Original subtitles

HODGES: Previously on Mr. Mercedes...

BRADY". This will be my masterpiece. It won? make us rich,

but it will reunite us.

JEROME: Roseland Hills Community Center. It's his M.O.

Let the police handle it.

He Wasn't just killing people two years ago.

He was mowing down hope.

HOCKNEY". I got a lot of concerned people,

especially with this Edmund Mills gala coming up.

He wants me. I'm his target. Let him come, I say. Let him come.

Do we have a retired detective compromising this investigation?

We do not.

If anything, that retired detective was instrumental in breaking it.

- This is who serviced her computer. - What are you doing with the speakers?

BRADY: I spoke to Josh about setting up a viewing station

so kids can watch shit While their parents shop.

You get the kids, you get the parents. Same as selling ice cream.

We have some questions about an Olivia Trelawney.

- What do you mean, the Mercedes lady? - She ever take service calls in her home?

ROBI: It's always Brady Hartsfield. She requested him.

The ice cream guy is your suspect?

Been hiding in plain sight ever since. Right under my fucking nose.

BRADY: Why are the police looking for me? - Hovv did you get in here?

- Are you gonna make me ask you again? - ROBl: You're the Mercedes killer?

FULLER: Step out of the vehicle immediately!

[GUNSHOTS]

{DISTORTED LAUGHTER] - FULLER: Let's take the house!

SWAT OFFICER: John, you better see this.

- Out! Everybody, out! Go, go! - We got to go now! Bill!

PETE: It's over, partner. We got him. {WATER DRIPPING]

HODGES: Maybe.

["DANNY BOY" BY THE PUBCRAWLERS & THE OUTSIDERS PLAYS]

♪ Oh, Danny boy The pipes, the pipes, they are callin' I'

♪ From glen to glen And down the mountainside I'

♪ The summer's gone I

♪ And all the roses are fall/n' ♪

.I' 'Tfs you must go 'Tfs you must go .I'

♪ And I must bide I

{TEMPO INCREASES] - J" Well, Danny boy ♪

♪ The pipes, the pipes They are callin' I'

♪ From glen to glen And down the mountainside I'

♪ The summer's gone And all the roses are fallin' I

.I' 'Tfs you must go 'Tfs you must go .I'

♪ And I must bide I

♪ But come ye back when summer's In the meadow ♪

♪ Or when the Valley's hushed And white with snow I

♪ Well, come what may in sunshine Orin shadow I'

♪ Oh, Danny boy, oh, Danny boy I love you so I'

[ICE CREAM TRUCK MUSIC PLAYS]

JEROME: I'll take a Chipvvich right after.

BRADY: Is that a Chipvvich I hear, sir? Of course you can.

JEROME Yeah. - HOLLYI Mm!

- ALLIE: Mm! Delish! JEROME: Thank you.

BRADY: Oh, absolutely. They're good vitamins, as Well.

Hi, Daddy.

- Hi, Mr. Hodges. - Hey, Bill.

[RAIN PATFERING]

Hey, Mr. Hodges. The usual? Double fudge? Fatty?

Bill? Bill, let me have the gun. Let me have it. Come on.

You go have some fun.

Go on. Have some ice cream.

Daddy. Daddy! - Go ahead.

- Come push me on the swing. - HOLLY: Want a bite of mine?

Don't forget your fudge!

[SWING CREAKS]

[LAUGHS] Whoa!

ALLIEI [LAUGHS] Faster!

[THUNDER CLAPS]

[DISTORTED LAUGHTER]

- ALLIE1 Daddy! - Allie!

[THUNDER RUMBLES]

- ALLIE: Daddy, help! - HODGES: Allie!

Allie!

[SCREAMS] No! Allie! Allie!

BRADY: [ROARS]

{CLOTH RIPPING] -[SLASHING]

[BREATHING HEAVILY]

[LAWN MOWER WHIRRING]

[LAWN MOWER ENGINE DIES]

It's not your day.

Yeah. Had to mow all my lawns today.

Speaking at this gala thing tomorrow.

