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1
00:00:32,000 --> 00:00:35,033
A LITTLE MONOPOLISTIC
IN THE BATHROOM THERE.
2
00:00:35,066 --> 00:00:36,500
SORRY.
3
00:00:44,000 --> 00:00:45,300
YOU OK?
4
00:00:45,333 --> 00:00:47,000
[SIGHS]
5
00:00:48,266 --> 00:00:49,933
I'M OFFICIAL.
6
00:00:52,500 --> 00:00:54,300
ONE LINE,
NOT PREGNANT...
7
00:00:54,333 --> 00:00:55,700
2 LINES...
8
00:00:55,733 --> 00:00:57,733
PREGNANT.
9
00:00:57,766 --> 00:00:59,233
2 LINES.
10
00:01:08,600 --> 00:01:11,000
OH, MAN, UH...
11
00:01:12,733 --> 00:01:13,733
ARE YOU HAPPY, BOBBY?
12
00:01:13,766 --> 00:01:15,500
I'M VERY HAPPY, BABY.
13
00:01:17,266 --> 00:01:19,800
LET'S NOT TELL
ANYBODY, OK?
14
00:01:19,833 --> 00:01:20,800
OK.
15
00:01:20,833 --> 00:01:23,466
REALLY.
'CAUSE I'M JUST...
16
00:01:23,500 --> 00:01:25,366
I'M SUPERSTITIOUS
ABOUT IT, AND...
17
00:01:25,400 --> 00:01:26,733
I PROMISE.
18
00:01:28,033 --> 00:01:29,033
OHH.
19
00:01:29,066 --> 00:01:30,200
OH, I'M...
20
00:01:30,233 --> 00:01:32,633
OH, SCARED
OUT OF MY WITS.
21
00:01:32,666 --> 00:01:35,666
WELL, DON'T WORRY
ABOUT A THING.
22
00:01:35,700 --> 00:01:36,800
YEAH, HUH?
23
00:01:36,833 --> 00:01:38,533
THE VOICE OF EXPERIENCE?
24
00:01:48,000 --> 00:01:49,500
HUH...
25
00:01:52,833 --> 00:01:54,833
OH, IT'S GONNA BE
WONDERFUL, DIANE.
26
00:01:56,333 --> 00:01:57,500
I KNOW.
27
00:02:00,833 --> 00:02:02,500
I LOVE YOU.
28
00:02:04,500 --> 00:02:06,000
I LOVE YOU, TOO.
29
00:02:09,333 --> 00:02:10,966
WE WON'T TELL
ANYBODY, RIGHT?
30
00:02:11,000 --> 00:02:13,466
I PROMISE.
31
00:02:13,500 --> 00:02:14,500
ALL RIGHT.
32
00:02:16,400 --> 00:02:19,166
[PAGER BEEPS]
33
00:03:56,400 --> 00:03:58,533
HEY. YOU THE FIRST UNIFORM
ON THIS THING?
34
00:03:58,566 --> 00:03:59,500
YEAH.
35
00:03:59,533 --> 00:04:01,333
Simone: YOU FOUND 'EM
LIKE THIS?
36
00:04:01,366 --> 00:04:03,300
FACE DOWN
ON THE FLOOR.
37
00:04:03,333 --> 00:04:05,566
BULLETS TO BOTH HEADS.
38
00:04:05,600 --> 00:04:08,966
LOOKS LIKE THE SHOOTER
GAVE THEM BOTH BARRELS.
39
00:04:09,000 --> 00:04:11,000
THIS ONE LIVES HERE??
UH, WANDA LIVINGSTONE.
40
00:04:11,033 --> 00:04:13,300
WHO WAS THE OTHER ONE?
41
00:04:13,333 --> 00:04:16,133
DRIVER'S LICENSE SAYS,
UH, JOANN DEMILLE.
42
00:04:16,166 --> 00:04:17,633
ANDY.
43
00:04:17,666 --> 00:04:19,666
OPEN SAFE. EMPTY.
44
00:04:19,700 --> 00:04:21,166
[SHUTTER CLICKING]
45
00:04:22,666 --> 00:04:24,200
EXCUSE ME, SIR.
CAN I HELP YOU? WHAT'S
46
00:04:24,233 --> 00:04:26,000
YOU KNEW HER?
YES. WHAT HAPPENED?
47
00:04:26,033 --> 00:04:27,000
[SHUTTER CLICKING]
48
00:04:27,033 --> 00:04:29,833
I NEED YOU TO WAIT
RIGHT HERE, SIR.
49
00:04:29,866 --> 00:04:32,200
SAYS HE KNOWS
WANDA LIVINGSTONE.
50
00:04:32,233 --> 00:04:34,466
WHAT'S YOUR NAME?
51
00:04:34,500 --> 00:04:36,466
RONALD ANDERSON.
I LIVE UPSTAIRS.
52
00:04:36,500 --> 00:04:38,800
OH, GOD! THIS IS AWFUL.
53
00:04:38,833 --> 00:04:40,000
POOR WANDA.
54
00:04:40,033 --> 00:04:41,000
YEAH.
55
00:04:41,033 --> 00:04:42,566
YOU'VE KNOWN HER LONG?
56
00:04:42,600 --> 00:04:44,866
JUST YESTERDAY SHE ASKED ME
TO HELP HER MOVE SOME FURNITURE,
57
00:04:44,900 --> 00:04:46,033
BEING THAT HER HUSBAND
WAS AWAY.
58
00:04:46,066 --> 00:04:47,733
SHE DO THAT A LOT?
59
00:04:47,766 --> 00:04:51,133
SHE, UH, ASK FOR
YOUR HELP WHEN THE HUSBAND'S AWAY?
60
00:04:51,166 --> 00:04:53,733
DID WANDA HAVE ANY ENEMIES?
ANYBODY THAT MIGHT WANT TO SEE HER DEAD?
61
00:04:53,766 --> 00:04:55,033
HER HUSBAND.
62
00:04:55,066 --> 00:04:56,633
YOU THINK HER HUSBAND
KILLED HER?
63
00:04:56,666 --> 00:04:59,966
HER HUSBAND MARVIN IS INVOLVED
WITH SOME VERY VIOLENT PEOPLE.
64
00:05:00,000 --> 00:05:02,666
AND HE'S IN A VERY DANGEROUS
LINE OF WORK, TOO.
65
00:05:02,700 --> 00:05:03,966
HE'S WITH THE CIA?
66
00:05:04,000 --> 00:05:05,800
I THINK YOU CAN INFER
WHAT I'M TALKING ABOUT.
67
00:05:05,833 --> 00:05:08,700
WHY DON'T YOU TELL US
WHAT YOU'RE TALKING ABOUT?
68
00:05:08,733 --> 00:05:10,033
DRUGS, ALL RIGHT?
69
00:05:10,066 --> 00:05:12,133
MARVIN'S IN SALES?
70
00:05:12,166 --> 00:05:14,300
YOU KNOW, YOU ARE AMONGST
DEAD PEOPLE HERE.
71
00:05:14,333 --> 00:05:16,666
DOES WANDA HAVE ANY
ENEMIES OF HER OWN?
72
00:05:16,700 --> 00:05:18,833
WANDA WAS
A BEAUTIFUL PERSON.
73
00:05:18,866 --> 00:05:20,366
NOW I TOLD YOU.
74
00:05:20,400 --> 00:05:22,966
LOOK INTO THE HUSBAND.
HE HAD ENEMIES ON HIS JOB.
75
00:05:23,000 --> 00:05:25,933
YOU EVER CALL IN TO
AMERICA'S MOST WANTED?
76
00:05:27,566 --> 00:05:30,066
WHY ARE YOU SO
VICIOUSLY CALLOUS?
77
00:05:30,100 --> 00:05:32,566
THAT'S THE WAY I DEAL
WITH MY CONTINUOUS GRIEF.
78
00:05:32,600 --> 00:05:33,566
[TELEPHONE RINGS]
79
00:05:33,600 --> 00:05:34,600
PHONE'S RINGING.
80
00:05:36,066 --> 00:05:38,366
Sipowicz:
TAKE HIM UPSTAIRS. [RING]
81
00:05:38,400 --> 00:05:40,233
HELLO.
82
00:05:40,266 --> 00:05:42,866
NO, SHE'S NOT AVAILABLE
RIGHT NOW. WHO'S THIS?
83
00:05:42,900 --> 00:05:44,033
HUNG UP.
84
00:05:44,066 --> 00:05:46,200
YOU GOT
THAT CALL REDIAL?
85
00:05:46,233 --> 00:05:48,133
YEAH. ONE MINUTE.
I'LL HAVE IT TRACED.
86
00:05:48,166 --> 00:05:50,133
MAYBE WE BRING IN
WHOEVER'S CALLING.
87
00:05:50,166 --> 00:05:52,800
WHAT, THIS RONALD ASSHOLE'S
BEEN BANGING THE DECEASED?
88
00:05:52,833 --> 00:05:54,166
DIANE, YOU HEARD
OUR CONVERSATION?
89
00:05:54,200 --> 00:05:55,800
YEAH, I DID, AND I'M BETTING
90
00:05:55,833 --> 00:05:57,700
THE DECEASED WAS A LITTLE
TOO FAST FOR RONALD.
91
00:05:57,733 --> 00:05:59,233
ON THE OTHER HAND,
92
00:05:59,266 --> 00:06:01,400
HE MIGHT BE
PERFECT FOR SALLY JESSY RAPHAEL.
93
00:06:01,433 --> 00:06:02,566
HUH.
94
00:06:06,766 --> 00:06:10,133
SO WOULD THAT BE YOUR
GOING?OUT?GROCERY?SHOPPING OUTFIT, SHIRLEY?
95
00:06:10,166 --> 00:06:13,866
NO. THIS WOULD BE MY
I?JUST?GOT?HOME?FROM? AN?EVENING?OUT?
96
00:06:13,900 --> 00:06:16,300
I?DIDN'T?KNOW?THAT?
WAS?AGAINST?THE?LAW OUTFIT.
97
00:06:16,333 --> 00:06:17,700
PART OF THAT
EVENING OUT,
98
00:06:17,733 --> 00:06:19,700
YOU SPENT THAT WITH
YOUR GIRLFRIENDS WANDA AND JOANN?
99
00:06:19,733 --> 00:06:21,133
YEAH.
100
00:06:21,166 --> 00:06:24,033
WE WERE ALL
THE THREE OF US AT KINGSTON 12.
101
00:06:24,066 --> 00:06:25,900
THAT'S A NIGHTCLUB
ON AVENUE D.
102
00:06:25,933 --> 00:06:27,133
I MET A FRIEND THERE,
103
00:06:27,166 --> 00:06:29,200
AND HIM AND ME LEFT
WANDA AND JOANN DANCING.
104
00:06:29,233 --> 00:06:31,566
WHO WERE THEY
DANCING WITH?
105
00:06:33,033 --> 00:06:34,700
I'M NOT
EXACTLY SURE.
106
00:06:36,933 --> 00:06:39,400
LOOK, YOU KNOW
WANDA'S HUSBAND?
107
00:06:39,433 --> 00:06:40,800
MARVIN.
108
00:06:40,833 --> 00:06:42,200
MARVIN.
THAT'S RIGHT.
109
00:06:42,233 --> 00:06:44,200
AND MARVIN'S
GOT A TEMPER,
110
00:06:44,233 --> 00:06:46,200
AND HE DON'T TEND
TO BE LAW?ABIDING,
111
00:06:46,233 --> 00:06:48,300
AND I DON'T WANNA GET
IN FRONT OF ANY OF THAT.
112
00:06:48,333 --> 00:06:50,300
SO MARVIN WASN'T ONE OF
THEIR DANCE COMPANIONS?
113
00:06:50,333 --> 00:06:51,966
NO. MARVIN'S
OUT OF TOWN.
114
00:06:52,000 --> 00:06:54,566
AND WANDA WAS OUT... DANCING?
