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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:39,039 --> 00:00:40,507 Officer: DOA WENT OUT A WINDOW. 2 00:00:40,541 --> 00:00:43,343 WE GO TO ROUST A BUM AND FIND THE DOA. 3 00:00:43,376 --> 00:00:45,712 DOA COULDN�T HAVE MISSED HIM BY 6 INCHES. 4 00:00:45,746 --> 00:00:47,681 HE SLEEPS THROUGH IT, THE BUM. 5 00:00:47,714 --> 00:00:49,850 THAT WAS HIS DWELLING PLACE, RIGHT BESIDE THE CAR. 6 00:00:49,883 --> 00:00:51,685 BLOOD WAS DRIPPING ON HIM ALL NIGHT. 7 00:00:51,718 --> 00:00:54,555 PROBABLY FIGURED A THUNDERCLAP FOLLOWED BY A WARM RAIN. 8 00:00:59,059 --> 00:01:02,428 Officer: THERE�S NO I. D. ON THE CROAKER. 9 00:01:02,462 --> 00:01:03,830 THAT COULD BE THE LAUNCHPAD. 10 00:01:08,569 --> 00:01:10,704 AW, FOR GOD�S SAKE. 11 00:01:10,737 --> 00:01:12,906 LOOK AT THIS. 12 00:01:12,939 --> 00:01:15,776 LOOK AT WHO THIS IS DEAD. 13 00:01:15,809 --> 00:01:17,410 ROBERTS. 14 00:01:25,919 --> 00:01:27,654 WHAT HAPPENED HERE, HUH? 15 00:01:27,688 --> 00:01:29,823 I�M TALKING TO YOU! WHAT HAPPENED TO THIS GUY? 16 00:01:29,856 --> 00:01:30,957 I WASN�T AWARE. 17 00:01:30,991 --> 00:01:32,092 WASN�T AWARE? 18 00:01:32,125 --> 00:01:33,827 GUY LANDED 6 INCHES FROM YOUR HEAD! 19 00:01:33,860 --> 00:01:35,061 IS THIS BUILDING OPEN? 20 00:01:35,095 --> 00:01:36,496 WE GOT THE SUPER COMING OUT. 21 00:01:36,530 --> 00:01:37,463 COME ON. 22 00:01:39,265 --> 00:01:40,233 NO NOTE. 23 00:01:40,266 --> 00:01:41,568 STAY DOWNSTAIRS. 24 00:01:41,602 --> 00:01:44,004 TELL THE SUPER WE�RE SORRY FOR KICKING HIS DOOR IN. 25 00:01:44,037 --> 00:01:45,105 YEAH, ALL RIGHT. 26 00:03:25,772 --> 00:03:27,207 HERE�S HIS GUN. 27 00:03:29,810 --> 00:03:32,212 WASN�T FIRED. 28 00:03:32,245 --> 00:03:35,215 ELIMINATES THE POSSIBILITY ROBERTS SHOT HIMSELF IN THE HEAD, 29 00:03:35,248 --> 00:03:36,717 PUT HIS GUN BACK IN THE DESK, 30 00:03:36,750 --> 00:03:38,051 THEN THREW HIMSELF OUT THE WINDOW. 31 00:03:39,553 --> 00:03:43,456 WH??HYPOTHESIZING THIS IS A MURDER, ANDY, INSTEAD OF A SUICIDE, 32 00:03:43,489 --> 00:03:47,127 THE GUN MAY HAVE BEEN PLACED BACK IN THE DRAWER BY THE PERPETRATOR 33 00:03:47,160 --> 00:03:50,230 AFTER ROBERTS UNSUCCESSFULLY SHOT AT HIM TRYING TO DEFEND HIMSELF. 34 00:03:56,102 --> 00:03:58,772 WHY IT ISN�T OUT OF THE QUESTION 35 00:03:58,805 --> 00:04:01,975 JAMES SEEING IF THE GUN HAD BEEN FIRED. 36 00:04:02,008 --> 00:04:07,147 THE PERPETRATOR WANTS TO MAKE HIM CROAKING ROBERTS LOOK LIKE ROBERTS COMMITTED SUICIDE, 37 00:04:07,180 --> 00:04:10,416 BUT HE DON�T PUT ONE IN ROBERTS� HEAD WITH ROBERTS� GUN. 38 00:04:10,450 --> 00:04:13,153 HE DON�T WANT TO GIVE US AN EVEN CHANCE BUYING THE SUICIDE ANGLE 39 00:04:13,186 --> 00:04:17,658 BY US FINDING ROBERTS WITH THE GUN IN HIS HAND DEAD AT HIS DESK. 40 00:04:17,691 --> 00:04:20,627 HEY. BOTTOM LINE, THE GUN HASN�T BEEN FIRED. 41 00:04:20,661 --> 00:04:23,396 THIS IS MURDER, BUT THE GUN WASN�T INVOLVED. 42 00:04:23,429 --> 00:04:26,600 TH?THERE�S A LOGIC TO WHAT YOU�RE SAYING. 43 00:04:34,040 --> 00:04:36,309 EXPIRATION NOTICE ON SOLDIER OF FORTUNE. 44 00:04:38,211 --> 00:04:41,848 LET�S BOX THIS STUFF. WE CAN GO THROUGH IT IN THE HOUSE. 45 00:04:41,882 --> 00:04:45,686 AND SHUT THAT DOOR ON THAT PISS SMELL COMING FROM THE HALLWAY. 46 00:04:45,719 --> 00:04:49,222 YEAH. THE BUILDING�S DEFINITELY SEEN BETTER DAYS. 47 00:05:15,716 --> 00:05:18,619 THIS WAS NO SUICIDE. A COP EATS HIS GUN. 48 00:05:18,652 --> 00:05:19,986 DID ROBERTS HAVE ONE? 49 00:05:20,020 --> 00:05:22,222 UPPER LEFT DESK DRAWER. 50 00:05:22,255 --> 00:05:24,124 YOU SHARED OUR IMPRESSION? 51 00:05:24,157 --> 00:05:25,458 HE WAS CROAKED. 52 00:05:25,491 --> 00:05:26,993 ANY SIGN OF STRUGGLE IN THE OFFICE? 53 00:05:27,027 --> 00:05:29,229 THAT DON�T MEAN DICK. YOU KNOW, THEY�LL FIND DOPE IN HIM. 54 00:05:29,262 --> 00:05:30,797 SOMEBODY DOPED HIM AND THREW HIM OUT. 55 00:05:30,831 --> 00:05:31,798 NO NEEDLE MARKS. 56 00:05:31,832 --> 00:05:32,966 THAT DON�T MEAN ANYTHING. 57 00:05:32,999 --> 00:05:34,300 LET ME FINISH. 58 00:05:34,334 --> 00:05:37,871 I WAS GONNA SAY THAT DON�T NECESSARILY MEAN ANYTHING. 59 00:05:37,904 --> 00:05:41,474 FORGET MIKE ROBERTS JUMPING OUT A WINDOW, OK, BOSS? 60 00:05:41,508 --> 00:05:44,044 YEAH. I DON�T FEATURE MIKE CHOOSING TO WATCH THE GROUND APPROACH. 61 00:05:44,077 --> 00:05:47,013 HE WAS THROWN, AND PROBABLY DRUGGED, SO HE COULDN�T RESIST. 62 00:05:49,382 --> 00:05:52,152 DO YOU WANT US TO VOUCHER THE BOXES BEFORE WE START GOING THROUGH THEM? 63 00:05:52,185 --> 00:05:54,020 WE HAVE A NEXT OF KIN? 64 00:05:55,055 --> 00:05:56,657 GO THROUGH THE BOXES... 65 00:05:56,690 --> 00:05:59,325 AND LET�S TOSS MIKE�S APARTMENT. 66 00:05:59,359 --> 00:06:00,827 CANVASS THE BARS AROUND HIS OFFICE, 67 00:06:00,861 --> 00:06:02,362 SEE IF WE CAN PLACE HIM LAST NIGHT? 68 00:06:02,395 --> 00:06:05,265 THIS WAS NO BAR PICKUP THREW ROBERTS OUT HIS WINDOW. 69 00:06:05,298 --> 00:06:07,768 MAYBE IT WAS A BAR WHERE THE PERSON THAT THREW HIM OUT THE WINDOW 70 00:06:07,801 --> 00:06:09,269 WENT LOOKING FOR HIM. 71 00:06:09,302 --> 00:06:10,871 YEAH. THAT COULD BE POSSIBLE. 72 00:06:20,747 --> 00:06:23,717 HE WAS PUSHING TO TELL ME SOMETHING. 73 00:06:23,750 --> 00:06:26,019 LIKE HE KNEW HE WAS GONNA GET WHACKED? 74 00:06:26,052 --> 00:06:31,457 ROBERTS GOT THROWN OFF THIS JOB FALLING IN LOVE WITH SOME JUNKIE C.I. 75 00:06:31,491 --> 00:06:36,296 HE GAVE THAT GIRL DRUGS HE STOLE OUT OF THE PROPERTY ROOM. 76 00:06:36,329 --> 00:06:38,632 ROBERTS WASN�T AFRAID OF PUTTING HIS HANDS IN DIRTY WATER, 77 00:06:38,665 --> 00:06:41,935 BUT SOMETHING HE WAS DOING NOW HE KNEW WAS BAD. 78 00:06:41,968 --> 00:06:44,871 WORSE THAN KEEPING A HELPLESS GIRL HIGH. 79 00:06:44,905 --> 00:06:46,306 LET�S FIGURE WHAT HAPPENED, 80 00:06:46,339 --> 00:06:48,775 THEN WE CAN REBUKE HIM AT HIS GRAVE. 81 00:06:51,344 --> 00:06:52,478 WHAT? 82 00:06:53,780 --> 00:06:54,915 I HAVE TO TALK TO YOU. 83 00:07:24,711 --> 00:07:27,848 MALCOLM CULLINAN... WHO WAS RESPONSIBLE FOR DOLORES� DEATH. 84 00:07:27,881 --> 00:07:29,282 WHAT ABOUT HIM? 85 00:07:29,315 --> 00:07:31,451 FORMER DETECTIVE ROBERTS WAS INVOLVED WITH HIM. 86 00:07:32,719 --> 00:07:34,287 THE OTHER NIGHT WHEN HE WAS LEAVING, 87 00:07:34,320 --> 00:07:35,421 HE STOPPED ME ON THE STAIRS, 88 00:07:35,455 --> 00:07:37,123 AND HE CALLED ME THE NAME ROCKY MARCIANO, 89 00:07:37,157 --> 00:07:38,424 WHO WAS A CHAMPIONSHIP PRIZEFIGHTER... 90 00:07:38,458 --> 00:07:40,460 MARCIANO WAS. OF THE FIFTIES. 91 00:07:40,493 --> 00:07:43,630 AND AS THE CONVERSATION WENT ON, I REALIZED HIS CALLING ME THAT 92 00:07:43,664 --> 00:07:45,265 WAS AN INDIRECT REFERENCE 93 00:07:45,298 --> 00:07:47,568 TO MY HAVING PUNCHED MALCOLM CULLINAN. 