All language subtitles for The.Cosby.Show.S01E10.How.Ugly.Is.He.1080p.AMZN.WEB-DL.DDP.5.1.H.264-FLUX_track3_[eng]

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:09,343 --> 00:00:11,979 Captioning Made Possible By 2 00:00:12,080 --> 00:00:15,149 THE METROPOLITAN LIFE INSURANCE COMPANY 3 00:00:58,192 --> 00:00:59,360 ( buzz ) 4 00:01:02,696 --> 00:01:04,298 HELLO? 5 00:01:04,397 --> 00:01:07,000 MRS. RAMOS IS HERE? 6 00:01:07,101 --> 00:01:09,803 SHE'S NOT DUE HERE TILL NEXT WEEK. 7 00:01:09,903 --> 00:01:11,805 OKAY, SEND HER IN. 8 00:01:14,108 --> 00:01:15,075 MRS. RAMOS. 9 00:01:15,176 --> 00:01:17,678 DOCTOR, IT'S BEEN NINE MONTHS AND A WEEK. 10 00:01:17,778 --> 00:01:19,747 TAKE IT OUT NOW. 11 00:01:24,885 --> 00:01:27,054 MRS. RAMOS, YOU HAVE TO BE PATIENT. 12 00:01:27,155 --> 00:01:29,557 I FEEL LIKE I'M GOING TO EXPLODE. 13 00:01:29,657 --> 00:01:33,093 I'VE NEVER HAD A PATIENT EXPLODE ON ME YET. 14 00:01:33,194 --> 00:01:35,163 THIS HAS GONE ON LONG ENOUGH. 15 00:01:35,263 --> 00:01:38,098 I'M GOING TO THE HOSPITAL TO HAVE IT NOW. 16 00:01:38,199 --> 00:01:41,902 NO, YOU CAN'T GO NOW. 17 00:01:42,002 --> 00:01:45,706 I WANT YOU TO JUST HAVE A SEAT NOW. 18 00:01:45,806 --> 00:01:48,209 I CAN'T. 19 00:01:48,309 --> 00:01:49,443 I KNOW WHAT YOU MEAN. 20 00:01:49,543 --> 00:01:51,011 HERE, LOOK-- DO LIKE THIS. 21 00:01:51,111 --> 00:01:52,646 I UNDERSTAND. 22 00:01:52,746 --> 00:01:55,549 YOU JUST COME, PUT YOUR HANDS HERE, SEE? 23 00:01:55,649 --> 00:02:00,954 THEN YOU PUT IT DOWN, AND FEET GO OUT 24 00:02:01,054 --> 00:02:04,892 AND LEAN BACK, AND THERE YOU HAVE IT. 25 00:02:04,992 --> 00:02:08,229 AHH. 26 00:02:08,329 --> 00:02:09,729 TRY IT. 27 00:02:09,830 --> 00:02:11,799 PUT YOUR HANDS DOWN. THERE YOU GO. 28 00:02:11,899 --> 00:02:14,302 NOW LOWER IT. 29 00:02:14,402 --> 00:02:16,237 THERE YOU GO. 30 00:02:16,337 --> 00:02:17,205 FEEL BETTER? 31 00:02:17,305 --> 00:02:18,038 MM-HMM. 32 00:02:18,138 --> 00:02:21,809 LET ME TELL YOU SOMETHING. 33 00:02:21,909 --> 00:02:23,311 YOU'RE READY 34 00:02:23,411 --> 00:02:25,613 AND I'M READY. 35 00:02:25,713 --> 00:02:28,616 THE HOSPITAL IS ALWAYS READY. 36 00:02:28,716 --> 00:02:33,354 BUT HE OR SHE IS NOT READY, AND THAT'S THE BOSS. 37 00:02:33,454 --> 00:02:36,390 WE GO WHEN THE BOSS WANTS TO GO. 38 00:02:36,490 --> 00:02:38,392 DOES IT KNOW WHAT IT'S DOING TO ME? 39 00:02:38,492 --> 00:02:44,765 WHEN THIS BABY IS 13 YEARS OLD, YOU TELL THIS BABY WHAT IT DID 40 00:02:44,865 --> 00:02:48,502 AND YOU WILL GET THE BEST MOTHER'S DAY PRESENT 41 00:02:48,602 --> 00:02:51,171 YOU EVER GOT IN YOUR LIFE. 42 00:02:51,272 --> 00:02:53,574 OKAY? 43 00:02:53,674 --> 00:02:55,343 DOCTOR, YOU'RE A NICE MAN. 44 00:02:55,443 --> 00:02:56,577 THANK YOU. 45 00:02:56,677 --> 00:02:57,678 YOU'RE A HANDSOME MAN. 46 00:02:57,778 --> 00:02:58,379 THANK YOU. 47 00:02:58,479 --> 00:03:01,915 YOU'RE FULL OF IT. 48 00:03:02,015 --> 00:03:03,183 YOU FEEL BETTER? 49 00:03:03,284 --> 00:03:04,385 YES, THANK YOU. 50 00:03:04,485 --> 00:03:07,255 GOOD. I'LL SEE YOU NEXT WEEK. 51 00:03:07,355 --> 00:03:08,556 HOPEFULLY SOONER. 52 00:03:08,656 --> 00:03:09,457 HOPEFULLY SOONER. 53 00:03:09,557 --> 00:03:10,190 BYE-BYE. 54 00:03:10,291 --> 00:03:11,992 BYE. 55 00:03:12,092 --> 00:03:13,861 HELLO. HI. 56 00:03:13,961 --> 00:03:14,895 IS THIS ONE OF YOURS? 57 00:03:14,995 --> 00:03:17,030 I DON'T THINK SO. 58 00:03:18,098 --> 00:03:19,066 BECAUSE ONE OF MINE 59 00:03:19,166 --> 00:03:22,403 WOULDN'T COME DOWNSTAIRS WITHOUT MY PERMISSION. 60 00:03:22,503 --> 00:03:24,272 BYE. 61 00:03:24,905 --> 00:03:26,307 HI, DAD. 62 00:03:26,407 --> 00:03:28,008 VANESSA, YOU KNOW THE RULES. 63 00:03:28,108 --> 00:03:32,746 YOU ARE NOT TO COME DOWN HERE WHEN I AM WORKING. 