All language subtitles for The Woman in White (1948) colorized

[ Walter Hartright narrates: ]
"I came to Limmeridge seven years ago."

"The night of April 4th 1851."

"The air was full of
springtime and train smoke."

"Otherwise, a night
like any other night."

"I'd hoped the Fairlies would
send a carriage for me."

Good evening.
- Good evening.

I was expecting a carriage
from the Limmeridge house.

The trap was here to meet
the afternoon train.

I missed the connection at Newbury.

Is there any way of getting
there at this time of night?

There's walking. You can leave
your baggage here if you like.

It's only about half an hour with the
moon on your shoulder like it is.

Would you kindly show me the way?

There you are, sir. You ..

You take the pike road there and follow
your nose straight through the village.

You'll be passing the
school house on your left.

Stay by the road for about a mile until
you near the woods and the marshalling.

It's a lonely stretch but you
have a good light for it.

Sir.

Did you .. speak to me?

I am .. I'm afraid I'm lost.

Could you tell me what road this is?

It's all so .. different in the dark.

It's the main pike.

It runs by Limmeridge house and
then on a few miles to Newbury.

Is that sufficient?

Yes .. thank you.

Did I pass you in the darkness?
I didn't see you.

No.

I was hiding.

Then I saw you light your pipe.

You seemed kind, and I
thought you might help me.

Are you ill?

Who are you?
What have they told you about me?

Madam, I've only just arrived.

I'm a painter. The new drawing
master at Limmeridge house.

Limmeridge?

You be at Limmeridge House?

Oh, how wonderful.

I live there too sometimes.
- Oh?

Just pretending, I mean. Only in fun.

Do you know Mrs Fairlie?

Miss Laura Fairlie's mother?

Her parents are dead, aren't they?

I try to make myself think
she was my mother too.

She really isn't you know.

Mrs Fairlie was the most
wonderful person in the world.

She's the one who dressed me in white.

What is it? Did you see someone?

Tell me, what is it?

Walk on and leave me.

Please, don't ask me
anything, but leave me.

They mustn't see me. They mustn't.

Calm yourself, there's
no need for alarm.

Can you help us, my friend?

Have you walked out from the village?
- Yes I have.

Well then, have you by any chance passed
a woman coming this way along the road?

A woman?

Yes, young rather. White dress no doubt.

Maybe a cloak.

I'm afraid I can be of no help to you.

Is someone missing?
- Most unfortunately.

We've reason to believe she's
in Limmeridge somewhere.

The poor creature escaped last night
from a private asylum over Newbury way.

Asylum?

Very well, Thomas.

Goodnight, sir.

Hello there.

[ Door knocks ]

[ Door knocks ]

Mr Hartright?
- Yes.

Oh do come in, sir.
We didn't expect you so late.

We're sorry the carriage was
not at the station to meet you.

We understood you were
to arrive much earlier.

Mr Hartright, Miss Marian.

Mr Hartright, I'm Marian Halcombe,
Miss Fairlie's cousin and companion.

I'm sorry to say she's retired.

And Mr Frederick Fairlie's usually
too indisposed to receive anyone.

I couldn't ask for a more charming
welcome than yours, madam.

I'm afraid my late arrival
has inconvenienced you.

Oh no, not at all.

We weren't expecting you until tomorrow
once you weren't on the afternoon train.

It was a fine night.
I found the walk very interesting.

You might prepare some supper for
Mr Hartright, Jepson. Will it take long?

Only a few minutes, Miss Marian.

We'll wait in the breakfast room, then.

Perhaps I can explain
your arduous duties ..

And something about us all
while we have a moment.

I shall be all attention, Miss Halcombe.

Let me see, with whom shall I begin?

With yourself, perhaps?

Let me give the family
a better start than that.

I'll begin with Laura,
my exact opposite.

She's an angel. I'm not.

She's heiress to a large fortune.
I'm as poor as a field-mouse.

She's pretty, gay, charming.

As feminine as this.

But, different as we are, Mr Hartright.

She can't live without me,
and I can't live without her.

So, in order to please one
of us .. you must please both.

There's Laura's old nurse, Mrs Vesey.

She's more of a presence than a person.

She just sits.

And Mr Frederick Fairlie is too much of
an invalid to leave his own quarters.

He's an uncle.

And head of the house as he's
the last Fairlie of his generation.

So, there you have us
sir, such as we are.

Oh, back already?

Did you enjoy your walk?

As well as a man could.

A walk alone in the moonlight
leaves something to be desired.

Don't you agree, young sir?

This is Mr Hartright.
Our new drawing-master.

Count Fosco.

Have you seen Fairlie yet?
Is he in a good mood?

Count Fosco came up from London on the
afternoon train. You might have met.

This poor man walked all
the way from the station.

Jepson's preparing some
supper to restore him.

Supper? Splendid idea.

I'll join you immediately.

Count Fosco likes to clown
but don't be fooled.

He's one of the most brilliant
critics and scientists in Italy.

Our friend, Sir Percival Glyde ..

Met him there and brought him to
us when he came to England.

Now he comes often, to help Mr Fairlie
with his etchings and rare coins.

But you're about to ask me about
your employer, Frederick Fairlie.

Please don't.

Your own impressions
must be your only guide.

But dear Fosco's another matter.

Not only is he learned and charming.

But he's gifted with the most
voracious appetite I've ever beheld.

Nothing more beneficial than a tasty
meal before retiring, Mr Hartright.

It's the natural intimacy
between eating and sleeping.

Too often neglected in our
over-civilized existence.

An intimacy not only biologically sound.
But aesthetically delightful.

Won't you have a tart, Mr Hartright?
While you have a chance.

Perhaps I'd better.

As for me, I perform both
these delightful functions ..

Less from necessity than
for the purest pleasure.

Wisdom I've tried to impress
on Miss Halcombe here.

Who is inclined to take too much
on her exquisite shoulders.

As you're a man of taste, Mr Hartright,
I'm sure you have noticed them.

Another of the pure pleasures in
which Count Fosco indulges ..

Is the constant embarrassment
of a guileless young woman.

Goodnight, gentlemen.

Jepson will show you to your rooms.

You're a drawing-master, Mr Hartright?

I'm a painter .. I give drawing lessons.

I saw several canvases when
I was in Paris recently ..

Which were a positive revelation.

As if a painter had carried his easel
out into sunlight for the first time.

His picture became drenched in it.

Indeed, it's a pleasure to find
someone who's so interested.

It is more than I'd hoped.

A mutual pleasure young sir,
I myself have no gifts.

But do appreciate the gifts of others.

I understand you had the good fortune to
be forced to walk out from the village.

A piece of luck on a night like this.
- Yes.

It was very pleasant.

No doubt, no doubt. A young man is apt
to stumble on any sort of adventure.

Under the magic of moonlight.

No, I was not that fortunate.

But I enjoy walking.

One never knows.

One only hopes.

Goodnight, young sir.
- Goodnight, sir.

Mr Fairlie sends word he would
be glad to see you tonight, sir.

If you're not too tired.
- No, not at all.

A bite of supper has
restored me completely.

I had no idea Mr Fairlie
was such an invalid.

He isn't exactly what
you'd call an invalid, sir.

I thought Mr Fairlie had retired.

His hours are irregular.

