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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:28,878 --> 00:00:30,855 I KNOW EXACTLY WHAT HAPPENED 2 00:00:30,888 --> 00:00:32,302 �CAUSE IT ALMOST GOT MY LEG BLOWN OFF. 3 00:00:32,302 --> 00:00:34,044 TELL ME, BRIEFLY, EXACTLY WHAT HAPPENED. 4 00:00:34,078 --> 00:00:36,689 THOSE TWO FOOL TEENAGERS COME RUNNING PAST ME, 5 00:00:36,722 --> 00:00:39,237 THEN TURN AND ALMOST SHOOT DIRECTLY AT MY LEG. 6 00:00:39,271 --> 00:00:42,319 YOU KNOCKED YOUR LEG AGAINST THIS CORNER HERE. 7 00:00:42,352 --> 00:00:44,896 YOU WOULD LIE IN CHURCH ON SUNDAY. 8 00:00:44,929 --> 00:00:46,506 NOW THAT WAS AN EXECUTION. 9 00:00:46,539 --> 00:00:48,114 HE KNEW THAT MAN, AND HE WAS WAITING FOR HIM. 10 00:00:48,148 --> 00:00:49,887 HE SHOT HIM DOWN AND FINISHED HIM OFF. 11 00:00:49,921 --> 00:00:52,066 BOTH THOSE MEN WERE POLICE OFFICERS, MR. LEWIS. 12 00:00:52,100 --> 00:00:53,274 DON�T CHANGE NOTHING. 13 00:00:53,307 --> 00:00:54,912 WE GOT 2 COPS DOWN. 14 00:00:54,946 --> 00:00:57,160 SZYMANSKI�S OFF DUTY, GETS SHOT IN THE SHOULDER 15 00:00:57,193 --> 00:00:58,766 COMING OUT OF THAT DRY CLEANER, 16 00:00:58,799 --> 00:01:01,481 SHOOTS THE OTHER GUY, WHO�S A STREET CRIME PLAINCLOTHESMAN 17 00:01:01,514 --> 00:01:03,155 IN THE MIDDLE OF A FOOT PURSUIT WITH HIS PARTNER. 18 00:01:03,190 --> 00:01:04,829 WHO WERE THE PLAINCLOTHESMEN CHASING? 19 00:01:04,862 --> 00:01:06,806 2 KIDS WITH A GUN. THEY PULLED A HOLDUP 3 BLOCKS DOWN. 20 00:01:06,839 --> 00:01:07,811 THEY GOT AWAY. 21 00:01:07,844 --> 00:01:09,186 THE KIDS SHOT SZYMANSKI 22 00:01:09,220 --> 00:01:10,459 OR THE PLAINCLOTHESMEN DID? 23 00:01:10,492 --> 00:01:12,802 THE PLAINCLOTHESMAN THAT ISN�T WOUNDED 24 00:01:12,836 --> 00:01:15,384 SAID HE NOR HIS PARTNER EVER THREW A SHOT, 25 00:01:15,417 --> 00:01:17,661 AND THE KIDS THEY WERE CHASING NEVER TURNED AROUND. 26 00:01:17,694 --> 00:01:19,437 WHAT�S THE WOUNDED PLAINCLOTHESMAN�S NAME? 27 00:01:19,471 --> 00:01:21,647 HUDSON, AND HIS PARTNER�S NAME�S DONALDSON. 28 00:01:23,256 --> 00:01:24,796 THIS COULD BE SOME JACKPOT. 29 00:01:24,829 --> 00:01:27,108 LISTEN, DON�T PUSH HIM, BUT SEE CAN HE TELL YOU ANYTHING. 30 00:01:31,964 --> 00:01:33,574 I�M ON FOOT POST. 31 00:01:33,607 --> 00:01:35,350 I WAS ACTUALLY DOWN A WAYS. 32 00:01:35,384 --> 00:01:37,661 THEY�LL STILL PROBABLY WANT TO TALK TO YOU. 33 00:01:37,694 --> 00:01:40,174 SURE. IT�S JUST THAT I DIDN�T SEE MUCH. 34 00:01:40,207 --> 00:01:43,691 YEAH. WELL, THEY JUST WANT TO TOUCH ALL THE BASES. 35 00:01:43,724 --> 00:01:44,862 IT�S ANDY SIPOWICZ, SZYMANSKI. 36 00:01:44,896 --> 00:01:46,002 WHAT HAPPENED HERE? 37 00:01:46,035 --> 00:01:47,511 THIS WAS NOT RACIAL. 38 00:01:47,544 --> 00:01:49,151 DON�T TELL ME WHAT IT WASN�T. 39 00:01:49,184 --> 00:01:50,592 I DIDN�T KNOW HE WAS A COP. 40 00:01:50,626 --> 00:01:51,931 HE SHOT ME AND I DIDN�T KNOW WHO HE WAS. 41 00:01:51,964 --> 00:01:53,406 YOU�RE SURE HE SHOT FIRST? 42 00:01:53,441 --> 00:01:55,551 I�M SHOT. I SEE HIM POINTING HIS GUN AT ME. 43 00:01:55,584 --> 00:01:56,622 I RETURNED FIRE. 44 00:01:56,656 --> 00:01:58,196 HIS PARTNER SAYS NEITHER OF THEM TWO SHOT. 45 00:01:58,230 --> 00:01:59,370 I�D JUST BEEN SHOT. 46 00:01:59,403 --> 00:02:00,776 THE GUY I SHOT WAS POINTING HIS GUN AT ME. 47 00:02:00,809 --> 00:02:02,786 WHAT THE HELL WAS I SUPPOSED TO DO? 48 00:02:02,819 --> 00:02:04,596 ALL RIGHT, CALM DOWN, SZYMANSKI. LOWER YOUR VOICE. 49 00:02:04,629 --> 00:02:06,739 IF IT WASN�T HIM, WHO THE HELL WAS IT? 50 00:02:06,772 --> 00:02:07,811 THE KID WAS ON FOOT POST. 51 00:02:07,844 --> 00:02:09,587 HE�S WORTH A CONVERSATION. 52 00:02:09,621 --> 00:02:11,831 SAYS HE DIDN�T SEE ANYTHING, TWICE. 53 00:02:11,864 --> 00:02:14,546 GET YOURSELF LOOKED AT. WE�LL TALK MORE AT THE HOUSE. 54 00:02:14,579 --> 00:02:16,186 THAT GUY SWEARS THE KIDS DID THE ROBBERY 55 00:02:16,219 --> 00:02:17,325 LIVE IN THE BARUCH PROJECTS. 56 00:02:17,359 --> 00:02:19,871 THEM AND 10,000 OTHER PEOPLE. 57 00:02:19,904 --> 00:02:22,518 HE SAYS HE�D KNOW �EM IF HE SAW �EM AGAIN. 58 00:02:22,552 --> 00:02:23,423 ANYWAYS, WE�LL RIDE HIM OVER 59 00:02:23,456 --> 00:02:24,428 AND SEE WHAT HE COMES UP WITH. 60 00:02:24,461 --> 00:02:25,734 YEAH, WE�LL GO CANVASS. 61 00:02:25,767 --> 00:02:27,174 HEY, ANDY. 62 00:02:27,208 --> 00:02:28,882 POSSIBLE COMPLICATION. 63 00:02:28,916 --> 00:02:30,792 OUR BOSS HAS IT IN FOR THIS SZYMANSKI. 64 00:02:30,826 --> 00:02:34,310 OVER WHAT? WHAT�S THE BOSS PISSED OFF ABOUT? 65 00:02:34,344 --> 00:02:37,727 GETTING STOPPED FOR A BUSTED TAILLIGHT 2 YEARS AGO 66 00:02:37,761 --> 00:02:39,972 AND THE DEATH OF MARTIN LUTHER KING. 67 00:04:02,617 --> 00:04:04,025 WHAT DO YOU KNOW ABOUT IT? 68 00:04:04,058 --> 00:04:06,068 MY DETECTIVES HAVEN�T GOT BACK YET. 69 00:04:06,102 --> 00:04:07,709 YOU KNOW IT�S SZYMANSKI. 70 00:04:07,743 --> 00:04:11,763 YEAH. I KNOW SZYMANSKI�S ONE OF THE COPS INVOLVED. 71 00:04:11,796 --> 00:04:13,304 BEING HE IS, WOULD YOU BE MORE COMFORTABLE 72 00:04:13,338 --> 00:04:14,745 I.A.B. COMING IN FRONT ON THIS ONE? 73 00:04:14,778 --> 00:04:15,984 NO. 74 00:04:16,018 --> 00:04:18,095 I�M SAYING WITH YOUR HISTORY WITH THIS GUY. 75 00:04:18,128 --> 00:04:20,841 AND I�M SAYING I�M COMFORTABLE RUNNING THE INVESTIGATION. 76 00:04:22,971 --> 00:04:24,445 YOU CHECK WITH THE HOSPITAL? 77 00:04:24,445 --> 00:04:25,860 SZYMANSKI�S BEEN TREATED AND RELEASED. 78 00:04:25,893 --> 00:04:27,601 ANDY AND THE CRIME GUYS ARE BRINGING IN HIM 79 00:04:27,634 --> 00:04:29,611 AND THE PARTNER OF THE PLAINCLOTHES COP HE SHOT. 80 00:04:29,644 --> 00:04:32,593 THE PLAINCLOTHES SZYMANSKI SHOT CAN�T GIVE US ANYTHING? 81 00:04:32,626 --> 00:04:34,703 NO. HE�S JUST HANGING ON. 82 00:04:37,886 --> 00:04:39,729 IF IT IS RACIAL, THIS IS A DISASTER. 83 00:04:41,403 --> 00:04:43,547 SZYMANSKI PUT 5 IN HIM. 84 00:04:43,581 --> 00:04:46,395 THERE�S NO WAY TO PRETTY THAT UP. 85 00:04:46,428 --> 00:04:49,142 NOT THAT ANYONE WOULD WANT TO. 86 00:04:49,176 --> 00:04:52,525 I�LL KEEP YOU UP TO SPEED. 87 00:04:52,558 --> 00:04:54,904 LIKE I SAID, ANYTIME YOU�RE MORE COMFORTABLE 88 00:04:54,938 --> 00:04:57,417 US GETTING IN FRONT, THAT�S ALL RIGHT, TOO. 89 00:04:57,450 --> 00:04:59,393 YEAH. 90 00:04:59,427 --> 00:05:00,767 I�M GONNA HANDLE IT. 91 00:05:09,109 --> 00:05:10,648 JUST GIVE US A SECOND. 92 00:05:10,683 --> 00:05:11,688 SURE. 93 00:05:11,721 --> 00:05:13,196 JUST GOTTA TALK TO OUR BOSS. 94 00:05:13,229 --> 00:05:14,837 NO PROBLEM. 95 00:05:16,378 --> 00:05:17,517 HOW�S IT GOING? 96 00:05:17,550 --> 00:05:18,689 THE BETTER FOR SEEING YOU. 97 00:05:22,844 --> 00:05:24,820 THAT�S THE RAT SQUAD. 98 00:05:24,854 --> 00:05:27,935 YEAH, THEY�D SOMETIMES HAVE TO DO WITH US OVER IN NARCOTICS. 99 00:05:27,969 --> 00:05:29,979 DON�T BREAK BALLS. 100 00:05:32,391 --> 00:05:33,899 THEY�RE BRINGING SZYMANSKI 101 00:05:33,932 --> 00:05:36,111 AND THE SHOT UNDERCOVER�S PARTNER FROM BELLEVUE. 