Original subtitles

Bobby: WHOA, YOU SNUCK UP ON ME THERE, PATSY.

YEAH, I CREPT UP ON YA LIKE AN INDIAN.

YOU REMEMBER I�M 1/8 MOHAWK.

YEAH, YOUR GRANDPA, HE USED TO WORK ON THOSE SKYSCRAPERS.

RAYMOND FERRARO.

HE WAS A HALF?BLOODED MOHAWK AND A GREAT PIGEON FLIER.

NOW DEAD.

HE TAUGHT YOU BIRDS.

YEAH. HOW ARE YOUR PIGEONS, BOBBY?

AH, THEY�RE GOOD, YOU KNOW?

I MEAN, THEY�RE DOING GOOD.

BUT I TAKE IT YOU�RE HAVING PROBLEMS WITH YOUR WORK?

I FEEL A LITTLE WORRIED ABOUT KEEPING MY END UP.

TAKE A DEEP BREATH AND EXPLAIN YOURSELF.

DO I TAKE IT IT�S GRADE SCHOOL,

SOME TYPE CLASSROOM PROBLEM?

I MEAN, NOT REALLY.

HAVE I NOT TOLD YOU THAT AT EXACTLY YOUR AGE, IN SCHOOL,

MY GEOGRAPHY TEACHER SAID THE MAP I DREW,

I�D SMEARED INK THE WRONG DIRECTION

SHOWING OCEAN FROM LAND??

PATSY, I�M A GROWN MAN. I�M OUT OF GRADE SCHOOL.

YOU�RE NOT IN GRADE SCHOOL?

WELL, WHAT DID YOU ASK ME UP HERE FOR

IF YOU�RE NOT GONNA LISTEN?

LOOK AT ALL THIS CRAP UNDER THE COOP.

DID I ASK YOU TO COME UP HERE?

YES, YOU ASKED ME TO COME UP HERE!

WELL, YOU KNOW I APPRECIATE YOUR ADVICE.

TAKE SEVERAL DEEP BREATHS.

IS THAT BETTER OR NOT?

YEAH, THAT�S BETTER. THANKS.

HEH HEH.

CONGRATULATIONS WITH YOUR WEDDING, BOBBY.

THANKS A LOT, PATSY.

HOW ARE THINGS IN THAT REGARD?

THANK GOD, WE�RE REAL HAPPY.

EXCLUDIN� BIRDS...

THAT�S THE ONLY AREA MATTERS.

BREATHE DEEP...AND THAT�S THE END OF IT.

[BREATHES DEEPLY]

[BREATHES DEEPLY]

HMM.

GOOD MORNING.

AHH! WHY ARE WE UP WITH THE STREET CLEANERS?

I GOT THAT DENTAL APPOINTMENT.

HMM...

DR. REISMAN�S GONNA DRIVE ME CRAZY.

OH, WELL...

IT HAS TO BE HE�S GOT A CONTRACT FOR YOU.

HE�S GOTTA HAVE SOMETHING HE WANTS YOU TO DO.

YOU DON�T FIGURE THIS GUY HAS A BIG DESIRE TO CLEAN MY TEETH?

NO.

TURN.

HMM.

MMM.

DIANE, I GOT TO BE IN THIS GUY�S OFFICE IN 20 MINUTES.

OK, BOY SCOUT.

RINSE.

I LOVE YOU, BOBBY.

YEAH, I�M SORRY.

I NICKED YOU THERE A LITTLE ABOVE YOUR NUMBER 12.

[MUFFLED] OH, NO??NO PROBLEM.

YOU WANT A LOLLIPOP?

HAH.

DOC, YOU KNOW, I MIGHT BE TOTALLY OFF?BASE HERE,

BUT, UH, IT SEEMS LIKE THERE�S SOMETHING ON YOUR MIND.

YOU�RE 100% RIGHT, BOBBY. I HATE TO IMPOSE ON YOU.

MM?HMM.

MY DAUGHTER�S LET HER LOWLIFE BOYFRIEND MOVE IN WITH HER,

AND HE DEALS AND USES DRUGS.

MY NAME�S ON THE LEASE.

I KNOW I�M IN MY RIGHTS TO TELL HIM TO GO, BUT...

SOMETHING YOU�D LIKE ME TO DO?

IF YOU WERE TO CONFRONT THIS DAN IN THAT APARTMENT,

I�M SURE YOU�D FIND EVIDENCE TO ARREST HIM.

DOC, IF THERE�S ANY COLLARS IN THAT APARTMENT,

YOUR DAUGHTER MIGHT GET LOCKED UP, TOO.

HE�S FORCED HER TO DROP OUT OF NYU.

HE�S FORCED A TOTAL PERSONALITY CHANGE ON REECE.

YOU KNOW THE BOYFRIEND�S FULL NAME?

I DON�T KNOW. DAN SOMETHING.

WRITE YOUR DAUGHTER�S ADDRESS AND HER PHONE NUMBER.

I�LL, UH... THANKS.

TRY TO LOOK HER UP.

I�M JUST AMAZED YOU SENSED I HAD THIS ON MY MIND.

[PAGER BEEPS]

LOOK, DOC, THAT�S MY JOB BEEPING ME HERE.

I GOTTA GO.

WHAT, DO YOU GOT A CHEST COLD THERE, BOBBY?

YEAH. FIGHTIN� ONE OFF.

YEAH. I CAN HEAR IT DOWN THERE.

WE GETTIN� WARM ON THE SUPER?

SAID HE WAS COMING FROM HIS OTHER BUILDING.

WHICH IS WHERE, VERMONT?

AHEM!

[TAKING DEEP BREATH]

HEY, ANDY.

HEY. THE DOA�s A STUPID 28?YEAR?OLD MALE??

KEVIN RADNOR.

WHAT DO YOU MEAN, STUPID?

OLD MAN�S THAT BIG MILLIONAIRE,

AND THE KID�S LIVING IN A WALK?UP?

THEY TIED HIM LIKE A FARM ANIMAL.

HEY, BOBBY. MORNING, JAMES.

THEY WERE TORTURING HIM FOR SOMETHING, ANDY.

THERE�S NO DEFENSIVE CUTS ON THE HAND,

AND MOST OF THESE WOUNDS ARE SUPERFICIAL.

HI.

HEY. WHO�S THIS?

TAUGHT HIGH SCHOOL WITH THE DOA.

SHE�S WHO FOUND HIM.

SHE HAD THE KEY?

SAYS SHE HAD IT �CAUSE THE DOA

LET HER AND HER FIANC? USE THE PLACE WEEKENDS.

SAYS THAT�S WHAT HE WAS LIKE.

STUPID.

IT�S PROBABLY WORTH HAVING A CONVERSATION WITH THE FIANC?.

YEAH. I�LL MAKE SURE JILL GOT HIS PEDIGREE.

EXCUSE ME.

[RIP] Cop: YOU CAN�T COME IN HERE, SIR.

I�M MARK RADNOR. THE VICTIM IS MY SON.