He never leaves his rooms, you know.

He said he would be unable to sleep
with the interview hanging over him.

This is Mr Hartright, Louis.

Mr Hartright, sir.

I'm so happy to possess
you at Limmeridge.

Mister ..?
- Hartright.

Won't you sit down?

Don't trouble to move the chair.

In the wretched state of my nerves ..

Movement of any kind is
exquisitely painful to me.

Have they welcomed you properly?
- Most graciously, sir.

Pray excuse me.

Could you speak in a slightly lower key?

Loud sound is an
indescribable torture to me.

You will pardon an invalid ..

But I only say to you what my lamentable
health forces me to say to all.

Thank you so much. Do proceed.

Miss Halcombe has been very kind.
- I am so glad.

Would you mind putting
this tray of coins ..

Over in that cabinet?

And handing me the one next to it.

Thank you.

The wretched state of my nerves
makes exertion of any kind ..

Extremely disagreeable to me.

Thank you. Thank you.
A thousand thanks and apologies.

Aren't they beautiful.

Do you like coins, Mister ..?

Hartright.
- Hartright.

I'm so glad.

That means we have another taste in
common besides our respect for art.

Oh yes.

About the pecuniary arrangements
my steward made with you.

Are they satisfactory?

I'm so glad. Was there anything else?

I thought. Oh, yes.

Would you mind just touching
the bell for me please?

Gently .. gently.

Watch what you're doing.

Would you straighten it again, please.

I'm so sorry Mr Hartright. So sorry.

These tormenting nerves
quite rob me of any control.

Won't you sit down again?

You see, the picture
needs a slight change.

I couldn't bear anyone.

Especially you a painter, Mr Hartright,
to see it before it's finished.

What would you think of my taste?

Oh Louis, that portfolio please.

No, not the one with the green back.
That contains my Rembrandt etchings.

The one with the red back, Louis.

Don't drop it all. Don't drop it.

Have you any idea the tortures
I should suffer Mr Hartright ..

If Louis were to drop that portfolio?

Is it safe on that chair?

Do you think it's safe, Mr Hartright?

I'm so glad you think so.

Will you oblige me by looking
through the etchings?

You'll probably find one of them ..

Louis, go away. You're a dunce.

Do tell me what you think of them.

I thought they smelt of horrid dealer's
fingers when I handled them last.

Can you do anything with them?

They require careful stringing and
mounting, but in my opinion sir, I ..

Pardon me, Mr Hartright, but ..

Do you mind if I close my
eyes while you speak?

Even this subdued light can be an agony.

Thank you. Do go on.

I was about to say ..

I will string and mount them.

So the only point still to discuss ..

Is the instruction and sketching
I'm engaged to give your niece.

Oh yes.

My niece knows enough of your charming
art to be aware of her own sad defects.

So you will take pains
with her, won't you?

Is there anything else now we quite
understand one another? Don't we?

So nice to have settled a critic.

Oh Mr Hartright.

Would you mind asking Louis to
carry the portfolio to your room?

I'm not speaking to him.
I'm cross with him.

Indignation upsets one so, doesn't it?
Yes, I quite agree with you.

I can carry it myself.

Can you really?

How nice to be so strong.

Are you sure you won't drop it?

Louis.

Louis, come here. It's alright,
I've quite forgiven you.

You may approach me quietly.

Louis, the 12th-century
Crown Of Lorenzo is missing.

It's absolutely priceless you know, but
I'm denied the privilege of excitement.

Oh.

You couldn't have seen it
anywhere could you, Mr Hartright?

Of course not. How could you?

Only, nobody else has been here.

Count Fosco was
working on the tray, sir.

Fosco. Oh. Dear oh dear.
I knew it. I knew it.

Don't let me get excited, Louis.
You know how Count Fosco affects me.

Oh, go away.

There it is.

Louis, have I got to ask you to
pick up the Crown Of Lorenzo?

Goodnight Mr Hartright. You will take
care with the etchings, won't you.

Thank you. And you will
not let the doors bang.

Gently with the curtains please.

The slightest rustle from them
goes through me like a knife.

I'm so grateful to you,
Mr Hartright. Good evening.

Ah ..

Now Louis, you may get me ready for bed.

I can show you your rooms now, sir.

We send to the station for your
luggage in the morning, sir.

Thank you.

I can bring you some toilet
things in the meantime.

Is there anything else, sir?

No thank you.

You may tell Mister Fairlie
my quarters are satisfactory.

Yes sir. Goodnight, sir.
- Goodnight.

Ouch.

Hurt yourself?

Oh .. it's just a thorn.

So clumsy of me.
- I don't think it's very serious.

I know.

The hawthorn is worth it.
It's so beautiful.

Do you think you might be free of such
accidents and fears in the dark if ..

You returned to where you came from?

I'm afraid I don't know you, sir.

Perhaps you don't
recognize me in daylight.

But we surely met on
the road last night.

What became of you?

Why evidently you've made some
mistake. My name is Laura Fairlie.

In that case Miss Fairlie,
I must be wrong.

But the resemblance is so
striking I can hardly believe it.

Even now.

Well I ..

I find all this a little embarrassing.

I don't know you and I've no
idea what you're talking about.

I'm the new drawing-master
Miss Fairlie. Walter Hartright.

Oh.

I was walking out from the village
to Limmeridge House last night.

And a young woman appeared in
the dark road. She asked for my help.

She was dressed entirely in white.
Rather strangely but ..

Are you sure you're not ..?

I'm sure I've never
seen you before, sir.

Come Mr Hartright.

We must hurry home or Marian and Fosco
will have eaten all the breakfast.

And since I see you're so determined.

On the way, you may tell all about
this romantic adventure of yours.

Good morning.
- Morning.

Look at them. Aren't they beautiful?

Mr Hartright says he's never
seen such hawthorns.

In your arms my dear, neither have I.
- Oh you.

Now you see why we had to hurry.
They haven't left us a bite no doubt.

Thank you, Jepson.

Oh Mrs Vesey, this is Mr Hartright.

How do you do.

Good morning everybody.
- Good morning.

You know Mrs Vesey, Mr Hartright
is much nicer than we expected.

I'm scarcely frightened of him at all.

I see you've lost no time in beginning
your instruction, Mr Hartright.

I advise you to have nothing to do with
the cold ham, and wait for the omelette.

Thank you.

I had the good fortune to meet
Miss Fairlie in the garden.

Yes. In the nick of time to save
me from bleeding to death.

Laura, what have you done now?
- It's nothing.

Wait until you hear.

Do tell them.
- No.

He met a mysterious woman
on the road last night.

She was lost, poor thing.

She was dressed all in white.

And she looked like me.
Didn't you say she looked like me?

Hmm.

And when she saw a coach approaching,
she just vanished into the woods.

Like a ghost.
A woman in white, mind you.

Perhaps Mr Hartright prefers to treat
the occurrence as a confidence.

The truth is I didn't intend to
speak of so strange a thing.

Until I was forced to explain ..

For mistaking Miss Fairlie and the lady
in question for one and the same person.

They looked so much alike?
- I thought so.

Now .. I'm not sure.

Let the man eat, ladies.

I recommend the creamed
kidney to you, Hartright.

You're leaving, Count Fosco? Without
even hearing the rest of the story?

