Original subtitles

WE'RE GONNA NEED TO TAKE A LOOK.

HE GOT 2 IN THE CHEST, ONE IN THE NECK.

LOOKS LIKE HE JUST FINISHED AT THE ATM, GOT JUMPED.

WITHDRAWAL RECEIPT FOR $200.

YOU GOT A NEEDLE EXCHANGE DEPOT UP THE BLOCK,

CRACKHEADS OVER ON AVENUE B.

YOU TALK TO THIS MERCHANT OVER HERE?

NAH, WE TRIED. THE WINK, UH, DIDN'T, UH...

THE ELDERLY ASIAN MALE PROFESSES NOT TO, UH, SPEAK ENGLISH.

WHAT ABOUT THE KID?

NO, HE SPEAKS.

ENGLISH?

YEAH.

YOU WANT TO TRY HIM?

EXCUSE US, SIR.

SIR, WE'RE INVESTIGATING THE HOMICIDE NEXT DOOR.

[SPEAKING CHINESE]

HEY, HEY, HEY...

OH, I??I'M SORRY. THAT'S MY GRANDFATHER.

UH, HE'S FROM THE OLD SCHOOL.

UH?HUH. DID YOU SEE ANYTHING?

NO, I JUST ARRIVED,

BUT, UH, MY GRANDFATHER WAS OPENING UP THE STORE

AND HE HEARD SOMETHING THAT SOUNDED LIKE A FIRECRACKER. POP??LIKE THAT.

ONE POP?

[SPEAKING CHINESE]

[SPEAKING CHINESE]

POP, POP, POP.

3 POPS. 3 POPS.

DID HE SEE ANYTHING?

HE SAID HE LOOK UP OVER THERE

AND SEE A CAR DRIVE AWAY FAST.

DID HE NOTICE WHAT KIND OF CAR?

[SPEAKING CHINESE]

[SPEAKING CHINESE]

SOME KIND OF AMERICAN CAR, GREEN COLOR.

CAN HE TELL US ANYTHING ABOUT THE DRIVER?

UH, HE SEE A PERSON. JUST A MINUTE.

[SPEAKING CHINESE]

[SPEAKING CHINESE]

HE SAY A WORD TO DESCRIBE THEM

THAT MEANS BARBARIAN NON?ASIAN GUY.

WHITE BARBARIAN OR BLACK BARBARIAN?

UH...

[SPEAKING CHINESE]

GUEY LOW! GUEY LOW!

GUEY LOW? WHAT'S THAT?

UH, THAT'S A RACIAL INSULT.

IT MEANS, UH, IGNORANT WHITE PERSON.

SO WE'RE TALKING ABOUT AN IGNORANT, BARBARIAN WHITE GUY.

YES.

THANKS FOR THE HELP.

NOT EVEN 9 A. M.,

AND IT'S NOT LOOKING TOO GOOD FOR THE RAINBOW COALITION.

SO NOTHING HELPFUL AT THE SCENE?

THERE WAS A YOUNG ASIAN KID THAT TRANSLATED FOR HIS GRANDFATHER.

THE OLD MAN HEARD SHOTS,

SAW A GREEN, AMERICAN?MADE CAR SPEED AWAY.

THE DRIVER WAS AN IGNORANT, BARBARIAN WHITE PERSON.

[TELEPHONE RINGS] THERE'S A NEEDLE EXCHANGE HALF A BLOCK AWAY,

OPENS AT 11:00.

WE'LL CHECK 61s FOR ACTIVITY AT THAT ATM, THEN GO BACK AND RECANVASS.

[RING]

[RING??]

15th SQUAD.

Diane: HEY, ANDY.

WHAT'S IT LOOK LIKE?

Simone: HOMICIDE OFF AN ATM STICKUP.

ANY ARRESTS IMMINENT?

UH, HOW DID IT GO AT THE UROLOGIST'S?

HE WAS FULL OF CRAP, FULL OF MUMBO?JUMBO.

YEAH.

ROBBERY/SHOOTING AT AN ATM ON LAFAYETTE STREET.

SOUNDS LIKE THE SAME DEAL.

OH, IT'S GETTING GOOD TO THIS GUY.

UM, ANDY, UM, PICK IT UP WITH BOBBY AND DIANE?

RIGHT?O.

HOW'D IT GO AT THE DOCTOR'S?

I'M CLEARED FOR CONTINUED EMPLOYMENT.

OK.

UM, I'M DETECTIVE MEDAVOY. CAN I HELP YOU?

PATRICK WELCH. I'M HERE TO REPORT A CRIME AND A PERSON IN DANGER.

OH. WELL, WHY DON'T WE SPEAK IN THE COFFEE ROOM, MR. WELCH.

YOU CAN GIVE ME THE SPECIFICS.

I'VE NO CHOICE ANYMORE BUT INVOLVING THE AUTHORITIES.

WE'LL GET THE SPECIFICS IN THE COFFEE ROOM.

MORNING, ALL.

MORNING, GREG.

HI, GREG.

SO, UH, UH, WHAT'S GOING ON?

I'M AN IDENTICAL TWIN.

USING MY IDENTITY, MY BROTHER HAD SEXUAL RELATIONS

WITH A WOMAN I WAS DATING BUT AM NO LONGER SEEING.

AND NOW I'M AFRAID HE HAS FURTHER, DANGEROUS INTENTIONS.

HOW DID YOU COME TO FIND THIS OUT?

WELL, VIVICA CALLED ME,

AND IT WAS OBVIOUS BY THE WAY SHE WAS TALKING

SHE THOUGHT WE WERE STILL INVOLVED.

I REALIZED WHAT WAS GOING ON, AND I CALLED MY BROTHER.

HE CONFIRMED IT.

CONFIRMED THAT HE'D HAD SEX WITH THIS VIVICA?

YES.

DID HE SAY WHY HE'D DONE IT?

TEACHING HER A LESSON,

IN TERMS OF ASSERTIVENESS AND SO FORTH.

