Original subtitles

[Thunder crashes]

-Okay, Darcy,

I feel like I should say something about Roger

before we do our final movie. -Yeah.

-You know, the very first movie of this season

was our tribute to Roger Corman.

And, unfortunately, Roger passed away in May.

He was 98 years old,

after a 71-year career as a movie producer, director...

He did everything, he was known to everyone in -- in Hollywood,

and he was especially a good friend of this show,

of every show I've ever done.

And in 1982...

October of 1982,

I gave Roger this Joe Bob Briggs Lifetime Achievement Award.

We stood on top of the Gemini Drive-in,

in Dallas,

and I gave Roger a lifetime achievement award,

and he kept this on his desk for the next --what now?

I can't keep up with all the dates,

but the next 40 years,

he kept this on his desk as the king of the drive-in.

And so then when we did our jamboree last year in October,

um, we had to -- Roger was there,

and we decided we gotta give him

another lifetime achievement award

'cause he's had two lifetimes of -- of great --

of great movie making.

But we couldn't give him another Chevy hubcap.

Everyone who gets the lifetime achievement award

gets a Chevy hubcap.

We couldn't give him another Chevy hubcap.

And so, you know, he should get a Ferrari hubcap.

But we don't do foreign cars at the American drive-in.

And so we decided we'd give him a Cadillac hubcap.

And so when I gave him the Cadillac hubcap,

he was just beaming with joy.

And he had brought -- he had brought this original

lifetime achievement award

because he wanted to give it to me

as a lifetime achievement award.

So he wanted to give back the one

that had been on his desk all those years.

And I think, I think Roger was kind of like, um,

winding up a lot of things in his life.

And I'm very happy

that we could be with him for the last --

we were the last big -- despite, despite the fact

that there were many tributes to Roger over the years,

we were the last big tribute before his death.

And so partly this, um,

Nightmareathon tonight is a tribute to Roger.

And our first movie, "Slumber Party Massacre,"

was a Roger Corman movie.

The movie we're about to watch, "Galaxy of Terror,"

the last movie in the Nightmareathon,

is a Roger Corman movie.

Um, I don't know what to say other than that

he was a good friend.

He was a good colleague. He was a great man.

And I rarely say that about anybody.

[Breathing shakily]

But we're gonna have a moment of silence

before I do the intro to the last movie,

um, as our way of honoring Roger.

Shouldn't do this after working for all these hours.

[Chuckles] Um...

So, we'll have a moment of silence,

and then we'll start, um, "Galaxy of Terror."

And the only comments

I'm gonna make about "Galaxy of Terror"

are pretty much the things that relate to, uh, Roger.

Okay, that's enough moment of silence.

Roger never liked wasting time. [Laughter]

So, welcome back to the final stretch

of Joe Bob's Nightmareathon,

and we are about to watch a movie about fear.

Of course, every horror flick aspires to induce fear,

but very few deal with characters

who can't dare to be fearful lest they be devoured by giant,

alien, flesh-eating worms from another planet.

Roger Corman wanted to know

why the brain suckers from outer space

were not mentioned anywhere

on the Chapman University Annual Survey of American Fears,

and so he made a movie about it called "Galaxy of Terror."

And actually, all Roger wanted to do was produce

a commercially viable ripoff of Ridley Scott's "Alien,"

because one year before he had completed the biggest,

most expensive movie he'd ever put his money behind.

Roger always used his own money.

But he made a movie called "Battle Beyond the Stars,"

which was a "Star Wars" ripoff

that had moderate success at the box office.

And this was during that period when science fiction passed

from being a low-budget exploitation genre

to becoming a huge-budget summer blockbuster genre,

thanks mostly to George Lucas,

who created the American "space opera"

in 1977 with "Star Wars,"

and Ridley Scott, who created

the hybrid space movie/monster movie

with "Alien" in 1979.

So, when the big studios got involved in sci-fi,

most exploitation filmmakers folded their hand

and just walked away from the table.

Not Roger.

Roger was intrigued by the fact

that these expensive science fiction effects

were mostly achieved with miniatures and small casts.

These were things that anybody could do.

So he said, "I can do that."

And he started hiring people to work in the visual effects areas

at the New World Pictures studios

on Venice Boulevard in L.A., which was actually a lumberyard

that he had converted into soundstages.

And he never changed the signs or the look of it.

It still looked like a lumberyard.

If you were driving on Venice Boulevard,

it just looked like there was a lumberyard there.

So, one of the people who came to the lumberyard

to build miniatures and create visual effects

on "Battle Beyond the Stars"

was 25-year-old James Cameron, who was designing --

his job was designing one-sheets

for ultra cheap movies --

movies even cheaper than Roger's movies --

to make enough money to pay his rent

and barely survive.

He was technically one of the art directors, but he was --

he was the kind of guy who would volunteer for jobs

before anybody else could do them.

So he ended up doing -- he did matte paintings.

He did run-- he ran the camera for visual effects.

Uh, he built and ran a motion control unit.

He designed and built most of the sets.

He built -- He was building models.

He was designing and building a front projection system.

He became the operator of that system.

All this stuff is what you use in space movies.

But anyway, James Cameron was skipping from one job to another

because he was the person who understood

that outer-space movies were all about trick photography.

And the main thing he designed

was the actual mothership in that movie,

which looked like two giant boobs.

You remember that mothership? -Of course.

-Traveling through space.

Then after...

And actually, that set up something

that has continued to be used in movies since then,

which is if you look at the spaceship designs

in many movies since then,

it's -- it's almost always female body parts.

But anyway, after "Battle Beyond the Stars,"

um, Roger Corman ended up with a sort of...

He had built this sort of low-budget visual effects studio

that could do everything George Lucas could do,

but for a fraction of the cost.

And Roger was so impressed with Cameron

that when he decided to follow up

his "Star Wars" rip-off with an "Alien" rip-off --

I shouldn't be calling 'em rip-offs.

They were original stories.

They were homages --

-Homages. Yes. -...to the new genres

that were created by Lucas and Scott.

-You like calling 'em rip-offs?

-No, it's an homage. -It's an homage. Okay.

Um, when he decided to follow up and shoot "Galaxy of Terror,"

James Cameron was promoted to second assistant director.

[Laughing] That was as high as James Cameron could get

in the system.

And while they were making the movie,

they promoted him to first assistant director,

mainly because Roger knew he would once again

wear about six different hats

and make all the miniatures work and all that stuff.

The result is that "Galaxy of Terror"

was filmed entirely inside that lumberyard on Venice Boulevard.

I shouldn't tell you this,

'cause you're gonna be watching the movie

and you're gonna be thinking you go to outer space

and you go to this other planet, and all this stuff happens.

They were -- it was all there at the lumberyard.