THAT�S THE FATHER. CHECK OUT THE SECURITY.

THIS IS MR. MARK RADNOR, RADNOR HOTELS.

I�M MIKE ROBERTS, RETIRED OFF THE JOB.

Sipowicz: IT�S OK. Roberts: HEY, GUYS.

Sipowicz: WHO CONTACTED YOU?

ANDY...

THESE ARE ALL FRIENDS, MR. RADNOR.

DETECTIVES I FORMERLY WORKED WITH.

FINE. I�LL APPRECIATE THEIR CONSIDERATION.

YEAH. WE�RE SORRY FOR YOUR LOSS.

THIS IS DETECTIVE SIPOWICZ.

HOW DID YOU FIND OUT ABOUT THIS?

AND THIS IS DETECTIVE SIMONE.

I WANT YOU TO REMEMBER

THAT MY SON WAS THE VICTIM HERE.

THAT�S CLEAR FROM THE CIRCUMSTANCES, SIR.

HOW ABOUT YOU REMEMBER

I ASKED HOW YOU FOUND OUT ABOUT THIS?

MR. RADNOR WAS CONTACTED VIA ME BY THE BUILDING SUPERINTENDENT, ANDY.

THEN THE SUPER GETS A HAT TO GO INCOGNITO

PENDIN� THIS ONE�S LOOK?AROUND HOW HE WANTS THINGS HANDLED.

MR. RADNOR, YOU KNOW,

WE WOULD HAVE REALLY PREFERRED TALKING TO YOU ELSEWHERE

TO SPARE YOU THE GRIEF OF SEEING YOUR SON LIKE THIS.

WHAT�S THAT MEAN?? "REMEMBER HE�S THE VICTIM"?

IT MEANS FIND OUT WHO KILLED HIM AND KEEP HIS LIFESTYLE OUT OF IT.

OFTEN LEARNING ABOUT THE VICTIM�S LIFESTYLE,

THAT GIVES US HINTS FOR OUR WORK.

WHAT WAS HIS, UH, LIFESTYLE, MR. RADNOR?

FAGOLA, ANDY.

WHAT?

FAGOLA, FRUITSKY.

MR. RADNOR, UH, A HOMICIDE WITH THIS TYPE OF VIOLENCE,

WE�LL SOMETIMES LOOK AT THE SEXUAL ANGLE.

WELL, THE FIRST TIME THAT�S IN THE PRESS,

I AM COMING FOR YOUR JOBS.

YEAH. WE�RE BIG CONDUITS FOR THE PRESS.

GREG, JAMES.

HE�LL GIVE YOU, UM, THE INFORMATION.

ALL RIGHT. GO IN WITH THEM.

ABSOLUTELY, SIR.

TELL �EM ABOUT KEVIN.

ABSOLUTELY, SIR.

I�LL BE DOWN IN A MINUTE.

WHAT, WERE YOU AND THE KID LOVERS?

YEAH. HA HA HA.

WHAT DO YOU GOT FOR US, MIKE?

I GOT A GUY YOU CAN LIKE A LOT.

THIS IS STRICTLY NEED?TO?KNOW.

CATCHING DETECTIVES AND THAT PAIN?IN?THE?BALLS LIEUTENANT YOU GOT.

WE GOT TO MINIMIZE POSSIBLE LEAKS HERE.

POSSIBLE RAPE VICTIM OVER AT BELLEVUE.

BOSS WANTS ME AND JILL TO TAKE IT.

THERE GOES 2 POSSIBLE LEAKERS RIGHT THERE.

AH, COME ON, ANDY.

YOU�RE TELLING ME THE PRESS WOULDN�T HAVE A FIELD DAY WITH THIS?

DEVIATE SON OF A GUY LIKE RADNOR

WINDS UP EARLY THANKSGIVING TURKEY?

WHAT DID YOUR DENTIST WANT?

GET HIS DAUGHTER OUT FROM UNDER A DRUG DEALER�S EVIL SPELL.

HOW OLD�S THE DAUGHTER?

SHE�S A DROPOUT OF NYU.

Russell: SOUNDS LIKE THE IMPRESSIONABLE TYPE.

JILL.

PRIMO LANDING FIELD ON THAT BLONDE, HUH?

LET�S GET TO THE HOUSE, MIKE.

KID LIVES IN THIS TYPE SQUALOR.

RIPPED MY SUIT COMIN� UP THE STAIRS.

DR. DAVIS?

WHAT?

DETECTIVES RUSSELL AND KIRKENDALL.

YOU REPORTED A POSSIBLE RAPE VICTIM?

UH...FALSE ALARM.

WHAT DOES FALSE ALARM MEAN?

A YOUNG GIRL, NINA NU?EZ, CAME IN.

SAID SHE�D BEEN SEXUALLY ASSAULTED.

HER HYMEN WAS INTACT, BUT SHE HAD EXTERNAL BRUISING,

SO I WENT FOR A RAPE KIT, AND I CALLED YOU PEOPLE.

WHEN I GOT BACK, SHE WAS GONE.

HAD SHE OBJECTED TO YOUR DOING THE KIT?

HARD TO TELL WHAT SHE WAS THINKING.

COULD HAVE BEEN ON SOMETHING.

SEEMED, UH, DISORIENTED.

HEY, DOC, WE�RE HERE. WE GOT TO ASK YOU SOME QUESTIONS ABOUT THIS.

[GROANS] DO I HAVE TO KEEP MY EYES OPEN?

YEAH. DID SHE SAY ANYTHING ABOUT WHO RAPED HER?

SOME BIG BLACK GUY.

YOU THINK THE ASSAULT WAS REAL,

OR SHE WAS ALIBIING SOME LATE NIGHT OUT?

ALWAYS A POSSIBILITY.

DOWNSIDE OF LIVING IN A CITY WITH A SUBWAY SYSTEM.

CAN�T TELL YOUR FOLKS YOUR CAR RAN OUT OF GAS.

ANYWAY, THANKS FOR YOUR BIG COOPERATION.

HEY, DETECTIVE, I GOT 40 MINUTES TO KEEP MY EYES CLOSED,

THEN I WORK ANOTHER 36 HOURS STRAIGHT.

MMM. SO AT LEAST FOR THE NEXT 40 MINUTES,

THE PATIENTS IN THE HOSPITAL ARE SAFE.

WHAT DO YOU GOT FOR US, MIKE?

UH, LAST SPRING?? I WANT TO SAY APRIL??

THIS CON ARTIST, YOU KNOW, A FORMER STUDENT OF MR. RADNOR�S SON,

APPROACHES US FOR A LOAN.

WANTS TO INVEST IN SOME HALF?ASSED MAIL ORDER BUSINESS

HE SAW ON AN INFOMERCIAL.

YOU KNOW, "I WAS ONE OF YOUR SON�S FAVORITE STUDENTS.

WANT YOU TO HELP ME OUT." BOP, BOP, BOP??