SHE FELT I WASN'T ASSERTIVE ENOUGH.

THIS IS WHY YOU'D STOPPED GOING OUT?

YES.

AND HE WAS MORE ASSERTIVE WITH HER?

OH, HE WAS PLENTY ASSERTIVE.

ARE YOU SAYING HE WAS VIOLENT WITH THIS WOMAN?

NO MORE, APPARENTLY, THAN SHE ENJOYED.

THAT WAS CLEAR FROM HER CALL TO ME.

SHE OBVIOUSLY ENJOYED WHAT HE'D DONE A GOOD DEAL.

WHY DON'T YOU GIVE ME YOUR TWIN'S PEDIGREE?

HE'S NOT A DOG.

OH, THAT'S, UH, THAT'S A SHORTHAND POLICE TERM

REFERENCING, UH, HIS ADDRESS AND PHONE NUMBER AND THE LIKE,

AND, OF COURSE, HIS NAME.

PETER. I TOLD YOU.

PETER?

MY BROTHER'S VERY PROTECTIVE OF ME.

WHEN I TOLD HIM WE'D BROKEN UP,

HE SPOKE OF VENGEANCE ON VIVICA.

SO I'M AFRAID,

AND MY PSYCHIATRIST IS AFRAID.

AH.

I WONDER IF THERE'S ANY CHANCE, UH,

YOU COULD GIVE ME YOUR PSYCHIATRIST'S PEDIGREE, TOO, MR. WELCH?

UH, POSSIBLY, I COULD CHAT WITH HIM.

OH, I'VE ALREADY GIVEN HIM PERMISSION TO TALK TO YOU.

I KNEW YOU'D WANT TO CALL.

AH.

HI.

HI.

I'M THE POLICE ADMINISTRATIVE AIDE TEMP.

ARTHUR FANCY.

THE BOSS.

YEAH, THE BOSS, RIGHT.

UM, I DIDN'T GET YOUR NAME.

DOLORES MAYO.

HOW DO YOU DO, DOLORES?

THE BOROUGH POOL SAID JUST THE ONE DAY, HUH?

WELL, OUR AIDE NAOMI HAS A HEARING.

OH, BOY.

SO ANYWAY??

WHY I ASKED "JUST THE ONE DAY,"

I LIVE IN THIS PRECINCT.

IT'D BE REAL CONVENIENT.

YEAH, UM, ANYWAY,

YOUR MESSAGE PADS AND SO FORTH ARE ON THE DESK.

OK.

THERE'S NO SMOKING INSIDE THE BUILDING, OF COURSE.

NO, NO SMOKING.

OK.

AND BREAKS?

DO YOU WANT ONE NOW?

NO, I'M OK.

OK.

CAR MATCHES THE ALARM YOU BROADCAST.

ANDY...

PIPE.

CRACKHEAD SCUMMERS.

THIS POOR SLOB'S PROBABLY GOING TO MAIL A LETTER,

AND HIS LIFE'S OVER LIKE THAT.

ANDY, THIS IS LYDIA. SAYS SHE KNOWS THE GUY WHO DITCHED THE CAR.

Sipowicz: YOU GOT A LAST NAME, LYDIA?

LABIA.

I'M A PERFORMANCE ARTIST.

MAYBE YOU'VE SEEN MY FLYERS AROUND?

LYDIA LABIA?

YOU, UH, TOLD DETECTIVE RUSSELL YOU COULD HELP US WITH THIS GUY?

NAME'S EDDIE THE FLY.

HE USED TO COME TO MY REHEARSALS, RIGHT,

LEECH OFF EVERYBODY IN SIGHT.

WHAT'S THIS GUY LOOK LIKE?

UH, HE'S WHITE, MAYBE 23, NEVER WASHED HIS HAIR.

BLONDE?

YEAH. SO I'M GETTING A SLICE, RIGHT,

I HEARD THE CRASH, I LOOK OUT THE WINDOW,

I SEEN EDDIE GET OUT THE CAR.

I'M TELLING YOU, HE'S CANCER.

WHERE ARE GONNA FIND EDDIE THE FLY?

HE TOLD ME ONCE THAT HE LIVES WITH HIS MOTHER ON SECOND AND AVENUE C.

YOU WANT TO HEAD OVER THERE AND ASK AROUND?

YOU'VE BEEN A LOT OF HELP, LYDIA.

HEY, BRING THIS TO ONE OF MY SHOWS, YOU GET $2.00 OFF THE COVER.

THANKS.

SEE HOW I GOT MY LAST NAME.

EYEWITNESS PUTS THIS WOMAN'S SON PULLING THAT SECOND ATM JOB.

IS SHE COOPERATING?

SKEL'S NAME IS EDDIE GOLOTA, AKA EDDIE THE FLY.

I'M GONNA RUN HIM THROUGH B.C.I. IN JUST A MINUTE.

OK.

CAN I BORROW YOUR BRAIN A MINUTE, ANDY?

I CAUGHT A REAL PUZZLER

INVOLVING AN OSTENSIBLE IDENTICAL TWIN

OSTENSIBLY USING THE FIRST TWIN'S IDENTITY

SECURING SEXUAL RELATIONS, POSSIBLY INTENDING A HOMICIDE.

NOW, THE SECOND TWIN HAS AN ADDRESS, A DRIVER'S LICENSE,

AND A VOICE ON AN ANSWERING MACHINE,

BUT THE VOICE SOUNDS LIKE THE FIRST TWIN THAT COME IN,

AND THE PSYCHIATRIST THAT THE FIRST TWIN SAID

WOULD VERIFY THE SECOND TWIN WAS A MENACE,

HE SAYS HE'S NEVER SEEN THE SECOND TWIN.

WHY WOULD HE IF IT'S THE FIRST TWIN THAT'S HIS PATIENT?