94 00:07:50,403 --> 00:07:53,139 THE CONVERSATION WENT ON HOW? 95 00:07:53,173 --> 00:07:54,941 HE SAID I HAD NOTHING TO FEAR FROM HIM, 96 00:07:54,975 --> 00:07:57,811 BUT NOT TO THINK THAT MEANT I DIDN�T HAVE ANYTHING TO FEAR. 97 00:07:57,844 --> 00:08:00,781 DID YOU MAKE THAT ROBERTS DELIVERING A THREAT FROM CULLINAN? 98 00:08:00,814 --> 00:08:02,448 NO. I FELT LIKE HE WANTED TO HELP ME. 99 00:08:02,482 --> 00:08:05,952 HE USED THE EXPRESSION "HEADS?UP." HE WAS TRYING TO GIVE ME A "HEADS?UP." 100 00:08:05,986 --> 00:08:07,453 TELLING YOU TO BE CAREFUL. 101 00:08:07,487 --> 00:08:10,223 HE SAID IF THEIR VANITY WAS INJURED, 102 00:08:10,256 --> 00:08:12,559 RICH PEOPLE COULD AFFORD TO INDULGE THEIR WHIMS. 103 00:08:12,593 --> 00:08:15,061 WHICH YOU TOOK CULLINAN HAD IT IN FOR YOU. 104 00:08:15,095 --> 00:08:17,898 I DIDN�T KNOW WHAT TO DO. 105 00:08:17,931 --> 00:08:21,201 I WAS JUST PARALYZED WITH FEAR. 106 00:08:21,234 --> 00:08:22,903 THAT�S NORMAL. 107 00:08:22,936 --> 00:08:26,406 THAT�S A NORMAL WAY TO FEEL. 108 00:08:26,439 --> 00:08:29,209 YOU�VE NEVER GIVEN ME ANY REASON NOT TO TRUST YOU. 109 00:08:29,242 --> 00:08:31,645 BUT I COULDN�T ADMIT I WAS AFRAID. 110 00:08:31,678 --> 00:08:33,914 IF I�D BEEN BRAVE ENOUGH TO ADMIT IT TO ONE OF YOU 111 00:08:33,947 --> 00:08:36,382 AND MALCOLM CULLINAN WAS SOMEHOW INVOLVED IN THIS... 112 00:08:38,451 --> 00:08:40,887 MAYBE FORMER DETECTIVE ROBERTS WOULD STILL BE ALIVE. 113 00:08:54,968 --> 00:08:57,270 IF I HAD HALF A BRAIN TO LISTEN. 114 00:08:57,303 --> 00:08:59,272 WHAT DID JOHN HAVE? 115 00:08:59,305 --> 00:09:00,807 WHAT I SHOULD�VE KNOWN. 116 00:09:03,209 --> 00:09:04,511 CULLINAN... 117 00:09:04,545 --> 00:09:07,548 THAT DOLORES O. D.�d TRICKING FOR IN ATLANTIC CITY? 118 00:09:07,581 --> 00:09:10,450 HIRES ROBERTS TO HARM GAY JOHN 119 00:09:10,483 --> 00:09:13,453 AFTER GAY JOHN CLEANS HIS CLOCK IN THE POKEY ROOM. 120 00:09:13,486 --> 00:09:15,188 WHERE DID WE GET IT? 121 00:09:15,221 --> 00:09:16,957 GAY JOHN JUST TELLS ME ROBERTS, 122 00:09:16,990 --> 00:09:19,560 LEAVING THE OTHER DAY AFTER STEPPING ON HIS JOINT 123 00:09:19,593 --> 00:09:21,562 OVER THAT TRUCK?DELIVERY HEIST? 124 00:09:23,630 --> 00:09:27,133 ROBERTS GOES OUT OF HIS WAY TO FIND GAY JOHN, 125 00:09:27,167 --> 00:09:29,035 GIVING HIM A SPECIFIC HEADS?UP?? 126 00:09:29,069 --> 00:09:32,305 HE�S IN NO DANGER FROM ROBERTS, BUT HE BETTER WATCH HIS BACK. 127 00:09:32,338 --> 00:09:34,975 ROBERTS ACKNOWLEDGED HE WAS WORKING FOR CULLINAN? 128 00:09:35,008 --> 00:09:37,644 HE CALLS HIM "MARCIANO," GAY JOHN, 129 00:09:37,678 --> 00:09:40,647 SPECIFICALLY REFERRING THAT JOHN CLEANED CULLINAN�S CLOCK 130 00:09:40,681 --> 00:09:42,983 AND THAT RICH PEOPLE CAN CARRY A GRIEVANCE. 131 00:09:43,016 --> 00:09:46,720 WHICH HE TOLD ME, CHAPTER AND VERSE, ROBERTS?? 132 00:09:46,753 --> 00:09:51,758 "MY SHIP FINALLY CAME IN. I CAN�T TAKE ADVANTAGE. IT MAKES ME TOO SICK." 133 00:09:58,031 --> 00:10:00,500 CULLINAN OFFERS ROBERTS A CONTRACT 134 00:10:00,534 --> 00:10:03,403 BEATING GAY JOHN�S BALLS OFF OR WORSE, 135 00:10:03,436 --> 00:10:06,472 BUT IT�S TOO SICKENING FOR ROBERTS EVEN THOUGH THE MONEY�S GOOD. 136 00:10:07,541 --> 00:10:09,743 CULLINAN KILLS ROBERTS �CAUSE ROBERTS 137 00:10:09,776 --> 00:10:11,745 TURNS DOWN A CONTRACT BEATING JOHN�S BALLS OFF? 138 00:10:11,778 --> 00:10:15,015 OH, EXCUSE PISS OUT OF ME FOR NOT CROSSING EVERY MOTIVATIONAL "T" 139 00:10:15,048 --> 00:10:17,751 5 MINUTES WITHIN THE INFORMATION COMING TO MY ATTENTION. 140 00:10:17,784 --> 00:10:21,021 NO. EXCUSE ME, ANDY, SUGGESTING WE CAN�T YET TROT TO THE D. A.�s OFFICE. 141 00:10:21,054 --> 00:10:23,089 DID YOU HEAR ME SAY THIS CULLINAN KILLED ROBERTS? 142 00:10:23,123 --> 00:10:24,424 NO, I DID NOT. 143 00:10:24,457 --> 00:10:26,259 THAT�S AN AREA TO LOOK AT. 144 00:10:26,292 --> 00:10:27,360 ABSOLUTELY. 145 00:10:27,393 --> 00:10:28,862 THAT�S MY SOLE PRELIMINARY POINT. 146 00:10:28,895 --> 00:10:30,330 NO QUESTION. 147 00:10:30,363 --> 00:10:32,198 ANYONE THAT ROBERTS DEALT WITH HIS ENTIRE ADULT LIFE 148 00:10:32,232 --> 00:10:34,034 IS A POSSIBLE FOR WANTING HIM DEAD. 149 00:10:34,067 --> 00:10:35,702 I�M JUST TRYING TO NARROW THE FIELD. 150 00:10:37,370 --> 00:10:42,609 GREG, IT LOOKED LIKE YOU HAD SOMETHING WHEN YOU CAME IN. 151 00:10:42,643 --> 00:10:44,044 YES, I DID. 152 00:10:44,077 --> 00:10:46,780 ACTUALLY, JAMES AND I BOTH DID. 153 00:10:46,813 --> 00:10:48,181 THIS ONE�S GREG�S FIND. 154 00:10:48,214 --> 00:10:51,552 A WHOLE BUNCH OF UNDIGESTED BARBITURATES IN MIKE�S STOMACH. 155 00:10:51,585 --> 00:10:53,053 THAT�S HOW HE GOES OUT THE WINDOW. 156 00:10:53,086 --> 00:10:55,355 SOMEBODY LOADS HIM UP ON BARBITURATES, 157 00:10:55,388 --> 00:10:58,859 AND HE CAN�T HOLD �EM OFF SUBSEQUENTLY WHEN THEY LOOK TO TOSS HIM OUT. 158 00:10:58,892 --> 00:11:00,393 NOW, MEDAVOY. 159 00:11:03,163 --> 00:11:06,567 UH, FAR AS WHAT JAMES AND I CAME UP WITH, 160 00:11:06,600 --> 00:11:09,135 MIKE HAD THIS JOURNAL?TYPE NOTEBOOK 161 00:11:09,169 --> 00:11:10,470 WRITTEN UNDER A PEN NAME. 162 00:11:10,504 --> 00:11:12,739 THE CASES OF MIKE ROBERTINI. 163 00:11:12,773 --> 00:11:14,140 THAT�S WHAT IT�S CALLED? 164 00:11:14,174 --> 00:11:17,077 YEAH. I GUESS HE WANTS IT TO BE LIKE SOME KIND OF NOVEL. 165 00:11:17,110 --> 00:11:19,312 NOT A VERY CLEVER PSEUDONYM. 166 00:11:19,345 --> 00:11:21,815 WHAT�S THAT? SUPPOSED TO BE, LIKE, HIS MEMOIRS? 167 00:11:21,848 --> 00:11:23,149 SHEEH. 168 00:11:23,183 --> 00:11:25,151 LEAST HE DIDN�T CALL IT 169 00:11:25,185 --> 00:11:27,087 THE CLEARED CASES OF MIKE ROBERTINI. 170 00:11:27,120 --> 00:11:28,855 YEAH. WE KNOW HE�S NOT LYING SO FAR. 171 00:11:28,889 --> 00:11:31,357 YOU OUGHT TO GO THROUGH THAT AND THE OTHER BOXES. 172 00:11:34,194 --> 00:11:37,598 YEAH. WE�LL SEE IF HE TALKED ABOUT ANY CASES. 173 00:11:37,631 --> 00:11:38,699 I�LL GIVE IT A QUICK READ, TOO. 174 00:11:44,705 --> 00:11:50,544 WHEW, MIKE ROBERTINI! WHAT A GENIUS TITLE THAT ONE IS. 175 00:12:05,559 --> 00:12:07,093 Medavoy: IN THE LAST PART OF THE NOTEBOOK 176 00:12:07,127 --> 00:12:08,629 HE CHANGES THE NAMES, 177 00:12:08,662 --> 00:12:09,930 BUT??BUT IT�S NO DOUBT 178 00:12:09,963 --> 00:12:11,231 WHO MIKE�S TALKING ABOUT. 179 00:12:11,264 --> 00:12:12,933 HE CALLS THE GUY CALLAHAN, 180 00:12:12,966 --> 00:12:14,868 BUT HE�S TALKING ABOUT CULLINAN. 181 00:12:14,901 --> 00:12:17,270 HERE, LISTEN TO HOW HE DESCRIBES HIM. 182 00:12:17,303 --> 00:12:20,473 "A VERY POWERFUL, IMPORTANT INDUSTRIAL?TYPE 183 00:12:20,507 --> 00:12:22,576 "AND BIG?SHOT CHARITY CONTRIBUTOR 184 00:12:22,609 --> 00:12:24,545 WITH SOME REAL SICK TWISTS." 