEAH, BRINGING HIM IN IS REALLY
PULLING THE SQUAD TOGETHER.
498
00:24:29,951 --> 00:24:32,417
[ SIGHS ]
499
00:24:32,451 --> 00:24:34,784
BOSS, THIS IS ON ME.
500
00:24:34,817 --> 00:24:37,084
MY DAD ASKED ME ABOUT THE CASE,
AND I TOLD HIM.
501
00:24:37,117 --> 00:24:39,851
BUT NOT IN A MILLION YEARS DID I
THINK THAT HE WOULD ??
502
00:24:39,884 --> 00:24:41,417
IT WAS ME WHO SCREWED UP.
503
00:24:41,451 --> 00:24:43,451
I WON�T HAVE THIS
IN MY SQUAD. YOU�RE NOT GONNA.
504
00:24:43,484 --> 00:24:45,717
YOUR DAD�S ON THE JOB,
I RESPECT THAT.
505
00:24:45,751 --> 00:24:48,884
THAT IS THE FIRST TIME
AND THE LAST TIME.
506
00:24:48,917 --> 00:24:50,751
I�M GONNA LOOK
LIKE A REAL ASS
507
00:24:50,784 --> 00:24:52,784
IF I TRUST YOU
AND IT DOESN�T STOP.
508
00:24:52,817 --> 00:24:54,051
YOU WON�T.
509
00:24:54,084 --> 00:24:56,017
IT�S JUST THAT
HE ALWAYS THOUGHT
510
00:24:56,051 --> 00:24:58,217
THAT SOMEDAY
WE�D BE WORKING TOGETHER.
511
00:24:58,251 --> 00:25:00,684
IT HIT HIM HARD
THAT I PICKED HERE.
512
00:25:00,717 --> 00:25:03,117
TELL HIM TO GET OVER IT.
513
00:25:03,151 --> 00:25:05,117
YOU�RE RIGHT, YOU�RE RIGHT.
514
00:25:05,151 --> 00:25:06,917
IS HE
GONNA TAKE A HIT ON THIS?
515
00:25:06,951 --> 00:25:09,884
NOT IF IT DOESN�T
HAPPEN AGAIN.
516
00:25:09,917 --> 00:25:11,717
YOU NEED TO REMEDY
THIS SITUATION
517
00:25:11,751 --> 00:25:15,984
BEFORE IT PUTS A STINK ON YOU
YOU CAN�T GET OFF.
518
00:25:19,984 --> 00:25:22,284
McDowell: OKAY.
519
00:25:22,317 --> 00:25:24,384
THANKS.
520
00:25:25,451 --> 00:25:27,017
[ SIGHS ]
521
00:25:27,051 --> 00:25:29,484
Connie: MRS. CARLSON
JUST WENT DOA.
522
00:25:31,684 --> 00:25:36,317
I�LL GO CHECK WITH THE UNIFORMS,
SEE IF THEY GOT ANYTHING.
523
00:25:36,351 --> 00:25:38,084
DON�T GET LOST.
524
00:25:42,417 --> 00:25:43,751
[ SIGHS ]
525
00:25:46,151 --> 00:25:48,284
WHAT, I�M THE BAD GUY?
526
00:25:48,317 --> 00:25:49,817
DID I SAY ANYTHING?
527
00:26:05,104 --> 00:26:06,670
A �56?
528
00:26:06,704 --> 00:26:08,270
NOW, YOU�RE SURE?
529
00:26:08,304 --> 00:26:09,770
THAT�S GREAT.
530
00:26:09,804 --> 00:26:12,170
AND WHAT�S YOUR NAME?
531
00:26:12,204 --> 00:26:13,470
DID I HEAR RIGHT?
532
00:26:13,504 --> 00:26:14,504
POOCH?
533
00:26:14,537 --> 00:26:16,137
POOCH IT IS.
534
00:26:16,170 --> 00:26:17,637
I�M GREG.
535
00:26:17,670 --> 00:26:19,937
HOLD THE GUITAR.
I�LL SEE YOU IN A BIT.
536
00:26:19,970 --> 00:26:22,670
INVASION GUITAR GOT ONE IN
THIS MORNING.
537
00:26:22,704 --> 00:26:24,470
ALL RIGHT.
LET�S DO IT.
538
00:26:24,504 --> 00:26:26,237
[ TELEPHONE RINGS ]
539
00:26:26,270 --> 00:26:27,737
15th SQUAD.
540
00:26:27,770 --> 00:26:29,004
John: MAY I HELP YOU?
541
00:26:30,737 --> 00:26:33,904
HIT ON A GUITAR STOLEN
FROM OUR DOA.
542
00:26:33,937 --> 00:26:34,970
DID I ASK?
543
00:26:35,004 --> 00:26:37,804
WELL, YOU WERE JUST
SORT OF STARING.
544
00:26:37,837 --> 00:26:39,537
He just stepped out
for a moment.
545
00:26:39,570 --> 00:26:41,170
Would you like
to leave a message?
546
00:26:41,204 --> 00:26:43,237
JOHN, PUT IT ON HOLD.
PUT IT ON HOLD.
547
00:26:43,270 --> 00:26:44,337
IS THAT FOR THE KID?
548
00:26:44,370 --> 00:26:47,004
WHO IS IT?
549
00:26:47,037 --> 00:26:49,370
HIS FATHER.
550
00:26:49,404 --> 00:26:53,004
I DON�T KNOW IF YOU WERE LOOKING
TO BUTT IN OR TRYING TO HELP
551
00:26:53,037 --> 00:26:55,870
OR YOU�RE STILL THE SAME LOUSY
DETECTIVE YOU�VE ALWAYS BEEN,
552
00:26:55,904 --> 00:26:58,737
BUT YOUR ASSHOLE MOVE
DAMN NEAR SUNK OUR CASE.
