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These are the user uploaded subtitles that are being translated: 1 00:00:09,410 --> 00:00:10,878 Captioning Made Possible By 2 00:00:12,446 --> 00:00:14,448 THE METROPOLITAN LIFE INSURANCE COMPANY 3 00:01:03,731 --> 00:01:05,199 WHAT TIME IS IT? 4 00:01:05,299 --> 00:01:06,700 IT'S 3:00 A.M. 5 00:01:06,800 --> 00:01:08,836 GO BACK TO SLEEP. 6 00:01:08,936 --> 00:01:09,870 YOU KNOW 7 00:01:10,904 --> 00:01:15,376 THEY SAY THAT EVERY NINE SECONDS A CHILD IS BORN... 8 00:01:15,476 --> 00:01:21,048 AND I THINK TODAY THEY PICKED OUR HOSPITAL TO DO IT IN. 9 00:01:21,149 --> 00:01:22,015 I'M TELLING YOU, DEAR 10 00:01:22,116 --> 00:01:26,587 BABIES WERE COMING FROM ALL DIRECTIONS. 11 00:01:26,687 --> 00:01:29,323 I WAS AFRAID TO MOVE OUT OF THE SPOT I WAS IN. 12 00:01:29,423 --> 00:01:34,027 I WALKED PAST A VENT, AND TWO OF THEM CAME OUT. 13 00:01:34,128 --> 00:01:36,063 I STARTED SPANKING PEOPLE. 14 00:01:36,164 --> 00:01:38,332 BY THE TIME I GOT TO THE CAR 15 00:01:38,432 --> 00:01:42,970 I SPANKED THE FELLOW THAT BROUGHT THE CAR. 16 00:01:43,070 --> 00:01:46,340 I'M GLAD MIKE NEWCOMB WAS THERE TO HELP ME. 17 00:01:46,440 --> 00:01:47,441 HOW IS HE? 18 00:01:47,541 --> 00:01:48,809 JUST FINE. 19 00:01:48,909 --> 00:01:49,843 AND GUESS WHAT? 20 00:01:49,943 --> 00:01:52,680 TOLD ME HE'S GOT A NEW GIRLFRIEND. 21 00:01:52,780 --> 00:01:54,715 HE HAS? 22 00:01:54,815 --> 00:01:57,451 AND EVERY TIME I BUMPED INTO HIM 23 00:01:57,551 --> 00:01:59,387 HE WANTED TO TALK ABOUT HER. 24 00:01:59,487 --> 00:02:02,122 THAT'S TERRIFIC. 25 00:02:02,223 --> 00:02:04,625 IT'S ABOUT TIME HE STARTED ENJOYING HIMSELF. 26 00:02:04,725 --> 00:02:07,161 IT'S BEEN ALMOST TWO YEARS SINCE MARIAN DIED. 27 00:02:07,261 --> 00:02:08,895 WELL, I KNOW HE'S SERIOUS 28 00:02:08,996 --> 00:02:13,901 BECAUSE HE'S BRINGING HER BY HERE TOMORROW. 29 00:02:14,001 --> 00:02:16,704 I CERTAINLY AM GLAD HE'S HAPPY. 30 00:02:16,804 --> 00:02:19,106 AND CLIFF, I WANT YOU TO KNOW THAT IF I DIE 31 00:02:19,207 --> 00:02:26,547 YOU HAVE MY PERMISSION TO MARRY AGAIN. 32 00:02:30,184 --> 00:02:32,085 I HAVE YOUR PERMISSION? 33 00:02:32,186 --> 00:02:35,689 YES. 34 00:02:35,789 --> 00:02:38,659 BUT YOU'RE DEAD. 35 00:02:38,759 --> 00:02:42,263 FIND SOMEONE WHO CAN MAKE YOU HAPPY AND HELP WITH THE KIDS. 36 00:02:42,363 --> 00:02:45,233 THANK YOU. 37 00:02:48,302 --> 00:02:50,103 WOULD YOU? 38 00:02:53,441 --> 00:02:54,808 WOULD I WHAT? 39 00:02:54,908 --> 00:02:57,144 IF I DIE, WOULD YOU REMARRY? 40 00:02:57,245 --> 00:03:00,781 WE'LL TALK ABOUT IT WHEN IT HAPPENS. 41 00:03:00,881 --> 00:03:03,784 WE CAN'T TALK ABOUT IT THEN. 42 00:03:03,884 --> 00:03:05,219 OKAY. 43 00:03:05,319 --> 00:03:07,087 NO. THE ANSWER IS NO. 44 00:03:07,187 --> 00:03:07,921 I WOULDN'T. 45 00:03:08,021 --> 00:03:10,190 UNDER NO CIRCUMSTANCES, IF I DIE 46 00:03:10,291 --> 00:03:11,825 WOULD YOU MARRY AGAIN. 47 00:03:11,925 --> 00:03:14,395 YOU WOULD BE SINGLE FOREVER? 48 00:03:14,928 --> 00:03:16,864 YES. 49 00:03:16,964 --> 00:03:20,200 WOULD YOU DATE SOMEBODY? 50 00:03:20,868 --> 00:03:23,170 NO, I WOULDN'T. 51 00:03:23,271 --> 00:03:24,272 OKAY, 'CAUSE I'M DEAD. 52 00:03:24,372 --> 00:03:27,408 I'M GONE. 53 00:03:27,808 --> 00:03:35,383 AND YOU'RE STILL IN THE BED WITH ME? 54 00:03:35,649 --> 00:03:41,389 WHAT IF YOU MET A GORGEOUS, INTERNATIONAL-TYPE BEAUTY? 