185 00:12:24,578 --> 00:12:26,880 YEAH, THAT??THAT�S CULLINAN TO A "T," 186 00:12:26,913 --> 00:12:28,882 AND THEN THERE�S A LOT OF SNIPPETS, 187 00:12:28,915 --> 00:12:31,818 LIKE MIKE�S WRITING NOTES TO HIMSELF, 188 00:12:31,852 --> 00:12:33,486 CHEERING HIMSELF ON. 189 00:12:33,520 --> 00:12:35,288 "JOSEPH WAMBAUGH HAD HIS DOUBTS, I�M SURE, 190 00:12:35,321 --> 00:12:37,558 MICKEY SPILLANE." 191 00:12:37,591 --> 00:12:39,092 SEE, JOSEPH WAMBAUGH 192 00:12:39,125 --> 00:12:41,061 WAS A COP BECAME A NOVEL WRITER. 193 00:12:41,094 --> 00:12:42,996 MICKEY SPILLANE WROTE MIKE HAMMER. 194 00:12:43,029 --> 00:12:45,065 Martinez: IS THERE ANYTHING IN THERE ABOUT US? 195 00:12:45,098 --> 00:12:46,466 ONE SEQUENCE RIGHT AT THE END. 196 00:12:46,499 --> 00:12:47,467 READ THAT. 197 00:12:47,500 --> 00:12:48,802 Medavoy: NO??WELL??WELL, 198 00:12:48,835 --> 00:12:51,471 LET ME GIVE YOU THE CONTEXT FIRST. 199 00:12:51,505 --> 00:12:53,907 "ROBERTINI DID A FEW THINGS FOR CALLAHAN, 200 00:12:53,940 --> 00:12:56,176 "AND WHAT YOU MIGHT EVEN CALL DIRTY WORK... 201 00:12:56,209 --> 00:12:58,612 Roberts� voice blends in: IF YOU DIDN�T KNOW WHAT THE REAL WORLD WAS LIKE..." 202 00:12:58,645 --> 00:13:00,981 Roberts, narrating: BUT THEN CALLAHAN ASKED ROBERTS 203 00:13:01,014 --> 00:13:03,617 TO DO SOMETHING VERY MUCH WORSE. 204 00:13:03,650 --> 00:13:06,086 YOU GOT SOME BALLS, COME TO MY OFFICE 205 00:13:06,119 --> 00:13:07,921 AND MAKE THAT TYPE REQUEST. 206 00:13:07,954 --> 00:13:10,423 WELL, I KNOW SOMEONE LIKE YOU DON�T HEAR IT VERY OFTEN, 207 00:13:10,456 --> 00:13:12,993 BUT MY ANSWER IS A SUCCINCT NO. 208 00:13:13,026 --> 00:13:14,595 ALL RIGHT, MR. CALLAHAN? 209 00:13:14,628 --> 00:13:16,162 WE UNDERSTOOD? 210 00:13:16,196 --> 00:13:18,331 I DON�T PROVIDE YOU NO DRUGS. 211 00:13:18,364 --> 00:13:20,100 I HAVE INFORMATION THAT WILL FORCE YOU 212 00:13:20,133 --> 00:13:21,467 INTO DOING THIS, MIKE. 213 00:13:21,502 --> 00:13:23,704 BLACKMAIL, IN OTHER WORDS. 214 00:13:23,737 --> 00:13:25,271 YOU�RE LOWER THAN WHALE CRAP 215 00:13:25,305 --> 00:13:27,841 AT THE BOTTOM OF THE OCEAN FLOOR. 216 00:13:27,874 --> 00:13:29,643 I KNOW YOUR HISTORY OF PROVIDING DRUGS 217 00:13:29,676 --> 00:13:31,344 TO A GIRLFRIEND YOU WERE BANGING 218 00:13:31,377 --> 00:13:33,313 WHILE YOU WERE ON THE FORCE. 219 00:13:33,346 --> 00:13:34,781 WE CALL IT THE JOB, MR. CALLAHAN, 220 00:13:34,815 --> 00:13:36,983 AND I HAD A DISTINGUISHED CAREER. 221 00:13:37,017 --> 00:13:38,384 NOT WHEN YOU WERE PROVIDING DRUGS 222 00:13:38,418 --> 00:13:39,820 TO THAT GIRLFRIEND YOU WERE BANGING. 223 00:13:39,853 --> 00:13:41,888 SHE WAS A JUNKIE INFORMANT. 224 00:13:43,524 --> 00:13:45,626 WE WERE IN LOVE. 225 00:13:45,659 --> 00:13:47,027 I BELIEVE THAT GIRL TOOK HER OWN LIFE 226 00:13:47,060 --> 00:13:49,630 IN REMORSE OVER YOU, DIDN�T SHE, MIKE? 227 00:13:49,663 --> 00:13:53,199 AND YOU WERE DISMISSED OFF THE JOB, DISGRACED. 228 00:13:53,233 --> 00:13:54,467 I RESIGNED, AND I WANT TO KNOW 229 00:13:54,500 --> 00:13:55,669 HOW YOU�RE PRIVY TO THIS. 230 00:13:55,702 --> 00:13:58,371 I HAD AN INTEREST IN THAT GIRL MYSELF, MIKE, 231 00:13:58,404 --> 00:14:00,473 OR DID YOU THINK THE TWO OF YOU WERE STEADIES? 232 00:14:00,507 --> 00:14:02,843 AND YET 4 YEARS LATER, YOU GO TO HIRE ME 233 00:14:02,876 --> 00:14:05,211 TO DO SECURITY WORK FOR YOUR BUSINESS FIRM? 234 00:14:05,245 --> 00:14:07,147 DO YOU THINK MAYBE THAT WAS TO SET YOU UP 235 00:14:07,180 --> 00:14:09,650 FOR THIS OTHER THING I WAS INTERESTED IN? 236 00:14:09,683 --> 00:14:11,718 YOU WANT ME TO PROCURE DRUGS FOR YOU 237 00:14:11,752 --> 00:14:13,887 TO GIVE TO HOOKERS SO YOU CAN GET YOURSELF OFF 238 00:14:13,920 --> 00:14:16,056 IN THAT DEGENERATE SPECIALIZED NEED THAT YOU HAVE? 239 00:14:16,089 --> 00:14:18,424 IS THAT WHAT THIS IS ALL ABOUT, MR. CALLAHAN? 240 00:14:18,458 --> 00:14:21,595 THE POINT IS, IF I PUT OUT WHAT I KNOW ABOUT YOU, 241 00:14:21,628 --> 00:14:23,730 YOU�LL LOSE EVERY ACCOUNT YOU HAVE. 242 00:14:23,764 --> 00:14:26,032 YOU�RE TOTALLY BLACKMAILED. 243 00:14:26,066 --> 00:14:30,036 YOU CONNIVING, OVER?RICH PRICK. 244 00:14:30,070 --> 00:14:32,405 WELCOME TO THE REAL WORLD. 245 00:14:38,444 --> 00:14:40,847 I WANT THAT FAIRY TAKEN CARE OF. 246 00:14:40,881 --> 00:14:42,348 THE HELL YOU SAY. 247 00:14:42,382 --> 00:14:44,918 I�VE GOT BLACKMAIL CONTROL OVER YOU, SCUMBAG. 248 00:14:44,951 --> 00:14:46,419 HEY, YOU CALL ME THAT AGAIN, 249 00:14:46,452 --> 00:14:47,788 AND I�LL GIVE YOU A HETEROSEXUAL BEATING 250 00:14:47,821 --> 00:14:49,723 TO COMPARE TO THE SORE JAW THAT HE GAVE YOU. 251 00:14:49,756 --> 00:14:52,793 SUPPOSE I OFFERED YOU 25 GRAND? 252 00:14:52,826 --> 00:14:54,628 OH, AND THAT�S SUPPOSED TO INTEREST ME? 253 00:14:54,661 --> 00:14:56,029 I WANT HIM PUSHED OUT A WINDOW. 254 00:14:56,062 --> 00:14:58,098 I WANT TO SEE IF FAIRIES FLY. 255 00:14:58,131 --> 00:15:00,601 AND THAT??THAT�S SUPPOSED TO INTEREST ME? 256 00:15:00,634 --> 00:15:03,436 25,000 CASH? 257 00:15:03,469 --> 00:15:05,371 WHEW. YOU GOT SOME BALLS, 258 00:15:05,405 --> 00:15:09,109 COMING IN MY OFFICE, MAKING THAT TYPE REQUEST. 259 00:15:10,476 --> 00:15:12,546 AHH. WE SURE MISS YOU, MIKE. 260 00:15:12,579 --> 00:15:13,880 [LAUGHS] 261 00:15:13,914 --> 00:15:15,148 I�M ENVIOUS. 262 00:15:15,181 --> 00:15:17,984 AH, WELL, I MEAN, YOUR DAY WILL COME, HUH? 263 00:15:19,285 --> 00:15:22,723 YEAH, AS SOON AS HIS PEOPLE CAN AFFORD PRIVATE EYES. 264 00:15:22,756 --> 00:15:24,825 [LAUGHTER] 265 00:15:24,858 --> 00:15:26,960 HEY, HE SAID IT, JIMENEZ, I DIDN�T. 266 00:15:30,330 --> 00:15:32,599 DID YOU WANT TO TALK TO ME PRIVATELY? 267 00:15:33,767 --> 00:15:35,401 YES. 268 00:15:35,435 --> 00:15:38,204 OH, UH, NO PROBLEM, MIKE. 269 00:15:41,041 --> 00:15:42,776 YOU�RE A GOOD EGG, MEDANSKY. 270 00:15:43,944 --> 00:15:45,612 YOU, TOO, JIMENEZ. 271 00:15:45,646 --> 00:15:47,080 WHEN I GET OUTSIDE, 272 00:15:47,113 --> 00:15:48,582 I�M GOING TO TRADE THIS IN FOR A SOMBRERO. 273 00:15:48,615 --> 00:15:49,950 [LAUGHTER] 274 00:15:49,983 --> 00:15:51,652 HEY, YOU SAID THAT, I DIDN�T. 275 00:15:53,987 --> 00:15:55,756 [SIGHS] WHAT DO YOU WANT? 276 00:15:55,789 --> 00:15:57,924 YOU KNOW I HATE SMALL TALK. 277 00:15:57,958 --> 00:16:00,493 YEAH. 278 00:16:00,527 --> 00:16:02,796 THIS GUY I WORK FOR, UH, 279 00:16:02,829 --> 00:16:05,599 OUT?AND?OUT PROPOSED I DO MURDER, ANDY, 280 00:16:05,632 --> 00:16:08,134 BELIEVE THAT OR NOT. 281 00:16:08,168 --> 00:16:10,771 THINKING HE CAN FORCE YOU OUT OF YOUR VALUES, 282 00:16:10,804 --> 00:16:13,674 HE MUST HAVE BLACKMAIL INFORMATION. 283 00:16:13,707 --> 00:16:14,975 YEAH, WELL, HE�S ALREADY FORCED ME 284 00:16:15,008 --> 00:16:16,643 TO GET HIM UNCUT SMACK, ANDY, 285 00:16:16,677 --> 00:16:19,012 AND HE�S GOT A THING FOR JUNKIE WHORES. 