64 00:03:32,846 --> 00:03:35,916 I CAME DOWN HERE BECAUSE I'M WORRIED ABOUT YOU. 65 00:03:36,016 --> 00:03:36,917 WORRIED ABOUT ME? 66 00:03:37,017 --> 00:03:40,087 DENISE WAS JUST TELLING THEO 67 00:03:40,187 --> 00:03:42,155 THAT WHENEVER HER BOYFRIENDS COME HERE 68 00:03:42,256 --> 00:03:43,691 YOU'RE ROUGH ON THEM. 69 00:03:43,791 --> 00:03:44,992 "ROUGH"? 70 00:03:45,092 --> 00:03:46,760 I'M JUST SAYING WHAT I HEARD. 71 00:03:46,860 --> 00:03:48,762 MAKE YOURSELF COMFORTABLE. 72 00:03:48,862 --> 00:03:49,430 SHE SAID 73 00:03:50,097 --> 00:03:52,366 THAT ONE BOY WAS IN THE ROOM 74 00:03:52,466 --> 00:03:55,569 WHEN YOU ASKED MOM, "HOW UGLY IS HE?" 75 00:03:55,669 --> 00:03:58,539 WELL, THE BOY WAS UGLY. 76 00:03:59,907 --> 00:04:03,311 AND WHAT ABOUT THE BOY WHOSE HAIRCUT YOU DIDN'T LIKE? 77 00:04:03,411 --> 00:04:07,247 THAT BOY HAD SHAVED A LANDING STRIP 78 00:04:07,348 --> 00:04:11,319 ACROSS THE TOP OF HIS HEAD. 79 00:04:11,419 --> 00:04:15,055 I THINK IT'S FUNNY, TOO, BUT LET ME ASK YOU: 80 00:04:15,155 --> 00:04:18,659 WHEN DID YOU LAST MEET ONE OF DENISE'S BOYFRIENDS? 81 00:04:18,759 --> 00:04:20,861 LANDING STRIP. 82 00:04:20,961 --> 00:04:24,197 THERE HAVE BEEN A COUPLE SINCE HIM. 83 00:04:24,298 --> 00:04:25,733 WHY DID YOU COME HERE? 84 00:04:25,833 --> 00:04:28,068 BECAUSE DENISE HAS A NEW BOYFRIEND. 85 00:04:28,168 --> 00:04:32,205 HE'S REALLY NEAT, SMART, AND AN ABSOLUTE FOX. 86 00:04:32,306 --> 00:04:34,308 WE'VE ALL MET HIM EXCEPT YOU. 87 00:04:34,408 --> 00:04:37,878 EVEN THEODORE. 88 00:04:37,978 --> 00:04:40,147 THEODORE'S MET HIM, AND I HAVEN'T? 89 00:04:40,247 --> 00:04:41,682 I'M AFRAID SO. 90 00:04:41,782 --> 00:04:43,250 I HOPE THIS WASN'T SNITCHING. 91 00:04:43,351 --> 00:04:46,019 I'M TRYING TO CUT DOWN. 92 00:04:48,856 --> 00:04:53,861 ( rock music on television ) 93 00:04:57,398 --> 00:04:58,832 WHAT IS IT? 94 00:04:58,932 --> 00:05:01,335 A NEW VIDEO BY "THE MANIACS." 95 00:05:02,235 --> 00:05:04,037 WHY IS SHE HITTING HIM? 96 00:05:04,137 --> 00:05:05,706 SHH! 97 00:05:05,806 --> 00:05:08,776 WHY IS HE BREAKING THE CAR WINDOWS? 98 00:05:08,876 --> 00:05:10,511 IF YOU UNDERSTOOD "THE MANIACS" 99 00:05:10,611 --> 00:05:12,980 YOU WOULDN'T BE ASKING. 100 00:05:17,951 --> 00:05:21,455 I TOLD YOU NOT TO WATCH THAT TRASH. 101 00:05:21,555 --> 00:05:26,660 ALL IT IS IS A NIGHTMARE PUT TO MUSIC. 102 00:05:26,760 --> 00:05:28,396 IF YOU UNDERSTOOD "THE MANIACS" 103 00:05:28,496 --> 00:05:32,332 YOU WOULDN'T SAY THAT. 104 00:05:32,433 --> 00:05:35,536 I UNDERSTAND FROM AN INSIDE SOURCE 105 00:05:35,636 --> 00:05:38,271 THAT DENISE HAS A NEW BOYFRIEND. 106 00:05:38,372 --> 00:05:39,773 I'M NOT TALKING. 107 00:05:41,642 --> 00:05:45,479 SO, YOU'RE SWORN TO SECRECY, HUH? 108 00:05:45,579 --> 00:05:48,348 ALL I WANT IS HIS NAME. 109 00:05:48,449 --> 00:05:51,151 DON'T DO THIS-- DENISE WILL KILL ME. 110 00:05:51,251 --> 00:05:54,287 WELL, YOU'RE GOING TO TELL ME HIS NAME 111 00:05:54,388 --> 00:05:58,025 BECAUSE EVERYBODY KNOWS YOU CAN'T KEEP A SECRET. 112 00:05:58,125 --> 00:05:59,727 LOOK AT YOUR FACE. 113 00:05:59,827 --> 00:06:03,030 IT'S SLIDING OUT OF YOUR FACE. 114 00:06:03,130 --> 00:06:04,798 IT'S DAVID JAMES. 115 00:06:07,601 --> 00:06:09,069 RUDY! 116 00:06:09,169 --> 00:06:12,072 IT JUST SLID OUT OF MY FACE. 117 00:06:19,880 --> 00:06:21,615 DAVID JAMES IS NICE, HUH? 118 00:06:21,715 --> 00:06:22,916 ISN'T HE? 119 00:06:23,016 --> 00:06:25,586 HE WRITES POETRY, HE'S POLITE AND GOOD-LOOKING. 120 00:06:25,686 --> 00:06:28,121 YOU MET HIM? 121 00:06:28,221 --> 00:06:29,256 YES. 122 00:06:29,356 --> 00:06:31,058 RUDY'S MET HIM, VANESSA'S MET HIM 123 00:06:31,158 --> 00:06:33,627 THEO'S MET HIM. 124 00:06:33,727 --> 00:06:35,529 SHE'S HIDING HIM FROM ME, ISN'T SHE? 125 00:06:35,629 --> 00:06:37,531 WHY WOULD SHE DO THAT? 126 00:06:37,631 --> 00:06:40,100 SHE THINKS I'M TOO ROUGH ON THEM. 127 00:06:40,200 --> 00:06:41,068 BUT I'M NOT. 128 00:06:41,168 --> 00:06:42,670 OF COURSE YOU'RE NOT. 129 00:06:42,770 --> 00:06:45,205 BUT DOES ANY OF THIS SOUND FAMILIAR-- 130 00:06:45,305 --> 00:06:47,875 "HOW UGLY IS HE?" 131 00:06:47,975 --> 00:06:51,044 "WHO IS HIS PAROLE OFFICER?" 