Man... you look like awful fucked terrible

and you're What came out nine months later. [CHUCKLES]

- You all right? -[CAN HISSES]

Yeah, haven't been sleeping good.

Well, you got him.

He got himself.

He controlled it all, right up to the end.

No.

We were closing in on him, and he knew it.

“Wen?

Yeah. "We."

[CHUCKLES]

[SIGHS] What a summer, man.

Yeah, I'm gonna get back to work.

Will you be needing it?

No, you go ahead.

[KEYS JANGLE]

You're gonna have to sit with it sooner or later, you know.

- Sit with what'? - Your loss.

- Got to be on the move, Ida. - Motion isn't release. It's just motion.

The truth is, I need it right now.

If I stop, I'll drown.

When you're ready, then.

My mother...

I loved her...

but she tried 'Talking to me,"

and I didn't want to be talked to.

Tonight, I told her what I'd done. I thought she'd be proud,

finally say I'd done something worthy.

She said I was sick and repulsive, that I should be hung by my neck

for what I did.

[CHOKING]

So now she's gone. All gone.

[SINGING] ♪ Just like the peas on my plate When I was a kid ♪

All gone. I miss her. I loved her.

My pretty, poor mommy.

And I can't live here without her, without. ..

[BREATHES DEEPLY] I'm thinking... time to g0.

And guess what?

I'm not sorry for hating you all, not even a little.

{PILLS RATFLE] -[BO'l'l'LE CRACKLES]

You all walking around in your lead boots you like to call a conscience.

Well, I was born wearing none so I could soar high above you all

[SNIFFLES] and watch you stuff your faces and flick your remotes...

and pray to a god you only half believe in.

It's all just a lie. The truth is blackness.

And the only thing that matters...

is making a statement before you enter it.

Peeling back the skin of the Earth and leaving a scar.

[SOFTLY] That's what history is, scar tissue.

Fuck it! I'm oubee.

[SOC-FPS, SIGHS] {painted m y masterpiece a couple years ego,

and I can't imagine how I could possibly top it.

[SNIFFLES] What have any of you done to be remembered?

[$055]

So... goodnight.

[INHALES DEEPLY] Good fuck.

I hope you're all condemned to live your meaningless lives...

over...

and over for-fucking-ever.

-[SIGHS] Thank you. - For What?

Narrowing down the location of Hartsfields home and his job,

breaking this case after we stopped. What were you two doing again?

- We were hung up on other cases. - So that's gonna be our story?

We missed catching the Mercedes killer because we were cthermrise occupied?

PETE: It may not play well, but it's the truth.

What if he planted other bombs behind?

Brady Hartsfield Wasn't the type to just slink away and kill himself,

I'm telling you.

We're gonna send a bomb-squad team to clear your house,

send one to Edmund Mills. Anywhere else a likely target?

- There's a career night tomorrow. - Where?

The Roseland Hotel. He Went after job seekers the first time.

You're on the co-workers next?

I'm on the bomb squad. We'll sweep those areas.

-[DIAL TONE] - HOCKNEY: Bill?

Your house is off-limits for a while, so Why don't you stick around

in an advisory capacity?

You need to sign nondisclosure and release-of-liability forms.

- You good with that? Grand.

[HOCKNEY SIGHS]

[INDISTINCT CHATFER]

HODGES: Miss Linklatter, thanks for coming in. How you doing?

Fuckin' great.

No matter how small it may seem, if anything occurs to you

about Brady Hartsfield, you give us a call.

All right.

Miss Linkletter, if you'd come with us, please.

It's "Link-later."

Oh, Josh.

We're having trouble locating your store manager, Anthony Frobisher.

- It's his day off. - We sent someone by his house. No answer.

- He goes to see his dad. PETE: Yeah?

Yeah, on his days off, he always goes to visit his dad in Bedford.

- Let's look up a Frobisher in-- - The only Frobisher that comes up

in Bedford, Xavier, 69... lives on Meyers Road, one son, Anthony.

All right, right this Way.