BECAUSE ACCORDING TO THE PSYCHIATRIST

THE FIRST TWIN HAS SCHEDULED SEVERAL VISITS FOR THE SECOND TWIN

TO COME WITH HIM, BUT THE SECOND TWIN NEVER SHOWS UP JOINTLY.

HE HAS SHOWN UP FOR SEVERAL INDIVIDUAL APPOINTMENTS.

BUT THE PSYCHIATRIST SAYS HE DON'T KNOW IF THAT IS THE SECOND TWIN.

ON THE OTHER HAND, BOTH THE FIRST TWIN AND HIS SHRINK

SAY THE WOMAN IS IN DANGER.

AND THE SHRINK SAYS THIS WOULD ESPECIALLY TRUE

IF THE OTHER TWIN DON'T EXIST,

BECAUSE THEN THIS PATRICK WOULD BE A JEKYLL?AND?HYDE TYPE,

VERGING ON A HOMICIDAL EPISODE.

THIS WOULD BE A PERFECT CASE FOR THE HYPOTHETICAL CRIME SQUAD, MEDAVOY,

WHICH ALSO DON'T EXIST.

WARN THE WOMAN, THEN PUT YOUR NAME BACK IN THE CATCHING ORDER.

I'M SEEING THE WOMAN AT 2:00, THIS, UH, THIS VIVICA.

I??I??I WAS CONSIDERING GOING TO THIS PETER'S APARTMENT, ANDY,

WITHOUT TELLING PATRICK MY PLAN.

THEN, IF PETER ANSWERS THE DOOR

WITHOUT PATRICK HAVING ADVANCED KNOWLEDGE

THAT HE'S SUPPOSED TO BE THERE,

THAT WOULD TEND TO CONFIRM THE SECOND TWIN EXISTS,

WHICH I COULD NAIL DOWN BY CALLING PATRICK AT HIS PLACE,

HAVING HIM ANSWER THE PHONE WHILE I'M IN PETER'S PRESENCE.

IF I CONFIRM THERE IS A SEPARATE PETER,

THAT EITHER MAKES THE FELONY REAL,

SECURING SEX UNDER FALSE PRETENSES,

OR, IF PETER EXISTS, BUT HAS HAD NOTHING TO DO WITH THIS VIVICA,

I.E. PATRICK IS PROJECTING HOMICIDAL IMPULSES ONTO HIS TWIN??

I THOUGHT I HAD THAT COVERED, HOW I?? HOW I DETERMINE THAT.

[DOOR CLOSES]

WHAT ARE YOU ASKING ME TO DO?

ARE YOU ABLE TO REACH EDDIE?

NO.

NO, I CAN'T CALL HIM ON THE PHONE.

HE CARRIES A BEEPER.

AND MANY TIMES I CALL HIM AND?? AND HE DOESN'T ANSWER.

WELL, MAYBE HE'D ANSWER TO A DIFFERENT NUMBER.

MAYBE HE WOULD.

WOULD YOU BE WILLING TO TRY HIS BEEPER NUMBER FROM HERE,

PUNCH IN A NUMBER WE GAVE YOU?

WELL, WHAT WOULD I SAY IF HE CALLS BACK?

I THINK, UH, JUST BE HONEST WITH EDDIE,

AS FAR AS SAYING YOU'RE WORRIED FOR HIM,

AND MAYBE IF HE NEEDS HELP IN SOME WAY, MAYBE NEEDS SOME MONEY,

THAT YOU'D BE WILLING TO MEET HIM SOMEWHERE.

DO YOU HAVE A CHILD?

NO.

I GOT A 2?YEAR?OLD.

I ALSO HAD A GROWN SON, LOST TO VIOLENCE.

IF I COULD HAVE REACHED INTO HIS LAST SITUATION,

I'D HAVE BEEN GRATEFUL FOR THE CHANCE.

YOU'RE NOT A MOTHER.

I CARRIED HIM IN MY BELLY.

I CAN'T CALL MY SON ON HIS BEEPER.

I JUST CAN'T.

ANY IDEA WHY I'M HERE... PETER?

WHY DON'T YOU TELL ME.

WELL, YOUR BROTHER PATRICK

ALLEGES YOU'VE BEEN SEXUALLY INTIMATE WITH VIVICA CERDAN

WHILE REPRESENTING YOURSELF AS HIM.

ARE YOU AWARE OF THAT?

I AM NOW.

HAVE YOU DONE WHAT PATRICK ALLEGES,

PETER?

DID PATRICK COME TO YOU TO HAVE ME ARRESTED?

YOUR BROTHER CONSIDERS YOU

A DANGER TO MS. CERDAN.

HIS OPINION IS SUPPORTED PROFESSIONALLY.

WE'VE OPENED A FILE ON YOU, PETER.

ANY HARM BEFALLING MS. CERDAN,

THIS IS THE ADDRESS WE'LL BE COMING TO.

OK. I'M ON NOTICE.

PERHAPS WE SHOULD CALL PATRICK FROM HERE,

PETER.

GET EVERYONE ON THE SAME PAGE.

GO AHEAD.

SHALL I DO THAT??

CALL PATRICK FROM HERE IN YOUR PRESENCE?

SURE.

I'VE GOT THE NUMBER.

IF I CALL,

WILL PATRICK ANSWER THE PHONE?

I DON'T THINK SO.

HE SAID HE'S GOING SHOPPING AT BLOOMINGDALE'S.

WHY DID YOU TELL ME TO CALL?

IT SEEMED LIKE YOU WANTED TO.

PETER, IS PATRICK HERE WITH US IN THIS ROOM

AT THIS MOMENT?

YOU MEAN IN SPIRIT?

IN SPIRIT, IN PERSON??

WHAT HAVE YOU.

HE MIGHT BE HERE, WHAT HAVE YOU.

ALL RIGHT.

I SEE THE TACK YOU'RE TAKING.

YOU'RE TRYING TO GET ME TO EXPLAIN TO YOU

WHETHER I'M ME OR PATRICK PRETENDING TO BE ME.

RIGHT, DETECTIVE?