102 00:05:36,144 --> 00:05:38,287 THAT ROOKIE COP WAS ALSO ON THE SCENE. 103 00:05:38,321 --> 00:05:39,660 FOR A GUY WITH NOTHING TO TELL US 104 00:05:39,693 --> 00:05:41,102 HE WAS HANGING AROUND PRETTY GOOD. 105 00:05:41,136 --> 00:05:42,675 SO, ANDY, YOU�LL TALK TO THIS ROOKIE COP? 106 00:05:44,384 --> 00:05:47,166 NO. BEING SZYMANSKI�S THE PRINCIPAL PLAYER, 107 00:05:47,199 --> 00:05:48,538 I THOUGHT I�D TALK WITH SZYMANSKI. 108 00:05:48,572 --> 00:05:50,482 ALL RIGHT. 109 00:05:50,515 --> 00:05:51,653 SO I�LL TALK WITH THIS ROOKIE COP BAKER? 110 00:05:51,687 --> 00:05:53,196 YEAH, GOOD. 111 00:05:53,229 --> 00:05:54,167 Danny: LET ME GET HIM A SODA. 112 00:05:57,550 --> 00:05:58,857 SO WHEN SZYMANSKI GETS HERE, 113 00:05:58,890 --> 00:06:01,168 YOU MIND IF I SIT IN ON YOUR INTERVIEW? 114 00:06:01,202 --> 00:06:02,608 SIT IN MEANING WATCH? 115 00:06:02,642 --> 00:06:05,590 WELL, IF I MEANT WATCH, ANDY, I WOULD�VE SAID WATCH. 116 00:06:05,623 --> 00:06:09,040 SO SIT IN MEANS THAT YOU MAY WANT TO BE ASKING QUESTIONS? 117 00:06:09,074 --> 00:06:10,917 IF THE SPIRIT MOVES ME, YEAH. 118 00:06:10,950 --> 00:06:12,759 YOU DO THE INTERVIEW. 119 00:06:12,793 --> 00:06:15,507 I DIDN�T SAY I WANTED TO DO THE INTERVIEW. 120 00:06:15,540 --> 00:06:17,349 NO, YOU DO THE INTERVIEW. 121 00:06:17,382 --> 00:06:19,929 �CAUSE I AM NOT GONNA HAVE SOMEONE SITTING OVER ME 122 00:06:19,962 --> 00:06:21,336 LIKE A GUILTY CONSCIENCE?? 123 00:06:21,369 --> 00:06:22,809 "DID YOU SCREW THIS GUY TO THE WALL HARD ENOUGH 124 00:06:22,843 --> 00:06:25,657 OVER SHOOTING THAT INNOCENT BLACK PLAINCLOTHESMAN?" 125 00:06:33,731 --> 00:06:35,238 SZYMANSKI, 126 00:06:35,271 --> 00:06:37,751 TALK TO ME HERE IN THE COFFEE ROOM. 127 00:06:37,784 --> 00:06:38,756 TALK TO YOU? 128 00:06:38,789 --> 00:06:41,000 YEAH, TALK TO ME. 129 00:06:48,035 --> 00:06:49,677 HOW YOU DOING, DONALDSON? 130 00:06:51,519 --> 00:06:52,826 HOW YOU DOING? 131 00:06:55,171 --> 00:06:56,779 SORRY ABOUT YOUR PARTNER. 132 00:06:56,813 --> 00:06:59,728 HE DID ME A SOLID ONCE WHEN I WAS FIRST COP ON THE SCENE. 133 00:06:59,761 --> 00:07:01,401 YEAH, THAT SOUNDS LIKE HIM. 134 00:07:03,512 --> 00:07:06,293 SORRY ABOUT YOUR PARTNER, TOO. 135 00:07:12,055 --> 00:07:14,769 JIMMY STUPEK STILL BREAKING BALLS AT THE ACADEMY? 136 00:07:14,803 --> 00:07:16,376 MR. CLEAN? 137 00:07:16,410 --> 00:07:17,784 YEAH, HE�S STILL TEACHING MARTIAL ARTS. 138 00:07:17,818 --> 00:07:19,425 YOU GUYS CALLED HIM MR. CLEAN? 139 00:07:19,458 --> 00:07:20,632 YEAH, THE SHAVED HEAD, 140 00:07:20,665 --> 00:07:22,139 LOOKS EXACTLY LIKE THAT GENIE 141 00:07:22,173 --> 00:07:23,748 ON THE MR. CLEAN BOTTLES. 142 00:07:23,781 --> 00:07:26,193 WHEN I WAS THERE HE STILL HAD LIKE A BOZO FRINGE. 143 00:07:26,226 --> 00:07:28,939 I GUESS HE WENT TOTAL AFTER I LEFT. 144 00:07:28,973 --> 00:07:31,720 SO WHAT DO YOU GOT FOR ME, NEIL? 145 00:07:31,754 --> 00:07:36,041 ON THE SHOOTING INCIDENT I GOT NOTHING, YOU KNOW? 146 00:07:36,074 --> 00:07:38,253 JUST THAT IT�S A HELL OF A THING. 147 00:07:38,286 --> 00:07:40,196 THE PLAINCLOTHES COP DOWN. 148 00:07:40,230 --> 00:07:41,435 THE WHOLE THING. 149 00:07:41,468 --> 00:07:43,043 YOU KNOW, THE OFF?DUTY COP 150 00:07:43,076 --> 00:07:44,617 GOT ONE IN THE SHOULDER ALSO. 151 00:07:44,651 --> 00:07:45,791 THAT SZYMANSKI? 152 00:07:49,174 --> 00:07:51,218 ALL RIGHT, WELL, WHY DON�T YOU GIVE ME 153 00:07:51,251 --> 00:07:53,595 THE NOTHING?YOU?GOT? FOR?ME IN DETAIL, NEIL, 154 00:07:53,629 --> 00:07:55,305 SO INSTEAD OF SPENDING THE AFTERNOON 155 00:07:55,338 --> 00:07:57,315 WITH MY PAIN?IN?THE?BALLS DINOSAUR PARTNER 156 00:07:57,348 --> 00:08:00,664 PISSING IN MY EAR I GOT INADEQUATE INFORMATION, 157 00:08:00,698 --> 00:08:02,943 I CAN SPEND IT HIM PISSING IN MY EAR I GOT TOO MUCH. 158 00:08:02,976 --> 00:08:04,450 THAT�S THAT SIPOWICZ. 159 00:08:04,483 --> 00:08:05,621 YEAH, HE�S BREAKING ME IN. 160 00:08:05,655 --> 00:08:08,873 GIVING ME THE ADVANCED COURSE IN ANXIETY. 161 00:08:08,906 --> 00:08:11,083 "ONE THING YOU WANT TO AVOID, DANNY, 162 00:08:11,116 --> 00:08:13,261 "THE ONE THING YOU WANT TO AVOID?? 163 00:08:13,295 --> 00:08:14,769 "DO NOT MAKE A MISTAKE 164 00:08:14,803 --> 00:08:16,676 "YOUR OPENING YEARS ON THE JOB. 165 00:08:16,710 --> 00:08:18,420 "A MISTAKE COMING UP WILL HAUNT YOU 166 00:08:18,453 --> 00:08:20,396 YOUR REMAINING CAREER." 167 00:08:20,430 --> 00:08:23,545 SO THAT�S GOT ME GOOD AND RELAXED. 168 00:08:23,578 --> 00:08:25,321 YEAH, I KNOW HOW THAT GOES. 169 00:08:25,355 --> 00:08:27,498 I DON�T THINK YOU CAN DO THE JOB 170 00:08:27,531 --> 00:08:29,173 LOOKING OVER YOUR OWN SHOULDER LIKE THAT. 171 00:08:29,206 --> 00:08:31,183 I DO WHAT I THINK IS RIGHT, 172 00:08:31,216 --> 00:08:33,595 AND I�M NOT TYING MYSELF UP AFTER WITH SECOND?GUESSING. 173 00:08:33,628 --> 00:08:35,505 YEAH, WELL. 174 00:08:35,538 --> 00:08:37,280 YEAH, WELL, WHAT? 175 00:08:37,315 --> 00:08:41,301 YEAH, WELL, IT�S EASY NOT SECOND?GUESSING YOURSELF 176 00:08:41,335 --> 00:08:43,478 IF YOU HAVEN�T DONE ANYTHING WRONG... 177 00:08:43,511 --> 00:08:45,555 AND MAKING HYPOTHETICAL STATEMENTS. 178 00:08:45,588 --> 00:08:48,336 YEAH, WELL, THAT�S THE POINT. 179 00:08:48,370 --> 00:08:49,878 YEAH. 180 00:08:53,931 --> 00:08:57,884 ALTHOUGH IF I DID WHATEVER I DID 181 00:08:57,918 --> 00:08:59,726 AND MY INTENTIONS WERE RIGHT, 182 00:08:59,759 --> 00:09:02,004 BY ME NOT SECOND?GUESSING MYSELF 183 00:09:02,038 --> 00:09:03,344 OR COVERING THINGS UP, 184 00:09:03,378 --> 00:09:06,024 I GOT A CHANCE MY INTENTIONS COMING OUT. 185 00:09:06,058 --> 00:09:08,503 THOSE ARE SEEN, AND NOT JUST WHATEVER I DID. 186 00:09:08,536 --> 00:09:10,312 YEAH, WELL, WHAT IS IT YOU�RE TRYING TO SAY? 187 00:09:10,345 --> 00:09:11,887 WHAT ARE YOU DRIVING AT? 188 00:09:11,920 --> 00:09:14,400 I�M TALKING TO ANOTHER COP, NEIL. 189 00:09:14,433 --> 00:09:17,146 I�M NOT DRIVING AT NOTHING. 190 00:09:17,179 --> 00:09:19,324 I�M SAYING IF ANOTHER COP TOLD ME SOMETHING 191 00:09:19,357 --> 00:09:22,004 WHERE SOME INTENTION OF HIS WENT WRONG, 192 00:09:22,038 --> 00:09:24,181 I�M MAKING DAMN SURE HIS INTENTIONS 193 00:09:24,214 --> 00:09:27,129 CAST A GOOD STRONG LIGHT ON WHATEVER IT IS HE DID 194 00:09:27,163 --> 00:09:29,073 THAT DIDN�T HAVE THE OUTCOME HE WANTED. 195 00:09:29,106 --> 00:09:31,384 I�M MAKING DAMN SURE OF THAT. 196 00:09:31,417 --> 00:09:33,026 BUT FIRST I GOTTA KNOW WHAT HAPPENED. 197 00:09:44,148 --> 00:09:46,861 WELL, MAYBE I GOT SOMETHING TO SAY. 198 00:09:46,894 --> 00:09:49,206 Szymanski: I HEAR A SHOT OUTSIDE. 199 00:09:49,239 --> 00:09:50,278 I DRAW MY GUN. 200 00:09:52,958 --> 00:09:56,409 MY FIRST STEP OUT, A ROUND HITS ME IN THE ARM. 201 00:09:56,442 --> 00:10:00,696 SOMEONE DRESSED LIKE A BAD GUY IS POINTING HIS GUN AT ME. 202 00:10:00,731 --> 00:10:02,807 I DEFENDED MYSELF. 