Original subtitles

HEY, JAMES.

THANK YOU NOTE FROM ME AND GINA.

LOTS OF HAPPINESS.

YEAH. THEY'RE BEAUTIFUL DISHES.

AS FAR AS THE ELOPEMENT, I HOPE EVERYONE UNDERSTOOD.

OH, YEAH, SURE.

GINA WENT HOME EARLY?

YEAH. SHE CAME HOME AROUND 2:00.

SHE WAS FEELING A LITTLE QUEASY.

I GUESS THAT'S TO BE EXPECTED.

AFTERNOON, ALL.

GREG. HEY. GREG.

HOW'S IT GOIN', ANDY?

STOCKING UP FOR OUR 4:00 TO 1:00?

4.75 FOR SNACK REPLACEMENTS.

OH, YEAH.

4.75. SAY NO MORE.

EVEN THOUGH, UH...

I'M NO LONGER DRINKING DAIRY.

HEY.

HOW'S IT GOIN'?

4.75 FOR SNACK REPLACEMENTS.

UH, TOMORROW OK? YEAH.

THERE YOU GO.

BROUGHT YOUR DINNER, HUH?

YEAH. I MADE PASTA SALAD, WHICH MY KIDS HATE.

NOW I'M EATING IT THE LAST 3 NIGHTS.

LONG AS I BRING A MEAL,

I DON'T MIND A 4:00 TO 1:00.

I SORT OF ENJOY IT.

ME, TOO.

YOU MISS YOUR TV SHOWS.

THAT'S ONE NEGATIVE.

THAT'S TRUE, HUH?

HEY. HEY, HEY. HEY. HEY.

YOU KNOW, YOU NEED PSYCHIATRIC TREATMENT.

WHAT ARE YOU TALKING ABOUT, ANDY?

ABOUT EVERY TIME I COLLECT FOR SNACK REPLACEMENTS,

YOU STIFF ME ON THE CHANGE.

WHAT HAPPENED? OH.

I PUT IN A NICKEL FOR A QUARTER.

THAT'S...

THAT'S NOT EXACTLY A FEDERAL CASE.

LAST TIME, YOU PAY YOUR SHARE WITH PENNY ROLLS.

BANK TELLER BUSTS SYLVIA. SHE'S 14 CENTS LIGHT.

[TELEPHONE RINGS]

EXCUSE ME.

15th SQUAD.

THANKS.

ANDY.

HE DID IT AGAIN.

WE GOT A DOA UNDER THE FDR.

CAR FIRE.

OH, MY GOD, ABBY. ARE YOU ALL RIGHT?

IS YOUR STOMACH ALL RIGHT?

I'LL BE RIGHT OVER THERE.

JUST SIT DOWN.

TRY AND STAY CALM.

WHAT'S THE MATTER, MEDAVOY?

PUSH?IN ROBBERY AT HER AND KATHY'S APARTMENT.

James: IS ABBY ALL RIGHT?

ABBY'S SHOT IN THE ARM. KATHY'S DEAD.

OH, MY GOD.

WHAT DO YOU GOT?

FEMALE DOA.

SHOT DURING A ROBBERY.

2 WOMEN SHARED THE RESIDENCE.

ONE OF THEM'S ON THE JOB.

YEAH. WE KNOW ABBY.

SHE'S PREGNANT,

BUT SHE WAS LIVING WITH THE FEMALE DOA.

YEAH. OK.

YOU WANT SOME WATER TO DRINK?

UH, NO. THANKS, GREG.

HI, ABBY.

ABBY, I'M SO SORRY.

I CAN'T BELIEVE ALL THIS HAPPENED.

CAN YOU TRY AND TELL US ABOUT IT?

WE'D COME HOME FROM GROCERY SHOPPING.

THE GUY MUST HAVE FOLLOWED US INTO THE BUILDING.

KATHY HAD JUST UNLOCKED THE DOOR

WHEN HE PUT THE GUN IN MY BACK

AND TOLD US BOTH TO GO INSIDE.

WE DID EXACTLY WHAT HE SAID.

AND THEN I TOLD HIM

TO JUST TAKE THE MONEY AND GO.

Jill: THEN WHAT HAPPENED?

KATHY TRIED TO GET THE GUN THAT WE KEEP IN THAT DRAWER.

WAS HE GETTING VIOLENT?

IS THAT WHY SHE DID THAT?

I DON'T KNOW.

WHAT, HE JUST SUDDENLY SHOT?

SHE WAS WORRIED ABOUT ME.

I COULD SEE HER GETTING MORE AND MORE WORRIED,

AND, UH, AND THEN SHE JUST SUDDENLY PROTECTED ME.

AND THE GUY SHOT HER.

I RAN FOR THE BEDROOM, AND THE GUY SHOT ME, TOO.

AND THAT'S WHEN YOU GOT HIT IN THE ARM.

THEN HE LEFT.

I DON'T THINK THE WHOLE THING

COULD HAVE TAKEN MORE THAN A MINUTE.

WHAT KIND OF A LOOK DID YOU GET AT HIM, ABBY?

WHITE.

UH...30s.

DRUGGIE LOOK.

NO FACIAL HAIR.

MAYBE 5'10".

SO, PRETTY NONDESCRIPT?LOOKING.

WHAT DID HE TAKE?

UH, JUST THE KEYS.

BUT HE MADE NO EFFORT TO ROB THE PLACE?

NO.

HE PROBABLY GOT YOUR CAR.

I'LL WANT TO GET THOSE PARTICULARS FROM YOU.

I NEED TO LIE DOWN.

SURE.

WE'LL DO WHAT WE CAN TO CATCH THIS GUY.

AS TRAGIC AS IT IS,

YOUR JOB RIGHT NOW

IS TO TAKE CARE OF YOURSELF AND THE BABY.

OK.

NO BLOOD TRAIL FROM THE DOOR TO THE PHONE.

NO.

NOT TOO MUCH SIGN OF A STRUGGLE, EITHER.

SHE SAID THE WHOLE THING

WAS OVER IN ABOUT A MINUTE.

RIGHT.

YOU WANNA GO KNOCK ON SOME DOORS?

LET'S DO IT.

BE CAREFUL.

STILL HOT AS HELL.

WHAT HAPPENED?

CAR WENT UP ABOUT 4:00.

FIRE STARTED IN THE INTERIOR.

GIRL SITTING IN THE PASSENGER SEAT

WITH A BULLET IN HER HEAD.

YOU KNOW IT'S A GIRL?

YOU CAN STILL MAKE OUT SOME MUSCLE TISSUE

IN THE BREAST AREA.

HAVE ANY I. D.?

NOT ON HER.

CAR'S REGISTERED TO A JERRY TORELLI.

SOME SON OF A BITCH.

WANTED HER GOOD AND DEAD.

THAT GUY OVER THERE SAW WHAT HAPPENED.

ALL RIGHT.

I'LL TALK TO THE FIREMEN.

THANKS.

HOW YOU DOIN', SIR?

WHAT'S YOUR NAME?

JIM CHANEY. I SAW IT FROM MY WINDOW RIGHT THERE.

WHAT'D YOU SEE, JIM?

WHITE GUY DUMPS GASOLINE INTO THE CAR,

LIGHTS IT??BOOM?? EXPLOSION. INFERNO.

THEN WHAT HAPPENED?