APPROACHED THE BOTH OF THEM FOR A LOAN

BECAUSE ROBERTS GOT SUCH DEEP POCKETS, TOO.

COKED UP, THIS KENNY??

KENNY, BEING THE DOA�s FORMER STUDENT.

NOW, HOWEVER MANY MILLIONS MR. RADNOR�S GOT,

HE DIDN�T MAKE BEATIN� AROUND THE BUSH.

SO HE ASKS THIS KENNY STRAIGHT OUT,

ARE HIM AND MR. RADNOR�S SON HITTIN� EACH OTHER IN THE SEAT.

KENNY ADMITS THIS IS TRUE.

SO MR. RADNOR HAS ME GIVE HIM 10 GRAND

AND IMPRESS UPON KENNY, STRONGLY, THAT THE STORE IS NOW CLOSED.

WHAT�S THE SON HAVE TO SAY ABOUT ALL THIS, MIKE?

MR. RADNOR AND HIM HAD A LOUD TALK.

I ONLY HEARD THE ONE SIDE OF IT.

WHICH WAS WHAT?

WHAT ARE YOU DOING WITH YOUR LIFE?

YOU�RE GONNA THROW YOUR LIFE AWAY.

FATHER?SON STUFF.

ANYWAYS, 3 WEEKS AGO, KENNY�S BACK IN TOUCH.

THIS TIME HE WANTS 50 GRAND MORE,

OR HE�S GONNA TAKE PHOTOS TO THE TABLOIDS.

Sipowicz: SO THAT REALLY TOOK, HUH, ROBERTS?

THAT "STORE IS NOW CLOSED" LECTURE

THAT YOUR BOSS HAD YOU GIVE KENNY BACK IN APRIL?

I GAVE HIM A WARNING LECTURE, ANDY.

Fancy: DID RADNOR PAY THE 50?

Roberts: HE DID NOT, LIEUTENANT, NO.

THAT�S BLACKMAIL. YOU DON�T FIGURE TO PUT US IN THE LOOP?

HE DIDN�T CONTACT US NO MORE. WHAT ARE WE GONNA TALK ABOUT?

Fancy: AND THAT�S THE LAST YOU�VE HEARD OF THIS KENNY?

Roberts: RIGHT.

THAT INFORMATION, ROBERTS, YOU�VE NOW CONVEYED

IS EXACTLY THE SAME WHEN WE WORKED TOGETHER.

A STORY CLEAR AS MUD.

HEY, EXCUSE ME, ANDY, FOR ONLY ROLLIN� YOU A GROUND BALL

ON WHO DID YOUR HOMICIDE.

WHAT, ARE YOU PISSED OFF

I�M NOT TAKING YOU BY THE HAND SO YOU CAN GO DOWN AND TAG FIRST?

WHAT�S THIS KENNY�S LAST NAME?

SORRELL.

ONE "S", 2 Ls.

HERE�S A FULL LIST OF PARTICULARS,

PLUS WHERE TO GRAB HIM UP.

HEY, BOBBY, I GAVE THIS GUY SOME TUNE?UP BACK IN APRIL.

I MEAN, I THOUGHT I PUT HIM ON DIALYSIS.

YEAH, IT�S TOUGH GETTIN� THROUGH TO A COKEHEAD.

TRY EXPLAINING THAT TO YOUR PARTNER.

I�M GONNA GO DO THAT RIGHT NOW.

MIND IF I BUY MYSELF A CUP OF COFFEE?

THEN WE�RE GONNA BE PRETTY BUSY, MIKE.

OH, WELL, THEN I�LL TAKE MY LEAVE.

I MEAN, I DON�T NEED TO GET HIT BY A BUS.

LAST HEARD FROM HIM 3 WEEKS AGO?

ROBERTS� STORY PROVES DICK.

YOU GOTTA LIKE THE GUY A LITTLE, ANDY.

LIKE HIM A LITTLE, YEAH, BUT HE�S NO GROUND BALL.

[BREATHES DEEPLY]

YOU KNOW, THIS HAPPENS TO BE A LOUSY NEIGHBORHOOD.

WE�LL BE ALL RIGHT.

THAT ORIENTAL GIRL WHO�S COLLEAGUES OF THE DOA

IS COMIN� IN FOR A STATEMENT LATER.

SHE WENT TO THEIR SCHOOL,

WANTED TO TELL THE DOA�s STUDENTS HERSELF WHAT HAPPENED TO HIM.

WE TOOK A MESSAGE OFF THE DOA�s ANSWERING MACHINE. IT MIGHT BE GOOD.

SOME GUY NAMED KENNY SAYIN� THAT THEY, UH, GOTTA TALK.

ROBERTS GAVE US A PUSH ON A KENNY FOR A HOMICIDE.

I HEAR KENNY�S VOICE IS ON THE SON�S ANSWERING MACHINE?

READY TO GIVE IT UP TO ME A LITTLE, ANDY?

YEAH. HAVE SOME OF THIS.

YEAH, RIGHT.

AND IF HE IS RIGHT, IT�S BY ACCIDENT.

ANDY.

HELLO THERE, DOLORES.

HEY, HI.

UH, JOHN IRVIN.

YEAH, I REMEMBER.

SO, HOW�S YOUR COMPUTER GRAPHICS BUSINESS GOING?

CAN WE MAKE A PACT, DOLORES?

WHAT?

IF I BUY YOU A CHRISTMAS TREE THIS YEAR,

WILL YOU PROMISE NEVER TO MENTION MY COMPUTER GRAPHICS BUSINESS AGAIN?

NOT GOING SO GOOD, HUH?

I THINK I MAY BE HOLDING THE RECORD

FOR THE QUICKEST BANKRUPTCY FILING IN THE MANHATTAN DISTRICT COURT.

BUT, UH, EXCELSIOR, I AM BACK IN THE BOROUGH P. A. A. POOL.

THEY GOT ME TEMPING UPSTAIRS TODAY IN ANTI?CRIME, WHICH I LOVE.

DETECTIVE RUSSELL, HOW GOES THE BATTLE?

HEY, JOHN. JOHN IRVIN, USED TO BE OUR P. A. A.

JILL KIRKENDALL, GOOD TO MEET YOU, JOHN.

HOW DO YOU DO?

DETECTIVE, SHE�D LIKE TO REPORT AN INCIDENT.

SOMETHING HAPPENED TO ME LAST NIGHT.

UH, LET ME EXCUSE MYSELF. I JUST WANTED TO SAY HI.

TAKE CARE, JOHN.

TAKE CARE.

WHAT�S YOUR NAME?

UM, NINA NU?EZ.

I�M, UH, JILL KIRKENDALL. THIS IS MY PARTNER DIANE RUSSELL.

WERE YOU JUST AT BELLEVUE HOSPITAL, NINA?

I LEFT, THOUGH.

Diane: LET�S TALK BACK HERE.

YEAH.

WE�LL GET YOU SOMETHING TO DRINK

AND SOMETHING TO EAT, IF YOU WANT.

I DON�T KNOW IF I CAN KEEP IT DOWN.