55 00:03:45,293 --> 00:03:46,794 NOT INTERESTED. 56 00:03:46,894 --> 00:03:50,564 WHAT IF YOU MET A WOMAN WHO SANG JAZZ? 57 00:03:53,233 --> 00:03:54,802 LIKE LENA HORNE? 58 00:03:54,902 --> 00:03:55,969 AND CAN SCAT. 59 00:03:56,069 --> 00:03:56,804 LIKE ELLA FITZGERALD? 60 00:03:56,904 --> 00:03:57,905 YOU SAID IT. 61 00:03:58,005 --> 00:03:59,740 NOT MY TYPE. 62 00:03:59,840 --> 00:04:03,210 WELL, WHAT IS YOUR TYPE? 63 00:04:03,944 --> 00:04:05,012 YOU. 64 00:04:05,112 --> 00:04:08,382 OKAY, SAY YOU MET ME. 65 00:04:10,851 --> 00:04:14,021 YOU'RE DEAD. 66 00:04:14,121 --> 00:04:16,255 THERE'S SOMEBODY OUT THERE JUST LIKE ME. 67 00:04:16,357 --> 00:04:17,257 YOU'RE DEAD? 68 00:04:17,358 --> 00:04:18,526 GONE. 69 00:04:18,625 --> 00:04:22,296 OKAY. NOW, YOU'RE NOT COMING BACK, ARE YOU? 70 00:04:22,396 --> 00:04:23,096 CLIFF, I'M SERIOUS. 71 00:04:23,196 --> 00:04:23,997 NO, I'M SERIOUS. 72 00:04:24,097 --> 00:04:25,132 YOU'RE NOT COMING BACK, RIGHT? 73 00:04:25,232 --> 00:04:26,934 I'M DEAD. 74 00:04:27,034 --> 00:04:30,504 I MEET THIS WOMAN WHO LOOKS EXACTLY LIKE YOU? 75 00:04:30,604 --> 00:04:31,171 EXACTLY LIKE ME. 76 00:04:31,271 --> 00:04:32,039 AND YOU'RE DEAD? 77 00:04:32,139 --> 00:04:33,841 YES. 78 00:04:33,941 --> 00:04:37,110 OH, BOY. 79 00:04:37,210 --> 00:04:42,650 I WOULD CALL HER UP 80 00:04:42,750 --> 00:04:45,653 AND I WOULD ASK HER OUT ON A DATE. 81 00:04:45,753 --> 00:04:46,820 AND THEN I WOULD COURT HER 82 00:04:46,920 --> 00:04:48,922 AND I WOULD SEND HER FLOWERS AND CALL HER 83 00:04:49,022 --> 00:04:52,059 AND I WOULD INTRODUCE HER TO THE CHILDREN 84 00:04:52,159 --> 00:04:53,327 AND THEN I WOULD MARRY HER 85 00:04:53,427 --> 00:04:56,630 AND BRING HER IN HERE. 86 00:05:03,236 --> 00:05:05,606 WOULD YOU KEEP MY PICTURE UP? 87 00:05:05,706 --> 00:05:07,341 DEAR, I DON'T HAVE TO KEEP YOUR PICTURE UP 88 00:05:07,441 --> 00:05:11,512 BECAUSE SHE LOOKS EXACTLY LIKE YOU. 89 00:05:11,612 --> 00:05:12,613 GOOD NIGHT, CLIFF. 90 00:05:12,713 --> 00:05:14,982 YOU NEED SOME SLEEP. 91 00:05:26,927 --> 00:05:29,096 ( rock music blaring ) 92 00:05:29,196 --> 00:05:31,999 ( man laughing wickedly ) 93 00:05:32,099 --> 00:05:33,333 Ha, ha, ha. 94 00:05:33,434 --> 00:05:34,301 Ha, ha! 95 00:05:34,402 --> 00:05:37,838 Rrahr! 96 00:05:37,938 --> 00:05:39,507 Ohh! 97 00:05:39,607 --> 00:05:44,344 ( unintelligible screaming ) 98 00:06:01,028 --> 00:06:02,262 DID WE WAKE YOU? 99 00:06:02,362 --> 00:06:03,697 I FOUND IT. 100 00:06:03,797 --> 00:06:06,634 IT HAD COME DOWN THE HALLWAY. 101 00:06:06,734 --> 00:06:09,236 IT WENT INTO MY ROOM 102 00:06:09,336 --> 00:06:13,340 AND THEN I THOUGHT IT WAS GOING TO EAT ME UP! 103 00:06:13,441 --> 00:06:14,608 YOU SEE 104 00:06:14,708 --> 00:06:23,283 THERE ARE CERTAIN WAYS THAT I AM ACCUSTOMED TO WAKING UP. 105 00:06:23,383 --> 00:06:25,953 BACON-- THE SMELL OF BACON. 106 00:06:26,053 --> 00:06:28,922 THE SMELL OF COFFEE PERKING. 107 00:06:29,022 --> 00:06:31,625 THE TWIRPING OF BIRDS. 108 00:06:31,725 --> 00:06:38,098 I CAN EVEN TAKE THE COLD, WET NOSE OF A SEA LION 109 00:06:38,198 --> 00:06:41,234 LICKING MY TOES. 110 00:06:41,334 --> 00:06:46,039 THIS IS WHAT THEY CREATED 111 00:06:46,139 --> 00:06:49,777 SO WE WOULDN'T HAVE TO HEAR THIS IN THE HOUSE. 