When I first went to New World Pictures,

a year later, all those sets were still standing.

But especially recognizable was that --

the control room of the spaceship.

That would be used in movie after movie after movie,

with only minor changes to it.

And to give you some idea of just how economical Roger was

in planning these extremely complex movies,

um, the control room was partly made out of McDonald's

breakfast sandwich boxes that had been fastened together

and painted over to look like they were solid steel.

[Laughter] So anyway, "Galaxy of Terror"

turned out to be a combination of "Star Trek,"

"Star Wars," and "Alien,"

um, with emphasis on "Alien,"

because Roger realized that what had really happened in 1979

is the outer-space movie had merged with the monster movie,

and that would be the future of sci-fi.

Lots of the themes in "Galaxy of Terror"

were then used in the sequel to "Alien" -- "Aliens."

And lots of the people who worked on visual effects

at the lumberyard on Venice Boulevard

also turned up on the credits list for "Aliens,"

because James Cameron by then was a director

and he directed "Aliens."

So he ripped off the rip-off

of the movie he was doing a sequel for.

So, we had entered a new age.

And, uh, I've never even asked you, Darcy --

are you a big science fiction fan?

-I mean, it's not my first choice.

I'm -- I'm way more into hardcore horror,

but yeah, it's fun. -Okay.

Well, this may be the main movie

to establish the now-common sci-fi premise --

When you go to another planet,

you willbe attacked by strange-looking weird creatures.

Uh, sometimes they're external, sometimes they're internal,

but they're always there.

Um, I'm gonna go ahead and start the movie, but, uh...

Dang, I'm now -- now I'm gonna miss the Nightmareathon.

You know, I was getting tired, but now I'm not tired anymore.

-I was thinking the same thing.

-I should be exhausted, but I'm just getting started.

-Me, too. Let's go. -Alright.

Let's play one more slumber party game before we quit.

-What?! I've converted you. -Alright.

Just don't bring back that dang dancing Sky Bar.

That will not make me happy.

-I think you're safe from him. But we still haven't played

light as a feather, stiff as a board.

-Okay, we'll play that. -Yeah!

-Um, so what we have here is the sensitive story

of the crew of the spaceship Quest,

sent by the Planet Master of Xerxes

to another planet, called Morganthus,

to find out what happened to the crew of the Remus.

[Laughter] -Yep.

-So, already you can see we got way too much plot

getting in the way of the story.

You use fancy words in these movies

to make people not look at the sets too closely.

But even though the Quest has advanced technology

that involves flicking a bunch of levers

up and down repeatedly, the ship crashes on Morganthus.

Um, we can tell they're from a futuristic,

space-going culture because they say things like,

"I'm getting a neg density reading in the center well up."

So the crew decides to head over to the wreckage of the Remus

to see if there are any survivors.

There aren't.

Plus, one guy gets his head clawed to death.

So they head back to the Quest and the next thing they decide,

they need to go find whatever pulled their ship down

and wander around on the planet a little

and discover a giant alien pyramid.

Then the commander gets all his blood sucked out

by alien tentacles,

and a couple more of the crew get murdered by space creatures.

So the survivors go back to their ship,

and the next thing the remaining crew decide

to head back to the pyramid.

I don't really know why they do anything

that they do in this movie.

I don't remember why they go back to the pyramid,

but they do go back to the pyramid

so that more of them can get killed

until it's down to two of them,

and it's finally time for the big reveal.

Sure, we've seen it before,

but have we seen it with a horny, giant alien space maggot?

I think not.

Let's take a look at those drive-in totals.

We have 14 dead bodies,

four breasts, multiple beasts,

one crash landing, corpse burning,

alien-mountain rappelling,

one crystal shard under the skin,

one maggot-infested arm,

one horny giant alien space maggot,

one alien-tunnel slide,

one exploding head,

attempted strangulation,

one musical staircase for no apparent reason,

arm rolls,

gratuitous control-panel lever flicking,

gratuitous wandering around an alien planet,

crystal throwing-star fu,

space kung fu.

Drive-In Academy Award nominations to Grace Zabriskie

as Captain Trantor, the ship's traumatized pilot,

for saying, "Hold on to your shorts --

we're gonna dump." [Laughter]

Zalman King as Baelon,

the team leader whose name is said so often

that if you took a drink every time a character says it,

you'd be on the floor before the movie's halfway over.

Erin Moran as Alluma, for being the ship's claustrophobic empath

and for insisting, "Baelon, I'm psi-sensitive.

The subtle energies do exist."

Sid Haig as the mostly mute Quuhod,

for being Sid Haig

and for saying, "I live and die by the crystals."

Robert Englund as Ranger, for saying,

"I'm shredding myself with my own bloody fingernails."

And Taaffe O'Connell as Dameia,

for her enormous talents

and for saying, "I hate worms."

Three stars. Joe Bob says check it out.

This cast had a lot of people who were later known for

other things, like Robert Englund.

He wasn't Freddy Krueger yet,

because it would still be two years

before Wes Craven even started writing the script

for "A Nightmare on Elm Street," so that didn't even exist.

And Zalman King

is in this movie as Baelon -- -Yes!

-...who, he would become famous for "Red Shoe Diaries."

-I love "Red Shoe Diaries."

-They call that the first porn for women.

-Oh, that was not porn. It was just like sexy stories.

-And a lot of nekkid bodies.

That's what it was. -Definitely that, yes.

-Didn't take much nudity in the '80s and '90s

for something to be described as porn.

-True. -But Roger always insisted

that there be a few breasts, a few --

"above-the-waist nudity," he called it, uh, in his movies.

So, um, you know, just --

just the size of Taaffe O'Connell's boobs.

Once you spring those babies out of the chute,

that would cause people to say, "Oh, she does porn."

-Yeah, I know about that.

[Laughter]

-[Vocalizing]

♪

-[Shouting indistinctly]

♪

[Thunder crashes]

♪

[Static]

[Whooshing]

[Eerie music plays]

[Zapping]

♪

♪

♪

♪

♪

♪

♪

♪

♪

♪

♪

[Dramatic music plays]

♪

[Zapping]

♪

[Musical sting]

♪

-[Whimpering]

[Buttons clicking]

♪

[Metal clicking]

♪

Ah!

-[Roaring] -Aah!

[Clank] [Groans]

♪

[Banging] [Screams]

♪

[Music fades]

-Xerxes.

A small world on the fringes of occupied space.

♪

I am Mitri,

the interpreter of the signs,

the oracle of the Game.

I play at the bidding of the All-Powerful One,

Planet Master of Xerxes.

-Master, we have lost all contact with the Remus.

First the hyper-wave and now even the bioscans show nothing.

-Location? -Morganthus.