HERE YOU GO.

THE, UM...

THE DOCTOR AT BELLEVUE

SAID YOU TOLD HIM YOU�D BEEN RAPED.

THAT�S WHAT HAPPENED...

TILL 4:00 THIS MORNING.

BY SOMEONE YOU KNEW?

NO, HE JUST JUMPED OUT AT ME.

DID YOU GET A LOOK AT HIM?

NOT REALLY...BLACK.

AND WHERE WAS THIS?

I??I DON�T KNOW. MY MEMORY�S FOGGY.

TELL US WHAT YOU DO REMEMBER.

HE PULLED ME IN THE CAR

AND PUT A CLOTH OVER MY FACE THAT MADE ME DIZZY.

THEN I??I WOKE UP AND HE WAS TRYING TO RAPE ME.

THEN I WOKE UP AGAIN AND I WAS AT THE STEPS AT MY SCHOOL.

THEN I WENT TO THE HOSPITAL,

AND THEN I CAME HERE.

WHO DO YOU LIVE WITH, NINA?

MY MOM.

HAVE YOU CALLED HER YET?

IS YOUR MOM PRETTY STRICT WITH YOU?

BEING DETECTIVES, NINA,

SOMETIMES WE SEE GIRLS WHOSE PARENTS ARE STRICT,

GET SO WORRIED OVER BEING OUT LATE,

THAT THEY COME TO US WITH A STORY THAT�S NOT COMPLETELY TRUE.

Russell: IF THAT�S WHAT�S HAPPENED HERE, NINA,

WE�RE NOT GONNA PUT YOU IN ANY TROUBLE,

BUT WE DON�T WANT TO START AN INVESTIGATION FOR NO REASON.

IT�S THE TRUTH. I GOT ATTACKED.

THAT�S WHY I WAS OUT LATE.

OK. OK, NINA,

WE�RE GONNA CALL YOUR MOTHER NOW,

LET HER KNOW WHAT HAPPENED.

OK.

DO YOU WANT TO CALL OR DO YOU WANT US TO CALL?

YOU.

WRITE YOUR MOM�S NUMBER.

Simone: YES, WELL, THE PURCHASING GROUP THAT I REPRESENT

NEEDS TO MAKE AN APPRAISAL FOR EACH OF THE APARTMENTS� FIXTURES AND APPLIANCES

AND SO FORTH BEFORE WE MAKE AN OFFER ON THE BUILDING.

HER FATHER PAYS ALL THAT TUITION

SO HIS DAUGHTER CAN STUDY ADVANCED LICE INFESTATION

WITH SOME SKELLY STREET DEALER.

HEY, LOOK, IT�D BE 10 MINUTES AT THE MOST,

AND THERE�D BE $50 IN IT FOR YOU FOR THE INCONVENIENCE.

PERHAPS THEY�LL USE THAT TO BUY A NEW HANGING PLANT OR 2.

UH, LOOK, HOW WOULD, UH, THE LATE AFTERNOON BE TODAY?

OH, THAT??THAT MAY IMPOSE ON HER AND THE BOYFRIEND�S TIME

FOR DEEP COMA BEHIND THE DRUGS THEY TAKE.

ALL RIGHT, THANK YOU SO MUCH FOR YOUR COOPERATION.

YEAH, THAT WOULD BE IN CASH.

BYE?BYE.

I HOPE YOU�RE GETTING BRIDGEWORK FOR LIFE.

ANDY.

OK, HERE WE GO, GUYS, HERE WE GO.

POLICE!

DON�T MOVE THAT CAR!

GET OUT HERE??AAH!

DROP THE KNIFE!

Simone: I�M CUT, ANDY.

Sipowicz: YOU DIRTY BASTARD,

YOU GONNA CUT MY PARTNER?!

YOU GONNA CUT MY PARTNER?

SHUT YOUR MOUTH BEFORE I SPLIT YOUR HEAD WIDE OPEN!

YOU ALL RIGHT, BOBBY?

YEAH. I??I DON�T THINK HE GOT AN ARTERY. HERE, TAKE THIS.

YOU GOT HIM?

YEAH. GO TAKE CARE OF BOBBY.

GET HIM TO THE HOSPITAL.

YOU ALL RIGHT?

HE CUT ME PRETTY GOOD THERE, ANDY.

YOU DIRTY SON OF A BITCH!

COME ON, LET�S GET YOU STITCHED UP AT THE HOSPITAL.

YOU LIGHT?HEADED?

NO, NO.

GOOD, GOOD.

OHH.

I�M SO TIRED.

TELL THE TRUTH, AND THEY�LL LET YOU GO HOME WITH ME.

Nina: I�M TELLING THE TRUTH.

A BLACK MAN DRUGGED ME, AND THAT�S ALL I REMEMBER.

DRUGGED AND RAPED YOU?

HE TRIED TO RAPE ME, BUT I FOUGHT HIM OFF.

TELL YOU WHAT I THINK THIS IS.

I THINK YOU GOT A BOYFRIEND YOU AIN�T TELLING ME ABOUT.

NO.

THESE DETECTIVES, THEY BELIEVE THAT, TOO.

YOU WANT TO GO TO JAIL OVER LYING?

NO ONE�S GOING TO JAIL, MRS. NU?EZ.

YOU�LL WISH YOU WAS IN JAIL WHEN I�M DONE WITH YOU.

LET ME TELL IT TO THEM.

ALL RIGHT, TELL IT TO THEM FIRST.

I CAN�T TELL HER.

CAN�T TELL HER WHAT, NINA?

WHO IT WAS DID THIS.

IT�S HER BOYFRIEND,

MY MOTHER�S.

OK.

IT DIDN�T JUST START, EITHER.

HE�S WEIRD WITH ME SINCE I GREW,

LOOKS AT ME WRONG.

I HAD A BIRTHDAY LAST MONTH,

AND HE GAVE ME A SECRET PINK NIGHTGOWN.

SECRET FROM YOUR MOM?

I TOOK IT, BUT I NEVER WORE IT.

BUT LAST NIGHT, WHEN MY MOM WAS AT WORK,

TONY CAME OVER WITH HIS KEY.

HE WAS DRUNK, KEPT ASKING ME TO PUT IT ON.

I TOLD HIM ALL I WANTED WAS FOR HIM TO BE NICE TO MY MOM.

AND THEN HE SAID FOR ME TO JUST TAKE A RIDE WITH HIM IN THE CAR,

AND THAT WOULD SATISFY HIM.

SO I AGREED TO THAT MUCH.

WHAT HAPPENED WHEN YOU TOOK THE RIDE WITH HIM?

TURNED OUT HE HAD A CLOTH

AND SOMETHING THAT MADE ME PASS OUT WHEN HE PUT IT OVER MY FACE.

AND THEN HE WOKE ME UP, AND HE WAS ON TOP OF ME.

SAID HE WANTED ME AWAKE.

BUT THEN I STARTED SCREAMING, AND HE LET ME OUT OF THE CAR.