115
00:06:57,566 --> 00:07:00,833
LOOK, I DON'T KNOW
NOTHIN' ABOUT NO DRUGS,
116
00:07:00,866 --> 00:07:03,533
AND IF WANDA AND JOANN
ARE IN TROUBLE,
117
00:07:03,566 --> 00:07:05,866
I CAN TELL YOU
THEY DON'T KNOW NOTHIN' EITHER,
118
00:07:05,900 --> 00:07:07,700
AND I JUST CALLED TO SEE
HOW THEY WERE.
119
00:07:07,733 --> 00:07:10,066
YOU FIGURE WANDA AND JOANN,
THEY WERE COLLARS FOR DRUGS.
120
00:07:10,100 --> 00:07:11,700
SOME TYPE
OF FOOLISHNESS.
121
00:07:11,733 --> 00:07:14,200
WANDA AND JOANN
ARE DEAD, SHIRLEY.
122
00:07:14,233 --> 00:07:16,533
THAT TYPE FOOLISHNESS.
123
00:07:16,566 --> 00:07:18,000
OH, MY GOD.
124
00:07:18,033 --> 00:07:19,700
SO UNLESS WANDA'S
HUSBAND MARVIN
125
00:07:19,733 --> 00:07:22,133
SNUCK BACK INTO TOWN
UNDER COVER OF NIGHT,
126
00:07:22,166 --> 00:07:24,466
HE'S NOT THE ONLY ONE
WITH A BAD TEMPER
127
00:07:24,500 --> 00:07:27,700
AS PERTAINS TO WANDA
AND HER GIRLFRIEND JOANN.
128
00:07:27,733 --> 00:07:29,566
NOW, YOU GOT ANY IDEAS
ON THAT, SHIRLEY?
129
00:07:29,600 --> 00:07:31,200
UH, LOOK,
130
00:07:31,233 --> 00:07:32,866
AS PRETTY
AS SHE WAS,
131
00:07:32,900 --> 00:07:34,966
WANDA LIKED TO PLAY
THAT. YOU KNOW?
132
00:07:35,000 --> 00:07:37,300
SHE WAS A REAL TYPE
OF IT GIRL,
133
00:07:37,333 --> 00:07:39,366
LIFE OF THE PARTY
TYPE OF THING.
134
00:07:39,400 --> 00:07:42,700
SHE LIKED TO HANG OUT
AT THE CARIBBEAN CLUBS WHEN MARVIN WAS AWAY,
135
00:07:42,733 --> 00:07:44,033
DANCING AND STUFF.
136
00:07:44,066 --> 00:07:45,500
DANCING AND STUFF?
137
00:07:47,400 --> 00:07:51,033
SOMETIMES IT WOULD GO
A LITTLE FURTHER.
138
00:07:51,066 --> 00:07:52,966
MAYBE A LOT OF THE TIME.
139
00:07:53,000 --> 00:07:54,133
SHE WAS SLEEPING AROUND.
140
00:07:54,166 --> 00:07:55,900
SHE WAS DOIN'.
141
00:07:55,933 --> 00:07:58,133
ANYONE IN SPECIFIC
SHE WAS DOING?
142
00:07:58,166 --> 00:08:00,333
IN SPECIFIC, SHE'D
BEEN HANGING OUT
143
00:08:00,366 --> 00:08:02,500
WITH THIS POSSE
OF RASTA MEN.
144
00:08:02,533 --> 00:08:04,700
YOU KNOW...
JAMAICANS.
145
00:08:04,733 --> 00:08:06,466
CRACK DEALERS
FROM BROOKLYN.
146
00:08:06,500 --> 00:08:08,800
THAT'S WHO THEY WERE
WITH LAST NIGHT.
147
00:08:08,833 --> 00:08:10,466
AND THAT'S NOT WHO
YOU WERE WITH?
148
00:08:10,500 --> 00:08:13,733
THE GUY I WAS WITH SELLS
WATCHES IN TIMES SQUARE.
149
00:08:13,766 --> 00:08:17,700
YOU GOT A PLACE THAT WE COULD
LOOK FOR THESE RASTA MEN?
150
00:08:17,733 --> 00:08:20,700
ONE OF THEM LIVES
OFF KING'S HIGHWAY.
151
00:08:20,733 --> 00:08:22,300
HE CALLS HIMSELF
SKILLY.
152
00:08:22,333 --> 00:08:25,200
I COULD GIVE YOU
THE ADDRESS. I WAS AT THAT PLACE ONCE.
153
00:08:25,233 --> 00:08:26,766
I'M NOT ARRESTED,
AM I?
154
00:08:28,733 --> 00:08:29,966
NO.
155
00:08:30,000 --> 00:08:31,200
BUT WE'LL NEED YOU TO
WRITE DOWN THE ADDRESS
156
00:08:31,233 --> 00:08:33,200
AND EVERYTHING ELSE
YOU KNOW ABOUT WANDA.
157
00:08:33,233 --> 00:08:35,866
[SIGHS] POOR THINGS.
158
00:08:46,066 --> 00:08:48,233
THANKS AGAIN,
SHIRLEY.
159
00:08:51,400 --> 00:08:54,700
SO THIS GIRL WAS PARTYING
LAST NIGHT WITH THE 2 DOAs
160
00:08:54,733 --> 00:08:56,066
IN SOME CLUB ON AVENUE D.
161
00:08:56,100 --> 00:08:58,366
WE DUMPED CALL RETURN,
AND THIS GIRL CALLED IN.
162
00:08:58,400 --> 00:09:00,166
DO WE THINK SHE MIGHT
HAVE BEEN INVOLVED?
163
00:09:00,200 --> 00:09:01,966
NO, SHE'S PRETTY
COOPERATIVE.
164
00:09:02,000 --> 00:09:03,833
SAYS THAT THE DOA
WHOSE HUSBAND WAS A DOPE DEALER...
165
00:09:03,866 --> 00:09:06,533
THIS IS MARVIN.
HE'S ON HIS WAY BACK FROM CANADA.
166
00:09:06,566 --> 00:09:08,966
YEAH, WHENEVER
MARVIN WAS OUT OF TOWN, SHE WAS RUNNING AROUND
167
00:09:09,000 --> 00:09:10,166
WITH SOME RASTA MEN
FROM BROOKLYN.
168
00:09:10,200 --> 00:09:12,000
DEALERS, TOO,
THE RASTA MEN.
169
00:09:12,033 --> 00:09:15,333
THIS GIRL SAYS THAT THAT'S
WHO THE 2 DOAs WERE WITH LAST NIGHT AT THE CLUB.
170
00:09:15,366 --> 00:09:17,366
SHE GIVE YOU A PLACE
TO LOOK FOR THE RASTA MEN?
171
00:09:17,400 --> 00:09:19,633
A PLACE TO LOOK AND
ONE OF THEIR NAMES.
172
00:09:19,666 --> 00:09:21,000
SKILLY.
173
00:09:21,033 --> 00:09:23,366
WELL, GREG AND JAMES
ARE ON A DUMP JOB. UM...
174
00:09:23,400 --> 00:09:26,066
Simone: WANT TO GET SOME
BACKUP FROM ANTI?CRIME?
175
00:09:26,100 --> 00:09:28,233
WHAT'S GOING ON?
176
00:09:28,266 --> 00:09:30,633
UM, BACK UP
BOBBY AND ANDY ON A PICKUP?
177
00:09:30,666 --> 00:09:31,633
SURE.
178
00:09:31,666 --> 00:09:33,000
JILL?
179
00:09:33,033 --> 00:09:34,000
YEAH?
180
00:09:34,033 --> 00:09:35,033
COME ON.
181
00:09:48,166 --> 00:09:50,000
I??I WAS WALKING MY DOG,
182
00:09:50,033 --> 00:09:51,700
AND I FOUND HER LYING THERE
LIKE THAT.
183
00:09:51,733 --> 00:09:53,166
[DOG BARKING]
DO YOU KNOW HER?
184
00:09:53,200 --> 00:09:54,666
NO. I NEVER SAW HER
BEFORE.
185
00:09:54,700 --> 00:09:56,700
DID YOU NOTICE ANYTHING
UNUSUAL ON THE STREET?
186
00:09:56,733 --> 00:09:58,966
HEAR ANY ARGUMENTS?
SEE ANYONE LOOKING SUSPICIOUS?
187
00:09:59,000 --> 00:10:01,633
I JUST SAW HER
LYING THERE LIKE THAT AND CALLED 911.
188
00:10:01,666 --> 00:10:02,966
THANKS.
189
00:10:03,000 --> 00:10:05,200
[DOG BARKS
AND BARKS]
190
00:10:05,233 --> 00:10:06,700
ANYONE ELSE SAY
THEY SAW ANYTHING?
191
00:10:06,733 --> 00:10:07,700
NOTHING.
192
00:10:07,733 --> 00:10:08,700
[BARKING]
193
00:10:08,733 --> 00:10:09,700
Medavoy:
BEAUTIFUL GIRL.
194
00:10:09,733 --> 00:10:11,033
YEAH, DRESSED
PRETTY UPSCALE.
195
00:10:11,066 --> 00:10:12,300
SEXY.
196
00:10:12,333 --> 00:10:13,633
[BARKING]
197
00:10:13,666 --> 00:10:15,633
IF I WAS MAYOR,
FIRST ORDINANCE,
198
00:10:15,666 --> 00:10:18,300
I'D ABOLISH
ALL POODLES FROM CITY LIMITS.
199
00:10:18,333 --> 00:10:20,633
THAT'D BE
A DISCRIMINATORY STATUTE.
200
00:10:20,666 --> 00:10:23,200
BELIEVE ME,
I'D GET A LOT OF VOTES WITH THAT PLATFORM.
201
00:10:23,233 --> 00:10:26,733
[NONSTOP BARKING]
202
00:10:49,766 --> 00:10:51,666
Simone: WE DON'T KNOW
WHAT WE GOT IN THERE.
203
00:10:51,700 --> 00:10:52,966
ROPEHEAD SCUMBAGS.
204
00:10:53,000 --> 00:10:55,133
WE GOT EXITS IN THE FRONT,
SIDE, AND THE BACK.
205
00:10:55,166 --> 00:10:56,700
JILL, YOU AND DIANE
TAKE THE BACK.
206
00:10:56,733 --> 00:10:58,700
I THOUGHT YOU WERE
GONNA TELL US TO KICK THE DOOR DOWN.
207
00:10:58,733 --> 00:10:59,733
CAREFUL, HUH?
208
00:11:13,833 --> 00:11:15,900
POLICE!
POLICE!
209
00:11:15,933 --> 00:11:17,800
PUT YOUR HANDS UP!
HANDS UP NOW!
210
00:11:17,833 --> 00:11:20,100
[POLICE SHOUTING ORDERS]
211
00:11:21,100 --> 00:11:22,366
POLICE! FREEZE!
212
00:11:23,533 --> 00:11:25,200
[GUNFIRE CONTINUES]
IN THE BACK!
213
00:11:25,233 --> 00:11:27,500
ANDY, YOU GOT
THIS GUY?! YEAH!
214
00:11:34,233 --> 00:11:35,500
YOU OK?
215
00:11:35,533 --> 00:11:37,100
YEAH.
216
00:11:58,022 --> 00:11:59,589
DONE SHAKING YET?
217
00:11:59,622 --> 00:12:01,022
JUST ABOUT.
218
00:12:03,989 --> 00:12:08,422
THE SECOND HE TURNED,
I THOUGHT MAYBE WE WERE GONNA DIE.
219
00:12:10,522 --> 00:12:12,456
SHOULD I NOT TALK
ABOUT IT, DIANE?
220
00:12:12,489 --> 00:12:13,989
NO, THAT'S OK.
221
00:12:14,022 --> 00:12:15,456
I FELT THE SAME WAY.
222
00:12:15,489 --> 00:12:18,389
WE GAVE THAT PRICK
JUST WHAT HE DESERVED.
223
00:12:18,422 --> 00:12:19,589
HMM.
224
00:12:19,622 --> 00:12:20,622
GOD, IT WAS AWFUL.
225
00:12:22,122 --> 00:12:23,756
YEAH.
226
00:12:28,289 --> 00:12:30,889
I'M GONNA DO
MY PAPERWORK DOWNSTAIRS.