112 00:06:49,877 --> 00:06:51,378 I ONLY HAVE ONE SET. 113 00:06:51,479 --> 00:06:55,549 THEN PUT YOUR HEADS TOGETHER. 114 00:06:55,649 --> 00:06:57,751 GIVE THIS MUSIC A CHANCE. 115 00:06:57,851 --> 00:06:59,052 YOU MIGHT GET INTO IT. 116 00:06:59,152 --> 00:06:59,853 REALLY? 117 00:06:59,953 --> 00:07:00,521 Sondra: YEAH. 118 00:07:00,621 --> 00:07:03,891 OH, WHAT A THRILL. 119 00:07:04,558 --> 00:07:05,459 IS THIS IT? 120 00:07:05,559 --> 00:07:06,827 YEAH, DAD, THAT'S CLYDE. 121 00:07:06,927 --> 00:07:08,161 HE'S REALLY TALENTED. 122 00:07:08,261 --> 00:07:09,329 I SEE. 123 00:07:09,429 --> 00:07:12,199 WELL, BUT HE'S STICKING HIS TONGUE OUT 124 00:07:12,299 --> 00:07:17,938 AND TATOOED ON HIS TONGUE IS A CACTUS. 125 00:07:18,038 --> 00:07:21,475 IF YOU IGNORE CLYDE'S TONGUE AND MAKEUP 126 00:07:21,575 --> 00:07:24,545 AND JUST LISTEN TO WHAT HE'S TRYING TO SAY... 127 00:07:24,645 --> 00:07:26,947 WHAT IS HE TRYING TO SAY? 128 00:07:27,047 --> 00:07:29,483 HE'S SAYING THE WORLD IS CLOSED. 129 00:07:29,583 --> 00:07:32,553 THE WORLD IS CLOSED. 130 00:07:32,653 --> 00:07:35,355 THE WORLD IS CLOSED. 131 00:07:35,455 --> 00:07:38,325 COULD THEY OPEN IT UP AND LET HIM OUT? 132 00:07:38,425 --> 00:07:42,796 COME ON, DAD. 133 00:07:52,906 --> 00:07:55,843 AHH! 134 00:07:56,877 --> 00:07:58,111 WHAT IS IT? 135 00:07:58,211 --> 00:07:59,179 WHAT IS THE MATTER WITH YOU? 136 00:07:59,279 --> 00:08:01,314 YOU'RE NOT GOING TO KEEP MY PICTURE UP? 137 00:08:01,414 --> 00:08:04,518 YES, I'LL KEEP YOUR PICTURE UP. 138 00:08:04,618 --> 00:08:05,586 WHERE WILL YOU KEEP IT? 139 00:08:05,686 --> 00:08:07,588 OUT IN THE HALLWAY. 140 00:08:07,688 --> 00:08:09,322 AHH! 141 00:08:09,422 --> 00:08:11,391 WHERE? 142 00:08:11,491 --> 00:08:14,562 I'LL PUT IT IN THE CLOSET. 143 00:08:14,662 --> 00:08:15,696 WHERE? 144 00:08:15,796 --> 00:08:17,565 I'LL PUT IT OVER THE BED. 145 00:08:17,665 --> 00:08:18,866 A BLOWUP OVER THE BED. 146 00:08:18,966 --> 00:08:21,268 I WANT A BLOWUP THERE. 147 00:08:21,368 --> 00:08:21,802 WITH LIGHTS. 148 00:08:22,335 --> 00:08:24,171 Clair: YES. YES. 149 00:08:24,271 --> 00:08:26,339 WHAT WILL YOU DO WITH MY CLOTHES? 150 00:08:26,439 --> 00:08:28,075 I'LL WEAR THEM. 151 00:08:28,175 --> 00:08:29,176 I'LL WEAR THEM. 152 00:08:29,276 --> 00:08:31,411 MAKE SURE SHE DOESN'T WEAR THEM. 153 00:08:31,511 --> 00:08:32,746 OH, NO. NO. 154 00:08:32,846 --> 00:08:35,549 WHAT WILL THE CHILDREN CALL HER, CLIFF? 155 00:08:35,649 --> 00:08:36,082 LOLA. 156 00:08:36,183 --> 00:08:37,183 AHH! 157 00:08:37,284 --> 00:08:40,287 OW! 158 00:08:40,386 --> 00:08:43,791 LISTEN, DEAR, OUR FRIEND OF 20 YEARS, MIKE 159 00:08:43,890 --> 00:08:45,559 IS COMING OVER THIS AFTERNOON. 160 00:08:45,659 --> 00:08:48,061 WE GOT TO GET DOWNSTAIRS. 161 00:08:48,161 --> 00:08:49,930 I DON'T KNOW. 162 00:08:50,030 --> 00:08:51,498 I'M THINKING ABOUT IT. 163 00:08:51,599 --> 00:08:52,299 DEAR? 164 00:08:52,399 --> 00:08:54,635 YOU KNOW, YOU'VE GAINED WEIGHT. 165 00:08:54,735 --> 00:08:55,836 AHH! 166 00:08:55,936 --> 00:08:57,137 WAIT, WAIT, WAIT. 167 00:08:57,237 --> 00:08:57,771 YOU'VE LOST WEIGHT. 168 00:08:57,871 --> 00:09:01,208 YOU'VE LOST WEIGHT. 