I WAS AFRAID IF THE DOCTORS DID THEIR TESTS ON ME

THAT THEY WOULD KNOW IT WAS MY MOTHER�S BOYFRIEND WHO DID THIS.

THAT�S WHY I LEFT THE HOSPITAL.

OK, NINA.

I CAN�T TELL MY MOM.

WE?WE�VE BEEN ALONE EVER SINCE MY DAD LEFT.

SHE WAS SO HAPPY SHE FINALLY GOT A BOYFRIEND.

NO, WE�RE GONNA TELL HER.

[NINA SOBBING]

WHAT�D SHE ADMIT?

NINA MADE UP THE STORY ABOUT A STRANGER RAPING HER

BECAUSE THE MAN WHO ATTACKED HER WAS YOUR BOYFRIEND.

WHAT ARE YOU SAYING TO ME?

YOUR BOYFRIEND TONY CAME TO YOUR APARTMENT LAST NIGHT

WHILE YOU WERE AT WORK.

HE�S BEEN MAKING ADVANCES AT NINA FOR QUITE A WHILE.

OFF HER LEADING HIM ON?

HE HAD TO USE SOMETHING LIKE CHLOROFORM TO KNOCK NINA UNCONSCIOUS.

WE NEED TO KNOW WHERE TO FIND TONY.

YOU DON�T WORRY ABOUT THAT.

I KNOW WHERE TO LOOK FOR TONY,

AND I KNOW WHAT TO DO.

MRS. NU?EZ, MAYBE YOU NEED TO START THINKING ABOUT YOUR DAUGHTER

AS MUCH AS SHE�S THINKING ABOUT YOU.

YOU TAKE CARE OF NINA.

LEAVE TONY TO US.

ALL RIGHT...

I�LL TELL YOU WHERE YOU CAN FIND HIM.

Russell: WRITE IT DOWN FOR US.

AND, UH, CAN I TAKE HER HOME NOW?

YOU CAN TAKE HER HOME.

OK.

[YELLING]

THE KID IS A NICE CHATTERBOX.

YEAH, HUH?

SOMEBODY CUT THE CHEESE?

COME ON.

I�M FIGHTING FOR MY LIFE HERE!

Sipowicz: ALL RIGHT, JUST SHUT UP IN THERE, KENNY.

WE�RE GONNA DO THE TALKING, YOU�RE GONNA DO THE LISTENING,

THEN IT�LL BE YOUR TURN TO TALK.

I GOT A LOT OF PEOPLE AFTER ME, YO.

I THOUGHT YOU WAS THOSE PEOPLE.

I WAS DEFENDING MYSELF!

I�M VERY SORRY THAT I CUT YOU.

YOU JUST GIVE ME SOME STRAIGHT ANSWERS, KENNY.

I�LL KNOW THAT YOUR APOLOGY IS SINCERE.

PULLING THAT KNIFE ON ME WAS JUST A MISTAKE.

LET�S GO.

YOUR VOICE IS ON AN ANSWERING MACHINE

IN AN APARTMENT AN UNFORTUNATE OCCURRENCE TOOK PLACE IN, KENNY.

WHAT APARTMENT?

KEVIN RADNOR�S.

MR. RADNOR WAS MY FORMER HIGH SCHOOL TEACHER.

HOW LONG YOU BEEN OUT OF HIGH SCHOOL?

2 YEARS. BUT ME AND MR. RADNOR KEPT IN TOUCH.

WHAT KIND OF UNFORTUNATE OCCURRENCE OCCURRED?

KEVIN RADNOR WAS MURDERED.

OH, NO.

OH, NO!

YEAH. OH, NO.

NO, NO, SEE, I DIDN�T REALIZE YOU WANTED TO TALK TO ME

BECAUSE I WAS ON THAT ANSWERING MACHINE.

WELL, THAT WAS IT.

WELL, THERE�S A NATURAL EXPLANATION

FOR ME BEING ON THAT.

FROM MR. RADNOR CONTINUING OUR FRIENDSHIP.

WELL, TELL US ABOUT THAT, KENNY.

WELL, HE WAS TRYING TO GET ME ON TRACK TO A BETTER LIFE,

�CAUSE THAT�S WHAT I�M ALL ABOUT.

OBVIOUSLY.

SEE, A WHILE BACK,

HE EVEN ARRANGED FOR HIS DAD TO GIVE ME A START?UP LOAN.

OH, HE ARRANGED THE LOAN?

YEAH. MR. RADNOR WAS A REAL MENTOR TYPE.

KENNY, WERE YOU AND MR. RADNOR SEXUALLY INVOLVED?

I�M NOT CONFIRMING NONE OF THAT.

LET HIM REST IN PEACE. UHH!

KENNY?

FROM THE PEOPLE THAT WE TALKED TO,

NOBODY SAID ANYTHING ABOUT MR. RADNOR BEING GAY.

TALK TO HIS FATHER.

[KNOCK ON DOOR]

CAN I TALK TO YOU A MINUTE, FELLAS?

OH, HEY, SAY, HOW??HOW IT LOOK LIKE THEY DID HIM, YOU KNOW?

DID THEY??DID THEY SHOOT HIM? WAS IT 2 GUYS OR WHAT HAPPENED?

SHUT UP, KENNY. TALK TO YOUR FRIEND.

THAT�S MY CRACK GENIE.

I�M TRYING TO GET HIM OUT OF MY LIFE.

YOUR CRACK GENIE, HUH?

CARLOS.

COCAINE PSYCHOTIC, HUH?

WHAT IS IT?

HE HALLUCINATING? WHAT IS IT, MEDAVOY?

UH, WE MADE AN I. D. OFF A SURVEILLANCE FILM,

A GUY USING THE DOA�s ATM CARD.

HE�S A BAGGER AT A GROCERY.

ALL RIGHT, JUST A SECOND.

Kenny: UH?OH.

GET UP.

WHAT�S GOING ON?

WE�LL BE BACK IN SHORTLY, KENNY.

GIVE YOU SOME TIME TO GRIEVE.

OK, OK, LISTEN, WH?WHEN THEY COME BACK,

I TALK??I�M GONNA DO THE TALKING,

AND YOU SHUT UP, OK?

Simone: WHICH ONE IS DINO?

THAT ONE.

IN THE GRAY? ALL RIGHT, THANK YOU.

HEY, DINO, WHAT�S UP?

HEY, WHAT ARE YOU DOING?

WE GOTTA TALK.

NO, LISTEN, IT�S TIME FOR MY BREAK.

THAT�S GOOD, �CAUSE WE�RE GOING FOR A RIDE.

WHAT FOR?

WHERE WERE YOU YESTERDAY?

WORKING, LIKE I�M DOIN� NOW.

HOW ABOUT THE DAY BEFORE?

OH, MAN, DON�T MESS ME UP. MY EMPLOYER�S WATCHING.

YOUR EMPLOYER�S THE ONE WHO POINTED YOU OUT.

WELL, SEE, NOW I�M GONNA GET FIRED. WATCH.