THE GUY RUNS THAT WAY,

GETS IN THE CAR THAT'S WAITING,

CAR JAMS OFF SOON AS HE'S IN.

DID YOU GET A LOOK AT HIM,

WHAT HE WAS WEARING?

NO, CHIEF. MY EYES WAS ON THAT FIRE.

YEAH, OK.

LISTEN, UM, I DIDN'T KNOW THERE WAS A GIRL INSIDE.

OTHERWISE, I'D HAVE TRIED TO HELP.

YOU TALKED TO US. YOU HELPED.

DID YOU GIVE THE COP

YOUR NAME AND NUMBER AND ALL THAT?

YES.

THEY SAID THE FIRE MARSHAL CALLED THE OWNER.

THEY KNOW NOT TO DO THAT.

WELL, LUCKILY, THEY DIDN'T REACH HIM.

ALL RIGHT. LET'S GET OVER THERE.

Man: WHO'S THERE?

DETECTIVES.

IS THERE A PROBLEM?

YOU JERRY TORELLI? YEAH.

I'M DETECTIVE SIPOWICZ.

THIS IS DETECTIVE SIMONE AND RUSSELL.

NOTHING BAD HAPPENED, DID IT?

YOU DRIVE A '92 PONTIAC?

MY DAUGHTER JULIE DOES.

IT'S REGISTERED IN MY NAME.

DOES JULIE LIVE HERE WITH YOU, SIR?

YEAH. SHE'S JUST OUT OF HIGH SCHOOL.

AS LONG AS SHE'S ALL RIGHT.

WHEN DID YOU LAST SEE JULIE?

WE JUST SAW HER.

SHE WAS JUST HERE FOR MY BIRTHDAY PARTY

TILL, UH, MAYBE 3:00.

LONG AS SHE'S ALL RIGHT,

THE HELL WITH WHAT HAPPENED TO THE CAR.

THAT CAR'S LICENSE PLATE IS INVOLVED IN AN INVESTIGATION

THAT WE'RE CONDUCTING RIGHT NOW, MR. TORELLI.

SO NOTHING TO BE ALARMED ABOUT.

WHERE'D YOUR DAUGHTER GO WHEN SHE LEFT?

I PRESUME ERRANDS.

SHE GOT A BOYFRIEND, MR. TORELLI?

I HAD TO BREAK THAT OFF.

SO WHAT'S THE STORY WITH THE LICENSE PLATE?

SOMEONE PUT IT ON ANOTHER CAR?

WHAT ELSE CAN YOU TELL US

ABOUT HER FORMER BOYFRIEND, SIR?

Woman: YOUR ICE CREAM'S MELTING, JERRY.

YEAH. THESE ARE POLICE DETECTIVES.

THEY THINK THE JERK STOLE THE LICENSE PLATE

OFF JULIE'S CAR.

Simone: HELLO, MA'AM.

ARE YOU HER MOTHER?

NO. LOIS IS INSIDE.

I'M JERRY'S SISTER?IN?LAW.

THE JERK'S NAME IS SAM DePAUL.

YEAH, JERK.

OR "THE CREEP," WE CALL HIM.

WE NEED TO TALK TO HIM.

MY NIECE JAMIE KNOWS WHERE HE LIVES.

SHE'S HERE, TOO.

WE'LL NEED TO TALK TO HER THEN, IF THAT'S OK.

SO, WHAT, THE JERK USED HER PLATE

TO PULL OFF SOME KIND OF ROBBERY?

THAT'S WHAT THE INVESTIGATION'S ABOUT?

LET US JUST TALK WITH YOUR NIECE.

DID I SAY THIS WAS A BAD KID?

IS MY JUDGMENT CONFIRMED?

TAKE IT EASY IN FRONT OF LOIS.

COME ON. JUST LET HER KNOW

THERE'S NO CAUSE FOR CONCERN.

MY WIFE'S THE NERVOUS TYPE.

WHAT IS IT, JERRY?

EVERYTHING'S FINE.

HONEY, THESE ARE DETECTIVES.

THEY HAVE SOME QUESTIONS ABOUT THE JERK.

MY WIFE LOIS.

WELL, JULIE WASN'T SEEING SAM ANYMORE.

WE UNDERSTAND THAT, MA'AM.

WE'RE HOPING THAT JAMIE

WILL KNOW WHERE WE CAN FIND HIM.

ME?

IS YOUR NAME JAMIE?

DO YOU KNOW WHERE JULIE WENT THIS AFTERNOON?

NO.

TELL THEM ABOUT THE PHONE CALL.

JULIE GOT A PHONE CALL JUST AFTER LUNCH.

SUDDENLY SHE'S IN A BIG HURRY

TO SKIP OUT ON JERRY'S BIRTHDAY.

WHERE WAS SHE GOING?

I'M NOT GETTING HER IN TROUBLE.

NO ONE'S GETTING INTO TROUBLE.

WHO CALLED FOR JULIE?

SAM DePAUL?

ALL RIGHT. YEAH. SHE WAS GONNA GO MEET HIM,

BUT SHE MUST HAVE CHANGED HER MIND.

'CAUSE SAM CALLED BACK LATER, SAID SHE NEVER SHOWED UP.

UH?HUH.

SO I DON'T KNOW WHERE SHE IS.

BUT DO YOU KNOW WHERE HE LIVES?

I KNOW HIS BLOCK.

WANNA TAKE A RIDE WITH US?

MAYBE YOU CAN POINT IT OUT.

GETS ME OUT OF CLEANING UP.

Jerry: AT LEAST WE KNOW JULIE'S ALL RIGHT.

THANKS.

WE'LL STAY IN TOUCH.

I DON'T THINK THAT'S SOMETHING

TO BE CONCERNED ABOUT NECESSARILY, GINA.

M.E.'S ON NOTICE. AS SOON AS THEY'RE DONE WITH KATHY,

HE'S GONNA CONTACT ME.

ABBY??ABBY, DON'T WORRY ABOUT THAT NOW.

TOMORROW'S TIME ENOUGH.

YEAH. I PERSONALLY

PUT THE FELONY ALARM OUT ON YOUR CAR.

TRY AND GET SOME REST.

I'LL CALL YOU WITH ANY DEVELOPMENTS.

ABBY?

WORRIED ABOUT KATHY'S ARRANGEMENTS.

THAT DOCTOR FROM NYU IS COMING UP??

GUY FROM ACROSS THE HALL.

HE IS? GOOD.

YEAH. I'LL BE INTERESTED TO HEAR HIS STORY.

WHAT DO YOU MEAN BY THAT, JILL?

GREG, GUY WHO LIVES ACROSS THE HALL

CALLS AND WANTS TO TALK TO US,

WE WANT TO HEAR WHAT HE HAS TO SAY.

OH, YEAH. NO. THAT'S TRUE ENOUGH.

THAT'S ALL.

YEAH.

Jill: THAT'S THE GUY.

ARE YOU DETECTIVE KIRKENDALL?

YEAH. THANKS FOR COMING IN.

SURE.

THIS IS DETECTIVE MEDAVOY.

HE'S ALSO WORKING ON THE CASE.

HELLO. HOW DO YOU DO?

DETECTIVE MARTINEZ.

I REALIZE HI. YOU PROBABLY THINK

I SHOULD HAVE STAYED IN MY APARTMENT,

BUT I'M A RESIDENT AT NYU

AND I HAD JUST BEEN CALLED TO OPERATE.