I'm afraid I must.
Your distinguished uncle ..

Has asked me to evaluate his renaissance
Venetian coinage this morning.

Then I must finish a letter
to my excellent wife.

Do you suppose we can have more of the
inexpressible peach cobblers for lunch?

I hope so. Ha.

Toast?
- Yes, thank you.

Fairlie.

Oh, there you are.

Good heavens.

My dear Fosco, have
you no consideration?

What's the matter?

She's here. Just as I expected.

In Limmeridge?

Of course. She has no
other contacts in England.

Nothing but a childhood memory of
this house, Mrs Fairlie and Laura.

She actually believes she
is Laura some of the time.

Dear oh dear.

Ah .. Fosco.

I really think you've been awful
careless about her. I really do.

Who saw her?

That young drawing-master
met her on the road last night.

Hartright? What did she tell him?
- Nothing important.

I don't think I left enough
of her own mind to do that.

But we must find her at once.

Why don't you? Why don't you?

Oh dear, whatever shall we do?

Will you send for Sir Percival Glyde.

I hope not more complications.

Sir Percival will be of no help to us.

His solution for everything is violence.

He'd have done for the girl,
instead of an asylum.

But I detest violence. So clumsy.

Yes, and noisy.

Oh. No violence, please.

Police .. bodies .. no.

My nerves could never stand it.

But you should never have let
her out of your sight, Mr Hartright.

Why, you never can
tell what might happen.

I doubt it's anything to do with it, but
there was a little girl here for a time.

A strange, unhappy little thing.

Somebody's cousin or other
that had been living abroad.

Laura couldn't have
been more than 8 or 9.

And long before you
came to us, Miss Marian.

Are you quite sure you're
not making this up?

I like that. I remember the
child perfectly, I assure you.

She was about the age of Laura
and as like her as a pair of slippers.

Mrs Fairlie dressed them
both in Laura's clothes.

Wait a minute. I begin to remember.

She followed me everywhere,
like a shadow.

I think you're dreaming, all of you.
But I intend to find out.

Fairlie won't tell you anything.

Fairlie? There are other ways.
Are you coming, Mrs Vesey?

You seem very much engrossed.

I'm playing detective.

These are old letters to my
mother from Mrs Fairlie.

They were devoted sisters, of course.

I hoped there might be some mention
of the little girl Mrs Vesey spoke of.

Well ..
- No, nothing yet.

I leave you to the quest.

That was very nice.

Oh Mr Hartright.

Could you look here for a moment?

Yes. Excuse me, please.

Listen to this.

'To my mother from Mrs Fairlie.
September 1839'.

12 years ago.

'Since I last wrote to you'.

'A small girl has been sent to stay with
us for a while by Frederick Fairlie'.

'My husband's brother'.

'Whom we so seldom see'.

'It seems she's the orphan daughter of
one of the Fairlie cousinly relations'.

'Which are too numerous and complex
for my simple mind ever to unravel'.

'At any rate, she's a sweet
child about a year older than ..'

'Our Laura'.

'And resembles her so strikingly ..'

'That I have taken a
violent fancy to her'.

'But there's a brooding weight upon
this poor little creature's mind'.

'I'm trying my best to help her'.

'And you should hear some of the
pretty things she says in return'.

'Yesterday, I gave her some
of Laura's little things'.

'Including a new white-lace dress'.

'It was touching'.

'She kissed my hand.
She was raised abroad, you know'.

'And said ..'

'I will wear white as long as I live'.

'It will help me to remember you'.

'Her name is Ann Catherick'.

'And I will tell you more of her later'.

So we know her name.

There can be little doubt of that.

But where's she been all these years.

Why is she at Limmeridge?
What does she want of us?

I don't know. Somehow I
find it a little frightening.

Could you do me the favour of not
mentioning this letter to Count Fosco.

Do I see rightly? Or is that a monkey?

Alas you see well enough.
It's Count Fosco's monkey.

He calls it Iago.

Here we are.

I've brought the family Fosco
downstairs to bid you goodnight.

They were getting lonely, I fear.

I see you've already
met Iago, Mr Hartright.

This fellow and Miss Halcombe
get on famously.

Don't you sly devil? I wish
you'd tell me how you do it.

Get down.

Here are my pigeons. Persis and Menisan.

Coo-coo my sweets, my pretties.

Indeed, they restore my
faith in conjugal felicity.

It's a perfect match. Most touching.

What a picture Miss Fairlie makes in
a lovely white dress in the moonlight.

Not too far from your strange
figure in your story, Mr Hartright.

So much so, in fact.

That I thought for a moment that I
too may be suffering hallucinations.

The lady I spoke of was no
hallucination, Count Fosco.

Not at all. Up. Come on. Up.

That's right.

Now, if you don't mind,
I'll say goodnight.

Ah.

Now the circus is over
I think I also will retire.

May I have the letter, please?
- Yes, I ..

It's gone. I put it on this table.

Count Fosco must have taken it.

I may as tell you, Miss Halcombe, I've
a strange feeling about this gentleman.

His arrival on the heels
of that girl's escape.

His curiosity about my
walk from the village.

He leaves us for bed. Only to stalk
the terrace for hours in the dark.

His shock just now seeing Miss Fairlie
all in white like the other.

And then .. the letter.

What interest has Count Fosco
in the woman in white?

Why does he not come out with it?
- Mr Hartright.

Must I remind you that Count
Fosco is a guest in this house.

I'm sorry. Forgive my want of manners.

I'll not mention it again.

I really think you're jumping to
unnecessary conclusions.

Don't you?

Count Fosco has added much to our rather
humdrum lives these past few years.

And he seems to like you very much.

As we all do.

Good night.

What is it?

It's nothing.

How pleasantly the summer lingers.

When one has such charming company.

Surely, you must miss your
dear wife, Count Fosco?

I do. I do.

And the morning time.

Don't deceive me. You are concerned.

What is it?

It's really nothing.

This household has
become very dear to me.

I'm still in no position
to speak of such matters.

But I insist.

Don't you think then, since
you force me to say so ..

That a lovely girl like Laura must make
a very strong appeal to a young man.

A very human young man
in this case, I might add.

After all, I plead his cause my dear.

All of us men are but ships in the
storm when our feelings are stirred.

As even I can testify.

I don't know what else
might be expected.

When two such young people are so
closely and intimately thrown together.

All nature conspiring against
the most resolute of principles.

I've heard enough. Indeed, far too much.

How little you consider Laura's
awareness of her position.

To say nothing of her sense of honour.

And how unjust you are.

Both Laura and I have come to
regard Walter Hartright as a friend.

A very dear friend.

One moment.

There's the glass. See them
together with your own eyes.

Very well.

If it will end this insinuation.

You may have to adjust it a little.

You've spoiled it.
- It was already spoiled.

Yesterday I thought I saw some gaiety
and dash and character in your drawing.

Today, you're merely another young
girl who wants to make pretty pictures.

You're just wasting my time.
You don't try.

I do try. I try my best, but ..

Oh Miss Fairlie, forgive me.

I only thought perhaps I could help you.

Laura .. look at me please.

I didn't mean to hurt you.

You know I wouldn't ..

Darling.

Darling.

I thought I could keep all of
this from you, Laura, but ..

