All language subtitles for NYPD Blue s09e01 Lie Like a Rug.eng

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch Download
en English Download
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German Download
el Greek Download
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:11,000 --> 00:00:12,333 Andy: PREVIOUSLY ON NYPD BLUE... 2 00:00:12,366 --> 00:00:13,800 I THOUGHT YOU SHOULD KNOW 3 00:00:13,833 --> 00:00:15,533 ABOUT SOME DEVELOPMENTS AT THAT TAILFEATHERS CLUB. 4 00:00:15,566 --> 00:00:17,100 YOU GOT AN EAR IN THE PLACE? 5 00:00:17,133 --> 00:00:18,200 A STRIPPER THERE ?? KRISTEN MOORE. 6 00:00:18,233 --> 00:00:19,500 THE GIRL WE WIRED UP. 7 00:00:19,533 --> 00:00:21,800 SHE SAID THE OWNERS WANTED A WORD WITH ME. 8 00:00:21,833 --> 00:00:23,100 IT TURNS OUT IT WAS 9 00:00:23,133 --> 00:00:24,633 TO RUN THEIR BARTENDER THROUGH BCI. 10 00:00:24,666 --> 00:00:26,366 I THINK THEY�RE TRYING TO TURN ME OUT. 11 00:00:26,400 --> 00:00:27,900 DID YOU SAY YOU�D DO IT? 12 00:00:27,933 --> 00:00:29,533 I SAID I�D THINK ABOUT IT. 13 00:00:29,566 --> 00:00:30,966 GO AHEAD AND RUN THE BARTENDER 14 00:00:31,000 --> 00:00:32,233 AND FOLLOW THROUGH WITH THE OWNERS, 15 00:00:32,266 --> 00:00:33,833 BUT KEEP IT QUIET TILL YOU GET THE GREEN LIGHT. 16 00:00:33,866 --> 00:00:37,266 I�LL KEEP IT ENTIRELY TO MYSELF, ANDY INCLUDED. 17 00:00:37,300 --> 00:00:38,700 WHAT�S WITH THIS KID? 18 00:00:38,733 --> 00:00:40,833 IS HE TRYING TO GIVE ME AN ULCER HERE OR WHAT? 19 00:00:40,866 --> 00:00:42,300 DO YOU WANT ME TO PAGE HIM AGAIN? 20 00:00:42,333 --> 00:00:44,333 YOU PAGED HIM FIVE MINUTES AGO. 21 00:00:44,366 --> 00:00:45,566 SO HE�S AN HOUR LATE. 22 00:00:45,600 --> 00:00:46,966 I DON�T CARE ABOUT HIM BEING LATE. 23 00:00:47,000 --> 00:00:48,333 I CARE ABOUT HIM NOT CALLING TO TELL US. 24 00:00:48,366 --> 00:00:50,266 WHAT�S GOING ON? 25 00:00:50,300 --> 00:00:53,833 DANNY�S, UH, WE DON�T KNOW WHERE HE IS. 26 00:00:53,866 --> 00:00:57,700 AND THAT DANCER KRISTEN MOORE WHO WORE A WIRE FOR US ?? 27 00:00:57,733 --> 00:01:00,533 SHE�S D.O.A. AT SORENSON�S APARTMENT. 28 00:01:00,566 --> 00:01:02,466 SO NOW WHAT? WE FILE A MISSING PERSONS REPORT? 29 00:01:02,500 --> 00:01:03,633 YEAH. 30 00:01:03,666 --> 00:01:06,400 ALL RIGHT, TOMORROW WE PICK UP AND KEEP GOING. 31 00:01:06,433 --> 00:01:08,800 WE WON�T STOP LOOKING, AND WE HOPE FOR THE BEST, 32 00:01:08,833 --> 00:01:10,533 BUT WE GOT TO KEEP GOING. 33 00:01:16,700 --> 00:01:18,200 [ SCREAMING ] 34 00:01:28,733 --> 00:01:32,033 [ SOBBING ] 35 00:01:32,066 --> 00:01:33,133 FOUR? 36 00:01:33,166 --> 00:01:34,733 YEAH, ALL GIRLS. 37 00:01:34,766 --> 00:01:36,633 THE OLDEST IS 18, THE YOUNGEST IS 12. 38 00:01:36,666 --> 00:01:38,300 Baldwin: GREG�S UP THERE. ANYTHING? 39 00:01:38,333 --> 00:01:39,566 NO ONE�S COME FORWARD, 40 00:01:39,600 --> 00:01:41,833 BUT WE HAVEN�T STARTED A CANVASS YET. 41 00:01:41,866 --> 00:01:42,900 WHO CALLED IT IN? 42 00:01:42,933 --> 00:01:44,200 THE MOM. WORKS GRAVEYARD. 43 00:01:44,233 --> 00:01:46,066 ANYTHING FROM HER? 44 00:01:46,100 --> 00:01:48,500 SHE�S HYSTERICAL. YOU TALK TO HER AT ALL? 45 00:01:48,533 --> 00:01:50,100 I WAS WAITING FOR HER TO CALM DOWN. 46 00:01:50,133 --> 00:01:51,500 YOU KEEP WAITING, 47 00:01:51,533 --> 00:01:53,066 THEY�LL HAVE HER SEDATED, YOU WON�T GET NOTHING. 48 00:01:59,833 --> 00:02:01,100 [ SOBBING ] 49 00:02:01,133 --> 00:02:02,466 WOULD YOU LET ME HELP HER? 50 00:02:12,300 --> 00:02:14,566 THESE TWO WERE FACING THE SHOOTER. 51 00:02:14,600 --> 00:02:16,633 THIRD ONE GOT IT IN THE BACK. 52 00:02:16,666 --> 00:02:19,300 THE YOUNGEST GOT IT HIDING IN THE BEDROOM CLOSET. 53 00:02:19,333 --> 00:02:21,266 WHOLE PLACE WAS RANSACKED TOP TO BOTTOM. 54 00:02:21,300 --> 00:02:22,966 NO ONE HEARD ANYTHING? 55 00:02:23,000 --> 00:02:26,100 NEIGHBOR SAID THE STEREO WAS UP LOUD LAST NIGHT. THAT�S IT. 56 00:02:26,133 --> 00:02:27,133 ANY MEN LIVE HERE? 57 00:02:27,166 --> 00:02:28,533 NOTHING PERMANENT. 58 00:02:28,566 --> 00:02:30,466 WHY DON�T YOU START A CANVASS? 59 00:02:30,500 --> 00:02:31,633 SURE. 60 00:02:35,233 --> 00:02:37,433 START LOOKING INTO BOYFRIENDS? 61 00:02:37,466 --> 00:02:39,333 BEEHIVES. 62 00:02:39,366 --> 00:02:41,566 THAT�S WHAT MY FIRST PARTNER CALLED THE PROJECTS: 63 00:02:41,600 --> 00:02:43,000 BEEHIVES. 64 00:02:50,900 --> 00:02:52,366 THAT PHONE DUMP COME IN YET? 65 00:02:52,400 --> 00:02:53,666 I TOLD THE LIEUTENANT. 66 00:02:53,700 --> 00:02:56,366 JOHN, DID WE HEAR FROM TARO YET OR NOT? 67 00:02:56,400 --> 00:02:58,500 THE LIEUTENANT�S BEEN ANSWERING THE PHONES, 68 00:02:58,533 --> 00:03:00,133 DETECTIVE, SO I DON�T KNOW. 69 00:03:00,166 --> 00:03:02,566 REMEMBER TO RUN THE MOM THROUGH BCI. 70 00:03:02,600 --> 00:03:03,733 I�LL, UH, 71 00:03:03,766 --> 00:03:05,466 I�LL CHECK WITH CRIME SCENE ABOUT PRINTS. 72 00:03:05,500 --> 00:03:07,233 Tony: BALDWIN, YOU AND GREG ?? 73 00:03:07,266 --> 00:03:09,766 GUNSHOT VICTIM AT BELLEVUE. PHONE DUMP CAME BACK. 74 00:03:09,800 --> 00:03:13,033 LAST CALL IN WAS 11:00 P.M. FROM A MARIA FELICIANO ?? 75 00:03:13,066 --> 00:03:15,166 HER CELL PHONE. HERE�S HER ADDRESS. 76 00:03:15,200 --> 00:03:16,733 GREG, YOU AND BALDWIN WRAP THIS UP. 77 00:03:16,766 --> 00:03:18,533 OTHERWISE, I�M GOING TO NEED HELP FROM THE BOROUGH. 78 00:03:18,566 --> 00:03:20,433 PERSONAL ITEMS FROM THE D. O. A.�s APARTMENT. 79 00:03:20,466 --> 00:03:21,633 I�LL GO THROUGH THEM. 80 00:03:21,666 --> 00:03:23,666 WHAT IS THIS, A BROOM CLOSET NOW? 81 00:03:23,700 --> 00:03:24,766 ANDY, GIVE ME A BREAK. 82 00:03:24,800 --> 00:03:26,766 MEDAVOY, KEEP YOUR CRAP ON YOUR DESK. 83 00:03:28,533 --> 00:03:30,333 I�M GOING TO HIT THE HEAD, 84 00:03:30,366 --> 00:03:32,533 THEN WE�LL GO PICK THIS MARIA UP. 85 00:03:33,766 --> 00:03:37,333 ALL RIGHT, WE GOT FOUR GIRLS DEAD. LET�S GO. 86 00:03:48,666 --> 00:03:50,766 ALL RIGHT, ENOUGH OF THIS ALREADY. 87 00:03:50,800 --> 00:03:51,800 ENOUGH OF WHAT? 88 00:03:51,833 --> 00:03:53,400 THIS WHOLE DEPARTMENT�S BEEN THROUGH HELL 89 00:03:53,433 --> 00:03:54,800 WITH THE WORLD TRADE CENTER ATTACKS, 90 00:03:54,833 --> 00:03:57,166 AND WE�RE ALL TRYING TO DEAL WITH IT IN OUR OWN WAY, 91 00:03:57,200 --> 00:03:58,433 BUT JUST �CAUSE WE�RE NOT WALKING AROUND 92 00:03:58,466 --> 00:03:59,766 PUNCHING HOLES IN WALLS ?? 93 00:03:59,800 --> 00:04:01,800 I NEED TO TAKE A PISS HERE, IF YOU DON�T MIND. 94 00:04:01,833 --> 00:04:05,733 WE LOST 300 FIREFIGHTERS. WE LOST DOZENS OF COPS. 95 00:04:05,766 --> 00:04:07,700 WE ARE STILL LOOKING FOR DANNY. 96 00:04:07,733 --> 00:04:10,100 YOU DON�T HAVE A CORNER ON PERSONAL GRIEF, 97 00:04:10,133 --> 00:04:11,500 AND IT�S AN INSULT, ANDY, 98 00:04:11,533 --> 00:04:12,566 YOU TREATING US LIKE 99 00:04:12,600 --> 00:04:14,200 WE DON�T CARE AS MUCH AS YOU. 100 00:04:14,233 --> 00:04:16,033 WE�RE STILL HURTING, TOO. 101 00:04:16,066 --> 00:04:18,200 CAN I PISS NOW? 102 00:05:49,800 --> 00:05:51,400 [ WOLF WHISTLES ] 103 00:05:51,433 --> 00:05:54,633 AREN�T YOU GUYS IN ENOUGH TROUBLE? 104 00:05:54,666 --> 00:05:55,766 HEY. 105 00:06:01,566 --> 00:06:04,333 CLARK, NARCOTICS. THAT�S MARIA FELICIANO, RIGHT? 106 00:06:04,366 --> 00:06:06,333 YEAH, WHY? WHAT ARE YOU BRINGING HER IN FOR? 107 00:06:06,366 --> 00:06:07,566 WHY DO YOU WANT TO KNOW? 108 00:06:07,600 --> 00:06:09,500 WE GOT AN "A" BUY INTO HER BOYFRIEND TINO, 109 00:06:09,533 --> 00:06:11,366 THIS SCUMBAG CLUB PROMOTER WHO�S BEEN MOVING INTO SALES, 110 00:06:11,400 --> 00:06:13,133 AND I�M JUST MAKING SURE, THAT, YOU KNOW, 111 00:06:13,166 --> 00:06:14,400 WE�RE NOT GETTING OUR WIRES CROSSED. 112 00:06:14,433 --> 00:06:16,700 WE�RE NOT. HEY. 113 00:06:16,733 --> 00:06:17,666 IT�D BE A REAL HELP 114 00:06:17,700 --> 00:06:19,433 KNOWING WHAT YOU�RE BRINGING HER IN FOR. 115 00:06:19,466 --> 00:06:21,633 WE�RE WORKING A HOMICIDE INVESTIGATION. 116 00:06:21,666 --> 00:06:22,800 IS THAT OKAY WITH YOU? 117 00:06:22,833 --> 00:06:24,466 IT�S ALL YOURS. 