WE UNDERSTAND.

WHAT CAN YOU TELL US

ABOUT THE INCIDENT ACROSS THE HALL?

I HEARD A GUNSHOT COME FROM THE LESBIANS' APARTMENT.

I WENT TO MY PEEPHOLE TO SEE WHAT WAS GOING ON

AFTER, OH, A MINUTE OR SO,

THE LESBIAN WHO'S A COP

CAME TO THE DOOR AND LOOKED OUT.

SHE WAS CRYING AND SCREAMED THAT KATHY WAS DEAD.

THAT'S THE OTHER LOVER.

DID YOU SAY ANYTHING TO HER?

I WASN'T SURE WHAT WAS GOING ON.

I MEAN, IF SHE HAD JUST USED A GUN,

I DIDN'T WANT TO BE HER NEXT TARGET.

OH, SO YOU JUST KEPT WATCHING HER

THROUGH THE PEEPHOLE,

A PREGNANT WOMAN AT RISK FROM A MURDERER.

EXCUSE ME. I DIDN'T KNOW WHAT THE SITUATION WAS.

AND THERE WAS CERTAINLY NO GUNMAN IN THE HALLWAY.

SO, IF YOU ASK ME,

SHE WOULD BE YOUR MOST LIKELY SUSPECT.

GOD KNOWS, SHE AND THE OTHER ONE FOUGHT ENOUGH.

YOU AN EXPERT ON THAT THROUGH YOUR PEEPHOLE?

WHAT IS YOUR PROBLEM?

DR. BONAN, AS CONCERNED AS YOU UNDERSTANDABLY WERE

ABOUT MIGHT BE GOING ON IN THE HALL

IN THE APARTMENT ACROSS THE WAY,

DID YOU GO RIGHT TO YOUR PEEPHOLE

WHEN YOU HEARD THE GUNSHOT?

I DON'T KNOW WHAT YOU MEAN BY "RIGHT TO THE PEEPHOLE."

SHE MEANS, WAS THERE AN INTERVAL

BEFORE YOU LOOKED OUT?

MAYBE...A MINUTE.

IT'S A STRESSFUL THING HEARING SHOTS LIKE THAT.

PARTICULARLY FOR SOMEONE LIKE YOURSELF??

RUNS AWAY, DOESN'T HAVE THE DECENCY

TO CALL IN WHAT HE SAW FOR SEVERAL HOURS.

GREG.

AND THEN DESCRIBES PEOPLE WITH EPITHETS.

I'M REPORTING WHAT I SAW,

AND I'M ENTITLED TO MY SUSPICIONS.

ABSOLUTELY, SIR. YES, YOU ARE.

DO YOU HAVE ANY OTHER QUESTIONS?

UH, NO.

I APPRECIATE YOUR COMING IN.

ASSHOLE.

GREG, I THINK YOU GOTTA HOLD OPEN THE POSSIBILITY

THAT THERE ARE PROBLEMS WITH ABBY'S STORY.

IN WHAT REGARD?

I'D BE MORE COMFORTABLE PERSONALLY

IF THERE WAS A BLOOD TRAIL

FROM WHERE ABBY GOT SHOT TO THE PHONE.

THERE'S A MILLION POSSIBLE EXPLANATIONS FOR THAT.

OF COURSE THERE ARE,

AND THE FACT THAT THIS JERK ACROSS THE HALL

DIDN'T SEE ANYBODY LEAVE THE APARTMENT.

YOU YOURSELF ESTABLISHED A POSSIBLE EXPLANATION FOR THAT??

THE INTERVAL BEFORE HE WENT TO THE PEEPHOLE.

YEAH, I KNOW.

SO HOW CAN YOU JUMP TO ABBY'S LYING?

GREG, WE GOTTA LOOK AT THE POSSIBILITY OF A QUARREL.

ABBY IN A STATE OF ANGER MAYBE SHOT KATHY.

[TELEPHONE RINGS]

I'M AGHAST AT YOU FOR SAYING THAT, JAMES.

Jill: IT'S JUST A POSSIBILITY.

NO, I REALLY AM.

15th SQUAD.

DETECTIVE MEDAVOY?

YEAH. WHAT'S UP?

YOU CAUGHT A HOMICIDE

INVOLVING A UNIFORM IN THIS PRECINCT?

UH, YEAH. ABBY SULLIVAN.

WE'RE LOOKING AT IT, ALSO.

IS THAT RIGHT?

SOME PEOPLE IN THE BUILDING

ARE TALKING TO REPORTERS,

SAYING THAT IT WAS A LOVERS' QUARREL.

ABBY SAYS THE PERPETRATOR WAS A PUSH?IN STICKUP GUY.

DID ABBY?

THEY JUST RECOVERED OFFICER SULLIVAN'S CAR.

UH, WE SHOULD CHECK OUT THAT CAR ANGLE.

UM, OBVIOUSLY KEEP YOU APPRISED.

YEAH, ALL RIGHT.

WOULD YOU MIND IF I DON'T GO OVER THERE

AND CHECK OUT ABBY'S CAR WITH YOU?

NO. THAT'S FINE, JAMES.

CRIME SCENE PROBABLY WON'T PROCESS IT

TILL MORNING ANYWAYS.

WAS THAT GINA BEFORE?

YEAH. I'M CONCERNED WITH HER.

SHE'S HAVING SOME FEMININE DIFFICULTY.

SHE'S A LITTLE CONCERNED, SO I WANT TO BE WITH HER.

OH, ABSOLUTELY.

HER MOTHER'S COMING DOWN,

BUT I WANT TO BE WITH HER, AS WELL.

DON'T TAKE WHAT WE WERE SAYING WRONG, GREG.

I'M SURE THERE'S AN EXPLANATION FOR EVERYTHING.

OH! YEAH, YEAH.

I HOPE GINA'S OK.

SEE YA LATER.

WANNA GO OVER 61s

FOR PUSH?INS IN THAT NEIGHBORHOOD

UNTIL CRIME SCENE GETS IN TOUCH?

I'LL LOOK FOR SIMILAR PATTERNS

CREDITING ABBY'S STORY.

YEAH. WHY DON'T WE DO THAT?

THAT SOUNDS LIKE A PLAN, JILL.

I DIDN'T MEAN TO SNAP BEFORE.

I UNDERSTAND.

MY GOD, WHAT'LL WE DO IF IT'S ABBY?

LET'S JUST LOOK AT THE 61s.

Sipowicz: JUST WALK ON IN.

LOOK, I DON'T WANNA GO NO FURTHER.

ALL RIGHT, BUT YOU'RE SURE THIS IS THE BUILDING?

I DON'T WANT NO MORE TO DO WITH IT.

IF HE PULLED A ROBBERY

USING A FALSE LICENSE PLATE, LIKE YOU SAID,

I DON'T KNOW WHAT ELSE HE COULD DO.

WHY DON'T I TAKE YOU HOME NOW, JAMIE?

COULD YOU DROP ME

SOMEPLACE DIFFERENT FROM HOME?

YEAH. I'LL DROP YOU WHEREVER YOU WANT TO GO.

I'LL SEND A SECTOR CAR FOR YOU GUYS.

YEAH.

PEOPLE LIKE THESE FAMILY MEMBERS

BEING IN THE COMMUNICATIONS ROOM OF THE TITANIC

IS HOW THAT VESSEL SANK.