169 00:09:01,675 --> 00:09:03,110 MMM! 170 00:09:03,210 --> 00:09:04,511 I'LL MAKE YOU SOME COFFEE. 171 00:09:04,612 --> 00:09:06,179 OKAY. 172 00:09:06,279 --> 00:09:08,582 I MADE THAT STATEMENT UNDER DURESS. 173 00:09:08,682 --> 00:09:09,249 WHAT WAS THAT? 174 00:09:09,349 --> 00:09:12,686 I SAID, "YOU'RE THE BEST"! 175 00:09:15,723 --> 00:09:18,491 HOW LONG ARE YOU GOING TO DO THIS? 176 00:09:18,592 --> 00:09:19,893 UNTIL YOU SAY YOU'RE SORRY. 177 00:09:19,993 --> 00:09:21,361 BUT I DIDN'T DO IT! 178 00:09:21,461 --> 00:09:22,663 YOU'RE LYING. 179 00:09:22,763 --> 00:09:25,232 WHAT'S THIS WORD? 180 00:09:27,534 --> 00:09:28,468 ARMADILLO. 181 00:09:28,568 --> 00:09:30,938 THANKS, VANESSA. 182 00:09:31,038 --> 00:09:31,471 COME ON, VANESSA. 183 00:09:32,005 --> 00:09:32,505 I DON'T HAVE ALL DAY. 184 00:09:32,606 --> 00:09:34,474 THEN LET GO. 185 00:09:34,574 --> 00:09:35,876 NO. NOW, COME ON. 186 00:09:35,976 --> 00:09:37,144 HEY, HEY, HEY 187 00:09:37,244 --> 00:09:38,111 WHAT'S GOING ON HERE? 188 00:09:38,211 --> 00:09:39,579 NOTHING. NOTHING. 189 00:09:40,213 --> 00:09:43,183 WHY DO YOU HAVE YOUR SISTER IN A FULL NELSON? 190 00:09:43,283 --> 00:09:46,253 BECAUSE SHE PUT SHAVING CREAM IN MY SHOE. 191 00:09:46,353 --> 00:09:47,721 DID YOU DO THAT? 192 00:09:47,821 --> 00:09:50,090 YES! 193 00:09:50,190 --> 00:09:51,792 DID HE DO SOMETHING TO YOU? 194 00:09:51,892 --> 00:09:53,093 NO! 195 00:09:53,193 --> 00:09:54,427 OH, WELL, THEN CARRY ON. 196 00:09:54,527 --> 00:09:57,030 AHH! 197 00:09:57,130 --> 00:10:00,167 NOW, YOU GO UPSTAIRS AND CLEAN HIS SHOES OUT. 198 00:10:00,267 --> 00:10:02,435 YEAH, CLEAN THEM AND POLISH THEM... 199 00:10:02,535 --> 00:10:05,205 ( doorbell ) 200 00:10:09,609 --> 00:10:10,577 Cliff: MIKE! 201 00:10:10,678 --> 00:10:13,881 HEY, CLIFF. I WANT YOU TO MEET NICKI. 202 00:10:13,981 --> 00:10:15,548 Nicki: HI. 203 00:10:15,649 --> 00:10:16,016 NICKI. 204 00:10:16,116 --> 00:10:17,284 NICKI PHILIPS. 205 00:10:17,384 --> 00:10:18,786 OKAY. 206 00:10:18,886 --> 00:10:21,955 IT'S NICE TO MEET YOU, DR. HUXTABLE. 207 00:10:22,055 --> 00:10:23,390 OH, JUST CALL ME CLIFF. 208 00:10:23,490 --> 00:10:25,693 COME ON IN. 209 00:10:25,793 --> 00:10:27,160 THANK YOU. 210 00:10:27,260 --> 00:10:28,929 DID YOU RECOVER FROM LAST NIGHT 211 00:10:29,029 --> 00:10:29,997 AND GET SOME SLEEP? 212 00:10:30,097 --> 00:10:32,399 YEAH, I GOT A LITTLE SLEEP. 213 00:10:32,499 --> 00:10:35,669 NICKI, THIS GUY IS BAD. 214 00:10:35,769 --> 00:10:36,569 Mike: BAD. 215 00:10:36,670 --> 00:10:38,739 LAST NIGHT, HE TAKES MRS. SOMERS 216 00:10:38,839 --> 00:10:40,473 WHO DELIVERED IN 2O MINUTES 217 00:10:40,573 --> 00:10:42,409 AND HE GIVES ME MRS. SHIPLEY 218 00:10:42,509 --> 00:10:45,979 WHOSE HUSBAND WAS TAKING PICTURES OF EVERYTHING. 219 00:10:46,079 --> 00:10:47,247 HE KEPT SAYING, "I MISSED IT. 220 00:10:47,347 --> 00:10:49,549 COULD YOU DO IT AGAIN?" 221 00:10:49,649 --> 00:10:52,285 WELL, LET ME GO GET CLAIR. 222 00:10:52,385 --> 00:10:53,486 OKAY. 223 00:10:53,586 --> 00:10:55,155 THIS IS A BEAUTIFUL HOUSE. 224 00:10:55,255 --> 00:10:58,992 YEAH, I BUILT IT FROM A KIT. 225 00:11:02,662 --> 00:11:04,231 ARE THEY HERE? 226 00:11:04,331 --> 00:11:06,366 YEAH, THEY'RE HERE. 227 00:11:06,466 --> 00:11:09,136 WELL, WHAT'S SHE LIKE? 228 00:11:10,938 --> 00:11:14,574 SHE'S GOT TWO ARMS, TWO LEGS. 229 00:11:14,674 --> 00:11:15,108 OH, COME ON, CLIFF. 