286 00:16:19,045 --> 00:16:22,448 AN EX?P. A. A.? TURNED?JUNKIE?WHORE FROM OUR HOUSE 287 00:16:22,482 --> 00:16:25,886 DIED UNDER JUST THOSE CIRCUMSTANCES. 288 00:16:25,919 --> 00:16:29,489 YEAH. N?NOW HE WANTS ME TO KILL HER REPLACEMENT, SEE? 289 00:16:29,523 --> 00:16:30,624 WHAT, IS HE TRYING TO TURN THAT 290 00:16:30,657 --> 00:16:33,660 P.A.A.�s JOB INTO A DEATH POSITION? 291 00:16:33,694 --> 00:16:36,329 NO, NO. 292 00:16:36,362 --> 00:16:38,298 MEL CALLAHAN, ANDY. 293 00:16:38,331 --> 00:16:40,801 THAT�S OUR MYSTERY MAN, 294 00:16:40,834 --> 00:16:43,870 AND I�M CONFIDING IT TO YOU. 295 00:16:43,904 --> 00:16:47,641 YOU GOT A BUM SHAKE YOUR WHOLE PROFESSIONAL CAREER. 296 00:16:47,674 --> 00:16:48,709 THAT�S WATER UNDER THE BRIDGE. 297 00:16:48,742 --> 00:16:49,843 I DON�T CRY ABOUT THAT. 298 00:16:51,377 --> 00:16:53,547 ANDY, 299 00:16:53,580 --> 00:16:55,882 CAN YOU PROTECT ME IF NECESSARY? 300 00:17:23,143 --> 00:17:24,945 MIKE ROBERTINI. 301 00:17:29,550 --> 00:17:30,951 DOES ANYONE WANT A SODA? 302 00:17:34,788 --> 00:17:36,857 [CLEARS THROAT] IT WASN�T THE HOOKERS GETTING HIGH 303 00:17:36,890 --> 00:17:39,192 CULLINAN WANTED TO SEE. 304 00:17:39,225 --> 00:17:40,527 Martinez: WANTED THEM TO OVERDOSE. 305 00:17:40,561 --> 00:17:42,596 HE GOT OFF ON WATCHING THEM DIE. 306 00:17:42,629 --> 00:17:44,965 IF ROBERTS ISN�T GONNA SCORE DOPE FOR CULLINAN ANYMORE, 307 00:17:44,998 --> 00:17:47,300 CULLINAN�S GOTTA FEEL ROBERTS IS A RISK. 308 00:17:47,333 --> 00:17:49,069 ROBERTS COULD TURN AROUND AND BLACKMAIL HIM. 309 00:17:49,102 --> 00:17:50,704 YEAH, WELL, T?THERE�S YOUR MOTIVE FOR, UH, 310 00:17:50,737 --> 00:17:52,405 CULLINAN MURDERING MIKE. 311 00:17:52,438 --> 00:17:54,474 WHAT CULLINAN SHOULD�VE BEEN AFRAID OF 312 00:17:54,508 --> 00:17:56,376 WASN�T ROBERTS BLACKMAILING HIM, 313 00:17:56,409 --> 00:17:57,711 IT�S ROBERTS TURNING HIM IN, 314 00:17:57,744 --> 00:18:00,781 �CAUSE THAT�S WHAT MIKE WAS ABOUT TO DO. 315 00:18:00,814 --> 00:18:02,649 [SIGHS] 316 00:18:02,683 --> 00:18:04,384 STANDS IN THAT BATHROOM, 317 00:18:04,417 --> 00:18:07,120 BEGS ME TO MAKE HIM GIVE IT UP. 318 00:18:07,153 --> 00:18:09,623 [DISGUSTED SIGH] 319 00:18:09,656 --> 00:18:11,592 "ONE THING I COULD NEVER DO, ANDY, 320 00:18:11,625 --> 00:18:14,460 "EVADE YOU KNOWING I WAS WRONG. 321 00:18:14,494 --> 00:18:17,598 YOU COULD ALWAYS FIND MY BAD SECRET." 322 00:18:21,935 --> 00:18:24,237 PRICK�S GOT NO EXPOSURE, THIS CULLINAN. 323 00:18:24,270 --> 00:18:26,607 THE HOOKERS� SHOOTING UP IS ON THEM, 324 00:18:26,640 --> 00:18:27,608 AND ROBERTS IS A MOPE 325 00:18:27,641 --> 00:18:28,942 THAT IF HE DIDN�T COMMIT SUICIDE, 326 00:18:28,975 --> 00:18:30,410 HIS WHOLE CLIENT LIST WAS ELIGIBLE 327 00:18:30,443 --> 00:18:32,278 FOR LAUNCHING HIM OUT THAT WINDOW. 328 00:18:33,514 --> 00:18:36,016 A WARPO LIKE THAT DOESN�T STOP. 329 00:18:37,017 --> 00:18:38,151 CULLINAN. 330 00:18:38,184 --> 00:18:39,520 HE�LL BE AFRAID A LITTLE WHILE, 331 00:18:39,553 --> 00:18:41,187 THEN IT�LL START BUILDING UP IN HIM AGAIN, 332 00:18:41,221 --> 00:18:43,289 WANTING WHAT HE NEEDS TO GET OFF. 333 00:18:45,458 --> 00:18:47,628 LET�S GIVE HIM WHAT HE WANTS. 334 00:19:07,648 --> 00:19:09,115 HI. 335 00:19:09,149 --> 00:19:10,183 HI. 336 00:19:10,216 --> 00:19:11,484 COME ON. 337 00:19:20,393 --> 00:19:22,529 SHE LOOKS LIKE ROBERTS DESCRIBED HER, THE MADAM. 338 00:19:22,563 --> 00:19:24,464 YEAH, WELL, HE DESCRIBED HER GOOD ENOUGH 339 00:19:24,497 --> 00:19:26,900 THAT DIANE KNEW WHO HE WAS TALKING ABOUT. 340 00:19:28,334 --> 00:19:29,636 WHEN DIANE WAS WORKING VICE, 341 00:19:29,670 --> 00:19:30,837 EVERY MALE IN MANHATTAN 342 00:19:30,871 --> 00:19:33,039 MUST�VE BEEN EVEN?MONEY TO GET LOCKED UP. 343 00:19:33,073 --> 00:19:35,942 THAT ONE AIN�T GONNA BE NO SLOUCH. 344 00:19:39,245 --> 00:19:42,683 I GUESS ALL THE COFFEE SHOPS WERE CLOSED. 345 00:19:42,716 --> 00:19:45,986 SOME TRICK USES YOUR SERVICE RUNS INTO YOU HERE, LEA, 346 00:19:46,019 --> 00:19:48,021 HE�S PROBABLY GOT OTHER PROBLEMS TO WORRY ABOUT. 347 00:19:49,355 --> 00:19:52,392 YOU PUT DOLORES MAYO WITH MALCOLM CULLINAN. 348 00:19:52,425 --> 00:19:54,761 I PUT DOLORES MAYO WITH MALCOLM CULLINAN. 349 00:19:54,795 --> 00:19:56,162 I DID NOT PUT A NEEDLE 350 00:19:56,196 --> 00:19:57,864 IN DOLORES MAYO�S ARM, 351 00:19:57,898 --> 00:19:59,833 WHETHER HE ASKED HER TO OR NOT. 352 00:19:59,866 --> 00:20:01,668 WE WANT YOU TO PUT SOMEONE ELSE WITH HIM. 353 00:20:01,702 --> 00:20:03,870 CULLINAN�S NOT IN TOUCH WITH ME ANYMORE. 354 00:20:03,904 --> 00:20:04,771 BECAUSE? 355 00:20:04,805 --> 00:20:06,507 BECAUSE I ASKED HIM NOT TO BE. 356 00:20:06,540 --> 00:20:08,575 WELL, NOW YOU�RE GONNA CHANGE YOUR MIND. 357 00:20:08,609 --> 00:20:11,011 I HAD NO CONNECTION WITH THAT GIRL�S HABITS, 358 00:20:11,044 --> 00:20:12,579 DOLORES MAYO. 359 00:20:12,613 --> 00:20:13,714 NO ONE�S SAYING YOU DID. 360 00:20:13,747 --> 00:20:15,616 I�M SAYING I DIDN�T. 361 00:20:15,649 --> 00:20:18,451 WE WANT TO RUN A GIRL THROUGH YOUR SERVICE 362 00:20:18,484 --> 00:20:19,853 TO GET TO CULLINAN. 363 00:20:19,886 --> 00:20:21,855 I WOULDN�T MIND SEEING THAT PRICK JACKED UP, 364 00:20:21,888 --> 00:20:23,524 BUT IT�S NOT A BIG BUSINESS ENDORSEMENT, 365 00:20:23,557 --> 00:20:25,692 MY SERVICE FRONTING FOR THE COPS. 366 00:20:25,726 --> 00:20:28,028 IT�S NOT LIKE WE�LL ASK YOU TO TESTIFY. 367 00:20:28,061 --> 00:20:28,962 AND IF THEY GO FOR ENTRAPMENT, 368 00:20:28,995 --> 00:20:31,097 IT�S NOT LIKE HIS LAWYER WON�T. 369 00:20:31,131 --> 00:20:32,933 YOU NEED TO USE YOUR IMAGINATION ON THIS ONE, LEA, 370 00:20:32,966 --> 00:20:34,868 �CAUSE IT�S GOING TO HAPPEN 371 00:20:34,901 --> 00:20:36,202 OR YOU�RE NOT GONNA HAVE ANY BUSINESS 372 00:20:36,236 --> 00:20:37,904 LEFT TO ENDORSE. 373 00:20:39,405 --> 00:20:41,274 [SIGHS] 374 00:20:49,750 --> 00:20:51,317 THINK SHE�S GONNA COOPERATE? 375 00:20:51,351 --> 00:20:53,453 THEY TEND TO BE PRACTICAL. 376 00:20:54,521 --> 00:20:56,790 WHERE DO YOU WANT ME TO CALL FROM? 377 00:21:14,440 --> 00:21:15,842 Sipowicz: THINKS THIS IS THE PUBLIC LIBRARY, 378 00:21:15,876 --> 00:21:18,579 MEDAVOY. 379 00:21:18,612 --> 00:21:21,982 SO ARE YOUR INTERESTS STILL PRETTY MUCH THE SAME? 380 00:21:22,015 --> 00:21:24,017 WELL, I GAVE UP TRYING TO CHANGE PEOPLE�S MINDS 381 00:21:24,050 --> 00:21:25,485 FOR LENT A FEW YEARS AGO, 382 00:21:25,519 --> 00:21:27,420 AND I�M TOO OLD TO CHANGE MINE, 383 00:21:27,453 --> 00:21:30,691 SO I GUESS WE STILL CAN�T DO BUSINESS. 384 00:21:30,724 --> 00:21:33,426 �CAUSE I JUST RAN ACROSS A GIRL WHO MEETS YOUR NEEDS. 