553
00:26:58,770 --> 00:27:00,804
IF YOU EVER COME NEAR
THIS SQUAD AGAIN
554
00:27:00,837 --> 00:27:02,770
OR IF YOU EVER
WALK THROUGH THIS DOOR,
555
00:27:02,804 --> 00:27:04,470
I DON�T CARE
WHOSE FATHER YOU ARE
556
00:27:04,504 --> 00:27:05,870
OR IF YOU�RE ESCORTING
THE MAYOR,
557
00:27:05,904 --> 00:27:08,004
I WILL STUFF YOUR HEAD
IN A TRASH CAN
558
00:27:08,037 --> 00:27:09,937
AND I WILL KICK YOU
DOWN THE STAIRS!
559
00:27:17,270 --> 00:27:18,837
I KNOW WHAT MY DAD
DID WAS WRONG,
560
00:27:18,870 --> 00:27:21,804
BUT IF YOU EVER TALK
LIKE THAT TO HIM AGAIN,
561
00:27:21,837 --> 00:27:23,737
YOU�RE GONNA HAVE
TO DEAL WITH ME.
562
00:27:23,770 --> 00:27:26,504
Baldwin: [ CLEARS THROAT ]
COME ON, LET�S GO.
563
00:27:28,404 --> 00:27:30,870
Andy: AREN�T YOU SUPPOSED
TO BE KEEPING YOURSELF BUSY SOMEWHERE?
564
00:27:30,904 --> 00:27:33,270
YEAH, I GOT SOMETHING
FROM UNIFORM.
565
00:27:33,304 --> 00:27:34,670
IS IT A SECRET?
566
00:27:34,704 --> 00:27:36,570
RADIO RUN,
JUST AFTER 6:00 ??
567
00:27:36,604 --> 00:27:39,370
A DOG?WALKER REPORTED A
SUSPICIOUS GUY IN THE AREA.
568
00:27:39,404 --> 00:27:41,437
SHE GOT THE PLATES ON HIS CAR.
569
00:27:41,470 --> 00:27:43,970
TURNS OUT THIS GUY JUST
GOT OUT OF THE JOINT ??
570
00:27:44,004 --> 00:27:45,204
KEITH CASEY.
571
00:27:45,237 --> 00:27:46,970
THIS IS HIS SHEET.
572
00:27:47,004 --> 00:27:50,337
FOUR COLLARS FOR BURGLARY,
ONE FOR AGGRAVATED ASSAULT.
573
00:27:50,370 --> 00:27:51,537
HE DID TWO YEARS UPSTATE.
574
00:27:51,570 --> 00:27:52,937
THE ADDRESS ON THERE?
MMM.
575
00:27:52,970 --> 00:27:55,104
LET�S GO.
576
00:27:55,137 --> 00:27:56,504
NO, YOU�RE STAYING.
577
00:27:56,537 --> 00:27:59,170
PUSH YOUR PENCIL AROUND
YOUR DESK OR SOMETHING. MAKE PATTERNS.
578
00:28:02,070 --> 00:28:05,104
WHO DID WHAT HERE, ANDY, HUH?
IT WASN�T HIS FAULT.
579
00:28:05,137 --> 00:28:06,837
I DON�T WANT HIM AROUND!
580
00:28:06,870 --> 00:28:09,404
HE CAME UP WITH THIS, HE
DESERVES TO BE IN ON IT.
581
00:28:13,104 --> 00:28:14,470
COME ON.
582
00:28:27,970 --> 00:28:30,437
[ BELL RINGS ]
583
00:28:30,470 --> 00:28:31,670
YOU POOCH?
584
00:28:31,704 --> 00:28:34,037
YOU GUYS CALL ABOUT THE
LES PAUL? YEAH.
585
00:28:34,070 --> 00:28:36,004
WADE.
586
00:28:36,037 --> 00:28:38,137
WE�RE HERE ABOUT
THE �56 LES PAUL.
587
00:28:38,170 --> 00:28:39,537
COPS, RIGHT?
588
00:28:39,570 --> 00:28:42,004
Greg: HOW�D YOU GUESS?
589
00:28:42,037 --> 00:28:44,370
YEAH, JUST YOUR BASIC �56
LES PAUL GOLDTOP.
590
00:28:44,404 --> 00:28:46,704
SINGLE?COIL PICKUPS,
TUNE?O?MATIC BRIDGE.
591
00:28:46,737 --> 00:28:48,770
IS THAT AN INSTRUMENT
OR A CAR?
592
00:28:48,804 --> 00:28:50,770
IT�S A GUITAR ??
A NICE ONE ??
593
00:28:50,804 --> 00:28:52,304
WORTH A LOT OF MONEY.
594
00:28:52,337 --> 00:28:54,637
HOW MANY TIMES I GOT
TO APOLOGIZE?
595
00:28:54,670 --> 00:28:56,137
Baldwin: WHERE�S
THE SERIAL NUMBER?
596
00:28:56,170 --> 00:29:00,204
RIGHT HERE, UP ON TOP ON
THE BACK SIDE OF THE HEAD ??
597
00:29:00,237 --> 00:29:01,304
RARE.
598
00:29:01,337 --> 00:29:03,104
WILL YOU STEP OFF MY NUTS
ALREADY?
599
00:29:03,137 --> 00:29:04,837
HOW�D YOU GET IT?
600
00:29:04,870 --> 00:29:07,104
I OPEN UP, THERE�S THIS JUNKIE
TYPE HANGING OUT.
601
00:29:07,137 --> 00:29:08,937
HE�S GOT THIS BABY,
HE WANTS TO DEAL.
602
00:29:08,970 --> 00:29:11,770
DIDN�T CROSS YOUR MIND
MAYBE IT WAS STOLEN ??
603
00:29:11,804 --> 00:29:14,637
WHICH IS WHY YOU�RE
PISSED OFF AT POOCH HERE?
604
00:29:14,670 --> 00:29:17,037
THIS AIN�T A PAWN SHOP.
DUDE�S A MUSICIAN.
