Original subtitles

WHAT YOU GOT?

LOCAL STREET JUNKIE. CAUGHT A COUPLE IN THE CHEST.

HAD A COUPLE OF RUN?INS WITH HIM. NAME'S JOHNNY SOMETHING.

JEEZ. LOOKS LIKE THEY BEAT HIM WITH A BAG OF DOORKNOBS FIRST.

Simone: ANYONE ON THE STREET?

NAH.

Sipowicz: RECEIPT FROM A CLINIC FOR A JOHN BRADFORD.

HELLO.

HELLO!

Sipowicz: YEAH, MORNIN'.

I'M MRS. TRUMBULL. CYNTHIA.

I HAVE TO TALK TO YOU ABOUT THE DEAD MAN,

BUT I DON'T WANT THOSE POLICEMEN RECORDING ME.

YEAH, WELL, THEY WOULDN'T BE RECORDING YOU.

YES, THEY WOULD.

THEY WEAR ALL THAT EQUIPMENT ON THEIR BELTS.

I MEAN, THEY PUT A BUG IN MY APARTMENT, THEY TAPPED MY PHONE...

ARE YOU INSPECTORS?

I THINK...ARE YOU?

I MEAN, YOU'RE JUST HERE BECAUSE OF THE DEAD MAN.

THAT'S YOUR SPECIALTY?

YEAH, THAT'S RIGHT.

WELL, I WANT TO MAKE IT CLEAR

THAT I HAD NOTHING TO DO WITH IT.

WELL, NOBODY'S SAID THAT YOU'RE A SUSPECT HERE, CYNTHIA.

IT'S A RELIEF TO HEAR YOU SAY THAT,

BECAUSE I WAS NOT ON THE ROOF WHEN IT HAPPENED.

I'M NOT INVOLVED IN THIS.

YOU??YOU MEAN THE STREET, DON'T YOU, NOT THE ROOF?

I MEAN THE ROOF. IT HAPPENED ON THE ROOF.

WHY, HE??HE FELL DOWN ONTO THE SIDEWALK.

I SAW THE MAN DRAGGING HIM UP THE BACK STAIRS.

I HEARD THE NOISE, AND I LOOKED OUT THE DOOR,

THEN I HEARD THE SHOTS UP ON THE ROOF.

HOW DO YOU SUPPOSE THE TWO OF THEM GOT TO THESE BACK STAIRS?

WELL, JUST THROUGH THE TAVERN.

THAT'S THE ONLY WAY OUT BESIDES MY BACK DOOR.

COULD YOU SAY WHAT THE ONE MAN DRAGGING THE OTHER ONE

WELL, HE WAS BURLY, YOU KNOW?

BARREL?CHESTED, WITH A BEARD

AND A LITTLE SQUASHED NOSE.

HE WAS REAL MEAN?LOOKING.

BUT HE KNOWS I SAW HIM,

SO NOW HE'LL WANT TO KILL ME.

WELL, DON'T ASSUME THAT.

I WON'T BE ABLE TO GO OUT.

MAYBE YOU'D FEEL BETTER STAYING WITH FAMILY MEMBERS,

IF YOU GOT ANY, CYNTHIA.

I'VE GOT A NEPHEW, BUT ALL OF HIS SOCKETS ARE BUGGED.

I NEVER SHOULD HAVE LOOKED OUT THE DOOR.

I MEAN, IT??IT'S ALWAYS, ALWAYS IT'S??IT'S

CONSTANTLY INTERFERING EVEN MY THOUGHTS.

I MEAN, IT JUST?? IT??IT??

IT JUST NEVER LETS UP.

YEAH, BUT YOU SEE, CYNTHIA,

WITH ALL THIS INTERFERENCE THAT YOU'RE TALKING ABOUT,

YOU WERE REALLY BRAVE TO COME AND TALK TO US.

WELL, I'M GONNA GO LOCK MYSELF UP REAL GOOD NOW.

ALL RIGHT. WE'LL WALK YOU TO YOUR APARTMENT. COME ON.

ALL RIGHT.

Sipowicz: THERE YOU GO.

THANK YOU.

MORNING.

SORRY, WE DON'T HAVE A P. A. A. TODAY.

P.A.? I DON'T KNOW WHAT THAT IS.

AH, IT DON'T MATTER. COME ON IN.

WHAT'S YOUR NAME?

TREVOR BOTSFORD.

I'M DETECTIVE MARTINEZ.

WHAT CAN I DO FOR YOU?

I WAS HELD UP.

I REPORTED IT LAST NIGHT TO A POLICEMAN.

HE TELL ME TO COME IN THIS MORNING AND TALK TO A DETECTIVE.

BOSS SAYS I GOT TO DO IT.

WHAT TIME THIS HAPPEN?

ABOUT 4:00 THIS MORNING.

I'M A CAB DRIVER.

I'VE DONE WITH MY SHIFT.

I WAS GONNA DROP THE CAB OFF

FOR THE NEXT MAN TO DRIVE IT.

I??I??I NOTICED THIS BROWN CAR FOLLOWING ME.

I GET TO WHERE I'M GOING, AND IT STOPS HALF A BLOCK BACK.

I GET OUT, AND THERE HE IS.

HE GOT A GUN. HE TAKE MY MONEY??

EVERYTHING I MAKE DRIVING ALL NIGHT??

AND THEN HE RUN BACK TO HIS CAR.

WHAT DID HE LOOK LIKE?

I DON'T KNOW, MAN.

HE WAS WEARING ONE OF THEM BLUE WOOL CAPS

WITH THE EYEHOLES CUT OUT.

PROBABLY ONE OF THEM GYPSY DRIVERS.

WHY DO YOU THINK IT WAS A GYPSY?

THAT KIND OF BEAT?UP CAR IT LOOKED LIKE.

CAN YOU TELL ME ANYTHING ABOUT HIM??

THE COLOR OF HIS SKIN?

MAYBE BROWN, UH, IT WAS NIGHT.

HOW DID HE SOUND?

HE SOUND DIFFERENT.

WHAT DO YOU MEAN, LIKE AN ACCENT?

UH...YEAH, MAN.

WHAT KIND OF ACCENT?

I DON'T KNOW, MAN. DIFFERENT.

WHEN DID YOU FIRST NOTICE HIM FOLLOWING YOU?

MAYBE WHEN I'M LEAVING THE GAS STATION.

WHEREABOUTS IS THAT STATION?

DOWN AT HOUSTON AND BOWERY.

I THINK A COUPLE OF OTHER CAB DRIVERS GOT ROBBED

AFTER GASSING UP AT THAT STATION.

I HEAR ABOUT THAT.

CAN I GO NOW?

Medavoy: ALL RIGHT, YOU CAN GO,

BUT WRITE YOUR, UH, PHONE NUMBER ON...

Fancy: HEY...

SO WHAT DO YOU HAVE OUT THERE?

SOME STREET CHARACTER GOT WHACKED AND FELL

OR WAS PUSHED OFF A ROOF.

COP HAD SEEN HIM AROUND.

THOUGHT HE WAS PROBABLY DEALING.

ANYTHING TO WORK WITH?

WE GOT A WITNESS LIVES IN THE BUILDING.

SAID SHE COULD PICK OUT THE SHOOTER

IF WE GIVE HER SOMEBODY TO LOOK AT.

SOMETHING WRONG?

SHE'S A LITTLE BIT OF A HEAD CASE.

WHAT, IS SHE PSYCHOTIC?

AH, STRANGE.

HOW STRANGE?

NERVOUS.

YEAH, SHE'S NERVOUS.

TOO NERVOUS TO TESTIFY?

SHE'LL BE FINE.

THERE'S A BAR DOWNSTAIRS.