132 00:06:52,312 --> 00:06:54,882 FACE IT, CLIFF, YOU ARE ROUGH. 133 00:06:54,982 --> 00:06:56,950 I'M NOT THAT ROUGH. 134 00:06:57,050 --> 00:06:59,152 WELL, WHAT ARE YOU? 135 00:06:59,252 --> 00:07:03,791 THE WAY I SEE IT IS I'M LIKE OLD YELLER. 136 00:07:06,026 --> 00:07:07,461 YOU KNOW THAT MOVIE "OLD YELLER" 137 00:07:07,561 --> 00:07:10,898 WHERE THE DOG PROTECTED THE HOME? 138 00:07:10,998 --> 00:07:15,503 IT'S MY JOB TO PROTECT THE HOME, SO I HAVE TO BARK. 139 00:07:15,603 --> 00:07:17,938 R-R-RUFF! R-R-RUFF! 140 00:07:19,339 --> 00:07:22,576 BOYS COME BY THE HOUSE, AND I BARK. 141 00:07:22,676 --> 00:07:25,112 PRETTY SOON, BOYS COME BY AND THEY SAY: 142 00:07:25,212 --> 00:07:28,048 "OLD YELLER LIVES UP THERE." 143 00:07:28,148 --> 00:07:31,118 ALL I'M SAYING IS THAT SOME GOOD ONES COME BY 144 00:07:31,218 --> 00:07:32,853 AND SOME BAD ONES COME BY. 145 00:07:32,953 --> 00:07:37,591 OLD YELLER-- THAT'S MY JOB. 146 00:07:37,691 --> 00:07:40,794 CLIFF, YOU KNOW AT THE END OF THAT MOVIE 147 00:07:40,894 --> 00:07:43,196 THEY SHOT OLD YELLER. 148 00:07:46,333 --> 00:07:50,538 "TOMORROW IS, TOMORROW WAS, TOMORROW SHALL BE AN ETERNITY. 149 00:07:50,638 --> 00:07:51,805 LOVE, DAVID." 150 00:07:51,905 --> 00:07:53,406 ( knocking ) 151 00:07:53,507 --> 00:07:54,207 WHO IS IT? 152 00:07:54,307 --> 00:07:56,476 IT'S YOUR FATHER. 153 00:07:56,577 --> 00:07:58,145 COME IN. 154 00:07:59,980 --> 00:08:01,248 HI, DADDY. 155 00:08:01,348 --> 00:08:02,983 HEY. 156 00:08:05,252 --> 00:08:06,019 WHAT? 157 00:08:06,119 --> 00:08:07,320 I WANT TO MEET DAVID. 158 00:08:07,420 --> 00:08:09,757 WE BROKE UP. 159 00:08:09,857 --> 00:08:11,258 NO, NO, NOW LISTEN TO ME. 160 00:08:11,358 --> 00:08:14,628 I UNDERSTAND THAT I'VE BEEN ROUGH 161 00:08:14,728 --> 00:08:16,363 AND FOR THAT I APOLOGIZE. 162 00:08:16,463 --> 00:08:19,567 BUT I'VE HEARD GOOD THINGS ABOUT DAVID. 163 00:08:19,667 --> 00:08:21,068 LET ME ASK YOU... 164 00:08:21,168 --> 00:08:22,770 HOW UGLY IS HE? 165 00:08:22,870 --> 00:08:24,938 NO, LOOK, THAT'S ALL OVER. 166 00:08:25,038 --> 00:08:26,173 I'M TELLING YOU. 167 00:08:26,273 --> 00:08:27,841 WHAT DO YOU THINK 168 00:08:27,941 --> 00:08:31,211 ABOUT BRINGING HIM OVER FOR DINNER FRIDAY NIGHT? 169 00:08:31,311 --> 00:08:33,280 OH, NO WAY. 170 00:08:33,380 --> 00:08:35,215 YOU DON'T KNOW YOUR FATHER. 171 00:08:35,315 --> 00:08:38,986 IF I PROMISE YOU I'LL BEHAVE, THEN YOU BRING HIM OVER 172 00:08:39,086 --> 00:08:41,254 AND YOU'LL SEE A MAN 173 00:08:41,354 --> 00:08:44,992 WHO IS GRACIOUS AND COURTEOUS. 174 00:08:45,092 --> 00:08:48,862 AND YOU'LL LOOK AND YOU'LL SAY, "IS THAT MY FATHER?" 175 00:08:48,962 --> 00:08:50,297 HONEST. 176 00:08:50,397 --> 00:08:53,133 WE'LL EAT IN THE DINING ROOM. 177 00:08:53,233 --> 00:08:54,467 WE NEVER EAT THERE. 178 00:08:54,568 --> 00:08:55,836 THAT'S RIGHT. 179 00:08:55,936 --> 00:08:56,970 WE'LL EAT IN THE DINING ROOM. 180 00:08:57,070 --> 00:08:58,906 I'LL BREAK OUT THE BEST CHINA 181 00:08:59,006 --> 00:09:03,476 AND LINEN NAPKINS TO DAB OUR MOUTHS. 182 00:09:05,412 --> 00:09:08,515 AND IT WILL BE A TOTALLY ADULT EVENING. 183 00:09:08,616 --> 00:09:11,685 OH, RIGHT, WITH THEO, VANESSA AND RUDY. 184 00:09:11,785 --> 00:09:15,956 NO, NO ONE UNDER 16 ADMITTED. 185 00:09:16,056 --> 00:09:17,925 OKAY, I'LL GO CALL DAVID. 186 00:09:18,025 --> 00:09:18,992 OKAY. 187 00:09:19,092 --> 00:09:20,327 THANKS. 188 00:09:23,530 --> 00:09:33,540 * La-La La-La La-La-La 189 00:09:34,675 --> 00:09:36,644 CLIFF, I'M HOME! 190 00:09:36,744 --> 00:09:37,878 OF COURSE YOU'RE HOME! 191 00:09:37,978 --> 00:09:40,447 WHY WOULD YOU YELL THAT? 192 00:09:40,547 --> 00:09:43,851 MR. AUERBACH WALKED INTO MY OFFICE AT 5:00 ON A FRIDAY 193 00:09:43,951 --> 00:09:45,953 WITH A BRIEF FOR ME TO REWRITE. 