227
00:12:30,922 --> 00:12:34,789
MEANING...I'M GONNA
TAKE A GOOD LONG WALK.
228
00:12:34,822 --> 00:12:36,089
ONCE AROUND THE BLOCK
FOR ME, HUH?
229
00:12:36,122 --> 00:12:37,189
YEAH.
230
00:12:47,356 --> 00:12:49,822
PRETTY PROUD OF YOURSELF
THERE, DIANE?
231
00:12:49,856 --> 00:12:51,489
WHAT ARE YOU
TALKING ABOUT?
232
00:12:51,522 --> 00:12:53,922
PUTTING YOURSELF
IN HARM'S WAY LIKE THAT?
233
00:12:53,956 --> 00:12:55,656
I WAS DOING MY JOB,
BOBBY.
234
00:12:55,689 --> 00:12:57,589
YOU'RE PREGNANT.
235
00:12:57,622 --> 00:12:59,322
YOU'RE TELLING ME
I SHOULD STOP WORK?
236
00:12:59,356 --> 00:13:01,622
DIANE, YOU WENT OUT OF YOUR WAY
TO GET SENT ON THAT PICKUP.
237
00:13:01,656 --> 00:13:03,989
ANY DETECTIVE UNASSIGNED.
238
00:13:04,022 --> 00:13:05,822
WHAT, YOU GONNA START QUOTING
THE BOOK HOW TO DO THE JOB
239
00:13:05,856 --> 00:13:08,722
WHILE YOU'RE CARRYING
OUR BABY IN YOUR BELLY?
240
00:13:08,756 --> 00:13:10,856
THIS CONVERSATION
DOES NOT CONTINUE HERE.
241
00:13:22,256 --> 00:13:24,856
THAT SKILLY'S
IN THE POKY.
242
00:13:26,356 --> 00:13:27,689
HERE'S HIS SHEET.
243
00:13:31,089 --> 00:13:33,189
ALL THE COLLARS
ARE FOR DOPE.
244
00:13:35,356 --> 00:13:38,089
YEP. NO VIOLENCE.
245
00:13:38,122 --> 00:13:40,922
PLUS HIS ASSHOLE BUDDIES
THROW THE SHOTS WHEN WE PICK 'EM UP.
246
00:13:40,956 --> 00:13:42,822
OH, THERE'S A WONDERFUL
GUY IN THERE.
247
00:13:42,856 --> 00:13:45,256
YEAH, THAT'S WHAT
I'M DRIVING AT.
248
00:13:47,189 --> 00:13:50,322
YOUR POINT IS,
YOU DON'T SEE HIM MURDERING THIS WANDA AND JOANN.
249
00:13:50,356 --> 00:13:51,989
WALKIN' INTO
A WORLD OF TROUBLE
250
00:13:52,022 --> 00:13:53,989
MURDERING A WOMAN
EVERYBODY KNOWS HE'S BANGIN'
251
00:13:54,022 --> 00:13:55,822
AND ROBBING
A COMPETITOR DEALER?
252
00:13:55,856 --> 00:13:58,756
YEAH, WELL, I WOULD STILL
LIKE TO SPREAD HIS BRAINS ON THE WALL.
253
00:14:03,422 --> 00:14:05,889
HOW ABOUT, YOU BEING
SOMEWHAT DISTRESSED, WE GO IN THERE,
254
00:14:05,922 --> 00:14:08,356
I'LL BE THE ONE
JUMPING UP AND DOWN?
255
00:14:23,956 --> 00:14:25,089
SIT STRAIGHT,
256
00:14:25,122 --> 00:14:27,489
LIKE THE SCHOOL
YOU NEVER ATTENDED.
257
00:14:27,522 --> 00:14:30,322
"CARLTON MACKINTOSH.
AKA SKILLY."
258
00:14:30,356 --> 00:14:31,822
BIRTHPLACE: JAMAICA.
259
00:14:31,856 --> 00:14:33,322
GOOD?LOOKING WATCH,
CARLTON.
260
00:14:33,356 --> 00:14:35,156
BUSINESS
MUST BE GOOD,
261
00:14:35,189 --> 00:14:36,989
WHAT WITH THE PRICE
OF MARIJUANA
262
00:14:37,022 --> 00:14:39,789
RISING SO GREATLY
HERE IN THE LAND OF OPPORTUNITY.
263
00:14:39,822 --> 00:14:41,222
BACK OFF,
YA BUMBO KLAAT.
264
00:14:41,256 --> 00:14:42,489
I'LL PUT OBEAH CURSE
ON YOU??
265
00:14:42,522 --> 00:14:43,889
GROW HORNS
OUT YOUR HEAD.
266
00:14:43,922 --> 00:14:46,489
HEY, YOU CURSE AWAY.
I'VE BEEN CURSED BY THE BEST.
267
00:14:46,522 --> 00:14:48,622
ATTEMPTED MURDER
ON 2 POLICE OFFICERS THERE, SKILLY,
268
00:14:48,656 --> 00:14:50,622
AND, EVEN THOUGH YOU
DIDN'T PULL THE TRIGGER,
269
00:14:50,656 --> 00:14:52,722
YOU'RE RESPONSIBLE
FOR THOSE SHOTS.
270
00:14:52,756 --> 00:14:54,322
THAT'S 30 YEARS
IN OUR BACK POCKET
271
00:14:54,356 --> 00:14:56,456
BEFORE WE EVEN GET TO
THESE 2 OTHER DEAD PEOPLE.
272
00:14:56,489 --> 00:14:57,622
WANDA LIVINGSTONE.
273
00:14:57,656 --> 00:14:59,989
YOU KNOW ANYTHING
ABOUT HER MURDER?
274
00:15:02,856 --> 00:15:05,989
YOU'VE BEEN SEEN
DANCING WITH WANDA AT THE KINGSTON 12.
275
00:15:06,022 --> 00:15:07,556
NOW SHE'S DEAD.
276
00:15:07,589 --> 00:15:09,322
YOU DEAL IN MARIJUANA.
SO DOES WANDA'S HUSBAND.
277
00:15:09,356 --> 00:15:11,722
YOU A STATUE, SKILLY?
278
00:15:11,756 --> 00:15:14,056
I'M TALKING TO YOU!
279
00:15:14,089 --> 00:15:15,956
YEAH, I'M A STATUE.
280
00:15:15,989 --> 00:15:18,122
I'M THE BLOODY
STATUE OF LIBERTY.
281
00:15:18,156 --> 00:15:20,889
IS THAT SOME KIND
OF IRONIC COMMENT ON YOUR CIVIL RIGHTS??
282
00:15:20,922 --> 00:15:23,622
YOU BEING A FOREIGN
VISITOR TO OUR COUNTRY?
283
00:15:23,656 --> 00:15:27,389
WELL, YOU'RE
GONNA BE USING OUR GOVERNMENT HOSPITALITY
284
00:15:27,422 --> 00:15:29,556
AT THE FAMOUS
RIKERS ISLAND, SKILLY,
285
00:15:29,589 --> 00:15:31,322
WHICH IS A FEW
BOAT RIDES AWAY
286
00:15:31,356 --> 00:15:33,056
FROM WHERE THE STATUE
OF LIBERTY IS.
287
00:15:33,089 --> 00:15:34,622
ONE OF THOSE WEAPONS
WE GRABBED UP AT YOUR PLACE
288
00:15:34,656 --> 00:15:36,456
GONNA BE THE ONE THAT
KILLED WANDA AND JOANN?
289
00:15:36,489 --> 00:15:38,989
WANDA AND JOANN,
ASSHOLE!
290
00:15:39,022 --> 00:15:41,822
THOSE 2 WOMEN THAT YOU
AND YOUR PALS WHACKED IN THE BASEMENT.
291
00:15:41,856 --> 00:15:43,789
YOU GOT BREATH
LIKE A STREET DOG.
292
00:15:43,822 --> 00:15:46,322
YOU EVER WASH
THESE PIGTAILS, HMM?
293
00:15:46,356 --> 00:15:47,722
THEY'RE GETTING
AWFUL DIRTY.
294
00:15:47,756 --> 00:15:48,722
PISS OFF.
295
00:15:48,756 --> 00:15:50,822
PISS OFF?
296
00:15:50,856 --> 00:15:53,256
MUST BE ONE OF THEM MORONS
FROM THAT BOBSLED MOVIE??
297
00:15:53,289 --> 00:15:55,222
GOT IN A CRASH,
DID DAMAGE TO HIS BRAIN.
298
00:15:55,256 --> 00:15:56,656
I GOTTA TELL YOU, SKILLY,
299
00:15:56,689 --> 00:15:59,122
YOU'RE RESPONSIBLE
FOR THROWING SHOTS AT COPS,
300
00:15:59,156 --> 00:16:00,556
AND YOU'RE GONNA SIT HERE
CRACKING WISE?
301
00:16:00,589 --> 00:16:02,156
MAYBE YOU DIDN'T
COME IN HERE BRAIN?DAMAGED,
302
00:16:02,189 --> 00:16:03,722
BUT YOU'RE LIABLE
TO WALK OUT THAT WAY.
303
00:16:03,756 --> 00:16:05,422
I DON'T KNOW DAMN THING
ABOUT ANY MURDER.
304
00:16:05,456 --> 00:16:06,889
WE KNOW THAT YOU
WERE BANGING WANDA.
305
00:16:06,922 --> 00:16:08,322
SO I WAS BANGING HER.
306
00:16:08,356 --> 00:16:09,789
'TWAS EVERYONE
WHO WAS BANGING HER??
307
00:16:09,822 --> 00:16:12,122
HALF THE BLOODY TOWN??
BUT I DIDN'T KILL THE BITCH.
308
00:16:12,156 --> 00:16:13,922
WHERE'D YOU GO LAST NIGHT
WHEN YOU LEFT THAT CLUB?
309
00:16:13,956 --> 00:16:16,222
ME AND MY MATES
DROVE TO BALTIMORE
310
00:16:16,256 --> 00:16:17,556
TO PICK UP SOME STUFF.
311
00:16:17,589 --> 00:16:18,922
THIS WOULD BE
REEFER?
312
00:16:20,322 --> 00:16:22,956
ROYAL COURT HOTEL,
313
00:16:22,989 --> 00:16:24,889
ON CAMDEN STREET.
314
00:16:24,922 --> 00:16:28,156
ASK ONE OF THOSE
AMERICAN SPADES VALET?PARKED MY CAR.
315
00:16:28,189 --> 00:16:32,256
SKILLY FIGURES HE
CAN BREAK COCKY AS HE WANTS
316
00:16:32,289 --> 00:16:35,289
WHAT WITH HIS ALIBI
BEING GOOD ABOUT WANDA'S MURDER
317
00:16:35,322 --> 00:16:38,556
AND HIS PRE?EXISTING
DAMAGE TO HIS BRAIN
318
00:16:38,589 --> 00:16:40,956
MAKING HIM FORGET THAT
HE'S DEAD?TO?RIGHTS
319
00:16:40,989 --> 00:16:43,422
FOR TRYING
TO MURDER 2 COPS.
320
00:16:43,456 --> 00:16:45,222
OH, YOU'RE DEEP,
YOU ARE.
321
00:16:45,256 --> 00:16:47,656
YOU UNDERSTAND YOUR
SITUATION HERE, SKILLY?
322
00:16:47,689 --> 00:16:49,156
GOOD ALIBI OR NOT,
323
00:16:49,189 --> 00:16:51,222
YOU ARE SCREWED
FOR THROWING THOSE SHOTS.
324
00:16:51,256 --> 00:16:52,889
THE ONLY WAY YOU'RE
GONNA HELP YOURSELF
325
00:16:52,922 --> 00:16:54,722
IS HELPING US
WITH THESE MURDERS.
326
00:16:54,756 --> 00:16:56,256
I DON'T KNOW A THING.
327
00:16:56,289 --> 00:16:57,489
GET UP.
328
00:17:14,289 --> 00:17:16,656
I GOT A FINGERPRINT HIT
ON OUR DOA.
329
00:17:16,689 --> 00:17:20,756
MARY ANN RICE: 19.