WITNESS SAYS IT WAS OPEN AT THE TIME,

BUT IT WAS CLOSED WHEN WE GOT THERE.

WE CALLED THE OWNER AT HOME. HE'S COMING IN.

SO HE CLOSED THE BAR AFTER THE MURDER, HUH?

GUESS HE'S NERVOUS, TOO.

UH, IN THAT NURSERY RHYME,

DO YOU KNOW WHAT THAT MEANS:

POP GOES THE WEASEL?

WELL, WHAT?

YOU KNOW, POP GOES THE WEASEL.

I'M ASKING IF YOU KNOW WHAT THAT MEANS.

THE MONKEY CHASES THE WEASEL.

POP GOES THE WEASEL.

YEAH. DOES HE KILL IT?

"POP," LIKE IN THE STREET?

NAH, IT'S??IT'S AN OLD NURSERY RHYME.

IT CAN'T BE THAT KIND OF POP.

I WAS SINGING IT TO THEO IN THE TUB.

YOU KNOW, BAH DEE?DAH DAH,

POP GOES??AND I START WONDERING, WHAT THE HELL AM I TALKING ABOUT?

WHAT DID SYLVIA SAY?

SHE DON'T KNOW.

BUT HER BACKGROUND'S GREEK.

UH, I'M NAOMI REYNOLDS, A TEMPORARY CIVILIAN AIDE.

ARTHUR FANCY.

LIEUTENANT IN COMMAND OF THE SQUAD. HOW DO YOU DO?

HOW DO YOU DO, ARTHUR?

SO I GATHER YOU WERE HELD UP.

THE TRANSIT PEOPLE CALLED YOU?

YOU MEAN, YOU WERE ACTUALLY ROBBED ON YOUR WAY TO WORK?

A WOMAN WAS CRYING ON THE SUBWAY, AND I WENT TO HELP HER.

I WAS PATTING HER ARM AND SO FORTH

BECAUSE SHE TOLD ME SHE'D BEEN ROBBED,

BUT COME TO FIND OUT WHEN SHE GOT UP, SHE'D ROBBED ME.

AND THAT'S WHY YOU WERE LATE.

WELL, I LOST MY WATCH AND MY GRADUATION RING,

SO I WAS FILING A 61 REPORT WITH THE TRANSPORTATION POLICE.

WELL, THAT'S A LOUSY THING TO HAVE HAPPEN, NAOMI,

BUT I GATHER YOU DO WANT TO WORK YOUR SHIFT.

YES, I DO.

I'VE BEEN LOOKING FORWARD TO IT.

OK. SO THIS IS YOUR DESK.

YOUR BIG RESPONSIBILITIES ARE THE PHONES,

TRACKING MESSAGES FOR THE DETECTIVES,

AND RECEIVING CIVILIANS.

HMM. THIS IS THE CATCHING AREA.

YEAH, THAT'S RIGHT. EXACTLY.

BEING AS YOU'RE TEMPORARY,

I WON'T LOAD YOU DOWN ABOUT FILING.

OH, I'VE DONE VOLUNTEER FOR SEVERAL DAYS AT THE 2?7

WHILE WAITING FOR AN ASSIGNMENT,

SO I HAVE SOME FAMILIARITY.

WELL, THAT SHOWS A LOT OF INITIATIVE.

I KNOW ABOUT THE 61s,

EVEN BEFORE MY OWN PERSONAL EXPERIENCE,

AND THE DETECTIVE FOLLOW?UP FILES.

Fancy: VERY GOOD.

MAY I HELP YOU, SIR?

YEAH. HOWARD EDGAR.

I WAS TOLD TO SEE DETECTIVE SIMONE.

YEAH. HE'S IN THE COFFEE ROOM.

LET ME TAKE YOU THERE, HOWARD.

Howard: THANKS.

UH, EXCUSE ME. WHICH OF YOU IS DETECTIVE SIMONE?

I AM.

HOW DO YOU DO? I'M NAOMI REYNOLDS,

AND THIS IS MR. HOWARD EDGAR.

HOW'S IT GOIN'?

UM, NAOMI REYNOLDS, THE TEMPORARY CIVILIAN AIDE.

ANDY SIPOWICZ. I'M A DETECTIVE.

HOW DO YOU DO, ANDY?

GOOD.

EXCUSE ME. PLEASED TO MEET YOU.

Simone: GOOD TO MEET YOU, NAOMI.

Howard: WHO MAKES THE COFFEE?

WHOEVER'S CLOSEST TO THE MACHINE. DON'T YOU LIKE IT?

OH, NO, IT'S OK.

Sipowicz: COME ON, SIT DOWN.

YOU, UH, GO TO YOUR BAR THIS MORNING, HOWIE?

UH, NO. I HAVEN'T OPENED UP YET.

HE DON'T KNOW WHAT HAPPENED.

HE DON'T KNOW WHY HE'S HERE.

NO, I DON'T.

THERE WAS A DEAD MAN NAMED JOHN BRADFORD IN FRONT OF YOUR BAR.

HE WAS SHOT, FELL OFF THE ROOF.

NO, I DON'T KNOW.

WOULD IT STARTLE YOU

WE GOT A WITNESS THAT PUTS THE SHOOTER

DRAGGING BRADFORD RIGHT THROUGH YOUR ESTABLISHMENT?

USED THE BACK STAIRS TO GET TO THE ROOF.

DO YOU NEED ME TO DRAW YOU A MAP

HOW THE ONLY WAY TO THEM STAIRS

IS FROM INSIDE THE BAR?

YOU GOT TO UNDERSTAND, GUYS,

I'M JUST TRYING TO MAKE A LIVING IN A TOUGH BUSINESS.

I DON'T WANT ANY TROUBLE. I DON'T WANT TO GET HURT.

I GOT TO DEAL WITH ALL KINDS OF PEOPLE.

WHAT, ARE YOU AFRAID OF THIS GUY? WE'LL LOCK HIM UP.

JUST GIVE US A NAME.

I??I DON'T KNOW HIM.

GIVE ME A BREAK HERE, GUYS.

YOU KNOW THE GRIEF I COULD GET?

HOW ABOUT BEING CLOSED DOWN? HOW ABOUT SOME OF THAT GRIEF, HUH?

YOU EVER READ YOUR LICENSE APPLICATION?

YOU'RE REFUSING TO ASSIST IN A POLICE INVESTIGATION.

I'M NOT REFUSING. I DON'T KNOW HIS NAME.

WHO ELSE DID HE TALK TO BESIDES BRADFORD WHEN HE WAS IN THE BAR TODAY?

HE TALKED TO THIS BOOKIE WHO COMES IN ALL THE TIME TO COLLECT??STEVE.

THEY HAD A LONG TALK.

THEY WERE FRIENDS?

STEVE'S FULL OF CRAP. HE TALKS TO EVERYBODY.

STEVE GOT A LAST NAME?

RICHARDS.

STEVE RICHARDS?

THAT HALF?WIT HUSTLER THAT NEVER SHUTS UP?

YEAH, THAT'S HIM. HE CAME INTO SOME MONEY.

HE WENT INTO BUSINESS FOR HIMSELF MAKING BOOK.

EXCEPT 80% OF THE TIME HE DOESN'T PAY.

YOU'RE GOING TO KEEP MY NAME OUT OF THIS, RIGHT?

IT'S TOP OF MY LIST OF CONCERNS, HOWIE.

YOU GOT NOTHING TO WORRY ABOUT.

SAY, HOWIE...

DO YOU KNOW WHAT POP GOES THE WEASEL MEANS?

W?WHAT DO YOU MEAN?

THE NURSERY RHYME.

AROUND AND AROUND THE MULBERRY BUSH,

THE MONKEY CHASED THE WEASEL.