605
00:29:17,070 --> 00:29:20,437
SOMETIMES MUSICIANS NEED CASH,
DOPE, RENT, YOU KNOW.
606
00:29:20,470 --> 00:29:22,970
DID YOU DO ANY PAPERWORK
ON THIS TRANSACTION?
607
00:29:23,004 --> 00:29:24,437
YEAH.
608
00:29:24,470 --> 00:29:26,837
COPIED HIS DRIVER�S LICENSE.
609
00:29:28,604 --> 00:29:32,737
CHARLES PRICE ??
2407 WEST 9th.
610
00:29:32,770 --> 00:29:34,504
GOES BY SPIDER.
PLAYS TENOR SAX.
611
00:29:34,537 --> 00:29:36,470
I�VE SEEN HIM
AROUND THE CLUBS.
612
00:29:36,504 --> 00:29:38,804
I FIGURE IF SPIDER�S
OFF?LOADING HIS AX,
613
00:29:38,837 --> 00:29:41,637
HE MUST BE DESPERATE,
SO I GAVE HIM 1,500.
614
00:29:41,670 --> 00:29:43,870
STOLEN PROPERTY, WADE.
615
00:29:43,904 --> 00:29:46,370
SO, I�M OUT 1,500,
BASICALLY.
616
00:29:46,404 --> 00:29:49,137
WELL, NEXT TIME,
BE MORE CAREFUL.
617
00:29:55,604 --> 00:29:57,604
[ CLEARS THROAT ]
MY DAD WAS A COP.
618
00:29:57,637 --> 00:29:59,470
HE WAS CHIEF
IN SARATOGA SPRINGS. OH, YEAH?
619
00:29:59,504 --> 00:30:01,537
YOU�D THINK HIM BEING UPSTATE
620
00:30:01,570 --> 00:30:03,304
WOULD STOP HIM BUTTING IN
IN MY WORK,
621
00:30:03,337 --> 00:30:05,337
BUT HE ALWAYS HAD AN OPINION.
622
00:30:05,370 --> 00:30:07,737
HE EVER BLOW
ONE OF YOUR CASES?
623
00:30:07,770 --> 00:30:10,270
NO, ANDY, HE DIDN�T.
624
00:30:10,304 --> 00:30:13,737
STILL, WHEN HE BUTTED IN,
I�M SURE HE MEANT WELL.
625
00:30:13,770 --> 00:30:15,537
TELL THAT
TO A VICTIM�S MOTHER ??
626
00:30:15,570 --> 00:30:17,537
"THE CASE GOT BLOWN
OUT OF STUPIDITY,
627
00:30:17,570 --> 00:30:19,437
BUT ALL INTENTIONS
WERE GOOD."
628
00:30:19,470 --> 00:30:20,570
Man over Radio:
15th SQUAD ON THE AIR.
629
00:30:20,604 --> 00:30:21,937
15th SQUAD STANDING BY.
630
00:30:21,970 --> 00:30:23,970
PERSON AND OTHERS
YOU�RE TRYING TO LOCATE
631
00:30:24,004 --> 00:30:25,404
ARE OUTSIDE BILL�S TAVERN.
632
00:30:25,437 --> 00:30:27,170
10th AND 2nd.
633
00:30:27,204 --> 00:30:28,437
THANKS.
634
00:30:28,470 --> 00:30:30,904
15th SQUAD, 10?4.
635
00:30:51,637 --> 00:30:55,170
[ POUNDS, DOOR UNLOCKS ]
636
00:30:55,204 --> 00:30:56,304
HEY...CANDY.
637
00:30:56,337 --> 00:30:57,637
WHAT�S GOING ON?
638
00:30:57,670 --> 00:30:59,304
IS SPIDER HERE?
639
00:30:59,337 --> 00:31:00,770
HE�S CRASHED OUT.
WAKE HIM UP.
640
00:31:00,804 --> 00:31:02,737
WHY?
�CAUSE I SAID SO!
641
00:31:02,770 --> 00:31:05,404
WHAT�S GOING ON?
WHY ARE YOU GUYS SO AGGRO?
642
00:31:09,270 --> 00:31:11,370
GET UP.
643
00:31:11,404 --> 00:31:12,870
WHAT? HEY!
644
00:31:12,904 --> 00:31:15,137
YOU CAN�T JUST COME IN HERE
AND DO THAT!
645
00:31:15,170 --> 00:31:17,437
SPIDER, WHAT�S GOING ON?
646
00:31:17,470 --> 00:31:19,204
I DON�T KNOW
WHAT THESE GUYS WANT.
647
00:31:19,237 --> 00:31:22,037
DON�T YOU HAVE TO HAVE
A WARRANT OR SOMETHING?
648
00:31:22,070 --> 00:31:23,170
YOU�RE COMING, TOO.
649
00:31:23,204 --> 00:31:24,237
WHAT, FOR THE POT?
650
00:31:24,270 --> 00:31:25,370
COME ON, LET�S GO!
651
00:31:25,404 --> 00:31:27,437
THIS IS UNBELIEVABLE.
652
00:31:27,470 --> 00:31:30,470
IT�S A TOUGH TOWN,
HUH, CANDY?
653
00:31:30,504 --> 00:31:32,137
COME ON, MOVE IT!
654
00:31:42,470 --> 00:31:43,737
POLICE. WHAT�S YOUR NAMES?
655
00:31:43,770 --> 00:31:45,770
WHY, WHAT�S THE PROBLEM?
656
00:31:45,804 --> 00:31:47,504
I JUST WANTED TO KNOW
YOUR NAME.
657
00:31:47,537 --> 00:31:48,837
FRANKIE, LIKE SINATRA.
658
00:31:48,870 --> 00:31:50,604
WHAT ARE YOU GONNA DO,
POP US FOR A FEW BEERS?
659
00:31:50,637 --> 00:31:52,170
STAND UP, CASEY.
660
00:31:52,204 --> 00:31:53,937
WE GOTTA TALK.