YEAH, WELL, THOSE ARE THE BREAKS. LET�S GO, COME ON.

CAN I AT LEAST GET AN APPLE?

SURE, GO ON, LIVE IT UP.

TONY? YEAH?

RELAX, EVERYBODY.

WE NEED YOU TO COME WITH US.

YEAH, WHAT�S IT ABOUT?

WE JUST TOLD YOU, WE NEED TO TALK TO YOU AT OUR STATION HOUSE.

LET�S DO THIS THE EASY WAY, TONY.

LEAVE ME ALONE.

YOU THINK THIS CAN STOP US?

COME ON, LEAVE ME ALONE! GET OFF ME!

AAH! MAN!

WANTED TO DO IT THE EASY WAY.

BUT YOU GOT TO BUST CHOPS INSTEAD.

OHH!

AHH!

OHH!

WHO�S THIS GIRL TO YOU, TONY?

COME ON.

MY GIRLFRIEND�S DAUGHTER.

YOU LOSE THE MOTHER�S PICTURE?

ALL RIGHT, APPLE HOUR�S OVER.

Dino: WHAT�S THIS ALL CONCERNING?

WHY YOU COMING ON ME AT MY JOB LIKE IT�S WORLD WAR II OR SOMETHING?

YOU�RE ON A VIDEO CAMERA USING SOMEBODY ELSE�S ATM CARD, DINO.

THAT AIN�T ME. IT�S NOT?

NO. SO IN OTHER WORDS,

YOU CAN�T TRUST ME WHEN I TELL YOU

IT�S ABSOLUTELY, POSITIVELY YOU ON THAT CAMERA?

YOU KNOW KENNY SORRELL, DINO? KENNY?

YEAH, KENNY. YOU DON�T KNOW NO KENNY AT ALL?

HIS ENTIRE LIFE EXPERIENCE, NEVER MET A SINGLE KENNY.

KENNY, WHO YOU TOOK OFF THAT APARTMENT WITH,

WHO STOLE THE ATM CARD THAT YOU WERE CAUGHT USING ON THAT CAMERA.

I WAS NEVER UP THERE. I FOUND THAT ATM CARD.

OH, YOU KNOW THAT�S AN OBVIOUS DAMN LIE, DINO,

BECAUSE YOU NEED TO KNOW THE PIN NUMBER TO USE THE CARD.

YOU FOUND OUT THE PIN NUMBER FROM THE GUY IN THAT APARTMENT, DINO.

KEVIN RADNOR, WHOSE CARD YOU�RE ON CAMERA USING,

HE WAS MURDERED IN THAT APARTMENT, DINO.

ALL OF US KNOW THAT!

WHY??WHY YOU KEEP BRINGING UP KENNY�S NAME FOR?

WHY DO YOU THINK, NITWIT?

�CAUSE KENNY�S WHO WE�RE LOOKING AT FOR ACTUALLY KILLING KEVIN.

ALL�S I KNOW, KENNY...

I USED TO LOOK THE OTHER WAY

WHEN??WHEN HE CAME IN THE GROCERY TO STEAL.

AND MAYBE ONE OR TWO TIMES I BE LOOKOUT FOR HIM

IF HE GO INSIDE SOMEPLACE.

LIKE UP IN THAT APARTMENT.

ALL RIGHT. ALL RIGHT, LOOK...

ALL MY TOTAL JOB WAS TO GO UP THERE WITH HIM

WHILE HE MAKE THE GUY CALL HIS FATHER.

AND FOR THAT, WE GET A MILLION DOLLARS.

SO WHAT HAPPENED?

WE TOLD HIM WHAT TO DO,

B?BUT KENNY�S TEACHER WOULDN�T LISTEN.

HE WOULDN�T CALL HIS FATHER FOR NOTHIN�.

K?KENNY TIE HIM UP AND PULLED OUT A KNIFE,

BUT HIS TEACHER STILL REFUSED.

AND I SAY, "KENNY, LET�S GO.

WE ALREADY GOT HIS ATM CARD,"

BUT KENNY WOULDN�T HAVE IT.

HE START STABBIN� HIM.

AND EVEN HOW MUCH THE TEACHER WAS GETTIN� CUT,

HE�S??HE WOULDN�T CALL THE OLD MAN,

SO??SO KENNY STABBED HIM TILL HE WAS DEAD.

BUT I AIN�T HAD NOTHIN� TO DO WITH IT.

Sipowicz: SHUT UP.

NO OFFENSE ME ASKIN� FOR THE D. A.

NO, I ABSOLUTELY UNDERSTAND, TONY.

I MEAN, YOU KICKIN� ME IN THE NUTS AND ALL...

YOU AND I JUST DON�T RELATE.

AND YOU�RE HER PARTNER,

AND I DON�T KNOW WHAT KIND OF A KICK YOU GOT IN YOU.

AS LONG AS YOU�RE GIVING THE STATEMENT, TONY,

YOU DON�T WANNA TALK TILL THE D. A. GETS HERE...

WE CAN WORK WITH THAT.

[GROANS]

HI.

HI.

THIS IS ASSISTANT DISTRICT ATTORNEY COSTAS.

YOU SAID YOU WANTED A D. A. PRESENT WHEN YOU GAVE YOUR STATEMENT.

THE COPS CAN TALK IT, BUT THE D. A. WALKS IT. I KNOW THAT MUCH.

IF I GIVE MY STATEMENT,

I WANT LEGAL GUARANTEES THAT THIS AIN�T GOIN� TOO FAR.

THIS WAS WAY MORE A TWO?WAY STREET THAN NINA MUST�VE LET ON.

PLUS...WHATEVER SEX WASN�T SUCCESSFUL ANYWAY.

SO YOU DID ATTEMPT TO HAVE SEX WITH NINA?

IF IT WAS ATTEMPTED, I SAID.

AND I DON�T SAY NO MORE WITHOUT LEGAL GUARANTEES.

WELL, MR. FANTO,

WITH YOUR EXPRESSING WILLINGNESS TO SHOW COOPERATION,

I�M PREPARED TO ACCEPT YOUR STATEMENT AT FACE VALUE.

YOU�LL ACCEPT MY SIDE OF IT.

IF YOU GIVE YOUR STATEMENT,

I WILL ACCEPT IT UNCONDITIONALLY.

I GIVE YOU MY WORD.

�CAUSE I ALLOWED A TEMPTATION TO OCCUR,

AND I ACKNOWLEDGE I CAN�T PERMIT IT NO MORE.

AND I�D ACCEPT THAT IN THE FUTURE.

THAT�S HOW I�D BEGIN THE STATEMENT.

SEE, I DATE THIS GIRL�S MOTHER,

WHERE I�M ALWAYS EXPOSED.

NINA�S A VERY BEAUTIFUL GIRL.

THE DAUGHTER IS. I SEE.

AND I ALLOWED MY URGES TO GET TOO STRONG.

I HAD TOO MUCH OF A HARD?ON FOR HER.