THE MONKEY THOUGHT 'TWAS ALL IN FUN.

POP GOES THE WEASEL.

YEAH, I TOLD YOU EVERYTHING I KNOW WHAT HAPPENED IN THAT BAR.

YEAH, ALL RIGHT.

I?ISN'T IT THE COBBLER'S BENCH

WHERE THE MONKEY CHASES HIM?

NO, NO, IT?IT'S THE MULBERRY BUSH.

MY CONCERN IS,

DOES HE KILL HIM, THE??THE WEASEL?

I??I DON'T KNOW WHAT POP MEANS.

WHAT'S THE MORAL OF THE STORY I'M TELLING MY KID?

WE DON'T KNOW. WE GREW UP OK.

THAT'S DEBATABLE, TOO.

WE, UH, CHECKED OUT THAT GAS STATION, LIEU.

THE ATTENDANT SAYS, UH,

THERE WAS A BROWN CAR HANGING AROUND EARLY THIS MORNING.

HE??HE TOOK DOWN THE LICENSE NUMBER.

SAID HE THOUGHT IT MIGHT BE A GYPSY CAB.

UH, CAR BELONGS TO...

"RAVEEN BHANJI."

WE, UH, WE LEFT WORD WITH THE LANDLADY TO HAVE HIM SEE US.

SO WHEN THE CAR WAS SEEN AT THE STATION,

WAS THAT AROUND THE TIME OF THE ROBBERY?

YEAH, IT SEEMS LIKE IT.

HEY, UM, BOBBY,

HAVE YOU SEEN NAOMI, THE, UH, NEW P. A. A.?

YEAH, DOWNSTAIRS.

SHE'S, UH, POLITE.

YEAH.

YEAH, THAT STATION'S WHERE THE CABBIES GAS UP AFTER THEIR SHIFTS ARE OVER,

SO THE PERP COULD FIGURE THEY'RE DRIVING OUT OF THERE WITH A WHOLE LOT OF MONEY??

A WHOLE NIGHT'S EARNINGS.

A GYPSY CAB DRIVER WOULD KNOW THAT, WOULDN'T HE?

AH, DOG EAT DOG, HUH?

GENTLEMEN.

STEVE.

STEVEN RONALD RICHARDS,

IN A LITTLE MORE, YOU KNOW,

COMFORTABLE CIRCUMSTANCES THAN OUR, UH, YOU KNOW,

FORMER ASSOCIATION.

YEAH, THAT 40?GRAND REWARD DID YOU SOME GOOD.

WELL, YOU KNOW, SPRINGBOARD TO SEVERAL SUCCESSFUL BUSINESS ENDEAVORS.

ANYWAY, YOU GUYS WERE LOOKING FOR ME

IN SOME PLACES I NO LONGER FREQUENT.

HAPPENS I JUST STOPPED IN TO SEE AN OLD, IMPOVERISHED FRIEND.

HE TOLD ME YOU GUYS REACHED OUT TO SEE ME,

AND SO I HAVE ARRIVED.

WHATEVER.

NO MORE DONNA ABANDANDO?

STEVE, COME ON. LET'S GO GET A CUP OF COFFEE.

GOOD LUCK TO YOU.

USED TO BE...

MARTINEZ...

TALK.

I DON'T KNOW. THAT DONNA WAS QUITE A WOMAN,

ALTHOUGH THIS FELLA'S PERFECTLY NICE.

HELP YOURSELF THERE, STEVE.

ALL RIGHT.

SO...

WHAT IS THE PURPOSE OF MY VISIT?

WELL, WE'RE HOPING YOU GOT SOME INFORMATION FOR US.

YEAH, WELL, I GUESS, YOU KNOW,

YOUR PREVIOUS CASE, RIGHT?

THE KIDNAPEE, HIM GETTING FOUND ALIVE

OFF MY INFORMATION, I GOTTA SAY, YOU KNOW.

I DELIVERED, I AM DEFINITELY THE MAN, RIGHT?

40?GRAND SPRINGBOARD.

THAT IS CORRECT.

I MEAN, THE FAMILY??

ACTUALLY, THEY WERE VERY THOUGHTFUL, VERY GENEROUS.

BUT AFTER ALL, YOU KNOW, WHAT IS A LIFE WORTH?

I ASK YOU, RIGHT?

THAT, OF COURSE, DEPENDS UPON IF IT IS YOUR LIFE??

HEY, STEVE, WE WANT TO KNOW

IF YOU WERE TALKING TO A GUY OVER AT HOWIE'S BAR THIS MORNING.

HOWIE'S BAR. HOWIE'S BAR.

WHAT, ARE YOU GUYS SPYING ON ME?

UH, I MAY HAVE BEEN TALKING TO A COUPLE OF GUYS.

COLLECTING BETS?

OH, IS THIS WHAT THIS MEETING'S ABOUT HERE, GENTLEMEN?

NO, WE'RE NOT INTERESTED IN YOUR BOOKMAKING, STEVE,

UNLESS YOU DON'T WANT TO BE COOPERATIVE...

THEN WE'RE VERY INTERESTED.

MM?HMM. I UNDERSTAND.

WELL, PLEASE...

RUN IT BY ME.

WE WANT TO HEAR ABOUT A BARREL?CHESTED GUY WITH A BEARD

THAT YOU WERE TALKING TO.

OH. UH...

OH, YOU KNOW, THAT GUY...

I'D RATHER NOT DISCUSS HIM.

WHY, WHAT'S THE MATTER,

YOU AFRAID OF HIM?

I DON'T MIND SAYING I'M A LITTLE INTIMIDATED, YES.

ALSO, I DON'T KNOW NOTHING, OK?

I LEFT PRIOR TO ANYTHING OCCURRING,

IF ANYTHING ACTUALLY, YOU KNOW, DID.

YOU KNOW, I WASN'T THERE.

HIS NAME AND USUAL PLACES. END OF YOUR INVOLVEMENT.

NO TESTIMONY?

NO.

HIS NAME'S BEAR.

THAT HIS LAST NAME?

IT'S HIS STREET NAME.

YOU GOT SOME KIND OF HEAVY?DUTY, UH, YOU KNOW, FELONY

YOU'RE LOOKING ON THIS BAD GUY?

REAL HEAVY.

WHICH ACTUALLY SUGGESTS THE POSSIBILITY OF PERSONAL REMUNERATION,

BUT LET'S JUST HANG THAT ON A HOOK FOR THE TIME BEING.

OK.

BEAR'S NAME IS FRANCIS DONAHUE.

HE WHOLESALES COKE.

THAT'S THE WORD ON THE STREET.

THAT'S WHAT I HEARD, THAT'S ALL.

YOU KNOW WHERE WE CAN FIND HIM?

HE FREQUENTS, UH?? AHEM??HOWIE'S BAR MOST OF THE WHILE,

AND HE'S ALSO FOUND OVER AT O'HALLORAN'S OCCASIONALLY.

THAT OVER ON AVENUE B?

DO YOU KNOW THE PLACE?

I USED TO.

Simone: ALL RIGHT. THANKS, STEVE.

MY PLEASURE.

SO, UH...

MAYBE WE COULD TAKE THAT OTHER SUBJECT OFF THE HOOK,

MAYBE HAVE A LITTLE DISCUSSION ABOUT THAT.

YOU GET A DOUBLE SAWBUCK NOW

AND, UH...

A DEUCE IF WE GRAB THE GUY.

THAT'S COOL. YOU KNOW...

IT'S JUST A TOKEN, RIGHT?

AMONGST FRIENDS?

IN MY PRESENT, YOU KNOW, CIRCUMSTANCES,

I'M, YOU KNOW...

GESTURE OF CAMARADERIE.