We don't know why they landed there.

-Morganthus, at last.

[Beeping]

♪

-You would do that? Such risk.

-It has been too long. I'm tired of waiting.

-Death will surround you.

-It is the only way.

-A terrible way.

-But sure.

[Beeping]

-Yes, Master?

-Put together a class-three ship

with the normal exploratory and defense equipment.

You will command the rescue mission.

I will personally select the crew.

They are not to be informed of this.

-Yes, Master.

-Now, old woman, leave me.

The waiting is over.

I play alone.

[Tones chiming]

♪

[Alarm blaring] [Footsteps thudding]

[Indistinct announcement over P.A.]

[Indistinct radio chatter] [Buttons clicking]

[Alarm beep]

-Quest class three.

Mission -- rescue.

Destination -- Morganthus.

[Indistinct radio chatter continues]

-Who are you?

And what are you doing at my station?

I'm flying this scrap heap.

-Ilvar, Mission Commander. Welcome, Captain.

-Ancillary systems checked? -Yes, I just --

-Fine. Seconds wasted here

could be costing lives on Morganthus.

[Beep] Tech check.

-Tech check complete. Main hatches closed.

-Give me full standby.

-Full standby, Captain.

-All crew, this is Trantor. Liftoff in 30 seconds.

And...mark.

-But, Captain, no one's prepared!

-They've got 30 seconds to get prepared.

[Alarm sounding]

[Beeping]

-Ranger, glad you're with us. -Cabren.

-Cabren!

-[Sarcastic] Wonderful. Just what we need.

-Still the same kindly old Baelon.

[Alarm sounding]

♪

♪

-I don't know what in Master's name

you're doing back in active duty,

but I'm second in command this time.

You take orders from me.

-It's nice to see you too, old buddy.

♪

♪

-Here, here, quick! -We've got a live one.

♪

[Whooshing]

[Beep] -Liftoff.

[Engines roaring]

♪

[Clattering]

[Rumbling]

♪

♪

♪

[Computers beeping steadily]

-Tech Second? -Yeah.

Oh, Tech Chief?

-Sure gets the gear stowed in a hurry.

Everyone in there alright?

-I think so, Commander. -What's going on in there?

-Dameia, are you okay?

-A little out of breath, Commander.

All systems stable.

-Bit long in the tooth for this kind of job,

aren't you, Commander?

-I haven't been on an active mission for some time.

Yeah, but you've been on the go now for, what, nearly 25 years?

Since the Hesperus, if I'm not mistaken.

-Hesperus...

Yes, everyone's forgotten now.

Yeah, if I hadn't, uh...

kept on the move after that,

I'd be an oxer in a breather bar by now.

Let me see your hyper-jump coords, Commander.

-Captain, those were presets!

-If we have to get there at all, we might as well get there fast.

[Alarm sounding]

-This is insanity. -Who is this Trantor?

-The only survivor of the Hesperus massacre.

She flew the ship back alone.

-It's good to know we're in safe hands.

-Come on, baby.

♪

[Beep] Jump it.

[Whooshing]

♪

♪

♪

[Beeping]

♪

[Engines roaring]

♪

[Beeping]

♪

♪

[Rapid beeping] [Buttons clicking]

Morganthus!

♪

[Engines roaring]

[Dramatic music plays]

[Alarm sounding]

♪

Full manual override. Quick!

♪

[Alarms continue]

♪

Tech control. When I call it.

I want a five-second null on the gyros

and all the reverse thrust the boosters have.

I'm gonna try to spin us out of this.

♪

Master knows what's got us, but this is gonna be some ride.

♪

-If I live through this, she better stay out of my way.

-If you live through this, you'll be bringing her roses.

-Come on, baby. Give me more.

-That's it, Captain. On full.

-Pox.

[Beeping]

We nearly had it!

[Hand slaps]

There's nothing I can do.

[Engines roaring]

[Rumbling]

[Beeping]

-What about the landing jets?

-Are you crazy? At this speed?

Hey, wait a minute.

We're going down, only not so fast.

Give me the landing jets.

[Whooshing]

Gyros. Thruster.

Hit 'em...now!

[Engines roaring]

[Alarm blaring]

♪

[Whirring]

[Alarm continues]

♪

♪

Hang on to your shorts.

We're gonna dump.

[Engines roaring]

♪

[Whooshing]

♪

[Rumbling]

♪

[Rumbling stops]

-Son of a cyborg!

-[Coughs]

[Wind rushing]

[Computers beeping steadily]

-Take a deep breath.

Hold it.

Okay. Relax, relax.

It's never easy the first time. But it gets easier.

-Exploratory team prepare for surface deployment to Remus.

And confirm bioscan and atmosphere checks

before departure.

Doesn't look friendly out there,

but you should be able to breathe.

-Well, Commander, I got you here.

The rest is up to you.

-Remus team entering airlock, Commander.

Atmosphere reading within 5% safety.

Remus position confirmed to 5.3 kilolat,

but all bioscans read negative.

[Wind rushing]

♪

♪

[Doors whir, close]

♪

♪

-Alluma, are you sensing anything?

-Absolutely nothing.

-If there's anything to be found, Cabren,

I'll find it myself.

-Baelon, I'm psi-sensitive.

The subtle energies do exist.

They even pay me to sense them, alright?

♪

♪

♪

♪

♪

♪

♪

♪

[Dramatic music plays] -[Screams]

[Shard clatters]

♪

-[Retching]

-Get back!

[Zapping]

-Cabren and Quuhod, Alpha deck and Comm room.

Alluma, with me.

Cos, main control.

-I can go with Cos if you want.

-I'm in command here.

♪

♪

-Death trace. There may be survivors.

♪

[Creaking]

[Scraping]

[Dramatic music plays] -[Screams]

[Panting]

♪

♪

♪

♪

[Zapping]

[Alarm blaring]

♪

[Alarm stops]

♪

♪

[Clattering]

♪

[Clattering]

♪

[Thud]

♪

-[Screaming] [Zapping]

[Panting]

[Ominous music plays]

♪

-Wait, Baelon.

[Rustling]

♪

♪

♪

[Rustling]

♪

[Clattering]

[Crashing]

♪

♪

[Crash] -Aah!

-Anything? -[Whimpering]

-Anything?

-Baelon!

-What is this?

-What is it, Cos? What is it?

-[Panting]

-What's that? -A Remus crew member.

-Anything else?

-One death trace, one burnt one.

-Let's get back to the ship. I want that analyzed.

-[Breathing heavily]

-If I didn't know better, I'd say it was coming from Cos.

-Come on, kid, let's go.

[Wind rushing]

Cos, come on!