Don't say it Walter.

You .. you mustn't.

Sir Percival. What a surprise.

We weren't expecting you
back for another month.

Put it down to the impatience of a
prospective bridegroom, my friend.

Rome and Paris have lost their charm.

And .. Laura?

Patience man, she blooms.

Positively blooms in
anticipation of your happiness.

What's the meaning of this?
I warned you not to come here now.

I had to.
My circumstances are desperate.

This marriage must be
pushed through at once.

It will ruin everything.
The Catherick girl is still at large.

Laura's enamoured of
her drawing teacher.

I was speaking of you with
Fairlie only the other day.

He was hoping you might find a certain
D�rer to complete his collection.

I have it.

In exchange, I shall exact the price
of his hospitality for a few days.

An easy price to pay, Sir Percival,
for as long as you wish.

Glyde Hall may not even be
ready for its new Mistress ..

If they don't get on
with the alterations.

Oh.

You and Laura have settled on
a date then? She didn't tell me.

Only my fond hope, that's all.
The sooner, the happier.

Of course, of course. The happier
for everyone I should think.

Here you are Percival.

She runs to meet you in as pretty
a confusion as you could wish for.

Sir Percival.

Laura, dear.

I hope you will forgive
my unannounced arrival.

I had the chance to come and the sweet
thought of you was no longer resistible.

You're always welcome here.

Mr Hartright.

I took this chance to
find you alone, Walter.

Did you?

Do you know that's the first time you've
ever called me by my Christian name?

It was not an accident.

We are true friends, aren't we?

Marian, if you knew what it means to
me just now to have you say that.

No man could have a finer friend,
or need one more, believe me.

I'm so glad.

Walter .. I saw what
happened in the meadow.

Count Fosco and I were amusing
ourselves with the telescope.

He knows too?

He didn't even need the glass. He ..

Knows people better than I do.
- And trusts them less ..

Perhaps.

But the fault is not yours, Walter.
Nor hers.

It's mine.

My uncle being as he is,
it's my responsibility here.

I should have known what would happen.

I should have known, not you.

But I was too happy.
I thought I could hide my feelings.

And Laura?

I don't know.
- It's better you don't.

This is hard to say but listen, Walter,
and let's get it over with at once.

You must leave Limmeridge
House immediately.

Before more harm is done.

Because Laura is engaged to be married.

Engaged?

She's promised to Sir Percival
Glyde of Glyde Hall.

It happened more than two years
ago, with Fairlie's permission.

With his enthusiasm
and urging I should say.

But also, by Laura's own choice.

It seemed a brilliant match.
They met in London during the season.

Percival quite swept her off her feet.

An engagement of this kind ..

When Percival has shown nothing
but patience and understanding is ..

As binding upon Laura as a marriage.

You realize that, don't you?

But how can it be binding?

Unless she loves him?

For people of honour, it is.

Make no mistake.
You'll see now that he's here.

Here? Now?

Yes, we were all surprised.

He'll be here for some days.

You're right. I couldn't stand
to see them together.

I must leave at once.

I'll make your excuses
to Fairlie, Walter.

Ann.

Don't be frightened.

You must remember me?
On the road that night?

I showed you the way.
Don't you remember?

Ah.

You were kind to me.

I'll never go back there again.
Never, never.

I'd rather die.

You don't think I should
be in an asylum, do you?

Tell me .. where have
you been all this time?

Oh ..

First I go one place.

And then another.

I am very clever.

Do you know how I
escaped from the asylum?

I changed the keys.
They never thought of that.

Then, when the man came
to lock us in at night I ..

You'll never tell them, will you.

They'll never find me.

I have my own money.

Almost sixty pounds.

But .. what do you want?

What is it you're seeking here, Ann?

Why, I want to see Laura.

Don't you know?

I must .. I must. I must warn her.

She'll know it's true.
She'll believe me.

She's our mother, you know.

In the game I mean.

Actually, Laura's the beautiful one.

You do look very much like Laura.

Yes.

Well.

Of course I do.

What is it you want to tell Laura?

Tell me Ann, I'll believe you.

Only her. She'll know.

But I'm afraid.

That's why they put me there.
Because I'll tell, I'll tell.

Then he comes to the asylum and
tells you and tells you it isn't true.

Who? Count Fosco?

He tells you it's all a dream.

But it isn't.

It's true. It's true.
- Ann.

Look at me.

Do you know Laura's about to be married?

To Sir Percival Glyde.

She mustn't. She mustn't.

I'll tell her. She'll believe me.

Will you go with me into
the house and tell her now?

Ann, if you come with me, I'll
bring you face-to-face with Laura.

Oh I'm afraid, afraid .. afraid.

This is your chance, Ann.

I will protect you.

You won't let them?

You're not afraid of them?
- No. It's for Laura's sake.

Will you come?

I .. I don't know why I trust you.

Except I must trust someone.

Let me tell you sir,
exactly what it is I know.

Then I'll go with you.

It seems apparent you're
under a strain of some kind.

Is the matter something
we can talk about?

It would not be easy, Percival.

The less so because of your patience
with me and all your thoughtfulness.

May they not argue then for my
willingness to understand you now?

Very well.

I've learned it's better to face things
and you're entitled to my honesty.

I hope I've earned that privilege.

It's much deeper than you think.

This change you see in me.

It's so serious, in fact, as to justify
you in breaking off our engagement.

Oh.

You'd not be freeing me to marry
another man if that's what you think.

No word has passed then,
between you and this ..

'Other man'?

No.

There's little likelihood we
shall ever meet again.

But surely I've said more
than enough haven't I to ..

My dear ..

No, you couldn't.
You couldn't ask it of me.

I draw upon my years
and my experience ..

Not to permit you to exaggerate
passing attachment.

Or am I heartless enough ..

To resign a girl who has honoured
me with her confidence and trust?

No, no. How can you without my love?

It's to be my one purpose to recapture.

I have said all I can.

Shall we go inside now?

Mister Hartright has called
and demands to see you.

Demands, does he?

Where is he, Jepson?

I've shown him into
the library, Miss Marian.

Very well, I'll see him there.

This is most important, Marian.
- I'm sure it is Walter.

Or you wouldn't be here,
under the circumstances.

I've met Ann Catherick again.

Ann?
- I talked to her.

And her accusations against Count Fosco
and Sir Percival Glyde are such ..

Wait a moment, Walter.

I don't know why you have this
prejudice against Count Fosco.

And now, Sir Percival,
whom you don't even know.

It would be more courageous to
say what you have to say of them ..

To their faces, and
certainly more courteous.

Courteous?

I think you carry courtesy
too far with such people.

I think she's in actual danger.

Some hold they have over
Fairlie has brought this about.

As for my courage, I am more than
happy to present these charges ..

In which I firmly believe,
to the gentlemen in person.

Jepson.

Will you ask Count Fosco, Sir Percival
and Miss Laura to come in here please.

Walter, please understand.

When you left here this afternoon,
cleanly, decisively, like a man.

You took with you not only
Laura's love but also my ..

Own deepest respect.

My admiration.

Mr Hartright has something
to say to you gentlemen.

I thought it right Laura
that he say it before you.

I prefer to spare her any
unpleasantness, of course.

I shall remain where I am.