385 00:21:33,459 --> 00:21:37,097 HA. ACTUALLY, I JUST FIRED HER FOR IT. 386 00:21:37,130 --> 00:21:41,267 GOOD?LOOKING BLONDE, 5�7", BUSTY. 387 00:21:41,301 --> 00:21:43,036 SAID SHE JUST STARTED SHOOTING. 388 00:21:43,069 --> 00:21:45,639 FIGURE 3 MONTHS FOR LYING. 389 00:21:47,641 --> 00:21:49,375 WELL, I�M GONNA GIVE YOU HER NUMBER, MAL, 390 00:21:49,409 --> 00:21:51,198 BUT I DON�T WANT YOU USING MY NAME. 391 00:21:51,198 --> 00:21:52,599 SHE�LL THINK I TOOK A FEE, 392 00:21:52,633 --> 00:21:55,469 AND THEN SHE�LL BE BACK TRYING TO WORK FOR ME. 393 00:21:57,138 --> 00:22:00,641 YEAH. ONE FOR OLD TIMES, AND NO HARD FEELINGS. 394 00:22:00,674 --> 00:22:02,143 HER NAME�S DARCY, 395 00:22:02,176 --> 00:22:04,778 AND YOU PROBABLY WANT TO CALL HER SOONER THAN LATER, 396 00:22:04,811 --> 00:22:06,747 �CAUSE SHE WAS TALKING ABOUT LEAVING TOWN. 397 00:22:06,780 --> 00:22:08,382 YOU GOT A PENCIL? 398 00:22:23,497 --> 00:22:25,799 [SIGHS] 399 00:22:25,832 --> 00:22:28,034 [TELEPHONE RINGS] 400 00:22:30,537 --> 00:22:32,339 [RING] 401 00:22:32,373 --> 00:22:34,908 [THROATY VOICE] HELLO. 402 00:22:49,823 --> 00:22:52,226 Cullinan on videotape: YOU WANT ME TO PAY FOR YOUR HIGH... 403 00:22:56,029 --> 00:22:59,466 AND SUPPORT YOUR HIGH, 404 00:22:59,500 --> 00:23:01,168 BUT YOU DON�T MUCH CARE ABOUT ME AT ALL. 405 00:23:01,202 --> 00:23:03,470 WHERE HIS VOICE GOES TIGHT LIKE THAT. 406 00:23:03,504 --> 00:23:04,871 WE�LL BE ON OUR WAY IN. 407 00:23:04,905 --> 00:23:07,241 NO OLD TRACKS, �CAUSE YOU JUST STARTED MAINLINING. 408 00:23:07,274 --> 00:23:08,809 BEFORE, YOU WERE SMOKING IT. 409 00:23:08,842 --> 00:23:10,977 THAT�S WHY SHE STILL LOOKS GOOD. 410 00:23:11,011 --> 00:23:13,747 THE HOME RUN�S IF HE CONNECTS HIMSELF TO ROBERTS. 411 00:23:13,780 --> 00:23:15,749 GET CULLINAN TALKING ABOUT HIS SOURCE FOR THE DRUGS. 412 00:23:15,782 --> 00:23:17,551 THAT WOULD BE A CREDIBLE SUBJECT OF INTEREST, 413 00:23:17,584 --> 00:23:19,085 YOU BEING A JUNKIE WHORE. 414 00:23:23,857 --> 00:23:25,392 WHETHER YOU GET HIM TO ROBERTS OR NOT, 415 00:23:25,426 --> 00:23:26,727 YOU HAVE TO ESTABLISH THE DRUGS 416 00:23:26,760 --> 00:23:28,162 ARE CULLINAN�S. 417 00:23:28,195 --> 00:23:30,030 WHATEVER SEX?TRIP HE WANTS THE TWO OF YOU TO GET ON 418 00:23:30,063 --> 00:23:31,064 MAY INVOLVE HIM FAKING 419 00:23:31,097 --> 00:23:32,733 FINDING THE DRUGS IN THE APARTMENT. 420 00:23:32,766 --> 00:23:33,900 THAT THEY BELONG TO HIS FRIEND. 421 00:23:33,934 --> 00:23:36,102 YOU CAN�T LET HIM STAY WITH THAT. 422 00:23:36,137 --> 00:23:37,838 AS FAR AS HOW MUCH YOU SHOW HIM 423 00:23:37,871 --> 00:23:39,173 AND WHAT YOU LET HIM DO, 424 00:23:39,206 --> 00:23:40,907 REMEMBER, YOU�RE ON CAMERA, 425 00:23:40,941 --> 00:23:42,209 YOU WON�T BE ABLE TO LIE. 426 00:23:48,882 --> 00:23:50,284 HOLD ON, DANNY. 427 00:23:50,317 --> 00:23:51,785 SURE. 428 00:23:57,391 --> 00:23:59,393 I NEED TO TALK TO HER ABOUT THE LIPSTICK CAMERA. 429 00:23:59,426 --> 00:24:00,894 YEAH. SHE�LL BE BACK IN A MINUTE. 430 00:24:00,927 --> 00:24:02,028 COME ON, LEO. 431 00:24:02,062 --> 00:24:03,029 COME ON, WHAT? I�M SUPPOSED TO PRETEND 432 00:24:03,063 --> 00:24:04,064 THAT I LIKE THIS? 433 00:24:04,097 --> 00:24:05,399 NO. I�LL SETTLE FOR NOT GETTING 434 00:24:05,432 --> 00:24:07,134 TREATED LIKE GARBAGE �CAUSE I�M DOING MY JOB. 435 00:24:07,168 --> 00:24:08,969 YOU THINK CULLINAN�S GONNA LET YOU OFF EASY? 436 00:24:09,002 --> 00:24:11,104 THIS ISN�T SOME WALLFLOWER LOSING HIS CHERRY, JILL. 437 00:24:11,138 --> 00:24:12,806 YEAH. NEITHER AM I. 438 00:24:12,839 --> 00:24:13,740 OH, THAT�S GOOD. 439 00:24:13,774 --> 00:24:14,908 OH, COME ON, LEO. 440 00:24:14,941 --> 00:24:17,043 ALL I MEANT IS I KNOW HOW TO HANDLE MYSELF. 441 00:24:17,077 --> 00:24:18,445 SOMEHOW, I DON�T THINK THAT�S THE ONLY THING 442 00:24:18,479 --> 00:24:19,813 YOU�RE GONNA BE HANDLING TONIGHT. 443 00:24:27,754 --> 00:24:29,990 YOU KNOW WHAT I KEEP THINKING? 444 00:24:30,023 --> 00:24:32,559 MIKE ROBERTS ON OPRAH. 445 00:24:32,593 --> 00:24:33,560 IN WHAT CONTEXT? 446 00:24:33,594 --> 00:24:35,162 AUTHORING SOME DETECTIVE NOVEL. 447 00:24:35,196 --> 00:24:38,132 UH, PROMOTING IT ON ROSIE O�DONNELL OR THE LIKE. 448 00:24:38,165 --> 00:24:40,234 YEAH. ROSIE O�DONNELL. OPRAH. 449 00:24:40,267 --> 00:24:42,403 YEAH. YEAH. HE�D LOVE THAT. 450 00:24:42,436 --> 00:24:43,904 [IMITATING ROBERTS] YEAH. 451 00:24:43,937 --> 00:24:45,272 I HAD SO MANY INTERESTING CASES, OPRAH. 452 00:24:45,306 --> 00:24:49,075 AFTER MY, UH, DISTINGUISHED SERVICE ON THE JOB, 453 00:24:49,109 --> 00:24:52,746 I VERY MUCH WANTED TO WRITE UP THE CASES 454 00:24:52,779 --> 00:24:55,482 I WAS PROUD OF, OR THE LIKE. 455 00:24:55,516 --> 00:25:00,587 THAT I WAS ACTUALLY QUITE PROUD OF MY WORK. 456 00:25:00,621 --> 00:25:02,356 [BOTH CHUCKLING] 457 00:25:02,389 --> 00:25:06,260 YOU KNOW, UH, 100% CANDID, JAMES, 458 00:25:06,293 --> 00:25:08,862 I�VE FLIRTED MYSELF 459 00:25:08,895 --> 00:25:12,266 WITH WRITING SOME OF OUR CASES UP. 460 00:25:12,299 --> 00:25:13,800 WE HAD SOME PIPS. 461 00:25:13,834 --> 00:25:15,436 YEAH. WELL, WE�VE HAD SOME PIPS, HAVEN�T WE? 462 00:25:15,469 --> 00:25:18,038 EVERY CONCEIVABLE WACKO, FOR ONE THING. 463 00:25:18,071 --> 00:25:21,975 YEAH. THAT COULD BE A VOLUME IN ITSELF, COULDN�T IT? 464 00:25:22,008 --> 00:25:25,045 THE HEAD CASES OF THE NYPD. 465 00:25:25,078 --> 00:25:26,713 TALKING ABOUT COLLEAGUES OR SKELLS? 466 00:25:26,747 --> 00:25:27,981 OH, YOU�RE RIGHT THERE. 467 00:25:28,014 --> 00:25:30,050 THAT COULD BE A WHOLE SECOND VOLUME. 468 00:25:30,083 --> 00:25:32,519 OR YOU COULD HAVE A WHOLE SECOND VOLUME 469 00:25:32,553 --> 00:25:35,289 SOLELY DEVOTED TO ANDY BEING NUTS. 470 00:25:35,322 --> 00:25:39,793 SPLIT...THAT VOLUME COULD BE, JAMES. 471 00:25:39,826 --> 00:25:43,330 CRAZY IN THE OFFICE, NUTS IN THE FIELD: 472 00:25:43,364 --> 00:25:45,266 THE BEHAVIOR OF ANDY SIPOWICZ. 473 00:25:53,940 --> 00:25:56,843 MIKE ROBERTS HAD BALLS. 474 00:26:14,027 --> 00:26:15,596 THEY�RE IN THE LOFT. 475 00:26:15,629 --> 00:26:17,664 Diane: WE�LL KEEP YOU ADVISED. 476 00:26:17,698 --> 00:26:19,333 MMM! 477 00:26:19,366 --> 00:26:21,435 GUY�S AN ARCHITECT. 478 00:26:21,468 --> 00:26:24,004 NEVER REALLY BEEN ABLE TO GET HIS CAREER GOING. 479 00:26:24,037 --> 00:26:27,441 LOOKS LIKE HE�S DOIN� ALL RIGHT TO ME. 480 00:26:27,474 --> 00:26:29,843 YEAH. I GUESS IT�S ALL RELATIVE. 481 00:26:29,876 --> 00:26:31,345 ANYWAYS, IT�S, UH, 482 00:26:31,378 --> 00:26:34,348 IT�S NICE HE LETS YOU USE HIS PLACE. 483 00:26:34,381 --> 00:26:36,550 YEAH. I THINK IF YOU WERE TO TOTE UP 484 00:26:36,583 --> 00:26:39,353 THE FAVORS HE�S DONE ME AND I�VE DONE HIM, 485 00:26:39,386 --> 00:26:42,256 I MIGHT BE A LITTLE BIT AHEAD. 