203 00:10:02,841 --> 00:10:04,281 WHAT WOULD YOU DO? 204 00:10:04,314 --> 00:10:06,995 THE GUY DRESSED AS A BAD GUY IS HUDSON. 205 00:10:07,028 --> 00:10:09,675 THE PLAINCLOTHES COP, AS I FOUND OUT LATER. 206 00:10:09,708 --> 00:10:13,025 AND YOU BELIEVED IT WAS HUDSON WHO HAD FIRED ON YOU. 207 00:10:13,058 --> 00:10:14,700 RIDING OVER HERE, AFTER THE FACT, 208 00:10:14,734 --> 00:10:18,218 HIS PARTNER DONALDSON TELLS ME HUDSON DIDN�T FIRE... 209 00:10:18,251 --> 00:10:19,792 AND HE DIDN�T FIRE EITHER. 210 00:10:19,826 --> 00:10:21,736 AND YOU SHOT HUDSON 5 TIMES. 211 00:10:23,276 --> 00:10:25,152 SOMEBODY FIRED ON ME, LIEUTENANT, 212 00:10:25,185 --> 00:10:27,899 AND IT SURE AS HELL LOOKED LIKE IT WAS HIM. 213 00:10:29,540 --> 00:10:31,718 WHAT WAS THIS, 214 00:10:31,752 --> 00:10:32,791 THE PHANTOM BULLET? 215 00:10:35,638 --> 00:10:37,245 ME AND HUDSON 216 00:10:37,279 --> 00:10:40,595 WERE ON OPPOSITE SIDES OF THE STREET PURSUING 2 ROBBERY SUSPECTS. 217 00:10:40,629 --> 00:10:42,741 I�M LOOKING AHEAD OF ME UP THE STREET. 218 00:10:42,774 --> 00:10:44,817 I HEAR THIS GUNSHOT OVER ON HUDSON�S SIDE. 219 00:10:44,851 --> 00:10:46,290 I SEE THIS GUY. 220 00:10:46,324 --> 00:10:48,535 I DON�T KNOW WHO HE IS, THIS SZYMANSKI. 221 00:10:48,569 --> 00:10:50,947 NOW, HE�S HOLDING A HANDGUN AND HE SHOOTS HUDSON, 222 00:10:50,981 --> 00:10:52,791 CLOSE RANGE, A BUNCH OF TIMES. 223 00:10:52,824 --> 00:10:55,168 NEITHER YOU OR HUDSON ARE WEARING YOUR VESTS AT THE TIME? 224 00:10:55,202 --> 00:10:57,078 MAN, YOU KNOW HOW UNCOMFORTABLE THOSE THINGS ARE. 225 00:10:57,112 --> 00:11:00,864 ALL RIGHT. SO YOU SEE HUDSON GETTING SHOT A BUNCH OF TIMES 226 00:11:00,897 --> 00:11:02,572 WHILE YOU�RE RUNNING ACROSS THE STREET TO HELP HIM? 227 00:11:02,605 --> 00:11:04,080 I�M RUNNING ACROSS THE STREET. 228 00:11:04,113 --> 00:11:05,856 I�M SHOUTING, "WE�RE COPS." 229 00:11:05,889 --> 00:11:07,697 CRAZY AS HE LOOKED, 230 00:11:07,731 --> 00:11:10,712 NEVER OCCURRED TO ME THIS GUY STANDING OVER HUDSON, 231 00:11:10,747 --> 00:11:12,622 THIS SZYMANSKI, WAS A COP, TOO. 232 00:11:12,655 --> 00:11:14,062 UNTIL HE IDENTIFIED HIMSELF. 233 00:11:14,097 --> 00:11:15,738 YEAH. UNTIL HE IDENTIFIED HIMSELF, 234 00:11:15,772 --> 00:11:17,447 IT NEVER OCCURRED TO ME. 235 00:11:17,480 --> 00:11:19,859 SO THE OTHER COPS�D KNOW WHO YOU WERE, 236 00:11:19,892 --> 00:11:21,700 YOU AND YOUR PARTNER IN PLAINCLOTHES, 237 00:11:21,735 --> 00:11:23,812 I�M ASSUMING THAT THE BOTH OF YOU 238 00:11:23,846 --> 00:11:25,922 WERE WEARING THE COLOR OF THE DAY. 239 00:11:34,297 --> 00:11:36,207 YOU WITH ME, DONALDSON? 240 00:11:36,240 --> 00:11:38,049 COLOR OF THE DAY FOR PLAINCLOTHES?? 241 00:11:38,082 --> 00:11:39,222 WERE YOU WEARING �EM? 242 00:11:39,255 --> 00:11:41,332 NO, WE WERE NOT. 243 00:11:45,418 --> 00:11:46,793 NO, YOU WERE NOT. 244 00:11:46,826 --> 00:11:49,640 SIPOWICZ, YOU KNOW AS WELL AS I DO 245 00:11:49,674 --> 00:11:53,292 PLAINCLOTHES DON�T WEAR THE COLOR ALL THE TIME SO THEY DON�T GET MADE. 246 00:11:53,325 --> 00:11:55,604 THEY PUT IT ON WHEN TROUBLE JUMPS OFF. 247 00:11:55,637 --> 00:11:58,217 AND THIS THAT HAPPENED IN THE STREET TODAY?? 248 00:11:58,250 --> 00:11:59,791 THAT DON�T COUNT AS TROUBLE? 249 00:11:59,825 --> 00:12:01,466 IT JUMPED OFF TOO QUICK. 250 00:12:01,499 --> 00:12:03,208 THE TROUBLE HAPPENED TOO FAST. 251 00:12:03,242 --> 00:12:06,591 NOW, WE WERE CHASING BAD GUYS. WE COULDN�T GET THE COLORS ON. 252 00:12:07,765 --> 00:12:10,076 YOU UNDERSTAND WHAT HAPPENED? 253 00:12:10,109 --> 00:12:11,147 YEAH, I DO. 254 00:12:13,091 --> 00:12:15,335 I�LL BE BACK WITH YOU IN A MINUTE. 255 00:12:19,455 --> 00:12:20,594 WHEN THE TROUBLE STARTS, 256 00:12:20,628 --> 00:12:22,270 HIM AND THE SHOT PLAINCLOTHES 257 00:12:22,303 --> 00:12:24,681 AREN�T WEARING THE COLOR OF THE DAY. 258 00:12:24,715 --> 00:12:27,798 HOW WAS SZYMANSKI SUPPOSED TO KNOW THAT THESE GUYS ARE COPS? 259 00:12:27,831 --> 00:12:28,936 THIS BAKER, ANDY, 260 00:12:28,970 --> 00:12:30,446 HE SAYS NOW HE THREW A SHOT IN THE STREET. 261 00:12:30,446 --> 00:12:31,241 FROM WHERE? 262 00:12:31,276 --> 00:12:33,017 FROM THE OTHER SIDE OF THESE PLAINCLOTHES, 263 00:12:33,051 --> 00:12:34,424 FROM WHERE SZYMANSKI WAS. 264 00:12:34,457 --> 00:12:37,037 HE SAYS HE THINKS IT�S HIS BULLET HIT SZYMANSKI. 265 00:12:37,071 --> 00:12:39,550 IF THE BAD GUYS ARE UP THE STREET THE OTHER DIRECTION, 266 00:12:39,583 --> 00:12:41,794 WHO IN THE HELL IS THIS ROOKIE SHOOTING AT? 267 00:12:41,828 --> 00:12:44,374 WELL, HE DIDN�T KNOW ABOUT THE BAD GUYS UP THE STREET, THIS BAKER. 268 00:12:44,407 --> 00:12:47,188 HE THOUGHT THE PLAINCLOTHES WERE THE BAD GUYS. 269 00:12:47,221 --> 00:12:50,605 GOTTA HELP SZYMANSKI, NO? 270 00:12:50,638 --> 00:12:52,213 REMAINS TO BE SEEN. 271 00:12:53,653 --> 00:12:56,065 HOW IS THIS SZYMANSKI GETTIN� JAMMED, ANDY? 272 00:12:56,099 --> 00:12:58,813 IF THESE PLAINCLOTHES WEREN�T WEARING COLOR OF THE DAY, 273 00:12:58,846 --> 00:13:00,387 THEY GOT WEAPONS DRAWN, 274 00:13:00,421 --> 00:13:02,598 AND SZYMANSKI GETS SHOT FROM THEIR DIRECTION?? 275 00:13:02,632 --> 00:13:06,082 HEAT OF THE MOMENT, SZYMANSKI�S GOTTA BELIEVE THEY�RE THE GUYS WHO SHOT HIM. 276 00:13:06,115 --> 00:13:08,025 WHO�S GONNA HANG HIM FOR THAT? 277 00:13:12,514 --> 00:13:13,486 MY OFFICE. 278 00:13:16,233 --> 00:13:17,773 REMAINS TO BE SEEN. 279 00:13:45,914 --> 00:13:47,991 I WANT BOTH THOSE PLAINCLOTHES� GUNS CHECKED. 280 00:13:48,025 --> 00:13:49,800 SZYMANSKI INSISTS THEY SHOT AT HIM. 281 00:13:49,833 --> 00:13:51,676 I WANT TO MAKE SURE HE�S NOT RIGHT. 282 00:13:51,710 --> 00:13:53,217 PLAINCLOTHES DIDN�T SHOOT AT HIM. 283 00:13:53,250 --> 00:13:55,060 AND HOW DO WE KNOW THAT? 284 00:13:55,094 --> 00:13:57,204 �CAUSE IT�S THE ONE MISTAKE THEY DIDN�T MAKE. 285 00:13:57,237 --> 00:13:59,682 MY GUY THREW THE SHOT HIT SZYMANSKI, BOSS?? 286 00:13:59,717 --> 00:14:01,357 THIS ROOKIE COP BAKER. 287 00:14:01,391 --> 00:14:02,765 AND HE ADMITS THAT? 288 00:14:02,798 --> 00:14:05,310 YEAH, HE ADMITTED IT TO ME. 289 00:14:05,344 --> 00:14:07,924 HE THOUGHT THE PLAINCLOTHES WERE THE BAD GUYS, 290 00:14:07,958 --> 00:14:10,269 THROWS A SHOT THAT HITS SZYMANSKI INSTEAD. 291 00:14:10,302 --> 00:14:12,112 THIS BEING BEHIND THE PLAINCLOTHES 292 00:14:12,145 --> 00:14:14,322 NOT WEARING THE COLOR OF THE DAY, 293 00:14:14,355 --> 00:14:16,601 SO NEITHER THIS BAKER NOR SZYMANSKI KNOW THEY WERE COPS. 294 00:14:16,634 --> 00:14:18,309 I SEE. 295 00:14:18,342 --> 00:14:20,687 THESE GUYS RAN THE TABLES, YOU KNOW. 296 00:14:20,721 --> 00:14:23,400 THEY WEREN�T EVEN WEARING THEIR VESTS, NEITHER OF THE PLAINCLOTHES. 297 00:14:23,434 --> 00:14:25,310 SO ARE WE GONNA TRY 298 00:14:25,344 --> 00:14:28,325 TO PUT HUDSON�S GETTING SHOT 5 TIMES AT CLOSE RANGE 299 00:14:28,359 --> 00:14:31,340 ON SOME MISTAKE HE AND DONALDSON MADE, TOO? 300 00:14:31,374 --> 00:14:33,350 NO, I DON�T THINK ANDY�S SAYING THAT, BOSS. 301 00:14:33,384 --> 00:14:36,365 WELL, I THINK WE CAN PUT THE 5 BULLETS OFF SZYMANSKI BEING SHOT 302 00:14:36,399 --> 00:14:38,711 AND SEEING HUDSON IN FRONT OF HIM WITH A GUN 303 00:14:38,744 --> 00:14:40,620 AND DECIDING TO TAKE CARE OF BUSINESS. 