MALE REPORTER: Some are calling him the Mercedes Killer.

STORE CLERK: I can't believe it.

WOMAN: Wow.

MALE REPORTER: Police believe Brady is a strong connection to this.

Again, we're reporting live from Elm Street-

The cash Wrap looks like shit, and stock from last Week

is still in the backroom, not on the floor.

And vve open in 12 minutes.

Detective Dixon, please.

- MAN: Come on. Let's go. Let's go. -[DOG WHIMPERING]

We had no choice but to close, sir.

- MAN: Over here. -[DOG PANTING]

Yes, I am aware of declining sales, but, sir, you are aware that Brady Hart--

[DOG WHIMPERING]

I understand. But if there's a bomb, sir...

[POLICE RADIO CHAT-FER]

All clear.

It looks like we got the all-clear.

Yes, yes, right away.

Abso-

- Where's Taylor? Dude, she fuckin' quit.

These are our personal cells.

Twenty-four seven. We never close.

You did the right thing here. You can't be too paranoid right now.

- Sure. - No. For real.

PETE: Right.

[DOOR SLAMS]

Yeah, will do.

Okay, yeah. Talk soon.

OFFICER: All right, let's roll.

HODGES: Coroner?

Brady Hartsfield had no dentist.

Maybe his sole redeeming quality was good teeth.

The mother?

Her dentals match, yeah, but nothing on the son.

Bomb squads cleared this house, Edmund Mills.

- The Roseland? - Yeah, that was a bitch, I hear.

Look, nothing Went boom today, and all the likely targets are bomb-free.

That's something.

Speak it.

You think he's dead?

Yes.

I do.

But?

They found an egress.

Hidden door in the basement. Tunnel connected.

So he coulcfve got out, anytime.

["KILL YR IDOLS" BY SONIC YOUTH PLAYS]

♪ I don't know why ♪

♪ You wanna impress Christgau I

♪ Ah, lei that shit die I

♪ And find out the new goal I

♪ Kill your idols Sonic death I

♪ It's the end of the world I

♪ Confusion is sex I

What's the Word?

Nothing on DNA yet, but the ME. said the female looks to have been dead

longer than the male.

Well, it has to be significant if he can tell from the prelim stage.

PETE: And he said he's not finding any signs of blunt-force trauma

to her corpse.

He's waiting on fox work.

Jesus, everybody's fuckin' Waiting on things.

Isn't this the 21 st century?

What are you, a civilian? This shit takes time.

As I was saying, prior to tox work, he suspects poison.

Something to do with the clench of the jaw, he said.

Well... he sold it in the video like he snapped.

You don't snap and then take the time to poison someone.

Yeah. One more curio. The male did have blunt trauma to the back of the head,

but that's Where a beam landed in the fire, so it could be that.

You coming by?

I'll be in.

JOSH: There you go. And, um...

just in the bag?

- Thank you... - Thank you. Have a good day.

...for shopping Supreme.

-[SIGHS] {DOOR BEEPS]

ROBI: Hi. You've reached the voicemai/ of Anthony Frobisher.

- Please leave a message. -[BEEF']

It's Josh, again. You're two hours late!

Hope you have a hell of a reason.

Oh, thank Christ you're here.

- Where's Robi? - I don't know. Can you watch the front?

- No problem. - I've got to run an errand.

[SIGHS]

Rob“.!

We're clear.

Josh.

See anything out of the ordinary?

I've only been here once.

No, not that I can tell.

Let's sticker the door and get a forensic crew over. Can't hurt.

There was a rug here.

It was here three days ago.

I got one in the car.

- What do you got? - Fuckin' crime scene is What vve got.

Frobisher is six foot, 6'1"?

- That sounds right. - How tall is Brady?

Shorter. Maybe 5'8,“ 5'9}.

Hey, Chris, it's Pete. You in the morgue or at your desk?

Great. Um... I need a height on the male corpse from Elm Street.

Yeah.

Got it. Thanks.

Corpse in Brady Hartsfielcfs bed was six feet, one and a half inches.