230 00:11:15,642 --> 00:11:16,777 SHE CAN'T BE THAT BAD. 231 00:11:16,877 --> 00:11:20,881 NO. SHE'S NOT BAD AT ALL. 232 00:11:26,553 --> 00:11:31,458 WHERE IS SHE? 233 00:11:35,195 --> 00:11:39,366 SHE'S SITTING BESIDE HIM ON THE SOFA. 234 00:11:42,903 --> 00:11:46,774 CLIFF. 235 00:11:47,440 --> 00:11:48,675 CLIFF, THAT IS NO WOMAN. 236 00:11:48,776 --> 00:11:51,678 THAT'S SOMEBODY'S CHILD. 237 00:11:51,779 --> 00:11:52,545 RIGHT. 238 00:11:52,645 --> 00:11:56,149 NOW LOOK, WE'RE ALL SOMEBODY'S CHILD. 239 00:11:56,249 --> 00:11:58,752 WELL, SHE CERTAINLY DOES LOOK YOUNG. 240 00:11:58,852 --> 00:12:01,721 YES, BUT YOU'RE LOOKING AT HER FROM A DISTANCE. 241 00:12:03,056 --> 00:12:05,725 WELL, WHAT DOES SHE LOOK LIKE UP CLOSE? 242 00:12:05,826 --> 00:12:09,429 YOUNGER. 243 00:12:09,529 --> 00:12:10,697 OH... 244 00:12:10,798 --> 00:12:11,698 NO, WAIT A MINUTE. 245 00:12:11,799 --> 00:12:13,901 MAYBE SHE'S FROM THAT PART OF RUSSIA 246 00:12:14,001 --> 00:12:18,038 WHERE THEY EAT NOTHING BUT YOGURT ALL THE TIME. 247 00:12:18,138 --> 00:12:20,307 NOW, LOOK AT YOU. 248 00:12:20,407 --> 00:12:22,242 COME ON, YOU'VE GOT TO BEHAVE. 249 00:12:22,342 --> 00:12:23,643 NO, YOU BEHAVE. 250 00:12:23,743 --> 00:12:24,845 NO, Y BEHAVE. 251 00:12:26,046 --> 00:12:29,516 NO, Y BEHAVE, BECAUSE I'M NOT SAYING ANYTHING. 252 00:12:29,616 --> 00:12:30,918 WELL, WHAT IS THAT? 253 00:12:31,018 --> 00:12:33,386 WELL, I CAN'T HELP IT. 254 00:12:33,486 --> 00:12:35,989 LOOK, WE OWE IT TO HIM. 255 00:12:36,089 --> 00:12:38,325 WE ARE HIS CLOSEST FRIENDS. 256 00:12:38,425 --> 00:12:39,526 BE NICE. 257 00:12:39,626 --> 00:12:40,861 GIVE HIM A CHANCE, OKAY? 258 00:12:40,961 --> 00:12:41,862 OKAY, YOU TAKE THE COFFEE 259 00:12:41,962 --> 00:12:47,334 AND I'LL GET THE CHOCOLATE MILK. 260 00:12:47,434 --> 00:12:50,637 BEHAVE. 261 00:12:59,947 --> 00:13:02,850 HI! 262 00:13:08,221 --> 00:13:09,990 MIKE SAID HE WAS YOUR RESIDENT PHYSICIAN 263 00:13:10,090 --> 00:13:11,524 WHEN YOU WERE AN INTERN. 264 00:13:11,624 --> 00:13:13,060 THAT IS CORRECT. 265 00:13:13,160 --> 00:13:16,329 OF ALL THE INTERNS I HAD, HE WAS THE BEST. 266 00:13:16,429 --> 00:13:17,397 COME ON. 267 00:13:17,497 --> 00:13:20,233 ISN'T THAT WHAT YOU KEPT TELLING ME? 268 00:13:21,134 --> 00:13:22,435 HOW DID YOU MEET? 269 00:13:22,535 --> 00:13:24,104 N.Y.U. EXTENSION. 270 00:13:24,204 --> 00:13:26,639 I WAS TAKING SHAKESPEARE, HE WAS TAKING COOKING. 271 00:13:26,739 --> 00:13:28,241 ALWAYS WANTED TO LEARN TO COOK. 272 00:13:28,341 --> 00:13:32,812 HE GOT IN THE ELEVATOR WITH A FALLEN SOUFFLE. 273 00:13:32,913 --> 00:13:33,746 HE LOOKED REALLY DEPRESSED... 274 00:13:33,847 --> 00:13:35,883 AND CUTE. 275 00:13:35,983 --> 00:13:37,617 THAT WAS ROMANTIC. 276 00:13:37,717 --> 00:13:38,551 ON OUR FIRST DATE 277 00:13:39,486 --> 00:13:43,223 CLIFF CAME TO MY HOUSE AND SAT FOR TWO HOURS. 278 00:13:43,323 --> 00:13:49,762 WHY DON'T YOU TELL THEM THAT YOUR FATHER SAT BETWEEN US? 279 00:13:49,863 --> 00:13:51,198 MIKE SAYS YOUR MARRIAGE IS PERFECT. 