661
00:31:53,970 --> 00:31:55,137
TAKE A HIKE, FRANKIE.
662
00:31:55,170 --> 00:31:56,970
I�M NOT GOING ANYWHERE.
THIS IS MY STREET.
663
00:31:57,004 --> 00:31:58,204
DO YOURSELF A FAVOR.
664
00:31:58,237 --> 00:32:00,004
I�M NOT GOING ANYWHERE.
665
00:32:04,404 --> 00:32:05,670
YOU�RE TAKING A COLLAR ??
666
00:32:05,704 --> 00:32:08,004
INTERFERING WITH A POLICE
INVESTIGATION.
667
00:32:08,037 --> 00:32:09,237
YOU TOO, KEITH.
668
00:32:09,270 --> 00:32:10,470
LET�S GO.
669
00:32:12,537 --> 00:32:13,937
SO LONG, FELLAS.
670
00:32:32,604 --> 00:32:34,570
[ CHUCKLES ]
671
00:32:34,604 --> 00:32:36,904
SO...WHAT�S GOING ON?
672
00:32:36,937 --> 00:32:40,470
DO YOU KNOW WHAT FLASH BURNS
ARE, SPIDER? NAH.
673
00:32:40,504 --> 00:32:43,804
IT�S WHAT HAPPENS WHEN
YOU LIGHT A FIRE USING ACCELERANTS LIKE GAS.
674
00:32:43,837 --> 00:32:46,004
IT�S A QUICK,
SUPERFICIAL BURN ??
675
00:32:46,037 --> 00:32:47,137
VERY DISTINCTIVE.
676
00:32:47,170 --> 00:32:49,570
I DON�T UNDERSTAND ??
677
00:32:49,604 --> 00:32:52,137
PUT YOUR HANDS BACK ON
THE TABLE!
678
00:32:52,170 --> 00:32:54,204
WHAT?
679
00:32:54,237 --> 00:32:57,104
THESE ARE FLASH BURNS.
680
00:32:57,137 --> 00:32:59,604
SEE HOW THE HAIR
ON YOUR RIGHT ARM�S SINGED OFF?
681
00:32:59,637 --> 00:33:00,737
YEAH, I WAS ??
682
00:33:00,770 --> 00:33:02,837
NO, YOU WEREN�T.
683
00:33:02,870 --> 00:33:04,970
FLASH BURNS ON YOUR ARMS,
684
00:33:05,004 --> 00:33:06,737
YOU SOLD CHRISSY�S GUITAR
THIS MORNING ??
685
00:33:06,770 --> 00:33:07,737
IT�S OVER WITH, SPIDER.
686
00:33:07,770 --> 00:33:10,104
YOU�RE ON THE HOOK NOW.
687
00:33:10,137 --> 00:33:12,537
SO THE REST OF OUR TIME
IN THIS ROOM TOGETHER
688
00:33:12,570 --> 00:33:14,570
SHOULD BE SPENT
ON HOW YOU CAN MINIMIZE
689
00:33:14,604 --> 00:33:17,270
THE YEARS YOU�RE
GONNA SPEND IN JAIL.
690
00:33:17,304 --> 00:33:21,037
AND YOU SHOULD START
WITH HOW YOU DIDN�T MEAN TO KILL CHRISSY,
691
00:33:21,070 --> 00:33:24,137
�CAUSE ANYBODY
THIS SLOPPY AND STUPID DIDN�T PREMEDITATE IT
692
00:33:24,170 --> 00:33:25,570
I DIDN�T.
693
00:33:25,604 --> 00:33:28,170
GOOD. THAT�S BIG
WHEN IT�S ACCIDENTAL.
694
00:33:28,204 --> 00:33:29,537
IT WAS.
695
00:33:29,570 --> 00:33:31,937
EVERYBODY WAS SUPPOSED TO BE
AT THE GIG,
696
00:33:31,970 --> 00:33:35,004
AND I WENT IN THERE JUST TO GRAB
UP THE JEWELRY.
697
00:33:35,037 --> 00:33:36,237
CHRISSY WALKS IN.
698
00:33:36,270 --> 00:33:38,104
YEAH, AND IT�S 5:00 A. M.
699
00:33:38,137 --> 00:33:39,770
AND I�M TEARING THROUGH
HER NIGHTSTAND.
700
00:33:39,804 --> 00:33:41,170
SHE STARTS SCREAMING.
701
00:33:41,204 --> 00:33:43,237
"SON OF A BITCH!
SON OF A BITCH!"
702
00:33:43,270 --> 00:33:44,504
SOMEBODY HEARS THAT,
703
00:33:44,537 --> 00:33:46,070
THEY�RE GONNA CALL THE COPS,
704
00:33:46,104 --> 00:33:48,104
SO I WAS JUST TRYING
TO SHUT HER UP,
705
00:33:48,137 --> 00:33:51,304
AND THEN, THE NEXT THING I KNOW,
SHE AIN�T BREATHING.
706
00:33:51,337 --> 00:33:52,504
PLUS, YOU GOTTA REALIZE
707
00:33:52,537 --> 00:33:56,537
THAT I�M LIKE OUT OF MY MIND
WASTED THROUGH ALL THIS.
708
00:33:56,570 --> 00:33:59,104
WHAT�D YOU USE TO START
THE FIRE?
709
00:33:59,137 --> 00:34:01,304
JUST SOME NEWSPAPER
AND LIGHTER FLUID.
710
00:34:01,337 --> 00:34:04,570
I KNEW THAT THEY COULD
PROBABLY TRACE THE GUITAR.
711
00:34:04,604 --> 00:34:07,337
I JUST DIDN�T GIVE A DAMN.
I NEEDED A FIX.
712
00:34:07,370 --> 00:34:08,704
OKAY, SO WHAT ABOUT ??