WHAT DOES POP GOES THE WEASEL MEAN?

HA HA HA.

THAT'S VERY FUNNY.

DO YOU KNOW WHAT IT MEANS, YES OR NO?

I DO KNOW AN EXPERT WHO GETS, LIKE, 50 FOR AN EXPLANATION.

YEAH, ALL RIGHT. GO ON, BEAT IT.

ROUND THE MULBERRY BUSH

THE MONKEY CHASED THE WEASEL

EVERYBODY??

POP GOES??

IS THAT THE ONE YOU'RE REFERRING TO?

STEVE...

I KNOW THAT.

BE CAREFUL WITH THIS BEAR GUY,

'CAUSE HE IS LIKE BAD BUSINESS.

NOT LIKE YOU.

NO, NO, HE'S...

EXCUSE ME.

I WAS ASKED TO COME HERE.

UH, MY LANDLADY SAID YOU WANTED TO SEE ME.

YEAH. YOU MR. BHANJI?

YES, RAVEEN BHANJI.

I'M DETECTIVE MARTINEZ.

MY PARTNER'S THE ONE THAT CALLED YOU. COME WITH ME.

UH, YOU WISH TO SPEAK TO ME ABOUT MY CAB?

RIGHT.

PLEASE, LISTEN TO MY SIDE.

I WORK NIGHT AND DAY TO SUPPORT MY FAMILY.

I DRIVE A CAB SO THEY CAN EAT.

NOW, I DON'T HAVE A HACK LICENSE.

IF THEY'D GIVE ME A HACK LICENSE, I'D HAVE IT.

BUT WHAT CAN I DO, SIR?

I'VE GOT TO WORK.

HAVE A SEAT.

HEY, GREG.

THIS IS RAVEEN BHANJI.

LET ME ASK YOU, MR. BHANJI,

WHAT WERE YOU DOING THIS MORNING 3:30, 4:00?

THIS MORNING? I WAS ASLEEP.

I WORKED UNTIL NEARLY 3:00.

YOU GOT ANYBODY CAN VOUCH FOR THAT?

ANYBODY HOME WITH YOU?

MY WIFE.

YOU'RE BETTER OFF TELLING US THE TRUTH.

WE CAN BRING YOUR WIFE IN HERE AND CHECK YOUR STORY.

I'M TELLING YOU THE TRUTH, SIR.

SOMEBODY ELSE DRIVING YOUR CAB?

SEE, WE GOT A REPORT THAT IT WAS INVOLVED IN A MINOR ACCIDENT.

KUMAR.

HE'S MY BROTHER.

HE TOOK IT WITHOUT MY PERMISSION AFTER I WENT TO BED.

YOUR BROTHER GOT A JOB?

NO.

HOW'S HE SUPPORT HIMSELF?

I DON'T KNOW.

IT'S DIFFICULT. HE BORROWS MONEY.

YOU KNOW, I PAID MONEY TO BRING HIM TO THIS COUNTRY,

AND HE CAN'T HOLD A JOB.

IT'S NOT BEEN EASY FOR ME.

YOUR BROTHER EVER BEEN IN TROUBLE WITH THE LAW?

I'M ASHAMED. HE WAS ARRESTED FOR STEALING IN THIS COUNTRY

SOON AFTER HE ARRIVED.

MY BROTHER DRINKS TOO MUCH.

HE OWN A GUN?

YES.

HE BOUGHT A GUN A FEW WEEKS AGO.

WHERE HE LIVES HE DOESN'T FEEL SAFE.

WELL, WE THINK HE, UH, MIGHT HAVE BEEN DOING

SOME THINGS HE SHOULDN'T HAVE BEEN DOING WITH THAT GUN.

HE'S ROBBED SOMEONE? WE DON'T KNOW.

BUT YOU'RE RUNNING A RISK LETTING HIM USE YOUR CAR.

YOU MEAN TO?? I COULD LOSE MY CAR?

Martinez: YOU'RE RUNNING A RISK.

WE NEED TO ASK YOUR BROTHER A FEW QUESTIONS.

LET ME HAVE HIS ADDRESS.

YEAH, OF??OF COURSE.

BUT HE LIE.

MY BROTHER...LIES.

Man: WHAT DO YOU THINK ABOUT THE JETS?

[MUTTERING]

Man: THEY'RE NEVER GOING TO RESURRECT THAT TEAM.

IT COST ME 1,500 LAST WEEK.

I HAD BOOKED IT WITH GEEPO.

[MAN CHUCKLES]

FRANCIS DONAHUE?

MAYBE.

DETECTIVE SIMONE. DETECTIVE SIPOWICZ.

WE NEED YOU TO COME DOWN TO THE STATION HOUSE WITH US,

JUST FOR A LITTLE WHILE.

TO DO WHAT?

STAND IN A LINEUP ON A RAPE CASE.

YOU GUYS. DON'T YOU EVER GET TIRED OF DOGGING PEOPLE?

I NEVER RAPED NOBODY.

IT'S JUST ROUTINE. IT'S BULL.

SOME BROAD PICKED OUT A BUNCH OF LOOK?ALIKES.

I GOT TO BRING SOME PEOPLE IN,

I GOT TO ANSWER TO MY BOSS. IT DON'T MEAN NOTHING.

AND WHAT IF I SAY NO?

THEN WE GOT TO GO TO YOUR PROBATION OFFICER.

REFUSING TO COME IN VIOLATES YOUR PAROLE.

SO EITHER YOU GO BACK TO THE JOINT

OR YOU COME DOWN TO THE LINEUP WITH US.

YOU KNOW, CHICKS HAPPEN TO LIKE ME.

I DON'T HAVE TO RAPE NOBODY.

CAN YOU BELIEVE THIS, ME A RAPIST?

HE'S TOO BUSY PLAYING WITH HIMSELF TO RAPE ANYBODY.

SHUT UP, ASSHOLE.

[SIMONE CLEARS THROAT]

YEAH, ALL RIGHT.

I'LL GO TO YOUR FREAK SHOW.

SIT DOWN.

WHAT IS IT?

SOMEONE BUMPED INTO YOUR BROTHER'S CAB.

WHERE WERE YOU THIS MORNING ABOUT 3:00 AND 4:00?

I, UH...

I WENT TO VISIT MY BROTHER.

YOU HAVE TALKED TO HIM?

YEAH.

HE LET ME TO BORROW THE CAB.

I, UH, DROVE TO MAKE SOME MONEY.

WHAT AREA WERE YOU DRIVING?

BROADWAY, TIMES SQUARE??

A LOT OF PEOPLE STILL OUT ON THE STREET.

YOU DRIVE DOWN BY A GAS STATION AT HOUSTON AND BOWERY?

NO. THERE WAS PLENTY OF GAS IN THE CAR.

I DIDN'T ASK YOU WAS THERE GAS.

I ASKED DID YOU DRIVE BY A GAS STATION AT HOUSTON AND BOWERY?

NO. I WAS NOT IN THAT AREA.

SOMEONE THERE WROTE DOWN THE LICENSE NUMBER OF THE CAR YOU WERE DRIVING.

NO. A MISTAKE.

A CAB DRIVER GOT ROBBED LAST NIGHT. YOU SEE ANYTHING?

I SAW NOTHING.

YOU FIB ABOUT THESE THINGS, KUMAR,

WE TAKE THAT VERY SERIOUSLY HERE.

I'M NOT FIBBING.

KNOWING SOMETHING YOU DON'T REPORT

CAN JEOPARDIZE YOUR WHOLE SITUATION.

MAY I GO?

YEAH, YOU CAN GO.

IF I HEAR ANYTHING ABOUT WHAT YOU'RE ASKING,

I'LL BE SURE TO CALL YOU.