486 00:26:43,890 --> 00:26:45,392 ANYWAYS... 487 00:26:57,771 --> 00:26:59,473 ANYWAYS. 488 00:26:59,506 --> 00:27:02,209 WE AGREED ON 2,500. 489 00:27:02,243 --> 00:27:04,278 THAT�S 5,000. 490 00:27:04,311 --> 00:27:07,414 YOU�LL FIND I�M FULL OF THOSE KIND OF SURPRISES. 491 00:27:14,288 --> 00:27:16,423 THIS GUY MUST HAVE A ONE?INCH DICK. 492 00:27:26,600 --> 00:27:28,669 Jill: YOU�LL FIND I LOVE BEING SURPRISED. 493 00:27:31,104 --> 00:27:32,206 YOU�RE A JUNKIE. 494 00:27:35,942 --> 00:27:37,278 WHERE�D THAT COME FROM? 495 00:27:37,311 --> 00:27:40,013 EVERYTHING ABOUT YOU. 496 00:27:40,046 --> 00:27:43,684 THE EXTRA MAKEUP COVERING YOUR TRACKS. 497 00:27:43,717 --> 00:27:44,885 HMM? 498 00:27:47,621 --> 00:27:49,156 ME MAKING UP THAT GUY 499 00:27:49,190 --> 00:27:50,491 WHO GAVE ME YOUR PHONE NUMBER, 500 00:27:50,524 --> 00:27:51,725 AND YOU SAYING YOU REMEMBER HIM. 501 00:27:53,327 --> 00:27:55,262 YOU BEING AS GORGEOUS AS YOU ARE 502 00:27:55,296 --> 00:27:57,097 AND AFRAID IN YOUR EYES, 503 00:27:57,131 --> 00:27:59,099 LIKE A 50?DOLLAR WHORE. 504 00:27:59,133 --> 00:28:00,467 IT�S ALL JUNK. 505 00:28:00,501 --> 00:28:03,437 YOU FEELING WHAT IT�S DOING TO YOU 506 00:28:03,470 --> 00:28:06,307 AND WORRYING, "IS IT STARTING TO SHOW YET?" 507 00:28:09,243 --> 00:28:11,645 I�M NOT ENJOYING THIS. 508 00:28:11,678 --> 00:28:14,315 I DON�T THINK YOU ENJOYING THIS 509 00:28:14,348 --> 00:28:17,484 IS EXACTLY THE POINT OF THE EXERCISE. 510 00:28:22,256 --> 00:28:24,158 I WANNA WATCH YOU GET OFF. 511 00:28:24,191 --> 00:28:27,394 THAT�S WHERE THE CONVERSATION COULD�VE STARTED. 512 00:28:35,436 --> 00:28:36,737 MOVE OVER HERE. 513 00:28:39,873 --> 00:28:41,408 YOU IN POSITION, ANDY? 514 00:28:41,442 --> 00:28:42,709 [HUSHED] WE�RE GOOD. 515 00:28:54,755 --> 00:28:55,822 USE THIS. 516 00:28:55,856 --> 00:28:58,058 I GOT MY OWN. 517 00:28:58,091 --> 00:28:59,360 THIS IS BETTER. 518 00:28:59,393 --> 00:29:00,527 BETTER COULD BE A PROBLEM. 519 00:29:00,561 --> 00:29:03,029 WHY DON�T I JUST USE MINE? 520 00:29:03,063 --> 00:29:05,232 Cullinan: NO. 521 00:29:05,266 --> 00:29:06,400 LOOK... 522 00:29:08,302 --> 00:29:09,770 IF I USE YOURS, 523 00:29:09,803 --> 00:29:11,205 I WANT YOU TO TAKE A LITTLE, TOO. 524 00:29:11,238 --> 00:29:13,707 NO. I DON�T USE DOPE. 525 00:29:17,378 --> 00:29:19,713 NOT SAYING YOU�D WANT TO HURT ME OR ANYTHING... 526 00:29:23,150 --> 00:29:24,751 I�M GETTIN� KINDA IRRITATED. 527 00:29:26,153 --> 00:29:29,055 LOOK, MY STUFF IS GOOD STUFF. 528 00:29:29,089 --> 00:29:31,057 I PROMISE YOU�LL SEE ME GET OFF. 529 00:29:37,998 --> 00:29:38,965 HEY, DARCY... 530 00:29:38,999 --> 00:29:40,401 Fancy: 10 SECONDS. 531 00:29:40,434 --> 00:29:41,368 YOU�RE GONNA USE MY STUFF, 532 00:29:41,402 --> 00:29:42,369 YOU�RE GONNA USE IT NOW, 533 00:29:42,403 --> 00:29:44,471 OR YOU�RE NOT GONNA GET THE 5 GRAND, 534 00:29:44,505 --> 00:29:45,906 AND YOU ARE GONNA GET HURT. 535 00:29:47,341 --> 00:29:48,809 ANDY, TAKE IT DOWN. 536 00:29:55,682 --> 00:29:57,083 GET ON THE FLOOR! 537 00:29:57,117 --> 00:29:58,285 WHAT IS THIS? 538 00:29:58,319 --> 00:29:59,486 WHAT DOES IT LOOK LIKE? 539 00:29:59,520 --> 00:30:00,787 Andy: YOU�RE A COLLAR. GET ON THE FLOOR. 540 00:30:00,821 --> 00:30:01,822 PUT YOUR HANDS BEHIND YOUR BACK, 541 00:30:01,855 --> 00:30:02,923 OR I�LL FRACTURE YOUR SKULL. 542 00:30:02,956 --> 00:30:04,825 I GOT THE DOPE. 543 00:30:04,858 --> 00:30:06,593 Cullinan: MY ATTORNEY IS JAMES SINCLAIR. 544 00:30:06,627 --> 00:30:07,628 I WANT TO SPEAK TO MY ATTORNEY. 545 00:30:07,661 --> 00:30:08,729 YEAH, HE DID SUCH A GOOD JOB 546 00:30:08,762 --> 00:30:11,765 WHEN YOU KILLED DOLORES MAYO. 547 00:30:11,798 --> 00:30:13,567 WHAT IS THIS, 548 00:30:13,600 --> 00:30:15,169 SOME ELABORATE KIND OF PAYBACK? 549 00:30:15,202 --> 00:30:17,504 SOME POLICE VENDETTA? 550 00:30:17,538 --> 00:30:19,072 YEAH. YOU�RE THE VICTIM HERE. 551 00:30:19,105 --> 00:30:20,574 THIS IS US TAKING ADVANTAGE OF YOU. 552 00:30:20,607 --> 00:30:22,909 GUY WHO OWNS THE PLACE IS AT THE CINEPLEX ON 19th STREET. 553 00:30:22,943 --> 00:30:23,944 LEAVES A MESSAGE FOR CULLINAN, 554 00:30:23,977 --> 00:30:25,111 "IF YOU WANT TO JOIN ME. HA HA." 555 00:30:25,146 --> 00:30:26,580 BE NICE TO HAVE A CONVERSATION WITH HIM 556 00:30:26,613 --> 00:30:28,415 BEFORE HE GETS A LAWYER. 557 00:30:28,449 --> 00:30:29,850 Danny: THIS PICTURE MUST BE HIM. 558 00:30:29,883 --> 00:30:31,252 Fancy: DOES IT SAY WHAT MOVIE? 559 00:30:31,285 --> 00:30:33,687 YEAH. LIFE IS BEAUTIFUL HE�S SEEING. 560 00:30:33,720 --> 00:30:34,855 ANDY. 561 00:30:37,791 --> 00:30:39,993 I�LL DRIVE HIM BACK SLOW. 562 00:30:41,695 --> 00:30:44,398 SO I GUESS EVERYTHING IS RELATIVE, HUH, MAL? 563 00:30:59,580 --> 00:31:00,547 UH?HUH. 564 00:31:11,892 --> 00:31:13,560 WOULD YOU PLEASE TAKE YOUR HANDS 565 00:31:13,594 --> 00:31:14,995 OUT OF MY POCKETS NOW? 566 00:31:15,028 --> 00:31:16,663 WOULD YOU RATHER WE BROUGHT YOU IN IN BRACELETS? 567 00:31:20,734 --> 00:31:22,136 WHERE WOULD YOU LIKE ME TO SIT? 568 00:31:22,169 --> 00:31:25,372 WELL, HOW ABOUT RIGHT HERE? 569 00:31:28,375 --> 00:31:30,010 SO, UH, WHAT�S YOUR NAME? 570 00:31:30,043 --> 00:31:31,212 TRENT? 571 00:31:31,245 --> 00:31:33,547 TRENT KNOX. 572 00:31:33,580 --> 00:31:36,717 WHAT KIND OF NAME IS TRENT? 573 00:31:36,750 --> 00:31:38,852 IT�S BEEN IN MY FAMILY A WHILE. 574 00:31:38,885 --> 00:31:42,055 SO, ONE OF YOUR ANCESTORS LOST A BET? 575 00:31:42,088 --> 00:31:46,193 I HAVE NEVER HAD ANY KIND OF PROBLEMS 576 00:31:46,227 --> 00:31:47,361 WITH THE LAW, 577 00:31:47,394 --> 00:31:50,831 AND I DEEPLY RESENT BEING YANKED IN HERE 578 00:31:50,864 --> 00:31:52,566 COMING OUT OF A FILM. 579 00:31:52,599 --> 00:31:54,100 [MIMICKING] THEN YOU SHOULDN�T 580 00:31:54,135 --> 00:31:55,869 HAVE WRITTEN THE MOVIE YOU WENT TO 581 00:31:55,902 --> 00:31:57,204 ON A POST?IT NOTE 582 00:31:57,238 --> 00:31:59,940 SO THAT WHEN WE COLLARED YOUR ASSHOLE BUDDY 583 00:31:59,973 --> 00:32:01,175 IN YOUR APARTMENT, 584 00:32:01,208 --> 00:32:03,510 WE�D KNOW WHERE TO GRAB YOU UP. 585 00:32:03,544 --> 00:32:05,346 HUH? 586 00:32:05,379 --> 00:32:07,348 I THINK WHAT I�LL DO IS ASK FOR A LAWYER. 587 00:32:07,381 --> 00:32:09,350 NO. I�LL DEMAND A LAWYER. 588 00:32:09,383 --> 00:32:11,418 YEAH. LET�S GET YOU A LAWYER, TRENT. 589 00:32:11,452 --> 00:32:13,354 SO INSTEAD OF YOU GIVIN� US, LIKE, 590 00:32:13,387 --> 00:32:15,889 3 SENTENCES OF SIMPLE EXPLANATION 591 00:32:15,922 --> 00:32:17,958 THAT COULD GET YOU OUT HAVIN� CAPPUCCINO, 592 00:32:17,991 --> 00:32:19,393 YOU CAN BE CHARGED 593 00:32:19,426 --> 00:32:21,128 ACCESSORY TO ATTEMPTED MURDER. 