Very well, ma'am.

Say what you have to
and be done with it.

By all means.

A feverish imagination
like yours Hartright.

Ought not to be restrained.

What is it this time,
ladies in the dark?

Or leprechauns hiding in a tree?

My information, as you surmised, came
from that young woman, Ann Catherick.

Dear me. I hoped for something new.

This girl accuses you, Sir Percival ..

Of forcing Frederick Fairlie's consent
to you marrying Laura for her fortune.

Scarcely flattering to the young lady.

And you Count Fosco, as
originator of the conspiracy.

Me?

I can understand how an
ill-tempered brute like you ..

May frighten a girl into
marriage, Percival.

But surely, not I.
I couldn't be dangerous.

I'm too fat.

This is infamous.

And you call yourself a gentleman?
- I couldn't.

In any sense you would understand.

Ann Catherick charges you also
with putting her in a private asylum.

Because you're afraid of her.
Of what she can tell Laura Fairlie.

Some years ago when I was in Italy ..

Your uncle Frederick wrote asking
me to look up this Catherick girl.

Who I believe is some relative.

I found her in such pitiable
mental condition that I ..

Brought her back to England
and placed her in proper care.

Count Fosco's knowledge and influence
with the asylum where we placed her ..

Was of great help.

You need only ask Fairlie
himself about this.

Unfortunately, something over two
months ago, the poor creature escaped.

She needs help and care.

I tried my best to find her.

If Hartright had the luck
to stumble upon her.

He would have done better to
return her to her benefactors.

Rather to listen to her
hallucinations and persecutions.

Which belong to her malady.

Why is it Count Fosco you didn't
give this simple explanation ..

When I met her on the
road the night I arrived?

Why? Need you ask, why?

A delicate family matter.

You may not be aware of it, but it's
scarcely the part of a gentleman ..

To go blabbing such confidences
to the first stranger he meets.

I reported it to Fairlie at once.

Do you have anything more than the
girl's wild talk to go on, Walter?

I believe her. So would
you if you heard her.

I brought her to the very door of this
house to charge you to your faces.

But unfortunately ..

Yes, unfortunately.

A magician like you ought to be able to
do a few passes in the air and 'presto'.

There she stands.

The woman in white.
- Marian, surely you believe me?

That asylum you speak of isn't a bad
place for highly developed imaginations.

You might try it some time.

Impulsive young man, isn't he.

You're new here. What became of Wilfred?

I don't know, ma'am.
I only came in August.

Oh.

It's so wonderful to be back.

It never changes.

I wouldn't know ma'am.
I've only been here a few weeks.

Where's Jepson?

Jepson vacated the place with the others
Miss Halcombe about three months ago.

My name is Bernard.

But he's been here always.
I don't understand.

And this is Todd, Miss Halcombe.
Our housekeeper.

May I show you to your new room, madam.

You must be tired.
- My new room?

The entire south suite has been prepared
for Sir Percival and Lady Glyde.

Yes. Have they arrived?

Not yet madam. They're not
expected until tomorrow.

Count and Countess Fosco have
the north guest chambers, and ..

Countess Fosco?

Really?

Oh yes, madam.
They've been with us for some time.

Your room is the third-floor front.

Oh but that's Mrs Vesey's room.
She's always had it.

We thought you knew, Miss Halcombe.
Mrs Vesey moved to London.

It must have been two months ago.

Please inform Mr Fairlie that I have
arrived and wish to see him at once.

But ma'am, Mr Fairlie particularly
asked to welcome you tomorrow.

With Sir Percival and Lady Glyde.
- Indeed?

His acute nervous suffering, it seems ..

Doesn't permit him the
pleasure of two welcomes.

Don't do anything more.
For heaven's sake, don't shake the room.

Please, if you must move, move quietly.

Forgive me, dearest Marian.

You have such beautiful control.

How I envy you your
robust nervous system.

May we please be alone, sir?
- Alone?

Is anybody else here?
- Your man.

Oh you mean Louis?

Oh you dear, blessed, provoking Marian.

Whatever can you mean by
calling Louis a 'man'?

My dear, he's a portfolio stand.

Why object to the presence
of a portfolio stand?

I do object sir, if I may.

Leave us alone, you nodding mandolin.

Sir, for what possible reason have
you sent away all the servants?

Don't bully me. Please don't bully me.

Really, I'm not strong enough.

Do as you wish good Marian, as you
always have done, only don't bully me.

What was it? Oh yes, the servants.

Worthless my dear, from top to bottom.

It's been like a new place since we got
rid of the entire pack of lazy beggars.

How we were put upon
all those weary years.

It was Percival's suggestion, my dear.

Fosco, I am sure, will
tell you all about it.

And all with dear Laura's approval.

And that I cannot believe.

Don't contradict me.

You know, my wretched constitution
won't stand the strain of anger.

How I should love the luxury
of flying into a fine rage.

Rage.

There it is.

So, if there's nothing else,
for you dear girl.

So nice of you to come.

I have no intention of leaving, sir ..

Until I have some sensible
explanation of these matters.

Send me away as is your
privilege or treat me friendly.

I cannot live in peace in this
black morass of mystery ..

Which seems to be rising about us.

Perhaps Mr Hartright was not too far ..
- Stop.

Don't mention that man's
name in this room.

Deserter.

How cruel of him to let
that poor girl escape him.

She's no doubt dead in
some ravine by this time.

I have more faith in Walter
Hartright than in some others.

Really?

You couldn't possibly mean me?

Fosco? Percival?

How ungrateful you
are to us all, Marian.

It was Percival's first insistence,
knowing your devotion to Laura ..

That you stay here with them and go to
Glyde Hall with them when it is ready.

That was kind of him. Perhaps
I misjudged him. I hope so.

Have you heard from Laura?

She wrote to me from Paris and Vienna.

About their travels and nothing else.
They were the letters of a stranger.

Mister Fairlie.
- Exquisite.

Exquisite.

Percival.
- Hmm?

May I have one of those .. cigarettes?

Of course, my dear.

Don't be so shocked darling.

Any number of ladies in
Paris are taking it up.

Aren't they Percival?

Oh yes, yes. They've acquired our male
bad habits along with our privileges.

Isn't that so, grandfather?

Please .. take it Percival.

You must give me a lesson.

Here you are, grandfather.

Never too old to learn.

Sorry, my dear fellow.

You'll forgive an old friend a
few drops of wine, won't you?

Thank you.

I promise it won't happen again.

Will it?

See, you mustn't corrupt Iago.

We Foscos are a conservative,
old-fashioned family.

Aren't we, my beloved wife?

Come .. you may tell us what you think.

I think as you think, Alessandro.

Very wise of you too.

You couldn't do better.

Could she?

In my opinion.

If I've your permission to give it Count
Fosco, everyone must think for himself.

I began to do so when
I arrived back here ..

Yesterday afternoon.

Will you let me to show them the little
present I've selected for you my dear?

I take it out of our
strongbox occasionally.

Just to let my beloved look at it.

Oh .. diamonds and emeralds.

A pretty penny that cost.

It's very beautiful. Exquisite.

Why don't you put it on Countess Fosco?
I'm sure it's becoming.

It's not quite hers yet.

We are waiting for that
supreme moment ..

When her forcefulness
completely overwhelms me.