713
00:34:08,737 --> 00:34:11,304
YOU WERE SAYING
ABOUT KNOCKING TIME OFF,
714
00:34:11,337 --> 00:34:14,237
�CAUSE I CAN�T DO ANY MORE
THAN I HAVE TO.
715
00:34:14,270 --> 00:34:16,270
WELL,
THERE WAS NO FORCED ENTRY,
716
00:34:16,304 --> 00:34:19,970
SO IF YOU KNOW ANYBODY
WHO HAD ACCESS TO THE APARTMENT
717
00:34:20,004 --> 00:34:21,870
AND GAVE YOU A KEY,
718
00:34:21,904 --> 00:34:24,770
TELL US,
�CAUSE THAT�LL HELP YOU.
719
00:34:24,804 --> 00:34:26,204
MAN!
720
00:34:26,237 --> 00:34:27,770
DID CANDY GIVE YOU THE KEY?
721
00:34:27,804 --> 00:34:29,137
[ SIGHS ]
722
00:34:29,170 --> 00:34:30,270
SALLY.
723
00:34:30,304 --> 00:34:32,304
THE ROOMMATE.
724
00:34:32,337 --> 00:34:33,337
YEAH.
725
00:34:33,370 --> 00:34:35,304
LISTEN...
726
00:34:35,337 --> 00:34:37,904
I WAS ABUSED AS A KID, TOO.
727
00:34:37,937 --> 00:34:39,237
MM?HMM.
728
00:34:39,270 --> 00:34:43,137
AND I�VE HAD A REAL SERIOUS DRUG
PROBLEM FOR, LIKE, 10 YEARS.
729
00:34:43,170 --> 00:34:46,504
YOU THINK
THAT�S GONNA HELP ME?
730
00:34:46,537 --> 00:34:49,770
OH, YEAH. YEAH,
THAT�S ALWAYS A PLUS.
731
00:34:49,804 --> 00:34:51,137
YEAH.
732
00:34:53,137 --> 00:34:54,504
Tony: WHAT HAPPENED?
733
00:34:54,537 --> 00:34:56,670
THIS SPIDER, HE DID IT.
734
00:34:56,704 --> 00:34:58,237
HIS GIRLFRIEND SET HIM UP?
735
00:34:58,270 --> 00:34:59,837
NO, THE DOA�s ROOMMATE, SALLY.
736
00:34:59,870 --> 00:35:01,904
YEAH, SHE GAVE HIM A KEY,
737
00:35:01,937 --> 00:35:04,604
ARRANGED FOR THE DOA TO BE OUT
OF THE APARTMENT,
738
00:35:04,637 --> 00:35:07,170
BUT CHRISSY CAME HOME EARLY,
WALKED IN ON IT.
739
00:35:07,204 --> 00:35:09,404
HEY, CONNIE, YOU
BUILD A RAPPORT WITH SALLY?
740
00:35:09,437 --> 00:35:10,537
YEAH.
741
00:35:10,570 --> 00:35:11,937
ALL RIGHT, I�LL PAGE HER.
742
00:35:13,770 --> 00:35:15,537
SO, SHOULD WE KICK CANDY?
743
00:35:15,570 --> 00:35:18,704
UH, AS SOON AS WE
GET SALLY ON THE WAY IN.
744
00:35:18,737 --> 00:35:22,204
SO, HOW ARE WE
GONNA GO AT THIS GUY?
745
00:35:22,237 --> 00:35:26,004
YOU�RE RESPONSIBLE FOR FINDING
HIM, YOU TAKE THE INTERVIEW.
746
00:35:26,037 --> 00:35:28,104
OKAY.
747
00:35:28,137 --> 00:35:30,904
UNLESS YOU FEEL
YOU�RE NOT READY OR YOU CAN�T HANDLE IT ??
748
00:35:30,937 --> 00:35:31,737
I�M READY.
749
00:35:31,770 --> 00:35:33,904
GOOD, THEN TAKE IT.
750
00:35:41,104 --> 00:35:44,070
YOU�RE NOT SETTING
THIS KID UP TO FAIL, ARE YOU?
751
00:35:44,104 --> 00:35:46,170
I�M GIVING HIM
THE OPPORTUNITY TO DO HIS JOB,
752
00:35:46,204 --> 00:35:48,537
OR IS THIS A DETECTIVE
TRAINING SCHOOL HERE?
753
00:35:48,570 --> 00:35:50,437
YOU GONNA BE LOOKING IN?
YEAH.
754
00:35:50,470 --> 00:35:53,137
HE STUMBLES,
GET YOUR ASS IN THERE.
755
00:35:55,770 --> 00:35:58,537
ISN�T THIS OVERKILL FOR
DRINKING A BEER IN PUBLIC?
756
00:35:58,570 --> 00:36:00,604
YOU THINK THAT�S WHAT
THIS IS ABOUT?
757
00:36:02,004 --> 00:36:03,470
HAVE A SEAT.
758
00:36:07,770 --> 00:36:09,570
WHERE WERE YOU THIS MORNING?
759
00:36:09,604 --> 00:36:11,470
I DIDN�T GET UP TILL NOON.
760
00:36:11,504 --> 00:36:12,970
OKAY, NOW THAT�S BAD.
761
00:36:13,004 --> 00:36:15,904
�CAUSE I KNOW YOU WERE AT
13th STREET THIS MORNING.
762
00:36:15,937 --> 00:36:18,637
WHAT WE GOTTA FIGURE OUT
IS WHAT WENT WRONG
763
00:36:18,670 --> 00:36:20,804
WHEN YOU WENT
IN THAT APARTMENT.
764
00:36:20,837 --> 00:36:22,870
MAYBE WE SHOULD FIGURE OUT WHAT
THE HELL YOU�RE TALKING ABOUT.
765
00:36:22,904 --> 00:36:25,037
YOU KNOW YOU
WERE THERE, KEITH.