118 00:06:38,900 --> 00:06:40,466 HE GOT SHOT LAST NIGHT. 119 00:06:40,500 --> 00:06:43,100 SAID HE DIDN�T COME IN RIGHT AWAY 120 00:06:43,133 --> 00:06:44,833 �CAUSE OF NO INSURANCE. 121 00:06:44,866 --> 00:06:45,933 FRED ROBERTS. 122 00:06:45,966 --> 00:06:46,900 THANK YOU. 123 00:06:46,933 --> 00:06:48,000 YEP. 124 00:06:50,433 --> 00:06:52,200 OH, MAN. 125 00:06:52,233 --> 00:06:54,033 WHY IS THIS TURNING INTO A DEAL? 126 00:06:54,066 --> 00:06:56,066 WELL, YOU SHOW UP WITH A GUNSHOT WOUND, 127 00:06:56,100 --> 00:06:57,400 WE GOT TO LOOK INTO IT. 128 00:06:57,433 --> 00:06:59,166 YEAH, WELL, IT�S A WASTED TRIP, 129 00:06:59,200 --> 00:07:00,266 �CAUSE LIKE I BEEN TELLING PEOPLE, 130 00:07:00,300 --> 00:07:02,066 THIS THING CAME OUT OF NOWHERE. 131 00:07:02,100 --> 00:07:03,000 WHAT�S YOUR NAME? 132 00:07:03,033 --> 00:07:04,300 FRED ROBERTS. 133 00:07:04,333 --> 00:07:06,000 I JUST WANT TO GET THIS PATCHED UP 134 00:07:06,033 --> 00:07:07,333 SO I CAN GET OUT OF HERE. 135 00:07:07,366 --> 00:07:08,666 HOW�D YOU GET SHOT? 136 00:07:08,700 --> 00:07:10,400 I WAS WALKING DOWN EAST 19th NEAR PARK, 137 00:07:10,433 --> 00:07:12,700 NEAR WHERE I LIVE, AND I GOT SHOT. 138 00:07:12,733 --> 00:07:14,066 DIDN�T SEE A DAMN THING. 139 00:07:14,100 --> 00:07:16,066 ANY IDEA WHO�D WANT TO SHOOT YOU? 140 00:07:16,100 --> 00:07:17,533 NONE. NOBODY. 141 00:07:17,566 --> 00:07:19,233 YOU GOT ANY WARRANTS OUT, WHICH MIGHT EXPLAIN WHY 142 00:07:19,266 --> 00:07:20,400 YOU�RE LESS THAN THRILLED TO SEE US? 143 00:07:20,433 --> 00:07:21,666 HEY, I GOT A RIGHT TO GET SHOT 144 00:07:21,700 --> 00:07:23,133 AND NOT KNOW ANYTHING ABOUT IT. 145 00:07:23,166 --> 00:07:25,266 OH, YOU�RE RIGHT, YOU DO. GOOD. 146 00:07:25,300 --> 00:07:28,433 AND MORE IMPORTANTLY, WE GOT BETTER THINGS TO BE DOING. 147 00:07:28,466 --> 00:07:30,400 THEN GO, MAN. I AIN�T HOLDING YOU BACK. 148 00:07:30,433 --> 00:07:32,466 SHUT UP. NOW, LISTEN, GET STRAIGHT WITH US RIGHT NOW, 149 00:07:32,500 --> 00:07:35,133 WE GO OUR SEPARATE WAYS, GOT IT? 150 00:07:35,166 --> 00:07:38,066 YEAH, OKAY. 151 00:07:38,100 --> 00:07:40,066 WHAT�S YOUR NAME? 152 00:07:40,100 --> 00:07:43,066 MIKE GRAF ?? ONE "F." 153 00:07:43,100 --> 00:07:44,300 GOT ANY WARRANTS? 154 00:07:44,333 --> 00:07:45,700 ONE ?? POSSESSION. 155 00:07:45,733 --> 00:07:49,133 MY LAME?ASS ATTORNEY GAVE ME THE WRONG COURT DATE. 156 00:07:49,166 --> 00:07:50,766 WITH INTENT TO SELL? 157 00:07:50,800 --> 00:07:53,133 NO. I GOT PINCHED TRYING TO BUY AN 8?BALL. 158 00:07:53,166 --> 00:07:54,900 ALL RIGHT, WE�LL CHECK THAT OUT, 159 00:07:54,933 --> 00:07:58,233 AND IF THAT�S ALL ?? THAT�S ALL, SWEAR TO GOD. GO CHECK. 160 00:08:08,900 --> 00:08:11,166 SO, WHAT�S UP? 161 00:08:11,200 --> 00:08:14,566 THE REASON WE WAITED TILL HERE TO TELL YOU 162 00:08:14,600 --> 00:08:16,400 WAS, UH, WELL, 163 00:08:16,433 --> 00:08:18,300 WE�VE GOT SOME BAD NEWS AND DIDN�T WANT TO LAY IT ON YOU 164 00:08:18,333 --> 00:08:19,800 IN FRONT OF YOUR FAMILY. 165 00:08:19,833 --> 00:08:21,166 WHAT HAPPENED? 166 00:08:21,200 --> 00:08:23,833 TERESA CONSECO WAS FOUND MURDERED THIS MORNING, 167 00:08:23,866 --> 00:08:25,200 ALONG WITH HER THREE SISTERS. 168 00:08:25,233 --> 00:08:26,800 MY GOD. WHO DID IT? 169 00:08:26,833 --> 00:08:30,233 WE DON�T KNOW. THAT�S WHAT WE WANTED TO ASK YOU ABOUT. 170 00:08:30,266 --> 00:08:31,700 HOW WOULD I KNOW ANYTHING? 171 00:08:31,733 --> 00:08:32,900 YOU WERE FRIENDS, RIGHT? 172 00:08:32,933 --> 00:08:35,600 YES, BUT I CAN�T BELIEVE THEY�RE DEAD. 173 00:08:35,633 --> 00:08:38,000 DO YOU KNOW ANYBODY IN HER LIFE WHO WOULD DO THIS? 174 00:08:38,033 --> 00:08:39,600 NO. 175 00:08:39,633 --> 00:08:41,133 BOYFRIENDS? ANYBODY LIKE THAT? NO. 176 00:08:41,166 --> 00:08:42,766 WHEN WAS THE LAST TIME YOU TALKED TO HER? 177 00:08:42,800 --> 00:08:45,066 I DON�T KNOW. A COUPLE DAYS AGO, I GUESS. 178 00:08:45,100 --> 00:08:48,333 THERE WAS A CALL IN TO THEIR APARTMENT LAST NIGHT, 11:00, 179 00:08:48,366 --> 00:08:50,233 FROM YOUR CELL PHONE. 180 00:08:50,266 --> 00:08:53,166 THAT�S RIGHT. I�M SORRY. I FORGOT. 181 00:08:53,200 --> 00:08:56,333 I�M JUST REALLY TRIPPING OUT RIGHT NOW. 182 00:08:56,366 --> 00:08:57,833 WELL, WHAT, UH, WHAT�D YOU TALK ABOUT? 183 00:08:57,866 --> 00:09:00,300 JUST SAYING WHAT�S UP, 184 00:09:00,333 --> 00:09:01,766 BUT WAIT A MINUTE. 185 00:09:01,800 --> 00:09:05,066 IF YOU KNEW THAT I CALLED HER LAST NIGHT, 186 00:09:05,100 --> 00:09:06,933 WHY DID YOU JUST ASK ME? 187 00:09:06,966 --> 00:09:08,600 BECAUSE WE GOT FOUR PEOPLE KILLED. 188 00:09:08,633 --> 00:09:10,366 I DIDN�T HAVE ANYTHING TO DO WITH IT. 189 00:09:10,400 --> 00:09:12,700 WHAT ELSE DID YOU TALK ABOUT BESIDES, UH, WHAT�S UP? 190 00:09:12,733 --> 00:09:14,866 THAT REALLY PISSES ME OFF THAT YOU JUST DID THAT. 191 00:09:14,900 --> 00:09:16,233 MARIA, RELAX. 192 00:09:16,266 --> 00:09:18,033 YOU RELAX. YOURS WAS THE LAST CALL IN 193 00:09:18,066 --> 00:09:19,466 TO THE APARTMENT BEFORE THE MURDERS. 194 00:09:19,500 --> 00:09:22,066 SO? AND NOW YOU JUST LIED ABOUT MAKING THE CALL. 195 00:09:22,100 --> 00:09:24,466 LOOK, I�M JUST REALLY FREAKING OUT, OKAY? 196 00:09:24,500 --> 00:09:25,333 OKAY. 197 00:09:25,366 --> 00:09:26,866 SO NONE OF HER FRIENDS 198 00:09:26,900 --> 00:09:29,066 THAT YOU CAN THINK OF WOULD BE INVOLVED IN THIS? 199 00:09:29,100 --> 00:09:30,633 NO. ANY OF YOUR FRIENDS? 200 00:09:30,666 --> 00:09:32,300 NO. 201 00:09:32,333 --> 00:09:34,533 ANY FRIENDS OF YOUR BOYFRIEND TINO? 202 00:09:35,733 --> 00:09:36,833 [ GRUNTS SOFTLY ] 203 00:09:36,866 --> 00:09:39,200 SEE, NO, I DON�T LIKE THIS, OKAY? 204 00:09:39,233 --> 00:09:40,800 I DON�T LIKE TALKING TO YOU GUYS. 205 00:09:40,833 --> 00:09:43,233 YOU DON�T NEED TO. JUST ANSWER THE QUESTIONS. 206 00:09:43,266 --> 00:09:45,766 WELL, I DON�T KNOW WHO DID IT. 207 00:09:45,800 --> 00:09:47,166 CAN I LEAVE NOW? 208 00:09:47,200 --> 00:09:50,366 YEAH. YEAH, WE�LL BE IN TOUCH IF THERE�S ANYTHING ELSE. 209 00:09:55,566 --> 00:09:57,433 WHO�S TINO? 210 00:09:57,466 --> 00:09:59,133 IT�S HER DEALER BOYFRIEND. 211 00:09:59,166 --> 00:10:00,933 I GOT A TIP FROM NARCOTICS. 212 00:10:00,966 --> 00:10:02,533 GO SNATCH HIM UP. 213 00:10:02,566 --> 00:10:04,500 YEAH. 214 00:10:08,033 --> 00:10:09,066 AND? 215 00:10:09,100 --> 00:10:10,233 LET ME PUT IT THIS WAY: 216 00:10:10,266 --> 00:10:11,733 HOW MANY PUERTO RICAN GIRLS DO YOU KNOW 217 00:10:11,766 --> 00:10:13,733 WHEN HEARING THEIR FRIEND GOT MURDERED 218 00:10:13,766 --> 00:10:16,200 WOULD JUST SIT THERE SAYING, "OH, MY GOD, I CAN�T BELIEVE IT"? 219 00:10:16,233 --> 00:10:17,366 DO WE LIKE HER OR NOT? 220 00:10:17,400 --> 00:10:18,633 SHE�S IN THE LOOP. 221 00:10:18,666 --> 00:10:19,666 ANY PRINTS BACK YET? 222 00:10:19,700 --> 00:10:21,566 NOTHING. SO WHAT NOW? 223 00:10:21,600 --> 00:10:23,433 UH, THIS MARIA�S GOT A DEALER BOYFRIEND 224 00:10:23,466 --> 00:10:25,000 WE�RE GOING TO TAKE A SHOT AT. 225 00:10:25,033 --> 00:10:26,300 ALL RIGHT, TAKE A RADIO. 226 00:10:26,333 --> 00:10:28,566 I GOT EVERY WHITE SHIRT IN THE CITY UP MY ASS, 227 00:10:28,600 --> 00:10:30,633 AND I NEED TO BE KEPT UP TO SPEED. 228 00:10:30,666 --> 00:10:31,866 A JOHN CLARK FROM NARCOTICS 229 00:10:31,900 --> 00:10:34,200 SAID TO STOP BY DOWNSTAIRS WHEN YOU�RE DONE. 230 00:10:34,233 --> 00:10:38,633 THIS GUY�S ALL WORRIED ABOUT US SPEARIN� HIS DAMN DRUG COLLARS. 231 00:10:46,533 --> 00:10:48,433 DON�T WORRY. SHE DIDN�T SAY NOTHING 232 00:10:48,466 --> 00:10:50,366 ABOUT HER BOYFRIEND QUITTING THE DRUG TRADE 233 00:10:50,400 --> 00:10:52,100 AND JOINING THE NAVY ANY TIME SOON. 234 00:10:52,133 --> 00:10:55,033 A STOOL OF MINE TOLD ME THAT TINO GOT RIPPED OFF LAST NIGHT 235 00:10:55,066 --> 00:10:56,766 FOR 50 GRAND OUT OF HIS APARTMENT. 236 00:10:56,800 --> 00:10:58,133 THOUGHT YOU SHOULD KNOW. 237 00:10:58,166 --> 00:11:00,566 WHEN DID YOU HEAR THIS? THIS MORNING. 