BORN: DECATUR, ILLINOIS.
330
00:17:20,789 --> 00:17:23,156
A COUPLE COLLARS
FOR PROSTITUTION DOWN IN THE BOWERY
331
00:17:23,189 --> 00:17:25,489
SINCE ARRIVING
IN OUR METROPOLIS.
332
00:17:25,522 --> 00:17:26,589
19, HUH?
333
00:17:26,622 --> 00:17:27,756
YEAH.
334
00:17:27,789 --> 00:17:29,056
I GOT HER PHONE NUMBER.
335
00:17:29,089 --> 00:17:31,222
MAYBE WE SHOULD
NOTIFY HER PARENTS.
336
00:17:31,256 --> 00:17:33,489
I'LL HAVE DECATUR PD
MAKE THE NOTIFICATION.
337
00:17:33,522 --> 00:17:35,389
MAYBE SOMEONE
ON THEIR JOB KNOWS THE PARENTS.
338
00:17:35,422 --> 00:17:36,822
YEAH. EASE THE BLOW
A LITTLE.
339
00:17:36,856 --> 00:17:38,822
YEAH.
340
00:17:38,856 --> 00:17:42,889
ARE YOU EXPERIENCING
SOME KIND OF PHYSICAL DISCOMFORT, JAMES?
341
00:17:42,922 --> 00:17:44,556
UH, I THREW OUT
MY BACK.
342
00:17:44,589 --> 00:17:45,556
DOING WHAT?
343
00:17:45,589 --> 00:17:46,922
DOMESTICALLY.
344
00:17:49,422 --> 00:17:51,156
ANYWAYS, LET ME CALL
DECATUR PD.
345
00:17:51,189 --> 00:17:53,722
THEN WE CAN GO TALK
TO SOME OF THE GIRLS WHERE SHE STROLLED.
346
00:17:53,756 --> 00:17:55,956
YEAH. SOUNDS
LIKE A PLAN.
347
00:18:05,289 --> 00:18:06,756
I GOT FULL CONFIDENCE
348
00:18:06,789 --> 00:18:09,289
MARVIN THE DEALER
THAT'S RETURNING FROM CANADA,
349
00:18:09,322 --> 00:18:12,622
HE'S GONNA PROVIDE US
WITH AN OVERFLOW OF LEADS.
350
00:18:19,822 --> 00:18:22,889
HOW YOU WERE
WITH RUSSELL,
351
00:18:22,922 --> 00:18:24,222
THAT'S MY HABIT ALSO.
352
00:18:24,256 --> 00:18:25,756
ANY SITUATION OF DANGER
353
00:18:25,789 --> 00:18:28,656
WHERE THEY JUST COME OUT
OF SOME KIND OF RISK,
354
00:18:28,689 --> 00:18:31,256
I LIKE TO SHOUT AT THEM
AND EXHIBIT MY ANGER.
355
00:18:31,289 --> 00:18:34,122
GIVING THEM SOMETHING ELSE
TO THINK ABOUT.
356
00:18:34,156 --> 00:18:36,089
THAT COMES FROM
MY CHILDHOOD BACKGROUND.
357
00:18:36,122 --> 00:18:37,422
ANY GIRL I EVER HAD
A CRUSH ON,
358
00:18:37,456 --> 00:18:39,556
I'D TEND
TO APPROACH 'EM
359
00:18:39,589 --> 00:18:41,256
WITH SOME TYPE
OF PHYSICAL BLOW.
360
00:18:43,356 --> 00:18:45,456
WELL, I...
361
00:18:47,356 --> 00:18:50,922
I CAN'T ACT LIKE I DID
AFTERWARDS WITH DIANE NO MORE, ANDY.
362
00:18:52,322 --> 00:18:55,322
THAT BACK AND FORTH
BETWEEN YOU AND HER IN THE SQUAD,
363
00:18:55,356 --> 00:18:57,556
SOMETHING GOING ON
BETWEEN YOU BEFOREHAND
364
00:18:57,589 --> 00:19:00,189
WHERE THIS WAS
ADDED ON?
365
00:19:02,256 --> 00:19:03,356
NOT REALLY.
366
00:19:05,622 --> 00:19:06,922
ANYWAYS...
367
00:19:06,956 --> 00:19:10,722
I'D CONCENTRATE ON EXPANDING
MY RANGE OF APOLOGIES,
368
00:19:10,756 --> 00:19:11,922
'CAUSE I DON'T THINK
YOU GET OVER
369
00:19:11,956 --> 00:19:13,756
NOT WANTING HER
WALKING INTO TROUBLE.
370
00:19:15,656 --> 00:19:17,289
NIGHT, PARTNER.
371
00:19:17,322 --> 00:19:18,489
YEAH. GOOD NIGHT.
372
00:19:34,756 --> 00:19:35,922
[DOOR OPENS]
373
00:19:40,822 --> 00:19:41,822
HI.
374
00:19:52,522 --> 00:19:54,522
WANT SOME
OVERDONE PASTA?
375
00:19:55,956 --> 00:19:59,156
I WANT TO APOLOGIZE
FOR GOING OFF ON YOU.
376
00:20:00,522 --> 00:20:02,656
JUST THAT FINDING OUT
THAT YOU WERE EXPECTING,
377
00:20:02,689 --> 00:20:05,089
AND THEN SOMETHING
LIKE THAT HAPPENS,
378
00:20:05,122 --> 00:20:06,589
I WAS UPSET,
379
00:20:06,622 --> 00:20:08,789
AND I WAS WORRIED.
380
00:20:08,822 --> 00:20:11,922
BUT IT WAS WRONG FOR ME
TO GO OFF ON YOU IN THE SQUAD.
381
00:20:11,956 --> 00:20:15,422
DON'T THINK IT'S
NOT GONNA BE WRONG GOING OFF HERE, BOBBY.
382
00:20:15,456 --> 00:20:17,122
DOES IT SOUND LIKE
I'M GOING OFF RIGHT NOW?
383
00:20:17,156 --> 00:20:20,122
YOU SOUND LIKE
THAT'S YOUR BIG PROJECT FOR THIS CONVERSATION.
384
00:20:20,156 --> 00:20:22,822
DIANE, YOU MUSCLED THE BOSS
INTO SENDING YOU OUT.
385
00:20:22,856 --> 00:20:24,822
STOP SAYING THAT.
386
00:20:24,856 --> 00:20:27,956
I WORKED THE FIRST
PART OF THAT CASE,
387
00:20:27,989 --> 00:20:29,556
AND I WAS OTHERWISE
UNASSIGNED.
388
00:20:29,589 --> 00:20:31,122
HERE WE GO AGAIN
WITH THE POLICE MANUAL.
389
00:20:31,156 --> 00:20:32,622
I'M A COP.
WHO'S PREGNANT.
390
00:20:32,656 --> 00:20:34,122
YES, I'M PREGNANT,
391
00:20:34,156 --> 00:20:36,389
AND I'M NOT
GONNA TAKE ANY UNNECESSARY CHANCES.
392
00:20:36,422 --> 00:20:37,922
I'M ALSO NOT
GONNA HIDE.
393
00:20:37,956 --> 00:20:39,389
FINE. GOD BLESS, DIANE.
394
00:20:39,422 --> 00:20:41,422
NEXT TIME,
TAKE DOWN THE DOOR.
395
00:20:41,456 --> 00:20:43,622
YOU'RE BEING
A COMPLETE JERK, BOBBY.
396
00:20:43,656 --> 00:20:45,289
I SHOT A MAN TODAY,
397
00:20:45,322 --> 00:20:47,122
AND, INSTEAD
OF BEING THERE FOR ME ABOUT THAT,
398
00:20:47,156 --> 00:20:49,122
YOU'RE SQUEEZING
MY SHOES ABOUT SOMETHING
399
00:20:49,156 --> 00:20:50,989
I DIDN'T EVEN DO WRONG.
400
00:21:02,789 --> 00:21:04,256
I'M SORRY.
401
00:21:07,122 --> 00:21:08,822
I'M SORRY.
402
00:21:09,956 --> 00:21:11,922
I NEED YOU.
403
00:21:11,956 --> 00:21:13,756
I'M GONNA NEED YOU
SO MUCH.
404
00:21:13,789 --> 00:21:14,956
DON'T BE A JERK TO ME.
405
00:21:14,989 --> 00:21:16,889
I WON'T DO IT
NO MORE, ALL RIGHT?
406
00:21:16,922 --> 00:21:18,122
I'M SORRY.
407
00:21:22,856 --> 00:21:24,522
JUST HOLD ME.
408
00:21:32,956 --> 00:21:34,956
IT'LL BE ALL RIGHT.
409
00:21:58,689 --> 00:21:59,789
GOOD MORNING.
410
00:21:59,822 --> 00:22:01,289
GOOD MORNING,
DETECTIVE.
411
00:22:01,434 --> 00:22:02,768
NOBODY'S
IN THE SQUAD ROOM.
412
00:22:02,801 --> 00:22:04,234
WHAT'S WITH ALL
THESE COATS UP THERE?
413
00:22:04,268 --> 00:22:06,201
ANTI?CRIME DOESN'T
HAVE A COAT RACK.
414
00:22:08,634 --> 00:22:09,601
HEY, ANDY.
415
00:22:09,634 --> 00:22:10,868
HOW'S IT GOING?
416
00:22:10,901 --> 00:22:12,701
WHERE'S THIS ONE?
417
00:22:12,734 --> 00:22:15,868
UH, SHE HAD
AN APPOINTMENT.
418
00:22:15,901 --> 00:22:17,601
NOT SEEKING COUNSEL
419
00:22:17,634 --> 00:22:19,834
ANTICIPATING THE SLAUGHTER
OF HER LIVE?IN LOVER?
420
00:22:19,868 --> 00:22:21,268
NO.
421
00:22:21,301 --> 00:22:24,168
WE MORE OR LESS GOT THAT
STRAIGHTENED OUT.
422
00:22:24,201 --> 00:22:25,701
THANKS.
423
00:22:27,201 --> 00:22:28,368
GOOD MORNING.
424
00:22:28,401 --> 00:22:30,434
GOOD MORNING,
LIEUTENANT.
425
00:22:30,468 --> 00:22:31,834
OH. DETECTIVES MARTINEZ
AND MEDAVOY ASKED ME TO TELL YOU
426
00:22:31,868 --> 00:22:33,334
THEY'RE INTERVIEWING
STREETWALKERS
427
00:22:33,368 --> 00:22:35,834
IN CONNECTION
WITH THE GIRL FOUND DUMPED IN THE TRASH.
428
00:22:35,868 --> 00:22:36,868
THANK YOU.
429
00:22:40,134 --> 00:22:42,001
IS EVERYTHING OK, NAOMI?
430
00:22:42,034 --> 00:22:45,068
A FEW "OUTSIDE
THE WORKPLACE" COMPLICATIONS
431
00:22:45,101 --> 00:22:46,168
HAVE ARISEN FOR ME,
432
00:22:46,201 --> 00:22:47,868
BUT I'M TRYING
TO KEEP THEM
433
00:22:47,901 --> 00:22:48,934
FROM STEAMROLLING ME
FLAT IN THE PAVEMENT
434
00:22:48,968 --> 00:22:51,268
LIKE SOME
CARTOON CREATURE.
435
00:22:51,301 --> 00:22:52,368
WELL, WE WOULDN'T
WANT THAT.
436
00:22:52,401 --> 00:22:54,101
IT'S OK
FOR ROGER RABBIT,
437
00:22:54,134 --> 00:22:56,734
BUT NOT NAOMI REYNOLDS
OF DURHAM, NORTH CAROLINA.
438
00:22:59,401 --> 00:23:01,634
GOOD MORNING.
JUST A SECOND.
439
00:23:03,234 --> 00:23:05,368
BOSS, THIS IS GONNA BE
MARVIN LIVINGSTONE,
440
00:23:05,401 --> 00:23:06,668
HUSBAND OF ONE
OF THE DOAs.
441
00:23:06,701 --> 00:23:08,068
BACK FROM CANADA?