304 00:14:40,653 --> 00:14:42,630 HUDSON NOT BEING CONSCIOUS JUST NOW 305 00:14:42,663 --> 00:14:44,439 TO TELL US WHETHER OR NOT HE, 306 00:14:44,472 --> 00:14:46,449 UM, IDENTIFIED HIMSELF AS A COP WHILE SZYMANSKI 307 00:14:46,482 --> 00:14:48,459 POURED ROUND AFTER ROUND AFTER ROUND IN HIM. 308 00:14:48,492 --> 00:14:51,944 YEAH, WELL, MAYBE IF HE WAS WEARING A VEST LIKE HE WAS SUPPOSED TO DO, 309 00:14:51,978 --> 00:14:54,623 HUDSON�D BE CONSCIOUS NOW SO HE COULD TELL US THAT. 310 00:14:54,656 --> 00:14:56,165 YOU HAD DONALDSON SITTING IN FRONT OF YOU. 311 00:14:56,199 --> 00:14:58,175 DID YOU ASK HIM WHAT SZYMANSKI LOOKED LIKE 312 00:14:58,209 --> 00:15:00,085 WHILE HE WAS PUTTING 5 IN HUDSON�S BELLY? 313 00:15:00,119 --> 00:15:03,034 NO, I DIDN�T ASK DONALDSON WHAT SZYMANSKI LOOKED LIKE. 314 00:15:03,067 --> 00:15:06,449 I DIDN�T KNOW THAT FACIAL EXPRESSIONS WERE POSSIBLE FELONIES. 315 00:15:06,482 --> 00:15:07,924 5 BULLETS IS A LOT OF BULLETS. 316 00:15:07,958 --> 00:15:10,202 I�M INTERESTED IN SZYMANSKI�S MIND?SET. 317 00:15:10,235 --> 00:15:13,250 HEY, BOSS, IF YOU STILL NEED TO HURT SZYMANSKI, 318 00:15:13,284 --> 00:15:15,728 YOU BETTER DO IT WITH A BLUNT INSTRUMENT, 319 00:15:15,761 --> 00:15:18,242 BECAUSE HE WAS RIGHT IN THIS SHOOTING. 320 00:15:18,275 --> 00:15:19,314 [FRUSTRATED SIGH] 321 00:15:40,652 --> 00:15:42,329 [PUNCHING] 322 00:15:44,072 --> 00:15:46,986 IT�S OVER! IT�S OVER! IT�S OVER! 323 00:15:47,020 --> 00:15:48,359 IT�S OVER. 324 00:15:52,279 --> 00:15:53,584 WHERE�S THE FIRST?AID KIT? 325 00:15:53,617 --> 00:15:55,327 CABINET IN MY OFFICE. 326 00:15:55,360 --> 00:15:57,570 DON�T YOU START BEATING ON EACH OTHER, YOU HEAR ME? 327 00:16:15,962 --> 00:16:17,237 WHAT DID YOU HEAR? 328 00:16:17,270 --> 00:16:18,875 HEY, I AIN�T HEARD NOTHIN�. 329 00:16:18,909 --> 00:16:21,390 YOU DIDN�T HEAR NOTHIN�, AM I RIGHT? 330 00:16:21,424 --> 00:16:23,267 I GOT PROBLEMS OF MY OWN. 331 00:16:39,847 --> 00:16:40,752 [LOCKS DOOR] 332 00:16:42,229 --> 00:16:43,467 [LOCKS DOOR] 333 00:16:44,772 --> 00:16:46,949 WHAT�S THE MATTER WITH THE BOTH OF YOU? 334 00:16:50,735 --> 00:16:52,445 I�LL TRANSFER THE HELL OUT, 335 00:16:52,479 --> 00:16:55,227 I�M TELLING THE BOTH OF YOU RIGHT NOW. 336 00:16:55,260 --> 00:16:57,504 I�M NOT WORKING WHERE THIS CRAP GOES ON. 337 00:16:59,714 --> 00:17:00,985 LOCK THIS. 338 00:17:16,432 --> 00:17:17,136 [LOCKS DOOR] 339 00:18:19,346 --> 00:18:20,289 HEY, SHANNON. 340 00:18:20,322 --> 00:18:21,556 YOU GOT A MINUTE? 341 00:18:21,589 --> 00:18:24,371 WHAT�S GOING ON? 342 00:18:24,404 --> 00:18:25,943 YOUR P. A. A. TOOK A COLLAR IN THE 2?7. 343 00:18:25,978 --> 00:18:27,218 OH, MAN. 344 00:18:27,251 --> 00:18:28,357 EVIDENTLY, SHE SHOPLIFTED 345 00:18:28,391 --> 00:18:29,396 SOME PERFUME AT RUTHERFORD�S, 346 00:18:29,429 --> 00:18:30,969 PLUS THERE WAS SOME BACK?AND?FORTH 347 00:18:31,003 --> 00:18:32,644 WITH THE SECURITY BOSS GRABBED HER UP. 348 00:18:32,677 --> 00:18:34,587 DOLORES DIDN�T SAY SHE WAS A P. A. A.? 349 00:18:34,621 --> 00:18:37,167 COP THAT TOOK THE COMPLAINT, TEDDY DELFINO, 350 00:18:37,201 --> 00:18:39,779 RECOGNIZED HER FROM BEING OVER HERE RETURNING SOME VOUCHERED PROPERTY. 351 00:18:39,812 --> 00:18:41,957 DID DELFINO SAY WHAT KIND OF BACK?AND?FORTH 352 00:18:41,991 --> 00:18:44,135 THERE WAS WITH DOLORES AND THE SECURITY SUPERVISOR? 353 00:18:44,169 --> 00:18:45,776 YEAH. TEDDY SAID THE SUPERVISOR SAID 354 00:18:45,809 --> 00:18:48,457 SHE WAS OFFERING SEX IF HE�D LET HER GO FOR THE SHOPLIFTING. 355 00:18:48,491 --> 00:18:49,963 AND WHAT WAS DOLORES� STORY? 356 00:18:49,998 --> 00:18:53,917 THAT THE SUPERVISOR TRIED TO GET OVER ON HER IN HIS OFFICE. 357 00:18:53,950 --> 00:18:56,397 DELFINO�S AT HIS HOUSE IF YOU WANT TO CALL HIM. 358 00:18:56,431 --> 00:18:58,340 YEAH. WE�LL, UH, WE�LL CALL DELFINO NOW. 359 00:18:58,373 --> 00:19:00,350 OK. SHE SEEMS LIKE A REALLY NICE GIRL. 360 00:19:00,383 --> 00:19:01,957 YEAH. 361 00:19:01,991 --> 00:19:02,962 [SIGHS] 362 00:19:02,996 --> 00:19:04,604 HER NOT REACHING OUT IS BAD. 363 00:19:04,637 --> 00:19:07,987 IF WE MAKE THIS GO AWAY AND SHE�S LOOKING TO JAM HERSELF UP, 364 00:19:08,021 --> 00:19:09,629 WE DIDN�T DO HER ANY FAVORS. 365 00:19:09,662 --> 00:19:11,772 MIGHT JUST PUSH HER INTO SOMETHING WORSE. 366 00:19:14,118 --> 00:19:15,626 THE THINKER. 367 00:19:15,659 --> 00:19:17,903 DOES THIS HAPPEN OFTEN? 368 00:19:19,210 --> 00:19:20,784 WORLD WAR III. 369 00:19:20,817 --> 00:19:22,158 BETWEEN WHO? 370 00:19:22,192 --> 00:19:23,566 ANDY AND THE BOSS. 371 00:19:25,240 --> 00:19:26,547 ONE MINUTE THEY�RE TALKING LIKE GENTLEMEN 372 00:19:26,581 --> 00:19:27,652 ABOUT THE CASE?? 373 00:19:27,686 --> 00:19:29,428 SZYMANSKI SHOOTING THE PLAINCLOTHES? 374 00:19:29,461 --> 00:19:30,734 NEXT THING, THEY�RE BREAKING EACH OTHER�S SHOES, 375 00:19:30,767 --> 00:19:32,376 NEXT THING, THEY�RE IN THE BATHROOM 376 00:19:32,410 --> 00:19:33,481 HITTIN� EACH OTHER WITH HAYMAKERS. 377 00:19:37,099 --> 00:19:38,372 WAS HE HERE FOR IT? 378 00:19:38,406 --> 00:19:40,817 HE SAID HE�S GOT HIS OWN PROBLEMS. 379 00:19:40,852 --> 00:19:42,761 AND NO ONE ELSE WAS HERE? 380 00:19:42,794 --> 00:19:45,374 THAT SZYMANSKI WAS IN THE COFFEE ROOM. THE DOOR WAS CLOSED. 381 00:19:47,116 --> 00:19:48,657 UM... 382 00:19:48,691 --> 00:19:51,169 GREG AND JAMES ARE STILL AT THE PROJECTS, UM, 383 00:19:51,203 --> 00:19:54,352 LOOKING FOR THE TWO THAT GOT IT STARTED. 384 00:19:54,385 --> 00:19:56,797 DID YOU GET ANYTHING ON CANVASS? 385 00:19:56,831 --> 00:19:59,344 PLENTY. JUST NOTHING THAT MADE ANY SENSE. 386 00:20:04,905 --> 00:20:06,279 ARE THEY ALL RIGHT ALONE IN THERE? 387 00:20:06,312 --> 00:20:07,786 BEATS THE HELL OUT OF ME. 388 00:20:10,801 --> 00:20:14,184 [DONALDSON SPEAKING INAUDIBLY] 389 00:20:16,462 --> 00:20:18,305 WHO ARE YOU TALKING TO? 390 00:20:19,377 --> 00:20:20,817 THE HOSPITAL. 391 00:20:31,605 --> 00:20:33,213 [SIGHS] 392 00:20:33,246 --> 00:20:35,792 WE GOTTA FIGURE SOMETHING OUT. 393 00:20:38,706 --> 00:20:41,588 WE COULD KILL EACH OTHER, I COULD GET A HEART ATTACK, OR SO FORTH. 394 00:20:41,621 --> 00:20:44,033 HAVE YOU GOT CHEST PAIN? 395 00:20:44,067 --> 00:20:45,910 NO. 396 00:20:45,943 --> 00:20:47,484 YOU? 397 00:20:47,517 --> 00:20:51,470 BUT MY FATHER DIED OF A HEART ATTACK WHEN HE WAS 43. 398 00:20:51,504 --> 00:20:53,983 WHAT, DID HE HAVE A BAD DIET? 399 00:20:55,524 --> 00:20:57,701 HE HAD HYPERTENSION. 400 00:20:57,735 --> 00:20:59,410 AND HE WAS A DRUNK. 401 00:21:07,116 --> 00:21:09,127 IT�S THE TONE THAT SETS ME OFF. 402 00:21:09,160 --> 00:21:10,668 THAT LOOK. 403 00:21:10,701 --> 00:21:13,650 "I GOT YOUR NUMBER. I KNOW WHAT YOU ARE." 404 00:21:13,683 --> 00:21:15,358 THAT�S THE LOOK THAT SETS YOU OFF? 405 00:21:15,391 --> 00:21:16,262 YEAH, THAT�S THE LOOK. 406 00:21:16,295 --> 00:21:17,904 I THOUGHT YOU PATENTED THAT AT BIRTH. 