766
00:36:25,070 --> 00:36:28,637
THE NEXT STEP WOULD BE
TO PULL SOME HAIR SAMPLES
767
00:36:28,670 --> 00:36:30,470
AND GET SOME FINGERPRINTS,
768
00:36:30,504 --> 00:36:33,237
BUT WE GOT A MUCH
BIGGER PROBLEM AT HAND.
769
00:36:33,270 --> 00:36:34,237
OH, YEAH?
770
00:36:34,270 --> 00:36:35,804
LAY IT ON ME.
771
00:36:35,837 --> 00:36:40,470
THE WOMAN ?? WHO LAST I HEARD
IS RECOVERING AT BELLEVUE ??
772
00:36:40,504 --> 00:36:43,004
HER BROTHER IS A COP.
773
00:36:43,037 --> 00:36:45,004
AND HE�S ON HIS WAY
DOWN HERE FROM THE BRONX.
774
00:36:45,037 --> 00:36:47,204
HE�S THE BIGGER PROBLEM
I�M TALKING ABOUT.
775
00:36:47,237 --> 00:36:50,437
YOU KNOW, THIS IS ?? I MEAN,
I DIDN�T DO NOTHING!
776
00:36:50,470 --> 00:36:51,937
KEITH, IF YOU
KEEP DICKING WITH ME,
777
00:36:51,970 --> 00:36:54,037
I GOT NO CHOICE
BUT TO PUT YOU BACK IN THE CAGE,
778
00:36:54,070 --> 00:36:55,970
GO OUTSIDE, AND WAIT
FOR HIM TO SHOW UP.
779
00:36:56,004 --> 00:36:58,337
THEN EVERY COP ON DUTY
IS GONNA TAKE AN EARLY DINNER,
780
00:36:58,370 --> 00:37:01,970
AND HE�S GONNA COME IN HERE
WITH A COUPLE OF HIS BOYS
781
00:37:02,004 --> 00:37:03,170
AND PULL THE SHADE.
782
00:37:04,637 --> 00:37:06,170
NOW, I KNOW YOU�VE DONE TIME,
783
00:37:06,204 --> 00:37:08,804
BUT HE�LL PUT YOU
THROUGH SOMETHING
784
00:37:08,837 --> 00:37:11,737
YOU�VE NEVER BEEN THROUGH
BEFORE, BELIEVE ME.
785
00:37:11,770 --> 00:37:15,304
NOW, WHAT I CAN DO
FOR YOU RIGHT NOW
786
00:37:15,337 --> 00:37:17,370
IS GET YOUR STATEMENT HOW
THIS WAS A ROBBERY,
787
00:37:17,404 --> 00:37:20,970
AND HIS SISTER, YOU KNOW, CAME
AT YOU OR I DON�T KNOW WHAT,
788
00:37:21,004 --> 00:37:23,204
BUT IT WENT BAD,
AND YOU REACTED,
789
00:37:23,237 --> 00:37:25,704
AND YOU DIDN�T WANT IT
TO GO THAT FAR.
790
00:37:25,737 --> 00:37:28,337
AND IF I CAN GET YOUR
STATEMENT, I CAN GET YOU OUT OF HERE.
791
00:37:28,370 --> 00:37:31,004
DOWN TO CENTRAL BOOKING
WHERE YOU�LL BE IN FRONT OF OTHER PEOPLE.
792
00:37:31,037 --> 00:37:32,804
AND THIS COP
WON�T HAVE ACCESS TO YOU.
793
00:37:32,837 --> 00:37:35,870
UNTIL THEN, YOU�RE MARKED.
794
00:37:38,504 --> 00:37:39,637
WHAT�S IT GONNA BE?
795
00:37:39,670 --> 00:37:41,570
ANYBODY TOUCHES ME,
I�LL SUE THE CITY.
796
00:37:41,604 --> 00:37:42,804
HE�LL SAY YOU RESISTED.
797
00:37:42,837 --> 00:37:44,837
HE�LL PLANT A SHANK
IN YOUR HAND.
798
00:37:44,870 --> 00:37:46,904
THAT�S WHAT I�D DO
IF IT WAS MY SISTER.
799
00:37:46,937 --> 00:37:49,437
WHY DO YOU EVEN GIVE A DAMN
IF I GET TORTURED OR NOT?
800
00:37:49,470 --> 00:37:50,770
I�M NOT GONNA LIE TO YOU.
801
00:37:50,804 --> 00:37:53,170
I�M DOING THIS AS MUCH
FOR HIM AS I AM FOR YOU.
802
00:37:53,204 --> 00:37:55,670
HE DOESN�T NEED TO RISK
HIS CAREER OVER THIS.
803
00:37:55,704 --> 00:37:57,404
I OWE A FELLOW COP THAT MUCH.
804
00:37:57,437 --> 00:37:58,837
WHAT WOULD I BE LOOKING AT
805
00:37:58,870 --> 00:38:01,204
IF IT WAS A ROBBERY
THAT GOT OUT OF HAND?
806
00:38:01,237 --> 00:38:03,670
I KNOW WHAT YOU�LL BE
LOOKING AT IN 15 MINUTES
807
00:38:03,704 --> 00:38:04,837
IF YOU DON�T MEET ME HALFWAY.
808
00:38:10,470 --> 00:38:12,204
OKAY, OKAY.
809
00:38:12,237 --> 00:38:13,704
THAT�S WHAT IT WAS.
810
00:38:13,737 --> 00:38:16,137
I?I DIDN�T MEAN TO STAB HER.
811
00:38:16,170 --> 00:38:19,070
I WAS JUST OUT LOOKING
FOR A PLACE TO TAKE OFF.
812
00:38:19,104 --> 00:38:20,470
I SAW THIS GUY SPLIT.
813
00:38:20,504 --> 00:38:23,137
I TRIED THE DOOR,
HE LEFT IT OPEN.
814
00:38:23,170 --> 00:38:24,704
I?I WENT IN.
815
00:38:24,737 --> 00:38:27,437
THIS LADY, SHE CAME AT ME,
YOU KNOW?