238 00:11:00,600 --> 00:11:03,300 WHY DIDN�T YOU TELL ME WHEN I WAS DOWN HERE EARLIER? 239 00:11:03,333 --> 00:11:05,866 I WAS GONNA, BUT YOU WERE BEING A DICK AND WALKED AWAY. 240 00:11:05,900 --> 00:11:08,366 ACTUALLY, THAT WAS MORE ME BEING IN A SLIGHT HURRY 241 00:11:08,400 --> 00:11:10,500 TO FIND OUT WHO KILLED FOUR GIRLS LAST NIGHT, 242 00:11:10,533 --> 00:11:12,500 BUT IF YOU WANT TO SEE ME BE A DICK, 243 00:11:12,533 --> 00:11:14,233 I CAN PROBABLY THROW SOMETHING TOGETHER. 244 00:11:14,266 --> 00:11:15,400 ALL RIGHT, ALL RIGHT. 245 00:11:15,433 --> 00:11:17,000 OKAY, WELL, I�M TELLING YOU NOW ?? 246 00:11:17,033 --> 00:11:18,333 TINO GOT RIPPED OFF LAST NIGHT. 247 00:11:18,366 --> 00:11:19,933 YOU KNOW WHERE TO FIND HIM? 248 00:11:19,966 --> 00:11:21,300 I CAN GIVE YOU SOME PLACES, SURE. 249 00:11:21,333 --> 00:11:23,566 YOU�RE SHOWING US. TELL YOUR BOSS. 250 00:11:23,600 --> 00:11:25,066 YEAH. 251 00:11:25,100 --> 00:11:27,666 HEY, EDDIE, TELL THE SERGEANT I GOT TO TAKE CARE OF SOMETHING. 252 00:11:27,700 --> 00:11:29,366 WE GOT SIX MORE ARRESTS TO PROCESS. 253 00:11:29,400 --> 00:11:31,666 ALL RIGHT, THEN LEAVE THREE FOR ME UNTIL I GET BACK. 254 00:11:31,700 --> 00:11:34,366 THERE�S A JOHN CLARK WORKS HOMICIDE UP IN THE BRONX. 255 00:11:34,400 --> 00:11:36,400 YEAH, THAT�S MY DAD ?? JOHN CLARK SR. 256 00:11:36,433 --> 00:11:38,833 [ SIGHS ] 257 00:11:38,866 --> 00:11:40,700 LET�S GO, JUNIOR. 258 00:11:44,166 --> 00:11:45,700 CONNIE McDOWELL. 259 00:11:45,733 --> 00:11:47,066 WHO�S HE? 260 00:11:47,100 --> 00:11:48,633 SIPOWICZ. 261 00:12:00,898 --> 00:12:03,232 Tony: WHAT WAS THAT ALL ABOUT AT BELLEVUE? 262 00:12:03,265 --> 00:12:06,065 AH, SOME DOUCHE BAG GOT SHOT DOING WHO KNOWS WHAT, 263 00:12:06,098 --> 00:12:07,832 BUT HE AIN�T TALKING. 264 00:12:07,865 --> 00:12:09,532 HE HAD A FAILURE TO APPEAR OUT, 265 00:12:09,565 --> 00:12:11,465 BUT WE FIGURED YOU�D WANT US BACK HERE. 266 00:12:11,498 --> 00:12:13,298 THIS GUY GOT SHOT IN THE LEFT SHOULDER? 267 00:12:13,332 --> 00:12:14,432 YEAH. 268 00:12:14,465 --> 00:12:16,232 HE GOT RED HAIR, SCRAWNY? YEAH. YEAH, WHY? 269 00:12:16,265 --> 00:12:18,198 CONNIE AND ANDY ARE LOOKING INTO A DEAL 270 00:12:18,232 --> 00:12:20,032 THAT MIGHT HAVE A CONNECTION ON THIS QUADRUPLE. 271 00:12:20,065 --> 00:12:21,998 TIP WAS HE GOT RIPPED OFF LAST NIGHT 272 00:12:22,032 --> 00:12:25,332 OUT OF HIS APARTMENT ON 2nd AND B FOR 50 GRAND. 273 00:12:25,365 --> 00:12:26,898 I RAN THE ADDRESS. 274 00:12:26,932 --> 00:12:29,265 THERE WAS A SHOTS?FIRED 911 CALL NEXT DOOR. 275 00:12:29,298 --> 00:12:31,932 BODEGA OWNER RAN OUT, SAW A GUY SHOT IN THE ARM 276 00:12:31,965 --> 00:12:33,465 FITTING THE DESCRIPTION I JUST TOLD YOU. 277 00:12:33,498 --> 00:12:35,765 THE GUY BOOKED WHEN THE OWNER WENT TO MAKE THE CALL. 278 00:12:35,798 --> 00:12:37,665 WE GOT A COP SITTING ON THIS IDIOT. 279 00:12:37,698 --> 00:12:40,598 MIKE GRAF. CALL DOWN THERE, MAKE SURE HE STAYS WITH HIM. 280 00:12:40,632 --> 00:12:42,465 IS MIKE GRAF THE COP OR THE IDIOT? 281 00:12:42,498 --> 00:12:43,732 THE IDIOT. 282 00:12:49,398 --> 00:12:50,432 SHH! 283 00:12:54,365 --> 00:12:55,865 THIS ONE? 284 00:12:55,898 --> 00:12:57,432 YEAH, RIGHT THERE. 285 00:12:58,665 --> 00:13:01,165 WHO ELSE IS IN THERE? A COUPLE GUYS. 286 00:13:01,198 --> 00:13:02,865 COME ON, MAN. I DID MY PART. 287 00:13:02,898 --> 00:13:05,065 YOU KNOW WHAT I�M GONNA DO TO YOU IF THIS IS A HAND JOB. HERE. 288 00:13:05,098 --> 00:13:07,232 MAN, I�M INSULTED YOU�D EVEN THINK THAT. 289 00:13:08,365 --> 00:13:10,265 SAY YOU�RE A FRIEND OF YODA�S. 290 00:13:10,298 --> 00:13:11,998 I GOT IT HANDLED. 291 00:13:14,165 --> 00:13:15,432 Man: YEAH? 292 00:13:15,465 --> 00:13:18,398 YEAH, I�M A FRIEND OF YODA�S, MAN. 293 00:13:18,432 --> 00:13:19,732 [ DOOR UNLOCKS ] 294 00:13:20,865 --> 00:13:22,698 WHERE�S TINO? 295 00:13:22,732 --> 00:13:23,998 BATHROOM. 296 00:13:27,832 --> 00:13:29,432 GET UP, TINO. 297 00:13:30,632 --> 00:13:31,798 WHAT�S GOING ON? 298 00:13:31,832 --> 00:13:33,998 AH, WE HEARD YOU GOT RIPPED OFF LAST NIGHT. 299 00:13:34,032 --> 00:13:36,365 WE CAME BY TO HELP, AND LOOK WHAT WE WALKED IN ON. 300 00:13:36,398 --> 00:13:38,065 JUST A LITTLE RECREATIONAL DRUG USE PARTY. 301 00:13:38,098 --> 00:13:39,298 WHAT ARE YOU, ATTEMPTING TO LIFT OFF HERE? 302 00:13:39,332 --> 00:13:40,832 THOSE? I DIDN�T TAKE ANY OF THOSE. 303 00:13:40,865 --> 00:13:42,298 ALL RIGHT, COME ON, 304 00:13:42,332 --> 00:13:44,232 LET�S SEE IF WE CAN FIND OUT WHO RIPPED YOU OFF LAST NIGHT. 305 00:13:44,265 --> 00:13:46,098 I�M OVER THAT. WATER UNDER THE BRIDGE, MAN. 306 00:13:46,132 --> 00:13:47,798 OH, YOU GOT A BIG HEART, TINO. 307 00:13:47,832 --> 00:13:49,065 WE GOTTA LOOK INTO IT. 308 00:13:49,098 --> 00:13:51,298 HEY, TWO MORE COLLARS FOR YOU TODAY, HUH, JUNIOR? 309 00:13:51,332 --> 00:13:53,532 PUT YOURSELF IN FOR A COMMENDATION. 310 00:13:53,565 --> 00:13:54,965 YOU�RE WELCOME. 311 00:14:05,832 --> 00:14:06,798 HEY, DOC. 312 00:14:06,832 --> 00:14:08,398 DETECTIVE. 313 00:14:08,432 --> 00:14:11,798 HEY, WHAT�S GOING ON? WHY CAN�T I GET OUT OF HERE? 314 00:14:11,832 --> 00:14:14,498 HOW LONG HAVE YOU LIVED IN NEW YORK, MIKE? 315 00:14:14,532 --> 00:14:15,932 SINCE I�M BORN. 316 00:14:15,965 --> 00:14:17,898 YEAH? SO HOW COULD YOU CONFUSE PARK AVENUE, 317 00:14:17,932 --> 00:14:20,098 WHERE YOU TOLD US YOU GOT SHOT, 318 00:14:20,132 --> 00:14:22,665 WITH 2nd AND B, WHERE YOU DID GET SHOT? 319 00:14:22,698 --> 00:14:23,932 WHAT? 320 00:14:23,965 --> 00:14:26,065 A WITNESS AT THE SCENE IDENTIFIED YOU. 321 00:14:26,098 --> 00:14:28,065 OKAY. WHAT DIFFERENCE DOES IT MAKE? 322 00:14:28,098 --> 00:14:29,832 I STILL DON�T KNOW WHO SHOT ME. 323 00:14:29,865 --> 00:14:33,332 PROBABLY THE GUY WHOSE APARTMENT YOU RIPPED OFF, DON�T YOU THINK? 324 00:14:33,365 --> 00:14:35,465 OKAY, NOW, THAT�S OUTRAGEOUS. I DIDN�T RIP OFF NOBODY. 325 00:14:35,498 --> 00:14:37,865 WE SAY YOU DID, AND THAT�S ALL THAT MATTERS. 326 00:14:37,898 --> 00:14:39,898 LOOK, I WAS WALKING DOWN THE STREET. 327 00:14:39,932 --> 00:14:41,798 TWO GUYS COME BUSTING OUT OF A BUILDING 328 00:14:41,832 --> 00:14:43,232 AND START RUNNING UP 2nd. 329 00:14:43,265 --> 00:14:44,965 RIGHT AFTER THEM COMES THIS OTHER DUDE, 330 00:14:44,998 --> 00:14:47,132 AND HE SQUEEZES OFF A ROUND AT HIM. 331 00:14:47,165 --> 00:14:50,065 ONE OF THE GUYS RUNNING FIRES BACK. THAT�S WHO HIT ME. 332 00:14:50,098 --> 00:14:52,965 IF THAT WAS THE TRUTH, YOU WOULD HAVE TOLD US THAT EARLIER. 333 00:14:52,998 --> 00:14:54,532 I DIDN�T TELL YOU BECAU?? 334 00:14:54,565 --> 00:14:57,165 BECAUSE I RECOGNIZED THE GUY WHO SHOT ME BY MISTAKE, 335 00:14:57,198 --> 00:14:58,998 AND I DON�T WANT TO GET INVOLVED, 336 00:14:59,032 --> 00:15:00,498 WHICH I GOT A RIGHT TO DO. 337 00:15:00,532 --> 00:15:02,598 NOW, THAT�S THE TRUTH. YOU GOTTA BELIEVE ME. 338 00:15:02,632 --> 00:15:04,498 BE COOL, ALL RIGHT? BE COOL. 339 00:15:04,532 --> 00:15:06,698 I DON�T BELIEVE A WORD YOU SAY, YOU LITTLE PRICK, OKAY? 340 00:15:06,732 --> 00:15:08,065 NOW, THERE�S NO MORE NEGOTIATIONS. 341 00:15:08,098 --> 00:15:10,432 YOU TELL US WHO SHOT YOU, OR YOU GET CHARGED 342 00:15:10,465 --> 00:15:12,632 WITH ARMED ROBBERY AND THAT POSSESSION COLLAR 343 00:15:12,665 --> 00:15:15,232 WE LET YOU SLIDE ON EARLIER BACK WHEN WE HAD A SENSE OF HUMOR. 344 00:15:15,265 --> 00:15:17,098 YEAH, YOU DON�T HAVE TO GET INVOLVED. 345 00:15:17,132 --> 00:15:20,265 JUST TELL US WHO DID IT, AND THAT�LL BE THE END OF IT. 346 00:15:20,298 --> 00:15:22,065 JULIAN PISANO. 347 00:15:22,098 --> 00:15:23,665 THAT�S WHO SHOT ME. 348 00:15:23,698 --> 00:15:24,765 WHAT ABOUT THE OTHER GUYS? 349 00:15:24,798 --> 00:15:25,998 DON�T KNOW THEM. 350 00:15:32,498 --> 00:15:34,798 WORD WE GOT ON YOU, TINO, IS YOUR THING 351 00:15:34,832 --> 00:15:37,032 IS A LITTLE BLOW HERE AND THERE. 352 00:15:37,065 --> 00:15:38,932 YEAH, I PARTY A LITTLE BIT. 353 00:15:38,965 --> 00:15:41,632 SO WHY�D YOU GET SO MESSED UP TODAY? 