194 00:09:46,053 --> 00:09:49,189 CLAIR, STOP! 195 00:09:49,289 --> 00:09:50,791 LOOK! 196 00:09:50,891 --> 00:09:52,826 AND SMELL! 197 00:09:52,926 --> 00:09:56,764 OH, MY, CLIFF'S SALISBURY STEAK DELIGHT? 198 00:09:56,864 --> 00:09:57,931 RED BEANS AND RICE. 199 00:09:58,031 --> 00:10:00,734 TURNING OUT WITH THE TURNIP GREENS. 200 00:10:00,834 --> 00:10:02,269 AND WHAT IS THAT? 201 00:10:02,369 --> 00:10:07,440 CLIFF'S OWN DEEP-DISH SWEET POTATO COBBLER. 202 00:10:12,445 --> 00:10:14,748 ANOTHER OF YOUR DESSERT MISTAKES? 203 00:10:14,848 --> 00:10:16,149 TRUST ME. 204 00:10:16,249 --> 00:10:16,984 THE KITCHEN... 205 00:10:17,084 --> 00:10:18,018 IS SPOTLESS. 206 00:10:18,118 --> 00:10:19,186 IS SPOTLESS. 207 00:10:20,353 --> 00:10:23,657 YOU THOUGHT YOU WOULD COME HOME TO GUNGA DIN, DIDN'T YOU? 208 00:10:23,757 --> 00:10:25,058 I DID. I'M SORRY. 209 00:10:25,158 --> 00:10:25,759 DON'T LOOK OUT THERE. 210 00:10:25,859 --> 00:10:29,096 OH, CLIFF. 211 00:10:29,196 --> 00:10:35,102 WHY IS THERE A PILE OF DIRTY POTS AND PANS IN THE BACKYARD? 212 00:10:35,202 --> 00:10:38,839 BECAUSE IT CAME DOWN TO EITHER SCRUBBING THE POTS 213 00:10:38,939 --> 00:10:43,376 OR SPENDING AN HOUR WITH DENISE PICKING OUT MY WARDROBE. 214 00:10:43,476 --> 00:10:45,512 LOOK AT YOU. 215 00:10:45,612 --> 00:10:47,881 ALL RIGHT! 216 00:10:55,856 --> 00:10:58,859 SHE TOOK A FLASHLIGHT AND WENT INTO MY CLOSET 217 00:10:58,959 --> 00:11:02,796 AND FOUND WHERE I HID MY FATHER'S DAY PRESENTS. 218 00:11:02,896 --> 00:11:04,631 MOM, IS THAT WHAT YOU'RE WEARING? 219 00:11:04,732 --> 00:11:05,665 IS DINNER READY? 220 00:11:06,700 --> 00:11:08,001 VANESSA AND RUDY WON'T COME DOWNSTAIRS, WILL THEY? 221 00:11:08,101 --> 00:11:09,336 JUST BE COOL. 222 00:11:09,436 --> 00:11:10,470 THE FOOD'S BEAUTIFUL. 223 00:11:10,570 --> 00:11:11,739 YOUR MOTHER'S BEAUTIFUL. 224 00:11:11,839 --> 00:11:14,341 I PUT LUM AND ABNER IN THEIR ROOM 225 00:11:14,441 --> 00:11:16,710 AND NAILED THE DOOR SHUT. 226 00:11:16,810 --> 00:11:18,078 JUST BE... 227 00:11:18,178 --> 00:11:18,879 ( doorbell ) 228 00:11:18,979 --> 00:11:21,481 I GOT IT. 229 00:11:21,581 --> 00:11:24,117 PLEASE, LET ME. 230 00:11:24,217 --> 00:11:25,919 I WANT THE FIRST FACE HE SEES TO BE MINE. 231 00:11:26,019 --> 00:11:27,654 WHERE DO YOU WANT MY FACE? 232 00:11:27,755 --> 00:11:29,489 RIGHT THERE, OKAY? 233 00:11:29,589 --> 00:11:31,024 FOREVER? 234 00:11:32,793 --> 00:11:35,228 HOW AM I DOING SO FAR? 235 00:11:35,328 --> 00:11:36,563 HI. HELLO. 236 00:11:36,663 --> 00:11:37,497 DON'T BE NERVOUS. 237 00:11:37,597 --> 00:11:38,365 I'M NOT NERVOUS. 238 00:11:38,465 --> 00:11:39,800 I AM. 239 00:11:41,835 --> 00:11:42,836 YOU KNOW MY MOM. 240 00:11:42,936 --> 00:11:44,905 NICE TO SEE YOU AGAIN. 241 00:11:45,005 --> 00:11:46,406 HELLO, DAVID. 242 00:11:46,506 --> 00:11:48,575 AND THIS IS MY DAD, DR. HUXTABLE. 243 00:11:48,675 --> 00:11:50,911 NICE TO MEET YOU, SIR. 244 00:11:51,011 --> 00:11:52,312 LIKEWISE. 245 00:11:52,412 --> 00:11:55,048 I UNDERSTAND YOU'RE A FAN OF TONY TAYLOR. 246 00:11:55,148 --> 00:11:58,251 YEAH, TONY 'CLEAN HEAD' TAYLOR. 247 00:11:58,351 --> 00:12:00,587 DO YOU HAVE THIS ONE? 248 00:12:00,687 --> 00:12:03,924 "TONY 'CLEAN HEAD' TAYLOR: LIVE AT THE BOHEMIAN CAVERNS." 249 00:12:04,024 --> 00:12:06,259 THOUGHT YOU MIGHT LIKE TO BORROW IT. 250 00:12:06,359 --> 00:12:07,460 WELL, THANK YOU VERY MUCH. 251 00:12:07,560 --> 00:12:10,030 I THINK I'LL PLAY THIS RIGHT NOW. 252 00:12:13,967 --> 00:12:17,170 MOM, WHY DON'T I HELP YOU IN THE KITCHEN? 253 00:12:18,371 --> 00:12:21,842 ( jazz piano ) 254 00:12:28,515 --> 00:12:31,418 OOH, I MEAN, TAYLOR-- 255 00:12:31,518 --> 00:12:35,956 HE DID THINGS THEN THAT PEOPLE TODAY STILL CAN'T UNDERSTAND. 256 00:12:36,056 --> 00:12:37,590 NOBODY CAN TOUCH HIM. 257 00:12:37,690 --> 00:12:38,892 HEY, DAVID! 