And no one's seen Brady Hartsfielcfs co-worker

since the night of the explosion.

- I know it's crazy, but, uh... - But it's not impossible, either. Fuck.

I'd say he's alive.

He's staying under until he can make another statement,

-bigger than the last one. - You think the gala?

Half the town will be there.

The other half will be at career night at the Roselahd.

- Last time, he did go afterjob seekers. - Edr'nund Mills is easier to secure.

The Roseland has 300 rooms, an attached convention center,

entrances off that, the street, the garages...

HODGES: River ferry.

If I'm him and I'm looking for a target with the highest possibility of success,

-it's the Roseland. - Agreed.

Shit, shit, shit.

[SIGHS] You two get back to the station. I vvant your laptop.

See if there's anything our guys can find in What he sent you,

-anything that might tip his hand. - HODGES: I'll go get it.

I'll talk to the Mayor, see how he wants to proceed.

["KILL YR IDOLS" CONTINUES]

♪ Kill your idols I'

♪ Sonic death I

♪ It's the end of the world I

♪ Confusion is sex I

-ls there any tangible proof of this? - NICOLE: No, but if he's alive,

the career night at the Roseland would make for an obvious target.

- The gala would be the other. People are already lined up at the gala.

If I had one specific threat, anything to justify canceling it, I Would.

You can't shut it down on conjecture, Brooke.

And what about the Rosebud'?

Am I supposed to kick 300 guests to the curb?

Who's already through the gates?

Performers, vendors, some V.l.F'.s, people with special needs.

I'm gonna send a detachment to the Roseland

and a small detail to the gala. We're gonna be thin in both places.

- I can beef up private security. -[SIGHS] Need all the help we can get.

Here's a picture of Hartsfield. Make copies, pass it out.

["KILL YR IDOLS" CONTINUES]

♪ It's the end of the world I

♪ And confusion is sex I

[CELL PHONE RINGS]

Hello?

PETE: Hey. Hockney said forget about the computer right now

and get over to the Roseland.

She needs good eyes helping with the security detail,

and you've seen Brady in the flesh.

- They're not gonna evacuate? - PETE: Yeah, based on what'?

HODGES: How about the gala?

H.Q.'s betting on Roseland.

Yeah, all right.

Uh, I'm heading over. Just let them know I'm coming, vvill you?

PETE". Yeah, talk soon.

[VIOLIN PLAYING]

[INDISTINCT CHATFER]

PERFORMER: What is peace?

Is What you call peace the same peace as it is to me?

Nah. Peace to me feels like I'm chained on a leash by the Devil himself,

Who's standing there laughing at me because, you see,

as long as I don't know me, he's Winning, and I'll never be free.

Wherefore art thou, Romeo?

Deny thy father and refuse thy name, or, if thou Wilt not,

be but sworn my love, and I'll no longer be a Capulet.

Don't judge me, don't cast me out! Hear me out! Show... me out.

- Show me out of this void. {VIOLIN PLAYING]

Bullshit.

Not going after any career night.

[TIRES SCREECHING]

-[BAND PLAYING] - MAN: Here! Over here.

[INDISTINCT CHATFER]

[METAL DETECTOR BEEPS]

[DIALING]

JEROME: This is Jerome. Leave it at the beep.

- Shit. -[BEEF']

Jerome, call me immediately.

And get you and your family out of Edmund Mills... now!

{MUSIC CONTINUES PLAYING] {INDISTINCT CHAT-FER]

HOLLY: This is Holly Gibney. Leave me a message, please.

- Fuck it. -[BEEF']

Holly, this is Bill. Call me as soon as you get this, will you?

I think he's going after people I care about.

If you're at Edmund Mills, will you please leave?

AS SOOH 8S YOU can.

Fuck it!

[ROCK MUSIC PLAYING]

SECURITY GUARD: Okay. You're good to go. Next.

Arms up, please.

All right. Ticket?

- Thank you. SECURITY GUARD: You're Welcome.

Just lift the blanket. Let me get a quick look here.