IF YOU WILL.

SO YOU CAN TELL THE BOYS AT THE STATION HOUSE

ABOUT THE GEEK TWINS YOU RAN ACROSS

OR THE GEEK SCHIZO.

DO NOT BRING PHYSICAL HARM TO VIVICA CERDAN.

THAT IS THE SUBSTANCE OF IT.

AND WITH THAT, I WISH YOU GOOD DAY.

THE POLICE MANUAL SAY

WHEN DEALING WITH POSSIBLE TWINS OR LOONIES

TO TALK LIKE IT'S THE PREVIOUS CENTURY?

NO, SIR,

IT DOES NOT.

IF MY BOSS DECIDES IT'S APPROPRIATE,

I'LL BE IN TOUCH.

AND WE SURE APPRECIATE YOUR COOPERATING

AT SUCH A DIFFICULT TIME, SIR.

ALL RIGHT.

HE'S WILLING TO COME IN AND TALK TO HER,

THE BROTHER OF THE FIRST DOA,

IF THAT'S THE WAY YOU WANT TO GO.

YOU KNOW THAT EITHER WORKS

OR IT BLOWS UP IN OUR FACES.

SHE DIGS IN AFTER THE GUY TALKS TO HER.

HER MIND??IT'S US AGAINST HER.

Diane: HERE'S JILL.

HERE'S THE WAY TO DO IT.

I AGREE.

HI. HOW'S IT GOING?

WE APPRECIATE YOUR COMING IN A LITTLE EARLY.

WE GOT THE MOTHER OF AN EDDIE "THE FLY" GOLOTA,

WHOSE SON'S GOT A 3?FOOT SHEET WITH B. C. I.,

AND THAT AN EYEWITNESS MAKES A PERP

IN A STICKUP HOMICIDE AT AN ATM.

PROBABLY ALSO DID ONE AT ANOTHER ATM

A COUPLE HOURS BEFORE.

THEY JUST ABOUT HAD HER MOVED

TILL SHE POINTED OUT

THAT THEY DIDN'T CARRY EDDIE IN THEIR BELLIES

OR ANYBODY ELSE.

WANNA GO IN BY YOURSELF?

HOW ABOUT ME AND DIANE?

SHE'S SAYING A ROSARY IN THE COFFEE ROOM.

HER NAME'S GOLOTA, TOO?

ROSEMARY.

NEW P. A. A.'S GOING ON 16 CONSECUTIVE MINUTES

NOT GOING NOWHERE.

MRS. GOLOTA.

THIS IS JILL KIRKENDALL,

ANOTHER DETECTIVE IN OUR SQUAD.

HI.

HOW DO YOU DO?

I'M SORRY FOR THIS DIFFICULTY YOUR SON'S IN.

WHAT IS YOUR CONNECTION?

I WORK A LATER TOUR,

SO I'LL BE PICKING UP THE INVESTIGATION.

IS THERE WORD OF OTHER POSSIBLE SUSPECTS?

I'M AFRAID NOT.

FOR WHAT IT'S WORTH, MRS. GOLOTA,

THE EYEWITNESS IDENTIFICATIONS OF YOUR SON

ARE PRETTY CONCLUSIVE.

THAT'S NOW DEVELOPED?

THAT'S DEVELOPED NOW, YES.

I HAVE 2 BOYS, MRS. GOLOTA.

I WORK A LATE TOUR

SO THEY WON'T WAKE UP IN AN EMPTY APARTMENT.

I GO HOME AT MY MEAL BREAK

SO I CAN MAKE THEIR DINNERS AND BE WITH THEM.

IF EITHER OF THE BOYS WAS IN ANY KIND OF TROUBLE,

THE FIRST, STRONGEST FEELING I'D HAVE

WOULD BE TO WRAP AROUND THEM,

GET MYSELF BETWEEN THEM AND WHATEVER DANGER THEY WERE IN.

YES.

WELL, SOMETIMES I'D BE WRONG.

SOMETIMES I HAVE TO LET THEM BE IN PAIN AT THE DOCTOR'S

AND LET MY OLDEST WALK THE LITTLE ONE TO THE BUS STOP,

WHEN I STILL WANT TO TAKE BOTH THEIR HANDS.

I KEEP LEARNING THAT I CAN'T KEEP PUTTING MYSELF

BETWEEN THEM AND EVERYTHING LIFE BRINGS THEM.

I BROUGHT THEM INTO THIS WORLD,

BUT I CAN'T LIVE FOR THEM IN IT.

WHATEVER EDDIE HAS OR HASN'T DONE,

THE NEXT PART OF THIS NEEDS TO GO ON BETWEEN HIM AND US,

AND IT SHOULD HAPPEN HERE INSTEAD OF THE STREET.

IF IT HAPPENS IN THE STREET, MRS. GOLOTA,

NO ONE CAN AFFORD TO REMEMBER HE'S YOUR SON.

COULD I BE HERE

WHEN YOU WOULD BE SPEAKING WITH HIM?

IF YOU HELP US BRING EDDIE IN,

YOU CAN SPEAK WITH HIM BEFORE WE DO.

IF YOU HELP US BRING EDDIE IN

SO WE CAN SPEAK TO HIM IN THE STATION HOUSE...

I WILL TREAT HIM AS YOUR SON.

I PROMISE YOU THAT AS A MOTHER.

ALL RIGHT.

[RINGING]

UH, DR. BERGER?

YES. DETECTIVE MEDAVOY?

THANKS FOR COMING IN.

UM...

UH, WHY DON'T WE TALK DOWN HERE.

LEAD THE WAY.

FRANKLY, I AM PANTING TO HEAR YOUR NEWS.

ALL RIGHT.

SO, YOU'VE BEEN TO PETER'S APARTMENT?

YES, I HAVE.