HEY, YOU'RE NOT BEING A WISE GUY, ARE YOU, KUMAR?

NO...I'M NOT.

JUST BE AVAILABLE. KEEP TO YOUR USUAL SPOTS.

ALL RIGHT.

I WON'T GO ANYWHERE.

THAT THE GYPSY CAB DRIVER'S BROTHER?

YEAH. HALF A WISE?ASS.

HE HAD THE CAR AT THE TIME OF THE STICKUP.

HE GIVE UP ANYTHING?

NOTHING. WE GOT NOTHING TO HOLD HIM ON.

SOMEBODY SAW THE CAR AT THE GAS STATION, THAT'S ALL.

SCENE OF THE STICKUP, WE GOT NOTHING.

MAYBE YOU'LL GET HIM LATER.

WE SURE AIN'T GOT HIM NOW.

Sipowicz: FOR EXAMPLE, UH,

IF A POLICEMAN IS OUT ON THE STREET,

THOSE ARE STRICTLY FOR HIM TO CALL THE STATION HOUSE.

THAT'S THEIR SOLE PURPOSE.

THEY'RE NOT GOING TO HURT YOU, YOU KNOW.

UH, LIEUTENANT, THIS IS OUR WITNESS CYNTHIA TRUMBULL.

SHE'S GONNA VIEW THE LINEUP.

IT'S GOOD OF YOU TO COME IN, MRS. TRUMBULL.

I COULD BE MURDERED AT ANY TIME, SO I HOPE YOU APPRECIATE IT.

YEAH, WE CERTAINLY DO.

UH, YOU'RE VERY IMPORTANT TO US.

ARE YOU READY TO GO?

YEAH, WE'RE ALL SET UP.

OK, LET'S HAVE A LOOK. MRS. TRUMBULL?

NO.

NO?

NOT UNLESS YOU MEET MY CONDITIONS.

I DIDN'T HEAR ABOUT ANY CONDITIONS.

I THINK CYNTHIA'S GONNA LAY THAT ALL OUT FOR YOU NOW.

I WANT YOUR SURVEILLANCE CAMERAS SHUT DOWN,

I WANT ALL RECORDING DEVICES TURNED OFF,

AND I DON'T WANT ANYBODY ZEROING IN ON ME

WITH EAVESDROPPING EQUIPMENT.

ALL RIGHT.

UM, I'LL MEET YOUR CONDITIONS.

THAT'S A COMMITMENT.

SHALL WE GO?

OH...

THERE YOU GO. OK?

THANK YOU.

YOU'RE GONNA BE LOOKING THROUGH ONE?WAY GLASS, CYNTHIA.

YOU'LL SEE THEM, THEY WON'T SEE YOU.

IF YOU RECOGNIZE ANYBODY,

YOU TELL US WHAT NUMBER AND WHERE YOU RECOGNIZE THEM FROM.

OK?

I'M GONNA KNOCK HERE.

YOU RECOGNIZE ANYBODY?

THAT'S HIM. NUMBER 3.

WHERE DO YOU RECOGNIZE HIM FROM?

I'M GONNA HAVE TO MOVE TO ANOTHER TOWN,

BUT THEY'LL FIND ME WHEREVER I GO.

CYNTHIA, WHERE DO YOU RECOGNIZE NUMBER 3 FROM?

THESE PEOPLE HAVE AGENTS LOOKING FOR THEM.

I'M NOT SAFE AND YOU KNOW IT.

I MEAN, ALL THEY HAVE TO DO

IS??IS INCREASE THE ELECTRIC CURRENT IN MY APARTMENT.

I MEAN, NOBODY WOULD EVER DETECT IT, AND I'D BE DEAD.

YOU WON'T HAVE TO MOVE.

WE'LL PUT A FAIL?SAFE IN WITH THE ELECTRICAL COMPANY.

HMM?

COME ON.

WE'RE GONNA GET THIS GUY LOCKED UP AND OFF THE STREET.

I RECOGNIZE NUMBER 3 FROM THE STAIRWAY IN MY BUILDING.

HE DRAGGED THE OTHER ONE UP TO THE ROOF.

HOLD NUMBER 3.

Cohen: THEY JUST TOOK A SNAPSHOT OF THE LINEUP.

WHEN THAT'S DEVELOPED,

THEY'LL BRING IT INTO THE SQUAD ROOM FOR YOU TO SIGN.

IS THAT GOING TO BE A LONG DELAY?

NOT IF YOU CAN BELIEVE POLAROID.

I DON'T BELIEVE ANY LARGE COMPANY,

AND I'M QUITE CERTAIN HE SAW ME THROUGH THE GLASS.

THAT REALLY IS IMPOSSIBLE.

DETECTIVES SIMONE AND SIPOWICZ WILL PICK YOU UP AROUND 8:00.

WE'LL NEED YOU AT THE GRAND JURY TOMORROW MORNING.

I'LL BE READY IF THEY HAVEN'T GOT TO ME YET.

ARTHUR,

THIS IS MR. OWEN DEVLIN,

COUNSEL FOR FRANCIS DONAHUE.

UM, I WANT TO SHOW YOU THESE FISH.

UH, NAOMI, ACTUALLY I'D PREFER IT IF YOU CALL ME LIEUTENANT.

I WANTED TO CALL YOU LIEUTENANT.

I SOMEHOW GOT IT IN MY MIND THAT YOU PREFERRED ARTHUR.

UH...

IS MY CLIENT BEING HELD?

HE'S BEEN ARRESTED FOR MURDER.

ON WHAT BASIS IS HE CHARGED?

WHO CALLED YOU?

ONE OF MR. DONAHUE'S ASSOCIATES.

DONAHUE VOLUNTEERED TO STAND IN A LINEUP.

A WITNESS PICKED HIM OUT.

MR. DONAHUE'S NOT THE VOLUNTEERING TYPE.

I'D LIKE TO TALK TO HIM.

SIT DOWN AND WAIT.

YOU CAN SEE YOUR CLIENT AS SOON AS WE GET HIM IN A CELL.

I MESSED UP.

THEY SEEM TO BE STARING AT ME.

ANYWAYS, MAYBE WE CAN TAKE YOU HOME NOW.

NO. I'M AFRAID TO MOVE.

WHAT'S THE MATTER?

THAT MAN WE WALKED PAST IS VERY SINISTER.

HE KNEW ABOUT EVENTS BEFORE THEY'D OCCURRED.

WE CAN TAKE YOU ANOTHER WAY OUT.

NO. ONCE TELEPATHY'S INVOLVED, IT DOESN'T MATTER.

CYNTHIA??

I FEEL HIM... ENVELOPING MY CRANIUM.

UH, WHAT DOES POP GOES THE WEASEL MEAN, CYNTHIA?

HERE WE GO ROUND THE MULBERRY BUSH

THE MONKEY CHASED THE WEASEL

IT'S THE COBBLER'S BENCH.

NO.

SEE, I SAID IT WAS THE COBBLER'S BENCH, TOO.

ALL AROUND THE COBBLER'S BENCH

THE MONKEY CHASED THE WEASEL

THE MONKEY THOUGHT 'TWAS ALL IN FUN

POP GOES THE WEASEL

YOU KNOW WHAT THAT MEANS?

A PENNY FOR A SPOOL OF THREAD

A PENNY FOR A NEEDLE

THAT'S THE WAY THE MONEY GOES

POP GOES THE WEASEL

SEE, AND I WAS NEVER AWARE OF THAT VERSE.

THE WEASEL'S CHASED AND CHASED AND CHASED,

FIRST BY OTHER ANIMALS,

THEN HIS FINANCIAL PROBLEMS,

TILL FINALLY HE CAN'T TAKE IT ANYMORE.