YOU DON'T LIVE HERE.

WE'RE LOOKING FOR SAM DePAUL.

NO LOITERING IN THE BUILDING

GOES DOUBLE IF YOU KNOW THAT JERK.

OH. POLICE.

Sipowicz: YOU KNOW SAM DePAUL?

THE SCUMBAG LIVES IN 2?F.

YOU SEEN HIM TONIGHT?

NO. HIS MOM AND STEPDAD ARE HOME, THOUGH.

HEARD THEM COME IN, FIGHTING AS USUAL.

GREAT PLACE TO LIVE, HUH?

THANKS A LOT.

IT'D BREAK MY HEART

IF HE WASN'T MY NEIGHBOR NO MORE.

SAY 2?B?

F.

[MAN AND WOMAN ARGUING]

Man: NO. NO, NO, NO.

Woman: BENNY!

HELLO.

DETECTIVES, MA'AM.

WHAT DO YOU WANT?

Sipowicz: ASK THE LADY SOME QUESTIONS.

I'M ON THE JOB, MANHATTAN NORTH. WHAT'S IT ABOUT?

IT'S KINDA SERIOUS.

WE DON'T WANT TO GET INTO PARTICULARS.

SHOW SOME RESPECT. I SAID I'M ON THE JOB.

MANHATTAN SOUTH PIECE OF CRAP.

HOW ABOUT YOU TAKE A WALK?

HOW ABOUT YOU TRY WORKING HARLEM?

SEE WHAT REAL POLICE WORK IS.

I WORKED HARLEM WHEN YOU WERE IN HIGH SCHOOL.

NOW BACK AWAY BEFORE I FORGET YOU'RE ON THE JOB.

RIGHT THERE, BENNY. RIGHT THERE.

RIGHT THERE, BUDDY.

YOUR SON SAM DePAUL?

YEAH.

WE NEED TO TALK TO HIM.

MY STEPSON'S NOT SAYING A WORD TO YOU ASSHOLES.

GO INSIDE. GO INSIDE. COME ON.

HE'S A DECENT GUY, YOU KNOW...

EXCEPT WHEN HE, UH...WHEN HE DRINKS, HE GETS, UH...

WHERE'S SAM?

I DON'T KNOW. UH, HE GOES OUT LATE.

MA'AM, YOUR SON MAY BE INVOLVED

IN A SERIOUS SITUATION.

WE NEED TO TALK TO HIM.

ALL RIGHT. ALL RIGHT, I'LL TELL HIM.

IF HE COMES BACK, I'LL TELL HIM.

DON'T TELL HIM. CALL AND LET US KNOW.

OK.

I??I GOTTA GO BACK INSIDE.

BETTER LET NIGHT WATCH SET UP ON THIS PLACE.

WE GOTTA GO BACK AND TELL THAT FAMILY, ANDY.

YEAH. THAT'S GONNA BE FUN.

OH. WE STILL DIDN'T HEAR FROM JULIE.

IS YOUR WIFE WITH YOU, MR. TORELLI?

YEAH. COME ON IN.

SWEETIE, THE DETECTIVES ARE HERE AGAIN.

OH.

HERE. HAVE?? HAVE A SEAT.

SO, SOME NEWS ABOUT THE...STOLEN CAR?

MR. AND MRS. TORELLI, THERE'S NOTHING MORE WE'D LIKE

THAN NOT TO HAVE TO TELL YOU THIS.

NO.

YOUR CAR WAS RECOVERED.

YOUR DAUGHTER WAS FOUND DEAD INSIDE.

SHE'D BEEN SHOT,

AND THE CAR WAS THEN SET ON FIRE.

IS SHE DEAD?

YES, I'M AFRAID SO, MRS. TORELLI.

YOU SAID JUST THE CAR WAS STOLEN.

WHO DID IT? THE KID I FORBADE HER TO SEE?

HE IS OUR MAIN SUSPECT, THIS SAM DePAUL.

WE'D HOPED TO HAVE HIM IN CUSTODY BY NOW,

BUT WE'RE STILL WORKING ON THAT.

LOOK, FOLKS, AS HARD AS IT'LL BE,

IF HE DOES TRY AND CONTACT YOU,

WE WOULD APPRECIATE YOU NOT SAYING THAT YOU KNOW

WHAT HAPPENED TO YOUR DAUGHTER.

GET IN TOUCH WITH US INSTEAD.

[SOBBING] FORBADE ME TO END IT SOONER.

HOW MANY TIMES DID I SAY HE WAS TROUBLE?

IT'S UNDER THE BRIDGE NOW.

SOON AS WE TALK TO SAM, WE'LL GET IN TOUCH WITH YOU.

WE'LL??WE'LL STAY OUT OF YOUR HAIR.

[SOBBING] JULIE!

OHHH...

[SOBBING LOUDLY] JULIE!

WHY?

GO TO YOUR WIFE.

Mrs. Torelli: GOD!

OH...MY...GOD.

OH, MY...

OH, MY BABY.

OHH!

HEY, SARGE, WE LIKE THIS GUY FOR KILLING HIS GIRLFRIEND.

UH, PASS 'EM OUT TO THE DAY TOUR?

YEAH, SURE.

HEY.

HEY.

HOW YOU DOIN'? OH. COFFEE?

SOMEBODY'S BEEN BOOSTIN' ALL THE TEA BAGS.

DID YOU SLEEP AT ALL?

AHH. WE SPENT HALF THE NIGHT AT THE E. R.

THE DOA's MOTHER PUT HER HAND THROUGH THE WALL

WHEN WE TOLD HER.

NIGHT TOUR SITTIN' ON THIS GUY'S PLACE?

HERE YOU GO.

ANDY'S GOTTA GO FOR THAT SINUS OPERATION.

NOW HE'S TRYING TO CATCH AN HOUR'S SLEEP

UP THERE ON?? YOU KNOW, THE CRIB.

THIS IS LIKE A MORTAR ATTACK.

HEY, BOBBY. YOU LOOKIN' FOR THIS SAM DePAUL?

WHY? YOU GOT ANYTHING?

HE WAS A PASSENGER

IN A CAR STOP I DID 5:00 THIS MORNING.

WHERE WAS THIS?

HAD TO BE RIGHT IN FRONT OF HIS PLACE.

HIS BUDDY'S DRIVIN'.

WHILE I'M WRITIN' HIM UP FOR A BUSTED HEADLIGHT,

THIS ONE GETS OUT, WALKS INTO THE BUILDING.

YOU DIDN'T HAPPEN TO SEE

2 DETECTIVES SITTIN' ON THE PLACE?

YEAH, I SAW 'EM.

AND THEY DON'T MOVE ON THE GUY WHEN HE'S WALKIN' IN?

WELL, UH, THEY WEREN'T PAYIN' TOO MUCH ATTENTION.

YOU GOT YOUR RACK LIGHTS ON, AND THESE MORONS,

THEY'RE SLEEPIN' THROUGH THE WHOLE THING.

I GUESS YOU KNOW WHERE TO PICK THIS GUY UP.

DRIVER'S NAME IS, UH, JOE RIZOLLI.

HERE'S HIS PEDIGREE.

THEY'RE SLEEPIN' WHILE THE SUSPECT IS WALKIN' IN.

THOSE GUYS, THEY COULD SLEEP FOR ANDY.