594 00:32:21,162 --> 00:32:23,930 YOU EVER TRY TO TAKE A CRAP WITH NO TOILET SEAT 595 00:32:23,964 --> 00:32:25,399 AND 5 GUYS WATCHING YOU, TRENT? 596 00:32:25,432 --> 00:32:27,601 AND KNOWING THERE�S NO TOILET PAPER FOR AFTER. 597 00:32:27,634 --> 00:32:29,035 I DON�T KNOW 598 00:32:29,069 --> 00:32:30,437 WHAT MAL CULLINAN WAS DOING IN MY APARTMENT. 599 00:32:30,471 --> 00:32:31,972 I WASN�T THERE. 600 00:32:32,005 --> 00:32:34,074 WHAT�D HE DO, PUT A GUN TO YOUR HEAD 601 00:32:34,107 --> 00:32:36,243 AND FORCE YOU OUT INTO THE STREET? 602 00:32:36,277 --> 00:32:38,812 MAL CULLINAN... 603 00:32:38,845 --> 00:32:42,082 TOLD ME IN A GENERAL WAY... 604 00:32:42,115 --> 00:32:43,784 NO. LET ME REPHRASE THAT. 605 00:32:43,817 --> 00:32:44,951 PLEASE. 606 00:32:44,985 --> 00:32:47,588 HE DIDN�T TELL ME ANYTHING... 607 00:32:47,621 --> 00:32:49,590 ABOUT TONIGHT SPECIFICALLY. 608 00:32:49,623 --> 00:32:52,226 WE HAD A GENERAL UNDERSTANDING 609 00:32:52,259 --> 00:32:56,763 THAT HE WOULD SOMETIMES USE MY APARTMENT... 610 00:32:56,797 --> 00:32:58,632 AND I GAVE HIM AN EXTRA KEY. 611 00:32:58,665 --> 00:33:00,134 THIS IS TRENT PREPARING 612 00:33:00,167 --> 00:33:01,602 FOR HIS COURTROOM TESTIMONY, 613 00:33:01,635 --> 00:33:02,803 SKATING DELICATELY 614 00:33:02,836 --> 00:33:04,305 AMONGST THE BIG ICEBERGS 615 00:33:04,338 --> 00:33:06,607 OF POSSIBLE SELF?INCRIMINATION, 616 00:33:06,640 --> 00:33:08,909 INSTEAD OF ONCE IN HIS LIFE 617 00:33:08,942 --> 00:33:11,245 TRYING NOT TO OUTSMART THE WORLD 618 00:33:11,278 --> 00:33:13,614 AND JUST STICK TO SIMPLE FACTS. 619 00:33:13,647 --> 00:33:14,781 [VOICE BREAKING] WELL, HAS IT EVER OCCURRED TO YOU 620 00:33:14,815 --> 00:33:16,750 THAT I MIGHT BE JUST A LITTLE BIT NERVOUS? 621 00:33:16,783 --> 00:33:19,119 IS HE GONNA CRY? 622 00:33:19,153 --> 00:33:20,521 TRENT, JUST GIVE US 623 00:33:20,554 --> 00:33:22,123 A COUPLE STRAIGHTFORWARD ANSWERS. 624 00:33:22,156 --> 00:33:24,458 NO ONE WANTS TO MAKE YOU NERVOUS OR UPSET OR ANYTHING ELSE. 625 00:33:24,491 --> 00:33:25,859 HE DOES. 626 00:33:25,892 --> 00:33:27,694 WELL, HE MAKES ME NERVOUS. 627 00:33:27,728 --> 00:33:29,296 THAT�S NOTHING TO BE ASHAMED OF. 628 00:33:29,330 --> 00:33:30,831 YOU WANT ME TO LEAVE THE ROOM? HMM? 629 00:33:30,864 --> 00:33:32,466 YOU WANT ME TO STAND IN A CORNER? 630 00:33:32,499 --> 00:33:35,636 WELL, PERHAPS IF YOU WOULD JUST STOP TRYING TO INTIMIDATE ME 631 00:33:35,669 --> 00:33:37,271 FOR 30 SECONDS... 632 00:33:37,304 --> 00:33:39,306 THAT MIGHT BE A START. 633 00:33:39,340 --> 00:33:42,476 HEY. LET ME GO GET A COKE 634 00:33:42,509 --> 00:33:45,879 AND PONDER MY POOR UPBRINGING. 635 00:33:45,912 --> 00:33:48,815 NORMAN BATES THAT YOU WERE ASKING ME ABOUT BEFORE?? 636 00:33:48,849 --> 00:33:51,885 THAT�S WHO NORMAN BATES RESEMBLES. 637 00:33:56,557 --> 00:33:58,225 WHO�S NORMAN BATES? 638 00:34:01,195 --> 00:34:04,398 WHAT A COMPLETE ASSHOLE! 639 00:34:04,431 --> 00:34:06,567 WHAT WAS GOING ON IN THAT APARTMENT? 640 00:34:06,600 --> 00:34:09,136 OBVIOUSLY, THAT�S NOTHING YOU�D WANT TO BE A PART OF. 641 00:34:09,170 --> 00:34:11,172 OH, BOY, YOU COULD SAY THAT AGAIN. 642 00:34:11,205 --> 00:34:12,673 MY GOD. 643 00:34:12,706 --> 00:34:14,074 SO THAT HEROIN WASN�T YOURS? 644 00:34:14,107 --> 00:34:15,709 HELL, NO. 645 00:34:15,742 --> 00:34:19,813 HE WOULD ALWAYS BRING THAT WITH HIM. 646 00:34:19,846 --> 00:34:23,350 I HAD NOTHING TO DO WITH ANY OF THIS?? 647 00:34:23,384 --> 00:34:26,253 GIRLS...AND DRUGS. 648 00:34:26,287 --> 00:34:27,521 THE GIRLS? 649 00:34:29,456 --> 00:34:31,792 THIS WAS ALL MAL CULLINAN�S SHOW. 650 00:34:32,959 --> 00:34:34,261 SEE, THERE, TRENT, 651 00:34:34,295 --> 00:34:37,164 YOU DO INDICATE A CERTAIN AMOUNT OF FELONY KNOWLEDGE 652 00:34:37,198 --> 00:34:39,400 WHAT�S GOING ON BEHIND CLOSED DOORS. 653 00:34:46,207 --> 00:34:48,875 YOU WERE JUST TRYING TO TRAP ME, TOO. 654 00:34:48,909 --> 00:34:52,179 NO. WHAT I�M TRYING TO DO, TRENT, 655 00:34:52,213 --> 00:34:54,681 IS INDICATE HOW DEEP YOU�RE STUCK IN MUD. 656 00:34:54,715 --> 00:34:56,217 I WANT TO BRING YOU TO A CLEAR UNDERSTANDING 657 00:34:56,250 --> 00:34:58,385 THE IMPORTANCE OF YOU COMING NOW 658 00:34:58,419 --> 00:35:00,221 WITH ALL YOU GOT 659 00:35:00,254 --> 00:35:01,922 ON YOUR TWISTED PRICK FRIEND MAL CULLINAN 660 00:35:01,955 --> 00:35:03,724 IF YOU WANT TO AVOID TAKING YOUR PLACE 661 00:35:03,757 --> 00:35:05,091 IN A PART OF THE WORLD 662 00:35:05,126 --> 00:35:07,928 YOU WOULD NOT KNOW HOW TO DESCRIBE ON A POST?IT NOTE. 663 00:35:11,598 --> 00:35:13,267 ARE WE READY? 664 00:35:15,902 --> 00:35:17,938 YEAH. WE�RE READY. 665 00:35:21,642 --> 00:35:26,213 LOOK, LET�S ALLOW EVENTS TO UNFOLD SOMEWHAT, 666 00:35:26,247 --> 00:35:28,715 SO PERHAPS WE�LL BE SPARED CONTEMPLATING 667 00:35:28,749 --> 00:35:30,784 SUCH A VAST ARRAY OF CONTINGENCIES. 668 00:35:35,989 --> 00:35:39,059 THERE�S A REASON WHY JUNIOR PARTNERS ARE JUNIOR. 669 00:35:39,092 --> 00:35:41,962 I SUPPOSE IF YOU HAD A BITTER TURN OF MIND, 670 00:35:41,995 --> 00:35:43,464 YOU MIGHT BE THINKING AT THE MOMENT 671 00:35:43,497 --> 00:35:46,233 ABOUT CHICKENS COMING HOME TO ROOST. 672 00:35:46,267 --> 00:35:48,068 I�M THINKING ABOUT PROSTITUTES. 673 00:35:48,101 --> 00:35:50,804 YOUR DECEASED FRIEND MISS MAYO. 674 00:35:50,837 --> 00:35:52,539 NO. THE ONE STANDING IN FRONT OF ME. 675 00:35:53,774 --> 00:35:55,576 DETECTIVE SIPOWICZ. 676 00:35:55,609 --> 00:35:57,077 I CAN�T IMAGINE 677 00:35:57,110 --> 00:35:58,912 YOU WEREN�T INVOLVED IN THIS ESCAPADE. 678 00:35:58,945 --> 00:36:01,282 I TOOK A PASSING INTEREST. 679 00:36:01,315 --> 00:36:04,451 JIMMY, THIS IS UTTER AND TOTAL ENTRAPMENT. 680 00:36:04,485 --> 00:36:06,320 DO NOT SPEAK AGAIN UNTIL I TELL YOU TO. 681 00:36:06,353 --> 00:36:08,955 I WANT TO SPEAK TO MY CLIENT IN PRIVATE. 682 00:36:08,989 --> 00:36:10,824 I HAD NO INTENTION OF HARMING HER, 683 00:36:10,857 --> 00:36:13,160 AND THESE PEOPLE HAD A BOGUS FLAT ON THE WAY IN. 684 00:36:13,194 --> 00:36:14,628 SHUT UP OR GET ANOTHER LAWYER. 685 00:36:14,661 --> 00:36:16,830 I WANT HIS CUFFS OFF. I WANT TO SPEAK TO HIM IN PRIVATE. 686 00:36:16,863 --> 00:36:18,165 YOU WANT THAT DONE HERE? 687 00:36:18,199 --> 00:36:19,500 RIGHT HERE WOULD BE FINE. 688 00:36:19,533 --> 00:36:22,035 TAKE OFF HIS CUFFS. 689 00:36:22,068 --> 00:36:23,670 THEY WON�T WANT TO BE USING THE POKEY ROOM. 690 00:36:23,704 --> 00:36:25,639 INTERVIEW 3. 691 00:36:25,672 --> 00:36:27,508 I BELIEVE THAT�S DOWN THE HALL. 692 00:36:27,541 --> 00:36:29,676 HMM. YOU DO LOOK LOVELY. 693 00:36:29,710 --> 00:36:30,844 THANKS A LOT. 694 00:36:32,213 --> 00:36:33,980 YEAH, IF SHE WAS DRAWN TO PLAGUE CARRIERS, 695 00:36:34,014 --> 00:36:35,482 THE FEELING MIGHT BE MUTUAL. 