AND AS YOU KNOW,

I'M ABOUT TO SPEAK WITH MS. CERDAN

CONCERNING THE MISREPRESENTATION OF IDENTITY

WHICH APPEARS TO HAVE OCCURRED

TO SECURE HER SEXUAL FAVORS,

AND ALSO PATRICK'S MISGIVINGS,

AS WELL AS YOUR OWN, CONCERNING HER SAFETY.

YOU SHOULD DEFINITELY DO THAT.

DO YOU MIND TELLING ME

WHAT THE APARTMENT WAS LIKE?

WHAT IT WAS LIKE?

MM?HMM. PETER'S APARTMENT.

UM...IT WAS, UH, IT WAS KIND OF BLEAK.

UH, BLEAK.

IN THE SENSE OF INCOMPLETE?

NO. IT WAS ALL PAINTED AND EVERYTHING.

NO, NO.

WOULD YOU DESCRIBE IT AS THE RESIDENCE

OF AN INCOMPLETE PERSONALITY?

ACTUALLY, IT STRUCK ME LIKE, UH...

A RUNDOWN WAITING ROOM OF SOME KIND.

OH. WAITING ROOM.

OH, THAT'S MARVELOUS.

ANYWAY, UM...

WHETHER IT WAS PETER OR PATRICK I WAS TALKING TO,

I PUT HIM ON NOTICE

THAT WE WERE AWARE OF THE VIVICA SITUATION.

HOW DID PETER REACT?

WELL, HE DIDN'T SEEM THAT SURPRISED.

NO, NO. WAS HE COMPLIANT?

HE SEEMED PRETTY COMPLIANT

AND ALSO, UH... SORT OF SAD.

SAD.

WONDERFUL.

DOCTOR, MY JOB DON'T LET US TAKE A LOT OF TIME

ANTICIPATING CRIMES.

IF I'M GONNA HAVE JUST THE ONE CONVERSATION WITH MS. CERDAN,

HOW HARD SHOULD I LAND ON THE DANGER ASPECT?

I'D LAND PRETTY HARD.

SO YOU FEEL HER LIFE IS DEFINITELY IN DANGER.

OH, ABSOLUTELY.

THE QUESTION IS?? AT WHOSE HAND?

WE'RE BACK TO THE PATRICK?PETER CONUNDRUM.

YES. IS IT THE PREDATORY PETER WELCH

OR PATRICK IN HIS GUISE AS PETER?

WHAT DO YOU THINK, DETECTIVE?

ARE THEY SEPARATE PEOPLE?

WHO WAS THAT PERSON YOU SPOKE TO IN THAT APARTMENT?

WELL, I COULDN'T SWEAR ONE WAY OR THE OTHER.

NO, YOU COULDN'T, COULD YOU?

WELL, WITH IDENTICAL TWINS, I WOULDN'T EXPECT TO.

DOESN'T THIS ENGAGE YOU?

ARE WE DEALING WITH A SINGLE,

WHOLLY DUALIZED PERSONALITY

OR WITH 2 SEPARATE INDIVIDUALS

INEXTRICABLY ENMESHED?

AND??AND...AND WHY,

WHY DID HE LET YOU IN?

DOES THAT SIGNIFY SOME SEA CHANGE

IN THEIR EMOTIONAL DYNAMIC,

OR...

OR HAVE YOU SPECIFICALLY STRUCK SOME...

SOME RESPONSIVE CHORD?

I GUESS THE QUESTION THAT OCCURS TO ME??

AND I TALKING TO A DECENT PERSON

OR SOMEONE ACTING LIKE THAT JERK CATERPILLAR

IN ALICE IN WONDERLAND?

EXCUSE ME?

THAT'S ADDRESSED TO ME?

YOU GOT AN IDENTICAL TWIN?

GOOD DAY, DETECTIVE MEDAVOY.

YEAH. GOOD DAY, DR. BERGER.

[TELEPHONE RINGING]

HI.

HI, DOLORES.

I MISS ANYTHING GOOD?

BEING HONEST, DOLORES,

YOU'RE GONE TOO FREQUENTLY.

I AM?

I'LL CUT IT OUT.

I'D APPRECIATE THAT.

I'M NERVOUS A LITTLE,

WHICH IS WHEN I SMOKE TOO MUCH.

OK.

I WILL CUT IT OUT.

I DON'T WANT TO MAKE A BAD IMPRESSION.

OK.

BELIEVE IT OR NOT.

[RING]

[RING]

UH...

NO WAY THIS CAN'T BE AWKWARD, MS. CERDAN,

SO I'LL JUST CONVEY MY NEWS STRAIGHT OUT.

SHOULD I BE SITTING?

YOU MAY WANT TO. SURE.

YOU'VE BEEN CONDUCTING A RELATIONSHIP

WITH PATRICK WELCH.

HOW IS THAT POLICE BUSINESS?

AND HAS PATRICK MENTIONED TO YOU

HIS TWIN BROTHER PETER?

I'VE NEVER MET HIM.

ACTUALLY, VIVICA, THAT MAY NOT BE SO.

PATRICK HAS ASKED I CONVEY

YOUR MOST RECENT ENCOUNTER

WAS WITH HIS BROTHER PETER.

IS THIS SOME... SICK JOKE?

THE SITUATION IS DEFINITELY SICK,

WITH ITS INS AND OUTS UNCLEAR TO ME.

MY RESPONSIBILITY IS INFORMING YOU

THAT PETER'S INTENTIONS MAY BE DANGEROUS,

AND IT'S APPROPRIATE YOU TAKE PRECAUTIONS.

WHY WOULD PETER WANT TO HURT ME?

I CAN'T EXPLAIN THAT.

I CAN'T EVEN SAY FOR CERTAIN

THAT PETER AND PATRICK AREN'T THE SAME PERSON.

OBVIOUSLY, FROM YOUR POINT OF VIEW,

THIS IS CRUCIALLY IMPORTANT,

BUT, TO ME, THE QUESTION IS MOOT.

I FEEL LIKE I'M GONNA THROW UP.

CAN I GET YOU SOME WATER?

NO. UH...