280 00:13:51,298 --> 00:13:53,200 THAT'S HARD TO LIVE UP TO. 281 00:13:53,300 --> 00:13:55,936 I KEEP UP MY HALF. 282 00:13:56,036 --> 00:13:57,871 ( rock music blaring ) 283 00:13:57,971 --> 00:13:59,406 HEY! 284 00:13:59,506 --> 00:14:01,441 HOLD IT DOWN UP THERE! 285 00:14:01,541 --> 00:14:03,710 Theo: OKAY, DAD. 286 00:14:03,810 --> 00:14:05,979 I WOKE UP TO THAT MESS THIS MORNING. 287 00:14:06,079 --> 00:14:07,247 YOU DON'T LIKE CLYDE? 288 00:14:07,347 --> 00:14:09,449 CLIFF AND CLYDE AREN'T BEST FRIENDS. 289 00:14:09,549 --> 00:14:11,051 IT'S AN ACQUIRED TASTE. 290 00:14:11,151 --> 00:14:12,986 HE'S GREAT LIVE. 291 00:14:13,086 --> 00:14:15,923 YOU DIDN'T GO TO A CLYDE CONCERT. 292 00:14:16,023 --> 00:14:18,458 YEAH. 293 00:14:18,558 --> 00:14:19,092 I GOT HIM 294 00:14:19,726 --> 00:14:20,193 TICKETS FOR HIS BIRTHDAY. 295 00:14:20,293 --> 00:14:22,595 WE HAD A GREAT TIME. 296 00:14:22,695 --> 00:14:27,300 CLYDE, THE GUY WITH THE TONGUE AND THE TATTOO..? 297 00:14:27,400 --> 00:14:29,102 WAIT, CLIFF. 298 00:14:29,202 --> 00:14:31,804 LISTEN TO HIS LYRICS: 299 00:14:31,905 --> 00:14:34,574 "IN THE HEART OF DARKNESS, I LOOK FOR THE FLAME. 300 00:14:34,674 --> 00:14:37,444 "IN THE SOUND OF THE WIND, I LISTEN FOR YOUR NAME. 301 00:14:37,544 --> 00:14:41,248 I STOP AND DISCOVER YOU'RE ALL THINGS TO ME." 302 00:14:41,348 --> 00:14:42,249 THAT'S LOVELY. 303 00:14:42,349 --> 00:14:45,818 IT'S LOVELY BECAUSE HE SAID THE WORDS. 304 00:14:45,919 --> 00:14:46,954 MR. CLYDE SAYS: 305 00:14:47,054 --> 00:14:57,130 ( yelling at the top of his lungs ) 306 00:15:01,334 --> 00:15:05,305 CLIFF, I'M NOW LISTENING TO HER CLYDE ALBUMS 307 00:15:05,405 --> 00:15:08,241 AND SHE'S LISTENING TO MY MILES DAVIS ALBUMS. 308 00:15:08,341 --> 00:15:12,545 AH, NOW YOU LIKE THAT, DON'T YOU? 309 00:15:12,645 --> 00:15:14,847 NOT HIS EARLIER RECORDINGS. 310 00:15:14,948 --> 00:15:16,416 I LIKE HIS RECENT STUFF. 311 00:15:16,516 --> 00:15:19,152 I WISH HE WOULD SING. 312 00:15:21,821 --> 00:15:23,323 WE'RE SUPPOSED TO BE 313 00:15:23,423 --> 00:15:26,126 ON A RACQUETBALL COURT IN FIVE MINUTES. 314 00:15:26,226 --> 00:15:27,527 HE'S TEACHING ME HOW TO PLAY. 315 00:15:27,627 --> 00:15:29,329 IT'S NICE TO MEET YOU. 316 00:15:29,429 --> 00:15:31,398 LET'S GO OUT SOMETIME. 317 00:15:31,498 --> 00:15:33,000 MAYBE A MILES DAVIS CONCERT. 318 00:15:33,100 --> 00:15:35,335 I'LL ASK HIM TO SING. 319 00:15:35,435 --> 00:15:38,471 OH, GREAT! 320 00:15:38,571 --> 00:15:40,840 DO ME A FAVOR AND START THE CAR. 321 00:15:40,940 --> 00:15:41,975 I'LL BE OUT IN A MINUTE. 322 00:15:42,075 --> 00:15:43,443 OKAY. BYE. 323 00:15:43,543 --> 00:15:45,778 BYE-BYE. 324 00:15:45,878 --> 00:15:49,682 LISTEN, I SHOULD HAVE WARNED YOU ABOUT HER AGE 325 00:15:49,782 --> 00:15:52,885 BUT I WANTED YOU TO MEET HER FIRST. 326 00:15:52,986 --> 00:15:54,754 SHE'S A LOVELY PERSON. 327 00:15:54,854 --> 00:15:56,089 WE WISH YOU LUCK. 328 00:15:56,189 --> 00:15:57,290 THAT'S GREAT. 329 00:15:57,390 --> 00:15:58,225 THANK YOU, CLAIR. 330 00:15:58,325 --> 00:16:00,627 I LOVE YOU BOTH. 331 00:16:00,727 --> 00:16:03,330 TAKE CARE. 332 00:16:05,332 --> 00:16:07,467 HOW OLD IS MIKE? 333 00:16:08,068 --> 00:16:09,169 HE'S 53. 334 00:16:09,269 --> 00:16:11,904 HOW OLD DO YOU THINK SHE IS? 335 00:16:12,005 --> 00:16:14,841 UNDER 53. 336 00:16:14,941 --> 00:16:16,843 I HAVE TO CONFESS. 