Aren't we, my dear?

Why, what's the matter?

You must be tired.

But I'm feeling much better, Alessandro.

I'm not tired at all.

It's a Spartan streak in you
English women. How I admire it.

Quite unnecessary this evening.

I ..

I hope you will all forgive me.

Goodnight.

'Thinking does no good.
I've thought enough'.

'And every instant I
become more frightened'.

'One thing'.

'Laura is lost to us'.

'For ever'.

Marian.

Marian, I'm so sorry.

Please forgive me.
I didn't mean to hurt you.

But I had to pretend in front of them.

But I'm just the same.
I haven't changed.

Oh Laura, of course you haven't.
I should have known.

They couldn't really change you.

Marian, I've been so miserable
since I've been away.

Percival thinks only of money.
He'll do anything for it.

You knew of the marriage settlement?

No.

It provides the entire Fairlie fortune
goes to Percival in event of my death.

I wish I would die sometimes.

Have you heard anything from Walter?

No, I haven't.

I discovered he left England
almost at once for Italy.

Italy?

Later, several sketches by
him appeared in The Tatler.

Street scenes in Rome.

And then, a painting.

A very remarkable portrait was
hung in the Royal Academy.

I read a description of it and went
to see it when I was in London.

A portrait?

Of me?

No.

Of you dear?

Of course not.

Didn't you know what he thought of you?

I did.

I never knew which of us
he was falling in love with.

The portrait was very like you.

But with great shadows around the
eyes and a haunting look of fear.

It was called 'The Woman In White'.

We didn't believe him.

If we'd only believed him.

I had no right to sign that settlement.

It's not my fortune.
It belongs to the family.

Mr Gilmore begged me not to.

He gave up handling our
affairs over it after thirty years.

They made me sign it, Marian.

Why didn't you do something?

I ..?

But I wrote you and wrote you.

You never got them?

You never got the letters
that really mattered?

He stopped them.

I didn't receive any letters from
you after you arrived in Rome.

I'm afraid of him, darling.

So terribly.

What is it, Laura?

I'm just not feeling very well.

I think perhaps I'd
better go to my room.

I'll go with you.
- Oh no.

Percival has gone with Fosco
to talk business with Fairlie.

He may be back at any moment.

I'll be alright.

Goodnight dear.
- Goodnight.

We know your schemes.

I've had enough of them.

Do you even care how I suffer?

Not particularly.

This fine cruelty, such torture.
Such infinite pain.

Buck up.

It's nothing to the pain you'll have if
the whole county knows what we know.

Please.

Poor Ann.

Why don't you find her?
- Ask Fosco.

He's the great genius.
Who never makes a slip.

It's not right. It's not kind to let the
poor thing roam at large like this.

It is shameful.

She might talk.

She will say whatever I want her to say,
like anyone who's been in my charge.

I'd like to be sure of that.

This miniature is exquisite.

Did you notice the
delicate shading here?

Look at the flow of that shoulder into
the arm. One can almost feel ..

How can you? How can you?

Will you two stop this play-acting
and get down to business.

What about that money?

And I don't mean driblets.
I mean twenty thousand pounds.

So, we're back to it again.

[ Thunderclap ]

Quite a storm coming up.

Twenty thousand pounds now.
I have to have it. Do you hear?

But I haven't it. I told you I
had nothing but the income.

No .. Laura has it.

You've got your settlement.
You get everything if she dies.

Isn't that enough?
- No. I need the money now.

A name on a piece
of paper is all I need.

Of course, I'd rather get it that way.

Quiet, Percival.

If you can't make her sign it, I will.

Ruined and disgraced, on the whim
of a stubborn girl. By heaven I'll ..

Be quiet. You fool.

Yes, you ..

Shrink from that little idea, don't you?
That would solve everything.

A fool and a coward.

We are a great pair, Fosco.

I shrink from nothing .. but stupidity.

Murder is the resort of imbeciles.

Murder?

You couldn't.

The whole house would be
full of police and things.

Something's got to happen.

I've already attended to that.

She'll sign.

Really? When?

Tomorrow perhaps .. or the next day.

Good night gentlemen.

Pleasant dreams.

Will you please close that window.

A filthy night .. in a filthy world.

I know one tries not
to live in it but ..

They make you.

Don't be frightened.

What do you want?

Since you take such fantastic
risks to find out about us.

I thought it would be safer.

If I came and told you.

How did you get in here?
The door was locked.

A locked door to me is
no more than a ribbon.

Wrapping up a lovely gift.

But if you believe my considerable
bulk could become a wraith.

I seeped in through the keyhole.

Was it necessary to hide there
and shame me as well?

I was only too happy to
discover something at last.

As flawless in form.

As it is in spirit.

Marian, come here.

I want to talk to you.

What a combination. What an existence.

Your courage, your indomitable
character and loveliness.

And the fabulous gifts of my mind ..

We?

Think about it. There's no hurry.

You have a wife, Count Fosco.

Yes, a devoted creature but a cypher.

I met a lady in a village in Sorrento.
She had a modest fortune.

And enjoyed a regular
remittance from England.

I was out of funds, as usual.

Absurd that my achievements should be
hampered by a stupid accident of money.

Now we shall have the
Fairlie fortune to command.

Laura's fortune.

Oh no. Never.

She .. she knows you as well as I do.

She'll sign over to us
as much as we want.

Tomorrow.

What do you mean?

You've done something to her?

You.

You incredible fiend.

You murderer.

No. I've never found
that quite necessary.

I should hate it.

Any sort of uh .. physical violence.

We shall talk again.

You will come to me of your own accord.

[ Door knocks ]

What is it?

Sir Percival sent me, sir.
I've searched the house for you.

Her Ladyship is suddenly ill.

He asks you to come.
- Let me go.

I'll come at once.

In the meantime, I want you
to remain outside this door.

In deference to your
charming adventurousness.

He'll watch the outside as well.

Miss Halcombe does not
wish to leave her room.

Or send any messages.

Even as an antagonist,
I admire you my dear.

Such dash .. such resolution.

Such delightful folly.

I've been looking for you.

Laura's ill with a fever and
babbling a lot of nonsense.

I think you should have a look at her.

That won't be necessary.

I'm sure it doesn't matter to
me one way or the other.

Quite as I expected. The initial
reaction is always rather violent.

What do you mean?

You're anxious for her to
sign that paper, aren't you?

I think that tomorrow you'll
find her more amenable.

Don't. Don't be frightened of me.

I only want to help you.

No ..

No ..

Where's Marian?

I want Marian.

Please understand me. Please ..

I must warn you. I must.

Why doesn't Marian come?

It's the money.
It's the money they want.

But they'll kill you.
They will, they will.

I saw a good deal of typhus
when I was a student at Galicia.

I thought I recognized
it when I first saw her.

The symptoms are similar.

But I can check this malady as easily
as induce it. Whenever I wish.

Check it then. Or go through with it.

It's no good to us this way.

A little too soon to decide that.

Well .. I've been trying to make her
sign the cursed thing for two days now.

It's hopeless.

A more violent reaction
than I wanted. But ..

Wait.

Is that you, Marian?

No.

Please take her away. She frightens me.

Who? Who frightens you?

Countess Fosco? Marian?

Where is Marian?