SO WHAT DOES HE DO?

HE POPS.

UH?HUH.

THE JUDGE IS GOING TO LOVE CYNTHIA.

IF SHE TELLS HIM SOMEBODY'S ENVELOPING HER CRANIUM,

IS THAT GOING TO HURT HER CREDIBILITY?

ANDY.

THEY GRABBED HER UP.

THAT SON OF A BITCH.

WHERE IS SHE?

WHO?

Simone: DON'T YOU MAKE A MISTAKE, BEAR.

HEY, I DON'T KNOW WHO YOU'RE TALKING ABOUT.

YOU THINK I'M JOKING? GET UP.

WE GOT COMPANY.

WHERE IS CYNTHIA TRUMBULL?

I WISH I KNEW WHO YOU WAS TALKING ABOUT.

YOU LYIN' PIECE OF CRAP!

HEY, YOU SEE THIS, MAN?!

HEY, SING POP GOES THE WEASEL.

SING IT!

POP GOES THE WEASEL

GRAB HER UP, YOU THINK I'M NOT GONNA BEAT YOU?

THAT LADY'S HURT, I'M GONNA THROW YOU OFF A ROOF

LIKE THE GUY YOU KILLED.

HE'S THREATENING MY LIFE NOW!

YOU BETTER HOPE YOUR LAWYER LIVES UP

TO THE SCUMBAG STANDARDS OF HIS JOB.

HE PROBABLY WOULD GIVE ME UP. I DON'T THINK YOU GOT ENOUGH MONEY.

ON THE GATE!

KEEP SINGING?

KEEP SINGING.

SING IT TO HIM.

POP GOES THE WEASEL

POP GOES THE WEASEL

[SNIFFING]

MORNING.

WHERE'S CYNTHIA TRUMBULL?

WHAT THE HELL'S THE MATTER WITH YOU?

YOU GOT OUR WITNESS.

SOMEBODY KICKED HER DOOR IN AND KIDNAPPED HER.

YOU THINK I HAD SOMETHING TO DO WITH THAT?

ABSOLUTELY, YEAH.

WHAT YOU GOT IN HERE, COUNSELOR, HUH?

SOME SUGAR FOR YOUR DESSERT?

I HAVE NO IDEA WHAT THAT IS.

COKE OR HEROIN, HUH?

BEING HERKY?JERKY LIKE YOU ARE, I'D SAY COKE.

YOU HAD NO CAUSE AT ALL.

THAT'S A COMPLETELY ILLEGAL SEARCH.

IT WAS OUT IN PLAIN SIGHT.

YOU GONNA TELL US WHERE THIS WOMAN IS?

I DON'T KNOW WHAT YOU'RE TALKING ABOUT!

YOU GUTLESS PIECE OF CRAP.

YOU'RE A COLLAR. YOU'RE COMING IN.

NO, NO, NO...

NO, DON'T CUFF ME, PLEASE.

DON'T TAKE ME OUT IN CUFFS.

YOU REMEMBER THAT.

REMEMBER, WE LET YOU COME IN LIKE A GENTLEMAN.

YEAH, WE'RE LEAVING. WE'RE GOING NOW.

JAMES.

YEAH?

THAT KUMAR BHANJI WE'RE LOOKING AT FOR THE CAB STICKUP?

WHAT HAPPENED?

HE GOT SHOT.

IS HE DEAD?

NOT YET.

MAYBE HE'LL BE FILLED WITH REMORSE AND CONFESS.

Devlin: LEO.

YOU'RE IN A LOT OF TROUBLE, OWEN.

I'M REPEATING FOR THE RECORD I'VE WAIVED NO RIGHTS AT ALL.

I'M JUST HOPING SOMEBODY SEES REASON

BEFORE THIS TRAVESTY GOES TOO FAR.

IF I NOTIFY MY OFFICE

AN ATTORNEY'S BEEN ARRESTED IN POSSESSION OF COCAINE,

I'M GONNA HAVE ZERO WIGGLE ROOM.

REGARDLESS OF THE VIABILITY OF THE SEARCH,

YOU WILL BE BROUGHT BEFORE THE BAR.

I HAVEN'T NOTIFIED MY OFFICE,

AND THESE DETECTIVES HAVE TOLD ME THEY'RE WILLING TO ASSUME

WHAT FELL OUT OF YOUR BRIEFCASE

IS POWDERED SUGAR.

WHAT THEY'RE LOOKING FOR IS SOME HELP.

NOW!

UM...

IN ADDITION TO THE POWDERED SUGAR,

I'M CONCERNED ABOUT ANY IMPUTATION OF COMPLICITY

IN AN ALLEGED KIDNAP.

IF THE WOMAN'S RECOVERED, UNHARMED,

BASED ON INFORMATION YOU PROVIDED,

YOU WOULD HAVE EVERY REASON TO BE OPTIMISTIC.

I'M NOT GOING TO PROVIDE ANY INFORMATION THAT MIGHT INCRIMINATE ME

WITHOUT A GUARANTEE.

I CAN'T INVOKE THE AUTHORITY OF MY OFFICE

BECAUSE I HAVEN'T NOTIFIED MY OFFICE.

I'M GIVING YOU MY WORD:

I WON'T USE ANYTHING YOU SAY HERE AGAINST YOU.

UM...

I'VE REPRESENTED DONAHUE ON TWO DRUG CHARGES AND ONE ASSAULT.

YESTERDAY, I GET A CALL FROM A FRIEND OF HIS.

HE WANTED ME TO COME DOWN HERE IN CASE I WAS NEEDED.

Simone: WHO WAS THE FRIEND?

UH, D?DOUG SOMEBODY.

I'VE NEVER WORKED FOR HIM.

HE CALLED FROM DONAHUE'S PLACE.

AFTER I FOUND OUT THAT?? THAT??THAT DONAHUE WAS ARRESTED,

I CALLED THIS DOUG BACK,

AND I TOLD HIM THAT DONAHUE WAS BEING HELD

BECAUSE THIS WOMAN FROM THE BUILDING

CLAIMED SHE'D SEEN HIM DO A MURDER. THAT'S ALL I SAID.

YOU'RE A LIAR.

I'M NOT GOING TO ARRANGE A KIDNAP

FOR WHAT YOU FOUND IN MY BRIEFCASE.

WHAT'S THE GOING RATE: 5 OR 6 OUNCES?

WHAT ELSE DID YOU TELL HIM ABOUT OUR WITNESS?

NOTHING.

YOU DIDN'T DESCRIBE A MIDDLE?AGED WOMAN WITH RED HAIR

AND WHAT BUILDING SHE LIVED IN?

DONAHUE RENTS A PLACE HE DOESN'T LIVE IN IN BROOKLYN.

I HELPED HIM OUT WITH A LANDLORD PROBLEM HE HAD THERE.

THAT'S HIS SAFE HOUSE WHERE HE STASHES.

I'M NOT SURE WHAT HE USES IT FOR.

YOU'RE A LIAR!

YOU GOT THE ADDRESS OF THIS PLACE?

I CAN GET IT FROM MY OFFICE.

[SLAMS TELEPHONE]

EASY. SHUT UP!

GET IT.

HEY. HOW BAD IS IT?

I DON'T KNOW. LOOKS BAD.

WHAT'S HIS CONDITION?

I THINK HE'S GONNA BE OK. I KNOW HE DOESN'T LOOK IT.

THE BULLET JUST WENT UNDER THE SKIN AND CAME OUT AGAIN.

DID YOU SEE IT?

YEAH. IT WAS HIS BROTHER RAVEEN.

HE COME OVER ALL PISSED OFF.

HE WAS AFRAID HE WAS GONNA LOSE HIS CAR.

ALL RIGHT. TELL US HOW IT HAPPENED.