♪

[Tapping]

♪

[Creaking]

♪

♪

♪

-[Sighs]

[Snap] -[Screaming]

[Snap]

[Snap]

[Screaming]

[Snap]

[Screaming]

[Groaning]

[Screaming]

[Static]

♪

♪

-Okay. You thought I was making that up

when I referred to the Chapman University Survey

of American Fears, but it's a real thing.

You will notice, as this movie goes on,

that whichever crew member is the most fearful

gets ripped apart in whatever is the most horrendous way

the screenwriter can come up with.

And so it would be good to know exactly what

Americans are most fearful of,

lest we expose those fears to outer space alien creatures

who then use their advantage to feast on our intestines.

Right? Are you following this?

-Uh, I think you're saying

if you're afraid of the spooky planet, you die.

-No, I don't think that's what it is.

I think they're saying

that if you carry emotional fears throughout your whole life

and you don't conquer them, then you die.

-Oh, okay.

-So, let's do a top 10 countdown of American fears

from Chapman University, who does this survey every year.

If you don't want to be devoured by outer space creatures,

I hope you don't have any of these fears.

-Alright. Let's go for it.

-Number 10.

48% of the population has a fear of...

not having enough money for the future.

-Yeah. Definitely get that.

No one ever thinks they have enough money.

-True.

But to get the level of actual fear

of not having enough money,

that means there's a whole lot of people

who are flat broke, right?

-I would think so, yeah. -Okay.

Number nine on the list of American fears.

Cyberterrorism.

-Really? That's kind of a weird one.

-Agreed.

Number eight, biological warfare.

You know, I can honestly say I've never had a fear

of biological warfare, have you? -Definitely no.

[Laughter]

-Um, number seven, pollution of drinking water.

You know, I don't fear that one

because I think it's already happened.

Which is why everybody I know drinks bottled water.

Do you drink tap water? You ever...?

You do drink tap water? -If I'm desperate.

-Okay. -[Laughs]

-Remember when there was just water?

No brands of water.

Maybe you're too young.

Just water. You know.

Now it's like you're --

you're going on a 30-mile hike to leave the house.

You got to have all this water with you.

Alright. American fear number six.

Um, "someone I love dying."

-Aw. -That's a pretty universal one.

But, and probably went up after COVID, you know.

American fear number five --

"people I love becoming seriously ill."

That's kind of the same thing.

Uh, American fear number four --

The United States becoming involved in another world war.

That is kind of heavy.

If you're draft age, I'm sure that's probably number one.

You know? American fear number three.

Russia using nuclear weapons.

That's -- That would, you know --

That would have been the same in 1981 as it is today.

Uh, American fear number two -- economic collapse.

These are -- these are kind of apocalyptic fears

that people have. -I know.

These are not what I was thinking.

-I think what that is,

if you go to the bank and you can't get your money out.

But if people already have the fear of not having any money,

then, you know, this is sort of the same thing.

-I think I get it, it's like your money is worthless

and that's a fear. Every time prices go up,

people think their money is disappearing.

-Okay. Alright.

You want to hear the number one fear today?

-Of course.

-60.1% of the population --

-Alright. Lay it on me. -...has this fear.

Corrupt government officials.

[Laughter]

-That's all it says. -Everyone's number one fear?

-Fear of corrupt government officials.

I'm kind of disappointed. [Laughter]

-Right? -I mean, I get it, you know.

-Because first of all,

don't we always have corrupt government officials?

I mean, but mainly that's...

Mainly because -- I'm disappointed

because Chapman University,

that is not a fear.

The fear has got to be something deeper than that.

Because fearing corrupt government officials means

you fear what they would be planning to do, right?

You're not fearing them.

What do you think these corrupt government officials

are going to do, steal our money or rig the highway contracts?

You know, it's way too general.

-Okay, so why did we do that?

-I couldn't resist!

You know, Chapman University does a study every year

of what we're afraid of.

And I guess the lesson here is

if you think your mayor is taking money under the table,

do not go to the planet Morganthus.

-Good advice.

-Or a tentacle monster will rip open your scalp.

So, back to the flick.

Roll the flick.

Are you getting a little bonkers from lack of sleep?

-No, but I can tell you are.

-Yeah, I just realized that. -Yeah.

[Laughter]

[Thunder crashes]

♪

[Static]

-If it weren't so gruesome, it would be fascinating.

-Yes, the human mind is still as dark as Morganthus,

isn't it, sir?

-What do you mean, it just disappeared?

-How can a life scan just disappear?

-It did.

I sensed something around Cos.

Then when he died, it just vanished -- gone.

Those are the facts, Baelon. I don't guess.

-What I can't understand is how it disappeared so quickly.

-We were all there. -That's how it was on Hesperus.

At first you don't see them, and then they're everywhere.

-The other one you brought back --

he sealed himself into a room and still something got him?

[Beep] -Dameia, anything?

-[Sighs] Sorry. Nothing useful at all yet.

Cos died of a massive hemorrhage

from the puncture wounds, just as it looked.

-Nothing revealing on the other one, either.

What was left was such a mess

that the cause of death is uncertain.

-The fact of the matter is, we don't know any more now

than when we started,

except that the Remus wasn't safe, neither are we.

We're not even doing the repairs we need.

-Baelon!

This is a rescue mission

specifically ordered by the Master.

We are required to do everything within our means

to locate and assist survivors.

-There are no survivors. -We know of five certain deaths,

so there are still four unaccounted for.

Look at this.

[Beeping]

Here it comes.

-Scan malfunction? -No.

Watch again.

[Beeping]

There's something along 4-1-9

that so overloads the instruments,

we can't even get a reading on it.

-Whatever sucked us into this slag heap

pulled from a single point.

-A point I'm afraid we have no option but to investigate.

♪

♪

♪

♪

♪

-I don't sense life.

I feel absolutely nothing at all.

I've never felt anything so empty, so dead.

♪

[Beeping, clicking]

♪

-I'm not getting any surface movement,

but I'm getting a neg density reading in the center well up.

What do you say, Commander?

-Uh...

Yeah, I suppose...

-Well?

♪

-Alright, Baelon.

You take Alluma, Quuhod.

Dameia and Cabren, come with me.

♪

We'll, uh, check the perimeter before joining you.

-Let's get out of here.

-Be careful. -You be careful.

♪

-Commander?

Shall we go, sir?

-Of course.

♪

♪

♪

♪

-I wonder why the Master put me in command of this mission.

♪

♪

♪

♪

I'm getting old.

I'm tired.

I'm tired of giving orders, and I much prefer home.

-You're not old, Commander.

♪

-Not when I'm looking at you, I'm not.

♪

♪

[Line snaps] -[Screams]

-Commander!

Commander!

What's the matter, Commander? What's the matter?

♪

-I'm sorry. I must have lost my grip.