AND I�D AVOID THAT IN THE FUTURE.

WELL, I�D??I�D PUT THAT IN THERE, WORD FOR WORD.

AND AS FAR AS THE PAINT THINNER GOES

AND ME PUTTIN� THAT RAG OVER HER FACE...

HEY, NINA�S A NERVOUS GIRL.

I JUST WANTED TO HELP RELAX HER.

COULD HE ALSO WRITE A NOTE OF APOLOGY TO NINA,

IN WHICH HE TALKS ABOUT THE PAINT THINNER,

FOR YOU TO INCLUDE IN THE RECORD?

HE COULD DO THE STATEMENT...

AND THE APOLOGY, TOO.

HEY, I�LL WRITE HER MOTHER ALSO.

[KENNY POUNDING HIS FIST] DINO! DINO! DINO!

YOU TRY TO HELP SOMEBODY WITH THEIR SUCCESS CURVE,

AND THIS HOW THEY DO YOU!

Sipowicz: DON�T EXPECT NO GRATITUDE THIS DAY AND AGE, KENNY.

THEM TIMES ARE LONG GONE.

YOU THINK I WENT UP THERE

WANTIN� THIS TO HAPPEN TO MR. RADNOR?

WELL, SOMETHING OBVIOUSLY WENT WRONG.

[KNOCK ON DOOR]

Simone: UM, HOLD ON, HOLD ON. TAKE YOUR TIME, KENNY.

THANKS MUCH FOR THE CALL, LIEU.

IT WASN�T AN INVITATION.

MR. RADNOR JUST WANTED SOME CLOSURE,

YOU KNOW, TO SEE THIS KENNY GIVE IT UP.

[INTERROGATION INDISTINCT]

HE�S A VERY GENEROUS MAN.

YOU KNOW, THERE MIGHT BE A REAL NICE HAT IN IT FOR EVERYONE INVOLVED.

YOU MENTION ANYONE THROWIN� A HAT AGAIN, ROBERTS,

AND I�LL THROW YOU DOWN THE STAIRS.

HAS HE CONFESSED YET?

THEY�RE JUST ABOUT THERE.

"CALL YOUR DAD.

"JUST MAKE THAT CALL AND ASK FOR A MILLION,

AND I�M OUTTA HERE!"

SEE, THIS IS ME TALKIN� TO MR. RADNOR.

�CAUSE??�CAUSE A MILLION DOLLARS TO MR. RADNOR�S FATHER

IS LIKE 50 CENTS TO US.

AND THAT�S WHAT I�M TRYIN� TO DRIVE HOME TO HIM.

IS THIS WHEN YOU STARTED STABBIN� HIM?

"HOW MANY TIMES I GOTTA STAB YOU

BEFORE YOU CALL YOUR DAD AND ASK FOR THE MONEY?"

AND WHAT, WHEN YOU WERE STABBING HIM,

THESE WERE LIKE LITTLE SUPERFICIAL STABS, RIGHT?

I�M TRYIN� TO PERSUADE HIM!

ONE OR TWO LITTLE STABS, I�D HAVE BEEN ON THE HORN.

THANK YOU! THANK YOU!

WHY ARE THEY GOING SO SLOW?

THEY�RE JUST LETTIN� HIM DIG HIS PITY PIT, MR. RADNOR.

MY MEN KNOW WHAT THEY�RE DOING.

LET�S CLEAR UP THE SEXUAL ASPECT, KENNY.

WERE YOU AND MR. RADNOR INVOLVED?

YEAH, I�D HAVE DONE THE SEX ASPECT.

FOR A MILLION DOLLARS, HE COULD�VE GOT OVER ME ANY WAY HE WANTED TO.

BUT, UH, YOU AND MR. RADNOR WEREN�T INVOLVED?

MR. RADNOR KEPT WHO HIS FATHER WAS SECRET.

BUT I FOUND OUT THAT MR. RADNOR�S FATHER WAS MARK RADNOR.

YOU KNOW, THE RICH HOTEL GUY?

SO I PERSONALLY CONTACTED MR. RADNOR�S FATHER

WHEN MR. RADNOR DECLINED ASKING HIS FATHER TO HELP ME WITH MY SUCCESS CURVE.

HE ASKED WERE WE GAY TOGETHER

AND I BETTER NOT GO TO THE MEDIA.

I GUESS HE FIGURED

WHY ELSE WOULD MR. RADNOR WANT TO TEACH HIGH SCHOOL

WHEN HE COULD BE LIVIN� IN THE PENTHOUSE FLOOR

AND INHERITIN� ALL OF THOSE HOTELS?

SO THEN IT WAS THE FATHER WHO BROUGHT UP THE WHOLE GAY IDEA.

QUEER IS WHAT MR. RADNOR�S FATHER WANTED TO HEAR,

AND QUEER IS WHAT I GAVE HIM.

BUT KEEP IN MIND, THOUGH,

ALL RIGHT, I STARTED 4 GAMES AT HALFBACK MY SENIOR YEAR.

SO WHEN I SEE A GAP LIKE THIS GAY IDEA,

I�M IN THERE, AND I�M DOWNFIELD, YO!

ALL I WANTED WAS FOR MR. RADNOR TO MAKE THE CALL

AND ASK HIS FATHER FOR THE MONEY

THAT HE DON�T MISS, AND THAT I NEED!

HE MAKES THAT CALL...

AND NONE OF US ARE HERE.

YEAH, WELL, HE DIDN�T MAKE IT.

WHAT DID I DO?

WHAT DID I DO?

PAY NO ATTENTION, MR. RADNOR.

THEY ALWAYS LAY RESPONSIBILITY ELSEWHERE.

HE WAS JUST SOMEONE WITH A GOOD HEART.

TRY TO TAKE COMFORT IN THAT, MR. RADNOR.

TAKE COMFORT IN IT?

I TURNED MY BACK ON HIM.

DON�T YOU UNDERSTAND THAT I TURNED MY BACK ON MY OWN SON?

TRY TO??

TRY TO TAKE COMFORT IN... HE�S IN A BETTER PLACE.

YOU KNOW?

I??I DON�T NEED YOU ANYMORE.

I�LL SEE YA FIRST THING IN THE MORNING, THEN.

GONNA GET SOME COFFEE.

YEAH.

YOU GOT A MINUTE FOR TONY?

OH, ALWAYS.

HE JUST FINISHED HIS STATEMENT TO SYLVIA,

WANTS YOU IN THERE FOR HIS LETTER OF EXPLANATION.

I NEVER SAW A GUY WITH A HOOK THAT DEEP IN HIS BELLY

STILL DIDN�T KNOW HE WAS CAUGHT.

HEY.

YOU FEELIN� ALL RIGHT?

WHERE�D THAT COME FROM?

YOU�RE SITTIN� DOWN A LOT.

YOU SEEM LIKE YOUR ENERGY�S DEPLETED.

I FEEL LIKE I GOT A CHEST COLD.

WELL, MAYBE YOU SHOULD TAKE A FEW SICK DAYS.