AFTER I LEFT YOU AND ANDY LAST NIGHT

AND DROPPED THAT GIRL OFF,

I WENT BY A FILLING STATION

ABOUT A BLOCK FROM THE CRIME SCENE.

GUY ALMOST PASSED OUT DENYING HE SOLD GAS

IN A CONTAINER YESTERDAY.

PROBABLY THIS RIZOLLI AND HIS PAL SAM

ARE WHO HE DIDN'T SELL IT TO.

GOOD MORNING.

ANDY, YOU'RE NOT GONNA BELIEVE THIS.

THAT SAM DePAUL? HE GETS TO HIS PLACE AT 5:00 THIS MORNING,

NIGHT WATCH TOTALLY MISSES HIM.

NO, THEY DIDN'T.

MARTELLI FROM DOWNSTAIRS,

HE PULLS OVER THIS CAR WITH A BUSTED HEADLIGHT.

DePAUL IS THE PASSENGER.

NOW, THERE'S NO WAY THAT MARTELLI KNOWS

THAT WE'RE LOOKIN' FOR THIS GUY.

SO HE LETS DePAUL OUT WHILE HE'S WRITING THE DRIVER UP.

DePAUL JUST WALKS ACROSS THE STREET,

RIGHT INTO HIS BUILDING. BOOM.

AND BOTH NIGHT WATCH GUYS GOT THEIR HEADS

UP THEIR ASS ASLEEP, HUH?

I DON'T KNOW HOW ANYBODY SLEEPS

ANYWHERE BUT THEIR OWN BED, ANYWAYS.

HIM AND ME, WE'RE UPSTAIRS TRYING TO CATCH ONE HOUR

IN THE CRIB. NOT A WINK.

Fancy: WHAT'S GOIN' ON?

ANOTHER SLEEPLESS NIGHT FOR US,

BUT THEM MORONS ON NIGHT WATCH...

THE GUY THAT WE LIKE FOR THIS HOMICIDE,

THEY LET HIM WALK PAST INTO HIS HOUSE,

AND THEY SNOOZE RIGHT THROUGH IT.

LET'S GO PICK HIM UP. WE OUGHT TO GET THIS OTHER GUY

OFF THE STREET, TOO.

YEAH. THIS IS A JOE RIZOLLI. HE WAS DRIVING THIS DePAUL AROUND.

Martinez: HEY.

HEY. HOW'S IT GOIN'?

ACTUALLY, GINA'S NOT DOIN' GOOD WITH HER PREGNANCY.

SHE'S WHAT THEY CALL SPOTTING.

OH, SORRY, JAMES.

Fancy: SHE SEEING A DOCTOR?

Martinez: 9:15.

YOU WANT TO GO THERE, JAMES?

SHE TOLD ME TO GO TO WORK

WHILE HER MOTHER TAKES HER IN, BUT I DID THINK

I'D GO OVER THERE IN ABOUT AN HOUR'S TIME.

ANY NEWS ON ABBY SULLIVAN?

UM, YEAH. THE CAR WAS PRETTY BADLY VANDALIZED.

JILL'S FOLLOWING THAT OUT.

AND GREG WENT TO TALK WITH ABBY AGAIN.

GO PICK THIS JERK UP.

TALK WITH ANTI?CRIME FOR BACKUP ON THE OTHER GUY.

I'LL HAVE A GOOD THOUGHT, MARTINEZ.

THANKS, ANDY.

THIS IS SO THOUGHTFUL OF YOU, GREG.

I JUST GOT WHAT YOU USUALLY ASK FOR.

I APPRECIATE IT.

HOW'S YOUR ARM?

IT'S ALL RIGHT.

CRIME SCENE GET ANYTHING OFF MY CAR YET?

UH...YEAH. THEY'RE, UH, THEY'RE FOLLOWING THAT OUT

TO...SEE IF THEY CAN LIFT SOME PRINTS.

JILL'S ON THAT.

I SHOULD TELL YOU, ABBY, UH...

YOUR CAR WAS PRETTY BADLY VANDALIZED.

STRIPPED, YOU MEAN?

NO. VANDALIZED...

LIKE, UH...SOMEONE WAS ACTING IN ANGER.

YOU KNOW ANYONE WHO'D WANT TO HURT YOU LIKE THAT?

NO.

I'VE, UH...I'VE GOT SOME OTHER QUESTIONS

IF YOU'RE UP TO IT.

SURE.

UM, ONE OF YOUR NEIGHBORS

SAID HE HEARD A LOT OF FIGHTING BETWEEN YOU AND KATHY.

OH, THE JERK RESIDENT AT NYU?

HE HATES US.

IS IT TRUE, THOUGH? HAD YOU AND KATHY BEEN FIGHTING?

WE'D BEEN UNDER A LOT OF STRESS 'CAUSE OF THE BABY.

I'D HAVE MORNING SICKNESS,

AND KATHY WOULD JUST BE WORRIED ABOUT ME.

UH?HUH.

DISAGREEMENTS ANYONE WOULD HAVE.

RIGHT.

GREG...KATHY AND I LOVED EACH OTHER.

WE WERE A COUPLE.

AND??AND COUPLES HAVE DISAGREEMENTS.

I??I UNDERSTAND WHAT YOU'RE SAYING.

AND NOW SHE'S DEAD.

ON THE OTHER HAND, ABBY, UH...

THERE'S NO WITNESSES TO CORROBORATE YOUR STORY.

CERTAIN DETAILS

NOT CORROBORATED BY THE CRIME SCENE??

SAY WHAT YOU'RE GETTING AT, GREG.

LACK OF A BLOOD TRAIL TO THE PHONE, FOR EXAMPLE,

CORROBORATING YOUR ACTIONS AFTER YOU WERE SHOT.

I PRESSED MY ARM AGAINST MY SHIRT.

I SEE.

ASK THE QUESTION YOU WANT TO ASK, GREG.

I THINK YOU KNOW THE QUESTION, ABBY...

IF POSSIBLY YOU AND KATHY HAD A FIGHT,

AND IN YOUR ANGER??

DID I KILL HER?

DID I KILL KATHY?

YOU KNOW THESE TYPE CRIMES,

THE SPOUSE IS ALWAYS THE FIRST SUSPECT.

NO, I DON'T KNOW ABOUT THESE TYPE CRIMES!

I KNOW THE PERSON I LOVED IS DEAD.

AND THE ANSWER TO YOUR QUESTION IS NO,

I DID NOT KILL HER.

ALL RIGHT, ALL RIGHT.

MY GOD, GREG.

I BELIEVE WHAT YOU'VE TOLD ME, ABBY...

AS FAR AS IT GOES.

BUT I BELIEVE THERE'S MORE YOU COULD SAY

ABOUT THE VANDALIZING OF YOUR CAR.

THE CAR BEIN' ON DELANCY, THAT'S MAYBE SIGNIFICANT.

OK.

I HAVE AN OLD GIRLFRIEND WHO LIVES THERE.

DENISE McCALL.

IT'S BEEN 2 YEARS NOW,

BUT SHE TOOK US BREAKING UP REALLY BAD.

LIKE HOW?

LIKE SHE WOULDN'T LEAVE ME ALONE FOR MONTHS AFTER...

CALLING, COMING OVER.

IT WAS VERGING ON STALKING.

HAVE YOU SEEN HER RECENTLY?

2 WEEKS AGO, I GO INTO THE SUBWAY, AND THERE SHE IS.

OBVIOUSLY, SHE SAW THAT I WAS PREGNANT.