- Oh, of course, of course. -[METAL DETECTOR BEEPS]

- Thank you. - You're Welcome.

Next.

[CAMERA SHUT-FER CLICKS]

{INDISTINCT CHATFER] {MUSIC PLAYING]

MAN: Oh, I'm so glad we got to see this one.

HODGES: I said get out!

- Well, am I in danger right now? - HODGES: Just g0 to your son's house!

- Oh. He's kind of a bore. - HODGES: For God's sake, Ida, be bored!

It's better than the alternative!

Oh. Is it, really?

HODGES: For Christ's sake...

IDA: Arm!' how am I supposed to go anywhere? You're in my car.

Call- Call a cab.

You're a great Woman for giving advice. Just take it, for once!

You guys got issued a picture. There he is. I think he's here.

He's pretty dangerous. Keep your eye out, all right?

Got it.

SECURITY GUARD: Arms out.

Okay. Enjoy the show.

[ROCK MUSIC PLAYING]

[INDISTINCT CHATFER]

MAYOR: Good evening. CROWD: Good evening.

MAYOR: Well, if you're here tonight, you're part of a very special group...

donors.

[CROWD CHEERING]

MAYOR: We like money!

But, seriously, you are a part of a special group.

You're donors to this, the Edmund Mills Art Center.

[CROWD CHEERING]

This is a testament to-- to your excitement

about arts in our community, arts in our school,

at a time when it's not really important to a lot of people.

But it is to us, and I thank-- I really thank each and every one of you.

It's a very important thing that you've done. I celebrate you.

[APPLAUSE CHEERING]

WOMAN: So good to see you here.

[INDISTINCT CHATFER]

Wait. Hold on.

Thank you.

{INDISTINCT CHAT-FER] {ROCK MUSIC PLAYING]

- Are you okay? - Yeah, yeah, I'm grand.

- Well, you-- you look terrible. - I've been trying to call you.

- Well, I-- I shut my phone off. - Why?

Because I do not want to speak with my mother.

- So don't answer her calls. - But that's rude.

Listen, you've got to get out of here. - Wait. Why?

- I think he's here. - Wait. He's alive?

I think he could be anywhere people I care about are.

But» So you're implying I'm someone you care about?

In a paternalistic sense, yes. You've got to go, please.

Well, but if the feeling were mutual, then why would I leave you?

For God's sake, will you go?

Well, Jerome is about to speak in there.

- Get him and his family out of here now! - Okay. Okay.

[BREATHING HEAVILY] [SIGHS]

[CROWD CHEERING]

MAYOR: I'm here tonight to introduce a very, very special young man.

And, by the way, if there's a 17-year-old in tovvn that could run

against me and win...

it's this guy.

[LAUGHS] So I'm glad that you're going off to college, son.

He's the first in a generation to get into Harvard.

{CROWD CHEERING] - Yeah!

MAYOR: The first in five years to be admitted

into the National Honor Society.

Excuse me.

Excuse me.

Brady?

Shouldve worn sunglasses.

Wait, Wait! [GRUNTS GROANS]

[MUFFLED SCREAMS]

[LOU GROANS]

MAYOR: Mr. Jerome Robinson.

[CROWD CHEERING]

Thank you, Mayor.

And- And thank you all for supporting the Edmund Mills Arts Center.

This is becoming the cornerstone of the revitalization of downtown.

So thank you for being here, and thank you for donating

-and joining us here. {CROWD CHEERING]

JEROME: Tonight you've seen incredible artists, musicians,

dancers, poets, painters, you name it.

Tonight, We're gonna watch the Bridgton Middle School Choir perform.

So, ladies and gentlemen, please give it up

for the Bridgton Middle School Choir.

- MAN: Yes. Whoa! {CROWD APPLAUDS]

[GASPS] Help me. Help me!

Help me! Help me! Help me! Help me! Somebody help me!

[GROANING]

[GROANING]

[GROANS] Help me.

Call a medic, quickly!

- Please help! - HODGES: All right.