442
00:23:08,101 --> 00:23:10,668
ADDRESSING
THE TRADE IMBALANCE IN DRUG IMPORTS.
443
00:23:10,701 --> 00:23:11,901
I'M DETECTIVE SIMONE.
444
00:23:11,934 --> 00:23:13,768
ARNOLD KAFFIR,
REPRESENTING MR. LIVINGSTONE.
445
00:23:13,801 --> 00:23:15,768
APPRECIATE YOUR COMING IN.
THIS IS MY PARTNER DETECTIVE SIPOWICZ.
446
00:23:15,801 --> 00:23:16,768
HI.
447
00:23:16,801 --> 00:23:18,601
WE CAN TALK DOWN HERE.
448
00:23:28,568 --> 00:23:30,768
Simone: SORRY ABOUT
YOUR WIFE, MARVIN.
449
00:23:30,801 --> 00:23:31,901
YEAH.
450
00:23:33,434 --> 00:23:34,734
CAN YOU HELP US OUT
AT ALL,
451
00:23:34,768 --> 00:23:36,168
HOW THAT MIGHT'VE HAPPENED?
452
00:23:36,201 --> 00:23:37,901
I DON'T KNOW.
453
00:23:39,568 --> 00:23:40,534
NO.
454
00:23:40,568 --> 00:23:42,234
SOME SORT
OF BUSINESS DEAL
455
00:23:42,268 --> 00:23:45,601
MAYBE LEFT ONE OF YOUR
CUSTOMERS DISSATISFIED?
456
00:23:45,634 --> 00:23:48,401
NO. I DON'T
KNOW ABOUT IT.
457
00:23:48,434 --> 00:23:51,268
YOU DON'T KNOW
WHAT BUSINESS YOU'RE IN?
458
00:23:51,301 --> 00:23:54,668
YOU NOTICE I'M RECEIVING
A LOT OF THEM?TYPE STARES IN THIS INVESTIGATION?
459
00:23:54,701 --> 00:23:57,068
LIKE "IF YOU THINK
I'M TELLING YOU
460
00:23:57,101 --> 00:23:58,768
"THE MANY THINGS I KNOW
ABOUT THIS CASE,
461
00:23:58,801 --> 00:24:01,501
YOU OUGHT TO HAVE
YOUR HEAD EXAMINED."
462
00:24:01,534 --> 00:24:03,868
THAT WAS YOUR WIFE
ALL SHOT UP ON THAT FLOOR, MARVIN,
463
00:24:03,901 --> 00:24:05,701
AND YOUR SAFE EMPTIED OUT.
464
00:24:05,734 --> 00:24:07,568
NOW YOU DON'T CARE
ABOUT YOUR MONEY
465
00:24:07,601 --> 00:24:09,368
OR HER GETTING
MURDERED LIKE THAT?
466
00:24:09,401 --> 00:24:11,568
MY PARTNER AND ME,
WE WRITE THIS OFF.
467
00:24:11,601 --> 00:24:14,201
TONIGHT, I GO NAPPY?BYE,
NO PROBLEM AT ALL.
468
00:24:14,234 --> 00:24:15,534
I CARED
ABOUT MY WIFE.
469
00:24:15,568 --> 00:24:16,568
BALLS.
470
00:24:16,601 --> 00:24:18,268
ANY CHANCE HER
AND HER GIRLFRIEND
471
00:24:18,301 --> 00:24:19,868
MIGHT HAVE BEEN DOWN THERE
IN THE BASEMENT PARTYING, MARVIN?
472
00:24:19,901 --> 00:24:21,601
WHAT?!
EASY, MARVIN.
473
00:24:21,634 --> 00:24:24,034
PEOPLE SHE WAS WITH
DOWN THERE SEE THE SAFE
474
00:24:24,068 --> 00:24:26,168
AND, UH...ONE THING
LEADS TO ANOTHER.
475
00:24:26,201 --> 00:24:28,501
WHAT PEOPLE SHE SUPPOSED
TO BE DOWN THERE WITH?
476
00:24:28,534 --> 00:24:30,001
HOW DO YOU FIGURE IT,
MARVIN?
477
00:24:30,034 --> 00:24:31,868
WHILE YOU'RE ON THE ROAD,
478
00:24:31,901 --> 00:24:33,668
THE LITTLE WOMAN
STAYS IN THE KITCHEN NIGHT AND DAY
479
00:24:33,701 --> 00:24:35,701
PERFECTING
YOUR FAVORITE RECIPES?
480
00:24:35,734 --> 00:24:38,234
MY CLIENT HAS FULFILLED
HIS OBLIGATION UNDER HIS PROBATION
481
00:24:38,268 --> 00:24:39,868
TO GIVE COOPERATION.
482
00:24:39,901 --> 00:24:42,768
THAT'S HIS P. O. DECIDES
IF HE DID THAT, COUNSELOR,
483
00:24:42,801 --> 00:24:44,868
BASED ON HOW WE SAY
THAT MARVIN ACTED.
484
00:24:44,901 --> 00:24:47,701
WE KNOW YOUR WIFE WAS DATING
SOME RASTA GUYS, MARVIN,
485
00:24:47,734 --> 00:24:49,368
BUT THEY GOT ALIBIS.
486
00:24:49,401 --> 00:24:52,368
SO WE'RE HOPING MAYBE
YOU COULD GIVE US SOME OTHER NAMES OF PEOPLE
487
00:24:52,401 --> 00:24:54,468
WANDA MIGHT HAVE
BEEN SEEING.
488
00:24:57,301 --> 00:24:59,568
IF I GIVE YOU
WHO DID THIS,
489
00:24:59,601 --> 00:25:02,234
WILL YOU
GIVE ME THE NAMES OF THOSE RASTA GUYS?
490
00:25:02,268 --> 00:25:04,768
WE MIGHT BE ABLE
TO WORK THAT OUT.
491
00:25:04,801 --> 00:25:07,234
HE WAS NOT
BANGING WANDA,
492
00:25:07,268 --> 00:25:08,601
YOU UNDERSTAND THAT,
493
00:25:08,634 --> 00:25:10,434
THE NAME
I'M GONNA GIVE YOU?
494
00:25:10,468 --> 00:25:11,868
UNDERSTOOD.
495
00:25:11,901 --> 00:25:13,934
HE WASN'T BANGING HER.
ALL RIGHT.
496
00:25:13,968 --> 00:25:15,868
HE'S THE SCUMBAG
THAT TOOK ME OFF
497
00:25:15,901 --> 00:25:18,034
BUT HAD NO BALLS
TO DO THE KILLING.
498
00:25:18,068 --> 00:25:20,501
SO WHO I'M BETTING
DID THAT
499
00:25:20,534 --> 00:25:21,934
WAS BIG RICK,
500
00:25:21,968 --> 00:25:24,268
WHICH I'LL TELL YOU
WHERE YOU CAN GRAB HIM.
501
00:25:24,301 --> 00:25:26,034
BUT THIS ONE
SET IT UP.
502
00:25:26,068 --> 00:25:27,868
MARVIN, WOULD IT
MAKE SENSE
503
00:25:27,901 --> 00:25:29,401
FOR YOU AND ME TO
TALK THIS THROUGH?
504
00:25:29,434 --> 00:25:31,868
I'D HAVE TAKEN CARE
OF THE BUSINESS MYSELF,
505
00:25:31,901 --> 00:25:33,234
BUT I WANT THE NAMES
OF THOSE RASTA GUYS.
506
00:25:33,268 --> 00:25:34,268
MARVIN...
507
00:25:34,301 --> 00:25:36,201
SHUT YOUR MOUTH.
508
00:25:36,234 --> 00:25:38,334
SO BIG RICK
PULLED THE TRIGGER.
509
00:25:38,368 --> 00:25:40,901
THE GUY THAT
SET IT UP IS...
510
00:25:41,901 --> 00:25:43,501
A NEIGHBOR,
511
00:25:43,534 --> 00:25:46,401
A SNAKE HALF A FAG
NAMED RONALD.
512
00:25:46,434 --> 00:25:48,201
SHE LET HIM
LIVE UPSTAIRS.
513
00:25:48,234 --> 00:25:50,701
I'M SO GLAD
TO HEAR YOU SAY THAT.
514
00:26:13,634 --> 00:26:15,334
HI.
515
00:26:15,368 --> 00:26:17,168
CAN I TALK
TO YOU?
516
00:26:17,201 --> 00:26:18,701
HEY, COME ON
HERE, MAN,
517
00:26:18,734 --> 00:26:20,168
I'M JUST TRYING
TO DO MY JOB.
518
00:26:20,201 --> 00:26:21,734
YEAH? US, TOO.
519
00:26:21,768 --> 00:26:23,501
EITHER OF YOU
RECOGNIZE HER?
520
00:26:23,534 --> 00:26:26,101
I DON'T KNOW.
I AIN'T SURE.
521
00:26:26,134 --> 00:26:27,068
THAT'S CRISTAL.
522
00:26:27,101 --> 00:26:28,668
SHE'S DEAD THERE?
523
00:26:28,701 --> 00:26:29,668
YEAH.
524
00:26:29,701 --> 00:26:30,768
THAT'S CRISTAL?
525
00:26:30,801 --> 00:26:31,868
HOW'D SHE DIE?
526
00:26:31,901 --> 00:26:33,268
WELL, WE DON'T
KNOW YET.
527
00:26:33,301 --> 00:26:35,001
WHEN'S THE LAST TIME
YOU SAW CRISTAL?
528
00:26:35,034 --> 00:26:37,901
LAST NIGHT ABOUT 11:00.
WORKING.
529
00:26:37,934 --> 00:26:39,368
SOME JOHN
PICKED HER UP.
530
00:26:39,401 --> 00:26:41,001
YOU GET A LOOK
AT HIM?
531
00:26:41,034 --> 00:26:42,901
YEAH. A GRAY?HAIRED GUY
IN A SUIT.
532
00:26:42,934 --> 00:26:44,268
YOU THINK MAYBE IF
WE PARKED OUTSIDE THE BUILDING
533
00:26:44,301 --> 00:26:45,768
WHERE CRISTAL
WAS FOUND DEAD,
534
00:26:45,801 --> 00:26:46,868
AND THE GRAY?HAIRED
GUY IN THE SUIT CAME IN OR OUT,
535
00:26:46,901 --> 00:26:48,201
YOU MIGHT
RECOGNIZE HIM?
536
00:26:48,234 --> 00:26:49,834
I DON'T KNOW.
537
00:26:49,868 --> 00:26:52,068
I MEAN, I REALLY
GOTTA WORK.
538
00:26:52,101 --> 00:26:54,401
IF I GO WITH YOU,
IT'LL COST ME MONEY.
539
00:26:54,434 --> 00:26:56,168
I'M SURE WE COULD
WORK SOMETHING OUT,
540
00:26:56,201 --> 00:26:57,768
SOME TYPE
OF COMPENSATION.
541
00:27:03,901 --> 00:27:05,534
I GOT A BAGEL.
542
00:27:05,568 --> 00:27:06,701
FAT?FREE.
543
00:27:06,734 --> 00:27:09,401
THERE'S A GUY THAT
COULD USE SOME FAT?FREE.
544
00:27:09,434 --> 00:27:11,868
I THINK THAT SHIP
HAS SAILED, JAMES.
545
00:27:11,901 --> 00:27:15,768
I THINK THAT GUY'S
SOLUTION LIES MORE IN THE REALM OF, UH...
546
00:27:15,801 --> 00:27:18,234
STOMACH STAPLING
OR JAW WIRING.
547
00:27:18,268 --> 00:27:19,834
COMING UP THE STREET.
548
00:27:19,868 --> 00:27:21,668
THAT'S HIM, THE GUY
IN THE GRAY SUIT.
549
00:27:21,701 --> 00:27:22,934
YOU SURE?
550
00:27:22,968 --> 00:27:25,668
THAT'S THE GUY I SAW
PICK UP CRISTAL LAST NIGHT.
551
00:27:25,701 --> 00:27:27,601
ALL RIGHT.
TAKE A WALK.
552
00:27:28,868 --> 00:27:30,701
EXCUSE ME, SIR.