354 00:15:41,665 --> 00:15:43,432 YOU GOT SOMETHING WEIGHING ON YOUR MIND? 355 00:15:43,465 --> 00:15:44,465 JUST A LITTLE PARTYING. 356 00:15:44,498 --> 00:15:46,198 Connie: DO YOU KNOW A TERESA CONSECO? 357 00:15:46,232 --> 00:15:48,632 NO. DO YOU KNOW A MARIA FELICIANO? 358 00:15:48,665 --> 00:15:50,632 HEARD OF HER. 359 00:15:50,665 --> 00:15:52,098 YOU HEARD OF YOUR GIRLFRIEND? 360 00:15:52,132 --> 00:15:54,265 I THINK I NEED TO LAY DOWN. 361 00:15:54,298 --> 00:15:56,298 TOUGH. 362 00:15:56,332 --> 00:15:59,232 WHY ARE YOU LYING ABOUT THINGS YOU DON�T NEED TO LIE ABOUT, TINO? 363 00:15:59,265 --> 00:16:00,965 I�M OLD?FASHIONED, YOU KNOW? 364 00:16:00,998 --> 00:16:03,132 KEEP THE WOMEN OUT OF IT. 365 00:16:03,165 --> 00:16:04,598 [ SIGHS ] 366 00:16:04,632 --> 00:16:06,298 WHAT�S THIS? WHAT? 367 00:16:06,332 --> 00:16:07,965 THESE SPOTS ON YOUR JACKET. 368 00:16:07,998 --> 00:16:09,898 I DON�T KNOW. IT�S AN OLD JACKET. 369 00:16:09,932 --> 00:16:11,465 OH, DOESN�T LOOK OLD. 370 00:16:11,498 --> 00:16:12,465 TAKE IT OFF. 371 00:16:12,498 --> 00:16:13,898 WHY? 372 00:16:13,932 --> 00:16:15,432 ALL RIGHT, ALL RIGHT. 373 00:16:15,465 --> 00:16:18,865 THAT�S DRIED BLOOD. 374 00:16:18,898 --> 00:16:20,998 HOW�D YOU GET BLOOD ON YOUR JACKET, TINO? 375 00:16:21,032 --> 00:16:22,998 WE�RE GONNA DO TESTS ON THIS BLOOD, TINO. 376 00:16:23,032 --> 00:16:24,965 AND WE�RE GONNA START BY MATCHING AGAINST TERESA 377 00:16:24,998 --> 00:16:26,698 AND HER SISTER�S BLOOD FROM THEIR APARTMENT 378 00:16:26,732 --> 00:16:30,198 WHERE THEY GOT KILLED LAST NIGHT. SIT DOWN! 379 00:16:30,232 --> 00:16:31,798 RICKY. 380 00:16:31,832 --> 00:16:33,398 WHO�S RICKY? TALK TO RICKY. 381 00:16:33,432 --> 00:16:36,165 SIT YOUR ASS BACK DOWN. 382 00:16:36,198 --> 00:16:37,898 OH, MAN. 383 00:16:39,698 --> 00:16:42,598 [ GROANING ] 384 00:16:42,632 --> 00:16:44,398 ALL RIGHT, GET E. M. S. ON THE RADIO. THIS GUY�S IN TROUBLE. 385 00:16:44,432 --> 00:16:46,132 DON�T PUT YOUR FINGERS IN HIS MOUTH. 386 00:16:46,165 --> 00:16:48,498 USE SOMETHING ELSE TO CLEAR IT. 387 00:16:48,532 --> 00:16:49,998 CALL E. M. S.! 388 00:16:50,032 --> 00:16:51,498 ALL RIGHT, COME ON, TINO. 389 00:16:51,532 --> 00:16:53,932 OPEN UP, OPEN UP. 390 00:17:08,565 --> 00:17:12,198 YOU DON�T SEEM THAT SURPRISED TO SEE US, JULIAN. 391 00:17:12,232 --> 00:17:15,332 WHAT ARE YOU GUYS, MIND READERS NOW? 392 00:17:15,365 --> 00:17:16,432 WHAT�S UP? 393 00:17:16,465 --> 00:17:17,465 WHERE WERE YOU LAST NIGHT? 394 00:17:17,498 --> 00:17:18,632 ALL OVER. 395 00:17:18,665 --> 00:17:20,532 WHAT? 396 00:17:20,565 --> 00:17:23,598 JULIAN, YOU CAN�T GO FIRING OFF SHOTS IN THE STREET. 397 00:17:23,632 --> 00:17:25,165 I MEAN, COME ON. 398 00:17:25,198 --> 00:17:27,132 YOU KNOW HOW MANY PEOPLE WE GOT SAW WHAT HAPPENED? 399 00:17:27,165 --> 00:17:29,232 THE GOOD NEWS IS, THE GUY YOU SHOT 400 00:17:29,265 --> 00:17:31,498 AFTER YOU ROBBED TINO�S PLACE ?? HE MADE IT, 401 00:17:31,532 --> 00:17:33,865 SO WE�RE NOT BOXING YOU IN FOR A MURDER HERE. 402 00:17:33,898 --> 00:17:35,665 NO, BUT WE GOT YOU FOR EVERYTHING ELSE, 403 00:17:35,698 --> 00:17:37,498 SO TREAT US WITH SOME RESPECT, 404 00:17:37,532 --> 00:17:39,698 AND WE�LL TREAT YOU WITH RESPECT RIGHT BACK. 405 00:17:39,732 --> 00:17:40,998 I GOT MONTH?OLD TWINS. 406 00:17:41,032 --> 00:17:42,498 THAT�S OUR PROBLEM? 407 00:17:42,532 --> 00:17:45,532 THEY�RE THE REASON I AGREED TO GO IN ON THIS SCORE. 408 00:17:45,565 --> 00:17:48,132 I GOT MOUTHS TO FEED. WE DON�T NEED TO HEAR THIS. 409 00:17:48,165 --> 00:17:49,798 WHAT I�M SAYING IS I CAN�T GO BACK TO THE JOINT. 410 00:17:49,832 --> 00:17:51,365 I GOT A FAMILY NOW, 411 00:17:51,398 --> 00:17:53,732 SO ?? SO WHAT CAN I DO? 412 00:17:53,765 --> 00:17:54,932 YOU TELL US. 413 00:17:54,965 --> 00:17:56,532 WELL, THE ?? THE OTHER GUY, 414 00:17:56,565 --> 00:17:58,065 I MEAN, IT WAS HIS PLAN. 415 00:17:58,098 --> 00:17:59,865 HE BROUGHT ME IN AS BACKUP. 416 00:17:59,898 --> 00:18:01,598 YOU GOT HIM IN, HUH? 417 00:18:01,632 --> 00:18:02,632 WHAT�S HIS NAME? 418 00:18:02,665 --> 00:18:03,865 IT�S GONNA HELP ME? 419 00:18:03,898 --> 00:18:05,532 WHAT�S HIS NAME? 420 00:18:05,565 --> 00:18:08,232 JIMMY GIGLIO. 421 00:18:08,265 --> 00:18:10,898 OKAY, OKAY, OKAY, WHAT DOES THAT DO FOR ME NOW, HMM? 422 00:18:10,932 --> 00:18:13,065 IT HELPS, BUT DOES IT WASH AWAY 423 00:18:13,098 --> 00:18:16,098 ARMED ROBBERY AND SHOOTING SOME GUY ON THE STREET? 424 00:18:16,132 --> 00:18:19,432 WE�LL GET BACK TO YOU AFTER WE FIND THIS JIMMY. 425 00:18:21,632 --> 00:18:23,698 GET IN THE CAGE, JULIAN. 426 00:18:23,732 --> 00:18:25,465 I KNOW WHERE A BODY�S BURIED. 427 00:18:28,632 --> 00:18:29,665 WHOSE BODY? 428 00:18:29,698 --> 00:18:31,665 I DON�T KNOW. LISTEN... 429 00:18:31,698 --> 00:18:34,132 THIS IS BIG, 430 00:18:34,165 --> 00:18:35,898 WHAT I�M TELLING YOU, 431 00:18:35,932 --> 00:18:38,198 SO I GOTTA KNOW ?? I NEED IT WRITTEN DOWN 432 00:18:38,232 --> 00:18:40,032 THAT I GETTA WALK IF I GIVE ALL THIS UP. 433 00:18:40,065 --> 00:18:41,598 NOTHING IS HAPPENING, VERBAL OR WRITTEN, 434 00:18:41,632 --> 00:18:43,232 TILL YOU TELL US WHAT YOU GOT. 435 00:18:43,265 --> 00:18:44,465 ALL RIGHT. OKAY. 436 00:18:44,498 --> 00:18:47,798 ABOUT FIVE MONTHS AGO, A GUY I USED TO RUN WITH, 437 00:18:47,832 --> 00:18:50,565 HE CALLS ME UP ABOUT 4:00 IN THE MORNING. 438 00:18:50,598 --> 00:18:52,898 HE TELLS ME TO BRING MY VAN DOWN 439 00:18:52,932 --> 00:18:55,065 AND SOME COKE, IF I GOT ANY. 440 00:18:55,098 --> 00:18:57,465 ME AND HIM ?? IT WAS A ROLLED?UP RUG, 441 00:18:57,498 --> 00:18:59,732 BUT OBVIOUSLY THERE MUST HAVE BEEN SOMEONE IN IT. 442 00:18:59,765 --> 00:19:01,965 WE THROW IT IN THE TRUCK, 443 00:19:01,998 --> 00:19:04,298 WE GO DOWN TO BROOKLYN, 444 00:19:04,332 --> 00:19:05,832 AND WE BURY IT. 445 00:19:05,865 --> 00:19:08,065 GAVE ME $500. THAT�S IT. 446 00:19:08,098 --> 00:19:09,765 WHO�S THIS GUY YOU HELPED? 447 00:19:09,798 --> 00:19:13,732 SEE, NOW, THAT�S THE PART THAT�S GONNA MESS ME UP, OKAY? 448 00:19:13,765 --> 00:19:15,698 �CAUSE THIS GUY�S CONNECTED. 449 00:19:15,732 --> 00:19:18,798 WHAT�S HIS NAME? 450 00:19:27,965 --> 00:19:29,065 YOU NEEDED ME? 451 00:19:29,098 --> 00:19:31,198 YEAH. WHO�S RICKY? 452 00:19:31,232 --> 00:19:32,632 I DON�T KNOW. WHO�S RICKY? 453 00:19:32,665 --> 00:19:35,798 RICKY. TINO KEPT SAYING, "TALK TO RICKY, TALK TO RICKY," 454 00:19:35,832 --> 00:19:37,598 BEFORE HIS EYES ROLLED BACK IN HIS HEAD. 455 00:19:37,632 --> 00:19:39,632 THAT�S RICKY VARGAS. THAT�S TINO�S CLUB PARTNER. 456 00:19:39,665 --> 00:19:41,665 YOU KNOW WHERE TO FIND HIM? 457 00:19:41,698 --> 00:19:43,265 YEAH, NO PROBLEM? HE GONNA LIVE? 458 00:19:43,298 --> 00:19:45,298 HE�LL MAKE IT. LISTEN, GO GRAB THIS GUY UP. 459 00:19:45,332 --> 00:19:46,565 COME ON. 460 00:19:46,598 --> 00:19:48,465 ANDY, YOU NEED TO HEAR THIS. 461 00:19:48,498 --> 00:19:50,532 WE�RE WORKING THE QUADRUPLE HERE, MEDAVOY. 462 00:19:50,565 --> 00:19:51,798 WHAT�S IT ABOUT? 463 00:19:51,832 --> 00:19:53,065 DANNY. 464 00:20:03,165 --> 00:20:04,865 TELL HIM WHAT YOU TOLD US. 465 00:20:04,898 --> 00:20:06,898 HE�S HERE TO WORK OUT MY DEAL? 466 00:20:06,932 --> 00:20:09,232 ONCE YOU TELL HIM WHAT HAPPENED, YEAH. 467 00:20:09,265 --> 00:20:11,432 ALL RIGHT, LIKE I TOLD THESE TWO, 468 00:20:11,465 --> 00:20:14,198 THIS GUY I HELPED OUT IS VERY CONNECTED, 469 00:20:14,232 --> 00:20:17,598 BIG TIME, SO, I WANT RELOCATION FOR ME 470 00:20:17,632 --> 00:20:19,665 AND MY FAMILY IF I COOPERATE. 471 00:20:19,698 --> 00:20:21,865 LOOK, TELL HIM, OR YOU�RE GOING TO PISS ME OFF! 472 00:20:21,898 --> 00:20:24,232 RIGHT. ABOUT FIVE MONTHS AGO, 473 00:20:24,265 --> 00:20:27,698 A GUY NAMED MAX LEGAZI HIRED ME TO BURY A RUG, 474 00:20:27,732 --> 00:20:29,065 IF YOU KNOW WHAT I MEAN. 475 00:20:29,098 --> 00:20:31,032 AND WHERE�D YOU PICK MAX AND THIS RUG UP AT? 476 00:20:31,065 --> 00:20:34,332 TAILFEATHERS. IT�S A STRIP CLUB. 477 00:21:06,265 --> 00:21:08,065 TAKE A WALK. 478 00:21:11,965 --> 00:21:13,465 WHERE ARE THEY GOING? 