THE LOOK ON HER FACE...

DID SHE SPEAK TO YOU AT ALL...

MAKE ANY SORT OF THREAT?

NOT IN SO MANY WORDS.

BUT SHE WAS REALLY UPSET...

ANGRY.

DO YOU THINK SHE COULD BE INVOLVED IN THIS SOMEHOW...

POSSIBLY HIRED THE GUY THAT DID THIS?

I THINK IT COULD BE POSSIBLE.

THAT WOULD EXPLAIN WHY HE DIDN'T ROB ANYTHING.

DAMN IT, ABBY! YOU SHOULD'VE TOLD ME ABOUT THIS BEFORE!

I ONLY STARTED THINKING ABOUT IT

AFTER YOU TOLD ME WHERE THE CAR WAS FOUND.

A FORMER LOVER WHO WAS STALKING YOU!

YOU DIDN'T FIND THAT GERMANE!

NO! I THOUGHT IT WAS A PUSH?IN ROBBERY, GREG!

OH, SURE. A PUSH?IN ROBBERY

WHERE NOTHIN' HAPPENS TO GET STOLEN,

BUT ONE OF THE LOVERS MURDERED.

WHY ARE YOU TALKING TO ME LIKE THIS?

IF DENISE WAS INVOLVED,

I OBVIOUSLY KNEW NOTHING ABOUT IT.

YEAH.

ALL RIGHT.

WHAT'S THIS DENISE'S ADDRESS?

IF SHE'S NOT THERE,

YOU SHOULD CHECK AT A BAR CALLED LULA'S.

SOME LESBIAN BAR?

YEAH, GREG.

JAMES. HEY.

WHAT'S THE NEWS WITH GINA?

SHE IS HAVING SYMPTOMS,

WITH HER PREGNANCY BEING AT RISK,

BUT NOTHING'S FOREGONE.

I WAS WORRIED WE WERE IN THE PROCESS

OF, UH, THE BABY DYIN'.

OH, WELL, THAT'S NOT A FOREGONE CONCLUSION.

NO. SHE HAS TO COMPLETELY REST AND BE OFF HER FEET.

WELL, SHE SHE HAS TO COULD DO THAT.

FOR THE NEXT 3 TO 4 WEEKS, ABSOLUTELY.

YEAH. WELL, I?I?I'D SAY

THAT'S A BASIS, UH, CAUTIOUS OPTIMISM.

YEAH.

[CHUCKLES]

HEY, GREG, I REALLY APPRECIATE YOUR CONCERN.

I KNOW YOU GOT A LOT OF OTHER STUFF ON YOUR PLATE.

DON'T BE SILLY. WELFARE OF A MOTHER AND CHILD.

YEAH. I KNOW THAT'S THE SAME SITUATION WITH ABBY.

YEAH. WELL, UH...

ON THAT FRONT, UH...

IT TURNS OUT THAT A?ABBY THINKS

THIS, UH, MAY HAVE BEEN SOME KIND OF, UH,

VENGEANCE HOMICIDE FOR HIRE.

HEY.

WERE YOU ABLE TO GET ANY LIFTS?

WE GOT A HIT ON A PRINT FROM THE REARVIEW MIRROR.

IT MATCHES A TOMMY LANG.

2 PUSH?IN ROBBERIES ON HIS SHEET.

UH, WELL, AS??AS FAR AS, UH,

THIS DENISE ABBY TOLD ME ABOUT, UH...

UH, SHE WASN'T AT HOME OR THE BAR ABBY SAID.

THIS LANG GAVE HIS PAROLE OFFICER

A GOOD ADDRESS 7 WEEKS AGO.

LET'S TRY THAT.

THINKING ABBY'S FORMER LOVER MIGHT'VE HIRED THE GUY?

YEAH. UH...THAT'D BE THE SCENARIO.

HMM.

3 HOURS SLEEP, AND YOU GUYS DRAG ME IN.

ALL RIGHT, LOOK, SAM, YOU DON'T WANT

TO BE COMPLAININ' ABOUT NO SLEEP. ALL RIGHT?

I'M JUST SAYIN' THIS BETTER BE SOMETHIN' GOOD.

YOU GOT NO IDEA WHAT IT'S ABOUT. RIGHT, SAM?

THAT'S RIGHT.

DID YOU CALL YOUR GIRLFRIEND JULIE'S

FAMILY YESTERDAY SAYING SHE DIDN'T SHOW UP TO SEE YOU?

YEAH. I TALKED TO HER ON THE PHONE.

SHE WAS GONNA PICK ME UP, AND THEN, UH, SHE BLEW ME OFF.

HMM. 'CAUSE JULIE HASN'T BEEN SEEN SINCE.

OH, SO THAT'S HOW YOU'RE GONNA BE, HUH?

YOU GO AHEAD AND YOU ASK JULIE'S COUSIN

THAT I CALLED TO TELL HER JULIE NEVER SHOWED.

YOU GOT YOUR ALIBI TIED UP IN A NICE BOW.

THAT'S WHAT HAPPENED, MY MAN.

YOU SEE, SAM, I SAY ALIBI,

AND YOU DON'T EVEN BLINK.

WELL, WHEN'D YOU SAY THAT?

THAT MUST'VE WENT RIGHT BY ME.

HEY! HEY! YOU SHOOT A GIRL IN THE HEAD,

YOU BURN HER PAST RECOGNITION.

YOU'RE GONNA SIT HERE AND CRACK WISE WITH US?!

HUH?!

[KNOCK ON DOOR]

WE GOT YOUR BUDDY JOE RIZOLLI

ACROSS THE HALL THERE, SAM.

SUPPOSE WE ASK HIM??

GO AHEAD AND ASK HIM. ASK HIM WHAT DID HE ACTUALLY SEE.

JOE RIZOLLI,

DETECTIVES SIMONE AND SIPOWICZ.

SHE'S PRETTY GOOD?LOOKING FOR A DETECTIVE, ISN'T SHE?

LOOKS KINDA LIKE A CHARLIE'S ANGEL OR SOMETHING.

SO NOW YOU GONNA TELL ME WHAT THIS IS ABOUT?

YOU KNOW A JULIE TORELLI?

YEAH. SHE USED TO DATE A FRIEND OF MINE.

YOU SEE HER LAST NIGHT?

I WENT CLUBBIN' LAST NIGHT.

WITH WHO?

SAM DePAUL.

WHO DATED JULIE TORELLI.

LOOK. SAM AND ME WENT CLUBBIN' LAST NIGHT.

PEOPLE AT ADONIS' WILL VOUCH.

BUT BEFORE YOU AND SAM WENT CLUBBIN'

YOU HAD A LITTLE ADVENTURE WITH GASOLINE.

EXCUSE ME?

YOU HELPED SAM DePAUL

BURN UP JULIE TORELLI'S BODY IN HER CAR, JOE.

THAT PUTS YOU IN A BAD SPOT.

SEE, THAT DON'T PUT ME NOWHERE.

I DIDN'T KNOW NOTHIN' ABOUT NO FIRE.

ARE??ARE YOU A DUMMY, JOE?

YOU WANT TO BE LOCKED UP FOR LIFE OVER THIS?

YOU, JOE RIZOLLI, THE ACCESSORY TO MURDER?