[GROANS GRUNTS]

- It's Brady. - Here. Hold this to the wound.

It's-- It's Brady. It's Brady Hartsfield. Please...

- Where? Where is he? - He's in a Wheelchair.

Please don't leave me here. I don't want to die here!

You're not gonna die, all right? Just hold this to stem the bleeding.

It's all gonna be fine. You see which Way he Went?

SECURITY GUARD: Sir, I got this.

Wait. He's got- He shaved his head. He shaved his head.

He wh-- He what'? Shaved his-- Shaved his head?

Got a shaved head.

[CRYING] Just don't let him come back here.

Please don't let him come back here!

♪ This little light of mine I'm gonna let it shine I'

♪ This little light of mine I'm gonna let it shine I'

♪ This little light of mine I'm gonna let it shine I'

♪ Let it shine, let it shine Let it shine ♪

- J" Everywhere I go ♪ -[CLAPPING]

- J" I'm gonna fat it shine ♪ -[CLAPPING]

I Everywhere I go I

♪ I'm gonna let it shine I

-[GROANS] - J" Everywhere I g0 ♪

♪ I'm gonna let it shine Let it shine, let it shine, let it shine ♪

♪ Don't you try and blow it out Shh! I'm gonna let it shine ♪

♪ Don't you try and blow it out Shh! I'm gonna let it shine ♪

♪ Don't you try and blow it out Shh! I'm gonna let it shine ♪

♪ Let it shine, let it shine Let it shine ♪

[GRUNTS]

CHOIR: J' This little light of mine I'm gonna let it shine! Shine bright! ♪

♪ This little light of mine I'm gonna let it shine! Shine bright! ♪

♪ This little light of mine I'm gonna let it shine I'

♪ Let it shine, let it shine Let it shine ♪

Jerome, I just saw Hodges. - Yeah.

I just saw Hodges.

He said that Brady's here. You got to get everyone out of here.

- Wa'rt, wait. Slow down. What now? - I just saw Hodges.

Get everyone out of here! Go, go, go, go!

- You said Brady's here? - Yes, go.

[CROWD CHEERING]

JEROME: Hey, guys, go this way. Everybody down! Parker, get back.

- Everybody down! {CROWD SCREAM ING]

HODGES: Everybody down! Freeze!

JEROME: Get down, get down! Get down! HODGES: Freeze!

[CHOIR ECHOES] ♪ This little light of mine ♪

♪ I'm gonna let it shine I

♪ I'm gonna let it shine I

♪ This little light of mine I

Mike Stu rd ivant?

♪ I'm gonna let it shine Let it shine, let it shine, let it shine ♪

{STATUE THUDS] -[GROANS]

♪ Everywhere I g0 I'm gonna let it shine ♪

♪ Everywhere I ♪

Mbberflbbefl.!

♪ I'm gonna let it shine I

I Everywhere I go I

- J" I'm gonna let it shine ♪ -[HODGES GROANS]

♪ Let it shine Let it shine, let it shine ♪

♪ Let it shine, let it shine Let it shine ♪

[HEART MONITOR BEEPING]

MALE REPORTER: [ON TV] ...responsible for the capture and arrest

of the infamous Mercedes Killer when they stepped in

to stop him from committing another atrocious act.

[BREATHES DEEPLY]

How long is the drive'?

It's about ten hours.

- Yeah.

[JEROME SIGHS]

So...

What you got going on today?

Well... I... They're coming in for me in a few minutes.

Get me on my feet...

just a little walk up and down the corridor, so that's really good.

Yeah.

- Yeah? - That is good.

Yep.

Yep.

It's a long drive.

Yeah, it's a long drive.

Yeah.

Your future awaits.

[SIGHS] Thanks, Bill.

Drive safe.

Yeah, I'll try.