479 00:21:14,998 --> 00:21:17,565 YOU GET A LOOK AT THE BODY IN THE RUG? 480 00:21:17,598 --> 00:21:19,332 Julian: NO. 481 00:21:19,365 --> 00:21:21,965 THIS, UH, LEGAZI DIDN�T TELL YOU ANYTHING 482 00:21:21,998 --> 00:21:23,498 WHO IT MIGHT BE? 483 00:21:23,532 --> 00:21:25,798 NO, WHEN WE WERE ON OUR WAY TO BURY IT, 484 00:21:25,832 --> 00:21:27,765 HE WAS SNORTING UP A STORM. 485 00:21:27,798 --> 00:21:29,932 HE WAS SCREAMING, CURSING. HE�S KICKING THE DASHBOARD. NO. 486 00:21:29,965 --> 00:21:31,598 AND WHERE�D YOU BURY THE RUG? 487 00:21:31,632 --> 00:21:32,932 YEAH, NICE TRY. 488 00:21:32,965 --> 00:21:35,198 I�M NOT GIVING THAT UP UNTIL I GET A DEAL. 489 00:21:42,765 --> 00:21:44,798 WHERE�D YOU BURY THE RUG? 490 00:21:44,832 --> 00:21:47,265 YOU KNOW WHAT? I�M DONE TALKING, OKAY? 491 00:21:47,298 --> 00:21:50,465 BECAUSE I GAVE YOU A SAMPLE, OBVIOUSLY YOU LIKE THE TASTE, 492 00:21:50,498 --> 00:21:53,532 AND NOW IT�S TIME FOR MY DEAL, OKAY? 493 00:21:53,565 --> 00:21:54,998 END OF CONVERSATION. 494 00:21:55,032 --> 00:21:57,298 WRONG, AND THE NEXT THING OUT OF YOUR MOUTH 495 00:21:57,332 --> 00:21:59,432 BETTER BE WHERE YOU BURIED THAT RUG. 496 00:21:59,465 --> 00:22:01,332 ARE YOU WITH THE D. A.�s OFFICE? 497 00:22:01,365 --> 00:22:02,532 I MEAN, WHO ARE YOU? 498 00:22:02,565 --> 00:22:05,198 YOU GET SOMEONE IN HERE WHO CAN WORK ME OUT A DEAL. 499 00:22:09,165 --> 00:22:11,832 YOUR DEAL IS THAT I DON�T BUST YOUR SKULL OPEN. 500 00:22:11,865 --> 00:22:13,732 NOW, WHERE DID YOU BURY THE RUG? 501 00:22:13,765 --> 00:22:16,632 GET YOUR HANDS OFF ME, OR I�LL GET AMNESIA QUICK. 502 00:22:16,665 --> 00:22:18,932 OHH! 503 00:22:20,365 --> 00:22:21,898 THAT BODY YOU BURIED, 504 00:22:21,932 --> 00:22:23,898 THERE�S A GOOD CHANCE THAT WAS MY PARTNER. 505 00:22:23,932 --> 00:22:26,232 NOW, I�LL LEAVE YOU DEAD ON THIS FLOOR 506 00:22:26,265 --> 00:22:28,132 IF YOU DON�T TELL ME WHERE YOU BURIED HIM! 507 00:22:28,165 --> 00:22:29,698 OKAY, OKAY, I�LL TELL YOU! 508 00:22:29,732 --> 00:22:31,232 WHERE?! WHERE?! 509 00:22:31,265 --> 00:22:33,498 IT�S A VACANT LOT DOWN ON THE BROOKLYN WATERFRONT. 510 00:22:33,532 --> 00:22:34,898 OHH. 511 00:22:48,298 --> 00:22:50,998 JOHN, NOTIFY THE M. E.�s OFFICE. I WANT THEM DOWN THERE. 512 00:22:51,032 --> 00:22:53,432 I GOT TO TAKE CARE OF THIS FIRST. GO. I GOT IT. 513 00:22:53,465 --> 00:22:55,798 I�LL HAVE MY RADIO. ALL RIGHT, LISTEN UP. 514 00:22:55,832 --> 00:22:57,198 U.C.I.�s BRINGING THE VIDEO. E. S. U.�s BRINGING THE EQUIPMENT. 515 00:22:57,232 --> 00:23:00,165 ALL RIGHT, EVERYBODY SHUT UP. 516 00:23:01,765 --> 00:23:05,232 ALL RIGHT, ANDY AND I ARE GOING TO GO DOWN TO BROOKLYN. 517 00:23:05,265 --> 00:23:08,032 YOU KNOW WHERE TO FIND THIS RICKY? YEAH, I GOT SOME PLACES ?? 518 00:23:08,065 --> 00:23:09,865 FINE. YOU AND CONNIE GO GRAB HIM UP. 519 00:23:09,898 --> 00:23:11,365 GREG AND BALDWIN, WHY DON�T YOU GO LOOK 520 00:23:11,398 --> 00:23:13,532 FOR THIS OTHER GUY JULIAN DID THE ROBBERY WITH LAST NIGHT? 521 00:23:13,565 --> 00:23:16,432 THAT TURNS INTO A DEAD END, GET IN CONTACT WITH CONNIE. 522 00:23:16,465 --> 00:23:19,165 EVERYBODY MONITOR THEIR RADIOS AND KEEP ME POSTED. 523 00:23:19,198 --> 00:23:21,498 THAT�S IT. LET�S GO. 524 00:23:23,632 --> 00:23:24,965 HI. I�M SORRY TO KEEP... 525 00:23:33,732 --> 00:23:36,032 RICKY! WHAT�S UP? 526 00:23:36,065 --> 00:23:37,365 NOTHING. WHAT�S UP WITH YOU? 527 00:23:37,398 --> 00:23:38,965 YOU DOING SOME LAUNDRY? 528 00:23:38,998 --> 00:23:40,398 YEAH, GOTTA DO IT. 529 00:23:40,432 --> 00:23:41,998 RICKY, WE NEED YOUR HELP WITH AN I. D. 530 00:23:42,032 --> 00:23:44,498 WE HEARD THIS GUY MIGHT HAVE WORKED AT ONE OF YOUR CLUBS. 531 00:23:47,032 --> 00:23:48,832 MOVE! OUT OF THE WAY! 532 00:24:03,765 --> 00:24:05,065 FREEZE! 533 00:24:31,132 --> 00:24:32,265 GET DOWN OFF THE FENCE! 534 00:24:40,698 --> 00:24:41,932 THIS IS A WHOLE LOT OF TROUBLE 535 00:24:41,965 --> 00:24:43,765 OVER US WANTING TO ASK YOU A COUPLE QUESTIONS. 536 00:24:43,798 --> 00:24:44,732 I WANT A LAWYER. 537 00:24:44,765 --> 00:24:46,198 OH, YEAH? 538 00:24:50,965 --> 00:24:52,865 WHAT WERE YOU RUNNING FOR, RICKY? 539 00:24:52,898 --> 00:24:54,832 MAN, DIDN�T YOU HEAR ME? I WANT A LAWYER. 540 00:24:54,865 --> 00:24:56,065 YEAH, YOU�LL GET YOUR DAMN LAWYER. 541 00:24:56,098 --> 00:24:57,298 YEAH, WE�RE GOING TO GO SEE 542 00:24:57,332 --> 00:24:59,098 WHAT YOUR PARTNER TINO HAS TO SAY. 543 00:24:59,132 --> 00:25:00,832 ANOTHER UNIT JUST GRABBED HIM UP, 544 00:25:00,865 --> 00:25:02,698 FOUND HIM SMOKING ROCK IN SOME APARTMENT. 545 00:25:02,732 --> 00:25:03,898 WORD IS HE�S NERVOUS AND TALKATIVE. 546 00:25:03,932 --> 00:25:05,398 YOU�RE BETTING YOUR LIFE 547 00:25:05,432 --> 00:25:06,898 THAT TINO�S GONNA KEEP HIS MOUTH SHUT. 548 00:25:06,932 --> 00:25:08,698 SAY WHAT YOU WANT, BUT I AIN�T SAYING DICK, 549 00:25:08,732 --> 00:25:09,798 AND I WANT A LAWYER. 550 00:25:09,832 --> 00:25:10,898 KEEP IN MIND, RICKY, 551 00:25:10,932 --> 00:25:12,165 THAT YOUR HALF?ASSED LEGAL AID ATTORNEY 552 00:25:12,198 --> 00:25:13,698 AIN�T GONNA BE DOING YOUR TIME FOR YOU. 553 00:25:13,732 --> 00:25:14,898 NEITHER WILL YOU. 554 00:25:14,932 --> 00:25:16,432 HELL WITH HIM. 555 00:25:23,698 --> 00:25:25,365 OH, YOU GUYS STILL INK PEOPLE? 556 00:25:25,398 --> 00:25:27,632 THOUGHT THEY HAD THAT ALL ON COMPUTERS NOW. 557 00:25:27,665 --> 00:25:29,065 SIT DOWN. 558 00:25:31,398 --> 00:25:32,298 AHH... 559 00:25:32,332 --> 00:25:33,898 WHERE WERE YOU LAST NIGHT, JIMMY? 560 00:25:33,932 --> 00:25:35,598 YOU DON�T EVEN WANT TO KNOW. 561 00:25:35,632 --> 00:25:36,798 ANSWER THE QUESTION. 562 00:25:36,832 --> 00:25:38,732 I GOT A HOLD OF SOME BAD CLAMS. 563 00:25:38,765 --> 00:25:39,965 EVER HAD BAD CLAMS? 564 00:25:39,998 --> 00:25:41,532 I WAS LIKE A VOLCANO LAST NIGHT. 565 00:25:41,565 --> 00:25:43,998 YOU KNOW THEY COULD HAVE SACRIFICED A VIRGIN ON MY ASS? 566 00:25:44,032 --> 00:25:45,932 WE GOT PEOPLE SAW YOU ON 2nd AND AVENUE B. 567 00:25:45,965 --> 00:25:47,365 I WISH. I TELL YOU, 568 00:25:47,398 --> 00:25:50,665 I DIDN�T STRAY 3 FEET FROM THE JOHN ALL NIGHT. 569 00:25:50,698 --> 00:25:52,932 SO, WHAT ELSE? 570 00:25:52,965 --> 00:25:55,598 YOU KNOW, WE DEAL WITH KNUCKLEHEADS LIKE YOU 571 00:25:55,632 --> 00:25:57,198 EVERY DAY. 572 00:25:57,232 --> 00:25:59,132 KNUCKLEHEADS PULLING OFF KNUCKLEHEADED ROBBERIES 573 00:25:59,165 --> 00:26:00,732 AGAINST OTHER KNUCKLEHEADS. 574 00:26:00,765 --> 00:26:03,465 WE GET PAID TO DO IT, AND MOST DAYS IT�S NOT A PROBLEM. 575 00:26:03,498 --> 00:26:07,232 TODAY, IT�S A PROBLEM, 576 00:26:07,265 --> 00:26:09,732 AND WE HAVE NO PATIENCE RIGHT NOW, 577 00:26:09,765 --> 00:26:12,698 �CAUSE YOU�RE TAKING TIME AWAY FROM OTHER THINGS, 578 00:26:12,732 --> 00:26:14,332 OTHER PEOPLE. 579 00:26:14,365 --> 00:26:16,998 SO THIS IS WHAT�S GONNA HAPPEN, JIMMY. 580 00:26:17,032 --> 00:26:19,432 FIRST YOU BETTER LOSE THAT SMIRK. 581 00:26:19,465 --> 00:26:21,198 Lose the smirk. 582 00:26:21,232 --> 00:26:23,432 SECOND, YOU�RE EITHER GOING TO TELL US ABOUT ROBBING TINO, 583 00:26:23,465 --> 00:26:26,032 OR DON�T, IN WHICH CASE WE TOSS YOU IN THE SYSTEM 584 00:26:26,065 --> 00:26:28,232 AND GO WITH JULIAN�S VERSION HOW IT WAS YOU 585 00:26:28,265 --> 00:26:30,565 WHO OPENED UP ON THE STREET AND SHOT THAT PEDESTRIAN, 586 00:26:30,598 --> 00:26:33,365 WHO�S CURRENTLY CLINGING TO LIFE AT BELLEVUE, BY THE WAY. 587 00:26:33,398 --> 00:26:34,465 Greg: THAT�S RIGHT. 588 00:26:34,498 --> 00:26:36,832 JULIAN FLIPPED ON YOU. 589 00:26:36,865 --> 00:26:39,065 THIRD THING... IT�S GONNA HAPPEN NOW, 590 00:26:39,098 --> 00:26:40,932 AND THERE�S A LOT RIDING FOR BOTH OF US 591 00:26:40,965 --> 00:26:42,332 ON YOUR DECISION, JIMMY, 592 00:26:42,365 --> 00:26:44,465 �CAUSE IF YOU WASTE ONE MORE SECOND OF MY TIME, 593 00:26:44,498 --> 00:26:45,832 I�M GONNA BE OUT OF A JOB, 594 00:26:45,865 --> 00:26:47,498 AND YOU�RE GONNA BE OUT ABOUT EIGHT TEETH, 595 00:26:47,532 --> 00:26:49,232 SO THINK IT OVER 596 00:26:49,265 --> 00:26:50,598 VERY CAREFULLY 597 00:26:50,632 --> 00:26:51,998 BEFORE YOU SPEAK. 