407 00:21:17,937 --> 00:21:21,053 I GOT YOUR NUMBER. I KNOW WHAT YOU ARE. 408 00:21:21,087 --> 00:21:24,202 YOU�RE A DRUNK. YOU�RE A MESS. YOU GOT RACE PREJUDICE. 409 00:21:24,235 --> 00:21:25,743 MAKE THAT MOVE WITH YOUR THUMB LIKE YOU DID FOR SORENSON, 410 00:21:25,777 --> 00:21:27,485 POINTING AT ME IN MY OFFICE. 411 00:21:27,519 --> 00:21:29,227 THAT POINT I�D LOST MY TEMPER. 412 00:21:29,260 --> 00:21:32,075 THAT�S WHAT GOT US THROWING PUNCHES, DOING THAT WITH YOUR THUMB. 413 00:21:32,108 --> 00:21:33,984 WE THREW PUNCHES �CAUSE YOU CHASED IN HERE AFTER ME. 414 00:21:34,017 --> 00:21:35,659 I DON�T TAKE THAT OFF ANYBODY, 415 00:21:35,693 --> 00:21:37,937 THAT??THAT "WHAT DO YOU EXPECT?" THUMB STUFF. 416 00:21:37,971 --> 00:21:39,645 LOOK, LOOK, LOOK. 417 00:21:41,153 --> 00:21:43,632 NO, YOU�RE RIGHT. 418 00:21:43,665 --> 00:21:45,542 I�VE WORKED TOO HARD. 419 00:21:45,575 --> 00:21:47,150 THEY�LL LAUNCH US OUT OF HERE. 420 00:21:47,183 --> 00:21:50,265 ANY BIG FUTURE YOU GOT AT ONE P. P., YOU CAN FORGET ABOUT IT. 421 00:21:50,298 --> 00:21:54,755 THAT�S THE KIND OF SIDEWAYS CRACK YOU NEVER MISS MAKING. 422 00:21:54,789 --> 00:21:56,027 YOU�RE NOT AMBITIOUS? 423 00:21:56,061 --> 00:21:57,569 WHAT�S WRONG WITH BEING AMBITIOUS? 424 00:21:57,602 --> 00:21:59,210 [SIGHS] 425 00:21:59,243 --> 00:22:01,220 I WITHDRAW THE SIDEWAYS CRACK, 426 00:22:01,253 --> 00:22:03,163 AND I WITHDRAW MY THUMBS. 427 00:22:04,470 --> 00:22:06,514 I FEEL LIKE I CAN READ YOUR MIND. 428 00:22:06,547 --> 00:22:08,624 I FEEL LIKE I CAN READ YOUR MIND. 429 00:22:08,657 --> 00:22:10,969 ANY COP, ALL COLORS, 430 00:22:11,002 --> 00:22:14,318 I FEEL LIKE I UNDERSTAND YOU THE BEST. 431 00:22:14,352 --> 00:22:17,702 NOW, HOW THE HELL CAN THAT BE? 432 00:22:20,517 --> 00:22:21,589 THE KID�S ALL RIGHT. 433 00:22:23,632 --> 00:22:25,675 HE�S NOT GONNA TAKE IT ANYPLACE. 434 00:22:25,709 --> 00:22:27,283 WHAT ABOUT THE PLAINCLOTHES? 435 00:22:27,317 --> 00:22:28,455 YEAH. 436 00:22:28,489 --> 00:22:30,767 THAT MAY BE A CONVERSATION. 437 00:22:47,920 --> 00:22:49,729 I�M ARTHUR FANCY. 438 00:22:49,762 --> 00:22:51,102 HOW DO YOU DO? 439 00:22:56,295 --> 00:22:58,171 ANYTHING OFF THE CANVASS? 440 00:22:58,204 --> 00:23:01,086 YEAH. LET�S TALK ABOUT THE CANVASS, ANDY. 441 00:23:01,119 --> 00:23:03,799 NO, WE DIDN�T GET ANYTHING OFF CANVASS. 442 00:23:03,832 --> 00:23:05,809 I TOLD THEM WHAT WE FOUND OUT HERE, 443 00:23:05,842 --> 00:23:07,685 HOW THE SHOOTINGS WENT DOWN. 444 00:23:09,360 --> 00:23:11,805 AS FAR AS ME AND HIM, THINGS GOT... 445 00:23:11,839 --> 00:23:13,715 SOMEWHAT OUT OF HAND. 446 00:23:15,524 --> 00:23:19,209 UH, SHALL WE CALL DELFINO ON THIS OTHER THING? 447 00:23:21,588 --> 00:23:23,832 OBVIOUSLY YOUR CHIEF CONCERN�S YOUR PARTNER. 448 00:23:23,865 --> 00:23:26,412 YEAH. THANK GOD HE�S STABLE NOW. 449 00:23:26,445 --> 00:23:29,226 THE SHOT THAT HIT SZYMANSKI CAME FROM A UNIFORM COP, 450 00:23:29,259 --> 00:23:30,533 SO THAT CORROBORATES YOUR ACCOUNT. 451 00:23:30,566 --> 00:23:33,548 WE ALSO NEED TO REPORT YOUR NOT WEARING VESTS, 452 00:23:33,581 --> 00:23:36,797 WHICH�LL PROBABLY BE A 10?DAY RIP. 453 00:23:36,830 --> 00:23:40,146 COULD YOU PUT IN WE WORE THE VESTS DURING INSPECTION, LIEUTENANT, 454 00:23:40,181 --> 00:23:41,889 THEN TOOK THEM OFF ONCE WE LEFT THE HOUSE? 455 00:23:41,923 --> 00:23:45,071 I�LL PUT IN YOUR BOSS INSPECTED YOU FOR VESTS, 456 00:23:45,105 --> 00:23:45,875 WHETHER IT�S TRUE OR NOT. 457 00:23:48,020 --> 00:23:50,331 THE TACTICAL ERROR, NOT WEARING THE COLOR OF THE DAY, 458 00:23:50,365 --> 00:23:54,787 YOU CAN GET OFF WITH A SLAP LIKE "WARNED AND ADMONISHED" 459 00:23:54,820 --> 00:23:57,546 OR PUT BACK IN UNIFORM, WHICH AS YOU KNOW, ISN�T OUR CALL. 460 00:23:57,579 --> 00:24:01,566 LOOK, LIEUTENANT, I KNOW THIS ISN�T YOUR CALL, 461 00:24:01,599 --> 00:24:04,144 BUT AS FAR AS THIS GETTING WRITTEN UP, 462 00:24:04,178 --> 00:24:06,456 I DID EXPLAIN TO THAT DETECTIVE 463 00:24:06,490 --> 00:24:08,164 HOW QUICK THE TROUBLE JUMPED OFF. 464 00:24:08,198 --> 00:24:09,672 WHY WE DIDN�T GET THE COLOR ON. 465 00:24:09,706 --> 00:24:11,782 THEN THAT�S HOW HE�LL WRITE IT UP. 466 00:24:11,816 --> 00:24:13,356 THAT DETECTIVE DOESN�T LOOK TO HURT COPS. 467 00:24:14,731 --> 00:24:15,970 OK. 468 00:24:16,004 --> 00:24:18,081 THIS WAS PERSONAL. 469 00:24:18,114 --> 00:24:19,622 YOU UNDERSTAND THAT? 470 00:24:21,632 --> 00:24:24,681 YEAH. I DON�T LOOK TO HURT OTHER COPS EITHER, LIEUTENANT. 471 00:24:24,714 --> 00:24:26,958 ALL RIGHT. 472 00:24:26,992 --> 00:24:29,505 THINK THAT GOES FOR THAT SZYMANSKI? 473 00:24:32,084 --> 00:24:34,228 GO BE WITH YOUR PARTNER, DONALDSON. 474 00:24:34,261 --> 00:24:35,535 YES, SIR. THANK YOU. 475 00:24:45,483 --> 00:24:48,464 THIS IS AS MUCH ME AS HIM... 476 00:24:48,498 --> 00:24:51,146 THROWING MY THUMB AT HIS NOSE. 477 00:24:51,179 --> 00:24:53,256 THAT�S WHAT SET IT OFF. 478 00:24:53,289 --> 00:24:55,066 THAT�S YOUR TAKE ON IT? 479 00:24:55,099 --> 00:24:57,612 I WASN�T TAKING A POSITION, ANDY. I WAS SUMMARIZING YOURS. 480 00:24:59,486 --> 00:25:01,632 NEXT TIME I�LL SAY, "I HEAR YOU." 481 00:25:01,666 --> 00:25:03,976 SO LET ME GET A STORY SET WITH THIS BAKER. 482 00:25:10,374 --> 00:25:13,356 HOW BAD�S IT GONNA BE FOR ME? 483 00:25:13,389 --> 00:25:14,964 IT�S NOT GONNA BE BAD, NEIL, 484 00:25:14,997 --> 00:25:17,176 AS LONG AS WE�RE ON THE SAME PAGE. 485 00:25:17,209 --> 00:25:18,784 ALL RIGHT. 486 00:25:18,817 --> 00:25:20,861 I�M PUTTIN� YOU TOLD ME 487 00:25:20,894 --> 00:25:22,501 AT THE SCENE 488 00:25:22,534 --> 00:25:24,646 YOU HAD SOMETHING FOR ME ON THE INCIDENT. 489 00:25:24,681 --> 00:25:26,254 THAT I TOLD YOU THAT AT THE SCENE. 490 00:25:26,288 --> 00:25:29,872 BUT YOU WANTED TO SAY AT THE STATION HOUSE. 491 00:25:29,906 --> 00:25:32,251 I APPRECIATE WHERE I THINK YOU�RE GOING WITH THIS. 492 00:25:32,284 --> 00:25:33,892 UNDER THOSE CIRCUMSTANCES, 493 00:25:33,926 --> 00:25:35,902 THINKING THOSE GUYS WERE BAD GUYS, 494 00:25:35,936 --> 00:25:38,381 YOU THROWING THE SHOT IS NO JACKPOT. 495 00:25:38,414 --> 00:25:41,229 YEAH. THE POTENTIAL JACKPOT�S NOT COMING FORWARD RIGHT AWAY. 496 00:25:41,263 --> 00:25:43,071 BUT YOU DID, NEIL. OK? 497 00:25:43,105 --> 00:25:44,411 AT THE SCENE. 498 00:25:44,444 --> 00:25:46,187 YOU CAME FORWARD TO ME 499 00:25:46,221 --> 00:25:48,464 AS ONE OF THE INVESTIGATING DETECTIVES. 500 00:25:50,844 --> 00:25:52,552 I GOT A CONTRIBUTION TO MAKE. 501 00:25:52,585 --> 00:25:54,193 I�M SURE YOU DO. 502 00:25:54,228 --> 00:25:56,841 WHEN I REALIZED WHAT I DID... 503 00:25:56,874 --> 00:25:59,453 FOR VARIOUS PERSONAL FAMILY REASONS... 