PATRICK TOLD YOU THAT PETER WAS IMPERSONATING HIM

AND HAD SEX WITH ME?

WERE YOUR MOST RECENT INTIMATE RELATIONS WITH HIM...

DIFFERENT?

YEAH.

YEAH. HE??

HE SAID THAT HE WAS PROUD

TO BE COMING OUT OF HIS SHELL.

I DON'T KNOW WHAT THE HELL TO THINK THAT MEANS.

IN TERMS OF FURTHER POLICE INVOLVEMENT,

OUR HANDS ARE PRETTY WELL TIED.

CLEARLY, YOU SHOULD CALL PATRICK

AND POSSIBLY HIS PSYCHIATRIST DR. BERGER.

WHY DIDN'T PATRICK TELL ME THIS HIMSELF?

HE MAY HAVE BEEN EMBARRASSED

BY WHAT PETER HAD DONE IN HIS NAME,

OF THERE MAY BE MORE COMPLICATED REASONS.

YOU MEAN, IF THERE IS NO PETER.

IN THAT CASE,

IT'S PATRICK ACTING LIKE A SEPARATE PERSON

WHO, UNFORTUNATELY,

ENTERTAINS VIOLENT FEELINGS TOWARDS YOU.

WELL, HE WAS...

VERY PHYSICAL WITH ME.

I CAN'T BELIEVE THIS.

HE KNOWS WHERE I WORK.

I HAVE TO CHANGE JOBS.

YOU HAVE LEGAL REMEDIES??

ORDERS OF PROTECTION, SO FORTH.

BUT SPEAKING PRACTICALLY,

THAT MAY BE WISE.

I'M SORRY MATTERS HAVE DEVELOPED THIS WAY.

HE SEEMED SO PROUD OF HIMSELF.

AND THEN HE DID SEEM AFRAID.

HOW'D IT GO WITH YOUR MULTIPLE PERSONALITIES?

IS THAT WHERE YOU CAME DOWN, ANDY,

ONE PERSON WITH SEVERAL SELVES?

I DIDN'T CHOOSE UP SIDES, MEDAVOY.

I WAS JUST ASKING HOW THINGS WENT.

I FOLLOWED YOUR SUGGESTION??

WARNED THIS VIVICA,

THEN MORE OR LESS WASHED MY HANDS.

IT'S SO SAD, ANDY,

WHOEVER THEY ARE, HOWEVER MANY.

MAYBE MAKE YOURSELF SOME COCOA.

[TELEPHONE RINGS]

15th SQUAD. DETECTIVE MEDAVOY.

UH...YES, I DO.

I WAS OVER THERE, IN FACT,

THIS AFTERNOON.

UH, YES, I CAN. I CAN BE THERE VERY QUICKLY.

SO I ASSUME...

NEVER MIND. I'M ON MY WAY.

IT WAS HIM.

HE WANTS ME TO COME OVER.

DARE I ASK WHO?

I'M ASSUMING PATRICK,

BECAUSE, UH, PETER KNEW I'D BEEN THERE, UH...

I ASSUME NOTHING.

EVERY TIME I'M ABOUT TO HIT THE JOHN,

I GET WAYLAID BY MEDAVOY.

GO NOW.

EDDIE CALLED HER BACK?

YEAH. WE GOT A PLACE TO GRAB HIM UP.

I DON'T WANNA CHANCE IT.

AS LONG AS IT TAKES ME,

HE'S LIABLE TO GET TIRED OF WAITING.

HELLO?

HELLO?

CURTAIN'S UP.

GET TO YOUR FEET. LAY FACE DOWN ON THE MATTRESS.

I'M A REAL THREAT TO YOU.

THAT'S WHY I CALLED.

PUT YOUR HANDS BEHIND YOUR BACK.

YOU'VE GOT WOUNDS ON YOUR PALM

FROM YOUR HAND SLIPPING UP THE BLADE.

I GUESS I'M A SUSPECT.

15th SQUAD TO CENTRAL K.

WE NEED AN AMBULANCE AND SECTOR CAR FORTHWITH

FOR A SERIOUS BLEEDER.

4227 AVENUE B,

FIFTH FLOOR, APARTMENT F.

Dispatcher: 10?4.

WHO ARE YOU?

AND DON'T GIVE ME ANY CRAP!

I'M THE GUY TOO SCREWED UP TO DO ANYTHING

BUT SIT AT THE WINDOW

THAT HIS BROTHER HAD TO PRETEND WAS BIG BAD PETER WELCH.

I'M PETER WELCH

WHOSE BROTHER PATRICK

CAME TO SCREAM AT ME AND BEAT ME UP

FOR SLEEPING WITH THE GIRLFRIEND

HE WAS TOO AFRAID TO SLEEP WITH AS HIMSELF.

YOU'RE PETER, THIS IS PATRICK.

TURNS OUT I AM...

BIG BAD PETER, HUH, DETECTIVE?

YOU JUST HAVE TO... LIE ABOUT ME

AND BEAT ME UP A LITTLE

TO PUT ME IN THE MOOD.

[GASPS]

OH! MY GOD!

THAT'S PROBABLY A REFLEX.

I DON'T GET A PULSE.

TAKE MY HANDCUFFS OFF. HE'S STILL ALIVE.

OH, YEAH. YOU'VE GOT A GOOD CASE, PETER.

PLEASE, PLEASE, PLEASE, LET ME HOLD HIM.

I HELD HIM TILL I THOUGHT HE WAS DEAD.

HELD HIM AFTER YOU STABBED HIM 10 OR 20 TIMES.

I CALLED YOU. I'M NO THREAT.

PUT A GUN TO MY HEAD. JUST LET ME HOLD MY BROTHER!

I CAN'T!

AND DON'T ASK ME NO MORE.

HE'S GONE, ANYWAY.

I'M SORRY ABOUT ALL THIS.

I'M SORRY FOR YOUR LOSS.