598 00:26:58,165 --> 00:26:59,265 GO AHEAD. 599 00:27:01,565 --> 00:27:03,998 LOOK, I DIDN�T SHOOT NOBODY, ALL RIGHT? 600 00:27:04,032 --> 00:27:06,132 IT WAS JULIAN THAT SHOT THAT GUY. 601 00:27:06,165 --> 00:27:08,132 HOW DO YOU KNOW TINO? I DON�T. 602 00:27:08,165 --> 00:27:09,998 THEN HOW DID YOU KNOW THERE WAS 50 GRAND 603 00:27:10,032 --> 00:27:12,232 STASHED IN HIS APARTMENT? 604 00:27:12,265 --> 00:27:14,798 LOOK, HIS GIRLFRIEND MARIA, ALL RIGHT? 605 00:27:14,832 --> 00:27:17,032 MET HER IN A CLUB. BEEN BANGING HER. 606 00:27:17,065 --> 00:27:18,698 TO KEEP ME INTERESTED, 607 00:27:18,732 --> 00:27:20,398 SHE GETS TO HOW HER LIMP?DICK BOYFRIEND 608 00:27:20,432 --> 00:27:22,798 ALWAYS HAS A COUPLE OF GRAND STASHED IN THE BEDROOM. 609 00:27:22,832 --> 00:27:24,365 WE WORK IT OUT. I SHOW UP AT 10:00, 610 00:27:24,398 --> 00:27:26,498 MARIA�S GONNA ANSWER THE DOOR, AND WE PUSH IN. 611 00:27:26,532 --> 00:27:28,598 BUT SHE SAYS NOT TO WORRY �CAUSE TINO�S SOFT. 612 00:27:28,632 --> 00:27:31,098 HE�LL GIVE IT UP NO PROBLEM. BUT ON THE WAY OUT, 613 00:27:31,132 --> 00:27:33,765 THAT CRAZY PRICK COMES CHASING AFTER US, 614 00:27:33,798 --> 00:27:35,698 OUT ON THE STREET, FIRING HIS GUN. 615 00:27:35,732 --> 00:27:38,698 BUT LISTEN, IT WAS JULIAN THAT FIRED BACK, ALL RIGHT? 616 00:27:38,732 --> 00:27:40,132 NOT ME. 617 00:27:40,165 --> 00:27:43,165 NOW HE CAN KISS MY ASS, ROLL?OVER RAT PRICK. 618 00:27:43,198 --> 00:27:45,465 MARIA SAID TINO KEPT A COUPLE GRAND AROUND, BUT THERE WAS 50? 619 00:27:45,498 --> 00:27:47,832 YEAH, I GUESS MAYBE THAT�S WHAT HAD HIM RUNNING OUT 620 00:27:47,865 --> 00:27:49,732 IN THE STREET, THROWING SHOTS IN HIS UNDERWEAR. 621 00:27:49,765 --> 00:27:51,265 WHERE�S THE MONEY NOW? 622 00:27:51,298 --> 00:27:52,832 �CAUSE WE COULD VOUCHER IT IN YOUR NAME, 623 00:27:52,865 --> 00:27:53,832 AND YOU NEVER KNOW. 624 00:27:53,865 --> 00:27:54,932 YOU MIGHT GET IT BACK. 625 00:27:58,965 --> 00:28:00,365 IT�S IN MY APARTMENT. 626 00:28:02,765 --> 00:28:04,798 WRITE THE ADDRESS. 627 00:28:15,332 --> 00:28:17,398 SO, WHAT�S YOUR HISTORY WITH THIS LEGAZI? 628 00:28:17,432 --> 00:28:19,598 WHEN IT STARTED OUT, I THOUGHT WE WERE FRIENDS, 629 00:28:19,632 --> 00:28:22,165 BUT HE MOSTLY WANTED ME TO SCORE DRUGS FOR HIM. 630 00:28:22,198 --> 00:28:24,632 HE�S MADE, SO IT�S LIKE BENEATH HIM OR SOMETHING 631 00:28:24,665 --> 00:28:25,832 TO GET HIS HANDS DIRTY. 632 00:28:25,865 --> 00:28:26,965 YOU STILL TALK TO HIM? 633 00:28:26,998 --> 00:28:28,965 WELL, NO, NOT LIKE BEFORE. 634 00:28:28,998 --> 00:28:31,465 I BUMP INTO HIM ONCE IN A WHILE. 635 00:28:31,498 --> 00:28:34,098 LISTEN, UM, WE�RE GOING TO NEED YOU 636 00:28:34,132 --> 00:28:36,498 TO RE?ESTABLISH CONTACT WITH HIM. 637 00:28:36,532 --> 00:28:37,932 HEY, WHAT DO YOU MEAN? 638 00:28:37,965 --> 00:28:39,398 WELL, TO WEAR A WIRE 639 00:28:39,432 --> 00:28:41,532 AND GET HIM TO TALK ABOUT THAT NIGHT. 640 00:28:41,565 --> 00:28:43,832 NO. NO. THAT�S NOT PART OF THE DEAL. 641 00:28:43,865 --> 00:28:45,832 I SAID I�D TESTIFY, THAT�S ALL. 642 00:28:45,865 --> 00:28:47,365 THERE�S NO DEAL YET, JULIAN. 643 00:28:47,398 --> 00:28:49,132 ALL WE GOT IS MAYBE A DEAD BODY, 644 00:28:49,165 --> 00:28:51,165 AND YOU�RE THE ONLY ONE WHO KNOWS IT WAS HERE. 645 00:28:51,198 --> 00:28:52,665 SO YOU�RE GOING TO WEAR THAT WIRE 646 00:28:52,698 --> 00:28:55,198 TO PROVE YOU DIDN�T DO THIS MURDER ON YOUR OWN. 647 00:28:55,232 --> 00:28:57,632 I SHOULD�VE NEVER DONE THIS. I DON�T TRUST YOU GUYS AT ALL. 648 00:28:57,665 --> 00:28:59,032 YOU CAN TRUST US. NOW SHUT UP. 649 00:28:59,065 --> 00:29:00,932 HOW AM I SUPPOSED TO GET HIM TO TALK? 650 00:29:00,965 --> 00:29:02,698 WHAT, I TAKE HIM OUT FOR ICE CREAM? 651 00:29:02,732 --> 00:29:05,198 YOU�RE GOING TO CALL AND YOU�RE GOING TO TELL THIS ASSHOLE 652 00:29:05,232 --> 00:29:06,998 THAT YOU CAME INTO SOME COKE. 653 00:29:07,032 --> 00:29:08,598 WE WILL COACH YOU ON THE REST. 654 00:29:08,632 --> 00:29:09,832 WHAT IF HE QUIT USING? 655 00:29:09,865 --> 00:29:12,365 DO WE NEED HIM AROUND HERE ANYMORE? 656 00:29:13,798 --> 00:29:15,332 PUT HIM IN THE CAR. 657 00:29:15,365 --> 00:29:17,332 I SHOULD HAVE NEVER DONE THIS. 658 00:29:17,365 --> 00:29:20,832 I SHOULD HAVE NEVER DONE THIS! 659 00:29:20,865 --> 00:29:21,898 WE GOT SOMETHING. 660 00:30:38,585 --> 00:30:40,585 RIGHT. I�LL GET BACK TO HELP WITH THE PAPERWORK 661 00:30:40,618 --> 00:30:42,052 AS SOON AS I CAN. 662 00:30:42,085 --> 00:30:44,352 DO WHAT YOU GOT TO DO. I GOT THIS. THANKS, PARTNER. 663 00:30:44,385 --> 00:30:46,118 LAST CHANCE TO HELP YOURSELF OUT, RICKY. 664 00:30:46,152 --> 00:30:48,085 YEAH, LIKE TALKING TO YOU IS GONNA DO ME WONDERS. 665 00:30:48,118 --> 00:30:51,252 STICK HIM IN A CELL. LET�S GO TALK TO TINO. 666 00:30:58,218 --> 00:30:59,185 ANY WORD? 667 00:31:03,918 --> 00:31:06,752 THEY, UH, FOUND DANNY�S BODY. 668 00:31:06,785 --> 00:31:10,152 OKAY. 669 00:31:10,185 --> 00:31:12,318 WELL, UH, 670 00:31:12,352 --> 00:31:14,918 WE GOT RICKY, BUT HE LAWYERED UP, 671 00:31:14,952 --> 00:31:17,852 SO NOW I GOT TO FIGURE OUT WHAT THE NEXT MOVE IS. 672 00:31:17,885 --> 00:31:19,952 UH, IS TINO OUT OF I. C. U. YET? 673 00:31:19,985 --> 00:31:21,018 NO. 674 00:31:21,052 --> 00:31:22,752 THE GUY BEHIND THE ROBBERY 675 00:31:22,785 --> 00:31:24,718 AT TINO�S PLACE LAST NIGHT ?? 676 00:31:24,752 --> 00:31:26,252 NAME�S JIMMY GIGLIO. 677 00:31:26,285 --> 00:31:29,585 HE WAS BANGING TINO�S GIRLFRIEND MARIA. 678 00:31:29,618 --> 00:31:31,152 SHE SET IT UP. 679 00:31:31,185 --> 00:31:33,085 OKAY. I�LL, UH, I�LL GO BACK AT HER. 680 00:31:33,118 --> 00:31:35,252 YEAH, I MEAN, I�M SURE 681 00:31:35,285 --> 00:31:37,885 SHE�S STILL AT HER PARENTS�, SO THAT�S WHAT I�LL DO. 682 00:31:37,918 --> 00:31:39,085 I�LL ?? I�LL GO TALK TO HER. 683 00:31:43,918 --> 00:31:45,118 KEEP HIM COMPANY. 684 00:31:45,152 --> 00:31:47,118 YOU GET IN TOUCH WITH AGENT BOYD YET? 685 00:31:47,152 --> 00:31:48,752 HE SHOULD BE HERE ANY MINUTE. 686 00:31:48,785 --> 00:31:50,118 HE�S GONNA COME HERE, 687 00:31:50,152 --> 00:31:52,252 HE�S GONNA LOCK US DOWN WITH A BUNCH OF B. S. 688 00:31:52,285 --> 00:31:54,518 ABOUT INDICTMENTS AND PROTOCOL AND TESTAMENTS. 689 00:31:54,552 --> 00:31:56,385 SO WHAT DO YOU WANT TO DO, ANDY ?? 690 00:31:56,418 --> 00:31:59,452 GO ROGUE AND DO IT OURSELVES BEFORE ANYBODY NOTICES, HUH? 691 00:31:59,485 --> 00:32:01,618 I GOT 15 OTHER PEOPLE TO UPDATE. DETECTIVE? 692 00:32:01,652 --> 00:32:03,752 WHAT? THEO�S SITTER CALLED. 693 00:32:03,785 --> 00:32:05,818 [ SIGHS ] 694 00:32:05,852 --> 00:32:08,152 WHAT�S GOING ON WITH RICKY? 695 00:32:08,185 --> 00:32:09,785 HE LAWYERED UP, 696 00:32:09,818 --> 00:32:14,085 BUT WE GOT SOME INFO TO GO BACK AT THAT GIRL MARIA. YOU�RE ON TOP OF IT? 697 00:32:14,118 --> 00:32:16,385 YEAH. WE GOT IT. ALL RIGHT, YOU AND GREG GO. 698 00:32:16,418 --> 00:32:18,452 KATIE, IT�S ME. THEO�S AT HIS SITTER�S. 699 00:32:18,485 --> 00:32:20,185 I NEED YOU TO GO GET HIM 700 00:32:20,218 --> 00:32:23,052 AND HAVE HIM STAY AT YOUR PLACE FOR A COUPLE DAYS. 701 00:32:23,085 --> 00:32:25,418 KATIE, LOOK, YOU GOT TO DO THIS FOR ME. 702 00:32:25,452 --> 00:32:28,018 SOMETHING CAME UP WITH ?? WITH DANNY, 703 00:32:28,052 --> 00:32:30,485 AND, UH, I CAN�T DO IT RIGHT NOW. 704 00:32:30,518 --> 00:32:33,152 PLEASE. 705 00:32:39,685 --> 00:32:41,385 COME ON. 706 00:32:50,152 --> 00:32:51,918 WE FOUND THE BODY OF OUR GUY. 707 00:32:51,952 --> 00:32:52,918 DETECTIVE SORENSON? 708 00:32:52,952 --> 00:32:54,018 YEAH. WHERE? 