258 00:12:38,992 --> 00:12:40,160 HEY, THEO. 259 00:12:40,260 --> 00:12:41,294 WHAT'S THIS? 260 00:12:41,394 --> 00:12:43,430 TONY 'CLEAN HEAD' TAYLOR. 261 00:12:43,530 --> 00:12:44,564 HE'S A GENIUS. 262 00:12:44,664 --> 00:12:45,966 A GENIUS? AT WHAT? 263 00:12:47,667 --> 00:12:49,169 YOU LIKE THIS STUFF? 264 00:12:49,269 --> 00:12:51,471 GIVE IT A CHANCE, THEO. 265 00:12:52,505 --> 00:12:55,608 HEY, DID I ASK YOU TO TURN THE MUSIC OFF? 266 00:12:55,708 --> 00:12:56,844 NO. 267 00:12:56,944 --> 00:12:58,345 BUT YOU TURNED IT OFF? 268 00:12:58,445 --> 00:13:00,513 YEAH. 269 00:13:01,614 --> 00:13:04,184 WOULD YOU LIKE TO ASK ME TO TURN THE MUSIC OFF? 270 00:13:04,284 --> 00:13:05,718 CAN I TURN IT OFF? 271 00:13:05,819 --> 00:13:06,553 YES. 272 00:13:17,597 --> 00:13:21,501 AH... MY SOCKS? 273 00:13:21,601 --> 00:13:22,502 DON'T BE EMBARRASSED. 274 00:13:22,602 --> 00:13:26,039 I DO IT MYSELF SOMETIMES. 275 00:13:26,139 --> 00:13:27,474 I'M NOT EMBARRASSED. 276 00:13:27,574 --> 00:13:28,275 TO ME, MATCHED SOCKS 277 00:13:28,375 --> 00:13:31,511 ARE AN UNNECESSARY RULE OF SOCIETY. 278 00:13:35,849 --> 00:13:40,220 SO, UH... YOU DID THAT ON PURPOSE? 279 00:13:40,320 --> 00:13:43,390 ABSOLUTELY. I NEVER MATCH MY SOCKS. 280 00:13:43,490 --> 00:13:46,426 YOU KNOW, I LISTENED TO TAYLOR ALL THROUGH COLLEGE. 281 00:13:46,526 --> 00:13:48,528 WHERE DID YOU GO? 282 00:13:48,628 --> 00:13:49,729 HILLMAN. 283 00:13:49,829 --> 00:13:52,065 HAVE YOU GIVEN COLLEGE ANY THOUGHT? 284 00:13:52,165 --> 00:13:53,533 I'VE ALREADY GOTTEN INTO 285 00:13:53,633 --> 00:13:56,937 HARVARD, VANDERBILT, STANFORD AND DUKE. 286 00:13:57,037 --> 00:14:00,240 YOU GO OVER BY HIM. 287 00:14:00,340 --> 00:14:02,675 YOU'VE APPLIED TO SOME FINE SCHOOLS. 288 00:14:02,775 --> 00:14:04,544 I HAVEN'T APPLIED, DR. HUXTABLE. 289 00:14:04,644 --> 00:14:06,579 THEY CAME TO ME. 290 00:14:06,679 --> 00:14:09,849 AND WHAT SCHOOL ARE YOU GOING TO CHOOSE? 291 00:14:09,950 --> 00:14:12,419 I'M NOT. 292 00:14:15,122 --> 00:14:17,057 YOU SEE, I'M NOT GOING BECAUSE 293 00:14:17,157 --> 00:14:20,093 FRANKLY, I DON'T BELIEVE IN GRADES. 294 00:14:20,193 --> 00:14:21,995 YOU, TOO? 295 00:14:24,031 --> 00:14:28,535 USUALLY, PEOPLE WHO DON'T BELIEVE IN GRADES 296 00:14:28,635 --> 00:14:33,606 DO SO BECAUSE OF THE GRADES THEY'RE GETTING. 297 00:14:33,706 --> 00:14:36,809 I GET ALL A's. 298 00:14:36,910 --> 00:14:40,080 BUT WHAT DOES AN "A" REALLY MEAN? 299 00:14:40,180 --> 00:14:42,515 YEAH. 300 00:14:43,683 --> 00:14:45,352 I'VE BEEN READING SOCRATES 301 00:14:45,452 --> 00:14:47,120 AND HE BELIEVED THAT TRUE LEARNING 302 00:14:47,220 --> 00:14:49,622 COMES FROM OBSERVING THE WORLD. 303 00:14:49,722 --> 00:14:51,724 WHERE CAN I GET THAT BOOK? 304 00:14:54,861 --> 00:14:57,530 YOU DON'T READ, SON. 305 00:14:58,265 --> 00:15:00,934 MAYBE THERE'S A MOVIE ABOUT IT. 306 00:15:01,668 --> 00:15:04,204 YOU GO UPSTAIRS AND DO YOUR HOMEWORK. 307 00:15:04,304 --> 00:15:07,774 BUT, DAD, WHAT DOES HOMEWORK REALLY MEAN? 308 00:15:08,675 --> 00:15:12,012 IT COULD MEAN A LOT OF PAIN IF YOU DON'T DO IT. 309 00:15:13,046 --> 00:15:14,381 SEE YOU, DAVID. 310 00:15:14,481 --> 00:15:17,350 MAN, LOVE THOSE SOCKS. 311 00:15:17,450 --> 00:15:20,453 WHAT WILL YOU DO AFTER GRADUATION? 312 00:15:20,553 --> 00:15:23,523 SPEND SOME TIME TRYING TO FIND MYSELF. 313 00:15:23,623 --> 00:15:26,759 HOW MUCH TIME WILL THAT TAKE? 314 00:15:26,859 --> 00:15:29,662 ABOUT FIVE OR TEN YEARS. 315 00:15:29,762 --> 00:15:34,867 YOU'LL BE ABLE TO FIND YOURSELF PLUS A COUPLE MORE PEOPLE. 316 00:15:34,968 --> 00:15:36,103 DINNER IS SERVED. 317 00:15:36,203 --> 00:15:37,804 DINNER. ALL RIGHT, DINNER. 318 00:15:41,941 --> 00:15:43,843 SO, HOW DO YOU LIKE HIM? 319 00:15:43,943 --> 00:15:45,345 I DON'T KNOW IF THAT'S HIM OR NOT. 320 00:15:45,445 --> 00:15:47,614 HE HASN'T FOUND HIMSELF. 321 00:15:55,755 --> 00:15:56,556 THE ENTREE-- 322 00:15:56,656 --> 00:16:01,995 DR. HUXTABLE'S SALISBURY STEAK DELUXE. 