LISTEN TO ME. LOOK,

I DIDN'T KNOW NOTHIN' ABOUT NO GASOLINE.

LOOK, ALL I KNOW IS,

SAM CALLED TO PICK HIM UP.

I GET THERE, AND HE??

HE'S GOT THIS PEPSI BOTTLE FULL OF GAS.

I SAID, "I'LL TAKE YOU WHERE YOU WANT TO GO,

BUT I DON'T WANT TO KNOW NOTHIN'

ABOUT THAT PEPSI BOTTLE." SO THAT'S WHAT HAPPENED.

I TOOK HIM WHERE HE WANTED.

HE GOT OUT. I WAITED. HE??HE COME BACK.

WE WENT TO THE CLUB.

[SNICKERS] CONGRATULATIONS, JOE.

THAT STORY BOUGHT YOU A LETHAL INJECTION.

THE HELL WRITE HIM UP THE IF IT DOES!

WAIT, WAIT, WAIT! LISTEN TO ME!

HE HAD ME STAY AROUND THE CORNER

SO I COULDN'T SEE WHAT WAS GONNA HAPPEN.

LOOK, A FEW MINUTES AFTER HE GOT OUT OF THE CAR...

I SAW THIS BIG FIREBALL.

THEN HERE COMES SAM RUNNIN' BACK.

SAYS, "NOW NOBODY'LL EVEN KNOW SHE WAS SHOT."

[SIGHS]

SO HOW ABOUT THAT?

YEAH. THAT'S GOOD.

[DOOR OPENS]

HE GAVE YOU UP, SAM.

RIGHT.

YOU AND YOUR PEPSI BOTTLE FILLED WITH GASOLINE.

HEY, JOE RIZOLLI DIDN'T SEE CRAP.

SO HE COULDN'T GIVE CRAP UP.

SIT DOWN!

"NOW THEY WON'T EVEN KNOW SHE WAS SHOT."

THOSE WORDS RING A BELL THERE, SAM?

'CAUSE JOE RIZOLLI TOLD US WHAT YOU SAID.

HE TOLD US YOU CONFESSED.

YEAH. BUT PLEASE SUSTAIN THAT SMART?ASS ATTITUDE

A LITTLE WHILE LONGER,

SO I CAN HAVE THE PLEASURE

OF BEATIN' YOUR BALLS OFF EVERY WALL IN THIS ROOM

UNTIL I TIRE MYSELF OUT.

LOOK, SAM, IF THIS WASN'T MURDER,

NO ONE IS LOOKING TO MAKE IT THAT.

IF YOU AND JULIE

WERE TALKING OUT RELATIONSHIP PROBLEMS,

AND YOU JUST HAPPENED TO HAVE A GUN?

AUTOMATICS. THEY CAN GO OFF LIKE THAT.

NO, IT DIDN'T HAPPEN,

'CAUSE I WOULD NEVER HURT JULIE.

WELL, I'M JUST SAYING,

MAKE IT AN ACCIDENT, NOT A HOMICIDE,

WHERE YOU'D NEVER HURT HER INTENTIONALLY.

WE WERE ATTACKED, MAN.

YOU WANT TO KNOW WHAT HAPPENED?

WE WE SITTIN' IN JULIE'S CAR TALKING.

MATTER OF FACT, WE WERE GETTING BACK TOGETHER.

BUT, SAM...DON'T FORGET ABOUT THE GASOLINE.

I'M TELLIN' YOU, MAN,

THIS GUY COMES UP, THIS SON?OF?SAM?TYPE GUY

YOU TOLD JOE RIZOLLI YOU SHOT HER.

WE WERE BACK TOGETHER...

AND THIS GUN JUST GOES OFF...

TOTALLY ON ACCIDENT.

IT WAS JUST BAD LUCK.

AND I GOT SO SCARED, SO I CALLED JOE,

AND I GOT THE GAS TO SET HER CAR OFF.

IT WAS JUST THIS CHAIN OF BAD LUCK.

THIS IS WHERE YOU LIT JULIE'S CAR ON FIRE

WITH JULIE IN IT,

AFTER YOU HAD SHOT HER...

INADVERTENTLY.

YEAH.

WHERE'S THE GUN?

I THREW PIECES OF IT OUT THE WINDOW RIDING THE L.I.E.

THEY'RE BY SOME MARKER,

YOU KNOW, SO AND SO'S RESPONSIBLE

FOR KEEPING THIS PART OF THE HIGHWAY CLEAN.

THE NAME WILL COME TO ME.

WHEN IT COMES BACK TO YOU, YOU LET US KNOW.

WE'LL GET SOMEBODY TO PICK IT UP.

IS IT VIC??VIC DAMONE?

YEAH. I??I DON'T KNOW.

ME AND JULIE, WE'D MADE UP.

THAT'S??THAT'S WHAT'S SO TRAGIC.

100% ACCIDENT.

YOU JUST REMEMBER TO SAY ALL THAT...

WHEN YOU WRITE IT DOWN.

I DON'T GET THE WOMAN DETECTIVE?

NAH. SHE'S GONNA LET US HANDLE THIS.

HOW ABOUT A REFRESHMENT?

HOW ABOUT "SHUT UP"?

YOU WANT A COOL DRINK

AFTER A HARD NIGHT OF SHOOTING PEOPLE

AND TEARING UP THEIR CAR, TOMMY?

OH, MAN, I?? COME ON.

WE KNOW WHAT YOU DID. WE GOT YOUR PRINTS.

MY PRINTS?

YEAH. THAT CAR YOU KNIFED UP

AFTER YOU STOLE IT? IT HAD YOUR PRINTS.

NO. THE CUTTING UP IS ON SOMEONE ELSE.

AND THAT'D BE WHO?

NUT?JOB WOMAN TEQUILA PUT ME WITH.

SHE PLANNED THIS WHOLE THING.

WHO'S TEQUILA?

A FRIEND.

HE KNOWS THE NUT JOB FROM THAT BAR LULA'S,

WHERE THEY MET.

SHE'S A DYKE.

WHO'S A DYKE?

DENISE WHO HIRED ME.

SHE WANTED SOMEONE TO TAKE OUT THE OTHER DYKE.

SO TEQUILA SAYS "I KNOW WHO YOU CAN GET."

SHE PUTS ME WITH HER.

BUT I WASN'T GONNA DO IT.

I JUST WANTED TO GET A LITTLE ROBBERY OUT OF IT FOR MYSELF.

THEN I GET ATTACKED.

SO WHAT HAPPENED WAS SELF?DEFENSE.

YOU WANT TO LOOK AT MY SHEET?

I GOT ONE THING ON THERE WITH A KNIFE.

THAT WAS ALSO SELF?DEFENSE.

SO, YOU WERE GONNA DOUBLE?CROSS DENISE,

TAKE HER MONEY, BUT??BUT NOT DO THE MURDER.

SHE'S A DYKE.

THE TWO RUNNING AROUND THE APARTMENT,

DYKES, TOO.

Martinez: YEAH, WE KNOW THAT.

SO WHAT DID DENISE SAY TO DO?

KILL THE ONE WHO AIN'T PREGNANT,

TAKE THE CAR,

MAKE IT LOOK LIKE A ROBBERY.

SHE KNEW THEIR SCHEDULE,

WHEN THEY WENT SHOPPING,

AND EVERYTHING ELSE.

SO, YOU, UH, YOU FOLLOWED 'EM HOME,

BUSTED INTO THE APARTMENT??