["WHO BY FIRE" BY LEONARD COHEN PLAYS]

♪ And who by fire And who by water ♪

♪ And who in the sunshine And who in the nighttime ♪

♪ And who by high ordeal And who by common trial ♪

♪ Who in your merry, merry month of May ♪

♪ And who by very slow decay I

♪ And who I

♪ Shall I say I'

♪ ls calling? I'

♪ And who in her lonely slip And who by barbiturate I'

♪ And who in these realms of love I

♪ And who by something blunt I

♪ And who by avalanche I

♪ And who by powder I

♪ And who for his greed I

♪ And who for his hunger I

♪ And who I

♪ Shall I say I'

♪ ls calling? I'

♪ And who by brave assent I

♪ And who by accident I

♪ And who in solitude ♪

♪ And who in this mirror I

♪ And who by his lady's command I

♪ And who by his own hand I

♪ And who in mortal chains ♪

♪ Who in power ♪

♪ And who I

♪ Shall I say I'

♪ ls calling? I'

♪ And who I

♪ Shall I say I'

♪ ls calling? I'

♪ And who by fire ♪

♪ And who by water I

This is it, Kermit William. You're busting out of here in the am.

- You shit me not? - I shit you not.

I'll take care of this, and I'll be back for those.

Thanks, Al.

♪ Who in your merry, merry month of May ♪

♪ And who by very slow decay I

♪ And who I

♪ Shall I say I'

♪ is calling? I'

Can I pop in here a second?

-Is the doctor in? - In with him now.

Okay. Thanks.

Thanks.

[HEART MONITOR BEEPING]

HODGES: Hey.

You're leaving today, I hear.

That mean you're gonna stop coming in here to stare at him?

Unlikely.

The path leading up to the front of this hospital is brick.

Hunch down and stare at those bricks on your way out.

They'll communicate better than he vvill, Mr. Hodges. He's gone.

- Never coming back? - No.

His brain has the same electromagnetic level as a triple-A battery

you left in a remote five years ago.

If I Whack that remote enough...

I'll get the TV running, I promise you.

If somebody whacks him one more time, he'll die.

Care to take a coffee break, doc?

Be like I was never here.

If he ever flatlines, I hope you have an alibi.

If he never flatlines, I'll show up and cremate him myself.

You think I'm joking.

Sadly, I don't.

- I'll just be a second here. {VENTILATOR HISSING]

I know you're in there...

because hate hangs on...

and hate's all you had.

Could bring you back someday.

Sure as taxes and Christmas, though, I'll be Waiting...

and I'll finish it.

MAN: [OVER PA] Nurse Farrell, you are needed in Pediatrics.

Nurse Farrell, you are needed in Pediatrics.

{MONITORS BEEPING] {VENTILATOR HISSING]

[ELECTRICITY CRACKLING]

["HERE COMES YOUR MAN" BY PIXIES PLAYS]

♪ Outside there's a boxcar waiting I

♪ Outside there's a boxcar waiting I

♪ Outside the family stew I

♪ Out by the fire breathing I

♪ Outside we wait til! face turns blue I

♪ I know the nervous walking I

♪ I know the dirty beard hangs I

♪ Out by the boxcar waiting I

♪ Take me away to nowhere plains I

- J" There is a wait so long ♪ - J" So long, so long ♪

♪ You'll never wait so long ♪

♪ Here comes your man I

♪ Here comes your man I

♪ Here comes your man I

♪ Big shake on the boxcar moving I

♪ Big shake to the land That's falling down ♪

♪ Is a wind makes a palm stop blowing I

♪ A big, big stone fall And break my crown ♪

- J" There is a wait so long ♪ - J" So long, so long ♪

♪ You'll never wait so long ♪

♪ Here comes your man I

♪ Here comes your man I

♪ Here comes your man I

♪ Here comes your man I

♪ Ah-ooh! I

♪ Ah-ooh! I

- J" There is a wait so long ♪ - J" So long, so long ♪

♪ You'll never wait so long ♪

♪ Here comes your man I

♪ Here comes your man I

♪ Here comes your man I

♪ Here comes your man I

♪ Here comes your man I

♪ Here comes your man I

♪ Here comes your man I

♪ Here comes your man I

♪ Here comes your man I

♪ Here comes your man I

♪ Here comes your man I