323 00:16:02,095 --> 00:16:03,296 I'M SORRY, DR. HUXTABLE. 324 00:16:03,396 --> 00:16:05,232 I DON'T EAT MEAT. 325 00:16:07,067 --> 00:16:08,968 THE BOY DOES NOT EAT MEAT. 326 00:16:09,069 --> 00:16:10,637 I'M A VEGETARIAN. 327 00:16:10,737 --> 00:16:11,704 I DIDN'T KNOW THAT. 328 00:16:11,804 --> 00:16:13,906 WE HAVE RED BEANS AND RICE. 329 00:16:14,007 --> 00:16:16,309 I ONLY EAT BROWN RICE. 330 00:16:16,409 --> 00:16:21,448 OKAY, WE'LL TAKE THE RICE AND BURN IT FOR YOU. 331 00:16:21,548 --> 00:16:22,249 DAD! 332 00:16:22,349 --> 00:16:23,583 HUH? 333 00:16:23,683 --> 00:16:25,985 THE SALAD WILL BE PLENTY. 334 00:16:26,086 --> 00:16:27,787 I'LL JUST HAVE SALAD MYSELF. 335 00:16:27,887 --> 00:16:31,458 GOOD. THEN THERE WILL BE MORE FOR US. 336 00:16:31,558 --> 00:16:33,493 I BECAME A VEGETARIAN 337 00:16:33,593 --> 00:16:36,529 BECAUSE STUDIES I'VE READ CONFIRM THAT MANY ILLNESSES 338 00:16:36,629 --> 00:16:39,399 CAN BE TRACED TO THE CONSUMPTION OF MEAT. 339 00:16:39,499 --> 00:16:43,803 MRS. HUXTABLE AND I LOVE TO LIVE DANGEROUSLY. 340 00:16:43,903 --> 00:16:45,372 NOTHING PERSONAL, DR. HUXTABLE 341 00:16:45,472 --> 00:16:49,008 BUT I'D EXPECT THAT ANSWER FROM A DOCTOR. 342 00:16:49,109 --> 00:16:52,212 THE MEDICAL ESTABLISHMENT DOES A POOR JOB 343 00:16:52,312 --> 00:16:55,648 OF STRESSING THE LINK BETWEEN DIET AND GOOD HEALTH. 344 00:16:57,584 --> 00:17:00,187 I UNDERSTAND YOU'RE A REAL THEATER BUFF. 345 00:17:00,287 --> 00:17:02,322 YEAH-- ONE OF MY PASSIONS. 346 00:17:02,422 --> 00:17:04,723 I JUST LOVED "DREAMGIRLS." 347 00:17:04,824 --> 00:17:06,393 "DREAMGIRLS"? 348 00:17:06,492 --> 00:17:08,228 DAVID IS BOTHERED 349 00:17:08,328 --> 00:17:11,231 BY THE GROSS COMMERCIALITY OF CONTEMPORARY THEATER. 350 00:17:11,330 --> 00:17:12,699 WELL, WE LEFT THAT THEATER 351 00:17:12,799 --> 00:17:15,768 HUMMING THE TUNES AND FEELING FINE. 352 00:17:15,867 --> 00:17:19,906 I THINK THE MEDICAL PROFESSION HAS DONE A GOOD JOB 353 00:17:20,006 --> 00:17:24,243 IN STRESSING THE LINK BETWEEN DIET AND HEALTH. 354 00:17:24,344 --> 00:17:26,045 WE DISAGREE ON THAT 355 00:17:26,146 --> 00:17:29,182 AND PROBABLY ON OTHER THINGS ABOUT THE MEDICAL PROFESSION. 356 00:17:29,282 --> 00:17:31,751 THIS ISN'T THE TIME OR PLACE TO DISCUSS THEM. 357 00:17:31,851 --> 00:17:34,354 NONSENSE. WHAT'S ON YOUR MIND? 358 00:17:34,454 --> 00:17:36,956 DON'T YOU THINK DOCTORS OVERCHARGE PEOPLE? 359 00:17:37,056 --> 00:17:40,593 FOR EXAMPLE, HOW MUCH DOES IT COST TO HAVE A BABY? 360 00:17:40,693 --> 00:17:42,595 IT DEPENDS ON THE SITUATION. 361 00:17:42,695 --> 00:17:43,996 I'VE READ THAT DOCTORS CHARGE 362 00:17:44,097 --> 00:17:47,700 FOUR TIMES THE AMOUNT A MIDWIFE DOES. 363 00:17:47,800 --> 00:17:48,901 THAT'S BECAUSE A MIDWIFE 364 00:17:49,001 --> 00:17:52,472 DOESN'T HAVE THE EXPERTISE OR EQUIPMENT THAT I HAVE 365 00:17:52,572 --> 00:17:55,742 IN CASE PROBLEMS ARISE. 366 00:17:55,842 --> 00:17:57,744 THAT EXTRA MONEY YOU CHARGE 367 00:17:57,844 --> 00:18:00,613 PROTECTS THE PATIENT IN CASE THERE ARE COMPLICATIONS? 368 00:18:00,713 --> 00:18:02,349 ABSOLUTELY. 369 00:18:02,449 --> 00:18:04,684 IF THERE AREN'T ANY COMPLICATIONS 370 00:18:04,784 --> 00:18:06,919 DO YOU GIVE THE MONEY BACK? 371 00:18:10,089 --> 00:18:12,292 YEAH. 372 00:18:12,392 --> 00:18:14,794 THAT SALAD NEEDS MORE DRESSING. 373 00:18:14,894 --> 00:18:16,296 NO, IT DOESN'T. 374 00:18:16,396 --> 00:18:17,430 YES, IT DOES 375 00:18:17,530 --> 00:18:18,431 AND WE NEED TO BRING OUT THE MAIN COURSE. 376 00:18:18,531 --> 00:18:19,299 EXCUSE US. 377 00:18:19,399 --> 00:18:20,400 CERTAINLY. 378 00:18:29,008 --> 00:18:30,810 CLIFF? 379 00:18:30,910 --> 00:18:34,046 CLAIR, DON'T ASK ME TO GO BACK IN THERE. 