337 00:16:16,943 --> 00:16:17,810 THE WHOLE TIME THEY WERE HERE 338 00:16:17,910 --> 00:16:20,480 I KEPT LOOKING FOR SOMETHING WRONG WITH HER-- 339 00:16:20,580 --> 00:16:22,982 LIKE MAYBE SHE WAS A BUBBLE-BRAIN. 340 00:16:23,083 --> 00:16:26,053 SHE WASN'T. 341 00:16:26,153 --> 00:16:28,988 SHE'S INTELLIGENT, AND THEY LOOK HAPPY. 342 00:16:29,089 --> 00:16:30,257 WHO? 343 00:16:30,357 --> 00:16:31,791 MIKE NEWCOMB. HE JUST LEFT. 344 00:16:31,891 --> 00:16:33,060 HOW IS DR. NEWCOMB? 345 00:16:33,160 --> 00:16:36,063 HE SEEMS TO BE DOING PRETTY WELL. 346 00:16:36,163 --> 00:16:39,399 DR. NEWCOMB IS 53 YEARS OLD 347 00:16:39,499 --> 00:16:42,869 AND HE'S DATING A VERY YOUNG WOMAN. 348 00:16:42,969 --> 00:16:43,936 HOW YOUNG? 349 00:16:44,037 --> 00:16:45,305 ABOUT YOUR AGE. 350 00:16:45,405 --> 00:16:47,107 REALLY? IS IT SERIOUS? 351 00:16:47,207 --> 00:16:48,708 THEY SEEM COMPATIBLE. 352 00:16:48,808 --> 00:16:50,177 GOOD FOR HIM. 353 00:16:50,277 --> 00:16:54,547 WOULD YOU CONSIDER DATING A MAN THAT AGE? 354 00:16:54,647 --> 00:16:58,285 IF I MET SOMEONE I REALLY LIKED, AGE WOULDN'T MATTER. 355 00:16:58,385 --> 00:16:59,552 WHAT YOU'RE SAYING IS 356 00:16:59,652 --> 00:17:03,223 AGE HAS NOTHING TO DO WITH HAPPINESS? 357 00:17:03,323 --> 00:17:04,957 THAT'S RIGHT. 358 00:17:05,058 --> 00:17:06,826 LET ME GIVE YOU AN EXAMPLE. 359 00:17:06,925 --> 00:17:11,030 SUPPOSE I DIED... 360 00:17:11,131 --> 00:17:15,635 AND YOUR MOTHER CAME HOME WITH A 19-YEAR-OLD BOY. 361 00:17:15,734 --> 00:17:17,069 YEAH? 362 00:17:17,170 --> 00:17:18,905 WHAT DO YOU MEAN, "YEAH?" 363 00:17:19,005 --> 00:17:26,279 I'M DEAD AND YOU CAN'T EVEN MOURN FOR A TENTH OF A SECOND? 364 00:17:26,378 --> 00:17:29,015 YOU'RE NOT DEAD. YOU'RE SITTING HERE. 365 00:17:29,116 --> 00:17:30,683 IT'S A HYPOTHETICAL DEATH. 366 00:17:30,783 --> 00:17:36,055 BUT YOU DIDN'T EVEN TAKE TIME FOR A HYPOTHETICAL MOURNING. 367 00:17:36,156 --> 00:17:38,291 IT'S ALMOST LIKE YOU WISH I WAS DEAD. 368 00:17:38,391 --> 00:17:40,993 I DON'T WANT YOU TO DIE. 369 00:17:41,094 --> 00:17:41,561 YOU SURE? 370 00:17:41,661 --> 00:17:42,562 YES! 371 00:17:42,662 --> 00:17:44,331 WHAT'S THE POINT? 372 00:17:44,431 --> 00:17:49,769 I'M DEAD, AND YOU HAVE ME ON THE SIDEWALK WITH THE GARBAGE. 373 00:17:49,869 --> 00:17:51,738 YOU'RE A WONDERFUL HUSBAND AND FATHER 374 00:17:51,838 --> 00:17:55,142 BUT YOU NEVER GET TO THE POINT. 375 00:17:55,242 --> 00:17:57,844 I'M TRYING TO GET TO THE POINT. 376 00:17:57,944 --> 00:17:59,512 GO AHEAD. 377 00:17:59,612 --> 00:18:00,480 IF YOU DIE... 378 00:18:00,580 --> 00:18:02,582 NEVER MIND. 379 00:18:03,049 --> 00:18:03,950 NEVER MIND WHAT? 380 00:18:04,050 --> 00:18:04,617 DENISE! 381 00:18:04,717 --> 00:18:05,418 HEY. 382 00:18:05,518 --> 00:18:08,721 DENISE, MY FRIEND, SIT DOWN. 383 00:18:08,821 --> 00:18:12,091 I WANT TO ASK YOU A HYPOTHETICAL QUESTION. 384 00:18:12,192 --> 00:18:12,859 OKAY. 385 00:18:12,959 --> 00:18:16,663 ALL RIGHT. NOW, SUPPOSE I DIED... 386 00:18:16,763 --> 00:18:19,666 YEAH? 387 00:18:20,367 --> 00:18:24,237 BOY, THIS IS A COLD FAMILY. 388 00:18:24,337 --> 00:18:24,937 Denise: WHAT? 389 00:18:25,037 --> 00:18:26,139 WHAT'S THE POINT? 