[Wind rushing]

♪

♪

-Doubt is brother demon to despair.

♪

The demon's tail, doubt withers those who dare not dare.

♪

-Commander?

Shouldn't we be moving on?

♪

-I, uh...

I don't know.

Maybe it's just my nerves.

♪

[Zap]

-Commander, you don't need to do that.

If there's something down there, we all should go down.

♪

-Commander, why take the chance when we could?

-I give the orders here, Cabren.

♪

-I'm a tri-crom rated climber. Why not let me?

♪

-You and Dameia cover me.

♪

Nothing so far.

I'm going down another four lat.

[Creaking]

♪

♪

[Clanks]

-Cabren, the line!

[Clatters]

[Dramatic music plays]

♪

-Your piton slipped, Commander. We've got you now.

How much more?

Commander?

-Three lats.

♪

♪

♪

-Anything down there yet?

-Not yet.

[Dramatic music plays]

[Shouting]

[Creature squelching]

[Thud]

[Creature screeching]

♪

-Hey! -Aah!

Pull!

♪

Aaah!

-[Grunting]

[Squelching]

♪

[Wind rushing]

♪

-Belay me!

♪

Okay.

♪

♪

♪

-Quest calling Commander Ilvar.

Scan please. Quest call--

-Ranger, why don't you get your butt down here and eat, boy.

They're too busy being heroes out there to talk to us.

Fame is the food that dead men eat.

-That's very good, Captain.

-Yes.

You know what they say, Cook?

The master sends meat, but the devil sends cooks.

Did the Master send you to keep an eye on this mission?

[Door hissing]

-Ah, joining the crew, are we, Kore?

-I tried calling you, Captain, but you had your key off.

-I know.

-Okay.

-Sit down and eat, boy.

This, uh, cook is almost as good as a machine.

So, there we were,

wide open when they hit us.

So I gotta move fast.

Take her down to 3015 and scoot her through.

-Is this Hesperus?

-No, it's not Hesperus. Hesperus was...

♪

They're out there.

♪

This time I'm ready.

♪

[Zapping]

♪

♪

-What was that?

-One of the others. -How?

-Who knows? It looked like his face had been torn off.

-Baelon, we're trying to figure this out.

You can't just fry off evidence.

[Rumbling]

♪

[Clattering]

♪

[Scraping, creaking]

-Quuhod, out the way, out of the way!

-Will the crystals hold?

[Scraping]

-Wait, the others are coming!

-Cabren, there! Dameia, over there!

-We lost the Commander. -He was no fighter.

He had no business being here in the first place.

-There was nothing around. Nothing at all!

Except these damn worm holes.

I hate worms.

[Creaking, scraping]

[Crystal shatters]

[Rumbling]

[Zapping]

♪

♪

-Quuhod!

♪

♪

-Anything?

-I'm not sure.

-Quuhod. Guard the entrance.

-I live and I die by the crystals.

-Use it!

We'll take that one. I want you each to follow me

at 10-second intervals.

[Weapon clatters]

♪

♪

♪

-A little tight? -I hate it.

I must have gotten stuck coming out of the womb.

I'd rather dance on top of this damned thing

than have to squeeze through it.

♪

♪

-Let's get out of here!

-Wait. Wait a minute.

It's like when Cos -- -I said, let's get out of here!

-Enough, Baelon. -Enough?

What do you know of enough? When have you ever had enough?

♪

Just follow me.

♪

-Okay. We're with you.

Can you get a fix on it? Place, anything?

-No, but it's not far away.

-Quuhod?

-I said follow me!

-Why don't I go and check on Quuhod?

-When you get there, stay together.

-Mm-hmm. With pleasure.

I'll do anything to get out of this place.

♪

-Sometimes I wish I was like Baelon, see 'em and shoot 'em.

♪

♪

-[Grunts]

[Grunts]

Ahhh!

[Rumbling]

♪

[Grunting]

[Screams]

[Thud]

Aah!

[High-pitched tone]

[Tinkling]

♪

[Laughs]

♪

♪

[Dramatic music plays]

[Screams]

♪

♪

Ugh!

♪

[Bang]

[Shouts]

[Groaning]

♪

[Sobbing]

♪

[Whimpers]

♪

[Screaming]

♪

[Doors hissing]

[Buttons clicking]

-Kore.

Listen, have you seen the Captain?

What's that?

-A book.

-A real book? -Yeah.

-Uh... No, no, that's okay.

Oh, yeah. Have you seen the captain?

Funny. She doesn't answer on the comm either.

I can't find her anywhere.

This place rattles me.

-Don't let it.

-Huh? -I said don't let it.

Come on. We'll locate the good Captain.

[Doors hissing]

♪

-Quuhod?

♪

[Dramatic music plays]

[Zapping]

♪

[Screaming]

♪

[Gagging]

[Zapping]

♪

Ah.

♪

-Same room. -Cabren!

-Now, don't start up with that again!

♪

[Wind rushing]

-This is Dameia calling the Quest.

Dameia calling the Quest.

Come in, please.

Captain Trantor.

Are you there?

Dameia, calling the Quest!

Please be there.

[Dramatic music plays] [Creature growls]

Kore? Ranger?

Dameia, calling the Quest.

Ranger?

[Snarling]

♪

♪

♪

♪

♪

♪

♪

[Screaming]

♪

[Screaming continues]

♪

[Screaming continues] [Creature squelching]

♪

♪

[Sobbing]

♪

[Strangled sobs]

[Sobs stop]

♪

-Hey, wait a minute here. All the overrides are --

[Rumbling, clattering]

-That's one of the retro-cannons.

-Retros? You can't fire those cannons planetside.

It's a space-only weapon. They'll destroy us.

[Beep]

-Our good Captain has us on emergency manual.

It's a last-ditch fail-safe.

Listen, Kore, maybe we could, uh...

Kore?

Kore?

[Body thuds]

[Zapping]

-Come on, you Hesperian bastards.

Fry! Fry!

-Trantor! Stop!

Stop!

Flight Officer Second Class Trantor,

Second Hesperus Expeditionary Force.

Best holo-shuttle player of the fleet.

-How do you know that? -I am Eremun.

Weapons System Coordinator on the Romulus.

Do you remember?

-Cook, huh?

A spy!

You spy for them, Cook. -You were just a kid.

But you were the hero that day, Trantor.

You were magnificent.

You saved my life.

-You lie.

I was the only one, [voice breaking] the only...

What? Where is it? Where is it?

-The screen does not lie, Trantor.

Listen to me.

There is no attack.

Listen to me, Trantor. There is no attack.

There is no attack.

Trust me.

-Oh.

No.

No.

You see? You see? The screen does not lie.

[Zapping]

♪

♪

-Kore! You okay?