696 00:36:35,516 --> 00:36:37,050 IT�S AMAZING HOW MANY ARE. 697 00:36:37,083 --> 00:36:40,020 LEO, I�M GONNA BE A FEW MOMENTS WITH MR. CULLINAN. 698 00:36:40,053 --> 00:36:42,323 THEN YOU AND I CAN HAVE A MOMENT IN THE COFFEE ROOM. 699 00:36:43,557 --> 00:36:44,925 BOYS. 700 00:36:51,598 --> 00:36:53,200 YOU WANT ME TO WEAR THIS HOME? 701 00:36:53,234 --> 00:36:55,736 I DON�T CARE WHAT YOU DO. 702 00:37:04,745 --> 00:37:06,813 TRENT COPS TO MAYBE HE ACTUALLY SAW 703 00:37:06,847 --> 00:37:09,015 UP TO 5 GIRLS IN PASSING 704 00:37:09,049 --> 00:37:11,852 THAT MAL BROUGHT TO HIS APARTMENT. 705 00:37:11,885 --> 00:37:13,086 DOLORES CROAKED 3 MONTHS AGO. 706 00:37:13,119 --> 00:37:14,555 TRENT SAYS, LIKE, 3 MONTHS AGO, 707 00:37:14,588 --> 00:37:16,056 MAL GOT DIFFERENT. 708 00:37:16,089 --> 00:37:18,359 MAL CROSSED A LINE?? TRENT DIDN�T WANT TO KNOW WHAT?? 709 00:37:18,392 --> 00:37:20,227 STARTED DOIN� GIRLS IN OTHER PLACES. 710 00:37:20,261 --> 00:37:22,596 EVEN WITH HIS TRUSTY CAMERA SET UP AT TRENT�S? 711 00:37:22,629 --> 00:37:24,398 WHEN HE TOOK DOLORES TO ATLANTIC CITY, ANDY, 712 00:37:24,431 --> 00:37:26,333 HE KNEW WHAT HE WAS GONNA DO. 713 00:37:26,367 --> 00:37:27,901 HE WANTED DOLORES DEAD. 714 00:37:27,934 --> 00:37:30,604 FIRST TIME, HE�S A CAUTIOUS PERV. 715 00:37:30,637 --> 00:37:32,273 HE�LL TAKE IT OUT OF THE JURISDICTION. 716 00:37:32,306 --> 00:37:34,875 KNOWS HE�S NEVER DOING IT AGAIN. 717 00:37:34,908 --> 00:37:36,210 COMES AFTER WITH HIS LAWYER 718 00:37:36,243 --> 00:37:37,511 WITH THE STORY HOW IT HAPPENED 719 00:37:37,544 --> 00:37:38,745 GETTIN� HIS HANDS CLEAN AND HIS MIND RIGHT. 720 00:37:38,779 --> 00:37:41,081 NEXT HARD?ON, HE NEEDS TO PUSH IT A LITTLE FARTHER. 721 00:37:41,114 --> 00:37:42,916 LET ME TRY IT ON MY HOME FIELD. 722 00:37:42,949 --> 00:37:45,752 YEAH, ASSUMING HE DIDN�T CROAK ANYBODY IN BETWEEN. 723 00:37:56,630 --> 00:37:58,699 SO, DO YOU THINK CULLINAN TELLS SINCLAIR THE TRUTH? 724 00:37:58,732 --> 00:38:01,101 I THINK HE LIES... 725 00:38:01,135 --> 00:38:04,605 IN RESPONSE TO SINCLAIR SAYING, "LIE TO ME." 726 00:38:10,977 --> 00:38:13,880 BOBBY�D GET REALLY CRAZY, TOO. 727 00:38:13,914 --> 00:38:16,250 I WANTED IT TO WORK WITH LEO. 728 00:38:16,283 --> 00:38:19,486 THE BOYS REALLY LOOKED UP TO HIM. 729 00:38:19,520 --> 00:38:20,954 YOU�RE DONE? 730 00:38:20,987 --> 00:38:22,556 THEY LOOK UP TO MARK McGWIRE EVEN MORE, 731 00:38:22,589 --> 00:38:25,091 AND I WOULDN�T TAKE THAT CRAP OFF HIM, EITHER. 732 00:38:33,334 --> 00:38:35,269 SO, YOU�LL TAKE HIM TO THE TOMBS? 733 00:38:35,302 --> 00:38:36,737 YEAH. WE GOT HIM. 734 00:38:36,770 --> 00:38:39,473 ANDY AND SORENSON WILL TAKE HIM OVER, GUYS. 735 00:38:39,506 --> 00:38:41,275 BE A SHAME IF MR. CULLINAN 736 00:38:41,308 --> 00:38:42,943 COULDN�T GET ARRAIGNED TILL TOMORROW NIGHT. 737 00:38:42,976 --> 00:38:45,946 WE�LL SEE WHAT KIND OF BACKBONE OUR D. A. HAS. 738 00:38:45,979 --> 00:38:47,981 ANYWAYS, GOOD JOB. 739 00:38:48,014 --> 00:38:50,050 YEAH. THANKS, BOSS. 740 00:38:54,721 --> 00:38:55,989 FROSTY LAGER? 741 00:38:56,022 --> 00:38:58,325 NAH. 742 00:38:58,359 --> 00:39:00,527 I�M GONNA STICK AROUND A WHILE, JAMES. 743 00:39:06,133 --> 00:39:08,669 WANT TO WATCH THE MIGHTY BROUGHT LOW? 744 00:39:08,702 --> 00:39:11,872 NAH. I�M GONNA KEEP EXCAVATING THESE NOTEBOOKS. 745 00:39:11,905 --> 00:39:13,374 YOU�RE GONNA KEEP DIGGING 746 00:39:13,407 --> 00:39:15,476 TILL YOU FIND ROBERTS� ORIGINAL OUTFIT? 747 00:39:15,509 --> 00:39:17,144 AH, YOU MIGHT AS WELL BE THOROUGH. 748 00:39:18,212 --> 00:39:19,946 THE THOUGHT OF MR. CULLINAN 749 00:39:19,980 --> 00:39:21,615 PENNED WITH THEM LOWER SOCIAL TYPES... 750 00:39:21,648 --> 00:39:23,016 GET YOUR JOLLIES NOW 751 00:39:23,049 --> 00:39:26,653 BEFORE THAT BEADY?EYED CONEHEAD STARTS DOING HIS LEGAL TRICKS. 752 00:40:04,558 --> 00:40:06,059 Roberts, narrating: HERE I GO, 753 00:40:06,092 --> 00:40:08,295 TRYING TO BREAK MY CHERRY. 754 00:40:21,442 --> 00:40:23,644 WELL, LOOK WHO JUST WALKED IN. 755 00:40:28,582 --> 00:40:30,584 HIYA, MIKE. 756 00:40:30,617 --> 00:40:32,419 WHAT ARE YOU, DONNA, 757 00:40:32,453 --> 00:40:35,256 MOONLIGHTING AS A BILL COLLECTOR 758 00:40:35,289 --> 00:40:38,225 BESIDES BEING A P.A.A. IN THE DETECTIVE SQUAD 759 00:40:38,259 --> 00:40:41,195 OF THE POLICE STATION HOUSE WHERE I FORMERLY WORKED? 760 00:40:41,228 --> 00:40:43,530 I DON�T GOT A SECOND JOB, 761 00:40:43,564 --> 00:40:45,932 NOR EVEN A FIRST ONE JUST NOW. 762 00:40:47,768 --> 00:40:49,803 HOW�D THAT HAPPEN? 763 00:40:50,971 --> 00:40:52,439 I DON�T KNOW. 764 00:40:52,473 --> 00:40:54,208 YOU TELL ME. 765 00:40:54,241 --> 00:40:56,643 WHAT ARE YOU TALKING ABOUT, ANYWAY? 766 00:41:07,754 --> 00:41:10,924 I GUESS I GOT SOMEWHAT OF A CRUSH ON YOU, 767 00:41:10,957 --> 00:41:15,462 AND I QUIT MY JOB HOPING YOU�D HIRE ME. 768 00:41:15,496 --> 00:41:16,897 WELL, I�M FLATTERED, 769 00:41:16,930 --> 00:41:20,000 BUT IT�S A LITTLE SLOW WITH MY SHINGLE JUST UP. 770 00:41:22,336 --> 00:41:25,906 YOU WERE ALWAYS VERY TRUTHFUL, MIKE. 771 00:41:25,939 --> 00:41:27,974 YOU KNOW, A LOT OF TIMES, YOU... 772 00:41:28,008 --> 00:41:31,512 HAVEN�T GOT EVEN A VAGUE IDEA WHAT YOU�RE DOIN�. 773 00:41:31,545 --> 00:41:32,579 HMM. 774 00:41:32,613 --> 00:41:35,649 THIS IS THE FIRST THING I�VE ATTEMPTED. 775 00:41:35,682 --> 00:41:40,787 I WAS SITTIN� HERE... HOPING A CASE BEGINS. 776 00:41:52,032 --> 00:41:54,000 MAYBE I�LL BE YOUR LUCKY CHARM, 777 00:41:54,034 --> 00:41:55,802 �CAUSE I BELIEVE IN YOU. 778 00:41:55,836 --> 00:41:58,672 YOU GOT SHORTCOMINGS, 779 00:41:58,705 --> 00:42:01,041 BUT I�VE ALWAYS KNOWN 780 00:42:01,074 --> 00:42:02,709 YOU�RE TRYING TO BE A GOOD PERSON. 781 00:42:04,711 --> 00:42:07,047 I HOPE TO BE AN ENCOURAGEMENT TO YOU 782 00:42:07,080 --> 00:42:09,650 JUST SITTIN� AT MY DESK. 783 00:42:09,683 --> 00:42:13,187 I GUESS EVERYONE NEEDS SOMEONE TO BELIEVE IN THEM 784 00:42:13,220 --> 00:42:15,156 AT THE BEGINNING OF THINGS. 785 00:42:19,893 --> 00:42:21,362 I�LL BELIEVE IN YOU, 786 00:42:21,395 --> 00:42:25,199 EVEN WHEN YOU DON�T BELIEVE IN YOURSELF. 787 00:42:25,232 --> 00:42:28,402 YOU DEFINITELY ADD TO THE FURNISHINGS. 788 00:42:36,109 --> 00:42:38,345 Roberts, margin notes: USE HER TO ENCOURAGE THE DETECTIVE. 789 00:42:38,379 --> 00:42:41,215 SHE CAN HELP HIM OUT, GIVE HIM ADVICE. 790 00:42:41,248 --> 00:42:43,049 YOU KNOW, KEEP HIM GOING. 791 00:42:43,083 --> 00:42:46,553 SHE�LL ALWAYS CHEER HIM UP. 792 00:42:46,587 --> 00:42:48,589 EVERYONE LIKES A BEAUTIFUL BROAD. 793 00:42:50,391 --> 00:42:52,559 MAYBE I CAN DO THIS. 794 00:42:52,609 --> 00:42:57,159 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 58579

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