553
00:27:30,734 --> 00:27:31,701
HEY.
554
00:27:31,734 --> 00:27:33,534
POLICE. WE NEED
TO TALK TO YOU.
555
00:27:33,568 --> 00:27:35,568
WHY? WHAT'S IT ABOUT?
556
00:27:35,601 --> 00:27:37,734
I THINK IT'D BE
BETTER FOR EVERYONE
557
00:27:37,768 --> 00:27:38,868
IF WE DO THIS DOWN
AT THE STATION HOUSE.
558
00:27:38,901 --> 00:27:40,368
AM I UNDER ARREST?
559
00:27:40,401 --> 00:27:41,901
SHOULD YOU BE?
560
00:27:48,401 --> 00:27:51,234
WE DON'T THINK YOU MEANT
TO HURT THOSE GIRLS, RONALD.
561
00:27:51,268 --> 00:27:52,734
SHOOTING THEM
LIKE THAT??
562
00:27:52,768 --> 00:27:54,568
DON'T STRIKE US
YOU GOT THE BALLS.
563
00:27:58,068 --> 00:27:59,401
NO. I DIDN'T KNOW
THAT WAS GONNA HAPPEN.
564
00:27:59,434 --> 00:28:01,168
WANDA WAS YOUR FRIEND.
565
00:28:01,201 --> 00:28:02,534
SHE WAS MY FRIEND.
566
00:28:04,234 --> 00:28:05,934
WE CONFIDED
IN EACH OTHER.
567
00:28:05,968 --> 00:28:09,268
BIG RICK PUT YOU
UNDER SOME KIND OF PRESSURE?
568
00:28:09,301 --> 00:28:12,368
I KNEW MARVIN KEPT
A LOT OF CASH IN THE SAFE.
569
00:28:12,401 --> 00:28:15,434
I THOUGHT IT MIGHT BE,
LIKE, A MILLION BUCKS.
570
00:28:15,468 --> 00:28:18,601
AND DID YOU, UH,
INADVERTENTLY HAPPEN TO MENTION THIS TO BIG RICK?
571
00:28:18,634 --> 00:28:22,168
THAT'S WHAT IT WAS.
I HAPPENED TO MENTION IT IN PASSING.
572
00:28:22,201 --> 00:28:23,534
BIG RICK
WOULDN'T LET IT GO.
573
00:28:23,568 --> 00:28:26,701
I DIDN'T EVEN
GO DOWNSTAIRS, MAN.
574
00:28:26,734 --> 00:28:29,001
WANDA, SHE KNEW RICK.
575
00:28:29,034 --> 00:28:31,501
SHE FIGURED HE WAS
A FRIEND OF MINE,
576
00:28:31,534 --> 00:28:33,501
HE PROBABLY
WASN'T GONNA HURT HER.
577
00:28:33,534 --> 00:28:35,001
SHE JUST LET US IN.
578
00:28:35,034 --> 00:28:38,034
BIG RICK SOMEHOW
HAD MENACED YOU TO COME WITH HIM?
579
00:28:38,068 --> 00:28:39,168
YEAH.
580
00:28:39,201 --> 00:28:40,668
THAT'S WHAT IT WAS.
581
00:28:40,701 --> 00:28:43,868
AND DID BIG RICK
DO THE SHOOTING?
582
00:28:43,901 --> 00:28:46,701
HE TIED UP THE 2 GIRLS.
583
00:28:46,734 --> 00:28:50,368
MAN, I DON'T KNOW
EXACTLY WHAT HAPPENED AFTER THAT.
584
00:28:50,401 --> 00:28:52,868
HE TOOK THEM DOWNSTAIRS
INTO THE BASEMENT.
585
00:28:52,901 --> 00:28:54,934
THE SAFE WAS DOWN THERE.
586
00:28:58,901 --> 00:29:00,201
HE SHOT 'EM.
587
00:29:00,234 --> 00:29:03,034
[CRYING]
588
00:29:03,068 --> 00:29:06,034
WHY DID HE DO THAT,
MAN?
589
00:29:06,068 --> 00:29:08,034
WELL, RONALD,
MAYBE IT'S BECAUSE
590
00:29:08,068 --> 00:29:11,001
BIG RICK KNEW WANDA
WOULD KNOW WHO ROBBED THEM
591
00:29:11,034 --> 00:29:12,934
AND SHE'D TELL
HER HUSBAND MARVIN.
592
00:29:12,968 --> 00:29:14,434
I RAN OUT.
593
00:29:14,468 --> 00:29:16,934
I DIDN'T EVEN
SEE THEM DEAD
594
00:29:16,968 --> 00:29:19,501
UNTIL AFTER
THE POLICE WERE THERE.
595
00:29:19,534 --> 00:29:23,734
I DON'T EVEN KNOW WHY
I WENT BACK INTO THE APARTMENT.
596
00:29:23,768 --> 00:29:26,268
I JUST HAD TO.
597
00:29:26,301 --> 00:29:30,034
WHEN I SAW THEM,
I THOUGHT I WAS GONNA THROW UP.
598
00:29:30,068 --> 00:29:32,168
WELL, YOU'RE
A SENSITIVE TYPE.
599
00:29:32,201 --> 00:29:35,034
YOU WANT TO TELL US
WHERE WE'RE GONNA FIND THIS BIG RICK?
600
00:29:35,068 --> 00:29:38,568
I'LL GIVE YOU ANYTHING
YOU WANT TO KNOW, MAN.
601
00:29:38,601 --> 00:29:40,868
[SIPOWICZ CLEARS THROAT]
602
00:29:40,901 --> 00:29:43,901
AND I'LL BET YOU GOT
EXCELLENT PENMANSHIP.
603
00:30:06,868 --> 00:30:07,968
THAT WAY.
604
00:30:10,301 --> 00:30:12,401
BIG RICK.
605
00:30:12,434 --> 00:30:14,434
HE DRIVE A TRUCK?
606
00:30:14,468 --> 00:30:17,601
WE LIKE HIM
FOR THAT DOUBLE IN THE BASEMENT.
607
00:30:18,734 --> 00:30:21,668
WHY DO YOU ASK
IF HE DRIVES A TRUCK?
608
00:30:21,701 --> 00:30:22,934
HIS NICKNAME.
609
00:30:22,968 --> 00:30:25,234
IS THAT SOME
FAMOUS TRUCK DRIVER?? BIG RICK?
610
00:30:25,268 --> 00:30:27,701
I THOUGHT YOU SAID
BIG RIG.
611
00:30:33,068 --> 00:30:35,901
WHEN DID THEY START
CALLING YOU BIG RICK?
612
00:30:35,934 --> 00:30:39,368
'CAUSE MY COUSIN MOVED IN
WITH THE SAME NAME.
613
00:30:40,901 --> 00:30:42,901
HE WAS LITTLE RICK?
614
00:30:42,934 --> 00:30:44,868
HE WAS RICK.
615
00:30:44,901 --> 00:30:47,868
YOU WANT US TO CALL YOU
BIG RICK OR JUST PLAIN RICK,
616
00:30:47,901 --> 00:30:49,701
BEING YOUR COUSIN
ISN'T AROUND?
617
00:30:49,734 --> 00:30:52,401
YOU CAN CALL ME
SMOKEY ROBINSON AND THE MIRACLES
618
00:30:52,434 --> 00:30:53,901
MUCH AS IT MEANS
TO ME.
619
00:30:53,934 --> 00:30:57,701
YEAH? WELL,
RONALD THREW UP ALL OVER YOU, SMOKEY.
620
00:30:57,734 --> 00:30:59,501
HE PUT YOU WASTING
BOTH OF THOSE GIRLS,
621
00:30:59,534 --> 00:31:01,901
BACK AND FORTH,
EXECUTION STYLE.
622
00:31:01,934 --> 00:31:04,901
WHICH PROSECUTORS
EXPLAIN TO A JURY,
623
00:31:04,934 --> 00:31:09,401
THAT SHOWS A PERSON
WHO'S HAD SOME EXPERIENCE IN DOING MURDERS.
624
00:31:09,434 --> 00:31:13,901
WE, UH, GOT YOUR WEAPON
FROM YOUR APARTMENT THERE, BIG RICK.
625
00:31:13,934 --> 00:31:16,901
ALWAYS THE RIGHT MOVE
TOSSING THE PIECE, RICK,
626
00:31:16,934 --> 00:31:19,868
THOUGH AT THE TIME
IT MAY SEEM WASTEFUL.
627
00:31:19,901 --> 00:31:21,901
OH, MAYBE IT WAS JUST
A RECREATIONAL WEAPON,
628
00:31:21,934 --> 00:31:24,568
NOT GONNA CALIBER?MATCH
THE BULLETS IN THOSE WOMEN.
629
00:31:24,601 --> 00:31:27,368
WE'RE PAINTING A PICTURE
FOR YOU HERE, BIG RICK,
630
00:31:27,401 --> 00:31:30,934
LIKE THAT KRAUT MORON
ON THE LATE?NIGHT TALK SHOW??
631
00:31:30,968 --> 00:31:32,868
YOU KNOW,
"BIG RICK, SCREWED."
632
00:31:32,901 --> 00:31:34,868
UNLESS RONALD'S TELLING US
A WRONG VERSION
633
00:31:34,901 --> 00:31:38,701
AND MAYBE YOU WERE
PUSHED INTO SOMETHING THAT YOU DIDN'T REALLY INTEND?
634
00:31:38,734 --> 00:31:40,168
MAYBE HE WAS
THE MASTERMIND,
635
00:31:40,201 --> 00:31:45,168
HELD A GUN ON YOU
AND FORCING YOU TO DO HIS BIDDING?
636
00:31:45,201 --> 00:31:46,834
I HAD TO KILL 'EM.
THEY SAW US.
637
00:31:46,868 --> 00:31:48,701
I KNEW THERE HAD TO BE
A REASON.
638
00:31:48,734 --> 00:31:50,834
MONEY FROM THE SAFE'S
STASHED IN MY APARTMENT.
639
00:31:50,868 --> 00:31:52,568
BLACK LEATHER BAG...
640
00:31:52,601 --> 00:31:54,201
UNDER SOME
SKIN MAGAZINES,
641
00:31:54,234 --> 00:31:56,201
IN A CORNER
BEHIND THE BED.
642
00:31:56,234 --> 00:31:58,801
I WANT TO USE THAT
TO PAY FOR A LAWYER.
643
00:32:00,568 --> 00:32:03,534
DON'T EXACTLY WORK THAT WAY,
BIG RICK,
644
00:32:03,568 --> 00:32:06,534
BUT IF THEY TRY
AT THE TRIAL
645
00:32:06,568 --> 00:32:08,534
PASSING YOU OFF
AS A MASTERMIND,
646
00:32:08,568 --> 00:32:11,234
YOU TELL 'EM
WHAT YOU JUST SAID.
647
00:32:16,568 --> 00:32:19,501
JAMES, UH, WHY DON'T YOU
SHOW THE GOOD COMMISSIONER
648
00:32:19,534 --> 00:32:21,868
INTO THE INTERVIEW ROOM,
AND I'LL FILL IN THE BOSS.
649
00:32:21,901 --> 00:32:23,868
[GROANS]
YOU GOT IT, GREG.
650
00:32:30,468 --> 00:32:31,934
WHAT'S UP, GREG?
651
00:32:31,968 --> 00:32:34,368
UH...OUR CASE HAS TAKEN
652
00:32:34,401 --> 00:32:36,868
A POTENTIALLY STINKY TURN.
653
00:32:36,901 --> 00:32:38,868
THE DOA PROSS?
654
00:32:38,901 --> 00:32:41,401
YEAH. IT TURNS OUT
HER LAST CLIENT WAS THE, UH,
655
00:32:41,434 --> 00:32:43,568
DEPUTY COMMISSIONER
FOR TRAFFIC.
656
00:32:43,601 --> 00:32:46,101
AND WE LIKE HIM
FOR KILLING HER?