816
00:38:27,470 --> 00:38:29,204
I DID WHAT I HAD TO DO.
817
00:38:29,237 --> 00:38:31,004
THAT�S THE WHOLE THING.
818
00:38:31,037 --> 00:38:32,370
ALL RIGHT.
819
00:38:32,404 --> 00:38:33,937
WHERE ARE YOU GOING?
820
00:38:33,970 --> 00:38:37,604
I�M GONNA GET YOU A PAD AND PEN
SO YOU CAN WRITE IT DOWN.
821
00:38:39,937 --> 00:38:41,004
LET�S GO.
822
00:38:51,337 --> 00:38:53,270
DID YOU FIND OUT ANYTHING?
823
00:38:53,304 --> 00:38:55,204
A COUPLE THINGS, YEAH.
824
00:38:55,237 --> 00:38:56,404
LIKE WHAT?
825
00:38:56,437 --> 00:38:58,104
LIKE HOW YOU
GAVE SPIDER YOUR KEY.
826
00:38:58,137 --> 00:38:59,404
I NEVER GAVE HIM A KEY.
827
00:38:59,437 --> 00:39:01,204
AT THIS POINT,
LYING ABOUT WHAT YOU DID,
828
00:39:01,237 --> 00:39:03,070
THAT�S LIKE SPITTING
ON YOUR FRIEND�S GRAVE.
829
00:39:03,104 --> 00:39:04,637
DON�T DO IT.
830
00:39:04,670 --> 00:39:06,937
AM I GONNA GO TO JAIL?
831
00:39:06,970 --> 00:39:09,537
HOW�D YOU GET HOOKED UP
WITH SPIDER?
832
00:39:09,570 --> 00:39:12,037
I MET HIM THROUGH CANDY.
833
00:39:12,070 --> 00:39:13,837
AND...I WAS LONELY.
834
00:39:13,870 --> 00:39:16,037
WHOSE IDEA WAS THIS?
HIS.
835
00:39:17,437 --> 00:39:20,104
THE MONEY I SAVED RAN OUT.
836
00:39:21,704 --> 00:39:24,370
ME AND CHRISSY THOUGHT
WE�D MAKE IT RIGHT AWAY ??
837
00:39:24,404 --> 00:39:25,870
BE STARS BY NOW, YOU KNOW?
838
00:39:25,904 --> 00:39:28,637
AND CHRISSY�S DAD PAID MY
SHARE FOR A FEW MONTHS,
839
00:39:28,670 --> 00:39:30,170
BUT THEN, A FEW WEEKS AGO,
840
00:39:30,204 --> 00:39:33,270
HE TOLD CHRISSY TO TELL ME
I HAD TO SUPPORT MYSELF.
841
00:39:33,304 --> 00:39:34,870
THAT PISS YOU OFF?
842
00:39:34,904 --> 00:39:39,304
NO. I MEAN, MAYBE A LITTLE,
BUT I DIDN�T BLAME HER.
843
00:39:39,337 --> 00:39:41,437
SHE�S MY BEST FRIEND.
844
00:39:41,470 --> 00:39:44,237
BUT I DIDN�T HAVE ANY MONEY,
845
00:39:44,270 --> 00:39:45,504
AND SPIDER�S LIKE,
846
00:39:45,537 --> 00:39:48,637
"CHRISSY�S DAD�S RICH.
HE�LL NEVER MISS IT."
847
00:39:48,670 --> 00:39:51,637
THEN WE WERE GONNA
HEAD DOWN TO RALEIGH.
848
00:39:51,670 --> 00:39:54,037
I GUESS THERE�S
A COOL SCENE THERE,
849
00:39:54,070 --> 00:39:57,570
�CAUSE IT WASN�T WORKING HERE,
FOR EITHER ONE OF US.
850
00:39:57,604 --> 00:40:00,337
DID SPIDER SAY WHY
HE KILLED HER?
851
00:40:00,370 --> 00:40:01,937
HE TELL YOU
WHY HE WAS GOING TO?
852
00:40:01,970 --> 00:40:05,870
HE TOLD ME HE WAS JUST GONNA
TAKE HER JEWELRY AND PAWN IT!
853
00:40:05,904 --> 00:40:08,837
I DIDN�T KNOW IT
WAS GONNA GO THIS FAR.
854
00:40:08,870 --> 00:40:10,170
[ SOBS ]
855
00:40:10,204 --> 00:40:11,637
ALL RIGHT.
856
00:40:11,670 --> 00:40:14,137
I�LL GET YOU A LEGAL AID
ATTORNEY WHO CAN HELP YOU OUT.
857
00:40:14,170 --> 00:40:19,937
I�D DO ANYTHING
TO TAKE ALL THIS BACK!
858
00:40:25,604 --> 00:40:27,470
CENTRAL BOOKING�S BACKED UP,
859
00:40:27,504 --> 00:40:30,104
SO A UNIFORM IS GONNA
LODGE HIM OVERNIGHT.
860
00:40:30,137 --> 00:40:33,770
SO I GUESS WE�LL HOLD OFF
ON PAPERWORK UNTIL TOMORROW.
861
00:40:33,804 --> 00:40:35,337
YEAH.
862
00:40:35,370 --> 00:40:36,770
SO WE�RE DONE.
863
00:40:39,570 --> 00:40:40,837
HOW�D YOU DO?
864
00:40:40,870 --> 00:40:43,504
SHE WENT.
865
00:40:43,537 --> 00:40:44,904
JOSH IS SITTING WITH HER,
866
00:40:44,937 --> 00:40:47,404
BUT I GOTTA MAKE SURE SHE�S
KEPT ON A SUICIDE WATCH.
867
00:40:47,437 --> 00:40:49,670
I�LL TAKE CARE OF IT.
868
00:40:52,537 --> 00:40:53,637
[ SIGHS ]
869
00:40:53,670 --> 00:40:56,370
NEXT TIME,
KEEP THAT OUT OF THE ROOM.