IT�S A COLD, ANDY.

[GARGLING]

THIS MAY SURPRISE YA,

PEOPLE GETTIN� COLDS IS HOW THAT WHOLE SICK?DAY CONCEPT DEVELOPED.

YEAH, WELL, THE DOCTOR, HE SAID THE ANTIBIOTICS FOR MY ARM

WOULD PROBABLY CLEAR UP THE CHEST, TOO.

WHERE YOU GOIN� NOW?

I GOTTA GO SEE THAT DENTIST�S DAUGHTER.

NO, YOU SHOULD GO HOME, YOU SHOULD GET SOME REST.

TOMORROW YOU SHOULD TAKE THE DAY OFF,

�CAUSE I DON�T LIKE THIS WHOLE ENERGY LEVEL, GOIN� ON LIKE A WEEK NOW??

ANDY.

YOU WANT ME TO GO TO THIS APARTMENT WITH YOU?

YOU CRUISIN� FOR SOME FREE BRIDGEWORK?

WHAT TIME FRAME THE DOC GIVE YOU FOR FEELIN� BETTER?

TOMORROW MORNING.

SEE YA.

YEAH.

YOU FROM THE BUYERS� ASSOCIATION?

YEAH. HOW�S IT GOIN�?

YEAH, UM... YEAH, YOU MENTIONED 50 BUCKS.

WILL I BE INCONVENIENCING ANYONE

IF I LOOK AROUND HERE A LITTLE?

HEY, UH, EXCUSE ME. I NEED THAT $50

BEFORE I LET YOU INCONVENIENCE US??

HEY, GET ON YOUR FEET. I�M A COP. WHAT�S GOIN� ON?

GET ON YOUR FEET, AND I WILL TELL YOU WHAT�S GOING ON.

PICK UP YOUR KIT.

HE�S A COP, REECE. I TOLD YOU IT WAS A SET?UP.

NO, YOU SAID IT MIGHT BE JOAQUIN LOOKIN� TO GET YOU FOR PAYBACK.

WHAT YOU GOT HERE?

THAT, UH, THAT�S STRICTLY FOR PROTECTION IN CASE OF BURGLARIES.

I BET IT�S REGISTERED, TOO, RIGHT?

BOTH OF YOU, GET IN THE NEXT ROOM AND SIT DOWN.

THIS IS ALL ILLEGAL ANYWAY,

BECAUSE YOU CAME IN UNDER FALSE PRETENSES.

OH, THAT SOUNDS LIKE A COLLEGE IDEA, REECE.

YOU DROP OUT OF COLLEGE?

LOOK AT THIS MESS.

HE�S FROM MY DAD.

NO, THE REAL REASON I�M HERE...

IS OUT OF FRIENDSHIP...

WITH THE OTHER TENANTS IN THIS BUILDING

THAT ARE CONCERNED ABOUT THE AMOUNT AND TYPE OF TRAFFIC

COMING IN AND OUT OF THIS APARTMENT.

THAT�LL BE YOUR FRIEND MRS. SAMPSON?

WHAT�S YOUR NAME?

DAN EVERS.

YOU�RE DONE TALKIN�, OK, DAN?

I WAS JUST SAYIN� �CAUSE SHE FEEDS THE LADY�S CAT.

OK, DAN?

NOW I KNOW IF I MAKE YOU EMPTY OUT YOUR RIGHT FRONT POCKET THERE,

YOU�RE GONNA COME UP WRONG FOR DOPE.

I�M NOT GONNA MAKE YOU DO THAT.

I�M NOT LOOKIN� TO ARREST ANYONE HERE.

WHAT�D YOU COME LOOKIN� TO DO?

RESTORE THIS APARTMENT...

SO THAT IT�S NOT DETERIORATING THIS BUILDING�S QUALITY OF LIFE.

AND IT�S YOUR BAD LUCK, DAN,

THAT I�VE GOT YOUR WORKS AND YOUR .25.

BUT YOU DIDN�T COME LOOKIN� TO ARREST ANYBODY, RIGHT?

WELL, I CAN�T OVERLOOK THOSE. I�M SORRY.

OK, LOOK,

YOU CAME HERE TO RESTORE THE QUALITY OF LIFE?

SO WHAT ARE YOU SAYING?

IF YOU DON�T ARREST ME... I�LL LEAVE.

SOUNDS LIKE A PLAN.

I�M HOLDING ON TO YOUR WORKS,

I�M HOLDING ON TO YOUR WEAPON,

AND I�M FILING A FULL REPORT IN DD?5 ABEYANCE.

FIRST I HEAR THAT YOU�RE BACK,

I�M BACK... TO LOCK YOUR ASS UP.

10 MINUTES TO GET OUTTA HERE.

NO PROBLEM, NO PROBLEM.

I MEAN, IT�S PROBABLY BETTER FOR YOU LIKE THIS ANYWAY.

YEAH, YOU�VE BEEN BETTER FOR ME RIGHT ALONG.

YOU GET ME HOOKED, AND NOW I GOTTA COP ON MY OWN.

HE APPEARS.

IN THE FLESH.

IN THE FLESH.

DOES YOUR ARM HURT?

UH, NO, IT�S...

IT�S OK.

DOC GAVE ME AN ANTIBIOTIC FOR IT.

HOW�D IT GO WITH THE DENTIST�S DAUGHTER?

[SIGHS]

YOU KNOW, I DID MY ACT WITH THIS BOYFRIEND.

I GOTTA CALL THAT DR. REISMAN.

I MEAN, IF HE WANTS TO GET HIS DAUGHTER STRAIGHT,

HE BETTER GET HER ASS IN A PROGRAM.

NOW, SEE?

[SIGHS]

DAMN. I WISH I KNEW WHY I CAN�T BREATHE.

COME SIT DOWN.

NAH. LET ME JUST GET SOME FRESH AIR.

THIS IS GETTIN� RIDICULOUS.

ARE YOU LIGHT?HEADED, BOBBY?

MM?MMM.

AHH.

THIS ANTIBIOTIC WILL CLEAR IT UP.

THE DOCTOR SAID IT�LL CLEAR MY CHEST UP, TOO.

YOU KNOW, YOU SHOULD REST TOMORROW.

PROBABLY HALF OF IT�S JUST BEING RUN?DOWN.

NO, HE SAID THE ANTIBIOTIC CLEARS EVERYTHING UP BUT HANGOVERS.

[SIGHS]

IF YOU DON�T FEEL BETTER, I�M KEEPING YOU HOME.

[SNIFFLES]

WHAT ARE YOU GONNA DO, MAKE ME SOME HOT COCOA?

I HAPPEN TO MAKE KILLER COCOA.

YEAH, I BET YOU DO.

[CONGESTED BREATHING]

I�M OK.

I KNOW.

HOW OK ARE YOU?

WELL, YOU BETTER STAND BACK ONCE THIS MEDICINE KICKS IN.

I�M NOT GOIN� ANYWHERE.

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