380 00:18:34,147 --> 00:18:36,383 I'M SITTING AT MY DINNER TABLE 381 00:18:36,483 --> 00:18:39,586 WITH A KID WHO CANNOT FIND HIMSELF 382 00:18:39,686 --> 00:18:42,722 WHO IS FINDING FAULT WITH ME. 383 00:18:42,822 --> 00:18:45,525 CLIFF, HE WAS JUST ASKING QUESTIONS 384 00:18:45,625 --> 00:18:47,594 BECAUSE HE'S AN INTELLIGENT KID. 385 00:18:47,694 --> 00:18:52,199 HE'S AN ARROGANT "TWILIGHT ZONE." 386 00:18:52,299 --> 00:18:53,800 IT WON'T BE MUCH LONGER. 387 00:18:53,900 --> 00:18:56,135 THEY SAID THEY'RE LEAVING AT 9:00 TO SEE A MOVIE. 388 00:18:56,236 --> 00:18:58,405 TAKE ME BACK IN THERE, AND I WARN YOU-- 389 00:18:58,505 --> 00:19:04,644 YOU ARE DANGLING RAW MEAT IN FRONT OF OLD YELLER. 390 00:19:04,744 --> 00:19:05,978 YOU CAN DISH IT OUT 391 00:19:06,078 --> 00:19:07,947 BUT YOU CAN'T TAKE IT. 392 00:19:08,047 --> 00:19:09,816 THAT'S THE BEST CONVERSATION 393 00:19:09,916 --> 00:19:11,218 THAT DINING ROOM'S SEEN IN YEARS. 394 00:19:11,318 --> 00:19:12,385 I'M GOING BACK IN THERE 395 00:19:12,485 --> 00:19:14,086 AND YOU ARE COMING WITH ME. 396 00:19:14,187 --> 00:19:16,256 SO BE COOL. 397 00:19:27,133 --> 00:19:28,034 I HOPE YOU'RE NOT MAD 398 00:19:28,134 --> 00:19:29,602 AT WHAT I SAID ABOUT DOCTORS. 399 00:19:29,702 --> 00:19:32,472 THIS IS A GOOD CONVERSATION. 400 00:19:32,572 --> 00:19:35,742 THE HUXTABLES HAVE ALWAYS ENJOYED GOOD CONVERSATION. 401 00:19:35,842 --> 00:19:37,310 WE HAVE? 402 00:19:37,410 --> 00:19:41,781 WHAT SHOULD WE TALK ABOUT NOW-- POLITICS, POETRY, ART? 403 00:19:41,881 --> 00:19:43,583 YOU'RE AN ATTORNEY, MRS. HUXTABLE? 404 00:19:43,683 --> 00:19:46,353 THE LAW. 405 00:19:46,453 --> 00:19:47,754 HOW CAN YOU WORK IN A PROFESSION 406 00:19:47,854 --> 00:19:50,590 WHERE YOU DEFEND PEOPLE YOU KNOW ARE GUILTY 407 00:19:50,690 --> 00:19:54,327 JUST SO YOU CAN COLLECT YOUR PAYCHECK? 408 00:19:54,427 --> 00:19:55,995 DAVID, ACCORDING TO THE 14th AMENDMENT 409 00:19:56,095 --> 00:19:58,598 EVERYONE'S ENTITLED TO DUE PROCESS. 410 00:19:58,698 --> 00:20:07,340 I'D EXPECT THAT ANSWER FROM A LAWYER. 411 00:20:07,440 --> 00:20:10,910 WHAT I REALLY DON'T UNDERSTAND, MRS. HUXTABLE 412 00:20:11,010 --> 00:20:12,445 IS WHY DO YOU DIVIDE YOUR TIME 413 00:20:12,545 --> 00:20:15,515 BETWEEN PURSUING YOUR CAREER AND RAISING YOUR FAMILY? 414 00:20:15,615 --> 00:20:17,584 I DON'T UNDERSTAND YOUR POINT. 415 00:20:17,684 --> 00:20:20,787 YOUR HUSBAND MAKES A LOT OF MONEY. 416 00:20:20,887 --> 00:20:23,055 SHOULDN'T YOU STAY HOME WITH THE KIDS? 417 00:20:23,155 --> 00:20:25,458 THAT IS A SEXIST STATEMENT, YOUNG MAN! 418 00:20:25,558 --> 00:20:30,897 WHY DON'T YOU ASK DR. HUXTABLE THAT QUESTION?! 419 00:20:30,997 --> 00:20:33,966 LET'S GO GET SOME ROLLS OR SOMETHING. 420 00:20:38,938 --> 00:20:41,474 COME UP WITH ANOTHER POINT. 421 00:20:45,412 --> 00:20:48,014 HOW DARE HE?! 422 00:20:48,114 --> 00:20:50,717 LITTLE SCRAGGLY-LEG PUP! 423 00:20:50,817 --> 00:20:53,620 PARK HIS FEET UNDERNEATH MY DINING ROOM TABLE 424 00:20:53,720 --> 00:20:55,922 AND TELL ME I'M NOT A GOOD MOTHER?! 425 00:20:56,022 --> 00:21:00,360 ( imitating Clair ) "DEAR, HE'S JUST AN INTELLIGENT BOY." 426 00:21:00,460 --> 00:21:02,795 DON'T START WITH ME THIS EVENING. 427 00:21:02,895 --> 00:21:03,996 LISTEN TO ME. 428 00:21:04,096 --> 00:21:06,366 YOU KNOW "OLD YELLER"? 429 00:21:06,466 --> 00:21:08,635 AFTER HE DIED, THEY MADE A SEQUEL-- 430 00:21:08,735 --> 00:21:11,871 "MRS. OLD YELLER." 431 00:21:11,971 --> 00:21:15,375 MRS. OLD YELLER WAS WORSE THAN OLD YELLER. 432 00:21:15,475 --> 00:21:18,010 ALL OLD YELLER DID WAS BARK. 433 00:21:18,110 --> 00:21:19,912 ( barking ) 434 00:21:20,012 --> 00:21:22,615 BUT MRS. OLD YELLER SAID: 435 00:21:22,715 --> 00:21:24,617 ( growling ) 436 00:21:24,717 --> 00:21:28,921 AND SHE BIT PEOPLE. 437 00:21:29,021 --> 00:21:29,956 MOM, DAD... 438 00:21:30,056 --> 00:21:30,923 THERE MAY BE A LINE AT THE MOVIE 439 00:21:31,023 --> 00:21:33,326 SO WE'RE GOING NOW. 440 00:21:33,426 --> 00:21:33,993 NICE MEETING YOU, DOCTOR. 441 00:21:34,093 --> 00:21:34,527 YES, SIR. 442 00:21:34,627 --> 00:21:36,763 MRS. HUXTABLE... 