THE BITCH BEEPS ME, SETS ME UP, AND NOW I GOTTA TALK TO HER.

WELL, HOW YOUR MOMS LOOKS AT IT, TELLING YOU TO MEET HER LIKE THAT,

THAT WAS SAVING YOUR LIFE, EDDIE, NOT SETTING YOU UP.

MEET ME SO SHE CAN GIVE ME SOME GETAWAY MONEY.

LIKE THERE'D BE ANY OTHER REASON YOU'D HAVE MET HER.

APPROACH IT THIS WAY, EDDIE. WHEN WE GET YOU ALONE,

A BAD ATTITUDE WITH YOUR MOMS,

THAT EARNS YOU A WHOLE EXTRA BEATING.

COME ON.

EDDIE.

YEAH, GREAT TO SEE YOU, MA.

EDDIE.

ARE YOU ALL RIGHT?

IF YOU DON'T COUNT BEING ARRESTED.

I WANTED TO KEEP YOU FROM HARM.

YEAH. ANYWAYS, I'M HERE, FALSELY ACCUSED.

THEY SAID IT MIGHT BE A CASE OF MISTAKEN IDENTITY.

NO, WE NEED TO TALK TO EDDIE ABOUT THAT, MRS. GOLOTA.

I HEARD WHO TOLD YOU ABOUT ME.

IT WAS THAT SICK EXHIBITIONIST LYDIA.

WELL, THAT HAPPENS TO BE A GRUDGE I. D.

WE'LL GET YOU A RIDE HOME, MRS. GOLOTA.

I THOUGHT I COULD STAY WITH HIM.

DETECTIVE RUSSELL SAID BEFORE HE WAS INTERVIEWED YOU COULD TALK TO EDDIE,

AND YOU'VE DONE THAT.

I PROMISE WE'LL CALL YOU IF THERE'S ANY NEWS.

WILL YOU GO HOME, SO I CAN HEAR THE FALSE ACCUSATIONS?

OH, EDDIE.

REMIND THEM.

EDDIE'S MRS. GOLOTA'S SON.

COME ON.

THIS ALL COMES FROM ME SPEAKING MY MIND??

WHAT I THOUGHT OF PIERCED GENITALS ON WOMEN.

Simone: LYDIA LABIA TOOK OFFENSE.

SHE TOOK OFFENSE, SHE RATS ME OUT TO YOU PEOPLE.

I KILLED NO ONE. I ROBBED NO ATM.

SO THIS WAS SOME COMPLICATED FRAME?UP ON HER PART,

YOU BEING IN ALL THE SURVEILLANCE PHOTOS.

IF I'M IN THE SURVEILLANCE PHOTOS, THEN I DON'T KNOW WHAT.

I DON'T KNOW WHAT THE HELL THAT'S ALL ABOUT.

BOTH ATMs, EDDIE. BOTH CAMERAS.

BOTH CAMERAS?

[SNIFFS]

I DON'T KNOW WHAT THE HELL'S GOING ON.

PAST THE BLACKOUTS.

BLACKOUTS, HUH?

I'LL HAVE THESE SEIZURES LATELY.

I DON'T KNOW WHAT THE HELL'S GOING ON.

YEAH. GO WITH THE BLACKOUTS.

EXPLAIN HOW CONFUSED YOU WERE.

I MEAN, DO?? DO I LOOK WEIRD ON THE CAMERAS,

LIKE I DON'T KNOW WHERE I AM?

IF MY MOTHER SAYS SHE WANTS TO COOK FOR ME, DON'T LET HER.

DID YOU GET HER A RIDE?

MMM.

Russell: POOR WOMAN, HUH?

ALL YOU PUT UP WITH BEING A MOTHER, IMAGINE WINDING UP WITH EDDIE.

THAT'S, UM, THAT'S PART OF IT, ISN'T IT?

LIKE WHEN YOU TALKED ABOUT REALIZING

YOU CAN'T DO YOUR KIDS' LIVING FOR THEM?

YOU, UH...

YOU LIE IN BED AT NIGHT, YOU KNOW,

WONDERING HOW THEY'RE GOING TO TURN OUT,

IMAGINING THEM GROWN...

WHAT YOU WANT THEM TO BE

AND WHAT YOU'RE AFRAID THEY COULD WIND UP BEING.

IT FEELS SOMETIMES LIKE

IF THERE WAS SOME KIND OF A DEAL YOU COULD MAKE WITH GOD,

NOT TO SMOOTH THEIR PATH NECESSARILY

OR GUARANTEE THEM ANYTHING GOOD, BUT JUST TO...

JUST TO SHIELD THEM

FROM WHAT'S TERRIBLE.

YOU KNOW, THAT THEY DON'T GET SICK

OR BE WALKING TO MAIL A LETTER

OR BUY SOME MILK ONE MINUTE,

AND THE NEXT, SOME BASTARD SHOOTS THEM,

OR SOME DRUNK IN A CAR JUMPS A CURB.

ALL YOU GET TO GO TO SLEEP WITH

IS PRAYING THAT THEY'LL BE LUCKY.

THAT YOU'VE GIVEN THEM VALUES ENOUGH

THAT IF THEY ARE...

THEY'LL MAKE GOOD LIVES.

AND YOU NEVER KNOW WHAT GOD SAYS BACK.

HMM.

YOU THROUGH?

UH...NOT TILL WE'RE DONE WITH EDDIE.

ANDY.

I'M GOING DOWNSTAIRS, MEDAVOY.

I HAVE TO PISS, AND I CAN'T WITH YOU KIBITZING.

NO. STAY. STAY.

I??I WON'T SAY ANYTHING.

LOOK.

I'M TURNING AWAY.

UH, I'LL MAKE A SOUND LIKE RUSHING WATER.

[SIPOWICZ UNZIPS]

THE ONE TWIN KILLED THE OTHER.

YEAH, I HEARD.

THERE WERE 2 INDIVIDUALS,

NOT JUST THE ONE SCHIZO.