Who frightened you?

Who?

That girl.

What girl?

She's ..

She's all in white.

She's .. oh ..

Have you left her alone at any time?

Oh no, sir.

I mean, only like now,
to get the linens.

Countess Fosco and I have
been here every minute.

What does it mean?
- I don't know.

I don't think you'd better leave the
house this evening, Percival.

She hasn't eaten a thing
for two days my lady.

She'll need some strength.

You may go to bed now, Todd.

You must be tired.
- Yes, my lady.

Thank you, my lady.

Goodnight, my lady.

Why haven't you come?

I couldn't. I couldn't get away.

Why?

He watches me all the time.
He suspects.

You must go away, Ann. You promised
to go once you'd seen Laura.

She was ill. She didn't understand.

You can't do anything against him.

Haven't you learned that?

What's the use of it?

What did you want to tell her?

You know.

Oh.

Eat your supper, Ann.

You always liked the second day beef.

Did I?
- Yes.

I don't remember.
- You liked it with the brown sauce.

I'm not hungry.
- But you must be.

Have you been having your pain again?

I had it.

I can't remember when.

What time is it now?
- It's late.

They're all asleep.

You mustn't go there again, Ann.

Oh I ..

I was mad .. mad to let you come here.

They might not want to
put you back there again.

They might ..

They might not ..

Want to put you back there.

You're better.

Now you will understand.
At last I can tell you.

Please don't be afraid of me.

We should never be afraid
of each other, should we?

How could we? It would be like ..

Like being afraid of yourself.

Oh .. where shall I begin?

Sometimes, I ..

I can't quite remember.

[ Fosco: ]
Oh yes you can. Tell her.

You were quite a young
lady then, weren't you.

You overheard us.

Yes.

Yes, Sir Percival was there too.

[ Percival: ]
That's right. It was in Rome.

Remember?

No.

Don't stand there. Get some water.

The girl is dead.

Quite.

There will be an investigation.
What do we do now?

We think ..

Or at least I do ..

God bless.

Amen.

Where's Count Fosco?

Fosco is not the family, after all.

You know well he received a telegram ..

And left for London on urgent
business the night poor Laura died.

If we'd only listened to you, Walter.
If you'd only come sooner.

I had just returned to England when
I saw the notice in The Times.

I came at once.

Now she's gone.

They killed her. I know they did.

What are you thinking, Walter?
What is it?

Nothing.

Nothing! I've told you
all I know about things.

What you're not telling me speaks louder
than your words. Tell me, Walter.

But how can I tell you? How can I raise
your hopes on such a mere suspicion?

Please.

It's not a suspicion. I'm certain of it.

This Fosco is no crude murderer.
He's worse. Far worse.

As perfect as his scheme was ..

He didn't expect that face to be looked
at with eyes that had searched Laura's.

Or to those of a portrait
painter to whom every ..

Facet and feature has a special meaning.

No, Walter.

The white-shrouded girl in that
coffin was Ann Catherick.

More than likely, Laura is still alive.

Alive?

I think, if their evil
circle is complete.

We'll find her in that same, private
asylum from which Ann escaped.

About a dozen miles from
here, over Newbury way.

Yes, yes, that's it, of course it is.

Come. We must get the police.
- Now wait a minute, Marian.

Have you thought as I have, what will
happen to Laura if we get the police?

If we frighten them in any way?

We must go to Newbury by ourselves.

We must speak of this to no-one.

Whatever we can do.

We must do it alone.

Come back in half an hour.
- Yes, sir.

You gentlemen will prefer to be
alone with Miss Catherick, no doubt.

No doubt.

But if there's anything further
you wish done, Count Fosco ..

Just anything at all ..

Did he mean that? Anything?

Have you ever stopped talking
like a common footpad?

Will you ever get over
this idea of killing her?

Seriously, Percival ..

I advise you never to get mixed
up in this sort of thing again.

If I do, it will be on my own.

I like things over and done with.
- Over and done with?

How often is murder over and done with?

What, on the other
hand is so complete ..

So exquisitely final ..

As a well-arranged natural death?

You had the good judgement to leave this
matter to me for 3 invaluable months.

Don't interfere.

Thanks.

Come in. Draw the curtains.

Hello Ann .. how are you today?

My name is Ann Catherick.

I was born in Sorrento.

My mother is now the Countess Fosco.

Count Fosco is ..

Yes, yes. That's fine.

Sir Percival and I have come here
to make sure you are comfortable.

You have everything you want here?

You remember Sir Percival, don't you?

I ..

I answer to a false name.

If I don't .. I'm beaten, and starved.

Do you want your child to
be born in a place like this?

My child?

Ann.

Come here.

I'm really impatient with you, Ann.

For weeks, months now, I explained
to you that Laura Fairlie is dead.

Buried in Limmeridge,
before the whole county.

I've showed the newspapers, the records.

The doctor's report.

I do my best for you, but we
can never take you home ..

If you persist in this silly delusion.

You are Ann Catherick.

You are Ann Catherick.

Hear only my voice, Ann.

I give you my thoughts, Ann's thoughts.

Think through my mind .. to Ann's mind.

To know what I know .. what Ann knows.

Only what Ann knows.

I see you as just a little girl,
digging in the sands of Amalfi.

I went to the English school at Firenze.

When I was eleven.

My mother is now the
Countess Fosco and ..

There, there. Never mind Anina.

You may run along now.

You.

Come here a moment.

Wait there.

[ Fosco: ]
Think through my mind to Ann's mind.

Think through my mind to Ann's mind.

You know what I know,
and what Ann knows.

Only what Ann knows.

I know what I know .. what Ann knows.

Only what Ann knows.

Ann's thoughts.

If it pleases you, dear Miss Catherick,
may we go back to your room now?

Good day, gentlemen.

My dear Percival, any further questions?

My services are expensive. I want you
to feel you've had your money's worth.

One thing then, Fosco.

If I give you the money now, how long
must I put up with this uncertainty?

I mean, how long would she last?

Must you put it so bluntly?

However, let me see. She'll resist the
idea occasionally for another month.

Any longer, with more
physical damage, of course.

Then she will give in, and accept
her new identity as a fact.

Come on. How long?

Two months mental collapse.
Physical destruction.

The human organism cannot
tolerate such psychological poison.

Most unfortunate.

Are you going to Limmeridge?
- Yes. For the last weekend.

A charming place.

I shall hate to leave it.

Sir Percival, we arrive at
our final transaction.

You led me to believe the 'enterprise'
was more definitely concluded.

However .. there it is.

Gold notes.

A deposit record of the balance of
your credit in the bank in Paris.

I needn't count it.

You haven't the imagination
to cheat me, have you.

You'd only brood on how much less
expensive it might have been ..

To put a knife in my back.

Yes .. I did think of it.

Then you reflected, didn't you?

What a jolly old fellow Fosco was.

After all, you just
couldn't do without me.

Considering the 'enterprise' was
not, as you so accurately put it ..

More definitely concluded.

Arrivederci.

Sir Percival.
- What is it?

Miss Halcombe and Mr Hartright are in
Newbury, sir. They arrived this morning.

You sure?
- Quite, sir.

They stay in a house at
the top of the village.

Do you think they will try something?
- I don't know, sir.