KUMAR CALLED RAVEEN

WHEN HE GOT BACK FROM THE POLICE STATION.

RAVEEN COME OVER, AND HE WAS ALL PISSED.

HE GOES INTO THE BEDROOM, FINDS A BUNCH OF MONEY AND A GUN,

AND HE STARTS TO LEAVE WITH IT.

Medavoy: THIS IS RAVEEN WAS GONNA LEAVE WITH IT.

MM?HMM. THEN KUMAR, HE WOULDN'T LET HIM GO.

HE STARTS GRABBING AND PUSHING, AND HE GETS THE MONEY BACK,

AND HE'S TRYING TO GET THE GUN BACK, AND WITH ALL THE GRABBING AND PULLING,

HE GETS SHOT.

WELL, THE MEDIC SAYS HE'S GONNA BE ALL RIGHT.

TCH! MAYBE. WHAT'S HE KNOW?

REPORT OF AN INDIAN MAN WITH A GUN IN TOMPKINS SQUARE PARK, VICINITY OF THE PLAYGROUND.

THAT'S GONNA BE RAVEEN.

REPORT SAYS THE GUY'S BRANDISHING A WEAPON,

THREATENING TO KILL HIMSELF.

LET'S GET OUT THERE.

MAYBE HE OUGHT TO KILL HIMSELF, COME HASSLING HIS OWN BROTHER.

HEY. WHAT'S YOUR NAME?

CHERYL.

I'M NOT GONNA GIVE YOU MY LAST NAME.

YEAH, WELL, LISTEN, CHERYL,

YOUR BOYFRIEND USED RAVEEN'S CAR

TO ROB AND ASSAULT PEOPLE.

SO HE DID A COUPLE OF ROBBERIES?

IT WAS AN ADJUSTMENT HASSLE

ME MOVING HERE FROM HARRISBURG.

HE'S TRYING TO ADJUST TO A WHOLE NEW COUNTRY.

COME ON, GREG.

WATCH YOURSELVES. TAKE COVER.

THIS GUY'S HAVING SOME KIND OF DESPONDENT FIT.

STARTED POINTING THE GUN WHEN WE TRIED TO APPROACH HIM.

HE SHOT HIS BROTHER.

SO THERE YOU GO.

WE'RE GONNA NEED A COUPLE OF VESTS.

HEY, RAVEEN!

LISTEN TO ME!

THIS IS DETECTIVE MARTINEZ,

WE TALKED AT THE STATION HOUSE!

I WANNA COME OUT AND TALK, OK?

I'M GONNA COME OUT.

ME, TOO.

MY PARTNER'S COMING, TOO.

I'M SORRY.

I'M SORRY.

GO AWAY.

IF YOU HAVE TO, DO WHAT YOU GOTTA DO.

LET'S GO.

WE'RE COMING OUT!

GO...AWAY!

YOUR BROTHER'S NOT DEAD, RAVEEN.

Martinez: NO, HE'S NOT. HE'S DEAD.

HE'S ALIVE.

NOW PUT THE GUN DOWN.

START THINKING ABOUT YOUR FAMILY.

YOUR WIFE NEEDS YOU. START THINKING ABOUT HER.

MY FAMILY IS SHAMED!

MY BROTHER BROUGHT SHAME, NOW I BRING SHAME.

I SENT HIM MONEY TO COME TO AMERICA,

AND HE REPAYS ME WITH DISGRACE AND SHAME?!

LET ME HAVE THE GUN.

GO AWAY!

LEAVE ME ALONE!

STOP POINTING THE GUN AT ME.

A LOT OF COPS AROUND HERE, I DON'T WANT YOU TO GET HURT.

TAKE IT EASY. NO, NO! DON'T DO THAT.

I WANNA COME AND SIT ON THE BENCH. OK?

I'M GONNA TAKE ONE MORE STEP AND SIT.

THINK ABOUT YOUR CHILDREN.

YOUR CHILDREN NEED YOU.

I'M TELLING YOU, YOUR BROTHER'S ALIVE.

HE'S GONNA BE OK.

I'M TELLING YOU THE TRUTH. YOU GOTTA BELIEVE ME.

HE'S NOT SERIOUSLY INJURED.

HE'S GONNA BE FINE.

PUT THE GUN DOWN.

DON'T DO IT, MR. BHANJI.

YOU WANT YOUR WIFE TO SEE YOU WITH HALF YOUR HEAD BLOWN AWAY?

DON'T DO THAT TO HER.

IS MY BROTHER REALLY ALIVE?

YEAH. YEAH, HE'S ALIVE.

PUT THE GUN DOWN.

LET'S GO, MR. BHANJI.

LET'S GET IN THE CAR.

Simone: FREEZE! GET DOWN ON THE FLOOR!

GET DOWN ON THE FLOOR! GET YOUR HANDS UP!

GET DOWN ON THE FLOOR! GET DOWN ON THE FLOOR!

DOWN ON THE FLOOR! GUN!

[MUFFLED SHOUTS]

CYNTHIA, YOU ALL RIGHT?

SHUT UP! WE DON'T LIVE HERE. THIS ISN'T OUR PLACE.

SHUT UP! WE DIDN'T BRING HER HERE.

YOU ALL RIGHT?

GET AN AMBULANCE, I HAD A HEART ATTACK.

GET AN AMBULANCE OVER HERE RIGHT NOW! WE'RE CLEAR!

Doug: I DON'T KNOW HOW SHE GOT IN HERE.

SHUT YOUR MOUTH OR SO HELP ME, I'LL BLOW YOUR HEAD OFF!

CENTRAL, HAVE AN AMBULANCE RESPOND TO 1621...

Sipowicz: GET DOWN! GET ON THE GROUND! GET DOWN THERE!

CUFF 'EM. Doug: ALL RIGHT.

MY HEART'S BEATING ALL CRAZY.

AN AMBULANCE IS ON THE WAY. I HAVE TO GO

I TOLD YOU THEY WERE GONNA KILL ME. I??I??I??I KNEW

ALL RIGHT. WHAT THEY WERE PLANNING.

I'M ABSOLUTELY CONVINCED THAT YOU ARE HAVING A HEART ATTACK RIGHT NOW,

BUT WE JUST NEED TO GET YOU OUT ON THE STREET. OK?

OHH!

CARRY ME.

YEAH. HERE.

I'M NOT GONNA MAKE IT.

THE DOCTORS WILL PULL YOU THROUGH THIS.

YOU JUST TRY TO STAY CALM.

NO, NO. IT'S TOO LATE.

I'VE BEEN IN THERE TOO LONG.

THAT ROOM'S A POOL OF BACKED?UP ELECTRICITY.

15 TO 25, TIM.

KIDNAPPING THAT WOMAN.

I TOLD YOU WE JUST STOPPED AT THAT PLACE.

OH? SHE PUT YOU GRABBING HER UP.

THAT WOMAN'S LOST HER MARBLES.

MMM. SO AFTER YOU FOUND HER

AT THIS PLACE THAT YOU JUST HAPPENED TO STOP BY,

YOU FIGURED YOU'D STRIKE UP A CONVERSATION.

WORK OUT HOW TO HELP HER, THAT'S RIGHT.

TIM, THE DOOR'S OPEN FOR YOU TO WALK ON A MAJOR FELONY,

AND YOU ARE STICKING TO A CHILDISH, FOOLISH STORY.

WHICH OPEN DOOR WOULD THAT BE?

DID BEAR DONAHUE SAY GRAB THIS WOMAN UP?

HE TELL YOU ABOUT THE MURDER HE DID

ON THE ROOF ABOVE HOWIE'S BAR?

EH.

I'D GET A WALK?

YOU WOULD HAVE TO TESTIFY.