Someone hit me outside of main control.

-I haven't seen anyone.

[Beeping]

-Where's the Captain?

[Zapping] -[Screams]

[Alarm sounds]

-The airlock.

♪

♪

♪

[Screaming]

♪

♪

[Zapping, hissing]

♪

[Static]

♪

[Thunder crashes]

♪

-So, that was James Cameron operating the giant maggot

that sucks off all Dameia's clothes and rapes her to death.

Probably the most controversial scene in the movie.

Uncalled for,

according to the critics who were down on the film.

What do you think, Darcy?

-I mean, it could happen in real life, so...

-'Cause that's what giant outer space maggots do, right?

-You cannot rule it out. -You can't rule out rape

with a giant outer space maggot, so...

Alright, tell me how to do, um...

light as a feather, stiff as a board.

And we'll make that our final slumber party activity --

-Ooh. Okay. -...for the night.

-So, you have someone lie on a table,

and everyone at the party puts two fingers

under their body like this. -Okay.

-And you chant, "Light as a feather, stiff as a board.

Light as a feather, stiff as a board."

And the person on the table will rise into the air.

-Alright. You put two fingers like this?

-Mm-hmm. Two from each hand.

-And somehow, by magic, they rise?

-It's like the spirit realm does it.

-How -- How many people do you need for that?

-I don't think it matters.

-I mean, you need more than two, right?

-I don't think you do, actually,

'cause it's mind over matter.

It's like concentration. You're not actually lifting.

The spirits are lifting.

-So, you and I could do it? -Yeah.

-You and I could lift John Brennan with eight fingers,

four on each side?

-That's what they say.

-That's impossible. -It's possible.

-Alright, let's try it.

-But you have to believe that it's possible

or it's not going to work.

It's concentration. -Okay.

I'll believethat it's possible. -Okay.

I'm not sure I believeyou, but okay.

-At the next break. -Cool.

-Back to the movie. -Yay.

-How do slumber party traditions get started, anyway?

-Alcohol. [Laughter]

-Oh, okay.

Why didn't I think of that?

-And weed. Alcohol and weed.

-Of course. [Laughter]

Weed, also.

[Laughter, whooping]

♪

-[Screams]

[Laughter]

♪

[Thunder crashes]

♪

[Static]

[Doors hissing]

-Vapor locks are sealed.

Security scans all clear.

So, maybe we're safe. I don't know.

-They're like snipers.

Picking us off, one by one.

-The way they're appearing and disappearing,

they could be moving through dimensions.

But there's no sign of dimensional distort.

-Well, it's obvious there are no survivors from the Remus.

Let's fix the ship and go home.

-You forget the field that pulled us down here.

What makes you think we can lift out of it?

-I won't go back into that thing.

-I don't run out on fights.

-We've got to find the source of the field.

-Baelon, will you quit? You're driving me crazy.

-When you do go back, I'd like to join you.

-[Scoffs] It's no place for a cook.

-Can you handle a weapon, Kore?

-I can take care of myself.

-Cabren.

-Baelon?

-You're a fool, Cabren.

I'll be damned if I'm staying here alone.

♪

♪

♪

There issomething.

Like whispers, nothing formed.

-Where's Kore?

-Ranger, why are you so concerned with Kore?

-I don't trust him. -Why not?

-At the ship, when Trantor disappeared...

-Well?

-The corridor does appear to remain open.

-Let's get out of here.

-You do what you want to. I don't want Kore behind me.

♪

♪

♪

[Wind whistling]

-I'm not going down in there, Cabren.

It's too tight.

♪

It's definitely getting stronger.

I can't take in anymore.

I'll burn out if I do.

♪

Aren't you afraid?

-Too scared to be.

-Well...

What are the odds of us getting out of here?

♪

-If we play the odds...

...we'll lose.

♪

[Wind whistling]

-Come on, Baelon.

Baelon.

[Creature snarls]

[Zapping]

-Baelon!

Baelon! Stop it!

-What is it?

-I don't know. I thought I saw something.

-This idiot here starts firing.

-Baelon.

I'll go first.

♪

It's gonna be tight, Alluma. But don't worry.

♪

♪

♪

♪

[Eerie music plays]

♪

♪

♪

[Clattering]

-Nearly got me. It nearly got me.

-Shh, shh.

♪

-What a magnificent piece of work.

♪

-It's still here. [Breathing heavily]

♪

Baelon. The pack.

♪

♪

♪

[Creature snarls] [Dramatic music plays]

♪

[Creature snarls]

♪

♪

[Creature screeches] [Dramatic music plays]

♪

♪

-Baelon. You should stay close.

♪

♪

♪

♪

-Aah!

[Grunting]

-What are you doing, Baelon?!

That's the second time you nearly killed me, you --

-Shut up, Ranger! Shut up!

-Baelon!

♪

Baelon?

♪

♪

-Stupid son of a Caleban bitch.

♪

-Go ahead, I'll catch up.

♪

♪

♪

[Rumbling]

-It seems to be activated by this.

-Cabren!

-Kore, move the door again.

[Rumbling] Not all the way.

See?

-If we could complete the form...

Kore, close the door all the way.

[Rumbling] -No, wait!

Hey!

♪

-Baelon!

-Kore, open the door!

The other way, Kore.

♪

♪

[Rustling]

♪

[Rustling]

[Thud]

♪

[Creature roars] -[Screaming]

♪

[Screeching]

♪

-Baelon! Baelon! -There's another one!

♪

-Come on. Come on, open the door!

-Yes!

[Rumbling]

♪

[Creature screeching]

[Bones cracking]

♪

-[Screaming]

[Scream fades]

♪

-He did this.

-Kore!

-It's not Kore. He's just an old man.

-Oh, yeah? Well, where is he?

-There's nowhere to go. I hate this place.

I hate it. I hate it! -Alluma. Alluma.

-Where the hell is he?

-I don't know where he is. Forget Kore!

♪

♪

-Ranger?

Ranger?

-What is it?

-Nothing.

I keep seeing something...

And then nothing.

♪

-Stay close. We can't afford to be separated.

-Damned if you do and damned if you don't.

♪

♪

-Ranger.

In future, you see something, you call us.

-Quit lording it over me like you were still the patron saint

of the Academy, Cabren.

Believe me, those days are long past.

-What?

-I said quit playing the Master with your friends, Cabren!

Old buddy!

'Cause I'm done crawling after you!

Do you know that, buddy?

I'm shredding myself with my own bloody fingernails.

Did you know that? Do you even care?!

Whether you care or not,

you're gonna pay for all this.

'Cause I'm gonna stop your sniping at me.

I'm gonna stop you, Cabren.

I'm gonna!

I'm gonna stop you now!