AND THE SECOND KILLED THE FIRST.

BUT THE SORROWFUL AND MYSTERIOUS PART OF IT, ANDY,

RECONSTRUCTING WHAT OCCURRED,

THE SECOND TWIN

THAT WAS ACCUSED OF BEING VIOLENT

AND A DANGER TO THE WOMAN VIVICA

THAT THE FIRST TWIN WAS SEEING...

HE WAS NOT A DANGER AND NEVER DATED HER AT ALL.

PATRICK, THE FIRST TWIN,

HE WAS THE DANGER ALL ALONG.

SO...PATRICK KILLED PETER.

PETER KILLED PATRICK.

BUT WITH TERRIBLE PROVOKING.

PATRICK APPARENTLY NEEDED A PRETENSE

OF BEING PETER IN HIS OWN MIND

TO ACT HOW HE WANTED WITH VIVICA,

EVEN THOUGH...

PETER WAS NOT AT ALL HOW PATRICK PRETENDED.

SEE...WHEN I COME TO SEE HIM,

PETER DON'T CLEAR UP MY CONFUSION,

'CAUSE BEING HE'S DONE NOTHING WITH HIS IDENTITY HIMSELF,

IF IT HELPS PATRICK BE THE PERSON HE WANTS,

LET HIM GO AHEAD AND USE IT.

SEE, HE'S AN EMOTIONAL SHUT?IN, THIS PETER.

BUT WHAT I CAN TELL NOW, ANDY,

THIS PETER HAD A LOVE FOR HIS BROTHER.

LIKE HE DIDN'T MIND PATRICK BORROWING HIS IDENTITY

WITH OUTSIDERS,

BUT DON'T THEN COME TO HIS OWN APARTMENT

AND NEED TO BEAT HIM UP

AND??AND WAVE A KNIFE AT HIM

AND??AND ACCUSE HIM OF SOMETHING

THAT THE BOTH OF THEM KNEW PETER DIDN'T DO,

TO WHERE FINALLY THIS PETER,

THAT EVIDENTLY ALL HE DID ALL DAY

WAS SIT AND LOOK OUT THIS DIRTY WINDOW,

FINALLY HE SNAPPED.

PETER GRABBED THE KNIFE AND ACTUALLY USED IT.

AND THEN FELT SO TERRIBLE AFTERWARD...

HE WANTED TO HOLD HIS BROTHER TILL HE DIED.

[RUNS WATER IN SINK]

THOUGHT HE HAD.

BUT THEN THE OTHER ONE COUGHS, YOU KNOW,

THIS AFTER?DEATH SPASM,

AND THIS ONE WANTS TO HOLD HIM TILL HE'S GONE.

[WASHING HANDS]

BUT BY THEN,

I HAD HIM CUFFED.

[TURNS WATER OFF]

Medavoy: ANYWAY...

WERE YOU SEEING A DOCTOR FOR THAT TODAY, ANDY,

YOUR?? YOUR STREAM PROBLEM?

IS THAT WHAT I RECALL?

THOSE GUYS SHOULD ALL BE STREET SWEEPERS.

UROLOGISTS, HUH?

OR??OR PHYSICIANS IN GENERAL, DID YOU MEAN?

YOU'RE A GOOD COP.

[TV NEWS PLAYS]

ARE YOU WATCHING THAT?

UM, NO, I GUESS NOT.

I'D LIKE TO GO BACK TO WORK.

THEO IS THE MOST IMPORTANT THING IN MY LIFE,

BUT I WANT TO WORK, TOO.

AND I THINK IT'S ALL RIGHT NOW...

TO GO BACK.

HOW DO YOU FEEL ABOUT THAT?

YOU LETTING MONEY ENTER IN?

I MEAN THE EXTRA PAYCHECK WOULD HELP US, BUT...

NO, IT'S NOT REALLY ABOUT THE MONEY.

I'VE SPENT THE LAST 17 MONTHS WITH THEO,

TALKING ABOUT WHAT WE'RE SEEING AND WHAT WE'RE DOING

AND SHARING OUR FEELINGS AND WHAT WE'RE THINKING.

AND I WOULDN'T TRADE A MINUTE OF IT, BUT...

THERE'S A PART OF ME THAT CAN'T REALLY BE INVOLVED IN THAT,

AND IT'S A PART I DON'T WANT TO LOSE PERMANENT TOUCH WITH.

I PROBABLY DON'T GIVE YOU ENOUGH STIMULATING ADULT CONVERSATION MYSELF.

IT'S NOT THE CONVERSATION I MISS.

I WAS GOOD AT MY JOB...

AND I FELT THAT IT WAS A GOOD JOB TO BE DOING.

I WANT TO BE PART OF THE WORLD THAT WAY, TOO.

I KNOW HOW MUCH YOU LOVE HIM,

AND YOU'VE THOUGHT IT THROUGH.

I WANT TO TALK WITH MY DAD.

YOUR DAD WOULD KNOCK THE DOOR DOWN

TO STAY WITH THEO DAYS.

AND CHECK INTO THE PROGRAM AT OUR OFFICE,

BUT...I WANTED TO TALK WITH YOU FIRST.

[CLEARS THROAT]

HONEY, THE ONLY DOWN SIDE YOU COMING BACK,

THAT COHEN THAT WORKS WITH YOU...

HE'S PRETTY EASY TO PUSH AROUND.

I GOTTA GO TO THE LAVATORY.

I'LL SEE YOU IN ABOUT 20 MINUTES.

YOU MUST BE SO RELIEVED THE DOCTOR THINKS IT'S NOTHING TO WORRY ABOUT.

YEAH.

DOES HE THINK YOUR PROBLEM IS JUST BECAUSE...

YOU'RE GETTING A LITTLE OLDER?

HE SAID IT OCCURS A LOT

WITH MEN HAD ENORMOUS SEXUAL PROWESS IN THEIR YOUTH.

OH.

ANDY, THANK YOU FOR UNDERSTANDING.

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