D.A. PROBABLY DON'T WANT TO PUT THAT CRAZY WOMAN ON THE STAND, RIGHT?

HERE'S OUR SITUATION, DOUG.

I DON'T GET YOUR BUDDY BEAR LOCKED UP,

I GOTTA ENGAGE WITH HIM IN A ROOFTOP STRUGGLE TO THE DEATH,

AND HE CAN SQUASH ME LIKE A BUG.

NOW YOU SEE HOW THAT PUTS YOU IN SOMEWHAT OF A BIND?

HE CALLED ME, AND HE ASKED ME TO MAKE SOME CALLS.

THAT'S MY COMPLETE, ENTIRE INVOLVEMENT.

WHO'D HE ASK YOU TO CALL?

ETKIN, HIS LAWYER.

DEVLIN? YEAH, DEVLIN.

WHO'S ETKIN? UM, MY LAWYER ON SOMETHING ELSE.

DID YOU JUST PISS YOURSELF?

YOU'RE SCARING MY WITS OUT.

WHO TOLD YOU TO GRAB THAT WOMAN?

ETKIN SAID BEAR HOPED SHE WOULDN'T SHOW AT THE HEARING.

DEVLIN SAID THAT?

YEAH. WE KNEW WHAT THAT MEANT.

SO HOW'D YOUR SHIFT GO, NAOMI?

I'VE ENJOYED IT. I ADMIRE THE WORK THAT GOES ON HERE.

MY GUY SAYS THAT SHYSTER SCUMBAG

DELIVERED THE MESSAGE TO GRAB HER UP.

YEAH, HUH?

YEAH. DEVLIN TOLD THIS IDIOT,

"BEAR WOULD BE VERY HAPPY

THAT WOMAN DON'T SHOW UP AT THE HEARING."

THAT SOUND LIKE A KIDNAP REQUEST TO YOU?

Diane: HEY.

HOW'S CYNTHIA?

DOCTOR SAYS SHE'S GOT A HEART LIKE A HORSE.

SO SHE DIDN'T HAVE AN ATTACK?

NO, I GUESS SHE JUST PANICKED.

I THOUGHT THE TIME SHE'D HAVE THE ATTACK

WAS WHEN THEY PUT STICKUM PADS ON HER AND HOOKED HER UP TO THE EKG.

PROBABLY THOUGHT THEY WERE PART OF SOME INTERPLANETARY CONSPIRACY.

IS THAT WOMAN ALL RIGHT?

YEAH.

I WANT YOU TO KNOW YOUR HUMP FELLOW LAWYER

RELAYED THE ORDER TO GRAB HER UP.

I THOUGHT WE SORT OF INFERRED THAT GOING IN.

OH, OH, WE DID? WE INFERRED THAT?

GOOD WORK.

YOU ACTUALLY GONNA KEEP YOUR WORD ON NOT CHARGING DEVLIN?

DETECTIVE SIPOWICZ,

WE GO TO BAT ON THE COKE

THAT "FELL OUT OF" HIS BRIEFCASE,

DEVLIN'S GONNA MAKE THE TRIAL ABOUT YOUR RECORD

FOR FABRICATION AND ILLEGAL SEIZURE OF EVIDENCE.

NOW, ARE YOU SURE THAT'S SOMEWHERE YOU WANT TO GO?

HI. HI, JILL.

HOW'S IT GOING?

WHERE'D THE LAST ROUNDS COME FROM?

OH, A. D. A. COHEN HERE'S

WORKING OUT THE SKATE FOR A COKEHEAD LAWYER PAL OF HIS

WHO WAS JUST INVOLVED IN A KIDNAP.

I'M WORKING OUT THE SKATE BECAUSE I SAID I WOULD

IN EXCHANGE FOR THE INFORMATION THAT BROUGHT HER BACK.

YEAH, YEAH, YOU WOULDN'T WANT TO CATCH YOURSELF

FIBBING TO AN UPSTANDING GUY LIKE THAT.

SO, IF I KEEP MY WORD, THAT MAKES ME AN ASSHOLE.

RIGHT, DETECTIVE? AND IF I BREAK IT LIKE YOU WANT ME TO,

MAKE MYSELF A LIAR, THEN I'M JUST RUNNING TRUE TO FORM.

THAT'S RIGHT. TWIST EVERYTHING INTO A KNOT.

I TRIED TO HELP GET THAT WOMAN BACK SAFE.

WHEN'D HE GET SO SENSITIVE?

HI. HI.

WAIT 40 SECONDS, YOU CAN BE THE FIRST DETECTIVE ON THE 4:00?TO?1:00

YOU'RE NOT A JERK. TO CALL ME A JERK.

THEY OUGHT TO REWRITE ALL THOSE ORIENTATION TALKS,

HOW MY JOB AND YOURS ARE ALLIED.

YOU KNOW WHAT IT IS, LEO.

YOU'RE SMART, YOU'RE GOOD?LOOKING,

YOU GOT A BIG FUTURE.

ON THE DAYS HE'S FEELING REAL GOOD ABOUT HIMSELF,

ANDY SIPOWICZ MIGHT FIGURE HE'S SMART.

THE TRUTH IS,

THE ONLY DETECTIVE WHOSE OPINION I CARE ABOUT...

IS SITTING NEXT TO ME.

SHE THINKS YOU'RE OK.

YEAH?

WELL, I JUST WISH SHE'D GET OFF 4:00?TO?1:00s.

SO YOUR GUYS ARE WRITING?

I DON'T THINK CYNTHIA'S GONNA HAVE TO TESTIFY.

BOTH THESE GUYS, THEY'RE ROLLING ON BEAR PRETTY GOOD.

PROBABLY A GOOD THING. A LOT OF TIMES A JURY

WILL TAKE A WITNESS IN A STRAITJACKET THE WRONG WAY.

YEAH.

GOOD NIGHT, NAOMI.

GOOD NIGHT, LIEUTENANT.

I REALLY APOLOGIZE FOR BEING OVERFAMILIAR.

OH, I MEANT TO COME BACK AND EXPLAIN.

CORRECTING YOU THAT WAY? I WAS JUST TRYING

TO DRAW THAT LAWYER'S ATTENTION AWAY FROM THE WITNESS.

THINGS IN NEW YORK ARE SO RARELY JUST AS THEY APPEAR.

YEAH, WELL, GOOD NIGHT.

GOOD NIGHT, LIEUTENANT.

JERSEY'S LIKE THAT, TOO.

WANNA GO SEE HOW DOPEY AND DOPEY ARE DOING?

YEAH.

UH, THE LIBRARY FAXED ME ABOUT THAT NURSERY RHYME

YOU WERE INTERESTED IN, DETECTIVE.

SEEMS THERE'S NO REAL ANSWER WHAT THAT WEASEL'S UP TO.

WELL, GOOD FOR YOU, LOOKING TO FIND OUT.

YEAH, I APPRECIATE THAT.

WELL, THAT'S THE END OF MY ASSIGNMENT.

I WILL HOPE TO SEE YOU ALL IN THE NEAR FUTURE.

OK, NAOMI. GOOD NIGHT.

TAKE CARE OF YOURSELF.

GOOD NIGHT.

HOW COME SHE'S NOT LEAVING?

I GUESS SHE LIKES THE JOB.

LOOK AT ALL THESE ALTERNATIVE EXPLANATIONS

WHAT THE WEASEL'S POPPING ABOUT.

YOU KNOW, SOME MYSTERIES JUST DON'T SOLVE.

MAYBE THEY SHOULD HAVE A RATING, LIKE FOR THE TV??

THE CONTENTS OF THIS STORY AREN'T 100% CLEAR.

EVERYBODY'S ON THEIR OWN.

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