504 00:26:00,927 --> 00:26:03,674 I GOT VERY AFRAID I WOULD LOSE MY JOB. 505 00:26:03,708 --> 00:26:05,751 NEIL, YOU CHOSE TO TELL ME. 506 00:26:05,785 --> 00:26:09,135 I LOOK TO HURT YOU OVER AN HOUR AND A HALF DELAY, 507 00:26:09,168 --> 00:26:11,815 TOOK NO SKIN OFF ANYONE ELSE�S NOSE, THEN I�M A BUM. 508 00:26:17,175 --> 00:26:18,951 GO ON OUT AND TAKE CARE OF BUSINESS. 509 00:26:23,306 --> 00:26:25,148 THANKS. 510 00:26:26,756 --> 00:26:28,431 VERY MUCH. 511 00:26:36,471 --> 00:26:38,549 JUST CHECKING IF THEY STARTED CONSTRUCTION 512 00:26:38,582 --> 00:26:39,855 ON THE GALLOWS. 513 00:26:39,888 --> 00:26:42,333 YOU WON�T GET HUNG OFF OUR REPORT. 514 00:26:43,908 --> 00:26:45,483 WHAT HAPPENED TO YOUR LIP? 515 00:26:51,881 --> 00:26:55,265 A ROOKIE COP SHOT YOU FROM THE SAME DIRECTION 516 00:26:55,298 --> 00:26:57,443 AS THE PLAINCLOTHES WHO WERE COMING AT YOU. 517 00:26:57,476 --> 00:26:59,888 THE PLAINCLOTHES HAVING THEIR WEAPONS DRAWN, 518 00:26:59,921 --> 00:27:02,166 I MISTOOK THE SHOTS COMING FROM THEM. 519 00:27:02,200 --> 00:27:03,707 WE ALSO FOUND OUT THE PLAINCLOTHES 520 00:27:03,740 --> 00:27:05,348 WEREN�T WEARING THE COLOR OF THE DAY. 521 00:27:05,382 --> 00:27:07,056 THERE YOU GO. 522 00:27:07,091 --> 00:27:08,498 THAT�S WHY I DID WHAT I DID. 523 00:27:08,531 --> 00:27:09,503 YOU DIDN�T MENTION THAT. 524 00:27:09,536 --> 00:27:10,609 NO, I DIDN�T. 525 00:27:10,642 --> 00:27:12,450 WAS THAT �CAUSE YOU DIDN�T NOTICE? 526 00:27:12,484 --> 00:27:14,930 I DIDN�T NOTICE THAT THEY WEREN�T WEARING SOMETHING? 527 00:27:14,963 --> 00:27:17,275 I ALSO DIDN�T NOTICE THAT THEY WEREN�T WEARING PINK TUTUS. 528 00:27:17,308 --> 00:27:18,582 SZYMANSKI, EVEN NOT WEARING THE COLOR, 529 00:27:18,615 --> 00:27:20,122 IF THOSE PLAINCLOTHES WERE WHITE, 530 00:27:20,156 --> 00:27:21,730 YOU WOULD�VE THOUGHT TWICE. 531 00:27:21,764 --> 00:27:24,679 I WOULD�VE GIVEN THEM A BETTER CHANCE AT BEING ON THE JOB. 532 00:27:24,712 --> 00:27:26,689 OF COURSE, THEN THEY WOULDN�T HAVE BEEN AS GOOD AT FITTING IN. 533 00:27:26,722 --> 00:27:28,197 THE WEIGHT�S STILL ON THEM, LIEUTENANT. 534 00:27:28,230 --> 00:27:29,368 THEY SHOULD�VE BEEN WEARING THE COLOR. 535 00:27:29,402 --> 00:27:30,575 I DON�T DISAGREE. 536 00:27:32,015 --> 00:27:33,422 AS FAR AS YOU PUTTING 5 IN HUDSON... 537 00:27:35,432 --> 00:27:39,385 LIEUTENANT, 5 YEARS AGO I WAS WITH MY WIFE?TO?BE OUT IN PARK SLOPE, 538 00:27:39,418 --> 00:27:41,395 AND I GOT JUMPED AND BEATEN BY 3 BLACK KIDS. 539 00:27:41,428 --> 00:27:44,277 ONCE THESE 3 BLACK KIDS REALIZED I WAS A COP, 540 00:27:44,310 --> 00:27:46,185 THEY TOOK MY GUN AND TRIED TO CUT OFF MY TRIGGER FINGER 541 00:27:46,219 --> 00:27:47,458 WITH A PENKNIFE. 542 00:27:47,492 --> 00:27:48,865 AND WHAT I WAS STANDING HERE THINKING?? 543 00:27:48,900 --> 00:27:51,445 2 YEARS AGO WHEN I STOPPED YOU FOR THAT BUSTED TAILLIGHT 544 00:27:51,478 --> 00:27:53,053 AND BROKE YOUR BALLS, 545 00:27:53,086 --> 00:27:55,231 WAS I LOOKING TO GET BACK AT THOSE 3 KIDS? 546 00:27:55,265 --> 00:27:57,173 AND IF I WAS, 547 00:27:57,206 --> 00:28:00,121 MAYBE THAT�S HOW THIS BLACK PLAINCLOTHES WOUND UP SHOT, 548 00:28:00,155 --> 00:28:02,669 �CAUSE PISSING YOU OFF GOT ME TRANSFERRED TO THIS PRECINCT 549 00:28:02,702 --> 00:28:05,515 AND DROPPING MY DRY CLEANER OVER ON HOUSTON 550 00:28:05,549 --> 00:28:07,358 AND PUTTING ME OUT ON THE STREET TODAY 551 00:28:07,392 --> 00:28:08,732 TO SHOOT THAT BLACK PLAINCLOTHES COP. 552 00:28:08,765 --> 00:28:10,742 OR MAYBE THAT�S WHAT MADE ME PUT 5 INTO HIM 553 00:28:10,775 --> 00:28:13,053 WHEN MAYBE ONE WOULD�VE BEEN ENOUGH. 554 00:28:13,086 --> 00:28:16,001 AND IF THAT�S TRUE, WHAT DOES IT MEAN? 555 00:28:16,035 --> 00:28:17,910 I DON�T KNOW, SZYMANSKI. 556 00:28:17,944 --> 00:28:20,558 AND I DON�T THINK MARTENS FROM I. A. B.�s GONNA KNOW EITHER. 557 00:28:22,669 --> 00:28:24,812 AND IF IT�S ALL RIGHT WITH YOU, 558 00:28:24,845 --> 00:28:27,458 I�M NOT GONNA GIVE HIM A CHANCE TO DECIDE. 559 00:28:31,143 --> 00:28:32,684 THANK YOU. 560 00:28:54,459 --> 00:28:56,035 HOW�S IT GOING, GERALD? 561 00:28:56,068 --> 00:28:58,045 DO??DO WE KNOW EACH OTHER? 562 00:28:58,078 --> 00:28:59,820 GERALD GRISWOLD, RIGHT? 563 00:28:59,854 --> 00:29:01,226 WELL, WHAT�S IT ABOUT? 564 00:29:01,260 --> 00:29:03,304 WE APPRECIATE YOU COMING IN. 565 00:29:03,337 --> 00:29:05,884 I�M JILL KIRKENDALL. THIS IS DIANE RUSSELL. 566 00:29:07,290 --> 00:29:08,932 WHAT�S IT ABOUT? 567 00:29:08,965 --> 00:29:11,679 YOU DETAINED DOLORES MAYO FOR SHOPLIFTING 568 00:29:11,713 --> 00:29:13,153 AT RUTHERFORD�S EARLIER TODAY. 569 00:29:13,186 --> 00:29:16,068 SHE STOLE A $49 BOTTLE OF PERFUME. 570 00:29:16,101 --> 00:29:19,083 YOU KNOW, RUTHERFORD�S IS IN THE 27th PRECINCT, 571 00:29:19,116 --> 00:29:20,724 JUST IN CASE YOU�RE UNAWARE. 572 00:29:20,758 --> 00:29:22,734 WE KNOW WHERE RUTHERFORD�S IS. 573 00:29:22,768 --> 00:29:25,749 DOLORES MAYO WORKS HERE IN THE 15th PRECINCT, GERALD. 574 00:29:25,783 --> 00:29:27,524 YOU�RE NOT TELLING ME SHE�S A COP? 575 00:29:27,558 --> 00:29:30,607 NO. SHE WORKS IN OUR SQUAD AS A CIVILIAN AIDE. 576 00:29:30,641 --> 00:29:34,426 DOLORES IS A DECENT PERSON WHO�S HAVING EMOTIONAL PROBLEMS RIGHT NOW. 577 00:29:34,459 --> 00:29:36,939 WE�RE WONDERING IF SOME ACCOMMODATION CAN�T BE MADE 578 00:29:36,972 --> 00:29:38,298 SHORT OF PRESSING THESE SHOPLIFTING CHARGES. 579 00:29:38,332 --> 00:29:39,905 I DON�T THINK SO. 580 00:29:39,940 --> 00:29:42,485 SHE WAS HOSTILE AND BELLIGERENT. 581 00:29:42,519 --> 00:29:45,166 HAS SHE BEEN IN TROUBLE BEFORE IN YOUR STORE? 582 00:29:45,199 --> 00:29:48,046 I�M TELLING YOU, SHE WAS VERY HOSTILE AND BELLIGERENT WITH ME. 583 00:29:48,080 --> 00:29:48,951 AND HOW WERE YOU WITH HER? 584 00:29:48,985 --> 00:29:50,124 WHAT DO YOU MEAN, HOW WAS I? 585 00:29:50,157 --> 00:29:51,765 HOW DID YOU ACT, GERALD? 586 00:29:51,799 --> 00:29:53,473 OH, COME ON. I COULD SEE THIS COMING. 587 00:29:53,507 --> 00:29:56,925 ALL RIGHT, LISTEN. SHE WAS WILLING TO TRADE SEX 588 00:29:56,958 --> 00:29:58,297 IF I LET THE CHARGES GO. 589 00:29:58,331 --> 00:30:00,174 SHE MADE THAT OFFER IN SO MANY WORDS? 590 00:30:00,207 --> 00:30:02,955 IT WAS BODY LANGUAGE. 591 00:30:02,988 --> 00:30:05,601 OH. SHE OFFERED YOU SEX WITH BODY LANGUAGE. 592 00:30:05,634 --> 00:30:07,779 YEAH. 593 00:30:07,812 --> 00:30:10,492 ANY CHANCE YOU WEREN�T TRANSLATING RIGHT, GERALD? 594 00:30:10,525 --> 00:30:12,201 YOU CAN BULLY ME ALL YOU WANT. 595 00:30:12,234 --> 00:30:14,143 I KNOW WHAT SHE WAS OFFERING. 596 00:30:14,176 --> 00:30:16,689 AND THAT�S GONNA SHOW ON THE VIDEOTAPE FROM YOUR SECURITY OFFICE? 597 00:30:16,723 --> 00:30:19,604 NO. THE MACHINE WAS OFF. 598 00:30:19,638 --> 00:30:21,011 REALLY? 599 00:30:21,045 --> 00:30:22,754 HOW�D THAT HAPPEN? 600 00:30:22,787 --> 00:30:26,472 WE TOLD YOU THIS GIRL IS HAVING EMOTIONAL PROBLEMS. 601 00:30:26,505 --> 00:30:28,482 SHE MAY OR MAY NOT HAVE SHOPLIFTED SOMETHING. 602 00:30:28,515 --> 00:30:30,726 THAT DOESN�T GIVE YOU THE RIGHT TO PREY ON HER. 603 00:30:30,759 --> 00:30:33,071 LOOK, DID SHE TELL YOU SHE DID NOT COME IN THERE WILLINGLY? 