709 00:32:54,052 --> 00:32:55,752 BROOKLYN. AND WE GOT THE GUY 710 00:32:55,785 --> 00:32:57,718 WHO DROVE THE MAN AND HELPED BURY THE BODY. 711 00:32:57,752 --> 00:32:59,618 HE GOT THE CALL FROM A MAX LEGAZI 712 00:32:59,652 --> 00:33:00,752 AT TAILFEATHERS. 713 00:33:00,785 --> 00:33:02,018 LEGAZI�S OUR GUY. 714 00:33:02,052 --> 00:33:04,085 YOU KNOW MAX IS THE SON OF A COP THOUGH, RIGHT? 715 00:33:04,118 --> 00:33:06,885 I DON�T CARE WHO HE IS. WE HAVE A SHOT WITH HIS ACCOMPLICE 716 00:33:06,918 --> 00:33:09,385 TO MAKE CONTACT TO SEE IF WE CAN GET LEGAZI TO TALK. 717 00:33:09,418 --> 00:33:11,185 SO YOUR GUY�S READY TO COOPERATE FULLY? 718 00:33:11,218 --> 00:33:14,285 TODAY HE IS. TOMORROW, WHO KNOWS? 719 00:33:14,318 --> 00:33:15,385 WHAT ARE YOU ASKING ME HERE? 720 00:33:15,418 --> 00:33:16,952 WE�RE GONNA HAVE OUR GUY WEAR A WIRE 721 00:33:16,985 --> 00:33:18,985 AGAINST LEGAZI TOMORROW AT TAILFEATHERS. 722 00:33:19,018 --> 00:33:20,318 WE NEED YOU TO OKAY IT. 723 00:33:20,352 --> 00:33:21,652 WHOA, THAT�S BIG. 724 00:33:24,285 --> 00:33:26,485 YOU WRITE IT UP, AND I�LL RUN IT FOR MY SUPERIORS. 725 00:33:26,518 --> 00:33:28,452 DID I TELL YOU? 726 00:33:28,485 --> 00:33:30,885 I�M CONFIDENT YOU�RE CAPABLE OF SIGNING OFF ON THIS 727 00:33:30,918 --> 00:33:33,152 AND REPORTING TO YOUR SUPERIORS THAT YOU DID SO 728 00:33:33,185 --> 00:33:35,318 BECAUSE TIME WAS OF THE ESSENCE, WHICH IT IS. 729 00:33:35,352 --> 00:33:37,152 THE INDICTMENTS YOU WERE WAITING ON 730 00:33:37,185 --> 00:33:39,318 WHEN SORENSON AND YOUR AGENT WENT MISSING, 731 00:33:39,352 --> 00:33:41,952 THE INDICTMENTS FOR YOUR SUPERIORS THAT HANDCUFFED US, 732 00:33:41,985 --> 00:33:43,752 WHAT DID YOU END UP GETTING OUT OF THOSE? 733 00:33:43,785 --> 00:33:44,952 NOT A HELL OF A LOT. 734 00:33:44,985 --> 00:33:47,985 LEGAZI IS THE GUY WHO KILLED SORENSON 735 00:33:48,018 --> 00:33:49,818 AND MOST LIKELY KILLED YOUR AGENT 736 00:33:49,852 --> 00:33:51,752 THAT YOU HAD UNDERCOVER AT THAT CLUB. 737 00:33:51,785 --> 00:33:53,352 THAT AGENT WAS YOUR FRIEND, RIGHT? 738 00:33:56,085 --> 00:33:57,918 ALL RIGHT. 739 00:33:57,952 --> 00:34:00,385 PERSONNEL, SURVEILLANCE. 740 00:34:00,418 --> 00:34:02,652 LET ME KNOW WHAT YOU NEED. 741 00:34:07,152 --> 00:34:09,785 IT SMELLS LIKE PUKE IN HERE. 742 00:34:09,818 --> 00:34:11,785 RECOGNIZE IT? 743 00:34:11,818 --> 00:34:13,652 WHAT, THE PUKE? YEAH. IT�S TINO�S. 744 00:34:13,685 --> 00:34:14,952 BAD CASE OF THE NERVES 745 00:34:14,985 --> 00:34:17,185 OFF WHAT HAPPENED LAST NIGHT, I GUESS, 746 00:34:17,218 --> 00:34:20,418 PLUS FINDING OUT HIS GIRLFRIEND SET HIM UP FOR A ROBBERY 747 00:34:20,452 --> 00:34:23,285 WITH THE GUY SHE WAS BANGING BEHIND HIS BACK. 748 00:34:23,318 --> 00:34:25,885 THAT�S ENOUGH TO MAKE ANY GUY TOSS THEM UP. 749 00:34:25,918 --> 00:34:27,285 WHERE�S TINO AT NOW? 750 00:34:27,318 --> 00:34:29,652 DOWNSTAIRS TALKING TO DETECTIVES. 751 00:34:29,685 --> 00:34:30,985 SO IS RICKY. 752 00:34:31,018 --> 00:34:33,052 AND YOU SHOULD KNOW, MARIA, 753 00:34:33,085 --> 00:34:35,085 THEY�RE BOTH PISSED OFF AT YOU, 754 00:34:35,118 --> 00:34:37,852 SAYING THINGS ABOUT YOUR INVOLVEMENT LAST NIGHT, 755 00:34:37,885 --> 00:34:39,918 AND I�M TRYING TO FIGURE OUT IF IT�S TRUE 756 00:34:39,952 --> 00:34:42,352 OR IF THEY�RE JUST MAKING THINGS UP TO GET BACK AT YOU. 757 00:34:42,385 --> 00:34:44,785 WHAT ARE THEY SAYING? WHAT�S RICKY SAYING? 758 00:34:44,818 --> 00:34:46,818 BECAUSE IF ANYBODY SHOULDN�T BE TALKING 759 00:34:46,852 --> 00:34:48,752 ABOUT WHAT THEY DID LAST NIGHT, IT�S RICKY. 760 00:34:48,785 --> 00:34:50,252 I SEE IT ALL THE TIME, MARIA. 761 00:34:50,285 --> 00:34:52,252 THE ONE PERSON WHO KEEPS THEIR MOUTH SHUT, 762 00:34:52,285 --> 00:34:54,152 THINKING THE OTHERS ARE DOING THE SAME, 763 00:34:54,185 --> 00:34:55,818 THEY�RE THE ONE WHO GETS SCREWED. 764 00:34:55,852 --> 00:34:57,085 WHAT�S RICKY SAYING? 765 00:34:57,118 --> 00:34:58,785 I WANT YOUR VERSION OF WHAT HAPPENED, 766 00:34:58,818 --> 00:35:00,052 BUT I NEED IT NOW 767 00:35:00,085 --> 00:35:01,785 BEFORE RICKY AND TINO GET THERE FIRST. 768 00:35:01,818 --> 00:35:03,485 LOOK, I DIDN�T WANT TO GO OVER THERE, 769 00:35:03,518 --> 00:35:04,652 AND IT WAS NOT MY IDEA. 770 00:35:04,685 --> 00:35:05,852 OVER TO TERESA�S. 771 00:35:05,885 --> 00:35:07,885 YEAH. THEY WERE ALL UP IN MY FACE, 772 00:35:07,918 --> 00:35:09,852 SCREAMING, "DID YOU OPEN YOUR MOUTH TO TERESA?" 773 00:35:09,885 --> 00:35:11,418 AND I�M LIKE, "I DON�T KNOW. MAYBE." 774 00:35:11,452 --> 00:35:13,652 I SAID IT JUST SO I COULD BREATHE FOR A SECOND. 775 00:35:13,685 --> 00:35:15,118 OPEN YOUR MOUTH ABOUT WHAT? 776 00:35:15,152 --> 00:35:17,318 ABOUT TINO KEEPING MONEY IN HIS CLOSET. 777 00:35:17,352 --> 00:35:18,885 HE USUALLY KEPT ONLY A COUPLE GRAND, 778 00:35:18,918 --> 00:35:21,718 BUT THERE WAS 50 LAST NIGHT. 779 00:35:21,752 --> 00:35:23,318 AND HALF OF THAT WAS RICKY�S MONEY 780 00:35:23,352 --> 00:35:25,718 THAT TINO WAS SUPPOSED TO GIVE HIM LATER. 781 00:35:25,752 --> 00:35:26,985 BUT WHEN I FOUND OUT 782 00:35:27,018 --> 00:35:29,018 THAT RICKY�S MONEY WAS STOLEN, TOO, 783 00:35:29,052 --> 00:35:31,485 I KNEW I�D REALLY SCREWED UP, 784 00:35:31,518 --> 00:35:35,185 �CAUSE RICKY�S... 785 00:35:35,218 --> 00:35:36,918 HE�S CRAZY. 786 00:35:36,952 --> 00:35:40,118 SO YOU TOLD THEM YOU MAY HAVE MENTIONED IT TO TERESA? 787 00:35:40,152 --> 00:35:42,685 JUST TO GET THEM OUT OF MY FACE. 788 00:35:42,718 --> 00:35:43,918 AND YOU CALLED HER ON YOUR CELL PHONE 789 00:35:43,952 --> 00:35:46,318 TO MAKE SURE SHE WAS HOME. THEY MADE ME CALL HER. 790 00:35:46,352 --> 00:35:47,285 SO YOU WENT OVER THERE. 791 00:35:50,318 --> 00:35:52,885 I DID NOT WANT THIS TO HAPPEN. 792 00:35:52,918 --> 00:35:55,185 I SWEAR TO GOD. 793 00:35:55,218 --> 00:35:57,485 BUT TERESA GETS ALL UP IN RICKY�S FACE, 794 00:35:57,518 --> 00:35:59,152 SCREAMING AT HIM TO GET OUT 795 00:35:59,185 --> 00:36:00,318 AND SWEARING AT HIM, 796 00:36:00,352 --> 00:36:02,385 AND I�M TELLING HER TO CALM DOWN. 797 00:36:02,418 --> 00:36:07,818 AND THEN RICKY JUST... 798 00:36:07,852 --> 00:36:10,252 HE KILL ALL FOUR GIRLS? 799 00:36:14,352 --> 00:36:15,852 TERESA, IRMA, LORENA, 800 00:36:15,885 --> 00:36:17,885 AND THEN HE PUTS THE GUN TO TINO�S HEAD 801 00:36:17,918 --> 00:36:20,852 AND TELLS HIM THAT HE GOTTA SHOOT DINA 802 00:36:20,885 --> 00:36:23,318 SO THAT TINO BE IN ON IT, TOO. 803 00:36:23,352 --> 00:36:26,052 AND THEN THEY WALKED BACK IN THE BEDROOM, 804 00:36:26,085 --> 00:36:28,218 AND I GUESS THAT�S WHAT TINO DID, 805 00:36:28,252 --> 00:36:29,985 �CAUSE THE LOOK ON HIS FACE... 806 00:36:30,018 --> 00:36:34,218 AND THEN RICKY PUTS THE GUN TO MY HEAD, 807 00:36:34,252 --> 00:36:37,985 AND TINO�S BEGGING HIM NOT TO. 808 00:36:38,018 --> 00:36:40,585 AND I�M ON MY KNEES, 809 00:36:40,618 --> 00:36:43,252 AND I SEE TERESA ON THE FLOOR. 810 00:36:45,418 --> 00:36:47,918 AND YOU KNOW WHAT? 811 00:36:47,952 --> 00:36:51,385 I DIDN�T CARE IF HE PULLED THE TRIGGER. 812 00:36:54,752 --> 00:36:57,718 I WISH HE DID. 813 00:36:59,785 --> 00:37:00,785 CAN�T DO IT. 814 00:37:00,818 --> 00:37:02,052 YEAH, YOU CAN. 815 00:37:02,085 --> 00:37:03,585 THIS GUY�S A KILLER, MAN. I ?? 816 00:37:03,618 --> 00:37:05,252 JULIAN, YOU�RE GONNA DO THIS. 817 00:37:05,285 --> 00:37:06,918 YOU�RE GONNA PICK UP THAT PHONE, 818 00:37:06,952 --> 00:37:08,785 AND YOU�RE GONNA KEEP IT SIMPLE, LIKE WE REHEARSED, 819 00:37:08,818 --> 00:37:10,185 OR YOU�RE GONNA GO UP FOR MURDER. 820 00:37:10,218 --> 00:37:12,485 OKAY. I�LL KEEP IT SIMPLE. 821 00:37:12,518 --> 00:37:13,652 RIGHT. 822 00:37:23,185 --> 00:37:25,852 THERE�S NO ANSWER. DO I HANG ?? YO, MAX. 823 00:37:25,885 --> 00:37:27,418 IT�S JULIAN. 824 00:37:27,452 --> 00:37:29,752 WHAT�S UP, MAN? 825 00:37:29,785 --> 00:37:31,785 YEAH, NOTHING. I�M JUST CHECKING IN. 826 00:37:31,818 --> 00:37:33,018 YEAH, LISTEN, YOU KNOW, 827 00:37:33,052 --> 00:37:34,918 I THOUGHT I�D PUT IT OUT THERE TO YOU, 828 00:37:34,952 --> 00:37:38,052 I CAME INTO SOME WICKED SCHNIGHT, IF YOU KNOW WHAT I MEAN, 829 00:37:38,085 --> 00:37:41,352 SO I PUT IT OUT THERE TO YOU, AND ?? 