-Ranger!

Ranger!

♪

♪

♪

-Alluma?

♪

Alluma?

♪

♪

♪

♪

♪

♪

♪

[Dramatic music plays]

-[Grunting]

♪

♪

[No audible dialogue]

♪

♪

♪

[Dramatic music plays]

-Ah!

[Gasping]

♪

[Zapping]

♪

♪

[Groaning]

♪

♪

♪

♪

♪

[Clanking]

♪

[Zapping]

♪

[Breathing heavily]

♪

♪

No blood, no guts.

♪

Can't be real.

♪

[Laughing]

I'm fighting myself.

♪

[Eerie whooshing]

♪

Cabren!

Cabren!

♪

[Rumbling, banging]

♪

[Snap]

♪

[Snap]

♪

♪

-[Screaming]

Cabren!

[Snapping]

[Grunting]

Cabren!

♪

No! No!

Cabren!

Get off of me!

No!

Stop!

Get off of me!

Stop! [Screaming]

[Squelching]

[Snapping]

♪

[Screaming]

[Static]

♪

[Thunder crashes]

♪

-No movie in the early '80s was complete

without at least one exploding head.

I think it was David Cronenberg who started that.

The great thing about outer space alien creatures is

that you can just sort of make up the physics

as you go along.

"Galaxy of Terror" was not the last sci-fi film

to be made on the New World Pictures

outer space soundstages,

otherwise known as the lumberyard.

A much better one, in my opinion,

called "Forbidden World" -- original title, "Mutant" --

came along a couple of years later.

I think it's the best one that New World did

before the advent of "sword and sorcery" pictures

caused Roger to kind of phase out space travel

and go with the Conan the Barbarian trend.

Um, at any rate,

it's time to lift John Brennan. -[Laughs]

Yay! -So, Darcy, tell me what to do.

-Okay. Come on down.

-I assume we've gotta...

-Aah! -Alright.

Just two fingers, right?

-Okay. Two fingers from each hand.

-Two fingers on each hand. -Underneath him.

-Alright. -[Groans]

-I'm trying to get underneath. -[Moans]

-John, are you drunk? -I know. Calm down.

-Molly. -Alright, just be quiet.

-Yes, you have to be quiet, and, Joe Bob, you have to--

-You have to be totally still. -Shush!

-You have to close your eyes and focus and say it.

-Alright, alright. -Okay. Ready?

You have to believe. Alright.

-I have to believe? -Yes. Shut up.

-Okay, say, "Light as a feather, stiff as a board."

-Light as a feather, stiff as a board.

Light as a feather, stiff --

-Shh, John! -John.

-Sorry. -Shut up.

-You're dead or something.

-Light as a feather, stiff as a board.

Light as a feather, stiff as a board.

Light as a feather, stiff as a board.

-Is something supposed to happen?

-Light as a feather -- I don't know.

Keep believing. -Stiff as a board.

I believe. -Light as a feather, man.

-I believe in Bigfoot.

I believe in [indistinct].

-You're not concentrating. -Okay.

-It's mind. -Alright, alright.

Maybe it would help if he did help us.

-Come on, help 'em out, John.

-Light as a feather, stiff as a board.

Light as a feather, stiff as a board.

-Light as a feather, stiff as a board.

-Light as a feather, stiff as a board.

-[Groaning] -Light as a -- Shh!

There's a significant lack of concentration here.

-I'm sorry.

-You don't believe.

-I believe.

I feel like you have to be quiet, actually.

-I want to go back to the party.

-Aw, but you can fly. We'll make you fly.

-Light as a feather, stiff as a board.

Light as a feather, stiff as a board.

Light as a feather, stiff as a board.

Light as a feather, stiff as a board.

Light as a feather, stiff as a board.

Light as a feather, stiff as a board.

Light as a feather, stiff as a board.

Light as a feather, stiff as a board.

-This is silly. This is not working.

-Well, you're not believing.

-I believe.

-Not enough.

[Laughter]

[Thunder crashes]

♪

[Static]

♪

♪

♪

-Cabren!

♪

[Sighs]

[Wind whistling]

Cabren.

♪

♪

[Sighs]

It was my own fear that attacked me.

Brought to life, somehow, by...

by this place.

♪

I knew that when I saw Alluma.

♪

There's no horror here we don't create ourselves.

♪

If that's true, it's finished.

-Finished, Cabren?

♪

There has hardly been a beginning.

-I knew it!

Where is he?

-Damn you, Kore!

♪

♪

♪

-You watch out for him.

♪

♪

♪

♪

[Footsteps echoing]

♪

-Kore?

♪

♪

♪

♪

You...

♪

You know this place.

♪

-Yes.

-And you watched while we died?

And you said nothing.

♪

[Zapping]

[Zapping]

♪

I will find a way to kill you for what you've done.

-Perhaps you will.

But enough, Cabren.

Why let your emotions rule now,

after showing such admirable control of your fear?

You already won the game.

♪

-A game.

-A children's game, Cabren.

This pyramid is an ancient toy.

A brilliant initiatory toy for the children of a vanished race,

to see their deepest fears

and learn to control them.

-And how can you know this?

-This is where I became Master.

♪

-Why did she have to die?

Why did they all have to die?

Damn you, why?!

-They could've lived, Cabren.

They could have chosen as you have chosen.

♪

Until now.

[Eerie whooshing]

♪

♪

[Creature snarling]

♪

[Zapping]

♪

♪

♪

[Zapping]

[Squelching]

[Zapping]

♪

[Zapping]

♪

♪

[Thud]

[Snap]

♪

[Snap]

♪

[Zapping]

♪

[Rumbling]

♪

♪

♪

-Dameia?

♪

Quuhod!

♪

♪

♪

♪

[Grunting]

♪

♪

♪

[Eerie laughter]

♪

-[Whispering] Cabren.

Cabren.

Cabren.

Cabren.

♪

Cabren.

♪

Cabren.

♪

Cabren.

♪

♪

[Dramatic music plays]

♪

♪

♪

[Zapping]

♪

-Now...

♪

...it's just you and me.

-But now, you cannot find the rage

that made you want to kill me.

Yet I am the same man I was before.

♪

[Zapping]

♪

It is done.

-You wanted me to kill you, and I have.

♪

I've killed the Master.

-No.

Only an old man.

You cannot kill the power that is a Master.

♪

-I will never do what you have done.

-Too late.

You are the Master.

♪

-I can leave.

Refuse.

-And allow your planet to plunge into chaos?

That, too, would be the effect of your power.

But you would still be Master.

That is who you are.

You are the Master.