Come. Show me the place.
- This way, Sir Percival.

Walter, don't you think we
ought to go to the police?

No, our first move will mean their last.
We'll think of something.

But it's just the Percival is here
and they may be taking her away.

I'm going to watch outside
The Cedars tonight.

If they try to take her away,
I'll follow them.

If we could only think of ..

Oh.

Sir Percival.

Walter.

Be careful.

I've loved you ever since that
night I left Limmeridge, Marian.

If you had only known how difficult
it was for me to send you away.

Walter.

Be careful.

One .. two .. buckle .. my .. shoe.

Three .. four .. lock .. the .. door.

Five .. six .. pick .. up .. sticks.

I'm going to lock them in now, Kate.

You can go home.

Goodnight.

You ought to go to sleep, young lady.

One .. two .. buckle .. my .. shoe.

Five .. six.

Thirty-six?

Six ..?

Strange.

Sir? Could you help me, sir?
I want to ..

Ahh!

No you don't, Hartright.

Sir Percival.

Laura.

Marian.

That's funny. I ..

'Dearest Walter.
I know now what it is I must do'.

'As long as Laura is under the influence
of Fosco, we're powerless to help her'.

'I am going to Limmeridge House,
to make one last appeal to him'.

'If that fails, I ..'

Fosco.

Come. We've no time to lose.
We must get the police.

Your proposal doesn't surprise me.

Like a good General, you
admit defeat when it's a fact.

You're bold, you're logical.

My dear .. you're immensely tempting.

Please, Count Fosco.
Can you not say 'yes' or 'no'?

Let me see, then.

You suggest I take my ill-gotten gains,
flee England, abandon my precious wife.

Precious?

The day you do so, will be
the day of her deliverance.

Well, convenient then.

In either case, utterly unimportant.

And that I leave a written testament.
I dislike the word 'confession'.

Which will free Laura Fairlie
from what you call her torment.

And restore her to her proper
identity and position.

And one more thing.
- Ah yes. One more thing.

I must leave at once, within the hour.

Have I stated it correctly?

Yes.
- Good.

And if I do all this,
you will go with me?

You rang for me, sir?

Yes. Please see to it my bags are
packed for travelling immediately.

You may order the coach at once.
- Very good, sir.

This means you accept?

With you, and wealth and
the rest of the bright world.

One can well afford to give up England.

Beastly climate.

Now my dear, you may
remove that uncomfortable ..

And scarcely flattering
pistol from your dress.

Would you have actually shot me with it?

Yes, if you had refused.

I couldn't stand Laura
suffering any longer.

How magnificent.

How forthright.

You never let me down, dear Marian.

Now to work.

It will be a mere r�sum� of course.

Later, I'll write a
treatise on the crime.

Let me see.

I'll begin at the Palazzo of
the Mecasa de Berochi in Rome.

A haunt for high-stakes
play at the tables.

I was .. gambling a little.

Or they thought I was gambling.

Silly of them.

I never gamble, do I?

I met Sir Percival Glyde there.

He told me an interesting story about a
beautiful young English girl he'd known.

A member of one of the oldest
and wealthiest county families.

What a scandal when they discovered
this charming young woman was ..

Going to have a baby.

'Out of wedlock' as they say
in this lugubrious country.

Her younger brother Frederick,
a playmate from childhood.

Stood by her in an ineffectual way.

Yes, Frederick Fairlie.

So useful to me.

But her father and her
elder brother, Richard ..

Both arrogant, admirable gentlemen.

Packed her off to Italy, and calmly
announced she'd died there.

You're lying .. that's not true.

Oh no. I never lie.

Unless there's some point to it.

May I resume?

The young lady however,
preferred not to die.

Quite the contrary.

She had her baby, a little girl
called Ann .. Ann Catherick.

Since that was the name the
mother found convenient.

By whatever name ..

This Ann was the blood first cousin of
Richard Fairlie's daughter, Laura ..

Born the next year.

And as the family's strain was strong ..

Was enough like her to be a twin.

You follow me, I see.

What would Frederick Fairlie not
pay to keep this scandal buried?

You realize the splendid possibilities?

So did I.

Especially since I had a
personal interest in the matter.

A family interest you might say.

You?

Yes, it was Percival who first told
me that Ann Catherick's mother ..

And Frederick Fairlie's beloved sister
was none other than my adored wife.

She was beautiful.

Very beautiful.

Yes, my dear Louis.
She was very beautiful.

Unfortunately, the young men of the
county discovered her loveliness.

And also, that she had less
resistance than beauty.

Very awkward of course.

Personally, I'm disposed to regard such
accidents as of no great importance.

You can imagine what happened.

What a to-do in the family.

I think it was about
that time I decided ..

People were not worth
bothering with, Louis.

Ouch!

Oh you wicked, wicked Louis.

It's enough that you neglect me from
morning until night without burning me.

Go and cover the portrait.

You don't deserve to
look at her any longer.

Satisfactory?

Not to mention what
it will do to Percival.

Alessandro Fosco.

What do you intend to
do with this document?

If I were you I would post it direct to
the police before we leave the country.

I don't wish to be tempted.

Thank you. I shall do that.

Now begins the most exciting
chapter in your life dear Marian.

And in mine.

This little bauble is a token ..

Of the loveliness.

Of which I shall clothe you.

No, I don't want it.

It belongs to ..

Do you really think I would have
chosen emeralds for you?

I bought the necklace for a fraction of
its worth from an old friend in London.

A Czech from Prague.

It was just after my
first visit to Limmeridge.

When I met you.

So you see my dear, even that ..

A trifle like a jewel, was planned.

Planned leaving no room for accident.

Only for the unfolding of
a beautiful inevitability.

This and much more will I
teach you, exquisite Marian.

You'll learn there's no human
gift of weakness, of foible.

So inconsequential that it
cannot be turned to good use.

Like the tiniest sprocket in
a rare Geneva chronometer.

Like the most minute device
in the intricate design ..

Of a fabulous Persian rug.

Laura.

Can be .. fitted.

Fitted .. into the faultless .. pattern.

Of the master plan.

Marian.

Walter.

[ Walter Hartright: ]
"All things pass."

"And for seven years now this monstrous
villainy has lain buried in the earth."

"Countess Fosco, poor soul,
still plays with her lovely toy."

"She's quite happy and harmless
in that same sanatorium."

"Which Laura's generosity
and abundant wealth .."

"Has, long since, transformed
into a pleasant home."

"And each afternoon of the odd day."

"She's taken across the street for a
visit with her dear brother, Frederick."

"Here at last, Fairlie is no
longer bothered by .. people."

"Louis will be fanning him obediently."

"While one can almost hear
his master complaining .."

"What a dreadful ordeal the
gentle heat of summer can be."

"To a man .. in his condition."

"Best of all is the happiness
at Limmeridge House."

"And the joy with which I return
to it from any small journey."

"It has long been our home now."

"The small girl there is
Marian's and mine."

"Our daughter, Ann."

"The boy is Laura's."

"His name is Walter.
Sir Walter Glyde no less."

"They want my criticism
of their drawings."

"And I make a suggestion or two."

"There is not much time."

"For I hear Laura's happy laughter .."

"And the music of my Marian's
voice inside the house."

"And I know they'll be
coming out to greet me."