657
00:32:46,134 --> 00:32:49,101
WELL, I'D BE DUBIOUS
'CAUSE HE HASN'T LAWYERED UP YET,
658
00:32:49,134 --> 00:32:51,601
BUT, UH, A GIRL
THAT THE DOA STROLLED WITH
659
00:32:51,634 --> 00:32:53,868
WAS DEFINITE THIS GUY
WAS HER LAST TRICK.
660
00:32:53,901 --> 00:32:56,368
AND WE DID FIND HER BODY
OUTSIDE HIS RESIDENCE.
661
00:32:56,401 --> 00:32:58,401
JAMES HAS HIM
IN THE POKY ROOM.
662
00:32:58,434 --> 00:32:59,868
WELL, OK.
LET ME KNOW.
663
00:32:59,901 --> 00:33:01,434
YEAH. ABSOLUTELY.
664
00:33:10,268 --> 00:33:11,901
YOUR BACK KICKIN' UP?
665
00:33:11,934 --> 00:33:13,334
YEAH, BRUTAL.
666
00:33:13,368 --> 00:33:14,734
IF YOU DON'T MIND,
667
00:33:14,768 --> 00:33:16,401
MAYBE YOU COULD GET
HIS FULL MEDICAL REPORT
668
00:33:16,434 --> 00:33:17,901
AFTER I'M RELEASED.
669
00:33:17,934 --> 00:33:20,501
YOU SURE YOU'RE GONNA BE
RELEASED, HUH, MR. SHAPPS?
670
00:33:20,534 --> 00:33:22,534
I AM. BECAUSE WHATEVER
YOU'VE GOT ME HERE FOR
671
00:33:22,568 --> 00:33:25,168
HAS GOT TO BE A CASE
OF MISTAKEN IDENTITY.
672
00:33:25,201 --> 00:33:26,868
YOU FREQUENT
PROSTITUTES, MR. SHAPPS?
673
00:33:26,901 --> 00:33:28,534
WHY?
WHY?
674
00:33:28,568 --> 00:33:30,734
WHY DON'T YOU JUST ANSWER
MY PARTNER'S QUESTION?
675
00:33:30,768 --> 00:33:33,368
LOOK, I'M DOWN HERE
VOLUNTARILY AND WITHOUT COUNSEL
676
00:33:33,401 --> 00:33:36,368
BECAUSE, TO A POINT,
I'M WILLING TO COOPERATE.
677
00:33:36,401 --> 00:33:38,934
YOU WANT TO COOPERATE,
TELL THE TRUTH.
678
00:33:38,968 --> 00:33:41,868
SIR, A HOOKER PICKED YOU OUT
679
00:33:41,901 --> 00:33:44,601
SOLICITING ANOTHER PROSTITUTE
WE SUBSEQUENTLY FOUND DEAD
680
00:33:44,634 --> 00:33:47,034
OUTSIDE YOUR
APARTMENT BUILDING.
681
00:33:47,068 --> 00:33:49,034
THROWN IN THE GARBAGE
LIKE SHE WASN'T EVEN A HUMAN BEING.
682
00:33:49,068 --> 00:33:51,034
ARE YOU SUGGESTING
I KILLED HER?
683
00:33:51,068 --> 00:33:52,868
WE'RE ASKING YOU
TO TELL US WHAT YOU DID
684
00:33:52,901 --> 00:33:54,001
AND STOP PLAYING
FOOTSIE.
685
00:33:54,034 --> 00:33:56,368
I HAVE GIVEN MY LIFE
TO PUBLIC SERVICE.
686
00:33:56,401 --> 00:33:58,368
YEAH, WE'RE ALL
DEEPLY APPRECIATIVE,
687
00:33:58,401 --> 00:33:59,868
DEPUTY COMMISSIONER
OF TRAFFIC.
688
00:33:59,901 --> 00:34:02,701
THAT INCLUDES
DEALING WITH TRAFFIC PATTERNS?
689
00:34:02,734 --> 00:34:05,834
WHY HAVE YOU TAKEN
SUCH A PERSONAL DISLIKE TO ME?
690
00:34:05,868 --> 00:34:08,901
ARE YOU THE GUY THAT
PUT THAT NEW LIGHT IN OVER ON 23rd STREET?
691
00:34:08,934 --> 00:34:11,034
THOSE ARE
COLLECTIVE DECISIONS.
692
00:34:11,068 --> 00:34:12,601
THAT'S A COMPLETELY
USELESS LIGHT.
693
00:34:12,634 --> 00:34:15,234
DOES NOTHING
BUT STALL TRAFFIC IN EVERY OTHER DIRECTION.
694
00:34:15,268 --> 00:34:16,868
I COULD CHECK INTO THAT
FOR YOU.
695
00:34:16,901 --> 00:34:20,834
NO. WHAT YOU WANT TO DO
IS TELL US ABOUT THE GIRL.
696
00:34:20,868 --> 00:34:22,368
[SIGHS]
697
00:34:22,401 --> 00:34:26,701
LOOK, I HAD NOTHING TO DO
WITH HER DEATH.
698
00:34:26,734 --> 00:34:28,401
I ONLY...
699
00:34:28,434 --> 00:34:30,068
MOVED THE BODY.
700
00:34:30,101 --> 00:34:32,301
THREW HER
IN THE GARBAGE, YOU MEAN.
701
00:34:34,034 --> 00:34:36,001
OK.
702
00:34:36,034 --> 00:34:39,334
I PICKED HER UP
OVER ON SECOND AVENUE.
703
00:34:39,368 --> 00:34:41,201
STATE THE TIME.
704
00:34:41,234 --> 00:34:44,234
AFTER WORK, ABOUT 8:00,
ON MY WAY HOME.
705
00:34:44,268 --> 00:34:46,034
I TOOK HER
TO MY APARTMENT.
706
00:34:46,068 --> 00:34:49,234
AFTERWARDS, SHE WENT INTO
THE BATHROOM TO GET DRESSED.
707
00:34:49,268 --> 00:34:50,668
SHE CLOSED THE DOOR.
708
00:34:50,701 --> 00:34:53,034
SHE COME OUT
OF THE BATHROOM,
709
00:34:53,068 --> 00:34:56,734
AND SHE??
SHE DIDN'T SEEM...WELL.
710
00:34:56,768 --> 00:34:59,401
I WAS GONNA OFFER HER
A GLASS OF WATER OR SOMETHING,
711
00:34:59,434 --> 00:35:01,734
BUT SHE??SHE COLLAPSED
RIGHT THERE ON THE FLOOR.
712
00:35:01,768 --> 00:35:04,334
ALL RIGHT, WHAT HAPPENED
AFTER YOU NOTICED SHE WAS DEAD?
713
00:35:04,368 --> 00:35:07,401
MY APARTMENT
IS ON THE SECOND FLOOR,
714
00:35:07,434 --> 00:35:10,368
DIRECTLY ABOVE
THE GARBAGE CANS FOR MY BUILDING.
715
00:35:11,368 --> 00:35:13,001
LOOK...
716
00:35:13,034 --> 00:35:14,368
I'M IN PUBLIC LIFE.
717
00:35:14,401 --> 00:35:16,401
SO YOU WAITED TILL
NO ONE WAS LOOKING,
718
00:35:16,434 --> 00:35:19,034
AND THEN
YOU TOSSED HER OUT THE WINDOW.
719
00:35:19,068 --> 00:35:21,368
I, UH...
720
00:35:21,401 --> 00:35:23,101
I ROLLED HER UP
IN A RUG.
721
00:35:23,134 --> 00:35:26,934
I CARRIED THE RUG
TO THE WINDOW, AND I DROPPED THE RUG.
722
00:35:26,968 --> 00:35:28,701
I LOOKED THIS UP.
723
00:35:28,734 --> 00:35:31,001
THE WORST YOU CAN
CHARGE ME WITH
724
00:35:31,034 --> 00:35:32,701
IS A VIOLATION
OF THE HEALTH CODE.
725
00:35:32,734 --> 00:35:35,334
THAT'S ASSUMING
WE BUY YOUR STORY HOW SHE DIED.
726
00:35:35,368 --> 00:35:37,334
I DON'T KNOW HOW
TO SHOOT DRUGS??
727
00:35:37,368 --> 00:35:39,334
IN MYSELF OR ANYBODY ELSE.
728
00:35:39,368 --> 00:35:41,168
MAYBE YOU KNOW HOW
TO DO THAT. I DON'T.
729
00:35:41,201 --> 00:35:43,568
MY BROTHER DIED LIKE THAT.
HE DIDN'T FORFEIT BEING HUMAN.
730
00:35:43,601 --> 00:35:45,868
ALL RIGHT. EVERYBODY,
JUST??LET'S CALM DOWN.
731
00:35:45,901 --> 00:35:49,068
YOU KNOW, I RESENT THE TONE
YOU'VE TAKEN WITH ME FROM THE BEGINNING OF THIS.
732
00:35:49,101 --> 00:35:52,834
FREQUENTING A PROSTITUTE
IS NOT A CAPITAL OFFENSE,
733
00:35:52,868 --> 00:35:54,768
NO MATTER HOW
YOUR JUNKIE BROTHER DIED.
734
00:35:54,801 --> 00:35:56,268
I THINK WE'VE HEARD
ALL WE NEED TO, JAMES.
735
00:35:56,301 --> 00:35:57,534
NO, I'VE HEARD
TOO MUCH.
736
00:35:57,568 --> 00:35:59,534
HEY, NO! KEEP HIM??
KEEP HIM AWAY FROM ME!
737
00:35:59,568 --> 00:36:00,934
GREG, LET GO OF ME.
738
00:36:00,968 --> 00:36:01,934
CALM DOWN!
739
00:36:01,968 --> 00:36:03,068
AAH!
OH, MY GOD...
740
00:36:03,101 --> 00:36:04,368
GREG...
741
00:36:05,768 --> 00:36:06,734
OH...
742
00:36:06,768 --> 00:36:08,068
WHAT IS IT, JAMES?
743
00:36:08,101 --> 00:36:09,901
I THINK YOU JUST
BROKE MY BACK, GREG.
744
00:36:14,868 --> 00:36:17,834
IF HE'S INCURRED SOME
PARALYTIC?TYPE INJURY,
745
00:36:17,868 --> 00:36:20,034
I?I?I'M NEVER GONNA
FORGIVE MYSELF.
746
00:36:20,068 --> 00:36:22,534
HE'D BEEN COMPLAINING
ABOUT IT THROUGH THE DAY,
747
00:36:22,568 --> 00:36:24,868
YET IT DIDN'T KEEP HIM
FROM MOVING AROUND.
748
00:36:24,901 --> 00:36:27,234
HE'S BEEN COMPLAINING
TO YOU, TOO?
749
00:36:27,268 --> 00:36:30,201
MEDAVOY, YOU SAID
THAT HE WAS COMPLAINING ABOUT HIS BACK.
750
00:36:30,234 --> 00:36:32,501
THAT HE COULD STILL MOVE
WHILE IT WAS STILL BOTHERING HIM
751
00:36:32,534 --> 00:36:34,534
SHOWS IT'S??IT'S
PROBABLY MUSCULAR.
752
00:36:34,568 --> 00:36:36,368
OH, YEAH, I SEE.
753
00:36:36,401 --> 00:36:38,701
DID JAMES SAY
WHEN HE FIRST FELT THE DISCOMFORT, GREG?
754
00:36:38,734 --> 00:36:40,734
UM, HE SAID, UH,
DOMESTICALLY??
755
00:36:40,768 --> 00:36:42,268
IN THAT CONTEXT.
756
00:36:45,034 --> 00:36:46,201
[MEDAVOY SIGHS]
757
00:36:46,234 --> 00:36:49,034
GINA'S PREGNANCY
GETTING SOMEWHAT ADVANCED,
758
00:36:49,068 --> 00:36:50,934
I FIGURED JAMES
MIGHT HAVE MEANT
759
00:36:50,968 --> 00:36:53,901
THAT HE ASSUMED
SOME UNFAMILIAR TYPE CONNUBIAL POSITION,
760
00:36:53,934 --> 00:36:55,434
HURT HIS BACK LIKE THAT.
761
00:36:55,468 --> 00:36:56,434
ANYWAYS??
762
00:36:56,468 --> 00:36:57,868
HERE HE COMES.