870
00:40:56,404 --> 00:40:58,537
THE PAD?
871
00:40:58,570 --> 00:41:01,104
MAKES A SUSPECT NERVOUS,
AND IF YOU WRITE,
872
00:41:01,137 --> 00:41:04,504
HE�LL THINK EVERYTHING HE�S
SAYING IS CARVED IN GRANITE.
873
00:41:07,337 --> 00:41:09,004
OKAY.
874
00:41:10,804 --> 00:41:14,237
UH, WE WERE GONNA STOP AT MAC�S
BEFORE HEADING HOME.
875
00:41:14,270 --> 00:41:16,570
WHY DON�T YOU JOIN US?
876
00:41:16,604 --> 00:41:18,904
YEAH, MAYBE I WILL.
877
00:41:20,504 --> 00:41:22,470
COMING, ANDY?
878
00:41:22,504 --> 00:41:24,570
NO, MEDAVOY.
879
00:41:24,604 --> 00:41:26,837
WE WERE THINKING
ABOUT TOASTING DANNY,
880
00:41:26,870 --> 00:41:28,970
AND SINCE
IT�S BEEN A ROUGH DAY,
881
00:41:29,004 --> 00:41:32,604
WE THOUGHT IT MIGHT BE GOOD
TO HAVE A LAUGH.
882
00:41:35,904 --> 00:41:36,937
[ GRUNTS ]
883
00:41:57,637 --> 00:42:00,137
HERE WE GO.
884
00:42:00,170 --> 00:42:01,804
GREAT.
885
00:42:01,837 --> 00:42:04,104
BEER FOR ME,
DRAFT FOR YOU.
886
00:42:04,137 --> 00:42:05,170
THANK YOU.
887
00:42:06,470 --> 00:42:08,804
THANKS.
888
00:42:08,837 --> 00:42:11,604
SO, INSTEAD OF JUST
TOASTING DANNY,
889
00:42:11,637 --> 00:42:16,670
WE GO AROUND THE TABLE
AND RECOUNT FOND MEMORIES.
890
00:42:16,704 --> 00:42:18,737
JOHN EXEMPT, OF COURSE.
891
00:42:19,937 --> 00:42:23,937
LET�S TOAST HIM
AND RECOUNT IN PRIVATE.
892
00:42:26,504 --> 00:42:29,204
TO DANNY.
893
00:42:29,237 --> 00:42:31,070
AND A FRESH START.
894
00:42:31,104 --> 00:42:34,270
AND HOW ABOUT SOMEONE�S FIRST
HOMICIDE COLLAR, HUH?
895
00:42:34,304 --> 00:42:35,404
YEAH.
HEAR, HEAR.
896
00:42:38,770 --> 00:42:41,804
[ CLEARS THROAT ]
EXCUSE ME.
897
00:42:41,837 --> 00:42:44,437
I�M SORRY TO INTERRUPT.
898
00:42:44,470 --> 00:42:46,304
POP...
WHAT ARE YOU DOING HERE?
899
00:42:46,337 --> 00:42:48,270
WE�RE GOING HOME.
LET�S GO.
900
00:42:48,304 --> 00:42:49,570
WHAT ARE YOU TALKING ABOUT?
901
00:42:49,604 --> 00:42:51,037
DAD, I JUST GOT HERE.
902
00:42:51,070 --> 00:42:51,837
NOW YOU�RE LEAVING.
903
00:42:51,870 --> 00:42:53,470
OKAY, WHAT�S THE PROBLEM?
904
00:42:53,504 --> 00:42:55,404
YOU�RE NOT A DRUNK.
I WON�T LET HIM TURN YOU INTO ONE.
905
00:42:55,437 --> 00:42:56,970
GET OUT OF HERE, CLARK.
906
00:42:57,004 --> 00:42:58,637
SHUT YOUR MOUTH.
907
00:42:58,670 --> 00:43:01,137
IF YOUR KID WANTS TO FOLLOW,
HE WILL, BUT YOU LEAVE NOW.
908
00:43:01,170 --> 00:43:02,970
SHUT UP, YOU MISERABLE DRUNK.
909
00:43:03,004 --> 00:43:04,137
YOU GOTTA GO NOW.
910
00:43:04,170 --> 00:43:05,804
GET AWAY FROM ME, JOHN.
911
00:43:05,837 --> 00:43:07,837
GET YOUR HANDS OFF ME.
WE�LL TALK AT HOME.
912
00:43:07,870 --> 00:43:09,470
GET YOUR JACKET.
GET OUTTA HERE.
913
00:43:09,504 --> 00:43:10,637
BACK OFF.
914
00:43:10,670 --> 00:43:11,970
DAD, GET OUTTA HERE!
915
00:43:12,004 --> 00:43:14,470
THAT�S IT!
IT�S OVER, ALL RIGHT!
916
00:43:14,504 --> 00:43:16,837
DAD, GET OUTTA HERE NOW
917
00:43:16,870 --> 00:43:19,037
BEFORE I DO SOMETHING
I�M GONNA REGRET.
918
00:43:19,070 --> 00:43:21,137
[ SIGHS ]
919
00:43:22,637 --> 00:43:24,570
I HOPE YOU�RE HAPPY.
920
00:43:24,604 --> 00:43:26,670
I HOPE YOU�RE
PLEASED WITH YOURSELF.
921
00:43:39,470 --> 00:43:41,204
I�M SORRY.
922
00:43:41,237 --> 00:43:42,937
[ SIGHS ]
923
00:43:42,970 --> 00:43:44,304
THIS IS GREAT.
924
00:43:44,337 --> 00:43:46,637
THIS IS REALLY GREAT.
925
00:44:10,170 --> 00:44:12,004
926
00:44:12,054 --> 00:44:16,604
Repair and Synchronization by
Easy Subtitles Synchronizer 1.0.0.0
66921
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Portuguese
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Spanish
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