830 00:37:41,385 --> 00:37:44,118 OKAY. COOL. 831 00:37:44,152 --> 00:37:45,385 HOW MUCH? 832 00:37:45,418 --> 00:37:47,785 OKAY. 833 00:37:47,818 --> 00:37:49,918 OH, YEAH, SURE, I�LL BE THERE. 834 00:37:49,952 --> 00:37:51,918 SO, THEN, UH, HOW ARE THINGS OTHERW?? 835 00:37:55,318 --> 00:38:00,018 T?TOMORROW AT TAILFEATHERS, WHEN THEY OPEN AT 10:00. 836 00:38:00,052 --> 00:38:01,818 Tony: SEE, ONE EASY STEP AT A TIME, 837 00:38:01,852 --> 00:38:03,852 WITH US RIGHT BEHIND YOU. THAT�S ALL IT IS. 838 00:38:03,885 --> 00:38:05,452 OKAY, SO WHAT? 839 00:38:05,485 --> 00:38:06,518 THEN I JUST ?? 840 00:38:06,552 --> 00:38:08,918 I WALK IN THERE TOMORROW AND WHAT? 841 00:38:08,952 --> 00:38:10,352 Tony: WE�LL WORK THAT ALL OUT. 842 00:38:10,385 --> 00:38:12,318 WHAT WE�RE GOING TO DO NOW IS PUT YOU UP IN A HOTEL 843 00:38:12,352 --> 00:38:13,518 AND GET SET UP HERE IN THE MORNING. 844 00:38:13,552 --> 00:38:15,018 WHEN DO I GET MY DEAL? 845 00:38:15,052 --> 00:38:17,052 DON�T ASK THAT QUESTION AGAIN. I SWEAR TO GOD. 846 00:38:17,085 --> 00:38:18,518 ALL RIGHT, WHO�S GOING IN WITH ME 847 00:38:18,552 --> 00:38:20,118 WHEN I GO SEE MAX? 848 00:38:20,152 --> 00:38:21,918 YOU�LL GO BY YOURSELF. WE�LL BE SET UP RIGHT OUTSIDE. 849 00:38:21,952 --> 00:38:23,818 NO! NO WAY! FORGET IT. 850 00:38:23,852 --> 00:38:25,618 I WANT SOMEBODY IN THERE WITH A GUN 851 00:38:25,652 --> 00:38:26,885 WHO�S WATCHING MY BACK! 852 00:38:26,918 --> 00:38:28,185 WE�LL GET YOU SOMEBODY. NOW COME ON. 853 00:38:28,218 --> 00:38:29,818 I WANT TO CALL MY GIRLFRIEND. LATER. LET�S GO. 854 00:38:29,852 --> 00:38:32,085 I WANT TO CALL HER NOW, OKAY?! CHILL OUT! 855 00:38:32,118 --> 00:38:34,052 I�M PUTTING MY LIFE ON THE LINE HERE! 856 00:38:34,085 --> 00:38:35,285 I DON�T KNOW WHAT�S GOING TO HAPPEN TO ME! 857 00:38:35,318 --> 00:38:37,618 I WANT TO TALK TO HER. I WANT TO HAVE HER 858 00:38:37,652 --> 00:38:39,718 KISS MY CHILDREN FOR ME. 859 00:38:39,752 --> 00:38:41,418 ALL RIGHT, CALL YOUR GIRLFRIEND, 860 00:38:41,452 --> 00:38:43,318 BUT YOU DON�T MENTION ANYTHING ABOUT WHAT YOU�RE DOING, 861 00:38:43,352 --> 00:38:44,185 AND CHILL OUT. 862 00:38:55,252 --> 00:38:58,152 MARIA�S SAYING SHE DIDN�T KNOW THEY�D KILL ANYBODY. 863 00:38:58,185 --> 00:39:00,152 THEN WHY�D SHE GIVE UP HER FRIEND? 864 00:39:00,185 --> 00:39:01,185 SHE WAS SCARED. 865 00:39:01,218 --> 00:39:02,418 BECAUSE SHE THOUGHT THEY�D HURT HER. 866 00:39:02,452 --> 00:39:03,918 I GUESS. 867 00:39:03,952 --> 00:39:05,518 IF SHE THOUGHT THEY WERE GOING TO HURT HER, 868 00:39:05,552 --> 00:39:07,418 THEN SHE KNEW THEY WERE LIKELY TO HURT TERESA. 869 00:39:07,452 --> 00:39:09,452 YEAH. OKAY, UM... 870 00:39:09,485 --> 00:39:11,118 I SEE WHERE YOU�RE GOING, AND THAT�S FINE, 871 00:39:11,152 --> 00:39:13,885 BECAUSE I�M ?? I�M NOT INVESTED IN THIS GIRL EITHER WAY. 872 00:39:13,918 --> 00:39:15,385 SHE�S A PRINCIPAL MURDER ONE, 873 00:39:15,418 --> 00:39:17,418 BUT USE THAT TO GET HER TO TESTIFY AGAINST THE OTHERS, 874 00:39:17,452 --> 00:39:20,652 �CAUSE, WELL, WE WANT THEM MORE, RIGHT? 875 00:39:20,685 --> 00:39:22,718 YEAH. 876 00:39:22,752 --> 00:39:25,252 HOW�S ANDY TAKING IT? 877 00:39:25,285 --> 00:39:26,852 I DON�T KNOW. 878 00:39:30,485 --> 00:39:32,752 THANKS FOR COMING. SURE. 879 00:39:32,785 --> 00:39:34,318 YOU GOT TO TALK TO THIS IDIOT. 880 00:39:34,352 --> 00:39:36,518 HE WON�T DO THIS UNLESS HE GETS THE WITNESS PROGRAM. 881 00:39:36,552 --> 00:39:37,918 THAT�S FEDERAL. 882 00:39:37,952 --> 00:39:40,985 I KNOW, BUT YOU JUST WALK IN THERE AND SHOW HIM YOUR I. D., 883 00:39:41,018 --> 00:39:42,618 STROKE HIM. HE WON�T SHUT UP. 884 00:39:42,652 --> 00:39:44,018 COFFEE ROOM? 885 00:39:44,052 --> 00:39:46,252 HE�S IN THERE WITH GREG AND BALDWIN. 886 00:39:47,618 --> 00:39:48,785 Tony: I�M GOING TO STRANGLE HIM. 887 00:39:48,818 --> 00:39:51,652 HE ACTING UP? 888 00:39:51,685 --> 00:39:53,285 HE�S JUST, UH... 889 00:39:53,318 --> 00:39:56,452 WE SHOULD MEET HERE AT 7:00 INSTEAD OF 8:00. 890 00:39:56,485 --> 00:39:58,452 WE GOT TO COACH HIM MORE. HE�S TOO SHAKY. 891 00:39:58,485 --> 00:40:00,685 THE MORE WE COACH HIM, THE MORE CONFUSED HE GETS. 892 00:40:00,718 --> 00:40:01,885 LET�S JUST GO WITH WHAT WE GOT. 893 00:40:05,852 --> 00:40:07,752 LIEUTENANT, YOU ASKED FOR ME? 894 00:40:07,785 --> 00:40:09,152 YEAH, WE NEED YOU TOMORROW. 895 00:40:09,185 --> 00:40:10,018 YOU GOT IT. 896 00:40:10,052 --> 00:40:11,618 WE NEED YOU TO BACK UP A WITNESS 897 00:40:11,652 --> 00:40:12,952 WHO�S GOING TO BE WEARING A WIRE, OKAY? 898 00:40:12,985 --> 00:40:14,918 YOU�LL POSE AS HIS FRIEND. KEEP AN EYE ON HIM, 899 00:40:14,952 --> 00:40:17,118 BUT YOU WON�T HAVE TO BE PART OF THE CONVERSATION. 900 00:40:17,152 --> 00:40:19,318 YOU HAVE ANY PROBLEMS WITH WHAT I JUST LAID OUT? NONE. 901 00:40:19,352 --> 00:40:21,385 OKAY, WE�LL MEET HERE TOMORROW AT 8:00 A. M. 902 00:40:21,418 --> 00:40:22,818 YOU GOT THIS. 903 00:40:22,852 --> 00:40:24,018 YEAH. SEE YOU TOMORROW. 904 00:40:24,052 --> 00:40:26,252 OKAY, WELL, I�LL BE HERE. 905 00:40:26,285 --> 00:40:28,485 ALL RIGHT. 906 00:40:28,518 --> 00:40:30,285 SORRY TO HEAR ABOUT YOUR GUY. 907 00:40:30,318 --> 00:40:32,252 THANKS. 908 00:40:50,352 --> 00:40:51,685 HEY, ANDY. 909 00:40:51,718 --> 00:40:53,485 CLUB SODA WITH LIME? 910 00:40:53,518 --> 00:40:55,818 YEAH. 911 00:40:55,852 --> 00:40:57,552 HOW�S IT GOING? 912 00:40:57,585 --> 00:40:58,618 ALL RIGHT. 913 00:40:58,652 --> 00:41:00,952 GETTING COOL OUT THERE, HUH? 914 00:41:00,985 --> 00:41:02,152 YEP. 915 00:41:02,185 --> 00:41:04,052 FIRST I�VE SEEN YOU IN HERE BY YOURSELF. 916 00:41:04,085 --> 00:41:05,152 YEAH. 917 00:41:05,185 --> 00:41:06,918 I MISSED ALL THOSE RIVETING CONVERSATIONS 918 00:41:06,952 --> 00:41:08,452 I HAD WITH BARTENDERS. 919 00:41:08,485 --> 00:41:09,552 HERE HE GOES AGAIN. 920 00:41:09,585 --> 00:41:12,652 HE�LL BE HERE ALL WEEK, LADIES AND GENTLEMEN. 921 00:41:14,518 --> 00:41:16,352 MIKE DWYER GOT SOBER. 922 00:41:16,385 --> 00:41:17,318 DID HE? 923 00:41:17,352 --> 00:41:18,418 YEAH. 924 00:41:18,452 --> 00:41:20,285 CAN�T EVEN COME BY TO SAY HI. 925 00:41:27,552 --> 00:41:30,518 SO THESE TWO LESBOS WALK INTO A HARDWARE STORE... 926 00:41:30,552 --> 00:41:33,052 TELL YOU WHAT, UH... 927 00:41:33,085 --> 00:41:36,218 JUST POUR ME A SHOT OF WHISKEY THERE 928 00:41:36,252 --> 00:41:37,785 SO I CAN SMELL IT. 929 00:41:37,818 --> 00:41:39,452 YOU SURE ABOUT THIS, ANDY? 930 00:41:39,485 --> 00:41:40,752 WHAT IS THIS, A CHURCH? 931 00:41:40,785 --> 00:41:42,685 YOU SELL BOOZE HERE OR NOT? 932 00:41:42,718 --> 00:41:44,652 YEAH, WE SELL BOOZE. 933 00:41:44,685 --> 00:41:46,118 THEN POUR IT 934 00:41:46,152 --> 00:41:48,185 AND GO BREATHE DOWN SOMEBODY ELSE�S NECK. 935 00:42:14,752 --> 00:42:18,618 DIANE SAID I MIGHT FIND YOU HERE. 936 00:42:18,652 --> 00:42:20,018 I GOT ENOUGH ON MY MIND 937 00:42:20,052 --> 00:42:23,185 WITHOUT HAVING TO WORRY ABOUT YOU DRINKING. 938 00:42:23,218 --> 00:42:26,185 YEAH, WELL, I GOT A COUPLE THINGS ON MY MIND, TOO. 939 00:42:33,218 --> 00:42:36,518 WHAT ELSE CAN YOU DO RIGHT NOW, 940 00:42:36,552 --> 00:42:40,785 OTHER THAN DRINK? 941 00:42:40,818 --> 00:42:42,085 I�M THINKING. 942 00:42:47,685 --> 00:42:49,718 YOU CAN DRINK IF YOU WANT. 943 00:42:52,318 --> 00:42:53,885 NO. 944 00:43:05,352 --> 00:43:06,418 WHY DON�T YOU GO HOME? 945 00:43:09,185 --> 00:43:11,218 I�M NOT LETTING YOU DRINK. 946 00:43:11,252 --> 00:43:12,885 GO HOME. 947 00:43:12,918 --> 00:43:14,918 THEN COME HOME WITH ME. 948 00:43:14,952 --> 00:43:17,252 DON�T DRINK TONIGHT. 949 00:43:23,518 --> 00:43:25,785 COME ON. 950 00:43:25,818 --> 00:43:29,185 LET�S GET OUT OF HERE. 951 00:44:02,118 --> 00:44:03,985 952 00:44:04,035 --> 00:44:08,585 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 69239

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.