604 00:30:33,105 --> 00:30:36,824 DOLORES DIDN�T TURN OFF THAT VIDEO CAMERA, GERALD. THAT WAS YOU. 605 00:30:38,834 --> 00:30:41,211 SO YOU WANT TO TRY EXPLAINING THAT TO YOUR BOSS? 606 00:30:43,255 --> 00:30:46,505 THE SHOPLIFTING CAN GO AWAY. 607 00:30:46,538 --> 00:30:49,553 BUT DON�T TELL ME THAT GIRL DID NOT COME ON TO ME. 608 00:30:57,459 --> 00:31:00,877 WELL, WHAT IF WE TALK DOWNSTAIRS, DOLORES? 609 00:31:00,910 --> 00:31:01,950 FINE. 610 00:31:01,983 --> 00:31:02,920 THAT�S GREAT. 611 00:31:02,955 --> 00:31:04,897 HOW SOON CAN YOU GET IN? 612 00:31:04,931 --> 00:31:06,170 GOOD. 613 00:31:06,203 --> 00:31:07,208 OK. 614 00:31:09,051 --> 00:31:10,693 WHEN CAN SHE GET HERE? 615 00:31:10,726 --> 00:31:13,439 SHE WAS CALLING FROM THE PAY PHONE AROUND THE CORNER. 616 00:31:13,472 --> 00:31:15,986 WOULDN�T TALK TO US IF WE MADE HER COME UP TO THE SQUAD? 617 00:31:16,020 --> 00:31:17,996 GREG AND JAMES AND THE BARUCH HOUSING COPS 618 00:31:18,030 --> 00:31:20,910 GRABBED UP 2 KIDS THEY LIKE FOR STARTING ALL THIS NONSENSE. 619 00:31:20,945 --> 00:31:23,021 GREAT. 620 00:31:23,055 --> 00:31:26,103 SO, UM, WHERE ARE YOU ON THAT JACKPOT WITH DOLORES? 621 00:31:26,136 --> 00:31:28,615 SHE�S COMING IN NOW. 622 00:31:28,648 --> 00:31:29,923 SHE�S COMING INTO WORK? 623 00:31:29,956 --> 00:31:32,266 NO. SHE�S COMING IN TO TALK WITH US. 624 00:31:32,300 --> 00:31:35,381 THEN SHE NEEDS TO TALK TO ME, �CAUSE THIS AIN�T WORKING. 625 00:31:35,415 --> 00:31:38,631 YOU THINK THAT PART COULD WAIT A DAY OR SO, BOSS? 626 00:31:38,665 --> 00:31:41,178 [TELEPHONE RINGS] 627 00:31:41,211 --> 00:31:44,998 YEAH, IT CAN WAIT. 628 00:31:45,031 --> 00:31:47,208 15th SQUAD. 629 00:31:47,241 --> 00:31:48,748 YEAH. 630 00:31:51,261 --> 00:31:53,038 SHE�S DOWNSTAIRS. 631 00:32:13,943 --> 00:32:15,681 WHY DON�T YOU SIT IN THE CHAIR, DOLORES? 632 00:32:16,991 --> 00:32:18,363 YEAH, OK. 633 00:32:18,396 --> 00:32:21,813 THANKS FOR NOT MAKING ME COME UPSTAIRS. 634 00:32:21,848 --> 00:32:23,824 UM... 635 00:32:23,858 --> 00:32:26,470 YOU NEED TO TALK WITH LIEUTENANT FANCY 636 00:32:26,503 --> 00:32:28,313 ABOUT MISSING WORK. 637 00:32:28,346 --> 00:32:30,894 WELL, RIGHT ABOUT NOW I DON�T THINK THAT�S MY NUMBER?ONE PROBLEM. 638 00:32:30,928 --> 00:32:33,205 THE HEAD OF SECURITY AT RUTHERFORD�S 639 00:32:33,238 --> 00:32:34,777 IS DROPPING CHARGES. 640 00:32:34,812 --> 00:32:36,787 IS THAT RIGHT? 641 00:32:36,822 --> 00:32:38,630 THANKS. 642 00:32:38,663 --> 00:32:41,645 DOLORES, US REACHING OUT FOR YOU LIKE THIS 643 00:32:41,678 --> 00:32:43,055 DOESN�T HAVE TO BE A GOOD THING. 644 00:32:43,088 --> 00:32:44,660 IT WON�T BE A GOOD THING 645 00:32:44,693 --> 00:32:47,741 IF IT KEEPS YOU FROM FACING UP TO YOU HAVING A PROBLEM. 646 00:32:47,775 --> 00:32:50,156 I�M NOT A CAREER KLEPTO, OK? 647 00:32:50,190 --> 00:32:52,938 A LOT OF THE KLEPTO COLLARS I MADE, DOLORES, 648 00:32:52,971 --> 00:32:55,315 PEOPLE WERE TRYING TO GET ATTENTION 649 00:32:55,348 --> 00:32:57,894 AND GET THEMSELVES JAMMED UP AT THE SAME TIME. 650 00:32:57,930 --> 00:33:00,406 I JUST SAID THIS IS THE FIRST TIME 651 00:33:00,440 --> 00:33:02,250 I EVER STOLE ANYTHING FROM A STORE. 652 00:33:02,283 --> 00:33:04,526 IT�S NOT THE FIRST TIME YOU GOT YOURSELF JAMMED UP 653 00:33:04,560 --> 00:33:05,865 LOOKING FOR SOME ATTENTION. 654 00:33:05,900 --> 00:33:07,546 YOU DID THAT IN THAT STRIP CLUB JUST LAST WEEK. 655 00:33:07,580 --> 00:33:09,556 YOU�RE KINDA TALL TO BE TALKING LIKE DR. RUTH. 656 00:33:09,590 --> 00:33:13,076 DOLORES, YOU ARE GETTING YOURSELF IN TROUBLE, 657 00:33:13,110 --> 00:33:15,320 AND IF YOU DON�T GET SOME HELP, 658 00:33:15,353 --> 00:33:17,096 IT�S GONNA GET WORSE. 659 00:33:17,130 --> 00:33:20,545 LISTEN, DO I HAVE A JOB OR NOT? 660 00:33:20,578 --> 00:33:23,626 BECAUSE THAT IS WHAT I NEED TO FIND OUT FROM THIS PLACE. 661 00:33:23,660 --> 00:33:24,431 DOLORES?? 662 00:33:24,465 --> 00:33:25,603 NO! 663 00:33:25,636 --> 00:33:26,475 I MEAN IT. 664 00:33:28,251 --> 00:33:29,790 WE DON�T KNOW ABOUT THAT. 665 00:33:29,823 --> 00:33:31,800 YOU�LL HAVE TO TALK TO THE LIEUTENANT ABOUT THAT. 666 00:33:33,543 --> 00:33:35,753 OK. 667 00:33:35,786 --> 00:33:37,196 OK, THANKS. 668 00:33:38,535 --> 00:33:41,516 I�LL CALL HIM TOMORROW. 669 00:33:41,550 --> 00:33:43,160 OK. 670 00:33:43,193 --> 00:33:46,241 CAN I GO NOW? 671 00:33:46,275 --> 00:33:49,656 YOU WERE NEVER IN CUSTODY, DOLORES. 672 00:33:49,690 --> 00:33:51,400 WE WERE TALKING TO YOU AS FRIENDS. 673 00:33:53,610 --> 00:33:54,781 I KNOW. 674 00:34:08,885 --> 00:34:09,790 COME ON IN. 675 00:34:17,563 --> 00:34:19,806 OUR GUYS COLLARED THE STREET THIEVES 676 00:34:19,840 --> 00:34:22,152 THE 2 PLAINCLOTHES WERE CHASING WHEN THE TROUBLE STARTED. 677 00:34:22,186 --> 00:34:24,531 WHAT ABOUT MY PART OF IT? 678 00:34:24,565 --> 00:34:27,178 WE DIDN�T FIND ANY COPS BEHAVING CULPABLY. 679 00:34:27,211 --> 00:34:28,585 INCLUDING SZYMANSKI? 680 00:34:28,618 --> 00:34:30,395 ESPECIALLY SZYMANSKI. 681 00:34:30,428 --> 00:34:34,077 SZYMANSKI TOOK A ROUND FROM A ROOKIE COP NAMED BAKER 682 00:34:34,112 --> 00:34:37,160 WHO SAW THE PLAINCLOTHES RUNNING AT HIM WITH THEIR GUNS OUT 683 00:34:37,194 --> 00:34:39,773 AND MISTOOK �EM FOR PERPS. 684 00:34:39,806 --> 00:34:41,783 WHY DIDN�T BAKER REPORT THAT AT THE SCENE? 685 00:34:41,816 --> 00:34:44,531 DETECTIVE SORENSON SAID BAKER DID TELL HIM, AT THE SCENE, 686 00:34:44,565 --> 00:34:46,808 THAT HE HAD SOMETHING FOR HIM, 687 00:34:46,841 --> 00:34:49,052 BUT HE WANTED TO GIVE HIM THE DETAILS AT THE STATION HOUSE. 688 00:34:49,086 --> 00:34:50,961 HOW IS IT EVERYONE IN MANHATTAN 689 00:34:50,995 --> 00:34:52,971 TOOK THOSE PLAINCLOTHES FOR BAD GUYS? 690 00:34:53,005 --> 00:34:55,217 WE�LL, THEY�RE SUPPOSED TO LOOK LIKE BAD GUYS. 691 00:34:55,251 --> 00:34:58,232 THEY�RE ALSO SUPPOSED TO WEAR THE COLOR OF THE DAY. 692 00:34:58,266 --> 00:35:00,377 BOTH OF US KNOW WEARING THE COLOR AT ALL TIMES, 693 00:35:00,410 --> 00:35:03,089 TROUBLE OR NOT, MAKES THE PLAINCLOTHES AS COPS. 694 00:35:03,122 --> 00:35:05,536 DETECTIVE SIPOWICZ�S INTERVIEW WITH DONALDSON 695 00:35:05,570 --> 00:35:08,047 ESTABLISHED THE TROUBLE JUMPED OFF IN SUCH A WAY 696 00:35:08,081 --> 00:35:10,661 THAT THE PLAINCLOTHES HAD TO PRIORITIZE. 697 00:35:10,695 --> 00:35:14,313 IT WAS CHASE THE PERPS OR STOP AND PUT THE COLOR ON. 698 00:35:14,346 --> 00:35:17,328 THE PLAINCLOTHES CHOSE TO RISK THEIR OWN SAFETY 699 00:35:17,361 --> 00:35:21,816 BY CHASING THE PERPS IN ORDER TO PROTECT THE CITIZENS ON THE STREET. 700 00:35:21,850 --> 00:35:24,162 I ASSUME HUDSON WASN�T WEARING HIS BULLETPROOF VEST 701 00:35:24,195 --> 00:35:25,469 FOR SIMILAR HEROIC REASONS? 702 00:35:25,502 --> 00:35:27,512 HUDSON, BY NOT WEARING HIS VEST, 703 00:35:27,545 --> 00:35:29,187 DIDN�T DAMAGE ANYONE EXCEPT FOR HUDSON. 