443 00:21:36,863 --> 00:21:38,230 ( growling ) 444 00:21:38,331 --> 00:21:39,265 HEEL! 445 00:21:39,366 --> 00:21:39,932 ( barking ) 446 00:21:40,032 --> 00:21:40,700 HEEL! 447 00:21:40,800 --> 00:21:41,401 HEEL! 448 00:21:41,501 --> 00:21:42,535 HEEL! 449 00:21:42,635 --> 00:21:46,072 HEEL... 450 00:21:46,172 --> 00:21:47,907 AND HEEL SOME MORE. 451 00:21:51,344 --> 00:21:53,346 OH, BOY, I SURE DO LOVE THIS. 452 00:21:53,446 --> 00:21:54,080 I'D SAY SO. 453 00:21:54,180 --> 00:21:55,882 THAT'S YOUR THIRD BOWL. 454 00:21:58,351 --> 00:22:03,890 THIS IS ONE OF THE BEST MISTAKES I'VE EVER MADE. 455 00:22:06,793 --> 00:22:07,994 HI. 456 00:22:08,094 --> 00:22:09,396 HI. HOW WAS THE MOVIE? 457 00:22:09,496 --> 00:22:10,397 OKAY. 458 00:22:10,497 --> 00:22:11,498 WHAT DID YOU SEE? 459 00:22:11,598 --> 00:22:13,132 "SOUTH DAKOTA." 460 00:22:13,232 --> 00:22:15,101 THE WESTERN WITH RORY CALHOUN? 461 00:22:15,201 --> 00:22:17,504 NO. THIS MOVIE WAS ABOUT SOUTH DAKOTA. 462 00:22:17,604 --> 00:22:19,939 DAVID COMES UP WITH THE STRANGEST IDEAS. 463 00:22:20,039 --> 00:22:21,708 DAVID? 464 00:22:21,808 --> 00:22:25,845 THE WONDERFUL FELLOW WE HAD DINNER WITH TONIGHT? 465 00:22:25,945 --> 00:22:29,682 I DON'T KNOW WHAT YOU MEAN. 466 00:22:29,782 --> 00:22:31,350 "SOUTH DAKOTA" WAS ABOUT THIS GUY 467 00:22:31,451 --> 00:22:34,053 WHO MOVES TO SOUTH DAKOTA TO LIVE OFF THE LAND. 468 00:22:34,153 --> 00:22:36,355 HIS WIFE PULLS THE PLOW FOR HIM. 469 00:22:36,456 --> 00:22:38,257 TO FARM MORE ACRES 470 00:22:38,357 --> 00:22:40,192 HE MARRIES MORE WIVES. 471 00:22:40,292 --> 00:22:42,061 AFTER THE FOURTH WIFE 472 00:22:42,161 --> 00:22:46,332 DAVID SAYS, "I COULD REALLY GET INTO THIS." 473 00:22:46,433 --> 00:22:48,635 I SAID, "ARE YOU SERIOUS?" 474 00:22:48,735 --> 00:22:50,403 HE SAID, "YEAH, MAYBE." 475 00:22:50,503 --> 00:22:54,106 WE START ARGUING RIGHT IN THE THEATER. 476 00:22:54,206 --> 00:22:57,143 DADDY, WOULD YOU ASK MOM TO PULL A PLOW FOR YOU? 477 00:22:57,243 --> 00:22:59,979 YEAH. 478 00:23:00,079 --> 00:23:00,980 WOULD YOU PULL IT? 479 00:23:01,080 --> 00:23:03,182 NO. 480 00:23:03,282 --> 00:23:05,017 ( phone rings ) 481 00:23:06,953 --> 00:23:09,522 HELLO, THIS IS THE HUXTABLE RESIDENCE. 482 00:23:09,622 --> 00:23:12,992 HEY, DAVID, HOW ARE YOU DOING? 483 00:23:13,092 --> 00:23:14,160 JUST A MINUTE. 484 00:23:14,260 --> 00:23:18,898 I'LL SEE IF SHE'S HERE. 485 00:23:18,998 --> 00:23:20,433 DADDY, TELL HIM I'M NOT HOME. 486 00:23:20,533 --> 00:23:22,902 TELL HIM HE DOESN'T UNDERSTAND WOMEN. 487 00:23:23,002 --> 00:23:26,205 FIRST YOU SAY I'M ROUGH ON YOUR FRIENDS. 488 00:23:26,305 --> 00:23:28,441 NOW YOU SAY... 489 00:23:28,541 --> 00:23:30,109 I'M NOT DOING ANYTHING. 490 00:23:30,209 --> 00:23:31,544 YOU GOT SOMETHING TO SAY TO DAVID 491 00:23:31,644 --> 00:23:33,179 YOU TELL HIM. 492 00:23:33,279 --> 00:23:34,280 MOM... 493 00:23:34,380 --> 00:23:37,183 THIS IS BETWEEN YOU AND DAVID. 494 00:23:37,283 --> 00:23:37,984 OKAY. 495 00:23:38,084 --> 00:23:39,452 I'LL TAKE IT UPSTAIRS. 496 00:23:39,552 --> 00:23:41,287 DAVID, I'VE LOCATED HER. 497 00:23:41,387 --> 00:23:43,389 HOLD THE PHONE A SECOND. 498 00:23:43,490 --> 00:23:45,458 DENISE! 499 00:23:45,558 --> 00:23:46,526 YEAH! 500 00:23:46,626 --> 00:23:47,594 TELEPHONE! 501 00:23:47,694 --> 00:23:49,662 OKAY, THANKS, DAD! 502 00:23:49,762 --> 00:23:51,864 DAVE, SHE'S COMING TO THE PHONE. 503 00:23:51,964 --> 00:23:53,866 THERE SHE IS. 504 00:23:53,966 --> 00:24:00,607 SEE YOU, DAVID. 505 00:24:00,707 --> 00:24:02,074 WHAT..? 506 00:24:02,174 --> 00:24:04,176 GET OFF THE PHONE. 507 00:24:08,981 --> 00:24:11,017 Captioning Made Possible By 508 00:24:11,117 --> 00:24:13,385 THE METROPOLITAN LIFE INSURANCE COMPANY 509 00:24:13,486 --> 00:24:16,589 Captioned By The Caption Center WGBH Educational Foundation 33757

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