390 00:18:27,340 --> 00:18:33,045 SUPPOSE I DIED, AND YOUR MOTHER CAME HOME WITH A YOUNG BOY. 391 00:18:33,146 --> 00:18:34,113 HOW CUTE IS HE? 392 00:18:34,214 --> 00:18:36,048 A HUNK. 393 00:18:36,149 --> 00:18:37,150 HOW YOUNG? 394 00:18:37,250 --> 00:18:38,117 NINETEEN. 395 00:18:38,218 --> 00:18:42,489 WHERE ARE HIS PARENTS GOING TO SLEEP? 396 00:18:42,589 --> 00:18:44,891 I'M KIDDING. I'M KIDDING. 397 00:18:44,991 --> 00:18:46,226 WHERE WILL HE SLEEP? 398 00:18:46,326 --> 00:18:47,360 IT'S YOUR FATHER'S STORY. 399 00:18:47,460 --> 00:18:50,197 HE'LL DECIDE. 400 00:18:50,297 --> 00:18:51,431 I DO HOPE IT'S WITH ME. 401 00:18:51,531 --> 00:18:54,634 OH! 402 00:18:59,038 --> 00:19:01,941 OKAY, HE'S WITH YOU... 403 00:19:02,041 --> 00:19:03,576 YEAH... 404 00:19:03,676 --> 00:19:05,077 IN THIS HOUSE. 405 00:19:05,178 --> 00:19:05,945 THANK YOU. 406 00:19:06,045 --> 00:19:10,317 BUT MY GHOST IS IN THAT ROOM. 407 00:19:10,417 --> 00:19:10,783 WHY ARE YOU 408 00:19:11,251 --> 00:19:11,484 BRINGING THIS UP? 409 00:19:12,185 --> 00:19:15,121 I'M BRINGING THIS UP BECAUSE... 410 00:19:15,222 --> 00:19:17,990 I DON'T REMEMBER. 411 00:19:18,090 --> 00:19:18,825 YOU WERE MAKING 412 00:19:18,925 --> 00:19:19,626 A POINT TO ME. 413 00:19:19,726 --> 00:19:22,128 YES! THAT'S RIGHT. 414 00:19:22,229 --> 00:19:23,963 WHAT WAS THE POINT? 415 00:19:24,063 --> 00:19:25,064 HEY, WHAT'S GOING ON? 416 00:19:25,164 --> 00:19:26,699 WE'RE HAVING A DISCUSSION. 417 00:19:26,799 --> 00:19:28,100 SUPPOSE DAD DIED... 418 00:19:28,201 --> 00:19:32,405 IT WOULD REALLY TEAR ME UP. 419 00:19:35,808 --> 00:19:37,310 MY SON. 420 00:19:37,410 --> 00:19:40,913 TOMORROW I'M TAKING YOU OUT TO BUY YOU A CAR. 421 00:19:41,013 --> 00:19:43,883 THAT'S NOT FAIR. 422 00:19:43,983 --> 00:19:48,688 YOU ALL ANSWERED THE QUESTION WRONG. 423 00:20:02,168 --> 00:20:07,407 ( noisy kiss ) 424 00:20:07,507 --> 00:20:12,845 I THOUGHT IT WAS THE 19-YEAR-OLD. 425 00:20:17,984 --> 00:20:21,721 CLAIR, LISTEN TO THAT. 426 00:20:21,821 --> 00:20:22,989 WHAT? 427 00:20:23,089 --> 00:20:25,392 THE SOUND OF OUR CHILDREN 428 00:20:25,492 --> 00:20:29,696 PLAYING AT YOUR MOTHER AND FATHER'S HOUSE. 429 00:20:29,796 --> 00:20:32,899 I'VE BEEN THINKING ABOUT MIKE AND NICKI. 430 00:20:32,999 --> 00:20:35,268 THEY HAVE A GREAT RELATIONSHIP. 431 00:20:35,368 --> 00:20:38,805 IT MUST BE WONDERFUL TO HAVE NEW THINGS TO TALK ABOUT. 432 00:20:38,905 --> 00:20:40,307 LIKE WHAT? 433 00:20:40,407 --> 00:20:41,974 I DON'T KNOW. 434 00:20:42,074 --> 00:20:46,379 ALL WE EVER TALK ABOUT ARE BILLS, REPORT CARDS, WORK. 435 00:20:46,479 --> 00:20:52,752 WE ARE DULL AND BORING BEYOND WORDS. 436 00:20:53,420 --> 00:20:56,423 THAT'S WHAT YOU THINK, HUH? 437 00:20:56,523 --> 00:20:59,492 DON'T YOU? 438 00:20:59,592 --> 00:21:02,395 COME HERE. 439 00:21:03,162 --> 00:21:05,732 I DON'T WANT YOU TO SAY ANOTHER WORD 440 00:21:05,832 --> 00:21:09,669 BECAUSE WE ARE "BEYOND WORDS." 441 00:21:09,769 --> 00:21:13,340 SIT DOWN. 442 00:21:23,583 --> 00:21:33,593 ( romantic jazz ) 443 00:21:33,626 --> 00:21:47,807 ( romantic jazz ) 444 00:23:36,048 --> 00:23:39,351 Captioning Made Possible By 445 00:23:40,820 --> 00:23:44,156 THE METROPOLITAN LIFE INSURANCE COMPANY 446 00:23:45,157 --> 00:23:48,461 Captioned By The Caption Center WGBH Educational Foundation 28403

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