704 00:35:32,570 --> 00:35:34,447 LEAVING THE 5 THAT SZYMANSKI PUT IN HIM. 705 00:35:34,480 --> 00:35:35,853 SZYMANSKI HAD JUST BEEN WOUNDED. 706 00:35:35,886 --> 00:35:38,901 DISCHARGING 5 ROUNDS UNDER THOSE CIRCUMSTANCES 707 00:35:38,935 --> 00:35:40,911 IN THE HEAT OF THE MOMENT 708 00:35:40,945 --> 00:35:42,655 DOESN�T STRIKE ME AS SURPRISING. 709 00:35:51,800 --> 00:35:54,345 WHAT HAPPENED TO THE SIDE OF YOUR FACE? 710 00:35:54,379 --> 00:35:55,886 I BUMPED INTO A DOOR. 711 00:36:10,157 --> 00:36:11,766 DOOR? 712 00:36:24,529 --> 00:36:26,372 GOOD NIGHT. 713 00:36:26,405 --> 00:36:27,813 YEAH, GOOD NIGHT, BOSS. 714 00:36:49,755 --> 00:36:52,569 I PUT THAT THIS BAKER APPROACHED ME AT THE CRIME SCENE. 715 00:36:52,603 --> 00:36:54,613 YEAH, THAT�S RIGHT. 716 00:36:54,646 --> 00:36:56,857 MAKES SURE RUSSELL PUTS THAT. 717 00:36:56,890 --> 00:37:00,041 YOU KNOW, IT LOOKS LIKE THIS PLAINCLOTHESMAN DONALDSON IS STAND?UP, 718 00:37:00,074 --> 00:37:02,854 NOT SEEING NOTHIN� BETWEEN YOU AND THE BOSS. 719 00:37:02,887 --> 00:37:04,496 [SIGHS] 720 00:37:04,529 --> 00:37:06,874 I WAS NOT GONNA HURT DONALDSON IN MY 5, 721 00:37:06,907 --> 00:37:08,214 OR HIS PARTNER NEITHER. 722 00:37:08,247 --> 00:37:09,721 NO, I WAS JUST SAYING?? 723 00:37:09,755 --> 00:37:13,005 NEVER FEEL YOU NEED TO HELP ME DO RIGHT BY A COP, DANNY?? 724 00:37:13,039 --> 00:37:14,780 WHITE, BLACK, OR CHINESE. 725 00:37:14,814 --> 00:37:17,460 SO THAT WASN�T ANOTHER COP YOU WERE HOOKIN� AND GRAPPLIN� WITH 726 00:37:17,493 --> 00:37:18,900 IN THE LOCKER ROOM. 727 00:37:18,934 --> 00:37:20,207 WE WEREN�T IN THERE AS COPS. 728 00:37:20,241 --> 00:37:21,246 NO, AS IDIOTS. 729 00:37:21,280 --> 00:37:22,787 YOU THINK IT�S THAT SIMPLE? 730 00:37:22,820 --> 00:37:24,596 HEY, ALL�S I�M SAYING... 731 00:37:24,629 --> 00:37:26,438 I�LL GET THE HELL OUT. 732 00:37:26,472 --> 00:37:30,358 TRANSFER TILL YOU FIND A SQUAD GOT NO RACIAL TENSIONS, DANNY, 733 00:37:30,392 --> 00:37:32,267 YOU BETTER KEEP YOUR PERSONNEL FOLDER HANDY. 734 00:37:32,302 --> 00:37:34,378 HOW ABOUT SETTLING FOR ONE WHERE MY CO?WORKERS 735 00:37:34,412 --> 00:37:36,288 AREN�T WHISTLING PUNCHES PAST MY EARS? 736 00:37:36,322 --> 00:37:37,327 YOU�RE RIGHT ABOUT THAT. 737 00:37:37,360 --> 00:37:38,666 THAT�S THE IDIOT PART. 738 00:37:38,699 --> 00:37:39,804 I DON�T DISPUTE YOU ON THAT. 739 00:37:39,839 --> 00:37:40,609 THAT�S ALL. 740 00:37:42,418 --> 00:37:44,729 I JUST DON�T LIKE GETTING STIRRED UP. 741 00:37:44,763 --> 00:37:47,778 WELL, PLEASE ACCEPT MY APOLOGIES. 742 00:38:07,711 --> 00:38:09,854 CAR TROUBLE? 743 00:38:10,674 --> 00:38:11,836 WHEN I SAID GOOD NIGHT, 744 00:38:11,870 --> 00:38:14,651 I MEANT TO INCLUDE YOU IN THAT. 745 00:38:14,685 --> 00:38:17,464 BOY, THERE�S SEVERAL HOURS OF TOSSING AND TURNING 746 00:38:17,498 --> 00:38:19,172 I DON�T HAVE TO WORRY ABOUT. 747 00:38:19,207 --> 00:38:21,318 I MEANT TO INCLUDE YOU, 748 00:38:21,351 --> 00:38:24,064 AND AT THE LAST MINUTE... 749 00:38:24,097 --> 00:38:25,471 I DIDN�T. 750 00:38:25,504 --> 00:38:27,481 SO WHAT ARE WE GONNA DO, 751 00:38:27,514 --> 00:38:29,726 EVERY SHIFT DRAW UP A LIST 752 00:38:29,760 --> 00:38:31,770 OF POSSIBLE MISUNDERSTANDINGS TO CLARIFY? 753 00:38:31,803 --> 00:38:34,751 NO, BUT I CAN SEE, END OF THE SHIFT, 754 00:38:34,785 --> 00:38:37,531 MAKING SURE WE SAY GOOD NIGHT OR SO FORTH. 755 00:38:37,564 --> 00:38:39,743 I GOT NO OBJECTION TO THAT, 756 00:38:39,776 --> 00:38:41,116 SO THINGS DON�T CARRY OVER. 757 00:38:46,476 --> 00:38:47,984 GOOD NIGHT. 758 00:38:48,017 --> 00:38:48,821 GOOD NIGHT. 759 00:38:55,354 --> 00:38:56,326 GOOD NIGHT. 760 00:38:56,359 --> 00:38:57,900 GOOD NIGHT. 761 00:38:57,933 --> 00:39:00,781 WHAT, ARE WE GONNA SAY IT, LIKE, 8,000 TIMES? 762 00:39:02,523 --> 00:39:04,231 ALL RIGHT, LET�S CUT IT OUT. 763 00:39:12,775 --> 00:39:14,785 [CHUCKLING] 764 00:39:17,196 --> 00:39:18,871 [SIGHS] 765 00:39:43,226 --> 00:39:44,968 [DOOR OPENS] 766 00:39:45,001 --> 00:39:46,509 [DOOR CLOSES] 767 00:39:54,214 --> 00:39:55,654 BABY�S SLEEPING. 768 00:39:57,732 --> 00:39:59,307 HOW�S IT GOING? 769 00:40:05,503 --> 00:40:07,045 ANDY, WHAT HAPPENED? 770 00:40:07,078 --> 00:40:09,222 NOTHING. I WALKED INTO A DOOR. 771 00:40:10,797 --> 00:40:12,237 HOW�D IT GO AT RIKERS? 772 00:40:12,271 --> 00:40:15,287 THEY GETTING AN IDEA WHO SHANKED SUAREZ? 773 00:40:20,780 --> 00:40:22,824 THEY GOT NO LEADS? 774 00:40:24,934 --> 00:40:29,290 SUAREZ WAS THE PUNK OF A PRISONER WHO LOST A FIGHT. 775 00:40:29,323 --> 00:40:32,673 THE PRISONER WHO WON TOOK SUAREZ AS A TROPHY. 776 00:40:32,706 --> 00:40:35,688 AND THE ONE WHO LOST MURDERED SUAREZ 777 00:40:35,721 --> 00:40:38,636 TO SHOW THE OTHER GUY THE FIGHT WASN�T OVER. 778 00:40:38,669 --> 00:40:41,383 HE COPPED TO THIS, OR THAT�S THE STORY THAT�S CIRCULATING? 779 00:40:41,417 --> 00:40:45,034 THAT�S THE STORY THE SNITCHES ARE TELLING. 780 00:40:45,067 --> 00:40:47,279 THERE WERE NO WITNESSES. 781 00:40:47,313 --> 00:40:49,825 NO ONE ELSE WAS IN THE LAUNDRY ROOM. 782 00:41:10,428 --> 00:41:13,812 I KEEP THINKING ABOUT SUAREZ CONFESSING TO A HOMICIDE 783 00:41:13,845 --> 00:41:15,487 THAT HE DIDN�T COMMIT 784 00:41:15,520 --> 00:41:17,530 SO THAT OTHER PEOPLE WOULD THINK 785 00:41:17,563 --> 00:41:19,018 THAT HE�D DEFENDED HIS BROTHER�S MEMORY... 786 00:41:19,051 --> 00:41:22,604 WINDING UP IN THAT HELLHOLE AS A SEXUAL PAWN. 787 00:41:23,976 --> 00:41:27,126 AND I KEEP IMAGINING... 788 00:41:27,160 --> 00:41:30,141 WHAT HE MUST HAVE THOUGHT THE WORLD WAS... 789 00:41:30,175 --> 00:41:31,783 AS THE SHANK WENT IN 790 00:41:31,816 --> 00:41:34,528 AND HE BLED TO DEATH ON THAT LAUNDRY ROOM FLOOR. 791 00:41:37,176 --> 00:41:40,794 A GUY ON THE OUTSIDE WANTS SOMETHING DONE IN PRISON, 792 00:41:40,828 --> 00:41:43,473 HE USES WHAT�S GOING ON INSIDE. 793 00:41:44,848 --> 00:41:48,968 SAY A BAD GUY ON THE OUTSIDE WANTS SUAREZ DEAD. 794 00:41:49,001 --> 00:41:52,418 THAT TYPE�S ALWAYS GOT FRIENDS LOCKED UP. 795 00:41:52,451 --> 00:41:55,233 FRIENDS INSIDE TELL HIM 796 00:41:55,266 --> 00:41:57,243 SOME PRISONER�S CARRYING A TORCH 797 00:41:57,276 --> 00:42:00,291 OVER LOSING SUAREZ FOR HIS BED PAL, 798 00:42:00,325 --> 00:42:02,535 OR HE WANTS TO GET EVEN WITH ANOTHER PRISONER 799 00:42:02,568 --> 00:42:04,646 GAVE HIM AN ASS?KICKING. 800 00:42:04,680 --> 00:42:07,661 MAYBE THE BAD GUY ON THE OUTSIDE 801 00:42:07,695 --> 00:42:09,939 GETS WHAT HE WANTS DONE 802 00:42:09,973 --> 00:42:12,788 FINANCING THE OTHER PRISONER GETTING HIS VENGEANCE. 803 00:42:16,204 --> 00:42:20,325 I�M NOT SAYING THAT IS WHAT HAPPENED, SYLVIA, 804 00:42:20,358 --> 00:42:22,368 BUT IT�S POSSIBLE. 805 00:42:33,725 --> 00:42:36,405 YOU FEEL LIKE YOU OWE HIM JUSTICE. 806 00:42:36,438 --> 00:42:39,855 LET ME HELP YOU TRY TO GET IT FOR HIM. 807 00:42:39,905 --> 00:42:44,455 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 60386

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