♪

♪

[Zapping]

♪

♪

♪

♪

♪

[Wind rushing]

♪

♪

♪

♪

♪

♪

♪

♪

♪

♪

♪

[Static]

-And so, My Favorite Martian teaches us that we have nothing

to fear but fear itself, as he makes sure the entire cast,

except for Edward Albert, gets blown to smithereens

and/or devoured by giant worms.

And that is it for the Nightmareathon.

-Aww! -What time is it, anyway?

It's Saturday morning.

Saturday morning cartoons are already over.

-Already over! I hate when I miss them.

-But now I get to party. [Laughter]

Is there still booze in there?

'Cause, I mean,

I-I can't do too much 'cause I got fox hunting

over in McDuffie County later today.

And are you sure you don't want to do a little

fox hunting with me today, Darcy?

-I am super good on chasing foxes on horseback right now.

-Alright. Anybody else?

Felissa? -Whoo!

-You're up for anything. You want to do --

You want to do some fox hunting?

-Oh, you know what? I would love to, Joe Bob,

but I promised the Tankersley brothers

that I would go Sasquatch hunting today.

-All three of them? -Well, yeah.

You know, we're all going deep into the woods.

-Rhonda? You've been leading the charge

all night in the party room.

How about leading a pack of hounds on the hunt?

-Oh, no, I'm not in the mood for hound hunting.

I've got four little chihuahuas. Arf!

-Ohh. Robin? You probably like riding horses.

-Ah, but I can't stand to see the terrorizing look

on the cute fox's face.

-You don't really see the fox. You don't see...

You don't get up close enough to see the foxes.

-Yeah, but I'd want to give it a cute little huggy-wuggy

and, like, lick it like a lollipop.

-Alright, I'm gonna take that as a no.

-We want to hug foxes. -Alright. Dave?

-No, no. No, I've had enough.

-Alright, alright. Dave. Dave, I should say this.

I'm sorry I beat the crap out of you.

But it was for your own good,

and it will serve you well in later life.

-Every time I engage in body part,

hand-to-hand combat... -Or arm-to-arm combat.

Or leg to leg. I mean, we did it all.

-Yeah. I'm gonna think of you

and that night I drank all your whiskey.

-You drank all my whiskey? -Oh, no.

-Oh. -Even the Russell Reserve?

-What? -Oh! Oww! Oww!

-Yeah. -Lesson learned.

-The riding crop?!

-Well, I appreciate all of you being here in Georgia.

And if you would,

please help us remind our mutant family everywhere

about what we always say at every show.

-The drive-in will never die. [All cheering]

-Okay. Alright. -Oh, oh! Uber's here.

-Now we can -- Uber's here? -Is there room for everybody?

-What are you talking about? -Of course!

Yeah, it's a triple XL.

-Oh, my God. -Ooh!

-You already called an Uber? -Another party next door!

[Overlapping chatter] -Where are you going?

We still gotta go on the hunt. -[Squealing]

-Can't wait! -What is that?

-I heart you! -Aww!

[Laughter] -Bye, y'all.

-Darcy, the party can't be over.

-Hey, uh, I'll party with ya, Joe Bob.

-Aww! -I'm down to the party.

-Oh. -I'm down to the party, too.

-Okay.

-You know what the problem with German food is?

An hour after you eat, you're hungry for power.

[Laughter]

-Party!

-Alright.

Four doctors go duck hunting.

Are you familiar with jokes about surgeons?

Okay. Four doctors go duck hunting.

A family practitioner, a gynecologist,

a surgeon... -Mm!

-...and a pathologist.

Bird flies overhead.

The family practitioner starts to shoot,

but he decides not to

because he can't be absolutely sure that's a duck.

The gynecologist also starts to shoot,

but then he lowers his gun when he realizes he doesn't know

whether it's a male or a female duck.

The surgeon blows the bird away, turns to the pathologist,

and says, "Go see if that's a duck."

[Light laughter]

-Alright, I blew it.

I should've stopped at Germany, you know.

Alright, come on. Let's keep this party going.

Let's go in the backyard. -Come on, buddy.

-Let's go.

-Oh, yeah.

♪

♪

[Birds chirping]

♪

♪

-♪ This started with a one-time marathon ♪

♪

-♪ Now, Friday nights we chill and watch along ♪

♪

-♪ Tonight was fun from dusk till dawn ♪

♪ That's why we had to sing this song ♪

-♪ It's so beautiful ♪

♪ What a groovy get-together in our drive-in boogie shoes ♪

-♪ Mutant family, you're our family ♪

♪ Couldn't get here without you ♪

♪ Yes, it's true, you're the glue ♪

♪ Mutant fu ♪

♪

-♪ I'm going out to hunt some foxes now ♪

♪

-♪ I don't think you should, so sit back down ♪

♪

-♪ Let's keep our fire burning strong ♪

-♪ Back to the movie, on and on ♪

-♪ It's so beautiful ♪

♪ What a groovy get-together in our drive-in boogue shoes ♪

♪ Mutant family, you're our family ♪

♪ Couldn't get here without you ♪

♪ Yes, it's true, you're the glue ♪

♪ Mutant fu ♪

♪

♪

-♪ You're the glue, you're the glue ♪

♪ You're the glue ♪

♪ You're the glue, you're the glue ♪

♪ You're the glue ♪

♪ You're the glue, you're the glue ♪

♪ You're the glue -♪ Uh-huh ♪

-♪ You're the glue, you're the glue ♪

♪ Mutant fu ♪

♪ Mutant family, you're our family ♪

♪ Couldn't get here without you ♪

♪ Yes, it's true, you're the glue ♪

♪ Mutant fu ♪

♪

[Birds chirping]

♪

-♪ We are drive-in mutants

-♪ Drive-in mutants ♪

-♪ We are not like other people ♪

♪ We are sick -♪ Sick ♪

-♪ We are disgusting -♪ Disgusting ♪

-♪ We believe in, we believe in ♪

-♪ Blood ♪

♪ And breasts ♪

♪ And beasts ♪

-♪ Yeah, we believe in ♪

-♪ Blood ♪

♪ And breasts ♪

♪ And beasts ♪

-♪ If life had a vomit meter ♪

♪ We'd be off the scale -♪ Off the scale ♪

-♪ As long as one drive-in remains on the planet Earth ♪

♪ We will party like jungle animals ♪

♪ We will boogie till we puke

-♪ Boogie till we puke ♪

-♪ The drive-in will never die ♪

♪ We will boogie till we puke ♪

-♪ Boogie till we puke ♪

-♪ The drive-in will never die ♪

-♪ We believe in ♪

♪ Blood ♪

♪ And breasts ♪

♪ And beasts ♪

-♪ We believe in ♪

-♪ Blood ♪

♪ And breasts ♪

♪ And beasts ♪

-♪ Yeah, we believe in ♪

-Made in Georgia.