763
00:36:57,901 --> 00:37:00,701
OH, GOD, THEY'VE
IMMOBILIZED HIM.
764
00:37:00,734 --> 00:37:02,368
THAT'S GONNA BE
PRECAUTIONARY, GREG.
765
00:37:02,401 --> 00:37:04,368
HOW YOU FEELING, JAMES?
766
00:37:04,401 --> 00:37:07,334
IN PAIN, WHICH I GUESS
YOU COULD SAY IS GOOD.
767
00:37:07,368 --> 00:37:08,268
HEY, BUDDY.
768
00:37:08,301 --> 00:37:09,668
HE'S GOT SENSATION
EVERYWHERE?
769
00:37:09,701 --> 00:37:11,434
HE'S A LITTLE TINGLY
IN HIS LEFT LEG,
770
00:37:11,468 --> 00:37:12,934
WHICH DOESN'T HAVE
TO MEAN ANYTHING.
771
00:37:12,968 --> 00:37:13,934
HE'S TINGLY?
772
00:37:13,968 --> 00:37:15,834
IT'S NOT SO BAD, GREG.
773
00:37:15,868 --> 00:37:17,368
COULD HE HAVE HURT
HIS DISK?
774
00:37:17,401 --> 00:37:19,201
THEY'LL TAKE X?RAYS
AND FIND OUT.
775
00:37:20,468 --> 00:37:23,101
JAMES, I AM SO SORRY
FOR RESTRAINING YOU THAT WAY.
776
00:37:23,134 --> 00:37:25,201
HEY, GREG, IF YOU WEREN'T
RESTRAINING ME,
777
00:37:25,234 --> 00:37:27,868
I WOULD'VE WOUND UP
CLOCKIN' THAT GUY AND WOULD HAVE BEEN IN JAIL.
778
00:37:27,901 --> 00:37:29,901
LET'S LET JAMES
GET TO THE HOSPITAL.
779
00:37:29,934 --> 00:37:31,701
OH, YEAH, YEAH.
ABSOLUTELY. RIGHT.
780
00:37:31,734 --> 00:37:33,201
COME ON.
781
00:37:33,234 --> 00:37:34,701
ALL RIGHT.
LET'S GO.
782
00:37:34,734 --> 00:37:36,401
EASY, EASY.
783
00:37:36,434 --> 00:37:39,368
IT'S OK, THOUGH, FOR ME
TO RIDE OVER THERE WITH HIM?
784
00:37:39,401 --> 00:37:40,434
YEAH, SURE.
785
00:37:40,468 --> 00:37:42,368
YEAH. I DON'T THINK
WE NEED TO WORRY
786
00:37:42,401 --> 00:37:44,201
ABOUT THAT TUBE STEAK
DEPUTY COMMISSIONER
787
00:37:44,234 --> 00:37:46,901
MAKING ANY STINK
OVER JAMES GETTING IN HIS FACE, BOSS.
788
00:37:46,934 --> 00:37:48,968
YEAH. HE'LL WANT
TO KEEP THIS LOW?PROFILE.
789
00:37:51,568 --> 00:37:52,701
Paramedic:
SLOW, SLOW.
790
00:37:52,734 --> 00:37:54,234
IF YOU'RE GOING,
MEDAVOY,
791
00:37:54,268 --> 00:37:56,034
DON'T HOLD UP
THE BUS.
792
00:37:56,068 --> 00:37:57,768
YEAH. I'M GONNA
TAKE A RIDE OVER WITH HIM.
793
00:38:00,401 --> 00:38:02,201
HEY, FEEL BETTER, JAMES.
794
00:38:02,234 --> 00:38:03,901
DON'T SAY NOTHIN'
IF GINA CALLS.
795
00:38:03,934 --> 00:38:05,368
WE'LL MAKE SURE
NAOMI KNOWS.
796
00:38:05,401 --> 00:38:09,234
I DON'T WANT HER INFORMED
TILL I FIND OUT WHAT'S WHAT.
797
00:38:19,868 --> 00:38:21,334
THE SLOW,
UNEVENTFUL SHIFTS
798
00:38:21,368 --> 00:38:23,201
DEFINITELY HAVE
THEIR CHARM.
799
00:38:23,234 --> 00:38:24,234
[CHUCKLES]
800
00:38:28,368 --> 00:38:29,601
AHH...
801
00:38:29,634 --> 00:38:32,268
JILL, HOW WAS IT FOR YOU
BEING PREGNANT?
802
00:38:34,268 --> 00:38:37,201
FIRST AND THIRD TRIMESTERS
WEREN'T MUCH FUN.
803
00:38:37,234 --> 00:38:39,001
UH?HUH.
804
00:38:39,034 --> 00:38:40,868
BUT THE, UH...
805
00:38:40,901 --> 00:38:43,101
THE MIDDLE TRIMESTER
WASN'T TOO BAD?
806
00:38:43,134 --> 00:38:45,034
I WOULDN'T BE MUCH
OF A DETECTIVE
807
00:38:45,068 --> 00:38:48,034
IF I DIDN'T WONDER
WHY YOU'RE ASKING.
808
00:38:48,068 --> 00:38:49,534
YOU KNOW, UH,
809
00:38:49,568 --> 00:38:52,534
BOBBY AND I ARE JUST
TALKING ABOUT IT.
810
00:38:52,568 --> 00:38:55,168
I THREW UP A LOT
WITH FRANK.
811
00:38:55,201 --> 00:38:59,534
NOT SO MUCH WITH KYLE,
BUT, UH, MY BACK PAIN WAS WORSE WITH HIM.
812
00:38:59,568 --> 00:39:03,701
I'M SURE BOBBY WOULD BE
A LOT MORE SUPPORTIVE THAN DON WAS.
813
00:39:03,734 --> 00:39:06,001
BOBBY REALLY
FREAKED OUT YESTERDAY.
814
00:39:06,034 --> 00:39:09,001
JUST BEING WORRIED
ABOUT YOU, GENERALLY, YOU MEAN.
815
00:39:09,034 --> 00:39:10,268
RIGHT.
816
00:39:15,868 --> 00:39:17,334
IT'S ALL WORTH IT??
817
00:39:17,368 --> 00:39:20,034
SO MUCH MORE
THAN YOU CAN IMAGINE.
818
00:39:21,234 --> 00:39:23,401
IT'S THE MOST WONDERFUL THING
IN THE WORLD.
819
00:39:23,434 --> 00:39:25,168
THANKS, JILL.
820
00:39:25,201 --> 00:39:26,934
NIGHT.
821
00:39:38,634 --> 00:39:40,501
HELLO, DETECTIVE SIMONE.
822
00:39:40,534 --> 00:39:44,001
I WAS, UH, GONNA GET
SOME WATER FOR THE RIDE HOME.
823
00:39:44,034 --> 00:39:45,401
[CRYING]
FEEL FREE.
824
00:39:54,068 --> 00:39:57,534
YOU WERE A FORTUNE?TELLER
THE OTHER DAY, DETECTIVE.
825
00:39:57,568 --> 00:39:59,901
MY LANDLORD TURNED ME IN
TO THE AUTHORITIES...
826
00:39:59,934 --> 00:40:01,401
[SNIFFLES]
827
00:40:01,434 --> 00:40:04,401
FROM THE IMMIGRATION
AND NATURALIZATION SERVICE.
828
00:40:04,434 --> 00:40:06,734
I'VE BEEN SUMMONED
TO A HEARING.
829
00:40:09,901 --> 00:40:11,368
[WHISPERING]
Asshole.
830
00:40:11,401 --> 00:40:13,868
BLOODY OATH
HE'S AN ASSHOLE.
831
00:40:13,901 --> 00:40:15,201
I'M SORRY.
832
00:40:15,234 --> 00:40:17,934
MY SITUATION'S NOT HOPELESS.
833
00:40:20,568 --> 00:40:24,034
IF I TURN MY BACK
ON NAOMI REYNOLDS OF CANBERRA
834
00:40:24,068 --> 00:40:26,834
AND CAST MY LOT
WITH NAOMI REYNOLDS OF DURHAM,
835
00:40:26,868 --> 00:40:28,768
RELYING ON
MY FORGED DOCUMENTS HOLDING UP,
836
00:40:28,801 --> 00:40:30,901
I CAN GO ON
WITH MY LIFE.
837
00:40:32,201 --> 00:40:35,901
WHAT DIFFERENCE
DOES IT MAKE, DETECTIVE, REALLY?
838
00:40:35,934 --> 00:40:39,834
DON'T WE COME BY
OUR TRUE SELVES THROUGH WHAT WE ARE,
839
00:40:39,868 --> 00:40:42,568
RATHER THAN WHAT
WE'RE CALLED?
840
00:40:42,601 --> 00:40:45,068
AND, IN FACT...
841
00:40:45,101 --> 00:40:47,234
YOUR NAME IS
NAOMI REYNOLDS.
842
00:40:47,268 --> 00:40:49,101
AS FAR AS THAT GOES,
IT'S NOT.
843
00:40:49,134 --> 00:40:50,534
NO, HUH?
844
00:40:50,568 --> 00:40:51,701
I'M ADOPTED.
845
00:40:51,734 --> 00:40:53,701
I JUST ALWAYS DREAMED
THERE'D BE A POINT
846
00:40:53,734 --> 00:40:55,868
WHERE THE GOALS
IN MY LIFE AND THE FACTS
847
00:40:55,901 --> 00:40:56,968
COULD BE THE SAME.
848
00:40:58,401 --> 00:41:01,368
NAOMI REYNOLDS, ADOPTED,
OF CANBERRA, AUSTRALIA.
849
00:41:01,401 --> 00:41:03,868
NEW YORK CITY POLICEWOMAN,
HAPPILY MARRIED,
850
00:41:03,901 --> 00:41:06,034
WITH 3 CHILDREN,
851
00:41:06,068 --> 00:41:07,934
TO A FELLOW PATROLMAN.
852
00:41:08,968 --> 00:41:12,701
YOU...GET SUPERSTITIOUS
853
00:41:12,734 --> 00:41:14,368
BEING ALONE.
854
00:41:14,401 --> 00:41:16,868
YOU HAVE TO BELIEVE
SO HARD
855
00:41:16,901 --> 00:41:18,368
IN THINGS WORKING OUT
856
00:41:18,401 --> 00:41:21,534
THAT IF YOU GIVE UP
A PART OF YOUR DREAM...
857
00:41:21,568 --> 00:41:23,868
YOU'RE AFRAID IT'S GONE,
858
00:41:23,901 --> 00:41:25,968
PART AND PARCEL.
859
00:41:27,734 --> 00:41:31,634
YOU LOVE DETECTIVE RUSSELL,
DON'T YOU, DETECTIVE?
860
00:41:33,934 --> 00:41:35,901
YEAH.
861
00:41:35,934 --> 00:41:38,701
IT'S CLEAR
HOW THAT HOLDS YOU,
862
00:41:38,734 --> 00:41:41,101
LOVING HER SO.
863
00:41:41,134 --> 00:41:44,768
IT GIVES YOU
A PLACE TO STAND IN THE WORLD, DOESN'T IT?
864
00:41:44,801 --> 00:41:47,734
NO MATTER WHAT YOUR NAME IS
865
00:41:47,768 --> 00:41:50,868
OR IF YOU GET
THE JOB YOU DREAM OF OR NOT,
866
00:41:50,901 --> 00:41:54,601
YOU MAKE LIFE OUT OF THAT.
867
00:41:57,068 --> 00:42:00,701
I'D ACTUALLY LIKE
TO GO BE WITH DETECTIVE RUSSELL NOW.
868
00:42:00,734 --> 00:42:02,368
OH...BY ALL MEANS.
869
00:42:02,401 --> 00:42:04,968
BY ALL MEANS.
870
00:42:06,234 --> 00:42:08,201
DETECTIVE.
871
00:42:08,234 --> 00:42:10,268
THANK YOU
FOR TALKING TO ME.
872
00:42:10,301 --> 00:42:12,634
BACK AT YOU, NAOMI.
873
00:42:12,684 --> 00:42:17,234
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