AND WAS GONNA ROB 'EM,

AND THEN THERE WAS COMPLICATIONS,

'CAUSE DENISE, WHO ACTS LIKE SHE KNOWS EVERYTHING,

DIDN'T SAY NOTHIN' ABOUT THERE BEING A GUN IN THE HOUSE.

THE ONE I'M SUPPOSED TO SHOOT??

KATHY.

THE ONE WHO AIN'T PREGNANT.

SHE GOES INTO A DESK DRAWER, GETS A GUN.

NOW WHAT AM I SUPPOSED TO DO WITH THAT?

THAT IS AN ACT OF SELF?DEFENSE.

SO YOU AND SELF?DEFENSE ARE, LIKE, BEST FRIENDS.

I WAS NEVER RAISING A GUN TO THEM

UNTIL SHE GOT ONE HERSELF.

I TOLD THE OTHER ONE TO GO IN THE BEDROOM.

WAS GONNA GRAB THE LOOT I COULD GET

AND BE DONE WITH IT.

BUT THEN THE TOUGH ONE'S GOTTA RUN, GET A GUN,

TURN THE WHOLE THING INTO A SHOOTOUT.

BUT SHE DIDN'T GET A SHOT OFF AT YOU.

NO.

TURNS OUT I'M THE QUICKER DRAW.

LOOK...

WHO YOU'RE AFTER IS THIS DENISE.

SHE IS JUST THIS SIDE OF CRAZY.

SO WHERE DO WE FIND HER?

I'D TRY LULA'S.

OR WHERE SHE LIVES.

YEAH, THAT'S GREAT.

[KNOCK ON DOOR]

WHAT'S UP?

YEAH, UM...

ABBY JUST CALLED.

DENISE McCALL IS SITTING ACROSS THE STREET

FROM HER APARTMENT.

IS SHE ARMED?

I DON'T KNOW.

BUT YOU'D BETTER GET OVER THERE.

HANK WILL TAKE CARE OF THIS GUY. HANK?

UH...SO, MY SITUATION?

Martinez: I DON'T KNOW, TOMMY.

YOU JUST ADMIT YOU SHOT A WOMAN DEAD.

I DON'T KNOW IF WE CAN JUST LET WALK RIGHT AWAY.

I TOLD YOU THE CIRCUMSTANCES.

Woman: PEOPLE HAVE A RIGHT TO THE DREAMS OF THEIR LIVES,

AND THEY HAVE A RIGHT

TO THE COURAGE OF SEEKING HAPPINESS.

Greg: HOW WOULD THAT APPLY TO THIS?

THE INSTANCE OF ABBY'S...

[WOMAN TALKING]

Greg: YEAH, WE WOULD.

ABBY AND I WERE THE ONES TALKING ABOUT HAVING A BABY.

WE WERE THE ONES MADE PLANS FOR OUR FAMILY.

THEN COMES THE INTERLOPER.

MEANING KATHY.

PEOPLE PRESCRIBE THEIR OWN TRAGEDIES, YOU KNOW.

IF EVERYONE HAD JUST BEHAVED,

SHE'D BE ALIVE,

AND I'D BE LOOKING AT MOTHERHOOD.

NOW KATHY'S DEAD.

BUT YOU'RE STILL NOT ON YOUR WAY TO HAVING A BABY.

Denise: THAT'S OK.

DOOR'S OPEN FOR ABBY AND ME NOW.

YOU'RE WAY OFF, DENISE.

SHE DOESN'T WANT NOTHIN' TO DO WITH YOU.

WELL, WITHOUT THE WANNABE NOVELIST IN THE PICTURE

WHO WRITES LIKE CRAP??

AND I SHOULD KNOW,

'CAUSE I WAS AT ONE OF HER PATHETIC READINGS??

YOU FOLLOWED 'EM AROUND, DIDN'T YOU?

I DID MY HOMEWORK.

YOU FOLLOWED 'EM UNTIL YOU KNEW THEIR PATTERNS,

AND THEN YOU STUCK THIS TOMMY ON 'EM.

I HAD HIM PUT PEOPLE IN THEIR RIGHTFUL PLACES.

WAS IT YOU TORE UP ABBY'S CAR?

IN A FIT OF LOVE.

OH, YEAH.

YOU GIVE ME ALL THE WEIRD LOOKS YOU WANT, OK?

BUT SHE'S GONNA COME AROUND NOW.

FEELING AS STRONGLY AS YOU DO, DENISE,

YOU WANT TO MAKE SURE

YOUR SIDE OF IT GETS ON RECORD.

MAYBE STARTING WITH HIRING THIS TOMMY LANG

TO KILL KATHY.

OH, GEE, I THOUGHT YOU'D NEVER ASK.

THEN WE CAN STACK MY WRITING UP AGAINST HERS.

Martinez: SO, UH, DENISE,

DO YOU WANT TO PUT AN END TO THIS?

Denise: ABBY AND I...

[VOICES CONTINUE]

DOESN'T SHOW AN OUNCE OF REMORSE.

I'D NEVER SAY IT IN COURT, BUT...

DENISE HAS CROSSED THE LINE

OF NOT UNDERSTANDING RIGHT AND WRONG.

SHE'S NOT THE PERSON YOU KNEW.

SHE WAS JEALOUS WHENEVER WE WERE TOGETHER.

POSSESSIVE OF MY TIME.

OF WHAT I WAS THINKING.

FIRST, I WAS JUST SO GLAD TO BE LOVED.

WHEN I KNEW IT WAS OVER,

WE WENT TO COUNSELING FOR 6 MONTHS

TO HELP HER GET READY.

I KNEW NOTHING WAS GONNA GET HER OVER IT.

FINALLY, I JUST LEFT...

CUT OUT EVERY PART OF MY LIFE

WHERE DENISE WAS INVOLVED

SO SHE WOULDN'T HAVE TO SEE ME,

TRY TO KEEP FROM HURTING HER.

EVEN BEFORE KATHY AND I MET

AND DENISE REALLY STARTED STALKING US,

I'D FEEL HER FOLLOWING ME

LIKE SOME... HAUNTED SPIRIT.

[SIGHS]

BECAUSE I'VE BEEN THAT WAY MYSELF.

NO, ABBY.

NOT JEALOUS.

BUT JUST WANTING SO MUCH TO BE LOVED.

LIKE YOU'RE JUST AN ACHE WITH BEING SO LONELY...

AND WANTING TO BE A PART OF LIFE.

BUT I STILL...

HAVE MY BABY.

I AM A PART OF LIFE.

OF COURSE YOU ARE.

NO INTENTION OTHER THAN FRIENDSHIP, ABBY.

I HOPE YOU'LL LET ME BE A RESOURCE FOR YOU.

THANKS, GREG.

WE'LL BE PART OF LIFE TOGETHER.

ABBY...

ABBY!

HOW COULD YOU DO THIS TO ME?

ABBY!

I LOVE YOU, BABY. I LOVE YOU SO MUCH!

I'LL TAKE CARE OF YOU NOW!

I LOVE YOU!

I LOVE YOU!

I LOVE YOU!

WE WERE MEANT TO BE TOGETHER!

I KNOW IT. I FEEL IT IN MY HEART.

I LOVE YOU!

DON'T LEAVE ME!

DON'T LEAVE ME!

DON'T LEAVE ME!

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